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50 Facts You Didn’t Know About Jimmy Cliff

Eric Alper
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50 Facts You Didn’t Know About Jimmy Cliff

Jimmy Cliff was more than a reggae giant. He was a storyteller, a bridge between Jamaica and the world, and a voice that carried hope, struggle, and joy with every note. His music opened doors globally, reshaping how people understood Jamaica, reggae, and the soul of an island that changed music forever. Here are 50 things you might not have known about him.

  1. Jimmy Cliff was born James Chambers in St. James, Jamaica, in 1944.
  2. He started writing songs in primary school after listening to a neighbor’s sound system.
  3. His father took him to Kingston at age 14 to pursue music.
  4. He chose the stage name Jimmy Cliff to represent the heights he aimed to reach.
  5. His early single “Hurricane Hattie” became a hit when he was 17.
  6. Leslie Kong produced his first successful records after Cliff convinced him to enter the music business.
  7. He represented Jamaica at the 1964 World’s Fair in New York.
  8. He appeared in the 1964 program “This Is Ska” alongside Toots and the Maytals.
  9. His international debut album ‘Hard Road to Travel’ arrived in 1967.
  10. His song “Waterfall” became a major hit in Brazil.
  11. Bob Dylan once called Cliff’s song “Vietnam” the best protest song he had ever heard.
  12. His cover of “Wild World” became one of his early international hits.
  13. He starred as Ivan in the 1972 film ‘The Harder They Come’.
  14. The soundtrack to ‘The Harder They Come’ helped introduce reggae worldwide.
  15. The film premiered in London’s Notting Hill on September 1, 1972.
  16. He performed on the first season of “Saturday Night Live” in 1976.
  17. He took a break from music in the 1970s to travel in Africa.
  18. Nigerian writer Lindsay Barrett guided his early Africa travels.
  19. He explored several religions throughout his life.
  20. He briefly used the name El Hadj Naim Bachir.
  21. He later described himself as having a universal outlook grounded in science.
  22. He recorded with Kool and the Gang in the early 1980s.
  23. His song “Trapped” gained new fame when Bruce Springsteen covered it.
  24. He contributed to the anti-apartheid anthem “Sun City” in 1985.
  25. He sang “Seven Day Weekend” with Elvis Costello for the film ‘Club Paradise’.
  26. His song “Shelter of Your Love” appeared in the film ‘Cocktail’.
  27. He performed “John Crow” in the 1990 film ‘Marked for Death’.
  28. The Sandinista National Liberation Front used “You Can Get It If You Really Want” in a 1990 campaign.
  29. He played at Rock in Rio in 1991 at Rio de Janeiro’s Maracana Stadium.
  30. His version of “I Can See Clearly Now” hit number one in France.
  31. His ‘Cool Runnings’ soundtrack version of “I Can See Clearly Now” reached the US top 20.
  32. He released “Hakuna Matata” with Lebo M for ‘The Lion King’ soundtrack in 1995.
  33. He joined the Independent Music Awards judging panel in 2001.
  34. He collaborated with Joe Strummer, Annie Lennox, Dave Stewart, and Sting on ‘Fantastic Plastic People’.
  35. He reimagined the album with an electronic sound for ‘Black Magic’.
  36. He received Jamaica’s Order of Merit in 2003.
  37. He was inducted into the Rock and Roll Hall of Fame in 2010.
  38. Wyclef Jean inducted him at the ceremony.
  39. Rolling Stone ranked his album ‘Rebirth’ among the top 50 albums of 2012.
  40. ‘Rebirth’ included his cover of “Guns of Brixton”.
  41. He performed at cricket’s World Cup opening ceremony in 2007.
  42. He embarked on a major US and Canadian tour in 2010.
  43. His song “You Can Get It If You Really Want” was once used at a British political conference without his approval.
  44. He helped bring Bob Marley to producer Leslie Kong’s attention early in Marley’s career.
  45. His songwriting often reflected political and social issues.
  46. He toured globally with his longtime band, Oneness.
  47. He appeared in multiple films beyond ‘The Harder They Come’, including ‘Club Paradise’ and ‘Marked for Death’.
  48. He continued releasing new music into his late seventies, including the album ‘Refugees’.
  49. He believed in using music to celebrate freedom and human dignity.
  50. He described himself as a shepherd of reggae, helping bring the genre to America, England, and Africa.

Understanding Casino Odds: How to Make Smarter Bets

Eric Alper
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By Mitch Rice

When players step into a Delbet real money casino, most believe the game is all about luck. But professionals know something different: the game is built on tiny details that many players overlook. Odds don’t shout; they whisper. And once someone learns how to read them properly, their entire approach changes.
This article explains what experts notice long before placing a bet, the subtle techniques that transform ordinary play into strategic decision-making.

How Professionals Read Odds Differently

Spotting “Hidden House Edges” in Popular Games

Professionals never see a casino game at face value. They study the rules, looking for small adjustments that increase the house edge, tiny payout reductions, small rule changes, or reshuffles that come sooner than expected. These details shift long-term results.
In a سایت شرط بندی, even the smallest edge can make a huge difference during long sessions, which is why experts stay alert.

Predictive Patterns Most Players Ignore

Patterns don’t mean a game is “hot.” Experts understand this. Instead, they observe structure, the way a dealer shuffles, the rhythm of spins, or a machine’s timing cycle. These subtle behaviours reveal opportunities many casual players miss.
Recognising this structure is what makes Delbet secure betting a smarter and more predictable choice.

The Mathematics Professionals Actually Use

True Odds vs Offered Odds – The Gap That Matters

Many players accept displayed odds without thinking twice. Professionals do the opposite; they check the difference between true probability and the payout the casino offers.
This difference is where the house earns profit. Before choosing a game in a Delbet real money casino, experts examine the payout table first. If the numbers aren’t favourable, they simply move on.

Volatility and Risk Profiles – Matching Bets to Behaviour

Volatility isn’t a threat; it’s a planning tool. High-volatility bets suit bold strategies, while low-volatility bets support steady, consistent play. Players who don’t understand their own style often make poor choices. But once volatility is matched to the player’s approach, even simple sessions inside a Delbet secure betting environment become more controlled and strategic.

Calculations Professionals Do Before Placing Any Bet

Expected Value (EV) Made Simple

Experts calculate EV quickly to determine whether a bet pays off in the long run. If the EV is negative, they avoid the bet even if the table looks lucky or the game feels exciting. In a Delbet real money casino, EV remains one of the most reliable indicators of long-term outcomes.

Risk-of-Ruin Awareness

Casual players often overlook bankroll collapse, but professionals track it carefully. Risk-of-ruin shows how deep a bankroll can fall before recovery becomes unlikely. By respecting safe limits, experienced players make calmer decisions, transforming Delbet secure betting into a steady and controlled experience.

Behavioural Insights Professionals Rely On

Emotional Patterns That Cost Players Money

Casinos understand emotions extremely well. Professionals protect themselves by avoiding emotional bets. Losing two rounds doesn’t justify doubling stakes, and winning a round doesn’t confirm a lucky streak. Even a brief pause can prevent unnecessary losses in a Delbet real money casino.

Reading Table Flow and Dealer Tempo

Every table has its own rhythm. Fast tables lead to rushed decisions, while slow tables allow more time for analysis. Professionals select tables where they can stay in control. Understanding tempo helps shape better decisions, which is why Delbet secure betting aligns so well with patience and strategy.

Advanced Bankroll Strategies Used by Experts

Fractional Staking for Longer Sessions

Flat betting drains a bankroll quickly. Professionals prefer fractional staking, betting small percentages of their balance to control swings and support longer gameplay. This becomes especially useful in a Delbet real money casino where each round influences the next.

Using Heat Maps and Data Tracking

Modern bettors rely on simple data logs. Not personal diaries, just clean records. They track which games perform better, what times suit them, and when mistakes typically happen. Over time, this builds a personal “heat map” of their habits. When combined with بازی‌انفجار, these insights become incredibly powerful.

How to Apply This Knowledge at Delbet

When players combine these techniques, their entire betting style changes. They observe rules more carefully, examine numbers, and understand game flow. A Delbet real money casino then becomes a place where informed choices guide the session, not random guesses. Clear payout tables, transparent odds, and steady pacing support smarter decision-making, the foundation of Delbet secure betting.

Conclusion – Turning Odds into Smart Decisions

Odds rarely shout; they whisper. Once players learn to listen, they stop relying on chance and start relying on strategy. That’s how professionals play with patience, clarity, and control. So the next time someone enters a Delbet real money casino, the most valuable question is this: What are the odds trying to show today?

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

5 Surprising Facts About Usher’s ‘Confessions’

Eric Alper
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5 Surprising Facts About Usher’s ‘Confessions’

There are albums that define a moment, and then there are albums that define an era. Usher’s 2004 masterpiece Confessions did both. It arrived at a time when R&B was shifting, chart battles were fierce, and the music industry was fighting to keep album sales alive. Confessions cut through everything with honesty, precision, and undeniable star power, becoming one of the most successful and influential albums of the 21st century. Behind the hits and headlines, the story of Confessions is even deeper than many fans realize. Here are five little known facts that reveal just how much history is packed inside this era shaping record.

1. Confessions was originally missing its biggest hit
When Usher delivered the album to Arista, both he and L.A. Reid felt something was missing. The project had nearly 40 recorded songs, yet the final piece had not arrived. The decision sent Usher back into the studio, leading to the last minute creation of songs like “Yeah!” that would define the entire era. Without that hesitation, the album we know would not exist.

2. The album began as a personal journal but reflected Jermaine Dupri’s life instead
Fans widely assumed Confessions was Usher telling his own story about infidelity and heartbreak. In reality, much of the narrative was based on producer Jermaine Dupri’s private experiences. Usher tapped into the emotional truth of the material, creating a performance so believable that listeners embraced the songs as his own life.

3. Lil Jon saved the album’s rollout by leaking “Yeah!” without permission
Arista planned to launch the album with “Burn,” but Lil Jon believed “Yeah!” was the event single the era needed. During the holiday break, he leaked the track to DJs across the country. By January, it was already a radio takeover with no label involvement. The momentum forced the label to pivot, and the entire Confessions era shifted overnight.

4. Usher and the producers recorded over 40 songs but struggled to pick the final tracklist
While assembling the album, Usher, Jermaine Dupri, Bryan Michael Cox, L.A. Reid, and A and R rep Mark Pitts each had different favorites. The final tracklist came from songs that consistently reappeared across all their lists. Many unused songs remained in the vault, including a remix of “Yeah!” and early versions of “Red Light.”

5. Confessions introduced a new vocal approach inspired by jazz, soul, and Usher’s live technique
Producers Andre “Dre” Harris and Vidal Davis pushed Usher to sing harder and show the full strength of his voice. Songs like “Superstar,” “Follow Me,” and “Burn” highlight a new vocal identity. The record blends R and B, crunk, hip hop, and classic soul phrasing in a way that changed the direction of 2000s R and B and influenced future artists across genres.

5 Surprising Facts About Miranda Lambert’s ‘Platinum’

Eric Alper
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5 Surprising Facts About Miranda Lambert’s ‘Platinum’

When Platinum arrived on June 3, 2014, it marked a defining moment in Miranda Lambert’s career. Not only did the album debut at #1 on the Billboard 200, it also captured the Grammy Award for Best Country Album and cemented Lambert as one of country music’s most fearless storytellers. Fifteen tracks deep, packed with bold collaborations and powerhouse songwriting, Platinum remains a snapshot of an artist at the height of her creative force. Here are five lesser known facts about the album that reveal just how layered and intentional this era truly was.

1. The album was recorded in studios across three cities
Most fans know Platinum was a Nashville-driven project, but fewer know Lambert recorded it in a sweeping list of studios. Sessions took place at Cyclops Sound in Los Angeles, Dave’s Room in Hollywood, and Ronnie’s Place, Ben’s Studio, Sound Stage Studios, St. Charles Studio, and The House in Nashville. The album’s sonic variety reflects the many rooms, producers, and musicians woven into its foundation.

2. Lambert wrote or co-wrote half the album during a creatively explosive period
Eight tracks on Platinum bear Lambert’s name as a songwriter, a notable jump from some earlier albums. She wrote across tours, writing retreats, and downtime between sessions, shaping songs that blended humor, heartbreak, nostalgia, and swagger. This dense writing streak helped define the album’s confident, personal voice.

3. Carrie Underwood wasn’t originally supposed to sing on “Somethin’ Bad”
The hit duet was originally written by Chris DeStefano, Brett James, and Priscilla Renea as a male–female collaboration. It was later rewritten as a women-driven anthem before Lambert ever heard it. When the song reached her, she immediately sent Underwood a direct email asking to collaborate, and the two fulfilled a long standing goal of recording together.

4. “Little Red Wagon” began as a gritty indie track by Audra Mae
Before the song became one of Lambert’s signature singles, it lived on Audra Mae’s album Audra Mae and the Almighty Sound. Lambert first heard Mae’s version through a recommendation from John Eddie while touring. Its camp song inspired hook and fiery delivery instantly grabbed her, and she personally asked Mae for permission to record it.

5. “All That’s Left” with The Time Jumpers was recorded in one joyful session
The collaboration with the legendary Western swing group isn’t just a feature — it captures Lambert stepping fully into a vintage country sound. The session’s live–in–studio energy created one of the album’s most playful tracks. It’s a reminder of Platinum’s core charm: celebrating country roots while rewriting the rules in real time.

5 Surprising Facts About LCD Soundsystem’s ‘Sound of Silver’

Eric Alper
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5 Surprising Facts About LCD Soundsystem’s ‘Sound of Silver’

When LCD Soundsystem released Sound of Silver in 2007, it wasn’t just another dance-punk record. It became a touchstone. A rare album that captured aging, joy, grief, nightlife, loneliness, and hope in a single breath. Critics adored it, fans held it close, and nearly two decades later, it remains one of the most celebrated records of the 2000s.

But behind the acclaim and the year-end lists, the album hides strange stories, quiet dedications, and experimental decisions that shaped its sound. Here are five unknown facts about Sound of Silver and the unexpected life that shaped it.

1. James Murphy literally wrapped the studio in silver.
While recording at Long View Farm in Massachusetts, Murphy felt deeply uncomfortable hearing his own voice played back. As a kind of emotional shield, he covered the entire studio in silver fabric and tin foil while tracking the album. One piece of that original fabric even traveled with him to Los Angeles for the next record, This Is Happening, where he hung it inside Rick Rubin’s Mansion.

2. Several songs quietly grew out of LCD’s 46-minute Nike commission.
In 2006, the band released “45:33,” a six-part composition designed for running. Murphy repurposed melodic threads from that project across Sound of Silver. Most notably, “Someone Great” first appeared on “45:33” as an instrumental before becoming one of the album’s most emotionally important tracks.

3. A hidden dedication reveals the album’s emotional core.
Sound of Silver is dedicated to Dr. George Kamen, a Bulgarian-born pioneer in group therapy who practiced in New York City. Murphy had a deep personal connection to Kamen, and some have suggested that the loss described in “Someone Great” reflects his passing. It adds a quiet depth to a song often experienced as universal grief.

4. The album’s release included a secret charity remix project.
On March 12 2007, the same day the album dropped in the UK, an underground remix version surfaced online in support of a charitable cause. It was never commercially released, barely promoted, and has since become a piece of LCD lore, known mostly by collectors who stumbled across it in real time.

5. Sound of Silver shaped the decade far more than most fans realize.
The album dominated critics’ lists across 2007 and the 2000s, but its individual songs carried their own cultural weight. “All My Friends” was named the second best song of the decade by Pitchfork, while “North American Scum” found unexpected life in movies, video games, and satellite radio. The album’s reach far exceeded dance-punk, embedding itself in film, media, and alt-culture for years after.

Toronto’s Brandyn Leo Drops Vulnerable New Single “Beats 4 U,” Blending Dancehall Grooves with RnB Heart

Eric Alper
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Toronto’s Brandyn Leo Drops Vulnerable New Single “Beats 4 U,” Blending Dancehall Grooves with RnB Heart

Rising artist Brandyn Leo returns with his most heartfelt and vulnerable release to date, “Beats 4 U,” available now on all major streaming platforms. Fusing the energy of dancehall with smooth RnB melodies and polished pop sensibilities, the Toronto-born, Jamaican-raised singer-songwriter is carving out his own lane—one that’s fierce, fearless, and full of soul.

After earning accolades in professional theatre and leading the hip-hop group Iambic, Brandyn Leo has found his voice as a solo artist with a message. He brings together pop, gospel, RnB, and reggae/dancehall influences, inspiring his listeners—particularly Queer and P.O.C. voices—to live with courage and heart. His motto, ‘Stay Fierce & Fearless,’ is more than a mantra—it’s the pulse of his sound.

“Beats 4 U” dives deep into the emotions of falling in love, told through the lens of someone rediscovering what it means to be vulnerable. “I never thought that it would work… I try to keep it together, but I wear my heart on my sleeve,” Brandyn sings, layering confessional lyricism over a bouncing beat. The chorus—“Are you feeling what I’m feeling? ’Cause my heart beats for you”—has already started resonating as a potential couple’s anthem.

The track was written in Gatineau, Quebec, during a moment of unexpected creative breakthrough. “It came out like a stubborn knot,” Leo says. “The melody was flowing, but the words weren’t.” Despite early hesitations, it quickly became a crowd favorite during live performances, pushing Brandyn to embrace its message of emotional openness.

Produced with glossy polish and a sense of emotional urgency, ‘Beats 4 U’ is reminiscent of early Sean Paul’s infectious rhythm, Khalid’s vulnerability, Burna Boy’s global bounce, and modern Drake’s melodic flow. The upcoming music video, set for a November release, follows a young woman navigating an unpredictable romance, mirroring the song’s tender tension.

With ‘Beats 4 U,’ Brandyn Leo proves he’s not just making music—he’s making moments. And with each new release, his message gets louder: Love bravely. Live boldly. Let your heart beat out loud.

The Celtic Tenors Release “The Holy City” Ahead of Canadian Tour And Live Album

Eric Alper
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The Celtic Tenors Release “The Holy City” Ahead of Canadian Tour And Live Album

Internationally acclaimed trio The Celtic Tenors—Matthew Gilsenan, Daryl Simpson, and George Hutton—return with a breathtaking rendition of “The Holy City,” marking the first glimpse of their upcoming live project, recorded during an exceptional performance at Belleville, Ontario’s historic Empire Theatre this August. Released through Slammin Media and distributed by Believe Distribution, the single is out now, inviting audiences into a new chapter of the group’s celebrated journey.

Originally written by Frederic E. Weatherly and composed by Stephen Adams in 1892, “The Holy City” has endured for more than a century. Its sweeping melody and evocative storytelling have made it a staple in music history, resonating with generations of listeners who are drawn to its emotional depth and sense of hope.

The Celtic Tenors’ interpretation brings a renewed vitality to the beloved classic, infused with the warmth, clarity, and soaring harmonies that define their global reputation. Their performance captures both the intimacy and grandeur of the piece, reflecting the trio’s rare ability to bridge the worlds of classical, Celtic, and contemporary crossover with effortless grace.

Founding member Matthew Gilsenan, from Kells, County Meath, Ireland, delivers with his trademark emotive power and stage presence. “For me, every concert is about connection—sharing a song, a story, and leaving the world a little brighter,” says Matthew. Daryl Simpson BEM, from Omagh, Northern Ireland, complements that energy with precision and passion, his artistry shaped by years of operatic experience and community work. “Music has the power to heal, unite, and inspire—on stage and far beyond,” he shares. Newest member George Hutton, from Derry, brings vibrant personality and contemporary flair, having previously toured with Anúna and performed with Hozier and Phil Coulter. “If there’s one thing I can’t do without on tour, it’s a good cup of tea!” he laughs.

Together, their voices form a seamless blend—three distinct tones converging into one unmistakable sound. “The Holy City” captures the heart of their musical philosophy: songs that elevate emotion and connection above all else. Their live recording showcases the spontaneity and soul that define their performances, transforming a timeless composition into something immediate, dynamic, and deeply human.

With over a million albums sold worldwide and a two-decade career that spans six continents, The Celtic Tenors have become Ireland’s most successful classical crossover act. From neighbourhood stages to world-renowned venues in New York, Amsterdam, and Shanghai, the trio’s blend of charm, professionalism, and warmth continues to captivate audiences across generations.

The release of “The Holy City” coincides with The Celtic Tenors’ highly anticipated Canadian Christmas Tour. Launching November 27 at the Bell Performing Arts Centre in Surrey, BC, and concluding December 17 at the Orillia Opera House, the tour promises a festive celebration of Celtic charm, timeless favourites, and heartfelt storytelling. Each performance delivers a balance of technical brilliance and spontaneous joy, ensuring every audience leaves uplifted and inspired.

Tour Dates:
November 27 – Bell Performing Arts Centre, Surrey, BC
November 29 – Port Theatre, Nanaimo, BC
December 1 – Mary Winspear Centre, Sidney, BC
December 2 – BC Community Theatre, Kelowna, BC
December 4 – Knox United Church, Calgary, AB
December 5 – Burton Cummings Theatre, Winnipeg, MB
December 7 – Théâtre Beanfield, Montreal, QC
December 9 – Shenkman Arts Centre, Ottawa, ON
December 10 – Empire Theatre, Belleville, ON
December 11 – Sanderson Centre, Brantford, ON
December 12 – Meaford Hall, Meaford, ON
December 14 – JAG Soundhouse, St. John’s, NF
December 16 – Regent Theatre UOIT, Oshawa, ON
December 17 – Orillia Opera House, Orillia, ON

Their shows are known for blending centuries-old ballads with inventive takes on contemporary favourites, all wrapped in the good humour and camaraderie that make their performances feel like an evening among friends. Audiences can expect moments of breathtaking a cappella harmony, cinematic arrangements, and a heartfelt celebration of music’s power to connect across boundaries.

As they prepare for their 2025 tour and live project release, The Celtic Tenors continue to reaffirm why they remain one of Ireland’s greatest musical exports. Their artistry, authenticity, and shared joy in performance have built a legacy defined not only by accolades but by the countless hearts they’ve touched along the way.

Alex Bird & The Jazz Mavericks with the Holiday Album That Keeps on Giving ‘Another Christmas Day’

Eric Alper
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Alex Bird & The Jazz Mavericks with the Holiday Album That Keeps on Giving ‘Another Christmas Day’

Acclaimed Canadian vocalist and songwriter Alex Bird, together with his band The Jazz Mavericks, is proud to announce the release of their new holiday album ‘Another Christmas Day’. Recorded live off the floor in Toronto at Canterbury Music Company, the album brings ten original songs into the rich tradition of holiday jazz with warmth, artistry, and timeless appeal.

The album, originally released on November 1, 2024, marks the fourth full-length project from Bird and longtime collaborator, musical director, and arranger Ewen Farncombe. Joining them are Jacob Gorzhaltsan (sax & clarinet), Julian Anderson-Bowes (bass), and Norbert Botos (drums & jingle bells). The collection showcases the group’s seamless chemistry, capturing the intimacy and joy of live performance.

‘Another Christmas Day’ highlights Bird’s ability to craft new standards for the season, songs that balance festive cheer with heartfelt emotion. Tracks like “Ho Ho Hold Me Close” and “Christmas in the City” invite listeners to share in the joy of togetherness, while “Every Time This Year” and the title track reflect on those who are alone during the holiday season. The result is an album that feels both classic and fresh.

“We wanted to create a holiday record that honors tradition but also brings something new to the table,” says Bird. “Recording live, without headphones, allowed us to truly listen to one another in the room. It brought out the honesty and magic that the music and audience deserves.”

The lyrics carry a distinctly personal touch, with vivid imagery that evokes all aspects of the season. In “Prelude to Christmas,” Bird sings: *“The snow is falling, the fire is calling / The faces you love are by your side.”* In the introspective “Everytime This Year” Christmas past is reflected in the fragments of a snowglobe, ”Fallen from the fireplace, shattered memories in the glass.” And in “It’s December,” the refrain rings out: “It’s December, and it’s Christmas everywhere.”

Throughout his career, Bird has become one of the most exciting voices in Canadian jazz. His sophomore album ‘You Are the Light and the Way’ was nominated for Best Vocal Jazz Album at the 2022 JUNO Awards, a recognition that placed him firmly among the country’s leading vocalists. His surprise 2023 release ‘Songwriter’ was again nominated for a JUNO in 2024, cementing his reputation as a versatile and visionary artist. And in 2025 Bird and Farncombe released an original bossa nova EP in collaboration with Latin Grammy Award winner, Cheo, ‘Casanova, Bossa Nova, Lover Man’.

Beyond the accolades, Bird has become a fixture on stages across the country, headlining the Sudbury Jazz Festival and appearing at The Markham Jazz Festival, The Kensington Market Jazz Festival, and The Niagara Jazz Festival, alongside performances at The Jazz Bistro, Upstairs Jazz, and The Old Mill.

Industry peers and press have hailed ‘Another Christmas Day’ as an inventive and enduring addition to the holiday canon. Metronome Magazine praised the album as “a modern-day holiday jazz masterpiece,” while Jazz Weekly called Bird “the freshest singer around” whose songs “swing the jingle bells.”

bird  Farncombe reflected on the project: “Holiday music has always been about connection. We wanted to write songs that could bring people together now and for years to come. There’s joy, but also space for reflection—because that’s what the season is really about.”

As the holiday season approaches, Alex Bird & The Jazz Mavericks invite audiences everywhere to discover ‘Another Christmas Day’. With its blend of swing, sentiment, and originality, the album promises to become a beloved companion for many winters ahead.

Upcoming Tour Dates

November 28 – Upstairs Jazz, Montreal, QC

December 5 – The Classic Theatre, Cobalt, ON

Cree/Halfbreed and Métis Artist Cheryl L’Hirondelle Releases Transformative New Album ‘Why the Caged Bird Sings’

Eric Alper
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Cree/Halfbreed and Métis Artist Cheryl L’Hirondelle Releases Transformative New Album ‘Why the Caged Bird Sings’

Edmonton, AB-based Indigenous singer, songwriter, and interdisciplinary artist Cheryl L’Hirondelle announces the release of her powerful new project, ‘Why the Caged Bird Sings,’ out now via Miyoh Music. The collection is a deeply human, participatory collaboration that brings together the voices of incarcerated women, men, and detained youth from across the land now known as Canada.

A recipient of the 2021 Governor General’s Award in Visual and Media Arts and an honorary doctorate from Queen’s University in 2025, Edmonton-based L’Hirondelle continues her life’s work at the intersection of art, healing, and community. Rooted in her Cree/Halfbreed and Métis heritage, her music merges Indigenous and contemporary sounds into an artform of profound empathy and self-determination.

“Why the Caged Bird Sings” originated as a five-day songwriting and recording workshop engaging small groups of incarcerated individuals and their educators. Each song emerged through a collaborative process where participants contributed lines and melodies shaped by consensus, ensuring every voice was equally heard. The resulting works affirm freedom as both creative expression and self-ownership.

The first single, “Here I Am (Bless My Mouth),” co-composed with Gregory Hoskins and featuring the voices of twelve Indigenous female artists, is an anthem of resilience and reclamation. The song was originally written at the Okimaw Ohci Healing Lodge at Nekaneet First Nation and later recorded in studios across Canada, reflecting both the project’s breadth and its unifying vision.

Following in December, the second single, “Can’t Break Us,” co-produced by Mark Schmidt and Cheryl L’Hirondelle, was created with youth at the Paul Dojack Youth Detention Centre in Regina. With lyrics by young writers using aliases to protect their privacy, the song radiates hope and empowerment—asserting that voice and creativity remain unbreakable, even within confinement.

L’Hirondelle describes the collection as ‘freedom songs’—not in the traditional civil rights sense, but through the Cree understanding of tipēyimisowin, meaning self-determination and self-expression. Each song serves as a lyrical declaration of sovereignty, resilience, and the power of collective storytelling.

Among the project’s remarkable works are “The Beauty Within,” “Come My Sisters, Come,” and “Live the Life That Is Meant for Me,” each recorded live within correctional institutions in Saskatchewan. These songs blend hand drums, harmonies, and Indigenous chant traditions with contemporary arrangements by long-time collaborators Gregory Hoskins, Mark Schmidt, Glenn Ens, and David Travers-Smith.

The album’s accompanying videos expand its vision. Three performance films—”Here I Am, ” “The Journey Home, ” and “Live the Life That Is Meant for Me”—were filmed in Saskatoon, while experimental immersive videos for “Can’t Break Us, ” “The Beauty Within, ” and “To All Our Nations” tour as part of a multi-sensory exhibition amplifying the voices of participants through technology and art.

‘Why the Caged Bird Sings’ stands as a testament to the restorative power of music. Through this project, Cheryl L’Hirondelle transforms creative collaboration into a space of healing and reclamation, extending the reach of song beyond walls and borders.  

The Andy Kim Christmas Comes to River Rock Casino December 13 Featuring Tom Cochrane, 54-40, The Washboard Union, Men Without Hats, and More

Eric Alper
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The Andy Kim Christmas Comes to River Rock Casino December 13 Featuring Tom Cochrane, 54-40, The Washboard Union, Men Without Hats, and More

Live Nation, in partnership with The Legacy Loog Foundation and Shocore Music, will present the inaugural West Coast edition of The Andy Kim Christmas concert on Dec. 13, 2025, at the River Rock Casino in Richmond, B.C. with confirmed artists Tom Cochrane, Neil Osborne & Dave Genn (54-40), The Washboard Union, Men Without Hats, Joe Keithley (D.O.A.), Steve Bays (Hot Hot Heat / Mounties), Lee Aaron, Dan Hill, Jo Jo Mason, and more to come.

This milestone event will unite an all-star roster of Canadian music icons for an evening of unforgettable performances, with proceeds benefiting Variety – the Children’s Charity of B.C., supporting children with disabilities and complex health needs across the province.

For 21 years, The Andy Kim Christmas has been a marquee fixture of the Canadian music calendar, raising more than $2.25 million for charity and featuring collaborations between some of the country’s most celebrated artists. Past performers have included Barenaked Ladies, Broken Social Scene, Alex Lifeson, Men Without Hats, Dan Hill, William Prince, Molly Johnson, Billy Talent, Kim Mitchell, Serena Ryder, Tom Cochrane, Burton Cummings, Cowboy Junkies, Nelly Furtado, and Dallas Green.

Tickets to The Andy Kim Christmas are on sale now at ticketmaster.ca. Additional performers will be announced in the coming weeks.

“We’re honoured to be the beneficiary of the first-ever Andy Kim Christmas event in Vancouver in an inspiring evening of music and generosity,” said Andrea Tang, CEO of Variety – the Children’s Charity of B.C. “This support helps us change the lives of children and youth with disabilities and complex health needs across B.C., ensuring they have the opportunities they need to thrive.”

Zoie Starks, CEO of The Legacy Loog Foundation, added: “We are thrilled to bring this treasured event to the West Coast, and with Andrew Loog Oldham and his vast network of friends, audiences can expect some special surprise guests. It’s a celebration of music, generosity, and community that investors, media, and fans will be proud to be part of.”

Cory White, CEO of Shocore Music, said: “We are incredibly honoured to work alongside Andy Kim, The Legacy Loog Foundation, and Variety – the Children’s Charity, to help facilitate the first-ever Andy Kim Christmas on the West Coast. It is truly a privilege to help bring together musicians and our community, to share their time and generosity, as they put the needs of children first.”

To maximize donations this year, Andy has enlisted long-time friend, Grammy Award winner and Rock and Roll Hall of Fame inductee Andrew Loog Oldham, and The Legacy Loog Foundation, to help him acquire some incredible one-of-a-kind music memorabilia and online auction items.

Fans will be able to bid on items donated by:

  • Paul Rodgers – Rock and Roll Hall of Fame, Bad Company
  • Peter Frampton – Rock and Roll Hall of Fame
  • Gered Mankowitz FRPS – Fellowship of the Royal Photographic Society (the highest distinction awarded by the UK-based organization)
  • Mike Reno – Canada’s Walk of Fame, Canadian Music Hall of Fame, Loverboy
  • Peter Noone – Herman’s Hermits
  • 54/40, The Washboard Union, and Steve Bays

Additional sponsors include WestJet Airlines, MNP financial and Miller Thompson, with special thanks to Music Royalties Inc. for allowing the use of the recently recovered Rod Stewart film Rod the Mod. More donors and sponsors will be announced in the coming weeks.

The Andy Kim Christmas online auction details can be found here:  https://www.variety.bc.ca/events/andy-kim-christmas-concert/

Andy Kim, a Montreal-born Canadian, has sold over 30 million records worldwide and has a string of timeless hits including Sugar, Sugar and Rock Me Gently. He is an Officer of the Order of Canada, a member of the Canadian Music Hall of Fame, an inductee to both the Canadian Songwriters Hall of Fame and Canada’s Walk of Fame, as well as the recipient of the SOCAN Cultural Impact Award. His career includes multiple Juno Awards and the Key to the City of Toronto. Kim’s philosophy — “It’s up to anyone who really believes in a dream to fight for it” — continues to guide a career spanning more than five decades.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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