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Addio to the Lady of Milan: Remembering Ornella Vanoni (1934–2025)

It is with a heavy heart, but a spirit full of gratitude for the music she left behind, that we say goodbye to one of Italy’s brightest stars. On November 21, 2025, the legendary Ornella Vanoni passed away peacefully at her home in Milan. She was 91 years old.

For those of us who grew up with Italian music, Ornella wasn’t just a singer; she was a mood. She was the sophisticated voice of Milan, a woman who could turn a simple pop song into a theatrical masterpiece, and a fiery redhead who lived life entirely on her own terms. From the theatre stages of the 1950s to the viral playlists of the 2020s, she remained timeless.

As we bid farewell to this icon, here are 50 things you need to know about the woman who captured the heart of Italy—and eventually, the world.

  1. She was born on September 22 1934 in Milan.
  2. She died on November 21 2025 at age 91.
  3. She was one of Italy’s longest standing musical artists.
  4. Her career lasted almost seventy years.
  5. She released about 121 works across LPs EPs and compilations.
  6. She sold more than 65 million records worldwide.
  7. She began as a theatre actress in 1960.
  8. She trained under director Giorgio Strehler.
  9. She performed at the Piccolo Teatro early in her career.
  10. She specialized in Bertolt Brecht productions.
  11. Her early songs focused on Milan’s criminal underworld.
  12. This earned her the nickname cantante della mala.
  13. She often sang in the Milanese dialect.
  14. She scored major hits in 1963 with “Senza fine” and “Che cosa c’e”.
  15. Both songs were written for her by Gino Paoli.
  16. She won the Festival of Neapolitan Song in 1964 with “Tu si na cosa grande”.
  17. She performed at Sanremo in 1965 with “Abbracciami forte”.
  18. She returned to Sanremo in 1966 with “Io ti daro di piu”.
  19. She sang “La musica e finita” at Sanremo in 1967.
  20. Her 1968 Sanremo entry “Casa Bianca” finished second.
  21. “Casa Bianca” later became the subject of a copyright dispute.
  22. She sang “Eternita” at Sanremo in 1970.
  23. She recorded “Una ragione di piu” in the late 1960s.
  24. She also recorded “Un’ora sola ti vorrei” during that era.
  25. Her song “L’appuntamento” was a Brazilian cover by Erasmo and Roberto Carlos.
  26. She covered Burt Bacharach’s “Don’t Make Me Over” as “Non dirmi niente”.
  27. She performed the theme song for Lucio Fulci’s 1972 film “Don’t Torture a Duckling”.
  28. In 1976 she collaborated with Vinicius de Moraes and Toquinho.
  29. That collaboration produced the album “La voglia la pazzia l’incoscienza l’allegria”.
  30. She released “Ricetta di donna” in the 1980s.
  31. She released “Uomini” during the same decade.
  32. She returned to Sanremo in 1989 with “Io come faro”.
  33. She recorded “Alberi” with Enzo Gragnaniello in 1999.
  34. She released a duets album with Gino Paoli in 2004.
  35. She also starred in stage and television productions.
  36. She posed for Italian Playboy in January 1977.
  37. She requested a statuette by Arnaldo Pomodoro as payment for the shoot.
  38. “L’appuntamento” gained worldwide recognition after appearing in “Ocean’s Twelve”.
  39. The song was also featured in the 2022 Netflix film “Toscana”.
  40. She had significant relationships with Giorgio Strehler and Gino Paoli.
  41. She married Lucio Ardenzi in 1960.
  42. She had one son Cristiano in 1962.
  43. Her parents helped raise Cristiano during her busiest years.
  44. She received an honorary degree from the University of Milan in June 2025.
  45. The degree was in Music Culture Media and Performance.
  46. She was a Protestant.
  47. She died of a heart attack at home in Milan.
  48. Before her funeral she was laid at the Piccolo Teatro where her career began.
  49. She released the album “Unica” in January 2021.
  50. “Unica” features collaborations with Francesco Gabbani Carmen Consoli and Virginia Raffaele.

Ornella Vanoni leaves behind a monumental legacy. Her voice traveled across genres languages decades films and stages. And even now in her passing she remains what she always was: unmistakably and unapologetically Ornella.

Blake Shelton Announces Return to The Colosseum at Caesars Palace

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Country music’s unabashed ambassador, Blake Shelton, is returning to The Colosseum at Caesars Palace for eight performances scheduled from January 15th through January 31st, 2026. Armed with thirty No. 1 hits, including his latest chart topper, “Texas,” and current radio smash, “Stay Country or Die Tryin’,” Shelton will unleash his signature, unmistakable, and raucous energy on Las Vegas, guaranteed to bring the house down.

Shelton expressed his excitement for the residency return, saying, “We had so much fun earlier this year, I figured—why not do it again? This time we’re gonna do it more country, with more cocktails, and probably make a few more questionable decisions. Let’s go, Vegas.” Fans can expect a powerhouse set packed with fan favorites and brand new music from his critically acclaimed album, ‘For Recreational Use Only’, which features collaborations with Gwen Stefani, Craig Morgan, and John Anderson.

Blake Shelton Las Vegas Residency Dates

  • January 15, 2026
  • January 18, 2026
  • January 21, 2026
  • January 23, 2026
  • January 24, 2026
  • January 28, 2026
  • January 30, 2026
  • January 31, 2026

Dasha Releases Flirty and Fiery Anthem “Like It Like That”

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Globally RIAA certified 40 times platinum country pop sensation Dasha has released her latest flirty and fiery anthem, “Like It Like That,” which is available everywhere out now via Warner Records. The song was written by Dasha with hitmakers David Garcia, JKash, and Gian Stone. The cinematic official music video for the single stars Love Island’s Rob Rausch with special guest entrepreneur and influencer Briley King, perfectly capturing the track’s carefree, spontaneous energy.

The California native shared the song’s meaning, saying, “‘Like It Like That’ is about letting go of that pressure to get love ‘right’ and embracing the moments that don’t fit the plan. At this point in my life, I’m not trying to have it all figured out—sometimes the so called wrong person is exactly right for right now.” She explained further that she is not looking for perfection but “good stories and chasing feelings that I can get songs out of.” “Like It Like That” follows the earlier singles “Not At This Party” and the emotional “Oh, Anna!” and this new track continues to build anticipation for her upcoming project. Earlier this year, she also released a high energy remix of “Not At This Party” by Grammy Award winning superstar artist, producer, and DJ David Guetta.

Serj Tankian Releases Eclectic New Project ‘Covers, Collaborations & Collages’

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Visionary musician, poet, and activist Serj Tankian has released his stunning new project, ‘Covers, Collaborations & Collages’, which is available everywhere out now via Serjical Strike Records and Create Music Group. This genre spanning collection celebrates artistic unity, reinvention, and storytelling, launching a ten week release schedule where a new track will drop each week. The first single, the eccentric electronic piece “Electric Dreams,” is also available out now. This deeply personal and eclectic body of work, described by Tankian as pre existing archival recordings, showcases his powerful reinterpretations and remarkable collaborations.

Among the highlights is a beautifully haunting cover of Chris de Burgh’s “I’m Counting On You,” reimagined with Tankian’s unmistakable emotional intensity. The compilation also showcases striking creative partnerships, including a collaboration with lauded producer Deadmau5 on the hypnotic “A Seed,” a duet with New Zealand singer songwriter Bic Runga on “Things Unspoken,” and a powerful cinematic piece, “Apocalyptic Dance,” with acclaimed composer Lucas Vidal, where Tankian bellows, “There are no more empires. Just burning campfires.” The cover of Armenian songwriter Ruben Hakhverdyan’s “When Death Arrives” is a poignant reminder of our mortality. Adding a visual dimension, each single’s artwork and the album’s main cover were created by artist D.S. Bradford, who also contributes lead guitar work on the soaring track “Kneeling Away From The Sun.”

‘Covers, Collaborations & Collages’ Track Listing

  • Electric Dreams
  • A Seed featuring Deadmau5
  • I’m Counting On You
  • I’m In Heaven
  • Things Unspoken featuring Bic Runga
  • I Found You
  • Kneeling Away From The Sun
  • Apocalyptic Dance featuring Lucas Vidal
  • Sonic Expulsions
  • When Death Arrives

Ashley Cooke Releases Latest Single “Swear Words”

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Powerhouse country artist, songwriter, and breakout star Ashley Cooke has released her latest track, “Swear Words,” which is available everywhere out now via Big Loud and Back Blocks Music. The track, written by Cooke with Johnny Clawson, Joe Fox, Kyle Sturrock, and Seth Ennis, is a raw and honest reflection on futility in a failing relationship. Cooke shared the personal meaning behind the song, saying, “This song is realizing that no words, answers, or explanations will be able to fix a relationship that’s beyond repair. It’s surrendering to the silence because it means finally having peace in the situation.”

This single is featured on her brand new nine song project, ‘ace’, which is also available out now and acts as a bridge to her sophomore album. ‘ace’ is a chronological concept record detailing the deeply personal parts of the last two and a half years of her life and includes the two subsequent tracks she announced: “Tin Foil Hat” (released October 3rd) and the fan favorite “Baby Blues” (released November 14th). Cooke is currently on her headlining Your Place Tour and on the road with Kane Brown, having recently earned an ACM nomination for New Female Artist. Her other collaborations, “All I Forgot” with Joe Jonas and the fiery anthem “The Hell You Are,” are also out now. Fans can find her performing alongside artists like Parker McCollum, Dustin Lynch, and Lee Brice as her tour continues through November.

‘ace’ Track Listing

  • gettin’ old
  • baby blues
  • the f word
  • talk about
  • the hell you are
  • swear words
  • excuses
  • tin foil hat (panic attack version)
  • my worst fear

Jesse Welles Releases Fifth Studio Album ‘Devil’s Den’

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Singer songwriter Jesse Welles has released his fifth studio album, ‘Devil’s Den’, which is available everywhere out now. The highly anticipated album was performed and produced entirely by Welles over just five days in a cabin in the Ozarks, showcasing his raw, unfiltered talent. This new release follows his fourth studio album ‘Pilgrim’, and arrives amid a flurry of activity, including his current and mostly sold out “Middle” tour of the United States and the EU/UK. Welles also recently performed at Farm Aid on September 20th and made his debut at Newport Folk Festival this year.

Welles has also announced his Spring “Under The Powerlines” 2026 tour of the United States and Canada, which will kick off on February 23rd in Knoxville. Over the past decade, Welles has built a major reputation, logging 280 shows in a single year and touring alongside acts like Royal Blood, Highly Suspect, and Greta Van Fleet. The artist, who was nominated for “Emerging Act of the Year” at the 2025 Americana Awards, first gained notoriety by performing stripped down, acoustic songs often played to a smartphone camera in the Arkansas wilderness where he was raised and currently resides.

JESSE WELLES TOUR

  • Nov 23, 2025 Boston, MA @ [Venue Name Not Supplied]
  • Nov 24, 2025 Buffalo, NY @ [Venue Name Not Supplied]
  • Nov 25, 2025 Detroit, MI @ [Venue Name Not Supplied]
  • Nov 29, 2025 Pittsburgh, PA @ [Venue Name Not Supplied]
  • Nov 30, 2025 Cincinnati, OH @ [Venue Name Not Supplied]
  • Dec 5, 2025 Dublin, Ireland @ 3Olympia Theatre
  • Dec 7, 2025 Glasgow, Scotland @ Old Fruitmarket Sold Out
  • Dec 8, 2025 Manchester, UK @ Club Academy Sold Out
  • Dec 9, 2025 London, United Kingdom @ Electric Ballroom Sold Out
  • Dec 11, 2025 Amsterdam, Netherlands @ Melkweg MAX
  • Dec 13, 2025 Copenhagen, DK @ Amager Bio
  • Dec 15, 2025 Berlin, Germany @ Metropol
  • Feb 23, 2026 Knoxville, TN @ Bijou Theatre
  • Feb 24, 2026 Nashville, TN @ Ryman Auditorium
  • Feb 25, 2026 Atlanta, GA @ The Eastern
  • Feb 27, 2026 Asheville, NC @ The Orange Peel
  • Feb 28, 2026 Charlotte, NC @ The Fillmore Charlotte
  • Mar 1, 2026 Washington, DC @ 9:30 Club
  • Mar 4, 2026 Philadelphia, PA @ The Fillmore Philadelphia
  • Mar 6, 2026 Boston, MA @ Citizens House of Blues Boston
  • Mar 7, 2026 Portchester, NY @ The Capitol Theatre
  • Mar 8, 2026 Toronto, ON @ Massey Hall
  • Mar 10, 2026 Detroit, MI @ The Majestic Theatre
  • Mar 11, 2026 Madison, WI @ The Sylvee
  • Mar 12, 2026 Minneapolis, MN @ First Ave.
  • Mar 17, 2026 Boise, ID @ Treefort Music Hall
  • Mar 19, 2026 Vancouver, BC @ Commodore Ballroom
  • Mar 20, 2026 Portland, OR @ McMenamins Crystal Ballroom
  • Mar 21, 2026 Berkeley, CA @ The UC Theatre
  • Mar 22, 2026 San Diego, CA @ The Observatory North Park
  • Mar 24, 2026 Phoenix, AZ @ The Van Buren
  • Mar 26, 2026 Austin, TX @ Stubb’s Waller Creek Amphitheater
  • Mar 27, 2026 Dallas, TX @ Longhorn Ballroom
  • Mar 28, 2026 Fayetteville, AR @ JJ’s Live

Mastiff Releases Blistering EP ‘For All The Dead Dreams’ on Church Road Records

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Kingston Upon Hull’s premier misery merchants Mastiff have finally and proudly joined the hallowed roster of Church Road Records for the release of ‘For All The Dead Dreams’, a blistering five song assault of pummeling and aggravated hardcore that is available everywhere out now. Now well over a decade into their parade of embittered misanthropy, the East Yorkshire quintet, composed of Jim Hodge (vocals), Phil Johnson (guitars), James Lee Ross (guitars), Mike Shepherd (drums), and Dan Dolby (bass), have definitively burned their mark into the UK’s extreme music scene with a fistful of mangled hardcore and sludge riffs and an endless well of spite. The band’s reputation as a ferocious live entity continues to grow, having spent the last few years racking up appearances at prestigious heavy music festivals like Bloodstock, Damnation, and DesertFest, as well as sharing stages with the likes of Avatar, Conan, and Raging Speedhorn.

Once again recorded and mixed by the incredible Joe Clayton at Nø Studio and mastered by the legendary Brad Boatright at Audiosiege, ‘For All The Dead Dreams’ sees Mastiff at their most brutish, sounding like Nails, Harms Way, and Gatecreeper thrown into a cement mixer. Following two critically acclaimed albums on MNRK Heavy, and having had their track “Acid Breather” featured in the multi million selling video game Cyberpunk 2077, the band unleashes fifteen minutes of unrelenting and unforgiving punishment. If their previous album ‘Deprecipice’ felt as blunt and ignorant as heavy music gets, fans can now revel in horror as Mastiff collectively grunt “Hold my beer” and dish up even more sonic aggression. They will be bringing the devastation to stages across the UK throughout November, including co headline shows with Raging Speedhorn.

‘For All The Dead Dreams’ Track Listing

  • Soliloquy
  • Rotting Blossoms
  • Decimated Graves
  • A Story Behind Every Light
  • Corporeal

Mastiff Upcoming Tour Dates

  • 20.11 – Milton Keynes @ The Craufurd Arms w/ Raging Speedhorn
  • 21.11 – Bournemouth @ The Anvil w/ Raging Speedhorn
  • 22.11 – London @ The Black Heart w/ Raging Speedhorn
  • 23.11 – London @ The Black Heart w/ Raging Speedhorn
  • 28.11 – Manchester @ The Star and Garter w/ Raging Speedhorn
  • 29.11 – Edinburgh @ The Mash House w/ Raging Speedhorn
  • 30.11 – Newcastle @ Trillians w/ Raging Speedhorn

Kat Velasco Releases Haunting New Anthem “Breaking My Own Heart”

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ising pop country artist Kat Velasco has released her latest single, “Breaking My Own Heart,” which is available everywhere out now on all major streaming platforms. This hauntingly relatable anthem explores the quiet dread of waiting for happiness to slip away, capturing the inner turmoil of bracing for disappointment even when things seem perfect. Co written by Claire Douglas, Hannah Ellis, and Jason Massey, the track delves into the all too familiar experience of self sabotage, of carrying past baggage into new beginnings, and anticipating the fall before it happens.

The song opens with wistful, melancholic guitars and Kat Velasco’s rich, emotive vocals, building with a steady, grounding tempo that sets the tone for reflection. Velasco shares, “Many of us can be our own worst enemy, existing somewhere in between hope and heartbreak.” The aching honesty in her performance draws listeners in, inviting them to confront their own inner doubts. That single line encapsulates the emotional tug of war at the heart of the song, as she sings, “If it feels too good, it’s probably gonna change.” The track, produced by Andy Sheridan, is an anthem for anyone who has ever braced for heartbreak amid happiness.

Florida Punk Powerhouse Dial Drive Releases Highly Anticipated Self Titled Album

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Florida based punk rock powerhouse Dial Drive has officially released their highly anticipated self titled album, their third full length record, which is available everywhere out now. This exciting release follows the news of the band signing with SBAM Records, marking a bold new chapter for the group. The new record rollout was kicked off with the release of several singles, including “From The Start,” “Problems,” and “Forget My Name,” with the latest track, “On My Own,” also available out now.

The band, who formed in 2017, has carved out a significant place in the modern punk scene through relentless touring and explosive live performances. Vocalist and guitarist Jake LeDrew shared his excitement for the project, saying, “This is the best set of songs the band has ever created. It’s going to be a dynamic ride. It’ll get dark at times, but poppy at others. We’re stoked for people to hear what we made.” With a potent blend of high energy punk, emotional depth, and infectious hooks, the album is poised to capture both longtime fans and newcomers alike.

Rondo Veneziano Releases Iconic Electro Classical Track “La Serenissima”

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The Italian chamber orchestra Rondo Veneziano—who helped sow the seeds of robot rock in the 1980s by melding classical tradition with modern electronics—released their iconic track “La Serenissima,” which is available everywhere out now. The song is a prime example of their unique style, which featured musicians, often women, playing traditional instruments like strings and wind, while incorporating a rock style rhythm section of synthesizer, bass guitar, and Simmons drums. Adding to the visual spectacle, the performers sometimes don shiny chrome finished robot masks and Victorian era powdered wigs, drawing comparisons to groups like Daft Punk.

The song, which originated from their 1981 album of the same name, is a gorgeous chamber piece that invites listeners to put on their dance shoes and enjoy the unique fusion of sounds. Rondo Veneziano, led by Maestro Gian Piero Reverberi, was instrumental in pioneering the classical crossover genre, with their music being used globally, notably serving as the theme tune for BBC Television’s Hospital Watch in the 1980s. Their lavish versions of classical works have reached millions, establishing them as a beloved and enduring cult band.