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Chicago II Returns with a Steven Wilson Dolby ATMOS Remix That Redefines the Classic

Eric Alper
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Chicago II Returns with a Steven Wilson Dolby ATMOS Remix That Redefines the Classic

Fifty-five years after its debut, Chicago II still sounds like nothing else. Released in 1970, Chicago’s second album brims with confidence and inspiration as it draws on everything from orchestral music to heavy rock. Although it never affected the record’s popularity, it peaked at #4 on the album chart and spawned a trio of Top Ten hits.

CHICAGO II (STEVEN WILSON REMIX) brand new Dolby ATMOS mix, along with stereo, quadrophonic, and 5.1 mixes in high-resolution, will be available on April 25 as a Blu-ray disc exclusively at Rhino.com. Pre-order HERE.

The remixed album will also be released as a 2-LP 140-gram Black vinyl on May 23. Pre-order HERE.

CHICAGO II has been remixed before, but now, for the first time, a Dolby ATMOS of the 16-track album will be revealed. The album previously received stereo, quadrophonic, and 5.1 hi-res mixes from the multi-track tapes, making it possible for Steven Wilson to bring out elements that were muffled or submerged in the mix. This resulted in a version of CHICAGO II that boasts clearness, punch and definition that it didn’t have before.

Wilson explains: “Working with high-resolution 96K/24 bit digitally transferred files, I had every element from the recording sessions isolated, which meant I was able to rebuild the mix from the drums upwards, recreating as closely as I could the equalization, stereo placement, reverbs, other effects, and volume changes of each individual instrument or vocal — but at the same time looking to gain definition and clarity in the overall sound.”

In 1969, Chicago recorded the band’s follow-up to their debut album, Chicago Transit Authority (voted 2014 into the GRAMMY® Hall of Fame). When it arrived in January 1970, Chicago II became an instant sensation. Principal composers James Pankow and Robert Lamm emerged further as the band’s source of Top Ten hits for the group, including “Make Me Smile” and “Colour My World,” as well as “25 or 6 to 4,” which peaked at #4 and has become one of the band’s signature songs. Terry Kath, Robert Lamm, Lee Loughnane, James Pankow, Walter Parazaider, also Danny Seraphine and Peter Cetera … somehow found time (while touring the world behind the success of “CTA”) to prepare another double LP album.

“So rich was their creative seam at the time that, like their debut, and the album that followed this one, it was a two-record set,” says Wilson. “In fact, with unprecedented boldness, the run of double albums was only broken by their fourth, which was a quadruple (live) set! I consider all of these albums to be classics, but perhaps Chicago II is the pre-eminent masterpiece. It’s got everything: moments of tender beauty to power riffs and scorched-earth jazz-rock, catchy melodies and gorgeous vocal harmonies. When I first heard it as a teenager, I was captivated by the mixture of jazz, blues, pop, classical, progressive and heavy rock styles, including both improvisational elements and intricate arrangements, and by songs written and sung by several different members, all with their own unique personality. How could that possibly hang together?! But it does, and brilliantly so.”

The album, which was certified platinum by the RIAA soon after its release, also highlighted some of the band’s most ambitious work, such as the 13-minute song cycle “Ballet For A Girl In Buchannon,” composed by James Pankow, as well as “Memories Of Love,” a Terry Kath song, arranged for orchestra by Peter Matz.

CHICAGO II

Blu-ray Tracklisting

  1. “Movin’ In”
  2. “The Road”
  3. “Poem For The People”
  4. “In The Country”
  5. “Wake Up Sunshine”

Ballet For A Girl In Buchannon

  1. “Make Me Smile”
  2. “So Much To Say, So Much To Give”
  3. “Anxiety’s Moment”
  4. “West Virginia Fantasies”
  5. “Colour My World”
  6. “To Be Free”
  7. “Now More Than Ever”
  8. “Fancy Colours”
  9. “25 Or 6 To 4”
  10. “Memories of Love”
  11. “Prelude”
  12. “A.M. Mourning”
  13. “P.M. Mourning”
  14. “Memories Of Love”

It Better End Soon

  1. “1st Movement”
  2. “2nd Movement”
  3. “3rd Movement”
  4. “4th Movement”
  5.  “Where Do We Go From Here”

2LP Tracklisting

Side A

  1. “Movin’ In”
  2. “The Road”
  3. “Poem For The People”
  4. “In The Country”

Side B

  1. “Wake Up Sunshine”

Ballet For A Girl In Buchannon

  1. “Make Me Smile”
  2. “So Much To Say, So Much To Give”
  3. “Anxiety’s Moment”
  4. “West Virginia Fantasies”
  5. “Colour My World”
  6. “To Be Free”
  7. “Now More Than Ever”

Side C

  1. “Fancy Colours”
  2. “25 Or 6 To 4”
  3. “Memories of Love”
  4. “Prelude”
  5. “A.M. Mourning”
  6. “P.M. Mourning”
  7. “Memories Of Love”

Side D

It Better End Soon

  1. “1st Movement”
  2. “2nd Movement”
  3. “3rd Movement”
  4. “4th Movement”
  5.  “Where Do We Go From Here”

How a Drink Manufacturer is Redefining Taste and Quality

Eric Alper
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0

By Mitch Rice

In an industry where flavor meets function, the world has undergone a massive transformation in recent years. From craft sodas to functional energy drinks and low-calorie botanical waters, today’s consumers crave more than just refreshment—they seek quality, innovation, and transparency. At the center of this evolution is a new generation of drink manufacturers that are reimagining how are created, branded, and enjoyed.

This new era isn’t just about what’s inside the bottle—it’s also about how the drink got there. With the increasing popularity of white label drinks, entrepreneurs now have more opportunities than ever to bring custom-crafted, premium products to the market, while consumers benefit from a greater variety of high-quality.

The Changing Landscape of Manufacturing

Traditionally, production was dominated by a few large corporations with established brands and rigid formulas. But the modern drink manufacturer is much more dynamic. Today’s manufacturers prioritize flexibility, small-batch production, functional ingredients, and sustainable practices. They are not just producers—they are partners in innovation.

From plant-based protein drinks and vitamin-infused waters to sugar-free sparkling teas, manufacturers are continuously pushing the boundaries of what a drink can be. They’re experimenting with unique flavor profiles, healthier sweeteners, and functional additives that cater to a growing health-conscious audience.

Understanding White Label Drinks

At the heart of this innovation surge lies the concept of white label drinks. A white label product is manufactured by one company but sold under another company’s brand. This model allows entrepreneurs and startups to launch their own drink brands without having to build manufacturing facilities or navigate complex production logistics.

For a drink manufacturer, white label production represents both a challenge and an opportunity. It requires a high level of consistency, innovation, and collaboration. The manufacturer must be capable of producing not just generic, but custom recipes that align with each client’s vision, brand values, and target audience.

Some of the key benefits of white label drinks include:

  • Speed to Market: Brands can launch faster by leveraging existing manufacturing capabilities.
  • Cost Efficiency: Without the need for in-house production, capital investment is minimized.
  • Product Customization: Many drink manufacturers offer R&D services to create unique blends, flavors, and formulas.
  • Scalability: Once a drink gains traction, production can be scaled up without changing facilities.

This model is transforming the landscape by lowering the barriers to entry and encouraging more diverse offerings in the market.

Redefining Taste: A Science and an Art

For a modern drink manufacturer, taste is not just a feature—it’s a signature. Getting it right requires more than guesswork. These manufacturers employ food scientists, flavor experts, and sensory analysts to create drinks that are not only delicious but also align with modern nutritional preferences.

New-generation flavors go beyond the basic orange, cola, or lemon. Consumers today want exotic and sophisticated options like elderflower, hibiscus, yuzu, guava, and turmeric. Many drink manufacturers now source natural ingredients and use real fruit extracts to achieve cleaner, more authentic taste profiles.

Additionally, manufacturers are responding to growing demand for:

  • Low or no sugar options 
  • All-natural or organic ingredients 
  • Plant-based formulas 
  • Functional enhancements (e.g., probiotics, adaptogens, vitamins) 

Through extensive research and development, these companies are bridging the gap between flavor indulgence and health-consciousness, proving that a can be both tasty and good for you.

Elevating Quality Standards

In a crowded market, quality is a key differentiator. Top-tier drink manufacturers invest heavily in maintaining rigorous quality control protocols. From ingredient sourcing to packaging, every step is optimized to ensure product safety, consistency, and shelf stability.

Advanced quality assurance processes include:

  • Microbial and chemical testing 
  • Flavor stability testing over time 
  • Shelf-life studies 
  • Traceability of ingredients 
  • Sustainable and safe packaging solutions 

This commitment to quality extends to the white label side of the business as well. Brands that choose to partner with a reputable drink manufacturer know they’re getting a product that’s not only delicious but also compliant with all industry standards and regulations.

Sustainability: A Core Focus

Today’s consumers are more eco-aware than ever before, and they expect the products they consume to align with their environmental values. Drink manufacturers are rising to the occasion by adopting sustainable practices across their operations.

Common sustainability initiatives include:

  • Recyclable or biodegradable packaging 
  • Energy-efficient production lines 
  • Locally sourced ingredients 
  • Water conservation practices 
  • Carbon-neutral or low-emission logistics 

For white label drink brands, working with an environmentally responsible manufacturer is not only a value-add—it’s often a requirement for staying competitive in an eco-conscious marketplace.

Collaborating for Success

The relationship between a drink manufacturer and a white label brand is more than transactional. It’s a collaborative partnership. Many manufacturers offer full-service support including:

  • Product development and formulation 
  • Label design and packaging 
  • Regulatory compliance guidance 
  • Market trend analysis 
  • Distribution and fulfillment support 

By providing end-to-end solutions, manufacturers enable startups and entrepreneurs to focus on branding, marketing, and growth without getting bogged down by operational complexities.

Looking to the Future

The future of the industry lies in continued innovation, greater customization, and deeper alignment with consumer values. Whether it’s through smart ingredients, personalized nutrition, or tech-enhanced production methods, the next chapter of manufacturing is being written right now.

And with white label drinks paving the way for new voices and visions in the market, we can expect even more creativity and diversity in our drink choices in the years to come.

Final Thoughts

As consumers, we often don’t think about the journey our favorite drinks take before they reach our hands. But behind every great is a drink manufacturer redefining how taste and quality come together. With the rise of white label drinks, these manufacturers are not only changing what we drink—they’re reshaping the entire industry.

From bold new flavors to sustainable practices and customized production models, today’s makers are leading a taste revolution. And in doing so, they’re proving that quality doesn’t have to be compromised for innovation—in fact, the two are now inseparably linked.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

The 1977 Gilligan’s Island – Led Zeppelin Mashup That Almost Got Buried by a Lawsuit

Eric Alper
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The 1977 Gilligan’s Island – Led Zeppelin Mashup That Almost Got Buried by a Lawsuit

What started as a joke to kill time onstage turned into one of the wildest mashups ever made. Little Roger & The Goosebumps blended Gilligan’s Island with “Stairway to Heaven” into “Stairway to Gilligan’s Island” and Led Zeppelin’s lawyers definitely weren’t amused. They threatened a lawsuit, the single got pulled, and a cult classic reborn in 2000.

Watch: South Korean Beatboxer Hiss Nails Thomas the Tank Engine Theme Using Only His Voice

Eric Alper
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0
Watch: South Korean Beatboxer Hiss Nails Thomas the Tank Engine Theme Using Only His Voice

What if your favorite childhood theme song got a remix from the future? South Korean beatboxer Hiss just turned Thomas the Tank Engine into a one-man symphony—powered entirely by lips, lungs, and pure talent.

The Brothers Announce Madison Square Garden Shows and SiriusXM Southern Rock Channel Takeover

Eric Alper
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0
The Brothers Announce Madison Square Garden Shows and SiriusXM Southern Rock Channel Takeover

Ahead of their highly anticipated return to Madison Square Garden on Tuesday, April 15th and Wednesday, April 16th, The Brothers have announced a takeover of the new SiriusXM Southern Rock channel, streaming now as an in-app exclusive then airing on satellite channel 79 starting April 8th for a limited time. This special month of exclusive content hosted by The Brothers – Jaimoe, Warren Haynes, Derek Trucks, Oteil Burbridge, Marc Quiñones, and guests – will celebrate the band’s two special nights at the world’s most famous arena, featuring a healthy dose of Allman Brothers Band classics as well as a unique blend of early Southern Rock pioneers and contemporary trailblazers including the music of Gov’t Mule, Tedeschi Trucks Band, and many more. The Brothers takeover on SiriusXM Southern Rock will also feature a special collection of live performances in their entirety each night, special guest DJs, and personal insights from the band members, plus a live performance from The Brothers at SiriusXM’s New York City studios.

The Brothers and SiriusXM have also launched an exclusive VIP chance to attend both nights at Madison Square Garden and the exclusive in-studio event with meet and greet. One Grand prize Winner will receive a trip for two to New York City, plus four nights hotel and tickets to both MSG shows and the exclusive in-studio event at SiriusXM on April 14th. PRESS HERE to enter (must be a U.S. resident at least 21 years of age and an active SiriusXM subscriber or trailer as of March 25, 2025). Enter by at 1pm ET on April 7th.

The Brothers first debuted in March 2020 at a sold-out show at MSG to celebrate the 50th anniversary of The Allman Brothers Band and now, five years later, they’re back with a whole new show. At this spring’s concerts, produced by Live Nation, The Brothers – Jaimoe (drums, founding ABB member), Warren Haynes (guitars, vocals), Derek Trucks (guitars), Oteil Burbridge (bass), and Marc Quiñones – will be joined by Joe Russo (drums), Reese Wynans (keys), Isaac Eady (drums) and special guest Chuck Leavell (piano). Tickets are still available for the shows on April 15th and 16th – visit www.thebrothersmsg.com for more information and to purchase.

The Brothers will dive into the acclaimed Allman Brothers Band repertoire from their decades-long career, while also showcasing the Rock & Roll Hall of Fame inductees’ continued influence and legacy, more than ten years after their official final bow. The impetus for The Brothers return in 2025 was solidified at the SOULSHINE hurricane benefit at Madison Square Garden in November (hosted by Haynes and Dave Matthews Band) when Haynes and Trucks delivered a mesmerizing performance of the Allman’s classic “Whipping Post.” After being on stage at the sold-out, all-star event, the duo realized they needed to play this music again with their brothers Jaimoe, Oteil and Marc. And there’s no other time for the Allman Brothers music to be performed in New York City than Spring as the band’s longstanding, annual run at The Beacon Theatre every March symbolized the arrival of warmer weather.

The Everyday Utility of Thermal Labels and the Growing Appeal of Clear Options

Eric Alper
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0

By Mitch Rice

In nearly every environment where items need to be identified, sorted, tracked, or communicated, labels play an essential role. From logistics and warehousing to small businesses and home organization, the right labeling solution can improve efficiency and clarity. Among the most widely used options today are thermal labels, including a specialized variant: clear thermal labels. These tools may seem simple, but their impact is anything but minor.

What Are Thermal Labels?

Thermal labels are labels that can be printed using heat-based printing technology. This printing method doesn’t require ink, toner, or ribbons, making it especially cost-effective and low maintenance. There are two main types of thermal printing:

  • Direct Thermal Printing: This uses heat-sensitive paper. When heat is applied via the printer, it creates the image directly on the label. These labels are ideal for short-term applications, such as shipping labels, receipts, or food packaging.
  • Thermal Transfer Printing: This involves a heated ribbon that transfers ink onto the label surface. It produces more durable prints, suitable for labels that need to withstand sunlight, chemicals, or long storage periods.

Thermal labels come in a variety of sizes, shapes, and materials to accommodate different use cases, but the one thing they all share is the ability to make high-speed, legible printing easy and efficient.

Why Thermal Labels Are Widely Used

The popularity of thermal labels comes down to practicality. They’re fast, clean, and reliable.

  1. No Ink, No Hassle: Without the need for ink or toner, direct thermal printers cut down on running costs and mess. This is particularly helpful in high-volume operations.
  2. Consistent Quality: Thermal labels offer sharp, smudge-resistant text and barcodes, ensuring that labels are always readable—a crucial factor in shipping and inventory management.
  3. Compact and Efficient: Thermal printers are typically small and quiet, which makes them ideal for retail counters, kitchens, medical labs, and offices.
  4. Time-Saving: With no cartridges to change and minimal maintenance, businesses can print labels quickly without frequent interruptions.

Common Uses for Thermal Labels

Thermal labels find their way into a surprising number of settings. Some of the most common include:

  • Shipping and Logistics: Thermal labels are a standard for printing barcodes and address information. Their legibility and adhesive strength help packages reach their destinations reliably.
  • Retail: Price tags, product information, and promotional stickers are all frequently created using thermal printing.
  • Healthcare: Thermal labels are used on patient wristbands, sample vials, and medication packaging.
  • Food Service: Labels indicating expiration dates, ingredients, or allergen warnings are often printed thermally for quick updates and safety compliance.
  • Home and Office Organization: From labeling storage bins to creating quick name tags or file labels, thermal labels are convenient in both personal and professional settings.

What Makes Clear Thermal Labels Unique?

Clear thermal labels are a more specialized version of the standard thermal label. These labels are transparent, allowing them to blend into the background of the surface they’re applied to. This creates a clean, professional appearance, particularly useful for branding or minimalist packaging.

Advantages of Clear Thermal Labels:

  1. Aesthetic Appeal: Clear labels are ideal for products where appearance matters. They allow logos or product names to stand out without the distraction of a label border.
  2. Blends Seamlessly: On glass, plastic, or metal surfaces, a clear label can appear almost invisible, keeping the focus on the item itself rather than the label.
  3. Professional Finish: Ideal for boutique products, crafts, or high-end packaging where branding and presentation are a priority.
  4. Flexible Use: Clear thermal labels still retain the efficiency of direct thermal printing, meaning no ink or ribbon is needed to create high-quality, clean prints.

Considerations When Using Thermal and Clear Thermal Labels

  • Durability: Direct thermal labels, including clear ones, are best for temporary labeling. They can fade over time, especially if exposed to heat, light, or friction.
  • Surface Compatibility: Clear labels show best results on smooth, clean surfaces. Rough or textured materials may affect adhesion or clarity.
  • Printer Compatibility: Always ensure the printer supports clear thermal media, as not all models handle transparent material equally well.

A Smart Tool for Modern Needs

Whether for business efficiency or personal organization, thermal labels are practical tools that adapt well to many roles. Their clean output, minimal maintenance, and fast operation make them indispensable in fast-paced environments.

Meanwhile, clear thermal labels are adding a new dimension to labeling—one that doesn’t just focus on function but also form. As consumer expectations evolve and attention to presentation grows, the demand for labels that can do both continues to rise.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Earl Scruggs Music Festival Returns With Alison Krauss & Union Station, Nitty Gritty Dirt Band And More

Eric Alper
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0
Earl Scruggs Music Festival Returns With Alison Krauss & Union Station, Nitty Gritty Dirt Band And More

Earl Scruggs Music Festival returns to Mill Spring, NC on August 29-31, 2025 for its 4th annual event at Tryon International Equestrian Center (Tryon International). Headlining this year’s lineup is 27-time GRAMMY winner Alison Krauss & Union Station Featuring Jerry Douglas, joined by Nitty Gritty Dirt Band, Del McCoury Band, Sam Bush, Watchhouse, The Wood Brothers, The War And Treaty, The Earls of Leicester, Sierra Hull, and many more. Held annually over Labor Day Weekend, the three-day celebration honors North Carolina banjo pioneer Earl Scruggs, whose revolutionary three-finger picking style set the gold standard for bluegrass and profoundly shaped the sound of American roots music, influencing country, folk, and even rock artists for generations.

Earl Scruggs Music Festival held its inaugural event in 2022, in partnership with WNCW 88.7 and Isothermal Community College in Spindale, NC, alongside the Earl Scruggs Center in Shelby, NC. The festival continues to support these beneficiaries, who are dedicated to preserving Scruggs’ legacy, promoting musical education, and celebrating the rich cultural heritage of the region through their respective programming initiatives.

New for 2025, attendees can elevate their festival experience with expanded on-site lodging options at Tryon International Equestrian Center. The brand-new Overmountain Lodge is now open for reservations, offering a comfortable and convenient stay just steps from the festival grounds. Additionally, guests can book inviting cabins, or take advantage of tent and RV camping for a more traditional festival experience. For more information, visit EarlScruggsMusicFest.com/Lodging.

Set against the backdrop of the Blue Ridge Mountains, Earl Scruggs Music Festival will once again take place at Tryon International, a premier venue recognized for hosting a range of events, from equestrian competitions to concerts and family friendly jamborees. With on-site lodging, dining, and convenient amenities, the festival offers attendees a seamless experience in a comfortable, all-inclusive setting.

Earl Scruggs Music Festival will occur August 29-31, 2025 in Mill Spring, NC. Advance-price tickets are currently on sale, with a variety of both three-day and one-day general admission and upgraded packages available. For more details and to stay up-to-date on all things Earl Scruggs Music Festival, visit EarlScruggsMusicFest.com.

Earl Scruggs Music Festival 2025 Lineup

Alison Krauss & Union Station Featuring Jerry Douglas (Sat)

 Nitty Gritty Dirt Band (Sun)

 Del McCoury Band (Sun)

 Sam Bush (Sat)

 Watchhouse (Sun)

 The Wood Brothers (Fri)

 The War And Treaty (Fri)

 The Earls of Leicester (Sun)

Sierra Hull (Sat)

Tony Trischka’s EarlJam – Featuring Michael Daves (Fri, Sun)

Sister Sadie (Fri)

 Town Mountain (Sat)

Fireside Collective (Sat)

Darin & Brooke Aldridge (Sun)

Rob Ickes & Trey Hensley (Sun)

Bronwyn Keith-Hynes (Sat)

Henhouse Prowlers (Fri)

Travis Book String Band (Fri)

Authentic Unlimited (Fri)

Darren Nicholson Band (Sun)

Shawn Camp and Verlon Thompson :: Songs and Stories of Guy Clark (Sat)

Holler Choir (Fri)

Healing the Hollers ft. Unspoken Tradition (Sat)

Songs From The Road Band (Sun)

Allison de Groot + Tatiana Hargreaves (Sat)

John Hartford Fiddle Tune Project (Sun)

Nicholas Edward Williams (Fri)

Reedy River String Band (Sun)

Finkelstein 3 (Fri)

Submissions Open for 2025 Western Canadian Music Awards Artistic and Specialty Categories

Eric Alper
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0
Submissions Open for 2025 Western Canadian Music Awards Artistic and Specialty Categories

Get ready to celebrate the best of Western Canada’s music scene—submissions for the 2025 WCMA Artistic and Specialty Awards open February 19. With new categories like Afrobeats Artist of the Year and updated processes, now’s the time to shine.

You must create a login profile on Awardstage to begin your submission. You will have to create an account to start. If you experience issues with Awardstage please contact johnny@breakoutwest.ca.

The Western Canadian Music Awards has added a new Artistic category. Check out the Artistic Award category for Afrobeats definition.

If submitting to more than one award, please note that the process has changed, if you need any assistance we invite you to watch the short video we have prepared.

Click Here to view a submission tutorial video

Early Bird Dates

February 19 – March 19, 2025 11:59 PM PDT

Artistic and Specialty Submission Fees
MIA Member Non-Member
Early Bird 15% Off 15% Off
Regular $18.00 per category $20.00 per category
Industry Submission Fees
MIA Member Non-Member
Early Bird Free 15% Off
Regular Free $10.00 per category

 

CONSIDERATIONS

• Submission to the awards do not guarantee a nomination.

• All submissions are only accepted online. If internet access is a barrier to submission, please contact your local Music Industry Association or johnny@breakoutwest.ca

• Submission fee payments must be made online by credit card

• Read all guidelines and category requirements carefully to ensure qualification.

• It is highly recommended that applications submit well in advance of the deadline to ensure there are no unforeseen issues. Submissions that experience technical issues within 24 hours of the deadline will not be granted an exemption if they are late. This may lead to your application not being eligible.

Click here to download the Awards Submission Guidelines as a .pdf

 

WESTERN CANADIAN MUSIC AWARDS Guidelines and FAQ

1.     When is the submission deadline?

The submission deadline for WCMA 2025 11:59 PM PST on Friday, April 16, 2025.

It is highly recommended that applications be submitted well before the deadline to ensure there are no unforeseen issues at the time of submission. Late applications due to technical issues within 24 hours of the deadline will not be considered acceptable grounds for late submission.

2.     Who can apply for the awards?

Submissions can be made by the Artist/Industry professional themselves or they can be submitted on the Artist’s/Industry professional’s behalf.

3.     Do I have to complete my entire submission at one time?

  • No. You have the ability to sign in and out of your submission at any time to be able to complete it over the course of time.
  • Once you confirm and complete your submission, and after payment is accepted, you will no longer be able to sign into that specific submission.
  • Make sure to have all information correct before confirming your submission.

4.     How do I know that my submission has been properly submitted?

Submitting is a four-part process:

  1. Have ready all media, music and documents. Create an account to submit.
  2. Complete and upload music, info and pictures for your online submission.
  3. Complete payment page
  4. You will receive and email indicating that you have completed. Keep that for reference if you have any questions

5.     Do I have to be a member of my province’s Music Industry Association to submit to the awards or play the Festival?

  • No. It is recommended that nominees, and those submitting, be a member of a Western Canadian Music Industry Association but is not required.

The Western Canadian Music Industry Associations include

• Music BC
• Manitoba Music
• SaskMusic
• Alberta Music
• Music Yukon
• Music NWT

*Note, all MIA members will receive a discount for their submissions.

6.     How can the payments be made?

  • You can pay with Visa or MasterCard. No debit cards.
  • You will be prompted to enter the payment information upon completion of your submission.

7.     Are people who are not residents in Canada eligible for any of the categories?

  • No. The Nominee must have been born in either Manitoba, Saskatchewan, Alberta, British Columbia, Yukon or NWT and must have lived in one of those Provinces or Territories for six consecutive months in the past year (January 1, 2024 – April 16, 2025).

            OR

  • The Nominee must have maintained a residence in a Western Canadian Province or Territory for the entire period of January 1, 2024 through April 16, 2025.
  • For groups, 50% of the group’s members must meet residency requirements. Proof of residency may be required.

8.     Can submissions be made to more than one category?

9.  What is meant by release date?

  • All nominees (for Artistic Award categories) must have released a minimum of 3 songs to radio, retail, or online between January 1, 2023 and April 16, 2025 
  • There are no release date requirements to apply to the Festival, however priority will be given to artists who have released new material in the recent 18 months or will release new material in the coming 6 months.

10.  If a Release/EP/Multi Media Item hasn’t been previously nominated, can it be nominated again the following year?

Yes, because the eligibility period is longer than one year, an album may be eligible for two consecutive years.

However:

  •  the album must still meet all release requirements.
  •  no album will be selected as a final nominee in the same category two years in a row.
  •  an album cannot be submitted in one genre category one year and in a different category the next

11.  What is the definition of a release and a release and a full-length Album?

  • To be considered for an award nomination, a minimum 3 newly recorded songs must have been released in the eligibility time-frame.
  • Full-length (Recording of the Year only) means that the album is either a minimum of 30 minutes or contains at least six songs.
  • At least 50% of the tracks must be previously unreleased songs. An unreleased song is defined as material not previously released to radio, retail or other public consumption. Re-recorded live or compilation releases must meet the same requirements.
  • All recordings must fulfill all legal requirements, meaning that the songwriters have been properly credited and mechanical royalties have been paid.

12.  Will EPs be eligible for nomination?

Yes, as long as the EP is at least three songs.

13.  Can a submitted Album/EP include cover songs?

  • An Album and/or EP will be eligible for all categories if at least 50% of the tracks on the recording are previously unreleased songs. Re-recorded live or compilation releases must meet the same requirements.
  • A song is defined as material previously released to radio or retail.

14.  Are Seasonal/Christmas Albums/EPs eligible?

Yes, as long as they still fit into a particular genre and meet all of the necessary residency and release requirements.

15.  Can submissions be made into both the Classical Artist/Ensemble of the Year and Composer of the Year categories?

Yes. See Artistic Awards Categories for more information.

16.  If there is a project that has more then one producer or engineer how should it be entered?

  • A co-production or co-engineering team may enter as a team or as two separate entries.
  • If making one entry, the team will be recognized.
  • If making separate entries the other co-producers or co-engineers must be listed and credited where applicable.

17.  Is there a minimum number of submissions needed in order for a category to proceed?

  • Yes. There must be a minimum of four submissions for a category to proceed in any year.
  • If there aren’t enough submissions the category is skipped for the year and nominees can resubmit their album for the following year.

18.  How are the jurors selected?

  • The jurors will be chosen for their impartiality and demonstrated knowledge and expertise in their fields to collectively capture a diverse range of cultures and backgrounds.
  • WCMA board and staff members are not allowed to sit as jurors or to influence the jurors’ decisions of the juries.

 

 

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AWARDS SUBMISSION GUIDELINES

1. RESIDENCY REQUIREMENTS: ARTISTIC

  • All artistic award nominees must be residents of Manitoba, Saskatchewan, Alberta, British Columbia, the Yukon and/or the Northwest Territories, for at least six months between January 1, 2024 and April 16, 2025 ​​​​The mandate of the Western Canadian Music Alliance is to support artists and companies who reside in western Canada a majority of the time and as such contribute to healthy and thriving music communities in the region.
  • Groups: 50% of group members must meet residency requirements.Proof of residency may be required.

2. RELEASE REQUIREMENTS: ARTISTIC

  • The nominee must have a commercial release between January 1, 2023 and April 16, 2025.

A commercial release is defined as:

  • A minimum of 3 new songs must be commercially released and not be part of a collection previously nominated within 24 months of the submission deadline.
  • At least 50% of the tracks on the recording must be previously unreleased cuts.
  • Exceptions to this are Jazz and Classical, and Electronic/Dance and Instrumental categories which must be at least 75% previously unreleased cuts.
  • ‘Cut’ is defined as material previously released to radio or retail
  • All recordings must properly credit all songwriters.
  • All mechanical royalties must be paid.

3.  RESIDENCY REQUIREMENTS: INDUSTRY

  • All industry award nominees must be residents of Manitoba, Saskatchewan, Alberta, British Columbia, the Yukon and/or the Northwest Territories, for at least six months between January 1, 2024 and April 16, 2025 Companies must be registered companies in Western Canada. The mandate of the Western Canadian Music Alliance is to support artists and music companies who reside in western Canada a majority of the time and contribute to a healthy and thriving music community in their respective region.
  • Groups: 50% of group members/company must meet residency requirements.
  • Proof of residency may be required.

4. MUSIC INDUSTRY ASSOCIATION MEMBERSHIP

It is recommended that submitting artists and industry members be a member of a western Canadian music industry association, but is not required. If accepted, the submitting artist or industry member will be contacted to ensure current membership with their local music industry association.

The western Canadian music industry associations include the following:

• Music BC
• Manitoba Music
• SaskMusic
• Alberta Music
• Music Yukon
• Music NWT
• Alianait Music

5. NOMINATION & SUBMISSION DEADLINE

•  Submissions Open: 10:00 a.m. PST on Wednesday Feburary 19, 2025
•  Submissions Close: 11:59 p.m. PST on Wednesday April 16, 2025

 Instructions for Submitting an Entry:

•  Submission to the awards and festival does not guarantee either nomination or festival acceptance.
•  Festival applicants must submit at least three professionally recorded songs for adjudication.
•  There are no release date requirements for tracks submitted for festival consideration.
•  All submissions are accepted online only. Before uploading any music, you will be instructed to install the Aspera app if you don’t already have it it.
•  Payment of the entry fee may only be made by credit card online.
•  Online submissions must be completed by 11:59 PM PST on Wednesday April 16, 2025
•  One submission must be completed for each category submitting to.
•  Read all guidelines and category requirements prior to submission to ensure eligibility.
•  Please complete submissions accurately and in full. Submitted information is what jurors consider when adjudicating final completed submissions.

6. NOMINATION AND VOTING PROCEDURES

Each submission will be considered for selection as one of the five nominees in each category. The submissions will be screened upon completion to ensure that each submission is complete and meets all eligibility requirements. Any submissions that are incomplete or ineligible will be disqualified. No refunds will be issued.

A panel of impartial jurors from across Canada will adjudicate all submissions and select the final five nominees in each category. The jury committee reserves the right to categorize a submission at their sole discretion.

In the event that a category is overpopulated, a ‘super jury’ will be convened to conduct the first review.

Electronic voting will be open to all current members of the western Canadian music industry associations and to jurors for final voting to select the winners. Final voting results are equally weighted between western Canadian music industry association members and jurors.

*The Audio Engineer ​​​​​​, Jazz, Francophone and Classical, Producer, Children’s, Excellence in Visual Design will be selected and voted on solely by jurors and will not be open to voting by music industry association members

7. MULTIPLE SUBMISSIONS OF ONE ALBUM

Each category has its own restrictions and requirements. Make sure to read the Artistic Awards Categories for a complete list of all category specifications.

8. NOMINATION SUBMISSION IN SUCCESSIVE YEARS

Because the eligibility period is longer than one year, an album may be eligible for two consecutive years.

However:

  •  The album must still meet all release requirements.
  •  No album will be selected as a final nominee in the same category two years in a row.
  •  An album cannot be submitted in one genre category one year and in a different category the next.

All details are subject to change.

9. MINIMUM NUMBER OF SUBMISSIONS

There must be a minimum of four (4) submissions for a category to proceed in any year. If four (4) submissions were not received for a particular category, that category is skipped for that year and nominees can resubmit their album the following year.

10. JURY SELECTION

Each award category will be juried by a group of at least ten jurors unless otherwise stated in Guideline #5. The jurors will be chosen for their demonstrated knowledge and expertise in their fields, and so that collectively they capture a diverse range of cultures and backgrounds. No WCMA board or staff member is permitted to vote or influence any adjudication.

The WCMA reserves the right to select juror(s) who are not a resident of one of the five member regions if it is necessary to compile a strong, impartial jury in a given year.

 

 

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ARTISTIC AWARD CATEGORIES

Please review the below Western Canadian Music Artistic Award Category information. Be advised that any deviation from the requirements below may result in your submission being disqualified. If you have any questions about the below criteria, please contact johnny@breakoutwest.ca.

The Western Canadian Music Awards values diversity, equity and inclusion, and welcome applications from artists from diverse backgrounds

Awards are presented to an Artist, Group, producer, or songwriter depending on the category.

Unless otherwise stated, at least 50% of the submitted recorded tracks must be original material.

If submitting as a group, at least 50% of performing members must meet Canadian residency requirements (see Award and Festival Guidelines for full list of requirements).

All applicants must have an eligible release in order to be considered for nomination (see Award and Festival Guidelines for full list of requirements).

All awards are chosen through an adjudication process.

 

ARTISTIC CATEGORIES

 

An release may only be submitted for nomination in ONE of the following categories* :

Eligibility – A minimum of (3) new songs must be commercially released within 24 months of the submission deadline and not be part of a collection previously nominated. These recordings can be live, or fully produced. If a group, at least 50% of the members must fulfill the residency requirement.

*Please read the guidelines for each category carefully and submit only if eligible. Non-eligible submissions will be disqualified.  Once submitted, no changes can be made.

 

Afrobeats Artist of the Year

  • Definition – This category seeks to recognize artists that utilize unique local expressions from across the African continent, highlighting regional melodic, harmonic and rhythmic musical traditions. The award will celebrate sub-genres including, but not limited to, Afrobeats, Afro-fusion, Afro-pop, Alté, Amapiano, Genge, Gqom, Zouk, Afro-House and Pon Pon. At least 50% of the tracks must be previously unreleased songs. An unreleased song is defined as material not previously released to radio, retail or other public consumption. Re-recorded live or compilation releases must meet the same requirements.

Blues Artist of the Year

  • Definition – This award recognizes an artist whose music demonstrates excellence in traditional or contemporary blues, performed either acoustic or electric. At least 50% of the tracks must be previously unreleased songs. An unreleased song is defined as material not previously released to radio, retail or other public consumption. Re-recorded live or compilation releases must meet the same requirements.

Children’s Artist of the Year

  • Definition – This award recognizes an artist whose music demonstrates excellence in music suitable for, and directed to, a young listening audience.. Material must be musical in nature or contain significant original musical content (ex: narratives or dramatic recordings must contain original music). At least 50% of the tracks must be previously unreleased songs. An unreleased song is defined as material not previously released to radio, retail or other public consumption. Re-recorded live or compilation releases must meet the same requirements.

 

 Classical Artist 0r Ensemble of the Year

  • Definition – This award recognizes an artist whose music demonstrates excellence in instrumental soloist(s), (a) chamber ensemble(s) (large or small), and/or instrumental soloists with chamber accompaniment. Submissions may include vocal or choral works. Entries in this category cannot be submitted for Instrumental Artist of the Year. At least 50% of the tracks must be previously unreleased songs. An unreleased song is defined as material not previously released to radio, retail or other public consumption. Re-recorded live or compilation releases must meet the same requirements.

 Country Artist of the Year

  • Definition – This award recognizes an artist whose music demonstrates excellence in the country genre.Submissions may include alt-country, traditional country, western swing, and/or another recognized country music style. At least 50% of the tracks must be previously unreleased songs. An unreleased song is defined as material not previously released to radio, retail or other public consumption. Re-recorded live or compilation releases must meet the same requirements.

Electronic & Dance Artist of the Year

  • Definition – This award recognizes an artist whose music demonstrates excellence in original musical recordings composed significantly with electronic equipment as the essential songwriting tools, and defined by their electronic elements. Tracks prominently featuring recognizable samples, interpolations, or other borrowed elements will be eligible ONLY if the artist/group can provide clearance or written evidence that clearance has been sought. At least 50% of the tracks must be previously unreleased songs. An unreleased song is defined as material not previously released to radio, retail or other public consumption. Re-recorded live or compilation releases must meet the same requirements.

 Instrumental Artist of the Year

  • Definition – This award recognizes an artist whose musical work showcases exceptional skill in instrumental music across various genres. Submissions must not exceed 25% of tracks with lyrics or prominent vocals. Entries in this category cannot be submitted for Classical Artist or Ensemble of the Year or Composer of the Year consideration. At least half of the tracks must be comprised of songs that have not been released before. An unpublished song is described as content that the artist has not shared with the public via radio, stores, or any other platforms. Live re-recordings or compilation albums must adhere to the same standards.

 Jazz Artist of the Year

  • Definition – This award recognizes jazz artists, whether instrumentalists or vocalists, whose work exemplifies the highest standards of the genre. Eligible submissions may span a wide range of jazz styles, including (but not limited to) traditional, ragtime, swing, bebop, hard bop, cool, fusion, Latin, Cuban, Afro-Cuban, smooth, avant-garde, free improvisation, third stream, orchestral, and world music-influenced jazz. At least half of the tracks must be comprised of songs that have not been released before. An unpublished song is described as content that the artist has not shared with the public via radio, stores, or any other platforms. Live re-recordings or compilation albums must adhere to the same standards.

Metal & Hard Music Artist of the Year

  • Definition – This award recognizes an artist whose music demonstrates excellence in metal or hard music. Submissions may include metal, traditional/classic metal, metalcore, thrash metal, death metal, black metal, and any other relevant sub-genres. At least 50% of the tracks must be previously unreleased songs. An unreleased song is defined as material not previously released to radio, retail or other public consumption. Re-recorded live or compilation releases must meet the same requirements.

 Pop Artist of the Year

  • Definition – This award recognizes an artist whose music demonstrates excellence in pop music. Submissions may include mainstream pop, top 40, CHR, HOT AC, as well as indie-pop and any other pop styles not available on commercial radio. At least 50% of the tracks must be previously unreleased songs. An unreleased song is defined as material not previously released to radio, retail or other public consumption. Re-recorded live or compilation releases must meet the same requirements.

 R&B Artist of the Year

  • Definition – This award recognizes an artist whose musical work showcases exceptional quality within the realms of R&B, soul, funk, or nu jazz. At least 50% of the tracks must be comprised of songs that have not been released before. An unpublished song is described as content that the artist has not shared with the public via radio, stores, or any other platforms. Live re-recordings or compilation albums must adhere to the same standards.

Rap & Hip Hop Artist of the Year

  • Definition – This award recognizes an artist whose music demonstrates excellence in rap & hip hop music. Eligible submissions must contain lyrics delivered in an MC style and/or music/beats that demonstrate the sound of traditional and/or current hip hop. Tracks prominently featuring recognizable samples, interpolations, or other borrowed elements will be eligible ONLY IF the artist/group can provide clearance or written evidence that clearance has been sought. At least 50% of the tracks must be previously unreleased songs. An unreleased song is defined as material not previously released to radio, retail or other public consumption. Re-recorded live or compilation releases must meet the same requirements.

 Rock Artist of the Year

  • Definition – This award recognizes an artist whose music demonstrates excellence in rock and/or alternative music. Rock music is typically defined by prominent use of the electric or acoustic guitar, aback beat laid down by a rhythm section of electric bass guitar, drums, and/or keyboard instruments. Styles may encompass soft rock, glam rock, punk rock, progressive rock, popular rock, and/or any other relevant sub-genres. At least 50% of the tracks must be previously unreleased songs. An unreleased song is defined as material not previously released to radio, retail or other public consumption. Re-recorded live or compilation releases must meet the same requirements.

Roots Artist of the Year

  • Definition – This award recognizes an artist whose music demonstrates excellence in vocal or instrumental music composed of, or influenced by roots music. Submission may include styles, repertoire, performance practices, and musical structures and that may use new sounds and/or instrumentation. Submissions are often, though not necessarily, composed by the submitting artist. At least 50% of the tracks must be previously unreleased songs. An unreleased song is defined as material not previously released to radio, retail or other public consumption. Re-recorded live or compilation releases must meet the same requirements.

 Spiritual Artist of the Year

  • Definition – This award recognizes an artist whose music demonstrates excellence in music with spiritual and/or religious lyrical or thematic influence. Submissions may include traditional, contemporary, country, alternative, pop/rock, electronic, hip-hop, and/or R&B. Submissions will be accepted from choirs, groups, solo performers and instrumental artists. At least 50% of the tracks must be previously unreleased songs. An unreleased song is defined as material not previously released to radio, retail or other public consumption. Re-recorded live or compilation releases must meet the same requirements.

 

**All details are subject to change

SPECIALTY AWARD CATEGORIES

An album may be submitted for nomination in ANY of the following categories* :

*Please make sure the submission fits within the specified guideline requirements.
Once submitted, no changes can be made.

Please note these are crossover categories, so submissions may also be submitted into one other genre category as well as any artist or technical categories if applicable (e.g. Pop, Rap, etc).

 

 

BreakOut Artist of the Year

  • Definition – This award recognizes an artist whose music demonstrates excellence across any genre. The evaluation will consider the quality of their recordings, in equal measure with their exceptional year, which is defined by radio chart successes, media exposure, industry recognition, and/or touring achievements. Entries into this category may also be submitted to one of the other artistic categories in the same year. At least 50% of the tracks must be previously unreleased songs. An unreleased song is defined as material not previously released to radio, retail or other public consumption. Re-recorded live or compilation releases must meet the same requirements.
  • Eligibility – These recordings can be live, or fully produced, and CAN be released outside of the 24 month eligibility period. If a group, at least 50% of the members must fulfill the eligibility criteria.

 Classical Composer of the Year

  • Definition – This award recognizes an artist whose exceptional skill as a composer of original compositions exemplify outstanding composition of new works completed and released within 24 months prior to the submission deadline and featured on a commercially released recording. It can be submitted by the composer or the artist credited for the composition’s appearance. A composition is typically regarded as a singular work, although it may consist of multiple movements that collectively form one piece. Additionally, recordings submitted in this category may also be entered into a genre category during the same year, with the exception of the Instrumental Artist of the Year category. At least 50% of the tracks must be previously unreleased songs. An unreleased song is defined as material not previously released to radio, retail or other public consumption. Re-recorded live or compilation releases must meet the same requirements.
  • Eligibility – A minimum of 1 composition must be commercially released within 24 months of the submission deadline and not be part of a collection previously nominated. These recordings can be live, or fully produced.

 Francophone Artist of the Year

  • Definition – This award recognizes an artist whose music demonstrates excellence in performing in the French language. At least three of the total tracks submitted must contain vocals performed in French. Submissions into this category may also be submitted into one of the other genre categories in the same year.
  • Eligibility – A minimum of 3 new songs must be commercially released within 24 months of the submission deadline and not be part of a collection previously nominated. These recordings can be live, or fully produced. If a group, at least 50% of the members must fulfill the eligibility criteria.

 Global Artist of the Year 

  • Definition – This award recognizes an artist whose musical creations are inspired by one or more traditional music genres from various regions globally (excluding Canada) or a fusion of diverse cultural musical styles. Entries into this category may also be submitted to one of the other artistic categories in the same year.
  • Eligibility – At least three new songs must be commercially released within 24 months of the submission deadline and not be included in any collection previously nominated. Commercially released is described as content that the artist has shared with the public via radio, stores, or any other platforms. Live re-recordings or compilation albums must adhere to the same standards.

Indigenous Artist of the Year

  • Definition – This award recognizes an artist whose music demonstrates excellence as a Indigenous, First Nations, Inuit and/or Métis artist or group who performs in either a traditional or contemporary musical style. In the case of a duo or group, at least 50% of members must identify as Indigenous, First Nations, Aboriginal and/or Metis. Submissions into this category may also be submitted into one genre category in the same year.
  • Eligibility – A minimum of 3 new songs must be commercially released within 24 months of the submission deadline and not be part of a collection previously nominated. These recordings can be live, or fully produced. If a group, at least 50% of the members must fulfill the eligibility criteria.

 Producer of the Year

  • Definition – This award recognizes an artist whose music demonstrates excellence in music production and is awarded to a producer or production team. International releases are eligible, provided the producer meets the residency requirement. A Producer must have contributed to a minimum of 50% of tracks on the submitted release.
  • Eligibility – The body of works of the producer within the last 12 months from (the submission deadline) will be considered for this award. This may include one or multiple production projects.

 Recording of the Year

  • Definition – This award recognizes an artist whose music showcases excellence in a comprehensive recording, spanning any genre or style. It is presented to an individual or group. Entries into this category may also be submitted to one of the other artistic categories in the same year. At least 50% of the tracks must be previously unreleased songs. An unreleased song is defined as material not previously released to radio, retail or other public consumption. Re-recorded live or compilation releases must meet the same requirements.
  • Eligibility – A full length recording with a minimum of six (6) songs or 30 mins commercially released within 24 months of the submission deadline and not be included in any collection previously nominated. Commercially released is described as content that the artist has shared with the public via radio, stores, or any other platforms. Live re-recordings or compilation albums must adhere to the same standards.

 Songwriter(s) of the Year

  • Definition – This award recognizes an artist whose music showcases exceptional skill in the art of songwriting. Whether working solo or in a team, as long as the artist is from Western Canada, they are eligible. Artists can submit their work as a single song or as part of a songwriting team. For a team to be considered, all members must agree to represent the team. A single physical trophy is awarded, regardless of the team’s size. Western Canadian songwriters who also write for international artists or releases are also eligible. It’s important to note that a song doesn’t need lyrics to be considered. Submitted songs must have been released during the eligibility period, which includes singles or videos, even if they were part of an album released before or after the eligibility period. Copyright owners, whether they are publishers or songwriters, must submit one song that best represents the artist’s body of work during the eligibility period. Entries into this category may also be submitted to one of the other artistic categories in the same year.
  • Eligibility – This is not limited to artists from Western Canada; recordings produced by artists outside of this region are also eligible, as long as the songwriter fulfills the residency and eligibility criteria. The song must be commercially released within 24 months of the submission deadline. Commercially released is described as content that the artist has shared with the public via radio, stores, or any other platforms. Live re-recordings or compilation albums must adhere to the same standards.

 Video Director of the Year

  • Definition – This award recognizes an artist who exhibits exceptional skill in the distinctive role that a music video plays in contributing to both the commercial success and the public reception of a song. Entries must feature online links to the video. The recipient of the award is the video’s director. Artists and videos from outside of western Canada are eligible as long as the director is based in western Canada. Additionally, a directing team is also eligible, provided they meet the residency requirement.
  • Eligibility – A full length video release and not previously nominated within 24 months of the submission deadline. The video can be live, or fully produced. If a directing group, at least 50% of the members must fulfill the eligibility criteria.

 

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INDUSTRY AWARD CATEGORIES

Please read and understand all guidelines and category requirements prior to submitting.

  • If submitting you must meet residency requirements (see Award and Festival Guidelines for full list of requirements).
  • All categories are chosen through an adjudication process and all applicants must meet all residency and release requirements in order to be considered for nomination (see Award and Festival Guidelines for full list of requirements).

Audio Engineering Award

This award recognizes excellence in audio engineering. This can include studio engineering for recordings or live engineering for the stage and is awarded to the engineer. The award is open to, but not necessarily limited to, studio engineers, mixing engineers, digital audio engineers, venue, and/or touring front of house or monitor technicians. The recipient will demonstrate dedication and excellence in the field of audio engineering as demonstrated through their work. Submissions can include audio recordings, testimonials from clients, or both. This may include one or multiple production projects. Work done outside of Western Canada is eligible, as long as the engineer meets the eligibility and residency requirements. Submissions will be juried based on professional activity occurring within one year of the submission deadline.

 

Community Excellence Award

This award recognises an artist, group, music company, or organization that demonstrates a commitment to community development or philanthropy. This can be through programming or contributions that support a local initiative, a global cause, or to the broader music community. Active engagement with the public should be visible on an ongoing basis. Testimonials, past achievements, and ongoing projects can all be included in this submission. Submissions will be juried based on professional activity occurring within one year of the submission deadline.

 

Excellence in Visual Design

Visual design makes a specific contribution to the branding and marketing of music. This award recognizes excellence in visual design including album packaging, merchandise, show posters, web and social media design. This award recognises a designer or design firm who has created work of note with one or more artists or project, across various media. This may include one or multiple production projects. Work done outside of western Canada is eligible, provided the designer meets the eligibility and residency requirements. Submissions will be juried based on professional activity occurring within one year of the submission deadline.

 

Impact in Artist Development

This award recognizes music companies or individuals from western Canada who have had a significant impact on artist(s) careers within the eligibility period. The award is open to but not limited to artist managers, labels, agents, and publishers, including individuals, teams, or companies. The recipient will have demonstrated particular accomplishments in advancing the career of an artist or roster of artists. Collaborations with artists from outside of western Canada are eligible, as long as the nominee meets the eligibility and residency requirements. Submissions will be juried based on professional activity occurring within one year of the submission deadline.

 

Impact in Live Music

This award recognizes music companies or individuals who have had a significant impact on the live music community in western Canada within the eligibility period. This award is open to, but not necessarily limited to, agents, promoters, presenters, buyers, venues and/or festivals. The recipient will have demonstrated accomplishments in live music such as innovative programming, audience development, or programming for a specific community need. Consideration will be given to the promotion of western Canadian artists, the historical and cultural value of the applicant institution to the industry and the community, relationships between the applicant and artists, and overall public participation. Nominees must meet the eligibility and residency requirements. Venues and festivals must be located in western Canada in order to meet eligibility. Submissions will be juried based on professional activity occurring within one year of the submission deadline. 

Impact in Music Marketing

This award recognizes innovation, creative thinking, and hard work in the field of marketing in the music industry in western Canada. The award is open to, but not necessarily limited to, individuals and companies working in public relations, marketing, radio tracking, music distribution, artist management, live promotion, app development, and technology. The recipient will demonstrate success through dedication to the western Canadian music industry and demonstrating new ways of doing business. Submissions will be juried based on professional activity occurring within one year of the submission deadline.

Music Nova Scotia Opens 2025 Award Nominations and Nova Scotia Music Week Showcase Applications

Eric Alper
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Music Nova Scotia Opens 2025 Award Nominations and Nova Scotia Music Week Showcase Applications

Nova Scotia Music Week (NSMW) 2025 will take place in Yarmouth/Kespukwitk from October 23-26, 2025. Music Nova Scotia is pleased to open both showcasing applications and award nominations for this year’s event!

Showcasing applications and award nominations will be open until Thursday, April 10, 2025, at 11:59pm AT. Please review the showcasing and awards manuals in full before submitting your application for full eligibility requirements.

After receiving feedback from the membership, MNS has made a significant change to open both the awards and showcasing applications at the same time, allowing for better communication between juries. Additionally, consultation was prioritized over the last year regarding the eligibility, criteria, and name of the African Nova Scotian Artist of the Year Award. The African Nova Scotian/Black Advisory Body, a joint group serving both Music Nova Scotia and the African Nova Scotian Music Association, met and advised that further community consultation was needed before the name or the eligibility of the award changed. This consultation will take place over the next 12 months to ensure the award continues to best serve the community it represents. For NSMW 2025, the eligibility and name will remain the same as previous years. All artists submitting to African Nova Scotian Artist of the Year are also welcome and encouraged to apply to their genre categories as well at no additional cost.

Both showcasing and awards manuals can be found on their website here.

You must be a member of Music Nova Scotia in good standing to submit showcasing applications and award nominations. If your membership is not up to date by the deadline to apply, your submission will not be considered eligible. To renew or create a new membership, click here.

Showcasing applications and award nominations are juried by panels of third-party music industry professionals with specific knowledge of the industry and the genres they are evaluating. If you are interested in joining Music Nova Scotia’s juror pool, please fill out this form.

Sign up for their mailing list here for festival updates and to be notified when additional delegate passes and festival wristbands go on sale!

The Host Hotel, The Rodd Grand Yarmouth, has limited capacity for NSMW delegates, partners, and staff. For those looking to book accommodations for NSMW 2025, Music Nova Scotia recommends using their Accommodations page here.

Music Nova Scotia would like to extend a huge thank you to NSMW’s Premier and Presenting Partners for helping make this year’s event possible: FACTOR, the Government of Canada, and Canada’s Private Radio Broadcasters, the Province of Nova Scotia, Yarmouth and Acadian Shores Tourism Association, and Garrison Brewing Co.

Submissions Now Open for 2025 Semaine MNB Week Showcases in Moncton, NB

Eric Alper
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Submissions Now Open for 2025 Semaine MNB Week Showcases in Moncton, NB

Submissions are now open for Showcasing at the 2025 Semaine MNB Week, in Moncton, NB, October 23·25 2025.

Semaine MNB Week is the music industry conference for New Brunswick (Canada), taking place in Moncton from 23·25 OCT 2025. The event blends artist showcases, conferences, networking events as well as the much-anticipated Prix MNB Awards. It’s a great way to connect with like-minded people, dive deep in the music industry, all while discovering (or re-discovering) talented emerging and established artists from New Brunswick.

Showcasing opportunities are open to all members of Music·Musique NB playing any genre of music. MNB encourages submissions from members of diverse communities, including Indigenous people, people of colour, people with disabilities, people from the LGBTQ+ community, and people who identify with other intersectional and equity-seeking groups.

The submission period is open until April 16, 2025 at 11:59AM (ADT) for the showcases.

SEMAINE MNB WEEK SHOWCASES –> APPLY HERE

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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