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Cypress Hill Bring “Once Upon A Time In The Summer” Tour To Niagara

Eric Alper
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Cypress Hill Bring “Once Upon A Time In The Summer” Tour To Niagara

Cypress Hill are bringing decades of influence and impact to Niagara Falls this summer. The hip-hop pioneers hit the OLG Stage at Fallsview Casino on July 16 as part of their “Once Upon A Time in the Summer 2026 Tour”. Tickets go on sale March 20 at 10:00am.

This marks the group’s first appearance at the venue, and the weight of that moment is clear. “Cypress Hill brings fearless energy and instantly recognizable hit music,” says Cathy Price. “We are thrilled to welcome them for the first time to the OLG Stage at Fallsview Casino.”

B-Real, Sen Dog and DJ Muggs built their legacy early and never let it fade. From their 1991 debut to the chart-topping ‘Black Sunday’, the group defined a sound that still cuts through. Tracks like “Insane in the Brain” and “[Rock] Superstar” remain locked into hip-hop’s DNA.

Their catalog carries both history and force. The music still hits with sharp production, distinct voices and a style that refuses to blend in. That presence translates directly to the stage, where their live show continues to land with power.

Cypress Hill’s arrival at Fallsview Casino puts a defining name in hip-hop on one of Canada’s top stages. This is a show built on legacy, volume and songs that have stood the test of time.

Finnish Guitar Virtuoso Jimmy Westerlund Earns Guitar Player Spotlight And Global Recognition

Eric Alper
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Finnish Guitar Virtuoso Jimmy Westerlund Earns Guitar Player Spotlight And Global Recognition

Jimmy Westerlund steps into a new tier of recognition. After more than 25 years shaping records as a guitarist, producer and songwriter, the Finnish musician is now featured by Guitar Player, one of the most respected voices in the instrument’s world. The magazine not only highlights his playing but brings him into its masterclass series, placing him directly in front of a global audience.

“When Jason Sidwell called me, I first thought it was a prank call,” Westerlund says. “There’s no way Guitar Player would call me.” The call was real, and so is the momentum behind it. His work now sits in direct conversation with the legacy of melodic rock guitar.

Westerlund’s rise has been building for years through collaborations tied to Warner Music and Sony. He now holds a key role in the current lineup of Giant, contributing as guitarist, producer and songwriter on ‘Stand and Deliver’, stepping into the space once held by Dann Huff. It’s a position that demands precision, tone and authority, and Westerlund delivers.

“This is the music I’ve lived and breathed since I was a kid,” he says. “I don’t think I would’ve been ready for this ten years ago.” That foundation runs deep, and Guitar Player’s feature places him alongside names like Steve Lukather and Neal Schon, reinforcing his place within that lineage.

His catalog stretches far beyond rock. Westerlund co-wrote “Game On” with Pitbull for the 2010 FIFA World Cup, part of a project that reached No. 1 on Billboard’s World Music chart and included Shakira’s “Waka Waka.” With more than 200 million streams tied to his work, the reach is undeniable.

“It feels like a huge recognition to be acknowledged by such an institution in the guitar world,” Westerlund says. Now stepping forward as a solo artist while continuing his production work, he frames this moment clearly. “I feel this is a clear turning point in my career… creating my own music with my own voice is both a risk and exactly what I need to stay inspired.”

The Wallflowers Celebrate ‘Bringing Down The Horse’ With Anniversary Tour

Eric Alper
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The Wallflowers Celebrate ‘Bringing Down The Horse’ With Anniversary Tour

The Wallflowers are taking a defining album back on the road. The band will celebrate the 30th anniversary of ‘Bringing Down the Horse’ with a massive North American and European tour, performing the record in full alongside a second full-album set of Tom Petty & The Heartbreakers’ ‘Long After Dark’.

This is a deep dive into a catalog that still carries weight. ‘Bringing Down the Horse’ moved more than four million copies and delivered enduring singles like “6th Avenue Heartache” and “One Headlight.” These songs remain central to the band’s identity, and they return here in full, front to back.

Jakob Dylan frames the tour as something intentional. “Coming back after such a long time, we wanted to do something special for the 30th anniversary of Bringing Down the Horse,” he says. “We decided to play what seems to be our fans’ favorite Wallflowers album, and for us, we wanted to play one of our favorite Tom Petty and the Heartbreakers records, Long After Dark.”

The added tribute set brings another layer. Revisiting ‘Long After Dark’ positions the tour as both celebration and influence, connecting The Wallflowers’ sound to one of their foundational inspirations. It adds depth to a run already built on legacy.

The schedule stretches across the U.S., Canada and Europe, with stops in Chicago, Nashville, Toronto, London and beyond. This is a full-scale anniversary run that places one of alt rock’s most enduring records back where it belongs, onstage.

2026 Tour Dates:
04-17 Portland, OR – Revolution Hall
04-18 Edmonds, WA – Edmonds Center for the Arts
04-19 Vancouver, BC – Commodore Ballroom
04-21 Napa, CA – Uptown Theatre
04-23 Reno, NV – Grand Sierra Resort and Casino
04-24 Visalia, CA – Visalia Fox Theatre
04-25 Monterey, CA – Golden State Theatre
04-26 Indio, CA – Stagecoach Music Festival
04-28 Albuquerque, NM – KiMo Theatre
04-30 New Braunfels, TX – Gruene Hall
05-01 Dallas, TX – Granada Theater
05-02 Tulsa, OK – Tulsa Theater
05-04 Atlanta, GA – Buckhead Theatre
05-05 Asheville, NC – The Orange Peel
05-07 Rocky Mount, VA – Harvester Performance Center
05-08 Jim Thorpe, PA – Penn’s Peak
05-09 Montclair, NJ – The Wellmont Theater
05-10 Hartford, CT – Infinity Music Hall
05-12 Laconia, NH – Colonial Theatre
05-14 Bensalem, PA – Parx Casino
05-15 Charles Town, WV – The Event Center at Hollywood Casino
05-16 Huntington, NY – The Paramount
05-17 East Greenwich, RI – Greenwich Odeum
05-19 Ridgefield, CT – The Ridgefield Playhouse
05-21 Hudson, NY – Basilica Hudson
05-22 Beverly, MA – The Cabot Theater
05-23 Waterville, ME – Waterville Opera House
05-24 Bar Harbor, ME – Criterion Theater
06-04 Memphis, TN – Elvis Presley’s Memphis – Graceland Soundstage
06-05 Nashville, TN – Brooklyn Bowl Nashville
06-06 Lexington, KY – Railbird Music Festival
06-09 Ann Arbor, MI – Michigan Theater
06-11 Chicago, IL – The Vic Theatre
06-12 Fish Creek, WI – Door Community Auditorium
06-13 Minneapolis, MN – First Avenue
06-14 Des Moines, IA – Hoyt Sherman Place
06-16 Madison, WI – Barrymore Theatre
06-18 Iowa City, IA – The Englert Theatre
06-19 Eau Claire, WI – Summer Jam Fair
06-20 Omaha, NE – Steelhouse Omaha
06-21 Wichita, KS – The Cotillion
06-23 Lawrence, KS – Liberty Hall
06-25 Colorado Springs, CO – Pikes Peak Center for the Performing Arts
06-26 Boulder, CO – Chautauqua Auditorium
06-27 Beaver Creek, CO – Vilar Performing Arts Center
06-28 Steamboat Springs, CO – Strings Music Pavilion
06-30 Jackson Hole, WY – Center for the Arts
07-01 Livingston, MT – Pine Creek Lodge
07-30 Little Rock, AR – The Hall
07-31 Huntsville, AL – Von Braun Center – Mars Music Hall
08-01 Dothan, AL – The Plant
08-02 Pensacola, FL – Saenger Theatre
08-06 Isle of Palms, SC – The Windjammer
08-07 Wilmington, NC – Greenfield Lake Amphitheatre
08-08 Bristol, TN – Paramount Bristol
08-09 Durham, NC – Carolina Theatre
08-11 Dewey Beach, DE – Bottle & Cork
08-13 Hyannis, MA – Melody Tent
08-14 Mason, NH – The Range Live Music & Concert Venue
08-17 Red Bank, NJ – Count Basie Center for the Arts
08-18 Rutland, VT – Paramount Theatre
08-21 Toronto, ON – Danforth Music Hall
08-22 Hammondsport, NY – Point of the Bluff Vineyard – Pavilion
08-24 Kent, OH – The Kent Stage
08-25 Morgantown, WV – The Metropolitan Theatre
08-27 Saginaw, MI – Temple Theatre
08-28 Nashville, IN – Brown County Music Center
08-29 Lincoln City, IN – Lincoln Amphitheatre
08-30 St. Louis, MO – The Pageant
09-01 Springfield, MO – Gillioz Theatre
09-03 Sioux Falls, SD – The District
09-04 Mankato, MN – Mayo Clinic Health System Event Center
09-05 Bayfield, WI – Lake Superior Big Top Chautauqua
09-06 Milwaukee, WI – The Pabst Theater
11-10 Copenhagen, Denmark – Amager Bio
11-11 Oslo, Norway – Rockefeller
11-12 Stockholm, Sweden – Fållan
11-16 Utrecht, Netherlands – TivoliVredenburg
11-17 Paris, France – Alhambra
11-18 Gent, Belgium – Capitole Gent
11-19 Antwerp, Belgium – De Roma
11-20 London, UK – O2 Shepherds Bush Empire
11-22 Dublin, Ireland – Vicar Street

Peter Frampton Returns With ‘Carry The Light’ And All-Star Guests

Eric Alper
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Peter Frampton Returns With ‘Carry The Light’ And All-Star Guests

Peter Frampton is back with new music, and it carries weight. ‘Carry the Light’ arrives May 15, marking his first album of original material in 16 years. The project reunites him with the studio and introduces a collaborative dynamic with his son, Julian Frampton, who co-wrote and co-produced the record.

The album brings in a deep lineup of contributors. Sheryl Crow, Tom Morello, Graham Nash, H.E.R. and Bill Evans each step into the frame, adding texture and range. These are not surface-level appearances. The performances are woven directly into the fabric of the record.

Frampton frames the experience as a defining moment. “It was one of my most enjoyable projects ever. I got to work with my son Julian, writing and producing together. A first of many for us I’m sure.” That connection runs through the album, grounding it in something personal and immediate.

Lead single “Buried Treasure” nods to Tom Petty, built from lyrical references that trace through Petty’s catalog. Featuring Benmont Tench, the track carries a sense of history while staying rooted in Frampton’s signature tone and phrasing.

After stepping away from touring following his Inclusion-Body Myositis diagnosis, Frampton returned to the stage in 2023 and entered the Rock and Roll Hall of Fame in 2024. ‘Carry the Light’ stands as a continuation of that resurgence, driven by collaboration, legacy and a renewed creative spark.

Of Montreal Announce Expansive 2026 North American Tour

Eric Alper
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Of Montreal Announce Expansive 2026 North American Tour

Of Montreal are back on the road, and the scope is wide. Kevin Barnes leads the long-running indie psych project across North America this summer, with a run that stretches from mid-June through early August. This is a full sweep, club by club, city by city.

The tour kicks off June 19 in Athens and moves quickly through major markets including New York, Chicago and Philadelphia before heading west. Dates stack tightly, keeping momentum high as the band brings its theatrical, shape-shifting catalog to rooms built for connection and volume.

Support comes from Sloppy Jane and Cormae, adding contrast and edge to the lineup. Each night builds on Of Montreal’s reputation for unpredictable, high-concept performances that blur the line between concert and performance art.

The timing lands after continued attention around their catalog, including the 20th anniversary reissue of ‘The Sunlandic Twins’ and ongoing support for 2024’s ‘Lady on the Cusp’. The material runs deep, and the live setting gives it room to stretch and transform.

Of Montreal remain one of indie rock’s most inventive forces. The songs twist, the arrangements shift, and the live show pulls it all into focus with color and intensity.

2026 North American Tour Dates:
06-19 Athens, GA – 40 Watt Club ^
06-20 Carrboro, NC – Cat’s Cradle ^
06-21 Norfolk, VA – The Annex ^
06-22 Washington, D.C. – 9:30 Club ^
06-23 New York, NY – Webster Hall ^
06-24 Cambridge, MA – The Sinclair ^
06-25 Philadelphia, PA – Underground Arts ^
06-26 Buffalo, NY – Asbury Hall ^
06-27 Pittsburgh, PA – Mr. Smalls ^
06-28 Detroit, MI – Magic Stick ^
06-29 Kalamazoo, MI – Bell’s Eccentric Café ^
06-30 Chicago, IL – Thalia Hall ^
07-01 Louisville, KY – Headliners Music Hall ^
07-02 Chattanooga, TN – Barrelhouse Ballroom ^
07-03 Asheville, NC – The Grey Eagle ^
07-04 Charleston, SC – Charleston Pour House ^
07-21 Nashville, TN – Cannery Hall
07-22 St. Louis, MO – Delmar Hall +
07-23 Wichita, KS – Wave +
07-24 Denver, CO – Bluebird Theater +
07-25 Salt Lake City, UT – The Metro Music Hall +
07-26 Boise, ID – Treefort Music Hall +
07-27 Portland, OR – Wonder Ballroom +
07-28 Seattle, WA – Neumos +
07-29 Eugene, OR – Wow Hall +
07-30 Roseville, CA – Goldfield Trading Post +
07-31 San Francisco, CA – Great American Music Hall +
08-01 Los Angeles, CA – Regent Theater +
08-02 Phoenix, AZ – Crescent Ballroom +
08-03 Albuquerque, NM – Sister +
08-05 Dallas, TX – Trees +
08-06 Austin, TX – Mohawk +
08-07 Baton Rouge, LA – Chelsea’s Live +
08-08 Birmingham, AL – Saturn +

^ with Cormae

  • + with Sloppy Jane

Charli XCX And Lorde Lead Lollapalooza 2026 Takeover

Eric Alper
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Charli XCX And Lorde Lead Lollapalooza 2026 Takeover

Lollapalooza returns to Chicago with a lineup that locks into the current moment and pushes it forward. The 2026 edition runs July 30 through August 2 at Grant Park, bringing together a cross-genre bill led by Charli XCX, Lorde, Smashing Pumpkins and the xx.

This is a top line built for impact. Charli XCX continues her run as a defining pop force, while Lorde steps back onto one of the biggest stages in the world. Smashing Pumpkins bring legacy weight and volume, and the xx deliver their precise, atmospheric sound to a massive audience.

The depth of the lineup holds just as strong. Turnstile, Little Simz, Wet Leg and Clipse add edge and urgency. Ethel Cain, Beabadoobee and Wolf Alice carry the alternative lane forward, while John Summit and Boys Noize drive the electronic side with scale and intensity.

Further down the bill, the range stays wide. Acts like Geese, Water From Your Eyes and Oklou push boundaries, while Freddie Gibbs and Lil Uzi Vert bring hip-hop firepower. This is a lineup that reflects where music is now, diverse, fast-moving and impossible to pin down.

Lollapalooza 2026 lands with authority. The mix of global headliners and forward-facing names turns Grant Park into a snapshot of the modern music landscape, loud, expansive and fully connected.

Toronto Indie Favorite Bobby Freemont Unveils Emotional New Single “clementine skies”

Eric Alper
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Toronto Indie Favorite Bobby Freemont Unveils Emotional New Single “clementine skies”

Bobby Freemont pushes his vision forward with “clementine skies,” a new single that expands beyond music into something immersive. The track arrives as part of his ongoing rollout toward the debut album ‘The Death of Bobby Freemont’, due this spring. Each release adds another layer, and this one cuts deeper.

Written after the passing of his grandfather, the song moves through memory and loss without settling. Freemont and co-producer Stephen Kerr shape that tension into sound, balancing soft melodic passages with bursts of distortion that build toward a towering finish. The track carries emotional weight and sonic force, holding both in the same space.

“Grief can feel so isolating, but it’s universal. I wanted to create something where people could leave a piece of their story and see they’re not alone in it,” Freemont says. That idea drives the release beyond the song itself.

The companion site turns “clementine skies” into a shared experience. Listeners place virtual stars tied to personal memories, creating a living digital memorial that grows over time. It connects strangers through loss, reinforcing the song’s central theme in real time.

Freemont continues to define himself as a multidisciplinary creator. He builds the visuals, shapes the sound and controls the narrative. “clementine skies” stands as a strong and affecting release, grounded in real emotion and executed with precision.

Judy Collins Announces “Sweet Judy Blue Eyes” Farewell Tour

Eric Alper
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Judy Collins Announces “Sweet Judy Blue Eyes” Farewell Tour

Judy Collins is stepping into her final chapter on the road. The legendary folk voice has announced her “Sweet Judy Blue Eyes” farewell tour, a sweeping run that begins this summer and carries through 2027. This is a career-spanning sendoff from one of the genre’s defining figures.

The tour begins with June warmup dates before officially launching July 4 at the America Made in Virginia: 250 Years Together celebration in Williamsburg. From there, Collins moves across North America with a schedule that stretches coast to coast, including stops in Denver, Chicago, Las Vegas and Honolulu.

A rotating lineup of special guests adds depth to the run. Richard Thompson, The High Kings, Bruce Cockburn, Elles Bailey and Livingston Taylor are all part of the tour, with more names to come. Each show brings a different dimension, reinforcing the weight of the moment.

Collins, now 86, continues to command the stage with a voice and presence that shaped generations of songwriting. The material holds up. The performances still land. These shows carry history, precision and emotional pull in equal measure.

The tour will continue with a second leg titled “Sweet Judy Blue Eyes – Celebration Encore,” extending the experience for audiences who want one more moment with a living cornerstone of folk music.

2026–2027 Tour Dates:
June 11 – Concord, NH @ Capitol Center for the Arts
June 13 – Lexington, MA @ Cary Hall
June 14 – Newport, RI @ Jane Pickens
July 4 – Williamsburg, VA @ Music Arts Center
July 15 – Hyannis, MA @ Cape Cod Melody Tent*
July 16 – Cohasset, MA @ South Shore Music Circus*
July 18 – Lansdowne, PA @ Lansdowne Theater*
July 20 – Ocean City, MD @ Ocean City Music Pier^
July 22 – Denver, CO @ Denver Botanical Garden#
July 24 – Bayfield, WI @ Big Top Chautauqua%
Sept. 15 – Honolulu, HI @ Blue Note
Sept. 16 – Honolulu, HI @ Blue Note
Sept. 24 – Tuscon, AZ @ Fox Theater
Sept. 27 – Santa Barbara, CA @ Loreto Theatre
Oct. 2 – Grants Pass, OR @ The Rouge Theatre
Oct. 9 – Ithaca, NY @ State Theater
Oct. 14 – Las Vegas, NV @ Myron’s @ Smith’s Center
Oct. 15 – Las Vegas, NV @ Myron’s @ Smith’s Center
Oct. 18 – Berkeley, CA @ Cal Performance Arts
Oct. 23 – Chicago, IL @ Old Town School of Folk
Oct. 24 – Chicago, IL @ Old Town School of Folk
Nov. 1 – Lafayette, IN @ Long Center for the Performing Arts
Nov. 6 – Elyria, OH @ Stocker Arts Center
Nov. 22 – Morristown, NJ @ MAYO Center
Nov. 29 – Ridgefield, CT @ Ridgefield Playhouse
More dates TBA

*w/ Richard Thompson and Elles Bailey
^w/ Richard Thompson
#w/ Bruce Cockburn
%w/ The High Kings

Danish Prog Metal Disruptors Only Human Drop Crushing New Single “Techno Fascist”

Eric Alper
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Danish Prog Metal Disruptors Only Human Drop Crushing New Single “Techno Fascist”

Only Human are moving with intent, and “Techno Fascist” lands as their most direct statement yet. Released March 17 through Season of Mist, the track is the third and final single from their debut album ‘Planned Obsolescence’. It pushes their existential take on prog metal into sharper, heavier territory.

The Copenhagen group builds tension from the first seconds. Synths flicker, guitars tighten, and the track expands into something volatile. The sound pulls from prog, classic rock and modern metal without losing focus. The result hits hard and stays there, driven by low-tuned weight and sudden turns.

Vocalist Patrick Grønbæch Christensen frames the song as a confrontation. It targets technocratic systems and the quiet normalization of control through technology. The lyrics press on a simple idea, people still have a choice. That message cuts through the density of the arrangement.

“Techno Fascist” shifts in real time. Clean passages open space before the breakdown locks in with force. The solo lifts the track before it drops again into something far heavier. The music feels engineered to disrupt, constantly switching angles and refusing to settle.

Only Human are building something bigger with ‘Planned Obsolescence’. The album centers on technology’s grip on modern life and the cost of convenience. “Techno Fascist” stands as a defining piece, sharp, aggressive and fully realized. This is a band locking into their identity and pushing forward.

Country Music Association Leaders Drive Global Surge At C2C Country To Country Festival

Eric Alper
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0
Country Music Association Leaders Drive Global Surge At C2C Country To Country Festival

The Country Music Association, the leading trade organization representing the Country Music industry, returned to the U.K. to support this year’s C2C: Country to Country festival, reaffirming CMA’s ongoing commitment to expanding and elevating Country Music worldwide. Through strategic international initiatives and partnerships, CMA remains dedicated to amplifying the genre’s visibility, deepening fan and industry engagement and driving lasting global impact. 

“C2C continues to be a highlight of our year,” says Sarah Trahern, CMA Chief Executive Officer. “From an unforgettable Songwriters Series to the excitement around the CMA Spotlight Stage in London and Glasgow and for the first time, Berlin and Rotterdam, this week was a powerful reminder of how deeply Country Music connects with fans around the world. It was also incredibly meaningful to host our first International Summit in London and bring together our partners across the U.K. and Europe to reflect on the continued growth we’re seeing throughout the region. The passion from fans and partners reminds us why this genre continues to thrive, and we’re excited to build on that progress.” 

CMA launched its inaugural International Summit on Wednesday, March 11, kicking off the weekend’s festivities at Soho Works in London. The invite-only gathering marked a strategic milestone in CMA’s long-term commitment to strengthening ties between the U.S., U.K. and European markets while supporting international career development for members across all sectors of the industry. More than 140 industry members attended, representing a dynamic mix of established executives and emerging leaders and creating an environment of active engagement and discussion throughout the day. 

Programming featured a keynote panel moderated by Mark Sutherland (Host, “The Money Trench – The Music Industry Podcast”), with speakers including Scott Borchetta (Founder/Chairman, Big Machine Records and Nashville Harbor Records & Entertainment), Rachel Davies (Commissioning Editor, BBC Popular Music Television), Jim King (CEO, AEG Presents U.K. and European Festivals), and Trahern. The day also included a CMA Task Force panel moderated by Alex Hannaby (Head of U.K., SVP International, HYBE Label Service), alongside breakout sessions that facilitated focused discussion and cross-market collaboration among decision-makers shaping touring, media, distribution and audience development across Europe. CMA also presented a collection of data focused on Country consumption in the U.K. and Europe, providing attendees with practical insights and resources to grow and adapt in an evolving industry.  

Key findings included: 
– Sustained Market Growth: Since 2020, Country Music consumption in the U.K. has grown 181%, reflecting steady expansion and increasing audience demand across the market. 
– Rising Market Share: Over the same period, Country’s share of the overall U.K. music market has doubled, from 1% in 2020 to 2% in 2025, making it the fifth-largest genre in the market. 
– Consistent Genre Momentum: Country ranked as the fastest-growing genre in the U.K. for three consecutive years (2023–2025) among main genres with at least 1% market share. 

“As Country Music continues its incredible international growth, the CMA continues to be front and center in its outreach and effectiveness in bringing together best in class partners to expand globally,” says Borchetta.  

“The BBC has been supporting Country Music for decades, and it’s been a joy to see the appetite for the genre grow exponentially in recent years,” says Davies. “It’s also been wonderful to reflect this growth in our TV commissioning. Over the last year alone, we broadcast ‘Grand Ole Opry: Live in London’ on BBC Two, we streamed the CMA Awards live, marking the moment with a dedicated Country Music channel on BBC iPlayer, featuring a night of classic Country-related programming that has been broadcast on the BBC over the years. Other highlights included our BBC Two factual entertainment series, Rob Brydon’s Honky Tonk Road Trip, our broadcast of the CMA Fest and more. Country artists were also spotlighted on returning series such has Later… with Jools Holland and Radio 2’s Piano Room, which we show in vision on BBC iPlayer. It’s really important to us that we continue to collaborate with colleagues across the BBC, and with the wider industry, so that we can continue to play our part in celebrating international and homegrown Country artists for years to come.”    

“The CMA Summit in London was an outstanding opportunity for connection, collaboration and genuine momentum for Country Music across the U.K. and Europe,” says King. “Having so many leaders, promoters and partners together with such shared purpose made the conversations both energizing and productive. The coordination and partnership investment that CMA brings to the genre is unique, and it remains a key driver of Country Music’s continued growth internationally. We’re excited about the opportunities ahead and proud to support CMA’s work in strengthening the genre’s development across global markets.”   

As part of its continued presence at C2C, CMA also presented its flagship CMA Songwriters Series on Thursday, March 12 at indigo at The O2. The sold-out evening brought together Ashley Cooke, Emily Ann Roberts, Keith Urban and Kristian Bush for a stripped-back showcase of unreleased songs and storytelling. Hosted by Urban, the round highlighted the craft of songwriting as well as the personal narratives behind each track, offering audiences a rare, behind-the-scenes look at each artist’s creative process. 

Additionally, CMA returned for a second year as sponsor of the festival’s Spotlight Stage in London and Glasgow, while expanding the partnership to Berlin and Rotterdam for the first time. Across the four locations, CMA supported artists including Crowe Boys, Dylan Schneider, Elizabeth Nichols, Emily Ann Roberts, The Jack Wharff Band, Jade Eagleson, John Morgan, Julia Cole, Liam St. John, Mae Estes, McCoy Moore, Noah Rinker, Solon Holt and Tyce Delk, reinforcing CMA’s ongoing commitment to championing emerging artists across global stages and international markets.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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