Skyrocketing towards superstardom in 2025, acclaimed rapper TaTa of Platinum-certified hip-hop collective 41 links up with buzzing New York producer 24MMY on a hypnotic new single entitled “No Love” out now via Rite Or Wrong KVH Entertainment/Republic Records. Once again, the duo tap into the creative chemistry they previously harnessed on fan favorite collaborations, including “Green Haired Girl” and “Maintenance Man.”
“No Love” revolves around a thumping bassline, warbly vocal transmissions, woozy synths, and a head-nodding beat. TaTa cruises over the production with slick, smooth, and simmering bars. In the middle of a sneaky tryst, he gets braggadocios on bars such as, “Money long, it’s like everything free,” going on to wonder, “Why she want me be her boyfriend?”
The last time we heard from TaTa was on “Time Out” earlier this year. At the top of the year, 41-TaTa, Jenn Carter, and Kyle Richh-served up “Presidential.” Fans immediately embraced the track, leading to over 6.6 million Spotify streams and counting. Complex christened them “reliable hitmakers,” proceeding to proclaim, “The success of these songs highlights the chemistry among the trio.” HotNewHipHop marveled, “The meteoric rise of 41 has been nothing short of extraordinary.”
In other big news, 41 will headline the main stage of Hot 97’s Summer Jam on June 20 at the Prudential Center in Newark, NJ. They share the powerhouse bill with some of the brightest stars in the culture, including A Boogie Wit Da Hoodie, Gunna, GloRilla, and more.
Right now, the trio are hard at work on their mega-anticipated full-length debut album-coming soon.
Vicki Peterson and John Cowsill are thrilled to announce the release of their debut album, Long After The Fire, produced and engineered by Paul Allen. The album comprises songs written by John’s late brothers, Barry and Bill Cowsill. It’s a love letter of sorts and a beautiful one at that.
About the new single “Fool is the Last One to Know,” John Cowsill effuses, “I love how the track swings. It kicks ass. I get to pretend I’m Elvis or Dwight Yoakam on this one. It has the type of twang and is a hoot to play live. While recording, I remember trying to practice a double shuffle on drums in the studio on this one, but I couldn’t get it down, so what you hear is the single shuffle. My brother Bill would’ve wanted the single shuffle the listener hears on the recording. He would not want what Bill would call a ‘Hollywood Shuffle,’ where the drummer swings the shuffle beats on the snare drums instead of just playing the backbeats on the 2 and the 4.
He continues, “Bill’s idea of ‘fun’ was so serious that you didn’t know that you weren’t having fun, and if you had too much fun, he’d lean over with his hand holding a guitar pick and slap you with it! Bill could command a room as soon as he stood on the stage. He’d grab you right away, and you would pay attention. He was Elvis.”
Vicki adds “I love how John sounds on ‘Fool Is The Last One To Know.’ It’s a fun song to play and sing live because I feel like I’m at the Grand Ole Opry. This song showcases Bill Cowsill and Jeffrey Hatcher’s love for country swing of the 1950s. It’s a true duet honoring some of the classic country duos, like Tammy and George.”
GRAMMY-nominated singer/songwriter/producer Jon Bellion has announced his highly-anticipated upcoming album Father Figure, arriving on June 6. The album, which is Jon’s first solo album in seven years, was originally announced via an email blast shared to his fans via The Beautiful Mind Club Forum on Monday, April 14 and received over 12,330 presaves. In addition to the album announcement, Jon has also shared a sample of the new music with “Horoscope” featuring legendary artist/producer Pharrell Williams.
Father Figure peels back the layers into modern-day fatherhood, as Jon shares his most vulnerable music to date. From the over pouring of love, pride, and care to the challenges, questions, and mistakes, the project showcases the many facets of what it means to be a loving father and supportive partner.
“Horoscope,” recorded between Miami and Paris, highlights Bellion’s dynamic songwriting and production style in collaboration with 13-time GRAMMY winner Pharrell Williams. The track begins as a tender piano ballad before transforming into a swirling blend of synths and saxophones. A heartfelt tribute to Bellion’s wife, “Horoscope” serves as a thank you for her unwavering support as he pursues his dreams. The song is a promise that no matter how far he goes, he’ll read her like a horoscope and come running if she ever needs him.
Jon on collaborating with Pharrell: “Pharrell is one of the greatest musical inspirations in my life. He’s the reason I got into music. We had long, deep conversations about him being a father and what being a father means in his world, and how to balance it, and what it means for your children, for the life that you choose to live, as far as being a successful musical creative. He’s one of my favorite people in the world.”
Pharrell on collaborating with Jon: “Jon is a prolific spirit and is a skeleton key to any composition he applies himself to.”
Jon on “Horoscope”: “‘Horoscope’ is my thank you to my wife. I’m saying, hey, if you need me now, I will come back for you. Thank you for letting me do this. You’re the reason I’ve even made it this far. If you need anything, you don’t even need to say anything, I’ll read you like a horoscope. I’ll come right back home and set flame to all of it. You mean everything to me, but thank you for letting me chase my dream and get my dreams out, and thank you for holding it down for me. It’s me saying goodbye to my wife at four in the morning: ‘I’m gonna go out into the world, and if you need anything, you come first over everything.'”
Continuing to interact with his fan-focused website and forum of over 110k members, Jon shared an exclusive photo teasing the collaboration with Pharrell on April 15 – 72-hours in advance of the official “Horoscope” release. This move is just one of multiple “fan-first” drops that reinforce his deep appreciation for the community that has supported him over time, highlighting his ongoing efforts to foster a direct relationship with his audience – from exclusive content drops that have amassed over 28k downloads so far to interactive fan experiences.
Jon Bellion on his fans: “I really want to serve those who have been there with me and those who are already there. I walked away from everything at the peak of my career. We had an actual fan base that came out to shows, and now I feel a personalness to them. I want to give back to them. If new people come to the table, that’s great, the music is incredible. But I think it’s more about servicing the people who are ready to support because that’s what this is all about.”
“Horoscope” follows last month’s release of Bellion’s highly-anticipated single “Wash”, which marked his triumphant return to solo music after six years out of the spotlight and has already amassed over 4.1 million streams. The track arrived with a visually stunning music video, shot across Iceland’s breathtaking landscapes, which premiered exclusively to his fan club 48 hours before its official release. Dropped alongside “Wash” was “Kid Again”, a nostalgic reflection on the carefree innocence of youth, which has garnered over 9.1 million streams.
Following the release of 2018’s Glory Sound Prep, Bellion made headlines not only for his artistry but also for his decision to step away from solo music. Frustrated by inequitable recording and performance contracts and eager to focus on building a family, the Long Island native shifted his creative energy behind the scenes. In that time, he crafted chart-topping hits for Burna Boy, Rihanna, Anuel AA, Justin Bieber, Tainy, Khalid, Lil Wayne, Camila Cabello, Jon Batiste, Eminem, Fireboy DML, Skrillex, Dua Lipa, Jung Kook, Miley Cyrus, Quincy Jones, Pharrell, Timbaland, The Kid Laroi, Selena Gomez, Roc Marciano, Halsey, Ayra Starr, and Jimin.
In 2019, he founded Beautiful Mind Records, signing powerhouse artists like Tori Kelly and the soul-pop duo Lawrence. His undeniable success eventually led his label to renegotiate his contract, setting the stage for the return to his solo career.
As he steps into this new chapter of life and creativity, one thing is certain: Jon Bellion’s journey is just beginning, and the best is yet to come.
FATHER FIGURE TRACKLISTING:
Horoscope (feat. Pharrell Williams)
Father Figure
Oblivious
Why (feat. Luke Combs)
Wash
Vinny’s Artichokes
Italia Breeze
Get It Right
Kid Again
Modern Times (feat. Jon Batiste)
Wash2
Rich and Broke
Don’t Shoot
My Boy
Singer, songwriter and performer Bebe Stockwell releases brand-new track “Driving Backwards” featuring Chance Emerson. “Driving Backwards” is the titular track from Bebe’s forthcoming EP of the same name releasing May 9 via Columbia Records. “Driving Backwards” follows Bebe’s first handful of releases on Columbia Records with December’s “Minor Inconveniences” reaching #12 on the Billboard Adult Alternative Airplay chart.
Says Bebe of “Driving Backwards” and her forthcoming EP in an Instagram post, “I am extremely excited to announce that my first EP, “Driving Backwards,” will be released on May 9th! Honestly I never imagined that I would have so many people eager to hear the music that I wrote and it’s such an amazing experience. I can’t thank each of you enough for being here with me. These songs are all about reflection and acknowledging how far you’ve come in life. Each of us has our own personal journey, and it’s incredible how we can hold and cherish these memories as human beings. I hope the music resonates with you as deeply as it does with me.”
Bebe is gearing up to hit the road this May with prominent slots at hallmark festivals as well as select headline dates. Between sets at Boston Calling and Bonnaroo, Bebe has headline shows at Los Angeles’ Moroccan Lounge and two shows at New York City’s Mercury Lounge with the first show already being sold out.
Born in Boston, Bebe Stockwell crafts folk anthems inspired by everyday moments that blend gentle melodies with acoustic guitar and organic percussion, offering a unique Gen-Z perspective rooted in timeless craft. While attending NYU she caught the attention of GRAMMY-winning producer M-Phazes, leading to the release of her breakout single “Love Me Back,” which garnered over 7 million streams. Along the way, she’s collaborated with artists like Noah Kahan, Sam McPherson, and Charlie Burg, while sharing stages with Claire Rosinkranz, Stephen Sanchez, and more.
Continuing a time-honored tradition in Country music of male/female duet partners, Trey Smith and Jenn Fielder of SmithField released their brand new single “Heaven Has A Grand Ole Opry”. The heartfelt track pays tribute to the legends of country music and imagines a heavenly stage where the greats of the genre still perform, making it a powerful nod to the genre’s rich legacy.
The song blends traditional country themes with SmithField’s modern sensibility-creating a track that’s both nostalgic and fresh. From lyrics that evoke vivid images of June Carter Cash smiling at Johnny, to the unmistakable sound of Bill Monroe’s mandolin and the memory of Merle Haggard, Minnie Pearl, and Loretta Lynn-the song delivers a flood of emotion for any listener with a love and respect for the classics.
“The Grand Ole Opry is the most special stage we have ever played, and we’ve been lucky enough to play it over 40 times,” said SmithField, adding, “It gave us our start in Music City, and magical things have happened ever since we first graced that stage. We wanted to honor the past greats that stepped into the circle before us during their 100th Anniversary celebration. The Opry is the beating heart of country music.”
Heart of Texas Records, in collaboration with StarVista Music, is proud to announce the release of “Out Of My Head And Back In My Bed,” the latest single from Tayla Lynn’s upcoming album, Singin’ Loretta – a heartfelt tribute to her iconic grandmother, Loretta Lynn. Premiered by Country Evolution, the track captures the timeless storytelling and emotional depth that defined Loretta’s legendary career. With her signature blend of passion and authenticity, Tayla brings new life to the classic hit, delivering a soulful performance that honors her grandmother’s legacy while adding her own personal touch.
Singin’ Loretta marks Tayla’s second full-length solo album and features a collection of beloved songs that celebrate the spirit and strength of Loretta Lynn’s music. Alongside “Out Of My Head And Back In My Bed,” the album includes favorites like “Rated ‘X’,” “Blue Kentucky Girl,” “One’s On the Way,” “Don’t Come Home A Drinkin’ (with Lovin’ On Your Mind),” and “You’re Lookin’ at Country,” as well as lesser-known treasures like “There He Goes” and “The Titanic.” Singin’ Loretta will be available on May 30th.
“I remember watching an interview once when Memaw was asked ‘how many of those songs are about your husband, Doolittle?'” She said “All of ’em”, to which the interviewer asked if Papaw ever got mad. She said ‘Oh no honey, he just laughed all the way to the bank.”
“Eventually, life starts to knock you around. You have to be ready to fight with a smile.” Tony Kamel’s grandmother Dolores gave him that advice a few years ago during a rocky period for their family, and its wisdom suffuses his sophomore solo release, We’re All Gonna Live, out now on Blue Corn Music.
Variations of the lyric “we’re all gonna die” appear in many of the album’s ten tracks, but make no mistake: this is not a bummer of a listen-quite the opposite actually. The former frontman of GRAMMY-nominated bluegrass group, Wood & Wire, Kamel knows how to get people up and moving, even with a decidedly smaller band than his last effort, Back Down Home.
We’re All Gonna Live was recorded live in one room in a few sessions at The Bunker, Bruce Robison’s all-analog studio in Lockhart, Texas, and produced jointly by Kamel and Robison. Its arrangements are sparse, but mighty, giving a little bit of extra life to Kamel’s already technicolor storytelling. “Each tune on We’re All Gonna Live is essentially a story about an inevitable struggle of one kind or another, but I tried to focus on the positive parts of those struggles,” says Kamel. The overwhelming theme of the ten-song arc is good times for the bad times. Kamel may be looking mortality in the eye, but that’s not about to stop him, or us, from having a good time and making it count while we’re here.
Ashland Craft continues to blaze her own trail in country music with the release of her deeply personal new single, “Momma Don’t Pray Like She Used To,” out today on all streaming platforms. The release arrives alongside the announcement of her upcoming full-length album, Dive Bar Beauty Queen, due out May 30.
Written by Ashland Craft, Jess Grommet, Willie Morrison, and Corey Elizabeth Grogan, “Momma Don’t Pray Like She Used To” reflects a softer, more introspective side of Ashland , as she confronts change, nostalgia, and the evolution of faith with raw honesty and grit. Set to the hum of mandolin, B-3 organ, and a gently driving rhythm section, the track captures Ashland’s signature mix of vulnerability and strength-grounded by her unmistakable voice and storytelling prowess.
Produced by Ashland herself alongside longtime collaborators Lee Starr and Jess Grommet, the song is just one of eleven tracks on Dive Bar Beauty Queen, a self-assured, no-skip album that blends traditional country instrumentation with modern edge. Featuring previously released singles “Lie A Little,” “Morning Person,” “Right Damn Now,” and more, the album is a bold and unapologetic statement from an artist known for her fearless honesty and Southern grit.
“This new album is the perfect blend of so many of my favorite musical influences,” says Ashland. “It’s honest, it’s rough around the edges, it’s meant to make you move and dance, and it captures exactly where I’m at in life & in music right now. The latest release, ‘Momma Don’t Pray Like She Used To’ is such a special one-it’s personal and reflective, which is exciting territory for me, and it speaks to the growth and changes that we all face while growing up.”
Shock rock legends Gwar are back to wreak havoc once again with their new Multimedia Release, ‘The Return of Gor Gor,’ due on July 25th, 2025, via Pit Records/Z2 Comics.
This multi-format assault on the senses includes brand-new studio recordings, ferocious live performances, and an exclusive 32-page comic detailing the epic return of Gor Gor, Gwar’s long-lost, three-ton Tyrannosaurus Rex. This release is a collaboration between Gwar and Z2 Comics, ensuring fans get the ultimate immersive experience.
But where has Gor Gor been all these years? How do you misplace a three-ton Tyrannosaurus Rex? The answer lies in ‘The Return of Gor Gor,’ a multi-format experience that intertwines music and graphic storytelling. ‘The Return of Gor Gor’ follows the tale of an orphaned T-Rex cub, lost in a depraved world that is completely alien to him. Will he become an ally of the legendary Scumdogs of the Universe, or will their reunion unleash an apocalyptic battle? Only time will tell.
Kicking off the carnage, GWAR premieres the NSFW video for “Lot Lizard” today. Fans can also stream the track across all digital service providers (DSPs) and pre-order ‘The Return of Gor Gor’ now at Pit Records (where you can also get a Gor Gor Plush) and Z2Comics.com.
About the new single, Blothar states: “‘Lot Lizard’ is a blistering return to GWAR as a punk metal powerhouse with a sense of humor. What could be more charming than a song about a crack-addicted cross-dressing dinosaur prostitute that shreds weiners at truck stop pickle parks? Nuttin honey. That’s what. The song rocks. Listen ya mooks…”
‘The Return of Gor Gor’ features three brand new GWAR songs mixed by Kurt Ballou (Converge, GodCity Studios) and four live tracks captured at The Masquerade in Atlanta, GA during GWAR’s 2024 tour, mixed by Chris Ronan Murphy. All songs were produced by GWAR and mastered by Alan Douches. The release also includes a 32-page comic detailing Gor Gor’s return, which is included with all versions. Vinyl editions boast an animated etching of Gor Gor on Side A, with a Semi-Translucent Etched Deep Purple Vinyl available exclusively at GWAR.net and Semi-Translucent Etched Green vinyl at Z2Comics.com. A Deluxe Hardback edition is also available via Z2Comics.com.
40 years ago, the intergalactic warlords of GWAR emerged from their Antarctic tomb to conquer the Earth with their barbaric blend of metal and mayhem. Over the decades, their monstrous live shows and relentless discography have solidified them as the ultimate overlords of shock rock. Now, with BalSac, Beefcake, JiZMak, and Blothar joined by the mighty shredder Grodius of the Maximus Clan, GWAR embarks on their latest quest-to reclaim their savage pet, Gor Gor, who mysteriously disappeared following the death of their former frontman, Oderus Urungus.
Blothar comments on ‘The Return of Gor Gor’: “The last time I saw Gor Gor he was just a wee fart dragon. He had crawled on the hood of my Kia Soul and was holding on for dear life while I drove to the store to buy Clamato. I bathed him in wiper fluid and used my wipers to knock him off my sweet ride. Next thing I know, he’s a 20-foot tall trans-species prostitute working a pickle park. Apparently, he’s all grown up and looking for revenge. This record chronicles his struggles as a young Dino-American trying to make his way in a cruel world.”
Pop-punk veterans Teenage Bottlerocket have just released their new single “She’s the Sh*t,” and are announcing the upcoming release of their new LP Ready to Roll, the band’s first full length for Pirates Press Records.
The album is scheduled for release on September 12, and the single is now streaming on all major platforms, plus Bandcamp! Here’s what the band have to say about their new record and their new label:
We’re back with a brand new full-length, and we’re thrilled to announce:
Ready to Roll drops this September on Pirates Press Records! This record came out of a place of just wanting to write songs that felt good to play. No big agenda-just loud, fast, and fun in the way that’s always felt right to us. The whole process reminded us how lucky we are to still be doing this together, and why it still matters. We recorded the album at The Blasting Room with our good friend Andrew Berlin, and had it mastered by Jason Livermore [the same production team behind fellow PPR artist The Riptides’ 2025 LP Burn After Listening, which featured guest musicianship from TBR members]. It’s packed with everything you’d expect from TBR-with a few surprises we think you’ll love.
We’re extra stoked to be working with Pirates Press Records – the crew behind countless records we love and collect. Pirates Press have pressed vinyl for half the punk scene, and now they’re handling Ready to Roll with that same passion and precision. Working with them gives us the freedom to have fun with the physical release-wild variants, cool packaging, all the stuff we geek out on as record collectors ourselves.
And, of course, nothing but love to Fat Wreck Chords. We’ve had an incredible history with them, and we’re proud of everything we’ve built together over the years. We’re stoked to be putting out this new record with their full support.
Making this record reminded us why we started Teenage Bottlerocket in the first place: to play fast, have fun, and make music that brings people together. No distractions. No overthinking. Just four friends doing what we love.
The color theme? Brown and gold. If you’re from Wyoming, you already know.
The first single, “She’s the Sh*t,” is out now-here’s what Ray had to say:
“My wife Rachel loves to give me a hard time-she rolls her eyes when I rock out in front of the mirror, makes fun of the music I love, and calls me an old man when I bring up movies she’s never seen. And I totally love her for it. We talk sh*t while we drive, crank rad music, and laugh our asses off. This song is about all of that-it’s loud, fun, and full of personality. We chose it as the first single from Ready to Roll because it kicks the door open. It sets the tone for the whole record-fast, catchy, and not taking itself too seriously. Just the way we like it.”
