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10 Great Songs That Feature Bagpipes – And Sound All The Better For It

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Bagpipes have been around for centuries, echoing across hillsides and battlefields and celebrations. But what happens when they show up where you least expect them — in rock songs, pop hits, and modern anthems? Magic, that’s what.
There’s something so beautiful about the raw emotion that bagpipes bring to a song, adding a texture that’s ancient, haunting, and completely unforgettable.
Here are 10 incredible songs from 1950 onward that prove when you mix a little tradition with a lot of heart, you get music that moves mountains.

1. AC/DC – “It’s a Long Way to the Top (If You Wanna Rock ’n’ Roll)” (1975)
Bagpipes in hard rock? It sounds crazy — until you hear it. Bon Scott took up the pipes himself to bring this song to life, and the result is pure electricity. When those pipes come in halfway through, it’s not just unexpected, it’s heroic. This is the sound of every dreamer who refuses to give up.

2. Paul McCartney and Wings – “Mull of Kintyre” (1977)
When McCartney swapped rock ‘n’ roll for rustic bliss, he turned to the Campbeltown Pipe Band to capture the spirit of Scotland. The bagpipes don’t just accompany the song — they are the song, swelling with pride and nostalgia. It became one of McCartney’s biggest hits for a reason: it’s pure love set to music.

3. Big Country – “In a Big Country” (1983)
Big Country made magic by mimicking bagpipes with guitars — but listen closely, and you’ll hear real bagpipes sneaking into their music too. Their signature sound was proud, full-hearted, and wide as a Highland sky, with pipes giving their anthems an extra lift that still feels fresh today.

4. Korn – “Shoots and Ladders” (1994)
Jonathan Davis didn’t just sing — he pulled out a real set of bagpipes and blew listeners’ minds. The intro of this song is a haunting, almost eerie pipe solo, before the band crashes in with heavy guitars. It’s unsettling, powerful, and one of the boldest things a metal band has ever done on record.

5. The Real McKenzies – “Scots Wha Hae” (1998)
The Real McKenzies are a Canadian Celtic punk band that don’t just use bagpipes — they live bagpipes. “Scots Wha Hae” is a traditional tune turned into a rip-roaring punk anthem, with bagpipes wailing proudly over the chaos. It’s the sound of heritage meeting rebellion in the best way possible.

6. The Battlefield Band – “After Hours” (1987)
If you want to hear how bagpipes can be tender, mournful, and completely hypnotic, look no further. “After Hours” by Scottish folk legends The Battlefield Band weaves pipes into gorgeous, thoughtful arrangements. It’s a song that feels like the very soul of the Highlands, captured forever on record.

7. Glen Campbell – “Bonaparte’s Retreat” (1974)
Glen Campbell gave this traditional fiddle tune a Nashville makeover — complete with unexpected bagpipes. Blending country warmth with a Highland cry, Campbell’s version of “Bonaparte’s Retreat” is cheerful, charming, and proof that sometimes, musical traditions are meant to cross oceans and collide.

8. Mike Oldfield – “Moonlight Shadow” (1983)
This dreamy pop-folk song, made famous by Oldfield and vocalist Maggie Reilly, subtly features bagpipes in the background layers, adding to its wistful, magical feeling. You might not catch them right away, but once you notice, you’ll realize they give the whole track a beautiful, faraway sadness.

9. Seven Nations – “Big Dog” (1998)
Seven Nations blend rock and Celtic traditions better than almost anyone, and “Big Dog” shows it off. With roaring guitars and soaring pipes front and center, it’s an adrenaline rush wrapped in plaid. It’s the kind of song that makes you want to dance, fight, and celebrate — sometimes all at once.

10. The Chieftains with The Rolling Stones – “The Rocky Road to Dublin” (1995)
When Irish music legends The Chieftains teamed up with The Rolling Stones, you knew magic was going to happen. “The Rocky Road to Dublin” is a dizzying, joyful explosion of sound, with bagpipes galloping alongside Mick Jagger’s spirited vocals. It’s tradition, rock ‘n’ roll, and pure joy in one glorious package.

The Speaker Wars Premiere “Roadmap to Healing” Video Ahead Of Debut Album Release

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The Speaker Wars, led by ex-Tom Petty and The Heartbreakers drummer Stan Lynch and guitarist/vocalist Jon Christopher Davis, premiere the third video from their debut self titled album scheduled for release May 30th.

As with the previous videos for the songs “You Make Every Lie Come True” and “It Ain’t Easy”, the video was directed by Brad Osborne and filmed in Denton, TX. Stan Lynch comments: “This one had legs from the start — it’s written from the heart. It’s a roadmap to healing. It’s the truth.”

Jon Christopher Davis adds: “It was a simple chorus I had lying around. I sat at Stan’s piano and played it. He immediately knew where I was trying to go. Two hours later, the song was finished. The end result is a soul scratcher.”

Fishbone Ignite Urgent Groove With “Last Call In America” Featuring George Clinton

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Iconic punk-ska-funk pioneers Fishbone are set to release their latest single and music video, “Last Call in America,” which was co-written by original members Christopher Dowd and Walter “Dirty Walt” Kibby and features the godfather of funk, George Clinton, out on April 25.

The track serves as the second single from their forthcoming album Stockholm Syndrome, due out on June 27. With their signature fusion of infectious grooves and razor-sharp social commentary, Fishbone delivers a timely and urgent anthem that speaks to the fractured state of the nation. Stream it here: Last Call in America.

“Last Call in America” is a groove-filled wake-up call that tackles themes of economic disparity, social unrest, and the never-ending cycles of injustice that plague the country. With frontman Angelo Moore leading the charge, the track explodes with energy as he belts out piercing observations on price gouging, inflation, and systemic dysfunction, channeling the raw spirit of Fishbone’s four-decade legacy of activism through music.

Christopher Dowd shares, “The song comes out swinging, with Angelo singing from the top of the song ‘price gouging and rising inflation’ as George Clinton exclaims, ‘5 dollars for gasoline!’ This song is a warning call to humanity to recognize the inflection point that is tearing the soul of this country and world apart.”

The accompanying music video brings the song’s message to life with striking imagery, blending archival footage with the band’s electrifying performance. It captures the chaos, resilience, and rebellion that define both the song and the current state of America.

As the band gears up for the release of Stockholm Syndrome, they remain as vital and uncompromising as ever and ready to take their message on the road. They will be on tour in Europe this May, on Less Than Jake’s Summer Circus in the US this summer, as well as performances at the Long Beach and D.C. stops of Vans Warped Tour 2025.

Jonathan Davis Launches Freak On A Leash Pet Line With Ashton Michael

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Jonathan Davis, the iconic frontman of GRAMMY Award-winning band Korn, has teamed up with fashion designer Ashton Michael to create an exclusive new capsule collection under Davis’s Freak On A Leash pet line. The collection—featuring rebellious fashion, edgy accessories, and plush toys for pets—drops today, April 22nd, and a portion of proceeds will support Pup Culture Rescue, a nonprofit dog rescue based in Pasadena, CA. The rescue’s adoptable pups also star in the campaign’s promo images and videos, bringing the mission full circle.

Launched in 2022 and aptly named after Korn’s legendary single, Freak On A Leash is Davis’s homage to the pets that have brought light into his life. This latest collaboration marks the first time designer Ashton Michael has ventured into the pet space—bringing the same energy he’s used to dress Beyoncé, Post Malone, SZA, Doja Cat, and Megan Thee Stallion to your four-legged best friend.

“The joy and love I get from my dog is like no other,” says Davis. “It’s a special bond we have. To be able to make something to dress them up kind of like your own style… and then giving back to dogs who don’t have homes, it’s just something that makes me feel something warm in my dark little heart.”

“I think the one thing that I wanted to do was take what I would make as an inspiration for stage clothes (for Jonathan) and adapt it to the pets.” says Ashton Hirota (Ashton Michael). “Things that people like about or identify with Jonathan. Like his three eyebrow piercings being incorporated into the collars so that not only do you feel like you are getting a part of his brand for your pet but you’re getting a part of him as the musician, the artist, as this being that we all adore. So the beauty is in the details for me.”

The collection blends punk, metal, and high-fashion aesthetics with unexpected touches that nod to Davis’s personal style—from bandanas with red-to-black gradients and moto-inspired leather to a harness vest adorned with gold metallic rings. The drop includes:

  • Spiked Collars (3 row spike collar and single row spiked collar)
  • Bold Graphic Bandanas (paisley, gradient, and leather-print motifs)
  • Matte Gold Leather Leash with leash extension
  • Denim Vests (with patches & leather harness options)
  • “Ouija” Plush Toy
  • Suede Tug Rope Toy

The collection ranges from $15 to $95 and offers sizes XS through XL for collars and clothing (sizing guide). Every piece is designed to be both functional and statement-making—perfect for pet lovers who like their walks with a side of rock ‘n’ roll. The Freak On A Leash x Ashton Michael collection is now available at FreakOnALeash.com

Bridges Ablaze Celebrate Their Journey With “Apocalypse” Video

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Austin-based Bridges Ablaze, the buzzing rock band born from the serendipitous encounter between two incredibly talented artists—Brien Allen and Ruben Zamora—continues to captivate audiences with their transformative music journey. Bridges Ablaze announce their live video for “Apocalypse.” Hot off the release of their singles “Take Me,”  “Heartbroken Angel,” “Numb,” and “Apocalypse,” (over 28M  plays on TikTok).

From chance meeting to dynamic partnership, their story is nothing short of awe-inspiring.In the heart of El Paso, TX, Ruben Zamora, originally destined for a career in the Military, found himself contemplating his future. Despite previous band experiences, Ruben’s unwavering passion for music propelled him towards a career in the industry. His professional approach to the chaotic music world has been instrumental in his success. A fateful visit to Guitar Center would accelerate his life’s trajectory.

On the other side was Brien Allen, pursuing a Petroleum Sciences degree at the University of Texas. Brien’s musical journey began in middle school when he taught himself the guitar, overcoming challenges with a unique determination. Inspired by musicians and situations that pushed him, Brien’s dedication to improvement became his trademark. All this led him to an encounter at an Austin Guitar Center.

Their paths aligned as if scripted—Brien and Ruben, drawn by the magnetic pull of music, met in the afore-mentioned Guitar Center, recognizing each other’s exceptional talent. The mutual admiration sparked a connection, leading to the formation of Bridges Ablaze in 2019.  With a lineup of talented musicians, Bridges Ablaze made their mark with a compelling cover of 30 Seconds To Mars’ “The Kill.”

Their quest for the perfect producer led them to Robby Joyner (Fire From The Gods), where synergy on a personal and musical level flourished. The collaborative process became a harmonious blend of respect, flow, collaboration, and vulnerability.  In 2023, armed with insights gained through mentorship under industry luminaries, the band orchestrated a professional release strategy, assembling a stellar team to execute every detail with precision.

5 Surprising Facts About The Velvet Underground’s ‘White Light/White Heat’

When White Light/White Heat was released in 1968, The Velvet Underground smashed the rules to pieces. Raw, chaotic, and thrillingly imperfect, it captured the band’s live energy like lightning in a bottle. Over the years, the album has become legendary, but here are five facts that even some superfans might not know:

1. “Sister Ray” Was Recorded in One Take – And It Nearly Drove Everyone Crazy
The 17-minute epic “Sister Ray” was intentionally recorded in one single, blistering take. Lou Reed insisted the band power through the chaos without stopping, even when engineer Gary Kellgren reportedly walked out of the session! The result? A wall of glorious noise that became a blueprint for punk, noise rock, and beyond.

2.Andy Warhol Was Still Behind the Band—But Not the Cover
Even though Andy Warhol was officially out of the picture, his influence on the Velvet Underground lingered. But contrary to popular belief, the White Light/White Heat cover was not his idea. Lou Reed selected the image—a tiny skull tattoo—after spotting it in a photograph Billy Name took on the set of Bike Boy, featuring Joe Spencer and Ann Wehrer. It was Lou’s idea to isolate the skull, and Billy’s idea to print it black-on-black, creating the album’s haunting, nearly invisible cover. Warhol didn’t design it, but the eerie aesthetic is still unmistakably Velvet Underground.

3. “The Gift” Was Born From Lou Reed’s College Days
The bizarre spoken-word piece “The Gift,” told in John Cale’s deadpan voice, was based on a short story Lou Reed had written while studying at Syracuse University. Mixing gruesome storytelling with wild guitar feedback, the song was a fearless mashup of literature and rock long before it became cool.

4. They Played So Loud, They Broke The Studio’s Limits
The band’s endorsement deal with Vox gave them access to top-notch amplifiers—and they used them to devastating effect. They played so loudly during recording that the meters in the studio maxed out into the red. The resulting distortion wasn’t just tolerated — it became the album’s signature sound, blazing a trail for generations of rock rebels.

5. “Here She Comes Now” Was Meant For Nico
Originally, “Here She Comes Now” was intended to be sung by Nico, who had performed it during the Exploding Plastic Inevitable shows. After Nico and the band parted ways, Lou Reed stepped in. The simple, haunting ballad stands out as a moment of quiet beauty on an album otherwise teeming with chaos and distortion.

Even though White Light/White Heat barely made a dent in the charts when it was first released, its influence would go on to shake the music world to its core. From punk to noise rock to alternative music, generations of artists found inspiration in its fearless, distorted beauty. The Velvet Underground may not have seen commercial success in their time, but they lit a fire that never went out — proving that sometimes the records that sell the fewest copies are the ones that change everything.

5 Surprising Facts About Kacey Musgraves’ ‘Golden Hour’

When Golden Hour arrived in 2018, Kacey Musgraves gave the world a warm, luminous embrace. Blending country with pop, disco, and a little cosmic dust, Golden Hour felt like a fresh sunrise in music. Beyond its Grammy wins and universal praise, there’s even more magic tucked inside its making. Here are 5 beautiful facts you might not know about Golden Hour.

1. Some of It Was Written Above a Horse Stable
Believe it or not, parts of Golden Hour were written and recorded in a studio perched above Sheryl Crow’s horse stable. The peaceful, pastoral setting seeped into the album’s dreamy, nature-soaked atmosphere. It’s no wonder Golden Hour sounds like a slow ride across open fields — it was born in the calm between horses’ footsteps and quiet skies.

2. LSD Helped Spark Two Songs
During the writing process, Kacey Musgraves experimented creatively — and that included taking LSD. She credits the experience with opening up her imagination while writing “Mother” and “Slow Burn.” The songs’ introspective, almost otherworldly tones owe a little of their magic to that wide-open sense of wonder Musgraves embraced during that time.

3. “Space Cowboy” Was Inspired by a Charging Stallion
While watching a stallion gallop freely in a riding arena, a riding instructor told Kacey, “When they wanna go, they will go.” That simple statement hit her hard — and later became the inspiration for “Space Cowboy.” Sometimes the best songs come from small, profound moments that remind us how important it is to let go and find our own path.

4. The Cover Photo Almost Didn’t Happen
The dreamy Golden Hour cover — Kacey holding a paper fan against a glowing sky — almost didn’t exist. Her sister, photographer Kelly Christine Sutton, wasn’t initially sold on the idea when Kacey suggested it. But when they found a wide-open Texas field with nothing but sky for miles, the vision clicked into place. That spontaneous moment captured the spirit of the album: simple, striking, and full of light.

5. “Rainbow” Became an Anthem for Healing
“Rainbow” wasn’t just a beautiful album closer — it became a beacon of hope. Written years earlier as a note to herself, Musgraves later dedicated the song to anyone going through dark times. It’s especially dear to her because it was the last song her grandmother ever heard her write, making it a deeply personal farewell and a universal hug.

Golden Hour remains a glowing reminder that music can be healing, transformative, and pure. It’s not just a collection of songs — it’s a feeling you carry with you, through every sunset and every storm.

5 Surprising Facts About The Beatles’ ‘Help!’

When The Beatles released Help! in 1965, it wasn’t just another album — it was a massive leap forward. It was the soundtrack to a movie, a collection of irresistible pop songs, and a window into the rapidly evolving creative world of John, Paul, George, and Ringo. Over the decades, it’s become a classic, but Help! still holds some wonderful secrets that even die-hard fans might not know. Let’s dive into 5 little-known facts about Help! — and celebrate the album that gave us hits, heartbreak, and history.

1. “Help!” Was John Lennon’s Real Cry For… Help
Sure, it sounds upbeat, but John Lennon later admitted that “Help!” wasn’t just a catchy song title — it was a literal cry for help. As the Beatles’ fame exploded, Lennon found himself overwhelmed, unhappy with his weight, and emotionally drained. He said it was one of the most honest songs he ever wrote, expressing vulnerability at a time when rock stars were supposed to look invincible. It’s a reminder that sometimes the brightest melodies come from the darkest places.

2. The Album Cover Doesn’t Actually Spell ‘HELP!’ In Semaphore
At first glance, it looks like the Beatles are spelling out H-E-L-P with their arms. But guess what? They aren’t! Photographer Robert Freeman originally tried to have them form the letters properly using semaphore, but it didn’t look visually pleasing. So instead, they improvised the arm positions purely based on what looked best. In true Beatles fashion, even their “mistakes” became iconic.

3. “Yesterday” Was Almost Called… “Scrambled Eggs”
Yes, you read that right. When Paul McCartney first dreamed up the melody for “Yesterday,” he didn’t have any lyrics yet — so he jokingly sang, “Scrambled eggs / Oh my baby how I love your legs.” He carried around the melody for months, asking friends if they recognized it (worried he’d unconsciously copied it). When no one claimed it, he finally penned the timeless lyrics we know today. And somewhere out there, “Scrambled Eggs” almost became the most covered song in history!

4. George Harrison’s “I Need You” Introduced A New Sound
George Harrison’s contribution to Help! was groundbreaking in its own quiet way. “I Need You” marked the Beatles’ first use of a volume/tone pedal on guitar, giving the song its distinctive wavering sound. It was a small touch with a big impact — a hint that George was growing into a songwriter and sonic innovator who would eventually shape the band’s sound in beautiful and unexpected ways.

5. Half The Album Was Recorded While The Beatles Were High On Cannabis
Influenced by Bob Dylan (who famously introduced them to cannabis), the Beatles embraced marijuana during the making of Help!. John Lennon said that “You’ve Got To Hide Your Love Away” and other tracks reflected a new kind of emotional depth — a vulnerability that hadn’t appeared in their earlier pop songs. The music got a little more introspective, the lyrics a little more raw, and the Beatles began to move from lovable moptops toward the cultural revolutionaries they’d soon become.

Help! is one of those albums that still feels as fresh today as it did nearly 60 years ago. It’s full of stories, experimentation, and that unbeatable Beatles magic — all wrapped in joy, sadness, and everything in between. Whether you’re cranking up “Ticket to Ride” or letting “Yesterday” tug at your heartstrings, every listen reveals something new. That’s the wonder of Help! — it always shows up right when we need it most.

Aston Martin Aramco and The Rolling Stones Unveil Limited-Edition Merchandise Collection

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Aston Martin Aramco has teamed up with British rock royalty, the Rolling Stones, with an ultra-exclusive, co-branded merchandise collection fusing the speed and precision of Formula One™ with the rebellious spirit of rock and roll. The limited-edition collection includes hoodies, tees and caps sporting one of the world’s most instantly recognisable symbols of rock and roll – the famous Rolling Stones tongue logo – blended with the iconic Aston Martin wings.

Launching exclusively at The Rolling Stones store, RS No.9 Carnaby Street in London’s Soho on Thursday, April 24, a selection of Aston Martin Aramco fans have won the chance to attend the launch event and will be the very first to purchase the collection.

Members of the team’s fan programme, I / AM, will get priority access to the merchandise on the Aston Martin Aramco official online store on Friday, April 25. For early access to the collection, fans can sign up and explore at astonmartinf1.com/IAM. The merchandise will also be available Friday morning at the RS No.9 online shop: https://rsno9.com/.

The collaboration launched this week with a digital campaign, with content featuring the Stone’s song ‘Hot Stuff’ as the centerpiece.

The collection builds on the team’s expansion into wider culture across music, fashion and sport, and comes after a memorable collaboration with Tems at F1 75 Live at the O2 Arena earlier this year.

The Minus 5 Share “Let The Rope Hold, Cassie Lee” Ahead of New Album ‘Oar On, Penelope!’

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Indie power-pop rock collective The Minus 5, lead by legendary musician and songwriter Scott McCaughey, share the third single and video, “Let The Rope Hold, Cassie Lee” from Oar On, Penelope! out May 30 on Yep Roc Records.

Named the “Coolest Song in the World” by SiriusXM’s Little Steven’s Underground Garage, of ”‘Let The Rope Hold, Cassie Lee,” frontman Scott McCaughey says: “Inspired to come up with a sideways ‘Little Black Egg,’ this came in handy at the end of the long day’s recording. When mutiny was threatened, my assurance that if the gang could last just one more song, it would most assuredly be a One Take Wonder. It had to be; it was. We’re all hanging on to our memories by a thread, but the thread can be pretty strong. ‘Time gets fatter on its own decay…’ Speaking of IN ROCK, Peter grabbed the bass on these sessions and just played superbly throughout, in-the-pocket Musicmaster-style.” Directed and photographed by McCaughey, the lyric video is entirely composed of album covers from his record collection that influenced the song.

Produced by Scott McCaughey and mixed by legendary engineer Ed Stasium (The Replacements, Ramones, Talking Heads), Oar On, Penelope! is The Minus 5’s first album of all-original material in five years and features help from some of his most trusted allies: Peter Buck (R.E.M.), Patterson Hood (Drive-By Truckers), Debbi Peterson (The Bangles), Kurt Bloch (The Fastbacks), Linda Pitmon (Baseball Project, Filthy Friends), and Spencer Tweedy.

Previous singles include, “Words & Birds,“ “a power-pop gem” (American Songwriter), is a raucous ode to life, punctuated by cranky guitars and McCaughey’s unmistakable vocal delivery and “Blow in My Bag,” built on the “idea of a Nancy Sinatra / Lee Hazlewood duet, but of course between me and Debbi,” says McCaughey.

Throughout the 12-song collection, McCaughey’s breadth of musical knowledge and appreciation is on full display from the addictive power pop of “Words & Birds” to the gnarly garage rock of “The Garden of Arden,” the Neil Young-influenced Americana of “Bison Queen,” and the bite-sized psychedelia of “Sharktooth.” “The songs feel immediate, relatively unadorned, and somewhat more positive in an indescribable way,” says McCaughey. “The words could be termed stream-of-consciousness, which is nothing new from this sector, but there seems to be a ray of light fighting its way through the usual twisted tales.”

In June, The Minus 5 will embark on a seven-date West Coast tour with stops in Pioneertown, San Diego, Los Angeles, San Francisco, Portland, Seattle, and Vancouver and in September will open for the Baseball Project on a 15-date East Coast run. A complete list of dates is below, and tickets are now available here.

Over a four-decade career, indie rock cult hero Scott McCaughey has been a member of many bands, including R.E.M., Young Fresh Fellows, Baseball Project, Filthy Friends, and Robyn Hitchcock & The Venus 3, to name a few. Still, The Minus 5 has remained one of the most enduring projects of his storied résumé. Suffering a near-fatal stroke in 2017, it was under the The Minus 5 name that McCaughey put out the recordings of Stroke Manor, featuring the original songs that detail his recovery through music therapy.

Formed in 1993 by Scott McCaughey, The Minus 5 is known for its collaborative ethos and ever-changing lineup, which has included some of the most celebrated names in music, from Jeff Tweedy and Wilco to The Decemberists, Ben Gibbard of Death Cab for Cutie, Kelly Hogan, M. Ward, Chuck Prophet, Michael McCready of Pearl Jam, Alejandro Escovedo, and many more. The band embodies the communal spirit that has been a hallmark of the band since its inception.