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Rod Stewart to Release First-Ever Solo Career-Spanning Collection ‘Ultimate Hits’ Ahead of Glastonbury Legends Set

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Sir Rod Stewart is proud to announce the release of his first-ever solo-career spanning hits collection. Due out on 27 June 2025, Ultimate Hits will land just days before Stewart takes to the Pyramid Stage at this year’s Glastonbury Festival, where he will perform before an estimated crowd of 80,000 people during the coveted Sunday evening “Legends” slot.

Released as part of Stewart’s ongoing 80th-birthday celebrations, Ultimate Hits presents stand-out moments from the legendary singer’s remarkable solo career. Starting with his signature breakthrough songs ‘Handbags and Gladrags’ and ‘Maggie May’, the collection also includes the bold social commentary of ‘The Killing of George (Part I and II)’ and ‘Young Turks’, the dancefloor-detonating disco smash ‘Da Ya Think I’m Sexy?’, raucous rave-ups such as ‘Hot Legs’ and ‘Baby Jane’, and the masterful ballads ‘Sailing’, ‘Rhythm of My Heart’ and ‘For the First Time’. A 2CD deluxe edition will bring the story bang up to date with ‘Ain’t Misbehavin’’ and ‘Almost Like Being in Love’, highlights from 2024’s Swing Fever album, Stewart’s UK No. 1 collaboration with Jools Holland.

Unifying all these stylistic switches is that voice: an instrument in its own right which has made Stewart of the most distinctive singers in rock history.

As Stewart prepares to hit the road throughout 2025, his own history is now the stuff of legend. Inspired by original US rock’n’rollers such as Little Richard and Bill Haley & The Comets, Stewart was at the forefront of the UK rock’n’roll explosion when he

formed his own skiffle group in the 1950s. And he’s remained at the head of the pack ever since, whether performing with British blues legends Long John Baldry and Jeff Beck, cementing his “Rod the Mod” credentials as frontman of Faces in the early 1970s, or filling stadiums around the world as a solo star in his own right.

Many of the songs included on Ultimate Hits have made Stewart’s live shows must see events for decades. ‘Maggie May’ kickstarted it all when it went to No. 1 on both sides of the Atlantic, and since then Stewart has topped the UK charts a further five times (‘You Wear It Well’, ‘Sailing’, the double A-side release ‘I Don’t Want to Talk About It’/‘The First Cut is The Deepest’, ‘Da Ya Think I’m Sexy?’, ‘Baby Jane’) while also shooting to the US top spot with ‘Tonight’s the Night (Gonna Be Alright)’ and ‘Da Ya Think I’m Sexy?’. With Top 5 hits worldwide in each consecutive decade, and multi-platinum sales in both the US and the UK, Stewart can rightly claim to be one of the best-selling artists of all time.

Now, with 11 UK and four US No. 1 albums to his name – not to mention BRIT and Grammy Awards, and a double induction into the Rock and Roll Hall of Fame – Stewart’s remarkable career continues to peak. In 2025, highlights include the return of his highly anticipated One Last Time tour, which launches another European leg on 23 April; a return to his record-breaking Las Vegas residency, The Encore Shows, in May and September; and bringing his One Last Time tour to North America, South America and back to Europe to close out the year. The tour, which has been thrilling audiences across Europe, Asia, Australia and New Zealand, is a box-office smash, grossing among the Top 20 global concert tours of 2024. In addition, Stewart will reunite with Billy Joel at Yankee Stadium, New York City, on 18 July, and at Paycor Stadium, Cincinnati, on 20 September.

Amid all this, Ultimate Hits will serve as a reminder of the undeniable impact that Stewart has had on music. And he’s not done yet. Those hot legs have got plenty more in them…

Tickets for Rod Stewart’s 2025 tour dates can be bought here.

Ultimate Hits is available from Warner Music, in association with Iconic Artists Group, in an array of formats, including collector’s 2LP green vinyl and ½ & ½ green-and-white vinyl variants, a 1CD and 2CD deluxe edition, store-exclusive alternative-cover variants, and limited-edition cassette and Blu-ray audio, as well as being available digitally.

Tracklisting:
‘Handbags and Gladrags’
‘Maggie May’
‘In a Broken Dream’ (by Python Lee Jackson)
‘You Wear It Well’
‘Sailing’
‘I Don’t Want to Talk About It’
Tonight’s the Night (Gonna Be Alright)’
‘The First Cut is the Deepest’
‘The Killing of Georgie (Part I and II)’
‘You’re in My Heart (The Final Acclaim)’
‘Hot Legs’
‘Da Ya Think I’m Sexy?’
‘Young Turks’
‘Baby Jane’
‘Some Guys Have All the Luck’
‘Forever Young’
‘Downtown Train’
‘Have I Told You Lately’
‘Rhythm of My Heart’
‘For the First Time’
2CD deluxe-edition bonus tracks
‘Oh! No Not My Baby’
‘I Was Only Joking’
‘Every Beat of My Heart’
‘The Motown Song’ (with The Temptations) ‘Sometimes When We Touch’
‘Have You Ever Seen the Rain’
‘One More Time’
‘Hold On’
‘Ain’t Misbehavin’’
‘Almost Like Being in Love’

Kingfishr Add Second 3Arena Show as Global Buzz Grows Around New Single “Gloria”

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Kingfishr are going global. Their popularity in Ireland, the UK and now US has gone from strength-to-strength, first selling all 23,000 tickets for last autumn’s headline tour and then another 30,000 for their summer shows. More soon followed as they sold-out their first ever headline arena show at Dublin’s 3Arena in a matter of hours – and that phenomenal demand has resulted in a second night being added. The trio also made their first major Irish chart impact as “Killeagh” kept ascending to reach #2 on the Official Singles Chart, making them the only Irish artist in the Top 10. There are more big moments on the schedule too, with their sold-out debut North American tour commencing later this month ahead of their first European headline run in May.

It’s the perfect time for Kingfishr to bring new fans into their ever-growing following, something which they’re set to achieve with the release of the new single “Gloria”. It’s a song that’s indicative of the emotional turmoil that Kingfishr excel at evocating: an atmosphere of sorrow and melancholy, but one with a tangible hope for a brighter future. Their melting point of anthemic indie-folk and the Irish trad sound is topped as ever by Eddie Keogh’s gritty baritone, a voice of pure feeling. The song was written by the band and was produced by David Curley.

Eddie says, “‘Gloria’ is about giving in to the pressures around you, and whether you can live with yourself for doing it. The song represents a yearning to break free.”

Completed by bandmates Eoin ‘Fitz’ Fitzgibbon (bass) and Eoghan ‘McGoo’ McGrath (banjo), Kingfishr’s fanbase has largely been built the old-fashioned way. Their shows have continually scaled upwards in their short history, with fans coming back for more and spreading their gospel by word-of-mouth. But you’re also just as likely to find them in intimate settings, regularly dropping in to play house parties or joining impromptu pub jams wherever they go. A taste of their live experience can be seen with a stripped-back acoustic performance of their recent single “Man On The Moon”.

That’s not to say they’re rooted in the past. Their accomplished musicianship and easy-going charm gives them a natural appeal via socials, while their classic songwriting is exploding on streaming platforms – with over 90 million streams without yet releasing a studio album for evidence. Their one album release so far, Live From Dublin, went straight to #1 on the Irish Independent Chart. Acclaim is mounting too. They won the Music Moves Europe Award at the start of this year and were nominated for Irish Breakthrough Artist at the RTÉ Choice Music Prize Awards.

Beyond their own shows, Kingfishr have been a hit on tour with James Bay (including an OVO Wembley Arena date) as well as supporting Bruce Springsteen, George Ezra, Tom Walker and Snow Patrol. They have also played the Glastonbury, Reading, Leeds, TRNSMT, Electric Picnic, Isle of Wight and Rock Werchter festivals – with many more to follow this summer.

The band’s touring schedule now runs as below.

APRIL
22nd – Washington, DC, Songbyrd (SOLD OUT)
23rd – Philadelphia, PA, World Cafe Live (SOLD OUT)
24th – New York, NY, Bowery Ballroom (SOLD OUT)
26th – Boston, MA, Brighton Music Hall (SOLD OUT)
28th – Toronto, ON, Velvet Underground (SOLD OUT)
30th – Chicago, IL, Martyrs’ (SOLD OUT)
MAY
2nd – Denver, CO, Lost Lake (SOLD OUT)
4th – San Francisco, CA, Brick & Mortar Music Hall (SOLD OUT)
5th – Los Angeles, CA, Hotel Cafe (SOLD OUT)
24th – Live At Leeds
24th – Warrington, Neighbourhood Weekender
26th – Paris, Les Etoiles
27th – Cologne, Luxor (SOLD OUT)
28th – Berlin, Frannz Club
30th – Amsterdam, Paradiso Tolhuistuin (SOLD OUT)
31st – Hellendoorn, Dauwpop Festival
JUNE
1st – Hulst, Vestrock Festival
3rd- Copenhagen, Pumpehuset
4th – Oslo, John Dee
5th – Stockholm, Nalen Klubb
7th – Nijmegen, Doornroosje (SOLD OUT)
21st – Dublin, Fairview Park (SOLD OUT)
JULY
10th – Madrid, Mad Cool Festival
16th – Cork, The Marquee (SOLD OUT)
19th – Nottingham, Splendour Festival
20th – Galway, Heineken Big Top (SOLD OUT)
24th – Cork, The Marquee (SOLD OUT)
24th-27th – Oxfordshire, Truck Festival
26th – Southwold, Latitude Festival
AUGUST
7th – Belfast, Custom House SQ (LOW TICKETS)
11th – Budapest, Sziget
13th – St. Polten, Frequency
15th – Bidinghuizen, Lowlands
16th – Hamburg, MS Dockville
22nd – Limerick, Live At The Docks (SOLD OUT)
DECEMBER
18th – Dublin, 3Arena (ADDED DATE)
19th – Dublin, 3Arena (SOLD OUT)

Avery Anna Turns Fan Letters into Songs on Deeply Personal Album ‘let go letters’ Out May 16

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oday, Warner Music Nashville songstress Avery Anna announced her sophomore album, let go letters, out May 16. Watch the let go letters trailer below and pre-order the album HERE.

Every song on the record is inspired by real-life situations that Avery’s fans shared with her in a letter series, which has long been a safe place for her listener community to ‘let go’ of experiences that may be troubling them by writing them down and sending them off. Avery read these letters and took the general themes—anything from body dysmorphia, depression, alcoholism in the family, self-esteem, etc.—and turned them into songs, making her fans’ experiences the center of the project to let them know they’re heard, seen, and not alone.

To accompany the announcement, Avery has released a new song from the project, “danny don’t.” Written solely by Avery, “danny don’t” is the singer’s response to a fan-written letter she received at a show from a man struggling with the weight of life and contemplating giving it up entirely. The stripped-down track serves as Avery’s letter back to him, where she pleads with soaring vocals that he keep going. The song delves into the typically unsung topic of men’s mental health. Avery expands on the experience, the ‘let go letters’ concept, and provides a trigger warning in a video she posted—watch here.

“I’ve learned that everyone wants to escape the hard things that are going on in their lives. I see it every time I play a show—people carrying so many burdens,” the Arizona-born singer-songwriter says. “It was really hard for me to know that the people at my shows are going through similar things that I’m going through because they are singing the songs with me, and they relate to them. But I have a way to deal with that by singing about my experiences on stage, and they may not have that outlet. So, I encouraged everyone to write these things called Let Go Letters, and many people did it. They trusted me with these letters and the things they’re going through, and because of that, my entire life and perspective on people has changed.”

“Reading thes letters was super heavy,” she adds. “There were so many topics that I don’t know if they could say them out loud, but they could write them down. It inspired me so much that I started writing songs about their experiences myself, and then this album came to life. My biggest hope is that people will hear it and they’ll feel understood. I think the highest form of love is to be understood. People are going through a lot, and they think they’re going through it alone, but they’re not.”

let go letters features 15 tracks all penned or co-penned by Avery and follows the singer-songwriter’s celebrated 2024 debut album, Breakup Over Breakfast. The new project includes her recently released “Wish You Well,” which MusicRow praised as an “audio delight,” noting that the “twinkling, upbeat track disguises the abuse she suffered as she sings of forgiveness and moving on.” “Mr. Predictable,” another previously released track on the highly anticipated project, has quickly become a fan favoriteHoller lauded that the song “doubles down on the powerful, deeply vulnerable and conversational ambiance the country prodigy has always laced into her music…that feels like she’s drawing straight from her journal.”

A member of the Opry NextStage class of 2025, Avery is currently climbing the radio charts with Sam Barber on their viral duet, “Indigo.” The pair shared a performance of the track on The Kelly Clarkson Show earlier this year.

With more than 530 million global streams to date, the Arizona native has quickly become an in-demand touring artist. Avery brought her electric live show to the main stage at C2C festival

across London, Belfast, and Glasgow last month. Entertainment Focus praised her performance as “the biggest surprise of the weekend,” claiming “she took the opportunity to announce herself to an international crowd and absolutely grabbed it by the scruff of the neck, slapped it in the face a couple of times and walked away with a strut as we were left breathless, dazed and desperate for more.”

She’s set to take the stage at Nashville’s The Pinnacle on April 17, where she’ll open for Ian Munsick, followed by an appearance at the Grand Ole Opry on April 18. Avery will return to Stagecoach this spring before joining Luke Bryan’s Country Song Came On Tour and Brad Paisley’s Truck Still Works World Tour for select dates this summer.

Depeche Mode Announces Theatrical Film ‘M’ Inspired by Memento Mori Tour and Mexico City Shows

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Depeche Mode has announced an expressive and dynamic cinematic film titled Depeche Mode: M, featuring interstitials and archival footage from the band’s Mexico City shows on the 2023-2024 Memento Mori Tour.

The feature-length film, conceptualized and directed by award-winning filmmaker Fernando Frias, takes audiences on a profound musical journey, using nearly 200,000 Mexican fans’ fervent connection with the band as a window into the band’s timeless global influence, and a powerful tribute to the unbreakable connection between music, tradition and the human spirit.

Through Frias’ creative lens, the cinematic experience weaves footage from the three sold-out shows at Mexico City’s Foro Sol Stadium to explore the parallels between the themes on Depeche Mode’s latest album Memento Mori and the deep connection to death and mortality in Mexican culture. Frias is best known for his award-winning film I’m No Longer Here, which won Mexico’s prestigious Ariel Academy Awards with 10 wins, including Best Picture and Best Direction. The film also earned Frias a DGA nomination for Outstanding Directorial Achievement. Additionally, it was Mexico’s submission to the Oscars in 2021 and was shortlisted for Best International Feature. His latest film, I Don’t Expect Anyone to Believe Me, premiered to critical acclaim.

Depeche Mode: M will premiere in theaters later this year and follows the band during its Mexico City stop during the Memento Mori Tour, which saw them play to more than 3 million fans at 112 shows around the world and was hailed by Rolling Stone as “a stunning celebration of life and music.” The tour followed Depeche Mode’s 15th studio album, Memento Mori, released in 2023 to wide critical acclaim. An indelible inspiration to fans, critics and artists alike, Depeche Mode continues to forge ahead, with the Memento Mori album and tour representing just the latest chapter of a peerless and ongoing legacy.

Murder By Death Announce Farewell Album Egg & Dart and 2025 Tour with Guests Laura Jane Grace, AJJ, William Elliott Whitmore, and More

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Murder By Death are proud to announce the Friday, June 13 release of Egg & Dart, the celebrated indie-rock band’s 10th and final album. Arguably the band’s most sad and beautiful to date, Egg & Dart also presents generous moments of triumph, desolation, horror and joy, all while exploring the challenges of letting go and moving onto the next phase.

A reference to an architectural motif popular since Greek and Roman times, often used in columns and still seen today in furniture, trim and molding, the title represents the duality of life (the egg) and death (the arrow). Once you know about it, you see it everywhere. And it seems fitting for an album of songs about goodbyes.

Leading the collection is the lush and introspective “Wandering,” a warm ballad that holds a special meaning for frontman Adam Turla. “We’re releasing ‘Wandering’ first because it’s the song that is most directed to the fans and about my experience with this band,” he says. “It’s a ballad, and not a typical single – not even the single we plan to push for this record. But the heart of this band is our fans and I wanted to share this with you first.”

Murder By Death also recently announced its farewell tour that will span June through November across the U.S. and parts of Canada and the UK. The extensive run will honor a rewarding career spent on the road with support from Laura Jane Grace, William Elliott Whitmore, AJJ, Shawn James, BJ Barham and J Roddy Walston in select markets.

“The album is basically an elegy,” frontman Adam Turla says of Murder By Death’s forthcoming, and final, album, Egg & Dart. “The songs are about goodbyes and the different ways we think about that concept.” And while Turla has often spun yarn about fictional sinners and tragic tales in the band’s albums, the themes of Egg & Dart hit a bit closer to home than usual. “It’s certainly our most personal collection of songs. It’s probably our saddest and most beautiful album, but it also has moments of real triumph and joy in the darkness.”

Themes of loss and endings run throughout Egg & Dart, which was recorded in early 2025 by producer Kevin Ratterman. The phrases “goodbye,” “farewell,” and “so long” appear across several tracks. “Lose You” describes a personal loss beyond one’s own control. “It’s about the people in your life that you are very worried about and that you’re not sure if they’re going to make it. It’s about that feeling of anxiety around not having control,” Turla says. On “Letter to the Editor,” he reflects on the idea of letting go of the anger that builds when a trust has been broken. In this case, it’s a break-up song with a newspaper. And on “Sorry,” Turla sings, “It has come our time to part, for I can only give you half my heart / To carry on would be unkind / I love you, I’m sorry, and goodbye.”

Murder by Death has accomplished more than they’d ever dreamed since forming in Bloomington, Indiana, in 2000, when Turla and cellist Sarah Balliet started the project with fellow college dorm-mates under the name Little Joe Gould. They traveled the world several times over, released ten studio albums, built an intensely dedicated following, shared stages with artists from a wide array of genres, brought live music to the famed Stanley Hotel where they established an annual residency, and became accidental Kickstarter pioneers. They’ve undergone one name change, a few member departures, and have navigated a music scene that has drastically transitioned in the two decades of their tenure. But most importantly, they’ve earned it all themselves. In an industry where the words “indie” and “DIY” have been reduced to meaningless buzzwords, the band has always remained true to their roots and run an incredibly hands-on operation built on transparency and loyalty.

Chalk it up to their misleadingly macabre name or their amorphous style of rock that rides along the outskirts of several disparate genres without firmly settling into any of them, but Murder by Death has never fit neatly into any music industry boxes. A radio hit has never flooded them with commercial success, nor have they gotten much love from major music press outlets, who have historically either misunderstood the band or ignored them all together. They’ve avoided trends and dodged fads at every opportunity. But despite years of going against the grain, they’ve managed to find their people. Murder by Death may have avoided aligning with any scene, but they instead built their own community entirely.

And while the band may be shutting down the machine that has powered their operation for so many years, they will not be leaving that community for good. Although Murder by Death won’t be touring, they’re still planning to continue their beloved annual cave shows at the Caverns in Pelham, Tennessee, as a yearly opportunity to stay in touch with an audience that has been so supportive. But as far as more new music from Murder by Death goes, the path is less certain. “We have toured relentlessly for 25 years and it’s just time to end that chapter,” Turla says. “I don’t know what the future is for us after this, but we knew that we wanted to make this one last album together and just put everything we had into it.”

Murder By Death will be making the following appearances on its farewell tour in 2025. Dates below.
Jun-07 – Bloomington, IN – Granfalloon Festival
Jun-19 – Newport, KY – Southgate House *
Jun-20 – Detroit, MI – St. Andrew’s Hall *
Jun-21 – Toronto, ON – Danforth Music Hall *
Jun-22 – Montreal, QC – Le Studio TD *
Jun-23 – Woodstock, NY – Bearsville Theater *
Jun-25 – Norwalk CT – District Music Hall *
Jun-26 – Portland, ME – State Theatre *
Jun-27 – Boston, MA – Paradise Rock Club *
Jun-28 – Brooklyn, NY – Warsaw *
Jun-29 – Asbury Park, NJ – Asbury Lanes *
Jul-01 – Cleveland Heights, OH – Grog Shop * (SOLD OUT)
Jul-02 – Cleveland Heights, OH – Grog Shop * (SOLD OUT
Jul-04 – Pelham, TN – The Caverns !
Jul-05 – Pelham, TN – The Caverns * (SOLD OUT)
Jul-09 – Millersville, PA – Phantom Power *
Jul-10 – Baltimore, MD – Union Craft Brewing *
Jul-11 – Washington, DC – Black Cat * (SOLD OUT)
Jul-12 – Philadelphia, PA – Union Transfer *
Jul-13 – Pittsburgh, PA – Mr. Smalls *
Jul-15 – Grand Rapids, MI – The Pyramid Scheme * (SOLD OUT)
Jul-16 – Chicago, IL – Thalia Hall *
Jul-17 – Chicago, IL – Thalia Hall * (SOLD OUT)
Jul-18 – Madison, WI – The Sylvee *
Jul-19 – Minneapolis, MN – First Avenue
Jul-20 – Maquoketa, IA – Codfish Hollow Barnstormers * (SOLD OUT)
Jul-26 – Louisville, KY – TBA Festival
Aug-21 – Denver, CO – Gothic Theatre * (NEW SHOW ADDED)
Aug-22 – Denver, CO – Gothic Theatre * (NEW SHOW ADDED)
Aug-23 – Fr. Collins, CO – Tour de Fat (NEW SHOW ADDED)
Sep-21 – Atlanta, GA – Shaky Knees (NEW SHOW ADDED)
Sep-27 – London, UK – Islington Hall
Oct-15 – St. Louis, MO – Delmar Hall ^ (SOLD OUT)
Oct-16 – Lawrence, KS – Liberty Hall ^
Oct-17 – Denver, CO – Ogden Theatre ! (SOLD OUT)
Oct-18 – Aspen, CO – Belly Up !
Oct-19 – Salt Lake City, UT – Depot !
Oct-20 – Boise, ID – Treefort Music Hall !
Oct-22 – Bellingham, WA – Mount Baker Theatre ! (NEW SHOW ADDED)
Oct-23 – Seattle, WA – The Crocodile $
Oct-24 – Seattle, WA – The Crocodile ! (SOLD OUT)
Oct-25 – Portland, OR – Revolution Hall !
Oct-26 – Portland, OR – Revolution Hall $
Oct-28 – Berkeley, CA – UC Theatre !
Oct-29 – Los Angeles, CA – Belasco Theatre !
Oct-30 – Solana Beach, CA – Belly Up !
Oct-31 – Pioneertown, CA – Pappy & Harriet’s !
Nov-01 – Phoenix, AZ – Van Buren !
Nov-02 – Santa Fe, NM – Tumbleroot !
Nov-05 – Dallas, TX – The Kessler Theater !
Nov-06 – Austin, TX – Mohawk !
Nov-07 – Austin, TX – Mohawk !
Nov-08 – Houston, TX – Heights Theater !
Nov-10 – Tampa, FL – The Orpheum
Nov-11 – Orlando, FL – The Social #
Nov-13 – Charleston, SC – Music Farm
Nov-14 – Asheville, NC – Grey Eagle# (SOLD OUT)
Nov-15 – Louisville, KY – Old Forester’s Paristown Hall #%
* w/ Laura Jane Grace
^ w/ William Elliott Whitmore
! w/ AJJ
$ w/ Shawn James
# w/ BJ Barham
% w/ J Roddy Walston

5 Seconds of Summer’s Calum Hood Announces Debut Solo Album ‘ORDER chaos ORDER,’ Shares First Single “Don’t Forget You Love Me”

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Calum Hood will release his debut solo album, ORDER chaos ORDER, on June 13 via Capitol Records. Having spent the past 14 years touring the world and releasing music as one fourth of global phenomenon 5 Seconds of Summer – which claimed the No. 1 spot on Billboard 200 with three consecutive albums and has amassed over 7 billion combined global streams across its songs – Hood strikes out alone for the first time, and emerges not just as a solo musician, but as an introspective storyteller. The result of a deeply personal creative journey, the album explores the strength it takes to look inward and to move forward through pain.

Calum Hood explains, “This album was made in a tumble dryer of knowing and not knowing. I started out with a vision-order-but quickly became overwhelmed by the process-chaos. Eventually, I learned to embrace both, and that balance became the heart of the record.”

Today, Hood shared his debut solo single, “Don’t Forget You Love Me,” which serves as the album’s emotional cornerstone and exemplifies the raw honesty and sonic depth that defines ORDER chaos ORDER. Written and produced by TMS (Lewis Capaldi, Ed Sheeran) and Jack LaFrantz (Benson Boone), the track’s haunting beauty and soul-searching lyrics open with a nod at heartbreak, self-worth and vulnerability. The atmospheric blend of melancholy and luminosity showcases Hood’s ability to merge introspective lyricism with irresistible melodies as his nimble voice dips into piercing lower ranges.

The accompanying video for “Don’t Forget You Love Me,” directed by Andy DeLuca (5SOS, Wolf Alice, Pale Waves, Midheaven) and produced by Sarah Eiseman, unfolds with a moody, cinematic aesthetic that encapsulates the essence of the track.

Crafted primarily alongside Jackson Phillips, aka Day Wave, with key contributions from David Burris (Lauren Spencer Smith, ITZY) and TMS, ORDER chaos ORDER is heady, raw, tender work that is unflinchingly sincere, buoyed by hints of a coiled intensity within – a record that showcases the 29-year-old musician’s mastery of nuance and emotional depth. While ORDER chaos ORDER marks a new beginning, it is also a reckoning with Hood’s past.

He explains, “There are things I’ve never been able to sing about in the band-my upbringing, my family, the places life has taken me. This album is about laying those things to rest and allowing listeners to connect in their own way.”

ORDER chaos ORDER Track Listing:
1. Don’t Forget You Love Me
2. Call Me When You Know Better
3. Sweetdreams
4. I Wanted To Stay
5. Sunsetter
6. All My Affection
7. Endless Ways
8. Streetwise
9. Dark Circles
10. Three Of Swords

The SteelDrivers Announce New Album ‘Outrun’ and 20th Anniversary Tour, Drop Haunting Single “The River Knows”

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Ah, the murder ballad. From “Tom Dooly” to “Stagger Lee” to “Pretty Polly” to more modern takes like “Caleb Meyer,” the category has permeated folk music the world over with its dark narratives and moral high grounds. Grammy-winning quintet The SteelDrivers are no strangers to the genre, their catalog full of songs like “If It Hadn’t Been For Love” and “Shallow Grave,” garnering tens of millions of streams and becoming fan favorites at live shows. But the band’s latest single, “The River Knows,” might be the most quintessentially SteelDrivers murder ballad yet.

“I wrote this with Daniel Ethridge and Tom Douglas,” recalls SteelDrivers singer and fiddler Tammy Rogers. “I had the title and most of the storyline in mind,” she recalls, “But Tom’s lyrical contributions really took it to another level, and Daniel’s melodic sense and understanding of what makes a great SteelDrivers song combined to make it very special.” A driving rhythm and sharp fiddle play lead into guitarist Matt Dame’s delivery of the setup verse: “She covered up his anger with a little rouge and Maybelline / It turned into a nightmare from a perfect dream.” Follow the link below to find out how the story plays out.

“The River Knows” is the latest single from The SteelDrivers’ upcoming album, Outrun—their first album with new label partner, the iconic Sun Records. Out May 23rd, Outrun features the classic, blues-infused bluegrass sound the band has been known for for two decades now, freewheeling and fun, rich with stories and singalongs alike. Beyond the ever-evolving musical nature of The SteelDrivers, this seamless ebb and flow between intricate bluegrass and the hardscrabble blues, another key element of Outrun is this underlying tribute to late founding member Mike Henderson. And though Henderson passed away in 2023, his memory and presence is still profoundly felt by the group, onstage and in the studio.

Fans can stream or purchase “The River Knows” today at this link, check out The SteelDrivers’ previously-released single, “Outrun,” here, and pre-order or pre-save Outrun ahead of its May release on Sun Records right here.

In addition to rolling out their new album, The SteelDrivers are celebrating quite the milestone this year with the announcement of The SteelDrivers 20th Anniversary Tour. “Tough times never last, but tough people do,” says SteelDrivers bassist, Mark Fleming. “To be celebrating our 20th anniversary, still touring and releasing a new project on Sun Records, is proof of the SteelDrivers’ resilient personnel and catalog of original material we have produced.” “We have been planning and looking forward to this 20th anniversary tour for about a year and half,” adds Rogers. “Time sure flies by when you’re doing what you love. We couldn’t be more excited to celebrate this achievement and share some new music with all our Steelheads!”

A full list of tour dates can be found below or at thesteeldrivers.com.

Catch the SteelDrivers on their 20th Anniversary Tour:

April 24 – Wilkesboro, NC – Merlefest

May 8 – Tyler, TX – Stanley’s BBQ

May 9 – Ft. Worth, TX – Billy Bob’s

May 10 – New Braunfels, TX – Gruene Hall

May 15 – Bloomington, IL – Bloomington PAC

May 16 – Columbia, MO – Blue Note

May 17 – Kansas City, MO – Knuckleheads

May 25 – Cumberland, MD – DelFest

May 30 – Pelham, TN – The Caverns

May 31 – Pelham, TN – The Caverns

June 1 – Pelham, TN – The Caverns

June 14 – Lexington, KY – Festival of the Bluegrass

June 21 – Solana Beach, CA – Belly Up Tavern

June 22 – Winchester, CA – Balloon and Wine Festival

June 28 – Owensboro, KY – ROMP

July 4 – Garrettsville, OH – Grassfire Festival

July 9 – Seattle, WA – Crocodile

July 10 – Portland, OR – Topaz Farm

July 11 – Bellingham, WA – Tune In Festival

July 26 – Reno, NV – Robert Z Hawkins Ampitheatre

August 8 – Homer, NY – Center for the Arts

August 9 – Clayton, NY – Clayton Opera House

August 10 – Schenectady, NY – Music Haven Central Park

August 15 – Manchester, VT – Green Mtn Bluegrass and Roots Festival

August 16 – Mason, NH – The Range

August 22 – Bellvue, CO – Mishawaka Ampitheatre

August 23 – Bellvue, CO – Mishawaka Ampitheatre

August 30 – Piketon, OH – SamJam

September 4 – Chicago, IL – Thalia Hall

September 5 – Pontiac, MI – Flagstar Strand Theatre

September 6 – Shipshewana, IN – Blue Gat Theatre

September 19 – Lexington, KY – Lexington Opera House

September 20 – Lexington, KY – Lexington Opera House

October 3 – Charleston, SC – Charleston Music Hall

October 4 – Charleston, SC – Charleston Music Hall

October 17 – Manteo, NC – OBX Bluegrass Festival

October 18 – Alexandria, VA – Birchmere

October 19 – Alexandria, VA – Birchmere

October 22 – Park City, UT – Egyptian Theatre

October 23 – Park City, UT – Egyptian Theatre

October 24 – Park City, UT – Egyptian Theatre

October 25 – Park City, UT – Egyptian Theatre

Leftover Salmon Announce New Album ‘Let’s Party About It’ and 35th Anniversary Red Rocks Show

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In celebration of their 35th anniversary, Leftover Salmon, the legendary bluegrass-rooted jam band, is thrilled to announce their new studio album, Let’s Party About It – due out on May 9 via Compass Records.  Along with the album announcement, the band has shared the first sampling of the new album with the release of “Big Wheel.”  The message is simple, according to Leftover Salmon’s Vince Herman: “The world keeps turning. Find a spot to watch it fly by and ride the wheel.”

The new studio album reaffirms their status as pioneers of blended bluegrass and showcases their unmatched musical chemistry. For the first time ever, the band wrote the album together in a single session as a group.  Longtime friend of the band and storied songwriter Aaron Raitiere (Lady Gaga, Lukas Nelson, Ella Langley, Lainey Wilson, Anderson East, The Lone Bellow, Trace Adkins, and more) also joined the band for the writing session. The resulting album captures the energy and camaraderie that have defined Leftover Salmon’s three-and-a-half-decade-long career.

The album was recorded at Compass Sound Studio (formerly Glaser Sound Studio, aka “Hillbilly Central”), the iconic birthplace of Outlaw Country, with the band joined by special guests such as Del McCoury (vocals), Sam Bush (fiddle, mandolin), Jason Carter (fiddle), Jeff Coffin (saxophone), and more. The band captured an unmatched level of talent and energy, which shines through on every track.

To help commemorate their 35th anniversary, Leftover Salmon will take their celebration to one of the most iconic venues in the country: Red Rocks Amphitheatre on May 26, 2025. This momentous concert will also feature rising bluegrass stars Kitchen Dwellers as a co-headliner, plus Clay Street Unit, along with special guests Bill Payne (Little Feat), Laurie Lewis, Jason Carter, AJ Lee and many more guest appearances before they embark on their Summer Tour with The Infamous Stringdusters and Kitchen Dwellers.  Tickets and up-to-date news can be found at leftoversalmon.com.

Leftover Salmon on Tour

4/24 – Stoughton Opera House | Stoughton, WI

4/25 – Outset | Chicago, IL

4/26 – Atomic Pavilion | St. Louis, MO

4/27 – MerleFest | Wilkesboro, NC

5/7 – Princess Theatre | Decatur, AL

5/8 – The Basement East | Nashville, TN

5/9 – From The Earth Brewing Company | Roswell, GA

5/10 – The Windjammer | Isle of Palms, SC

5/11 – The Bier Hall at Intuition Ale Works | Jacksonville, FL

5/16 – Tico Time Bluegrass Festival | Aztec, NM

5/18 – Golden Road Gathering | Placerville, CA

5/23 – DelFest | Cumberland, MD

5/24 – Dark Star Jubilee | Thornville, OH

5/26 – Red Rocks Amphitheatre | Morrison, CO#

6/19 – Utah Arts Festival | Salt Lake City, UT

6/20 –  Sawtooth Valley Gathering | Stanley, ID

6/22 – 4 Peaks Presents Live at the Tower Theatre | Bend, OR

7/9 – Concerts Under the Stars | King of Prussia, PA*

7/10 – Wolf Trap – Filene Center | Vienna, VA*

7/11 – Koka Booth Amphitheatre | Cary, NC*

7/12 – Atlantic Union Bank Pavilion | Portsmouth, VA*

7/13 – The Amp Ballantyne | Charlotte, NC*

7/15 – Interlochen Center for the Arts – Kresge Auditorium | Interlochen, MI*

7/16 – Rose Music Center at The Heights | Huber Heights, OH*

7/17 – Peoria Riverfront | Peoria, IL*

7/18 – Meijer Gardens | Grand Rapids, MI*

7/19 – Driftless Music Gardens | Yuba, WI*

8/7 – Amphitheater at Las Colonias | Grand Junction, CO*

8/8 – Grand Targhee Bluegrass Festival | Alta, WY*

8/9 – KettleHouse Amphitheater | Bonner-West Riverside, MT*

8/10 – Marymoor Live | Redmond, WA*

8/12 – McDonald Theatre | Eugene, OR*

8/13 – Britt Music & Arts Festival – Britt Pavilion | Jacksonville, OR*

8/14 – McMenamins Grand Lodge | Forest Grove, OR*

8/15 – The Glow Plaza Festival Grounds | Reno, NV*

8/16 – The Warfield | San Francisco, CA*

9/12 – Bender Jamboree | Las Vegas, NV

9/14 – Bourbon & Beyond | Louisville, KY

10/4 – Southern Strings | Aiken, SC

1012 – Cavefest | Pelham, TN

12/11 – 14 – Strings & Sol | Puerto Morelos, QR

#w/Kitchen Dwellers & more, 35th anniversary & album celebration

*w/ Infamous Stringdusters and Kitchen Dwellers

Bootsy Collins Drops ‘Album of the Year #1 Funkateer’ Featuring Ice Cube, Snoop Dogg, Dave Stewart & More

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Today, funk legend Bootsy Collins releases his 23rd studio album Album of the Year #1 Funkateer out now on Bootzilla Records/ Roc Nation. Listen to the album here and the lead single “Bubblepop” featuring Ice Cube and Fantaazma here.

Bootsy Collins, even at his 73 year-old, funk legend, wise-elder status, remains a deeply curious, experimental artist who is ever-evolving. This album finds Bootsy in the producer’s chair, with an A&R top hat and the funky bass still in his hands. He’s gathered talent established and new – including Snoop Dogg, Ice Cube, Wiz Khalifa, and Dave Stewart, as well as newcomers October London, Harry Mack, Baby Triggy, Fantaazma, and more.

“When I start on a project now, it’s about getting the energy from people around me,” says funk maestro Bootsy Collins. “Because the way I came up, with a band, I don’t ever want to lose that. It’s important to me to see who the universe brings for me, and I’ve been really blessed that every time I want to do a new record, I get these incredible musicians around me, right on time. And that’s what this album is about—hooking up with different musicians and artists, and mainly a lot of young people.”

The result is a genre-bending kaleidoscope of funk, punk, rock, r&b, pop, and even a little electronic futuristic vibes as Bootsy contemplates AI. He is letting his alter egos – Bootdullivan, Bootzilla, Caspar the funky ghost, and Bootronix among others – join the party, with seductive jams (“Pure Perfection”), futuristic exploratory musings (“I.Am.AI.”, “Ubiquitous” – a true jam), pure funk fun (“Bubblepop”, “Fishnets”, “Chicken & Fries”) and unexpected rock-pop genius (“Satellite”).

Talking about his new Album of the Year #1 Funkateer leads Rock and Roll Hall of Famer Collins to revisit the most pivotal moment in his legendary career, when James Brown hired the Pacemakers—the band led by teenage Bootsy and his brother Catfish—to replace his backing group in 1970.

“I understand now why we were really important at that particular time for James Brown,” says Collins. “It wasn’t just the music. It was because we were lit up, and I understand that more now. With the young artists that are really on fire, I get lit up, and it reminds me that you don’t have to just stand around and not be feeling it, you can be absorbing all this fresh, new energy. I get off on that. I guess you can say that I moved from being a player and now I’m a coach. I want to be looked at as a help, a mentor, somebody they can look up to and trust. That’s my goal.”

In addition to working with young artists like Barbara Teleki (whose blazing guitar rips up “Barbie T & Me”) and the mysterious Bootdullivan, Collins brought in some other legendary contributors to help him mix things up on Album of the Year, including longtime friend Dave Stewart of Eurythmics.

“I asked Dave if he would be interested in collaborating,” says Collins, “and that sparked the first vibe of, yeah, I can stretch out—I can make some rock and funk and merge that together with some hip-hop. That’s what we did on the first single, ‘The Influencers.’”

“Then on ‘Satellite,’ I heard him playing acoustic guitar and that put me in the right mood,” he continues. “Okay, this can be, like, a real song from Bootsy. I usually don’t do real songs, I guess that’s part of my thing, but that one and ‘Alien Flytrap’ brought me back to why people do songs with a form and a structure and this time, I wanted to.”

The album also reunites Collins with Snoop Dogg, Ice Cube, and tha Dogg Pound, all of whom helped keep the P-Funk flag flying by mutating the sound into the West Coast G-Funk era. “Even before we knew each other, we were drawn to each other,” says Collins. “They’ll never forget, and we’ll never forget them, because they kept the fire burning. It’s like we’re each other’s keeper. They can call me, I can call them, whatever you need, I’m there.”

In addition to the new album, Bootsy has many other endeavors including Bootsy’s peace-driven initiative Funk Not Fight, and the new Bootsy Collins Network, the ultimate destination for live entertainment and on-demand content. Dive into a world of electrifying live-streaming channels featuring Pay-Per-View events, exclusive video-on-demand content, and groundbreaking live product launches. Whether you’re tuning in for high-energy concerts, the latest in tech innovations, or intense e-sports action, the Bootsy Collins Network delivers an immersive experience like no other. Bootsy Collins network will be available across all major streaming services, including Apple iOS, Google Android, Roku, Amazon Fire TV, and Google TV, ensuring you never miss a moment of the excitement. From legendary live performances to cutting-edge digital experiences, we bring you front-row access to the best in music, technology, and gaming—all in one place.

Track Listing for Album of the Year #1 Funkateer: 

01. Album of the Year #1 Funkateer feat. Myra Washington and Bootdullivan

02. The JB’s Tribute Pastor P feat. Harry Mack, Clyde Stubblefield, John “J’abo” Starks, Fred Wesley, and Daru Jones

03. Bootdullivan is Soopafly feat. Ouiwey Collins, Kokane, Daz Dillinger, and Soopafly

04. The InFluencers feat. Dave Stewart, Wiz Khalifa, Snoop Dogg, WestCoast Stone, and Fantaazma

05. Bubble Pop feat. Ice Cube, Fantaazma, and Brother Nature

06. Fishnets feat. Myra Washington, Kurupt, Matthew Whitaker, and Daz Dillinger

07. Satellite feat. Dave Stewart and Brother Nature

08. Ubiquitous feat. Casper the Funked up Ghost and Kid Talk

09. Hundo P feat. Fantaazma and Snoop Dogg

10. Chicken & Fries feat. Soopafly, Myra Washington, Baby Triggy and Fantaazma

11. Pure Perfection feat. Fantaazma, Gilbert Driver and Bedroom Bootsy

12. Anybody Out There feat. Myra Washington and Brother Nature

13. BeWild feat. Isis Valentino, Alexandria Rosemond, and Brother Nature

14. Alien Flytrap feat. Dave Stewart and Bootdullivan

15. Reach the Zone feat. October London, Musiq Soulchild, and Bedroom Bootsy

16. 2Nite we Rise feat. DREION, Fantaazma, ZGM Precious Praisers, and Casper the Funked up Ghost

17. I.AM.AI feat. Tobotius, I.AM, and Kid Talk

18. Barbie T & Me (Tribute To Buckethead) feat. Barbie T, Zillatron

Record Store In-Store Appearances 
April 12 – Minneapolis, MN – Electric Fetus (2000 4th Ave S)
April 14 – Chicago, IL – Reckless Records (26 E Madison St)
April 16 – Nashville, TN – The Low Bar (917 Woodland St)
April 18 – Atlanta, GA – Criminal Records (1154 Euclid Ave NE)

Dean Lewis Announces ‘The Epilogue (Deluxe)’ Out July 11 Featuring Five New Tracks, Including “I Hate That It’s True”

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Dean Lewis has announced his highly anticipated deluxe edition of the #2 ARIA-charting album, The Epilogue, will be released Friday, July 11th. The news arrives alongside the release of a new single, “I Hate That It’s True,” available on The Epilogue (Deluxe). The Epilogue (Deluxe) will be available on DSPs and as a limited edition 2LP vinyl.

“I Hate That It’s True” was a last-minute addition to the deluxe album. “Usually when I write a song It takes about a year before it can come out,” says Dean. “I wrote ‘I Hate That It’s True’ about 10 weeks ago at an Airbnb in Bondi beach. The day I wrote it we spent 48 hours finishing the production, rushing it over to my team and adding it onto my deluxe album. For me the song is a hint at what is to come on my next album; in the sense of where I’m headed with my songwriting and the more acoustic raw production.”

The Epilogue (Deluxe) features 5 extra songs, including Dean’s recent hit single “With You” which has surpassed 62 million global streams, 260,000 TikTok creates, 11 million OMV views and was added to Hot Hits Australia, Todays Hits on Apple Music as well as MTV Globally.

The song was also added ATB on the KIIS Network and NOVA reaching #22 on Top 100 AU Radio Chart and #16 Shazam AU + Top #50 Global Shazam. Dean also released a separate duet version of “With You” with Toronto based singer, songwriter and multi-instrumentalist Sofia Camara. This version recently was synced on Channel 9’s MAFS ‘Final Vows’ which saw another spike on the song in the shazam charts. The deluxe album also features a cover of American Rock Band, Goo Goo Dolls hit single “Iris.”

THE EPILOGUE (DELUXE) TRACKLISTING:
1. Empire
2. All I Ever Wanted
3. Rest (with Sasha Alex Sloan)
4. All Your Lies
5. I Still Do
6. Cold
7. Memories
8. Trust Me Mate
9. Love Of My Life
10. Until The End
11. Clélia’s Song
12. The Last Bit Of Us

EXTRA TRACKS:
1. With You
2. I Hate That It’s True
3. Truth
4. Hurt So Bad
5. Iris