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Jimmy Eat World Plots Massive 2025 Tour with The Offspring, Coachella, Download Fest, and More

Eric Alper
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Jimmy Eat World Plots Massive 2025 Tour with The Offspring, Coachella, Download Fest, and More

If you thought 2025 was just another year, Jimmy Eat World is here to prove otherwise. The Arizona alt-rock heroes are back on tour, crisscrossing North America and Europe with a packed schedule that blends sold-out club shows, massive festivals, and some long-overdue returns. It all kicked off April 10 with a headlining gig at The Fox Theater in Pomona, California, followed by a triumphant return to Coachella for the first time since 2011—performing on both April 12 and April 19 with setlists spanning their entire career. Sandwiched in between? A sold-out hometown show at Tucson’s Rialto Theatre on April 18.

But Jimmy Eat World isn’t stopping there. May brings a run of dates across the U.S., starting in Milwaukee on May 9 before they make their debut at Sonic Temple Art & Music Festival in Columbus, Ohio, on May 10. The band then weaves through the Southeast, wrapping this leg with a performance at Welcome to Rockville in Daytona Beach on May 16. Then it’s off to Europe, with back-to-back sold-out shows in Dublin and Cardiff, a coveted mainstage slot at the legendary Download Festival, and appearances in Belgium, Luxembourg, and Germany—including three festival performances in a row: Traumzeit (June 20), Hurricane (June 21), and Southside (June 22). They’ll close out Europe on June 24 at San Siro in Milan, Italy.

As if that weren’t enough, Jimmy Eat World will team up with The Offspring and New Found Glory for the Supercharged tour hitting amphitheaters across the continent this summer. And fall? That’s for the festivals—Four Chord Music Festival in Pennsylvania (Sept. 13), Furnace Fest in Alabama (Oct. 3), and a sure-to-be-epic finale at the Best Friends Forever festival in Las Vegas on October 10. With decades of anthems and a renewed energy for the stage, 2025 is shaping up to be one of the most electrifying years in Jimmy Eat World’s career.

JIMMY EAT WORLD 2025 TOUR DATES:
*Headlining dates and festivals

Thu Apr 10 — Pomona, CA — The Fox Theater Pomona (SOLD OUT)
Sat Apr 12 — Indio, CA — Coachella Valley Music and Arts Festival
Fri Apr 18 — Tucson, AZ — Rialto Theatre (SOLD OUT)
Sat Apr 19 — Indio, CA — Coachella Valley Music and Arts Festival
Fri May 9 — Milwaukee, WI — The Rave/Eagles Club
Sat May 10 — Columbus, OH — Sonic Temple Art & Music Festival
Sun May 11 — Carrboro, NC — Cat’s Cradle (SOLD OUT)
Tue May 13 — Columbia, SC — The Senate (SOLD OUT)
Wed May 14 — Chattanooga, TN – The Signal
Fri May 16 — Daytona Beach, FL — Welcome to Rockville
Sat Sept 13 — Washington, PA — Four Chord Music Festival
Fri Oct 3 — Princeton, AL — Furnace Fest
Fri Oct 10 — Las Vegas, NV — Best Friends Forever

EUROPEAN DATES
*Headlining dates and festivals

Tue Jun 10 — Dublin, Ireland — 3Olympia Theatre (SOLD OUT)
Thu Jun 12 — Cardiff, United Kingdom — The Great Hall (SOLD OUT)
Fri Jun 13 — Derby, United Kingdom — Download Festival
Sun Jun 15 — Bruxelles, Belgium — Ancienne Belgique
Mon Jun 16 — Esch-sur-alzette, Luxembourg — Rockhal
Wed Jun 18 — Leipzig, Germany — Parkbühne
Fri Jun 20 — Duisburg, Germany — Traumzeit Festival
Sat Jun 21 — Schnee, Germany — Hurricane Festival
Sun Jun 22 — Neuhausen Ob Eck, Germany — Southside Festival
Tue Jun 24 — Milan, Italy — San Siro

THE OFFSPRING – SUPERCHARGED TOUR – 2025 DATES
*JIMMY EAT WORLD to support on ALL listed dates

Fri Jul 11 — West Palm Beach, FL — iThink Financial Amphitheatre
Sat Jul 12 — Tampa, FL — MIDFLORIDA Credit Union Amphitheatre at the FL State Fairgrounds
Tue Jul 15 — Alpharetta, GA — Ameris Bank Amphitheatre
Wed Jul 16 — Raleigh, NC — Coastal Credit Union Music Park
Fri Jul 18 — Virginia Beach, VA — Veterans United Home Loans Amphitheater at Virginia Beach
Sat Jul 19 — Bristow, VA — Jiffy Lube Live
Sun Jul 20 — Scranton, PA — The Pavilion at Montage Mountain
Tue Jul 22 — Syracuse, NY — Empower Federal Credit Union Amphitheater at Lakeview
Wed Jul 23 — Toronto, ON — Budweiser Stage
Fri Jul 25 — Cincinnati, OH — Riverbend Music Center
Sat Jul 26 — Noblesville, IN — Ruoff Music Center
Sun Jul 27 — Clarkston, MI — Pine Knob Music Theatre
Tue Jul 29 — Camden, NJ — Freedom Mortgage Pavilion
Wed Jul 30 — Mansfield, MA — Xfinity Center
Fri Aug 1 — Bethel, NY — Bethel Woods Center for The Arts
Sat Aug 2 — Holmdel, NJ — PNC Bank Arts Center
Sun Aug 3 — Wantagh, NY — Northwell at Jones Beach Theater
Wed Aug 13 – Cuyahoga Falls, OH — Blossom Music Center
Fri Aug 15 – Minneapolis, MN — Target Center
Sat Aug 16 — Tinley Park, IL — Credit Union 1 Amphitheatre
Sun Aug 17 — Maryland Heights, MO — Hollywood Casino Amphitheatre
Wed Aug 20 — Ridgedale, MO — Thunder Ridge Nature Arena
Fri Aug 22 — Dallas, TX — Dos Equis Pavilion
Sat Aug 23 — The Woodlands, TX — The Cynthia Woods Mitchell Pavilion presented by Huntsman
Sun Aug 24 — Austin, TX — Germania Insurance Amphitheater
Tue Aug 26 — Albuquerque, NM — Isleta Amphitheater
Wed Aug 27 — Phoenix, AZ — Talking Stick Resort Amphitheatre
Sat Aug 30 — Mountain View, CA — Shoreline Amphitheatre
Sun Aug 31 — Wheatland, CA — Toyota Amphitheatre
Wed Sept 3 — Auburn, WA — White River Amphitheatre
Thu Sept 4 — Ridgefield, WA — Cascades Amphitheater
Sat Sept 6 — West Valley City, UT — Utah First Credit Union Amphitheatre
Sun Sept 7 — Denver, CO — Ball Arena

ECM’s Luminessence Vinyl Series Continues with Chick Corea and Bennie Maupin Reissues

Eric Alper
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ECM’s Luminessence Vinyl Series Continues with Chick Corea and Bennie Maupin Reissues

ECM’s audiophile vinyl-reissue series Luminessence continues with Chick Corea‘s Piano Improvisations Vol. 1 and Bennie Maupin‘s The Jewel in the Lotus.

The Luminessence series is a kaleidoscope, shedding light on the jewels of the label’s deep catalogue in elegant, high-quality editions. The hallmarks of the series: original and evocative music, imaginatively played and sensitively produced. The recordings underline the scope and variety of ECM’s world of sound and the LPs are presented in different formats.

ECM’s pioneering documentation of solo piano music was one of the genre-changing experiments of the early 1970s, and this beautifully recorded session, capturing Chick Corea in Oslo’s Bendiksen Studio in April 1971, marked the beginning of this new development. Piano Improvisations Vol. 1 has long since acquired the status of a classic. It includes, in “Sometime Ago”, a foretaste of the richly melodic and Latin-tinged music Chick would introduce a year later in the first Return To Forever band, but most of the pieces here were simply pulled from the aether. Corea, it transpired, had the uncanny ability to shape fully formed compositions in real time. Corea: “This was an intense period of discovery for me. The Piano Improvisations recordings were made spontaneously in the studio. I took the next idea that came to mind and played it down – then titled it later. This was a new way to create for me at the time. I wasn’t sure what the outcome would be – but just got into the joy of trying it out to see what would happen…” That sense of joy is palpable in the recording, produced by Manfred Eicher. The Luminessence vinyl edition of Piano Improvisations Vol. 1 adds a gatefold sleeve with Chick’s performer’s note and a text by Neil Tesser reflecting on the impact of the music in its historical context.

Release LP: May 16, 2025Release LP: May 16, 2025

Bennie Maupin has been an inventive contributor to iconic records including Miles Davis’s Bitches Brew, Herbie Hancock’s Mwandishi and Headhunters and Marion Brown’s Afternoon Of A Georgia Faun. His recordings under his own name have been infrequent but his leader debut, is indeed a jewel. “A more selfless album is hard to imagine”, said DownBeat in 1975. “On The Jewel In The Lotus, the sound is supreme, and all the players strive to achieve a thorough blending”. Recorded in New York in 1974, the disc’s personnel is drawn from the circle around Herbie Hancock in the period, but the music has a character all its own.

Ally Venable Drops “Unbreakable” Featuring Shemekia Copeland, Announces ‘Money & Power’ Tour And Album

Eric Alper
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Ally Venable Drops “Unbreakable” Featuring Shemekia Copeland, Announces ‘Money & Power’ Tour And Album

The Texas-born and bred guitar shredding powerhouse, and singer/songwriter, Ally Venable is thrilled to share her new song “Unbreakable” ft. Shemekia Copeland. – the latest song to be released off Ally’s highly anticipated forthcoming album, Money & Power, due out on April 18 via Ruf Records.

“This is a powerful duet, and defiant anthem that celebrates the indomitable spirit of women who have weathered life’s storms,” says Ally. “The song paints a vivid portrait of two souls who have both gone through adversity, yet their voices blend in a harmonious tribute to resilience and triumph. I am here to let women know that they can stand tall and face the world with unbreakable courage and strength.”

“Unbreakable” ft. Shemekia Copeland follows the releases of the title track, “Money & Power,” “Keep Me in Mind,” and “Do You Cry.”

Ally has been on the road with the iconic Experience Hendrix tour for the last several weeks and is gearing up to kick off her Money & Power headline tour, in support of the new album on April 12 in Dallas, TX. All news, tickets and additional information can be found at allyvenableband.com.

Rules are there to be broken. Expectations are there to be defied, and glass ceilings are there to be shattered. Having spent the past decade carving out her own unique space in the male-dominated world of blues-rock, Ally Venable’s combative sixth album, Money & Power, demands more of both – for herself, for women around the world, and for anyone else who thought they weren’t worthy of a seat at the table.

 

“Money & Power is such a strong statement, especially for women,” says the award-winning Texas gunslinger of her Nashville-recorded new release, on which Ally’s crack-squad band is joined by A-list guests Shemekia Copeland and Christone ‘Kingfish’ Ingram.

“All the songs on this album showcase the theme of what it truly means to be a force to be reckoned with. I want this record to wake people up,” continues Ally.

Money and power make the world go round. But in the right hands, music can be every bit as potent. On the heels of 2023’s acclaimed Real Gone – an album that hit #1 on the Billboard Blues Charts and was still in contention a year later – Ally is rated amongst the best young singer-songwriters in American roots, saluted by Total Guitar magazine in its poll of Top 100 Blues Guitarists.

“With her heels, sequins and Les Paul growling on a leash, she’s one of Ruf’s most head-turning young artists,” wrote Classic Rock, “and while the instrumental prowess can be taken as read, Real Gone marks a growing maturity in the Texan’s songcraft.”

In February 2024, with the dust still settling from Real Gone, the Money & Power sessions saw Ally and producer/drummer Tom Hambridge push through the doors of Nashville’s famous Soundstage Studios. While the studio band was strictly on the A-list, as always, Ally’s new songs are the real stars. That attitude is palpable on opener “Brown Liquor,” Ally’s battlecry decorated by a stinging guest guitar solo from the Mississippi hotshot Christone ‘Kingfish’ Ingram.

“Maybe Someday” is a blissful moment of redemptive soul, carried along by horns and barbed lyrics aimed at an old flame. Next up is the white-hot title track, with Ally’s guitar set to scorch and a seething message.

“Money & Power shouts to the masses,” she explains, “that women are not to be doubted in their ability to thrive in the world.”

Vital right to the end, Money & Power plays out with “Stepping Stone’s” earthy roar of empowerment, the shuddering, spooky, tremolo-soaked groove of “Feel That Sting, ” and the dustblown rocker “Unbreakable,” where Ally goes toe-to-toe with New York powerhouse Shemekia Copeland.

“That song spreads a message of women that have been oppressed,” she says, “to rise to the occasion and break above it all.” Money & Power is a modern roots record that plays by its own rules and marches to the beat of its own drum. The same could be said for Ally herself. “I’m thrilled to release this album,” she says. “For me, it’s a sonic embodiment of a woman’s unstoppable ambition and really showcases my musicality on all fronts. I’m looking forward to seeing where this one will take me.”

​​ALLY VENABLE ON TOUR:

APRIL
4/4 Atlantic City, NJ – Experience Hendrix Tour
4/5 Ridgewood, NJ – Experience Hendrix Tour
4/6 Durham, NC – Experience Hendrix Tour
4/12 Dallas, TX – Money & Power Tour
4/13 Austin, TX – Money & Power Tour
4/18 The Woodlands, TX – Money & Power Tour
4/23 Tulsa, OK – Money & Power Tour
4/24 St Louis, MO – Money & Power Tour
4/25 Kansas City, MO – Money & Power Tour
4/30 Nashville, TN – Money & Power Tour

MAY
5/2 Chattanooga, TN – Money & Power Tour
5/3 Walhalla, SC – Money & Power Tour
5/4 Decatur, GA – Money & Power Tour
5/10 Leonardtown, MD – Money & Power Tour
5/14 Annapolis, MD – Money & Power Tour
5/15 Shirley, MA – Money & Power Tour
5/17 Fairfield, CT – Money & Power Tour
5/18 New York, NY – Money & Power Tour
5/21 Sellersville, PA – Money & Power Tour

Nathan McEuen Releases Emotionally Rich EP ‘My One and Only’ Featuring Mason Williams and Chris Caswell

Eric Alper
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Nathan McEuen Releases Emotionally Rich EP ‘My One and Only’ Featuring Mason Williams and Chris Caswell

Mesa/Bluemoon Recordings has released My One and Only, a five-song EP from singer/songwriter Nathan McEuen. Distribution for My One and Only will be through Virgin Music Group for digital release and Burnside Distribution (BDC) for physical.

The songs on the new EP were all written or co-written by Nathan, including the title track, which he collaborated on with acclaimed songwriter/artist Mason Williams (Classical Gas, Smothers Brothers, SNL).

“In 2017, I reached out to my friend Mason Williams with an idea to write a song together; to my Delight, he agreed and invited me to his home in Oregon,” recalls Nathan McEuen about the genesis of the song. “Our initial plan was to create a single song for a movie. After a week of collaboration—filled with writing and invaluable mentoring—we did it! As luck would have it, we had some extra time in the studio and began working on a second song. We didn’t have the lyrics yet, so we focused on chords, melodic ideas, and a basic structure for what would become a second song.

“Fast forward seven years. After meeting the love of my life, getting married, and finding the inspiration I needed, I finally completed that second song and called it ‘My One and Only’ as a tribute to my beautiful wife, Tracy. My only hope after finishing it was that she would love it. It took about 20 tries to play it through without either of us crying—and that’s when I knew. Despite the tears, I could tell the song meant as much to her as it did to me.

“Months later, I began including ‘My One and Only’ in my live performances. It immediately resonated with audiences, who started asking where they could buy or stream it. That’s when I decided to record it in the studio, collaborating with the incredible Chris Caswell on piano (known for his work with The Muppets, Daft Punk, Tron, and John Denver). In just one take, we captured the essence of the song and brought my newest single, ‘My One and Only,’ to life.

“After sharing the recording with Mesa/Bluemoon, the idea for an EP came together. The project includes new versions of fan favorites like ‘Lately’ and ‘Up to No Good,’ as well as remixes of some of my most popular songs, including ‘Beautiful Night.’ I was humbled when Steve Martin, himself, said that “’’Beautiful Night’ is a song worthy of Jobim…great work!” This EP is a reflection of my journey, and I’m excited to share it with everyone.”

Nathan McEuen grew up surrounded by incredible music and talented musicians. By age four he started performing with his father, John McEuen (Nitty Gritty Dirt Band founder), and Nathan soon became a natural showman. With over 40 years of touring, more than 3,000 shows, and appearances on American Idol, The Stagecoach Festival, and the Grand Ole Opry, The Tonight Show, Music City Roots, Austin City Limits, XM/Sirius Radio, his music has reached audiences around the world.

Held in the highest esteem by his musical colleagues, Nathan has shared the stage with an impressive lineup of artists, including Bon Jovi, Steve Martin, Kris Kristofferson, Willie Nelson, Kenny Loggins, Leon Russell, Mason Williams, Vassar Clements, Jay Leno, Billy Bob Thornton, John Carter Cash, Brad Paisley, Carrie Underwood, Albert Lee, David Grisman, The Dillards, Dwight Yoakam, Carols Santana, Kiss, Dave Mason, Jim Messina, Gabriel Iglesias, John Denver, John Jorgenson, Michael Martin Murphey, David Crosby, Shawn Colvin, Colin Hay, Chris Stills, Richard Paige, Chris Issak, Jason Mraz, Steve Postell, Chris Hillman, Herb Peterson, John Oates, Kevin Nealon, John Hartford, Brett Dennen, Garfunkel & Oates, Jennifer Warnes, Blind Boys of Alabama, John Mayall and the Bluesbreakers, Malcolm McDowell, Paul Williams, Abe Laboriel, Ann-Margret, Ronny Cox, Chris Thile, Van Dyke Parks, Laurie Lewis, Gary Morris, Gonzo the Muppet, and Russi Taylor (Voice of Minnie Mouse) and Hanna-McEuen (w/ his brother Jonathan, and cousin Jaime Hanna).

Alongside his EP, My One and Only for Mesa Bluemoon Recordings, Nathan co-produced The McEuen Sessions – For All the Good for the label in 2011 that was with his dad and his brother, Jonathan.  He has also released several acclaimed albums through his independent label, Lint Records, including Grand Design, Festival, Scrapbook, McEuen Sessions, and Side by Side.

With a rich musical heritage, a lifelong passion for songwriting (200+ songs to date), and a love for storytelling, Nathan’s engaging performances showcase his artistry and dedication to his craft. Whether on stage or in the studio, his music continues to resonate with fans worldwide.

My One and Only Track Listing and Credits
My One And Only (3:15)
(Lyrics by: Nathan McEuen
Music by: Nathan McEuen, Mason Williams, Chris Caswell)
Nathan McEuen: guitars, vocal
Chris Caswell: piano
Produced by: Nathan McEuen

Lately (2:58)
(Written by: Nathan McEuen, Chelsea Williams)
Nathan McEuen: guitar, vocals
Jimmy Calire: piano
Steve Nelson: upright bass
Mario Calire: drums, percussion
Produced by: Paul Allen

Up To No Good (2:51)
(Written by: Nathan McEuen, Chelsea Williams)
Nathan McEuen: guitar, vocal
Jimmy Calire: piano
Steve Nelson: upright bass
Mario Calire: drums
Jesse Siebenberg: slide guitar
Produced by: Nathan McEuen

Sticks & Stones (2:56)
(Written by: Ed Berghoff, Chuck Hailes, Nathan McEuen, Jesse Siebenberg, Frank Sunseri)
Nathan McEuen: guitars, vocals
Jesse Siebenberg: B-3, bass, drums, slide guitar, BG vocals
Produced by: Nathan McEuen & Jesse Siebenberg

Beautiful Night (4:20)
(Written by: Nathan McEuen)
Nathan McEuen: guitars, vocals
Jimmy Calire: piano
Randy Tico: bass
Mario Calire: drums
Jonathan McEuen: guitar, BG vocal
John McEuen: mandolin
Phil Salazar: solo fiddle
Chris Caswell: string arrangement
Marcy Vaj: violin 1
Pam Gates: violin 2
Novi Novog: viola
Vahe Hayrikyan: cello
Produced by: Nathan McEuen, Randall Richman, Jonathan McEuen, Sean Ingoldsby

Social Music App Hook Secures $3M in Additional Funding from Investors

Eric Alper
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Social Music App Hook Secures $3M in Additional Funding from Investors

Hook, the platform where users can easily and legally remix songs by some of the top musicians in the world while earning income, today announces the closing of $3M in additional funding, bringing its total funding to $6M. The round includes new investments from Khosla Ventures, Kygo’s Palm Tree Crew, and The Raine Group, alongside continued support from existing investors, including Imaginary Ventures, Steve Cohen’s Point72 Ventures, KSHMR, and Waverley Capital, co-founded by former Warner Music Group CEO Edgar Bronfman, Jr.

Hook addresses the most critical challenge in the music industry today: the proliferation of unlicensed content across social media platforms. With 40% of music consumed on social media coming from remixes and mashups, often created without proper licensing, Hook provides a legitimate solution for creators while ensuring that rights holders maintain control and monetization of their content.

“We have built music’s new ecosystem, where creativity and rights can finally coexist. For too long, the industry has been stuck choosing between protecting artists’ rights and enabling creative expression. Hook creates a future where fans and creators can freely express themselves, artists and labels can properly monetize their work, and the entire music community thrives together,” said Gaurav Sharma, Founder & CEO of Hook. “This isn’t just about fixing a broken system – it’s about building the foundation for music’s next chapter.”

The new funding will accelerate Hook’s marketing efforts and strategic hiring, with a focus on user acquisition. The platform is the first specialized AI-powered tool for creating and distributing licensed remixed music content in short-form formats, filling the gap that existing editing tools haven’t addressed for the music industry.

“We are incredibly excited to invest in Hook and support its mission to innovate how artists and creators engage with their work and interact with their fans. We look forward to working with and supporting Gaurav and his team on this journey,” said Michael Diaz, CEO of Palm Tree Crew.

Hook goes beyond traditional music creation tools, it is an expression platform that enables creators to produce legitimate, monetizable content while ensuring proper compensation for rights holders. This approach creates a sustainable model for the future of music creation and distribution in the social media era. In just four months, the company has partnered with 16 music partners and features music from over 1,200 artists such as Justin Bieber, Teddy Swims, BLOND:ISH, Playboi Carti, Ty Dolla $ign, KSHMR, Hardwell, Swae Lee, Big Sean, Migos, Soulja Boy, Sadie Jean, Jaden Smith, Killer Mike and Cash Cobain to create authorized remixes from their songs/catalog.

Hook is transforming music creation through its innovative AI and Machine Learning technologies that power creative remix tools, including genre and mood-changing filters and mashups. Hook’s commitment to ethical AI practices includes never training algorithms on artists’ music, an approach that has earned it industry recognition with Universal Music Group including Hook in its MusicForAI initiative as an approved, ethically-sound AI platform.

Since the app’s launch in October 2024, Hook has continued to expand its features for music fans with better discovery and recommendations and improved music remixing and video editing tools that make it easier than ever for fans and creators to express their music creativity and increase their viral potential. To support the music creator economy, Hook is pioneering short-form music monetization through its new creator monetization program. Music creators can now earn money based on engagement, referrals, and bonuses, empowering them to turn their passion into a sustainable income stream. Additionally, artists can now promote their catalog through on and off-platform promotions and Remix Challenges that allow creators and fans to interact with music in creative ways and win prizes.

Gayle F. Wald’s ‘This Is Rhythm’ Book Explores the Untold Legacy of Children’s Music Icon and Civil Rights Trailblazer Ella Jenkins

Eric Alper
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Gayle F. Wald’s ‘This Is Rhythm’ Book Explores the Untold Legacy of Children’s Music Icon and Civil Rights Trailblazer Ella Jenkins

Ella Jenkins was one of the most influential musicians of the twentieth century. Her songs “You’ll Sing a Song and I’ll Sing a Song” and “Who Fed the Chickens?” are classics in the world of children’s music. In a career spanning more than sixty years, she recorded forty albums, won a lifetime-achievement Grammy, and became the best-selling individual artist in the history of Smithsonian Folkways Records, the independent label that played a significant role in the 1960s folk revival movement and introduced listeners to Woody Guthrie and Pete Seeger. During her remarkable career, Jenkins joined forces with twentieth-century luminaries such as Odetta, Big Bill Broonzy, Armando Peraza, Bayard Rustin, and Fred Rogers. Despite her wide-reaching influence on children’s music, Ella Jenkins’s sonic civil rights activism isn’t widely known today.

Based on dozens of interviews and access to Ella Jenkins’s personal archives, Gayle F. Wald’s This Is Rhythm shares how Jenkins, a “rhythm specialist” with no formal musical training, became the most prolific and significant American children’s musician of the twentieth century, creating a beloved catalog of songs grounded in values of community-building, antiracism, and cultural pluralism. Wald traces how the daughter of southern migrants translated the music of her own Black girlhood on the South Side of Chicago into a form of civil rights activism—a musical education that empowered children by introducing them to Black history, African diasporic rhythms, and a participatory, community-centered approach to music. Wald also discusses how, beginning in 1961, Jenkins built a life with a female partner who supported her materially and emotionally. Although Jenkins did not talk publicly about her sixty-three-year relationship, she opened up to Wald, offering insight into how a “private” Black woman in the public eye negotiated sexuality in an era before gay and lesbian liberation movements. Throughout her career, her innovative music found its way into thousands of community centers, classrooms, and concert venues, and her “call-and-response” method has influenced and empowered generations of children and adults.

A beautifully written tribute to Ella Jenkins’s legacy, this biography illustrates her impact on children’s music and expands our understanding of folk music’s relationship with social justice. Jenkins used music to build a new world in which children—and adults—are encouraged to listen to each other’s distinct rhythms.

JESSIA Unleashes Empowering New Single “Moved Around You” After Headline Tour

Eric Alper
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JESSIA Unleashes Empowering New Single “Moved Around You” After Headline Tour

Pop powerhouse JESSIA returns with her latest single “Moved Around You,” a self-empowered reflection wrapped in melody and vulnerability. The release arrives hot on the heels of her first headline tour across the U.S. and Canada, which energized fans and solidified her rising status on the global pop stage.

Blending bold pop production with her emotionally raw lyricism, “Moved Around You” captures the pain of investing in someone who doesn’t give the same energy back. But rather than dwell in the heartbreak, the track celebrates emotional bravery.

“‘Moved Around You’ is for anyone who’s fallen too hard in a casual relationship,” says JESSIA. “It always hurts to care more than the other person, but this song takes that pain and turns it into power—celebrating the fact that we were brave enough to put our hearts on the line.”

The track is yet another example of JESSIA’s gift for creating music that strikes a balance between catharsis and catchiness. Known for her ability to voice unspoken feelings, she’s amassed over 400 million streams by turning complex emotions into resonant, empowering pop anthems.

Since her breakout moment in 2021 with the viral hit “I’m not Pretty,” the Vancouver-born, LA-based artist has continued to evolve. Her debut EP How Are You? earned her the 2022 Juno Award for Breakthrough Artist. Now, following her independently released sophomore EP Okay With Every Part, JESSIA is building on that momentum with “Moved Around You,” a track that affirms her as one of the most relatable and honest voices in pop today.

Springtide Music Festival Unveils 2025 Lineup with Cuff The Duke, Casper Skulls, Samantha Martin & Delta Sugar, and More

Eric Alper
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Springtide Music Festival Unveils 2025 Lineup with Cuff The Duke, Casper Skulls, Samantha Martin & Delta Sugar, and More

Springtide Music Festival is proud to announce the next wave of artists for the 2025 festival lineup taking place June 12-14, 2025 in Uxbridge, Ontario. Springtide Music Festival is an annual collection of over 12 live music stages in multiple venues along a 750m strip of downtown Uxbridge with intimate performances in restaurants, bars, shops, and an outdoor main stage in a brewery beer garden.

Springtide Music Festival will kick off with a Launch Party on Thursday, June 12 at St. Andrew’s – Chalmers Church with Toronto’s soul band Samantha Martin & Delta Sugar, Plains Cree singer-songwriter Wyatt C. Louis, and Uxbridge’s own jazz artist Whitney Ross-Barris.

New this year, Springtide will offer single venue ticket options for featured mainstage, matinee, and after party showcases. Included in the mix are evening mainstage acts Päter, Casper Skulls, Cuff The Duke, Reuben & The Bullhorn Singers on June 14. The Free as Folk Matinee on June 14 will feature performances by Quique Escamilla, The Barrel Boys, Basset, and Sarah Beatty; and the After Party showcases at Wixan’s Bridge will feature Status/Non-Status, Torrance, The Burning Hell, and Your Mom on June 13, and Altered by Mom, Casper Skulls, Hollowsage & the Three Mile Islanders, and Lost Faculty at June 14.

“We have added some exciting new options to our ticket offering in 2025, with access to single venue curated shows,” said Tania Joy Co-founder, Executive Director/Artistic Director of Springtide Music Festival. “We hope this provides another level of affordability for festival goers that allows them to check out their favourite acts, and a preview of the festival without having to commit to a whole day or weekend pass.”

The current Springtide Music Festival lineup includes:
Abbey Road, Altered by Mom, Band of Weeds, Barn Cat, The Barrel Boys, Basset, Black Spruce, Braden Lam, Brian Wride, Brodie Bell, The Burning Hell, Burs, Casper Skulls, Cassie Noble, Claire Hunter, Cuff The Duke, Daniel Raymond, David Owen, Dawna Marie & The Slim Pickins, Derek Virgo, Django Junkies, Dylan Menzie, The East Pointers, Eight Five Two, Else Langhans, Equal, Eunice Keitan, fried wire, Hollowsage & The Three Mile Islanders, Jerome Tucker Band, Julia Middleton, Julien Kelland, Kendall Lily, Land Heart Song, Larra Skye, Lindy Vopnfjord, Lost Faculty, Make it to Friday, Near Dawn, The Pairs, Päter, Quique Escamilla, Reuben & The Bullhorn Singers, Rudi Urbach, Samantha Martin and Delta Sugar, Sarah Beatty, Status/Non-Status, Tim Bastmeyer, Torrance, The Vaudevillian, Wavy Dave Haines, Wayne Madder, Whitney Ross-Barris, Wyatt C. Louis, The Youngstars, and Your Mom.

Springtide Music Festival venues for 2025 include The Second Wedge Brewing Co.; Corner House Pub and Grill; Wixan’s Bridge Restaurant; Col. McGrady’s Pub & Grill; 9 by Tin; The Bridge Social; Blue Heron Books; Fig Kitchen & Market; Mani Tea; Gangster Cheese; Bounty from the Boonies; and H. Bee Architecture. Speciality stages include FREE interactive Workshops for kids, the FREE Springtide Youth Stage showcase, and Artist Workshop stages.

In anticipation of the June festival, Springtide will also present a music series every Sunday from May 4 to June 8 at Uxbridge Farmers’ Market, featuring two Springtide artists performing each week from 10am to 1pm at The Second Wedge Brewing Co. in Uxbridge.

Folk-Roots artist Tania Joy is the Co-founder, Executive Director/Artistic Director of Springtide Music Festival, a non-profit organization led by a volunteer team of business leaders and local musicians which draws over 60 acts to various venues from breweries and bistros to bookstores and clothing shops in historic downtown Uxbridge, northeast of Toronto. Springtide recognizes that live music venues in small cities and rural towns serve as a vivacious cultural hub for their communities and is committed to creating a platform to support and celebrate local talent, while fostering performance opportunities that introduce Canadian artists outside of the region to new audiences.

Since 2023 Springtide has partnered with Music Declares Emergency Canada (MDE Canada) to bring the climate conversation to festival audiences. MDE Canada is an independent group, created by artists, music industry professionals and organisations concerned at the lack of a cohesive, industry-wide response to the climate emergency. MDE Canada believes in the power of music to promote the cultural change needed to create a better future.

FIFTY FIFTY Returns with Dreamy New Single “Perfect Crime,” Ahead of New EP ‘Day & Night’

Eric Alper
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FIFTY FIFTY Returns with Dreamy New Single “Perfect Crime,” Ahead of New EP ‘Day & Night’

K-pop phenomenon FIFTY FIFTY returns to their lover-girl roots with their latest single, “Perfect Crime,” now available across all digital streaming platforms via Arista Records. By showcasing their multilingual abilities in the track, the quintet continues to expand their global fanbase, making their music more accessible to fans all over the world. Marking their first original release in 2025, this record sets the tone for an exciting year ahead, following the launch of their “Love Tune: Rewired (Remixes)” album in January, and serves as a pre-release ahead of their highly anticipated new EP, Day & Night, set to drop on April 29.

This mesmerizing track embraces the group’s signature synth-driven sound, delivering a slower-paced, atmospheric pop experience enriched with breathy background vocals and stunning harmonies. The song’s retro-pop feel, along with its smooth melodies and lush harmonies, transports listeners into a neon-lit dreamscape, balancing its emotional intensity with a cool, airy sound. The message of love continues on “Perfect Crime,” but this time, it is about the restless emotions of longing and anticipation in a relationship. The song’s dreamy, hypnotic production mirrors the push-and-pull of waiting for someone who always seems just out of reach.

The beloved girl group has been making significant strides in the global music scene. Their breakout hit, “Cupid”, not only became the longest-charting K-pop song in Billboard Hot 100 history at 15 consecutive weeks but also made them the first female K-pop act to reach the top 10 on the UK Singles Chart, peaking at number nine. The group further solidified their rising star status by winning the K-Pop Song of the Year for “Cupid (Twin Version)” at the 2024 iHeartRadio Music Awards. Further solidifying their position as a global force in the music industry, they captivated audiences with sold-out shows during their U.S. tour last year.

FIFTY FIFTY continues to expand their artistic horizons while staying true to the heartfelt storytelling that defines their music. With a variety of on-going music projects in the upcoming months, the group aspires to demonstrate their versatility as artists and work hard to build upon their growing success.

FIFTY FIFTY debuted in Nov 2022 and experienced a commercial breakthrough with their song “Cupid”, which became the longest-charting K-pop song in Billboard Hot 100 history at 25 consecutive weeks (peaking #17) and reached #2 on the Billboard Global 200. The song became popular on TikTok due to a dance trend launched by the group, with over 2 million video creations on the ‘twin’ version and more on sped-up audios. Rather than most K-pop groups which focus initially on the local market and Korean-language repertoire, FIFTY FIFTY’s songs leaned more heavily into Western pop sounds and English-language hooks, as seen in other tracks like “SOS” and “Gravity.” Just last year, they inked a U.S. record deal with Arista Records and released their comeback EP Love Tune. So far, the group has released two EPs – The FIFTY and Love Tune – along with one LP, The Beginning. They also contributed a song to the soundtrack of the blockbuster Barbie movie.

Ellise Announces Debut Headlining “The PRETTY EVIL Tour”

Eric Alper
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Ellise Announces Debut Headlining “The PRETTY EVIL Tour”

– Today, Ellise, whose breakout single “911” seismically redefined the pop scene – amassing over 440 million global streams, announces her debut headlining “The PRETTY EVIL Tour”, kicking off July 31 in Pittsburgh, PA, at the Thunderbird Music Hall. The tour follows the highly anticipated release of Ellise’s sophomore album of the same name which received praise from Ones To Watch which adored, “her fearless, transformative artistry [that] is reshaping modern pop.”

“PRETTY EVIL as an album has pushed me beyond what I thought my creative limits were.” Elise added, “My debut headline tour will take me and my audience deep into the world I’ve created for us, and I can barely contain my excitement. The PRETTY EVIL tour will be a reflection of my proudest body of work, breathed to life.”

Ellise marked her return with PRETTY EVIL, a dark pop confessional that fully embodies her raw, unfiltered vision. Dripping with lust, heartache, jealousy, and more, the album pulls listeners into a hypnotic spiral of love and loss revealing that Ellise held the double-edged dagger all along. Executive produced by Arthur Besna (Nessa Barret, Baby Storme, Bludnymph), the album was heralded for its haunting tracks including “leech,” which landed Ellise the cover of SALT on Spotify. Additionally, the album’s third single “valentine,” became a fan favorite during her performances on Madison Beer’s Spinnin’ tour. Experience the full journey of PRETTY EVIL now.

The upcoming dates follow the record’s debut show on the Bishop Briggs The Tell My Therapist I’m Fine Tour which Ellise joined as a special guest performer. Music Junkie’s recent feature story applauded “her magnetic stage presence and a voice that cuts straight to the soul,” exclaiming that “Ellise has firmly claimed her spot in the music scene.”

With her breakout hit “911,” Iraqi-American artist Ellise has carved herself a spot in the dark pop scene becoming renowned for the haunting vulnerability and distinct cinematic quality of her artistry that continues to garner her a cult-like fanbase. Over the years, her journey has been molded by personal battles with mental health struggles that have perfected her ability to portray raw and earnest emotional depth eloquently through her music. Now, Ellise is making a comeback with her latest singles “dead2me” and “bite”, which have been adored by fans and industry players alike, with “dead2me” landing the cover of SALT on Spotify for release week. The otherworldly tracks set the tone for her sophomore album “PRETTY EVIL” – created with Arthur Besna, Ella Boh, JT Foley, and Madi Yanofsky – described as her most cohesive and ambitious work to date, which heralds a new era for Ellise. Her final single from the album, “valentine” has become a fan favorite following its live performance on Madison Beer’s Spinnin’ tour. Looking ahead to 2025, Ellise is set to capitalize on her momentum with major live performances as she joins Bishop Briggs on tour this month.

Ellise – THE PRETTY EVIL TOUR 2025:
July 31 – Pittsburgh, PA – Thunderbird Music Hall
August 1 – Cleveland, OH – House of Blues, Cambridge Room
August 2 – Toronto, ON – The Drake
August 5 – New York, NY – Mercury Lounge
August 6 – Boston, MA – Middle East Upstairs
August 8 – Philadelphia, PA – World Café Live
August 9 – Washington, DC – Songbyrd
August 11 – St. Louis, MO – Off Broadway
August 12 – Chicago, IL – Subterranean
August 13 – Minneapolis, MN – Entry
August 15 – Denver, CO – Globe Hall
August 18 – Seattle, WA – Barboza
August 19 – Portland, OR – Holocene
August 21 – San Francisco, CA – Café Du Nord
August 23 – Los Angeles, CA – Moroccan Lounge

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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