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Music Nova Scotia Opens 2025 Award Nominations and Nova Scotia Music Week Showcase Applications

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Nova Scotia Music Week (NSMW) 2025 will take place in Yarmouth/Kespukwitk from October 23-26, 2025. Music Nova Scotia is pleased to open both showcasing applications and award nominations for this year’s event!

Showcasing applications and award nominations will be open until Thursday, April 10, 2025, at 11:59pm AT. Please review the showcasing and awards manuals in full before submitting your application for full eligibility requirements.

After receiving feedback from the membership, MNS has made a significant change to open both the awards and showcasing applications at the same time, allowing for better communication between juries. Additionally, consultation was prioritized over the last year regarding the eligibility, criteria, and name of the African Nova Scotian Artist of the Year Award. The African Nova Scotian/Black Advisory Body, a joint group serving both Music Nova Scotia and the African Nova Scotian Music Association, met and advised that further community consultation was needed before the name or the eligibility of the award changed. This consultation will take place over the next 12 months to ensure the award continues to best serve the community it represents. For NSMW 2025, the eligibility and name will remain the same as previous years. All artists submitting to African Nova Scotian Artist of the Year are also welcome and encouraged to apply to their genre categories as well at no additional cost.

Both showcasing and awards manuals can be found on their website here.

You must be a member of Music Nova Scotia in good standing to submit showcasing applications and award nominations. If your membership is not up to date by the deadline to apply, your submission will not be considered eligible. To renew or create a new membership, click here.

Showcasing applications and award nominations are juried by panels of third-party music industry professionals with specific knowledge of the industry and the genres they are evaluating. If you are interested in joining Music Nova Scotia’s juror pool, please fill out this form.

Sign up for their mailing list here for festival updates and to be notified when additional delegate passes and festival wristbands go on sale!

The Host Hotel, The Rodd Grand Yarmouth, has limited capacity for NSMW delegates, partners, and staff. For those looking to book accommodations for NSMW 2025, Music Nova Scotia recommends using their Accommodations page here.

Music Nova Scotia would like to extend a huge thank you to NSMW’s Premier and Presenting Partners for helping make this year’s event possible: FACTOR, the Government of Canada, and Canada’s Private Radio Broadcasters, the Province of Nova Scotia, Yarmouth and Acadian Shores Tourism Association, and Garrison Brewing Co.

Submissions Now Open for 2025 Semaine MNB Week Showcases in Moncton, NB

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Submissions are now open for Showcasing at the 2025 Semaine MNB Week, in Moncton, NB, October 23·25 2025.

Semaine MNB Week is the music industry conference for New Brunswick (Canada), taking place in Moncton from 23·25 OCT 2025. The event blends artist showcases, conferences, networking events as well as the much-anticipated Prix MNB Awards. It’s a great way to connect with like-minded people, dive deep in the music industry, all while discovering (or re-discovering) talented emerging and established artists from New Brunswick.

Showcasing opportunities are open to all members of Music·Musique NB playing any genre of music. MNB encourages submissions from members of diverse communities, including Indigenous people, people of colour, people with disabilities, people from the LGBTQ+ community, and people who identify with other intersectional and equity-seeking groups.

The submission period is open until April 16, 2025 at 11:59AM (ADT) for the showcases.

SEMAINE MNB WEEK SHOWCASES –> APPLY HERE

Call for Submissions: Good Sounds Indigenous Music Residency

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Indigenous Music is launching a two-day residency for Indigenous artists and musicians in Manitoba, aimed at creating connection, nurturing growth, and learning more about the art and business of live performance.

Running May 3 – 5, 2025, Good Sounds will be held at Grey Buffalo Grandfather Wellness Lodge, a gathering place nestled on 77 acres of forested land stewarded by the Ma Mawi Wi Chi Itata Centre. Participants will attend professional development workshops throughout the residency and also get the chance to perform their songs in front of mentors and peers from Manitoba and across Canada in an intimate, acoustic setting. Participants will be encouraged to bring demos and songs in development to get feedback.

Travel / Accommodations / Logistics:

Invited artists will stay in a private room on the property and have access to two shared washrooms (with fully equipped private showers) for the duration of the residency and receive three meals each day along with support materials and transportation between Winnipeg and the Grey Buffalo Grandfather Wellness Lodge.

These sessions will be held in English. The typical day includes about 4 hours of programming beginning at 10 AM with time set aside for meals and an afternoon break at 3 PM.

Participants may request support for caregivers during the acceptance process.

To be eligible to participate, artists must meet the following criteria:

  • Be a First Nation, Inuit, or Métis artist or group
  • Be a member of Manitoba Music and current resident of Manitoba
  • Be 18 years or older
  • Be available for the duration of the program, May 3 – 6, 2025
  • Have a strong social media presence and local audience following
  • Have recent professional career activity (e.g. recent or upcoming release – demo/EP/LP/single, live show, tour, festival sets, industry showcases, awards and nominations, media coverage, etc.)
  • Have a professional promotional photo and short bio
  • Have a website or profile with Manitoba Music and/or Indigenous Music, and social media profile(s)

Indigenous participants:

  • For the purposes of this project, we define Indigenous solo artists as First Nation, Inuit, or Métis recording artists who release original music under their legal name or a singular stage name.
  • For the purposes of this project, at least half of the people who appear in the latest promotional photos for an Indigenous duo or band/group must be First Nation, Inuit, or Métis.

Applications will be based on:

  • Strong vocals and/or interesting lyrics if you’re a singer, singer/songwriter, or emcee
  • Solid musicianship and/or a demand for your services if you’re a musician or beat maker/music producer
  • Momentum, demonstrated by touring, earned media, nominations and awards, and social media interaction

Apply here!

Which Geek Bar Flavor Is the Best? Find Your Perfect Match

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By Mitch Rice

Looking to add some flavor to your experience? The best geek bar flavors are Fcuking Fab, Dragon Melon, and Miami Mint. 

So, yes, the world of geek bar flavors is as diverse as your favorite playlist. But which one truly stands out? 

Whether you are into: 

  • Bold bursts of fruity goodness
  • Icy cool sensations
  • Something sweet or nostalgic

There’s a flavor out there calling your name. 

Explore Gemini Geek Bar flavor now and see why it’s stealing the spotlight. Ready to find your perfect match? Let’s see!

 

What Makes Geek Bar Stand Out?

Geek Bar has earned a prominent space in the disposable vape market. 

Not just by offering another option, but by consistently pushing boundaries in 

  • Flavor innovation
  • Device design

Moreover, they offer the right amount of nicotine satisfaction minus the harmful effects of traditional cigarettes. 

Innovation in flavor and design

Geek Bar doesn’t just offer basic fruit or menthol options. They are known for creating complex and layered flavor profiles. Geek Bar tends to blend multiple fruits, including cooling elements. 

Moreover, they brought up dessert-inspired tastes too. So, this ultimately focuses on unique flavor combinations. 

They are also typically:

  • Compact
  • Lightweight
  • Easy to use

 

It has attracted a loyal customer base looking for new and exciting experiences. 

Overview of Their Zodiac and Pulse Editions

Geek Bar has also modified itself through social editions and product lines. Most notable are the Zodiac and Pulse editions.

The Zodiac edition features unique designs inspired by the twelve signs of the zodiac. Each device portrays a

  • Different astrological symbol
  • Corresponding color scheme

Moreover, these editions often become collectible because of their limited availability.

On the other hand, the Pulse edition focuses on offering a more intense, satisfying vape experience. They also feature 

  • Improved coil technology
  • Airflow systems to generate denser vapor

Ranking the Best Geek Bar Flavors

Geek Bars have gained huge popularity because of their appeal as a safer nicotine consumption option. 

 

So, they become the most desired choice for vapers looking for convenient and flavorful disposable devices. 

This blog offers a glimpse into some of the top-rated Geek Bar flavors as we move into 2025!

Best Geek Bar Flavors Ranked (2025)

 

Rank  Flavor Flavor Type Description
1 Fcuking Fab Fruit Flavor
  • Offers an explosion of bold mixed berries and tropical fruits with a sweet yet tangy twist.
2 Juicy Peach Ice Fruit and Ice Flavor
  • Offers the sweet taste of ripe peaches paired with a refreshing menthol finish.
3 Dragon Melon Fruit Flavor
  • Juicy fusion of dragon fruit and watermelon.
4 Miami Mint Traditional Flavor
  • A blend of cool mint with a hint of tropical sweetness.
5 OMG Blow Pop Candy Flavor
  • A burst of sweet and sour candy flavor. It also combines juicy fruitiness with a bubblegum twist.

 

Sweetness and Flavor Intensity Chart

Understanding the sweetness and intensity of vape flavors is important for finding your perfect match.

Geek Bar Sweetness Chart

 

Flavor Sweetness Level (1-5, 5 being the sweetest) Intensity Level (1-5, 5 being the most intense) User Notes
Tobacco 1 3 The earthy, strong, classic tobacco taste
Menthol 2 4 Icy, refreshing, strong menthol hit
Watermelon Ice 4 4 Sweet watermelon with a cooling menthol finish
Strawberry Ice 4 3 Sweet strawberry with a cooling menthol finish
Blueberry Sour Raspberry 3 5 A mix of sweet and sour with a strong aftertaste

User Favorites

Mild Flavors: If you are into subtle sweetness and a less intense flavor, tobacco and menthol are popular choices.

Bold Flavors: If you crave a burst of flavor, you can consider

  • Watermelon Ice 
  • Blueberry Sour Raspberry 

They offer a more intense and satisfying vaping experience.

Exploring Unique Editions

Geek Bar offers a wide range of unique editions that serve different taste preferences.

Geek Bar Zodiac Flavors

These Geek Bar flavors offer astrological-signs-inspired flavors. Each flavor is carefully made to reflect the characteristics and personality traits associated with its corresponding zodiac sign. 

Some famous Geek Bar Zodiac flavors are:

Geek Bar Pulse Flavors

The Geek Bar Pulse flavors are famous for their bold and refreshing flavor combinations. 

  • Watermelon Ice: It is the combination of the sweet taste of ripe watermelon with a cooling menthol finish. It offers a refreshing vaping experience.
  • Strawberry Lemonade: It offers a blend of sweet strawberries and tangy lemonade. It will give you a refreshing and summery vape.

Top Geek Bar Alternatives

Even though Geek Bar has established itself as a popular disposable vape brand, many other competitors offer compelling alternatives with 

  • Unique features
  • Flavor profiles

Some notable competitors include Elf Bar and Esco Bar, each with their strengths.

Besides Elf Bar and Esco Bar, some other alternatives for Geek Bar are: 

  • ELUX BARS
  • SMOK
  • Lost Mary MT15000 Turbo
  • Fifty Bar 20K
  • Flonq Max Pro
  • Fasta Burst 35000
  • Off Stamp SW16000
  • RifBar Turbo-X

How to Choose the Best Flavor for You?

It is undoubtedly difficult to choose from the wide variety of vape flavors available. Here are some things to think about:

Sweetness: Think about how sweet you like things to be. While some flavors offer a more subtle sweetness, others are quite sweet.

Intensity: The term “flavor intensity” describes how strong a flavor is. While some flavors are more subtle, others are strong and noticeable.

Type of Flavor: Select a flavor that suits your tastebuds, like:

  • Fruity: Look at options like strawberry, mango, or blueberry if you like the flavor of fresh fruits.
  • Icy/Menthol: Choose menthol or icy scents if you like a chilly, revitalizing feeling.
  • Sweet/Dessert: If you’re craving something sweet, try tastes that are reminiscent of dessert. Such as cotton candy, cheesecake, or custard.

Recommendations for Different Preferences:

For Fruity Flavor Lovers: Elf Bar provides a variety of fruit flavors, ranging from traditional pairings to more unusual options.

For Fans of Icy/Menthol: Esco Bar is renowned for its strong menthol and icy flavors, which make for a refreshing vaping experience.

For Sweet Tooth Cravings: A range of sweet and dessert-inspired flavors are available at Geek Bar.

FAQ: Best Geek Bar Flavor

What is the best Geek Bar flavor?

Some of the best geek bar flavors include watermelon ice, ice mint, tobacco, etc.

What is the most popular Geek Vape flavor?

The most popular flavor in all disposables is blue razz ice.

Which vape flavor is best for beginners? 

Menthol flavor is the best for beginners.

What is the best vape flavor to buy? 

Consider the GeekVape Aegis X with a Zeus Sub-Ohm Tank for the absolute best-flavored vape.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Lamb of God Announce 2025 Headlining Dates, Festival Stops, and Return of Headbangers Boat

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Lamb of God have added several headlining dates to their already packed 2025 schedule, bringing their ferocious live show to select cities, including a special performance in their hometown of Richmond, as well as stops in Springfield, Mass., Monterrey, Mexico, and more.

Tickets are on-sale this Friday, April 4, at 10 a.m. local time via Lamb-of-god.com.

The newly announced dates round out what is a busy end of the year for the band. Lamb of God will also join Black Sabbath for their historic Back to the Beginning send-off, and headline several festivals including Inkcarceration, Unhinged, Louder Than Life, and Aftershock.

In addition, the band returns to the high seas this Fall with the return of their Headbangers Boat cruise (Oct. 31 to Nov. 4), a four-day floating festival departing from Miami with a stop in Cozumel, Mexico. The cruise features performances from Clutch, Kublai Khan TX, Power Trip, Obituary, Devil Driver, Fear Factory, The Black Dahlia Murder, The Exploited, Crowbar, Nekrogoblikon, Eighteen Visions, Gideon, Walls of Jericho, Category 7, Brat, comics Josh Potter and Saul Trujillo, with appearances from Jose Mangin and Riki Rachtman.

Newly announced shows:

July 18 Springfield, MA MassMutual Center
with special guests: Hatebreed and Shadows Fall

July 24 Richmond, VA Allianz Amphitheater at Riverfront
with special guests: GWAR and Hatebreed

September 20 Hinkley, MN Grand Casino Hinkley – Amphitheater
with special guests: Body Count and Harms Way

September 25 Durant, OK Choctaw Grand Theater
with special guests: Power Trip and Frozen Soul

September 27 Hammond, IN Horseshoe Hammond Casino
with special guests: Cavalera and Power Trip

November 6 Monterrey, Mexico at Showcenter

All tour dates:

July 5 Birmingham, UK Back to the Beginning with Black Sabbath

July 18 Springfield, MA MassMutual Center

July 20 Mansfield, OH Inkcarceration Festival

July 24 Richmond, VA Allianz Amphitheater at Riverfront

July 27 Denver, CO Unhinged Fest

September 18 Louisville, KY Louder Than Life Festival

September 20 Hinkley, MN Grand Casino Hinkley – Amphitheater

September 25 Durant, OK Choctaw Grand Theater

September 27 Hammond, IN Horseshoe Hammond Casino

October 3 Sacramento, CA Aftershock Festival

November 6 Monterrey, MX Showcenter

20 of the Greatest LGBTQIA+ Anthems of All Time

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You know the songs before you even hear them. A beat, a lyric, a shimmer of synth or a scream of freedom—and suddenly, you’re not alone. These anthems didn’t just climb the charts, they built homes. Homes for identity, homes for community, homes for joy, resistance, survival, and love in all its forms.

Here are 20 tracks that helped shape, celebrate, and soundtrack the LGBTQIA+ experience. And yes, you better believe Bronski Beat made the list.

Bronski Beat – “Smalltown Boy”
A synth-pop masterpiece soaked in melancholy and defiance. Jimmy Somerville’s falsetto told every queer kid in a nowhere town: you’re not broken, this place is. It’s an escape song, a survival anthem, and a beautiful cry for belonging.

Lady Gaga – “Born This Way”
Gaga dropped a mission statement. “Born This Way” arrived like a glitter bomb in 2011, declaring self-love and LGBTQIA+ pride with the subtlety of a Pride float blasting Cher. A Gen Z rallying cry and a disco sermon.

Robyn – “Dancing On My Own”
A lonely heart at the club becomes a holy spirit on the dance floor. Robyn’s anthem gave us permission to feel everything—heartbreak, longing, joy—at once. It’s a mood, in every sense of the word.

RuPaul – “Supermodel (You Better Work)”
This track built a runway for generations of queens, queers, and everyone who ever wanted to twirl in their truth. RuPaul brought drag to the mainstream with a wink, a strut, and a beat you could vogue to forever.

George Michael – “Freedom! ’90”
A closet-exploding anthem, crafted with swagger and soul. George Michael’s declaration wasn’t just about industry control—it became a message for anyone breaking free from expectations. And those supermodels in the video? Icon behavior.

Diana Ross – “I’m Coming Out”
If the trumpet intro doesn’t make you throw your hands up, are you even alive? Ross gave us the most joyful declaration of liberation ever recorded—and gave drag queens the ultimate walk-on track. Pure, golden emancipation.

Frank Ocean – “Bad Religion”
Frank Ocean cracked his soul open on this track, quietly rewriting the rules for what a Black gay man could say in R&B. A gospel of unrequited love, whispered in a cab, aching with truth and beauty. Vulnerability never sounded so brave.

Erasure – “A Little Respect”
Synth-pop with a side of heartbreak and a full serving of hope. Andy Bell’s voice is pure longing—and that chorus? Begging for dignity, begging for love, begging to be seen. Still hits like a lightning bolt.

Troye Sivan – “Bloom”
A euphoric ode to queer intimacy that’s sexy, sweet, and subversively tender. Troye Sivan flips pop’s hetero script with grace and glitter, giving boys who love boys a slow-blooming, sun-soaked anthem.

Sylvester – “You Make Me Feel (Mighty Real)”
Disco royalty. Sylvester didn’t just sing, he testified. With falsetto soaring above thumping bass, he transformed dancefloors into sanctuaries. This is freedom. This is ecstasy. This is what being mighty real sounds like.

Melissa Etheridge – “Come to My Window”
Raw, raspy, romantic. Melissa Etheridge turned a simple lyric into a longing anthem that echoed through bedrooms and barrooms alike. Her voice was a lighthouse for many in the 90s trying to find their way home.

Tegan and Sara – “Closer”
Joyously queer and unapologetically pop. Tegan and Sara brought indie cred into a dance-pop moment and made it their own. “Closer” is the sound of falling in love in the front row of a DIY show and texting all your friends about it.

Queen – “I Want to Break Free”
Freddie Mercury in a vacuum cleaner dress is only part of the story. This song is rebellion disguised as an earworm. From personal liberation to political protest, it’s a flamboyant fist in the air.

Janelle Monáe – “Make Me Feel”
A pansexual power surge that pays tribute to Prince while sounding like the future. Monáe’s groove is magnetic, electric, unapologetic. It’s bisexual lighting in song form—and we’re all under the spell.

Sam Smith – “Stay With Me”
A hymn of yearning that resonated with anyone who’s ever wanted someone to stay, even for a night. Sam Smith’s vulnerability put heartbreak on every radio, and we cried in traffic accordingly.

Tracy Chapman – “Fast Car”
Before representation was buzzworded, Tracy Chapman wrote raw, real love stories that crossed lines and broke boundaries. “Fast Car” isn’t explicitly queer—but it feels queer. It speaks to escape, survival, and dreaming of a different life.

Scissor Sisters – “Let’s Have a Kiki”
This is not a drill, this is a KIKI. Scissor Sisters turned queer inside jokes into an all-out anthem of survival, celebration, and sheer fabulousness. If you’ve danced to this at a drag show, you’ve lived.

Cyndi Lauper – “True Colors”
Gentle, aching, affirming. “True Colors” is the arm around your shoulder when the world feels cold. Cyndi Lauper became a lifelong ally, activist, and fierce friend to the LGBTQIA+ community.

Patti Smith – “Gloria”
“Jesus died for somebody’s sins… but not mine.” Patti Smith broke every rule and built something freer. “Gloria” is rage, power, reclamation—set to a garage rock prayer.

Kim Petras – “Heart to Break”
Pop perfection with an unapologetically trans voice front and center. Kim Petras brought heartbreak to the dancefloor with sparkles, high notes, and the kind of confidence that screams: I belong here.

It’s sometimes worth remembering that songs are lifelines. Anthems that lit the way through closets, clubs, heartbreaks, and Pride parades. Whether they whispered in your headphones or shouted from festival stages, they reminded us all:
You are seen. You are heard. You are loved.

Bruce Springsteen Announces ‘Tracks II: The Lost Albums’ — 83 Songs Across 7 Unreleased Records Arriving This Summer

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Seven previously-unheard Bruce Springsteen records will be released for the first time this summer on the widely-rumored and long-anticipated “Tracks II: The Lost Albums,” coming June 27 via Sony Music. A set spanning 83 songs, “The Lost Albums” fill in rich chapters of Springsteen’s expansive career timeline — while offering invaluable insight into his life and work as an artist. “’The Lost Albums’ were full records, some of them even to the point of being mixed and not released,” said Springsteen. “I’ve played this music to myself and often close friends for years now. I’m glad you’ll get a chance to finally hear them. I hope you enjoy them.”

From the lo-fi exploration of “LA Garage Sessions ’83” — serving as a crucial link between “Nebraska” and “Born in the U.S.A.” — to the drum loop and synthesizer sounds of “Streets of Philadelphia Sessions,” “The Lost Albums” offer unprecedented context into 35 prolific years (1983-2018) of Springsteen’s songwriting and home recording. “The ability to record at home whenever I wanted allowed me to go into a wide variety of different musical directions,” Springsteen explained. Throughout the set, that sonic experimentation takes the form of film soundtrack work (for a movie that was never made) on “Faithless,” country combos with pedal steel on “Somewhere North of Nashville,” richly-woven border tales on “Inyo” and orchestra-driven, mid-century noir on “Twilight Hours.” Alongside the announcement of “The Lost Albums,” a first look at the collection also arrives today with “Rain In The River” — which comes from the lost album “Perfect World,” and encapsulates that project’s arena-ready E Street flavor.

“The Lost Albums” will arrive in limited-edition nine LP, seven CD and digital formats — including distinctive packaging for each previously-unreleased record, with a 100-page cloth-bound, hardcover book featuring rare archival photos, liner notes on each lost album from essayist Erik Flannigan and a personal introduction on the project from Springsteen himself. A companion set — “Lost And Found: Selections from The Lost Albums” — will feature 20 highlights from across the collection, also arriving June 27 on two LPs or one CD. “The Lost Albums” were compiled by Springsteen with producer Ron Aniello, engineer Rob Lebret and supervising producer Jon Landau at Thrill Hill Recording in New Jersey.

Tracks II: The Lost Albums

LA Garage Sessions ’83

1. Follow That Dream

2. Don’t Back Down On Our Love

3. Little Girl Like You

4. Johnny Bye Bye

5. Sugarland

6. Seven Tears

7. Fugitive’s Dream

8. Black Mountain Ballad

9. Jim Deer

10. County Fair

11. My Hometown

12. One Love

13. Don’t Back Down

14. Richfield Whistle

15. The Klansman

16. Unsatisfied Heart

17. Shut Out The Light

18. Fugitive’s Dream (Ballad)

Streets of Philadelphia Sessions

1. Blind Spot

2. Maybe I Don’t Know You

3. Something In The Well

4. Waiting On The End Of The World

5. The Little Things

6. We Fell Down

7. One Beautiful Morning

8. Between Heaven and Earth

9. Secret Garden

10. The Farewell Party

Faithless

1. The Desert (Instrumental)

2. Where You Goin’, Where You From

3. Faithless

4. All God’s Children

5. A Prayer By The River (Instrumental)

6. God Sent You

7. Goin’ To California

8. The Western Sea (Instrumental)

9. My Master’s Hand

10. Let Me Ride

11. My Master’s Hand (Theme)

Somewhere North of Nashville

1. Repo Man

2. Tiger Rose

3. Poor Side of Town

4. Delivery Man

5. Under A Big Sky

6. Detail Man

7. Silver Mountain

8. Janey Don’t You Lose Heart

9. You’re Gonna Miss Me When I’m Gone

10. Stand On It

11. Blue Highway

12. Somewhere North of Nashville

Inyo

1. Inyo

2. Indian Town

3. Adelita

4. The Aztec Dance

5. The Lost Charro

6. Our Lady of Monroe

7. El Jardinero (Upon the Death of Ramona)

8. One False Move

9. Ciudad Juarez

10. When I Build My Beautiful House

Twilight Hours

1. Sunday Love

2. Late in the Evening

3. Two of Us

4. Lonely Town

5. September Kisses

6. Twilight Hours

7. I’ll Stand By You

8. High Sierra

9. Sunliner

10. Another You

11. Dinner at Eight

12. Follow The Sun

Perfect World

1. I’m Not Sleeping

2. Idiot’s Delight

3. Another Thin Line

4. The Great Depression

5. Blind Man

6. Rain In The River

7. If I Could Only Be Your Lover

8. Cutting Knife

9. You Lifted Me Up

10. Perfect World

The Pogues Announce First North American Tour in 13 Years to Celebrate ‘Rum Sodomy & The Lash’ 40th Anniversary

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The Pogues announce their first U.S. and Canadian dates in thirteen years, including a festival stop in Boston (Seisun Festival.) The tour will include guest vocalists and musicians celebrating forty years of the album Rum Sodomy & The Lash. Tickets on sale Friday April 4.

“To celebrate the fortieth anniversary of our second LP, Rum Sodomy & the Lash, a veritable Super Session of musicians, a Last Waltz if you will – including the Pogues themselves, members of bands that have come after, such as Lankum, featuring such incomparable artists as Lisa O’Neill and John Francis Flynn, not to mention from the Bad Seeds – will gather to rekindle the music on the record with a new fire. We’re looking forward not just to raising a glass or two but also to raising the roof with our fans and friends, old and new, to celebrate the music we’ve made and the alliances we’ve formed over the years.” – James Fearnley, Jem Finer, and Spider Stacy.

Legendary and lauded vocalists Daragh Lynch, Iona Zajac, John Francis Flynn, Lisa O’Neill and Nadine Shah join original members James Fearnley, Jem Finer, and Spider Stacy along with special guest musicians Holly Mullineaux (bass), Jordan O’Leary (banjo), Fiachra Meek (pipes/whistles – Alfi), Jim Sclavunos (drums – The Bad Seeds) James Walbourne, (guitarist, – Pretenders) plus brass section Pete Fraser, Daniel Hayes and Ian Williamson. Daragh Lynch, Iona Zajac and John Francis Flynn will also take up guitar, harp and multiple instruments respectively during the show. You never know who else might join the stage along the way…

Released in 1985, Rum Sodomy & the Lash is a cornerstone of punk and alternative rock, renowned for its raw energy, poetic lyrics, and infectious melodies. The band are set to play the legendary album in full, including b-sides, extended version tracks plus a special selection of their most beloved material.

Album highlights include iconic songs like ‘Rainy Night in Soho,’ ‘A Pair of Brown Eyes’ and ‘Dirty Old Town.’ Ranked among Rolling Stone’s Best 500 Albums of All Time and featured in such tastemaker books as 1001 Albums You Must Hear Before You Die; Rum Sodomy & the Lash is a certified classic which has influenced countless artists globally and continues to impact listeners forty years on.

Live Dates: 
September 5 – Washington DC – Lincoln Theater
September 7 – Boston, MA – Seisíun Festival
September 8 – Philadelphia, PA – Franklin Music Hall
September 10 – Toronto, ON – History
September 12 – Montreal, QC – MTelus
September 16 – New York, NY – Terminal 5
September 17 – New York, NY – Terminal 5

The Brian Jonestown Massacre Announce New Single and Fall North American Tour

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The Brian Jonestown Massacre announce a new single, ‘Makes Me Great / Out Of Body’, on red transparent 10″ vinyl, released April 25th via Anton Newcombe’s record label A Recordings.

Following a hugely successful UK and Europe tour earlier this year, the band will return to North America this fall for an extensive run of live shows, including two dates with special guests, Cast, making their first US appearance in nearly 30 years. Tickets on sale now.

It is over 30 years since Anton Newcombe – frontman, songwriter, composer, studio owner, multi-instrumentalist, producer, engineer, father, force of nature – and his band The Brian Jonestown Massacre released their first single She Made Me / Evergreen. Released in 1992, as the British music press descended on the US to anoint the next US guitar band as flavour of the month and major labels were on the hunt for the compliant hopefuls to be their latest quick fix, Anton Newcombe had an idea: say no. As leader of the Brian Jonestown Massacre, Newcombe had already established himself as a visionary songwriter, a man to whom making music wasn’t a lifestyle choice or a hipster haircut but the very fabric of existence itself, and he had observed in silent horror as his peers meekly acquiesced to everything – yes to contracts, yes to management, yes to suggestions, yes to this, yes to that, yes, yes, yes. But he was different. Anton Newcombe was going to say no to everything. “I just knew I would be more successful in a certain way by saying no, just being contrary because I figured that if people liked me they were gonna like me anyway,” he says. “Or dislike me. It doesn’t matter.”

Much of this was documented on the controversial documentary ‘Dig!’, which is still hailed as one of the best rock documentaries ever made, and celebrates its 20th Anniversary this year with the remastered, expanded version “Dig! XX.”

Brian Jonestown Massacre’s shoegazing-tinged debut album Methodrone was released in 1995 and since then numerous band members have joined Newcombe on his sonic escapades, but he has remained the sole constant, the creative mastermind at the centre of one of music’s most fascinating bands. There have been a further 20 albums under the Brian Jonestown Massacre moniker since then, each embarking on their own mind-expanding adventure and exploring the outer realms of rock’n’roll; psychedelic rock, country-blues, snarling rock’n’roll, blissed-out noise-pop and more.

Along the way, Newcombe has established himself as a once-in-a-lifetime talent who saw the direction in which mainstream indie-rock was heading and opted to take the long way round. He’s emerged as a revolutionary force in modern music, an underground hero. There was no other way, this was how it had to be. “My only option with everything in life has always been that you just jump into the fire,” he declared. “It doesn’t matter what it is.”

It’s with that spirit that he’s hopped around the globe, from the West Coast to New York, from Manhattan to Iceland, and then to Berlin, where he’s lived for 15 years and has two flats, one to live in and one that’s been converted into his studio.

After a hugely prolific 2010s that saw the release of eight long-players and one mini-album, Newcombe had been going through a period of writer’s block when one day he picked up his 12-string guitar and The Real (the opening track on previous album Fire Doesn’t Grow on Trees) came out of him. Like the kraken, it was as if he’d summoned it. “All of a sudden, I just heard something,” he says. “And then it just didn’t stop. We tracked a whole song every single day for 70 days in a row.” By the end of it they had 2 albums ready to go. Joining Newcombe in the studio for The Future Is Your Past were Hakon Adalsteinsson (guitar) and Uri Rennert (drums).

Brian Jonestown Massacre released their 20th full-length studio album The Future Is Your Past, in February 2023 on Anton’s record label, A Recordings. In 2022 / 2023, they completed a massive world tour that saw them play 34 dates in North America, 25 dates across Europe and 16 dates in the UK. Towards the end of 2024, they released ‘Don’t Look At Me’ ft. Aimee Nash. It is a delicious slice of hypnotic shoegaze with Nash lyrically casting a spell with the mantra “Do No Harm.”

There is no such thing as a defining statement in Anton Newcombe’s world anymore, just more chapters that contribute to the tale. “Nobody can stop me, I’m not asking somebody, I’m not making the rounds at Warners, saying ‘please put out my record!’. It’s just for me,” he says. He hopes he can be an inspiration to others. “I would love to see more groups, people playing music in the UK and everywhere else because I really enjoy it. That’s the only reason I need. It’s the only reason to do stuff.” That hits to the core of what makes Anton Newcombe and Brian Jonestown Massacre tick. He’ll keep jumping in that fire. That’s how he rolls. Savor it.

LIVE SHOWS:
Sept. 3 – Cat’s Cradle – Carrboro, NC
Sept. 4 – Variety Playhouse – Atlanta, GA
Sept. 5 – Basement East – Nashville, TN
Sept. 6 – Orange Peel – Asheville, NC
Sept. 8 – 9:30 Club – Washington, D.C.
Sept. 9 – Webster Hall – New York, NY – with special guests, Cast
Sept. 10 – Union Transfer – Philadelphia, PA – with special guests, Cast
Sept. 12 – The Sinclair – Cambridge, MA
Sept. 13 – Beanfield Theatre – Montreal, QC
Sept. 14 – Danforth Music Hall – Toronto, ON
Sept. 16 – Globe Iron – Cleveland, OH
Sept. 17 – Majestic Theatre – Detroit, MI
Sept. 18 – Mercury Ballroom – Louisville, KY
Sept. 19 – Hi-Fi Annex – Indianapolis, IN
Sept. 20 – Majestic Theatre – Madison, WI
Sept. 22 – Metro – Chicago, IL
Sept. 23 – Slowdown – Omaha, NE
Sept. 24 – recordBar – Kansas City, MO
Sept. 26 – Studio at The Factory – Dallas, TX
Sept. 28 – White Oak Music Hall – Houston, TX
Oct. 31 – Music Box – San Diego, CA
Nov. 1 – Pappy and Harriet’s – Pioneertown, CA
Nov. 2 – Observatory OC – Santa Ana, CA
Nov. 4 – SLO Brew – San Luis Obispo, CA
Nov. 6 – Swan Dive – Las Vegas, NV
Nov. 7 – The Van Buren – Phoenix, AZ
Nov. 8 – Tumbleroot – Santa Fe, NM
Nov. 10 – Gothic Theatre – Englewood, CO
Nov. 11 – Fox Theatre – Boulder, CO
Nov. 13 – Metro Music Hall – Salt Lake City, UT
Nov. 14 – Shrine Social Club – Boise, ID
Nov. 15 – The Showbox – Seattle, WA
Nov. 16 – The Pearl – Vancouver, B.C
Nov. 18 – Revolution Hall – Portland, OR
Nov. 20 – Regency Ballroom – San Francisco, CA
Nov. 21 – Rio Theatre – Santa Cruz, CA
Nov. 22 – Teragram Ballroom – Los Angeles, CA
Nov. 23 – Teragram Ballroom – Los Angeles, CA

SiriusXM Canada and CCMA Open Public Voting for 2025 Top of the Country Competition

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Today, SiriusXM Canada, in partnership with the Canadian Country Music Association, officially opened public voting for the highly anticipated 2025 SiriusXM Top of the Country competition. The eight semi-finalists have recorded original songs and videos in studio, which are now available at topcountry.siriusxm.ca.

Fans can now choose their country favourite by casting votes daily. Once selected, three finalists will advance to the next phase of the competition, where they will perform on some of Canada’s biggest stages and compete for a $25,000 grand prize and the chance to be crowned the 2025 Top of the Country champion.

This is a moment for Canadians to rally behind homegrown country music and support this year’s eight semi-finalists representing six Canadian provinces:

  • Sully Burrows – Parry Sound, Ontario
  • Annika Catharina – Deroche, British Columbia
  • Allison Daniels – Quebec City, Quebec
  • Noeline Hofmann – Bow Island, Alberta
  • Braden Lam – Halifax, Nova Scotia
  • Brettyn Rose – Okotoks, Alberta
  • Jake Vaadeland – Cut Knife, Saskatchewan
  • Mitch Zorn – Kelowna, British Columbia

“The caliber of Canadian talent grows stronger every year of this competition,” said Michelle Mearns, SVP of Programming & Operations, SiriusXM Canada. “We can’t wait for Canadians to hear these incredible artists, vote for their favourites, and be part of the journey. This year’s competition is shaping up to be one of the most exciting yet!”

Once-in-a-lifetime opportunities await the three finalists, including a summer of showcase opportunities and performances at Montréal’s Lasso festival and CMA Fest in Nashville, along with exclusive workshops and networking sessions.

The competition will wrap up this September in Kelowna, British Columbia, with an exciting finale concert during CCMA’s Country Music Week. Finalists will take the stage to perform, and one will be crowned the 2025 Top of the Country winner. The event will be broadcasted live on SiriusXM’s Top of the Country Radio (ch. 171), so fans from coast to coast can tune in and be part of the action.

SiriusXM’s Top of the Country in partnership with the CCMA is part of SiriusXM’s ongoing tradition of promoting and elevating the best emerging Canadian music. SiriusXM continues to offer a leading platform for Canadian artists through its significant financial contributions and North American-wide reach.