Page 8 – That Eric Alper

RYDER Charge Forward With Debut Single “Broken Footsteps”

Music

Eric Alper

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Feb 14, 2026

RYDER Charge Forward With Debut Single “Broken Footsteps”

Sunderland band RYDER step into the spotlight with their debut single “Broken Footsteps,” a sharp, stomping introduction to their upcoming album ‘Only The Brave.’ Rooted in the melodic drive of Britpop and the grit of indie rock, the track delivers big hooks, ringing guitars, and a rhythm section that hits with confidence.

“Broken Footsteps” captures the band’s songwriting instinct from the first bar. Featuring Zak Starkey on drums and striking cover artwork by Gareth Halliday, the single feels immediate and purposeful. It is raw without feeling loose, anthemic without overreaching — the sound of a young band locking into their identity early.

Signed to producer Nick Brine’s Flip Flop Records and managed by Kyle Dale of Bittersweet Home, RYDER have moved quickly. Formed less than a year ago, they spent four months recording their 12-track debut album ‘Only The Brave,’ shaping a record built on direct lyrics and driving melodies.

Across ‘Only The Brave,’ RYDER channel the spirit of classic Britpop while carving out their own lane. It is a debut that lands with weight — full of ambition, energy, and the kind of choruses built to echo back from a packed room.

Irène Schrader Crosses Languages And Constellations On ‘ECLIPSE’

Music

Eric Alper

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Feb 14, 2026

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Irène Schrader Crosses Languages And Constellations On ‘ECLIPSE’

Multilingual singer-songwriter Irène Schrader unveils her trilingual EP ‘ECLIPSE,’ a six-track release that moves fluidly between English, French, and Mandarin. Rooted in themes of love, change, and identity, the project unfolds like a late-night sky — luminous, reflective, and quietly vast. Each song feels connected by motion, both emotional and geographical.

“ECLIPSE is about movement — geographically, emotionally, and spiritually. I wanted to explore how we navigate love and identity when everything around us feels in flux,” Schrader shares. Written during a transitional chapter in her early twenties, the EP captures the push and pull of a nomadic life shaped by travel, study, and shifting relationships.

The bilingual opener “Éclipse” explores the ache of right person, wrong time, shifting from delicate ballad to pulsing groove. “Ladida” leans into chill beats and soft renewal, while “2062” offers a stark meditation on heartbreak and environmental collapse. “Nomade 游牧,” sung in Mandarin and French, captures the feeling of perpetual transition, and “Written In The Stars” pairs orchestral sweep with electronic tension. Closing track “Cosmos” lifts the mood with playful rhythm and existential wonder.

Influenced by 70s and 90s Mandopop, classic French chanson, and modern electro-pop, Schrader’s songwriting carries both intimacy and range. ‘ECLIPSE’ feels borderless — a project that drifts between cultures and sounds while staying grounded in personal truth.

KEELEY Unveil Dream-Pop Rush On “Who Wants To See The World”

Music

Eric Alper

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Feb 14, 2026

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KEELEY Unveil Dream-Pop Rush On “Who Wants To See The World”

Anglo-Irish dream-rock trio KEELEY return with “Who Wants To See The World,” the first glimpse of their forthcoming third album, ‘Girl On The Edge Of The World.’ Produced by Dublin-based sonic architect Alan Maguire, the track delivers a radiant sweep of classic dream-pop textures — shimmering guitars, layered harmonies, and a sense of lift that feels immediate and immersive. The single arrives with a video commissioned by their new label, Definitive Gaze.

Fronted by Dublin-born singer, guitarist, and composer Keeley Moss, the band captures a fuller sound than ever before. For the first time on record, touring bandmates Lukey Foxtrot on bass and former Morrissey drummer Andrew Paresi contribute to the studio sessions. “This record is the first time we’ve managed to capture what I call ‘the sonic swirl’ in our sound, the sound I’ve had in my head all along,” says Moss.

“Who Wants To See The World” opens the album with confidence, leaning into euphoric momentum while maintaining the band’s signature emotional undercurrent. The production balances clarity and atmosphere — guitars glow, rhythms pulse, and Moss’s vocal threads everything together with calm intensity.

KEELEY recently wrapped a run of shows supporting The Primitives and now prepare to open for Babyshambles at Bristol O2 Academy before launching their own UK headline tour. Dates include stops in Newport, Winchester, London, Coventry, Bristol, Bournemouth, Brighton, Hull, Huddersfield, Glasgow, and Newcastle — a stretch that carries their expansive sound across the country.

My Side Of Paradise Team With Jaret Reddick For “All My Exes”

Music

Eric Alper

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Feb 14, 2026

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My Side Of Paradise Team With Jaret Reddick For “All My Exes”

My Side of Paradise return with “All My Exes (feat. Jaret Reddick of Bowling For Soup),” a sharp, tongue-in-cheek single that shows a lighter side of the band. After the high-impact drive of “I’ve Got Time,” “Roulette,” and “Lost and Angelless,” this release leans into humor and self-awareness without sacrificing punch.

“All My Exes” flips the breakup script, admitting what most people avoid saying out loud, sometimes we are the problem. The track pairs early-2000s pop-punk bounce with tight modern production, landing somewhere between nostalgia and now. The chorus is built for shouting back at the dashboard on a late-night drive.

The single features Jaret Reddick, the unmistakable voice behind Bowling For Soup, whose presence ties the song directly to the genre that shaped the band’s roots. “This song is us having fun and embracing our more poppy roots,” the band shares. “We’ve released heavy songs and emotional songs, but ‘All My Exes’ shows that we can also laugh at ourselves. Having Jaret Reddick on it is surreal.”

The music video matches the track’s chaotic charm. Set inside a therapy session spiraling out of control, the waiting room transforms into a live performance space while exes appear out of thin air. With Reddick appearing via video call from a tropical getaway, the band used AI-driven visual tools to seamlessly integrate his performance into the narrative. The result is playful, self-aware, and packed with personality, a fitting companion to a song that refuses to take heartbreak too seriously.

Nina Ann Nelson Levels Up With Confident New Single “Just A Little”

Music

Eric Alper

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Feb 14, 2026

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Nina Ann Nelson Levels Up With Confident New Single “Just A Little”

Following the breakout response to her debut solo single “Two Truths and a Lie,” Los Angeles-based singer-songwriter Nina Ann Nelson returns with “Just a Little,” a sleek pop and R&B-infused statement rooted in self-worth. Produced by Symphony, whose credits include ZAYN, GOT7, and Kehlani, the track sharpens Nina’s sound while keeping her soulful vocal front and center.

“This is the first time I’ve released a song while I’m still living the story it’s about,” Nina shares. “Just a Little came from a recent romantic encounter that woke me up to what I’d been accepting for way too long — counting the bare minimum as something meaningful when it just… isn’t.” The song captures that turning point with precision and attitude. “At the end of the day, half-assed is still ass. And I’m done with the bare minimum.”

Built on lush production, controlled grooves, and layered harmonies, “Just a Little” carries both heat and restraint. It sits comfortably alongside artists like Kehlani, RAYE, Cleo Sol, Kali Uchis, and Leon Thomas — balancing emotional honesty with polish and rhythm. The hook lands with quiet authority rather than volume, giving the message room to breathe.

Nina’s path to this moment has been expansive. She first gained attention as a member of Citizen Queen, the Pentatonix-created group that toured arenas and went viral with “Evolution of Girl Groups.” As an independent artist, she has stepped fully into songwriting, vocal production, and engineering, while building a massive TikTok following and earning recognition from artists like Rosalía and Leon Thomas. With “Just a Little,” she claims her space clearly and on her own terms.

Don Broco Crank The Voltage With Pulse-Pounding New Single “Euphoria”

Music

Eric Alper

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Feb 14, 2026

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Don Broco Crank The Voltage With Pulse-Pounding New Single “Euphoria”

UK alt-rock shapeshifters Don Broco keep their 2025 run surging with “Euphoria,” their fourth release of the year on Fearless Records. The track wastes no time setting the mood, opening with a sleek, electronic vocal tease before snapping into thick guitars, punchy drums, and a rubbery, funk-charged bassline that locks everything into motion.

The song moves with intent — sliding from dance-floor grooves into a shout-along chorus built around the line “Gonna live forever!” It is bold, restless, and wired tight, capturing a band leaning into contrast and control. “Euphoria” earns its title with pure momentum, delivering a rush that sticks long after the final hit lands.

When asked about the inspiration behind the song, the band shared, “Euphoria is about chasing that rush of the first time, trying to recapture that brand new magical feeling again and again for the rest of your life.” That tension between nostalgia and urgency fuels the track’s pulse.

The single follows “Cellophane,” “Hype Man,” and “Disappear,” each carving out a different edge of the band’s evolving sound — from nu-metal punch to hook-heavy drive to emotional weight. Fresh off the first leg of their U.S. tour, which closed with a fiery New York City show, Don Broco continue to build momentum. Their high-energy live presence remains a central force as they prepare to return to stages worldwide in 2026.

Katie Dauson Strikes Gold With Genre-Blending ‘Dauson City Gold Rush’

Music

Eric Alper

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Feb 14, 2026

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Katie Dauson Strikes Gold With Genre-Blending ‘Dauson City Gold Rush’

Toronto-based singer-songwriter Katie Dauson unveils her seventh studio album, ‘Dauson City Gold Rush’ — an eight-track collection that glides through rock, folk, blues, country twang, and yacht rock with effortless charm. Produced and engineered by James Nickle, the record showcases Dauson’s gift for melody and storytelling, wrapped in warm arrangements and confident musicianship.

“This album changed so much from where it started,” Dauson says. “It began as one thing and evolved completely by the end — but that’s what makes it special. Every track has its own little story.” She wrote all eight songs and plays rhythm guitar throughout, anchoring the album with clarity and intention.

The instrumental title track, “Gold Rush,” grew out of a spontaneous slide guitar jam — a moment her father insisted she record. “Scene Stealing Casanova” turns writer’s block into playful self-awareness, while “Just Another Love Song” nods to the timeless craftsmanship of Paul McCartney and classic pop romantics. “Noah’s Rainbow Road” blends poetic lyricism with 80s rock textures, “Sail With Me” drifts on breezy escapism, and “Searching for Love” captures subway-born inspiration in shimmering form.

“Daddy Long Legs” leans into blues-inflected reflection, and “Sing a Song” closes the album with Britpop-tinged uplift. The cover — photographed in Toronto’s High Park during early spring — mirrors the album’s organic spirit. ‘Dauson City Gold Rush’ feels expansive yet intimate, polished yet personal — a record that shines from every angl

Converge Unleash Ferocious New Era With ‘Love Is Not Enough’

Music

Eric Alper

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Feb 14, 2026

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Converge Unleash Ferocious New Era With ‘Love Is Not Enough’

For more than three decades, Converge have carved their own path through punk, hardcore, and metal, creating music that hits with both force and meaning. Now in their 35th year, the band returns with their eleventh album, ‘Love Is Not Enough,’ a record that sharpens their intensity and vision to a razor edge. The title track arrives with a powerful new video, setting the tone for a release that surges with urgency.

“Love Is Not Enough” is a crushing and deeply emotional statement. “It explores what it means to remain empathetic and compassionate in the modern world. A reckoning with who we are today and hope to be in the future, if we can fend off the scavengers,” says vocalist Jacob Bannon. The song captures the band at full strength, driven by raw dynamics and unfiltered expression.

Recorded and mixed by Kurt Ballou at God City in Salem, Massachusetts, with engineering assistance from Zach Weeks, the album embraces realism over polish. “I think that realism is missing from a lot of modern music,” Bannon explains. “Sometimes the perfect take is the one that has some wildness to it. It’s not perfectly executed. There’s a lot of powerful moments on this record and a lot of angry moments. The realism amplifies that.” The sequencing builds relentless momentum, intentionally ramping up from start to finish.

Bannon also created artwork for each song, including a striking cover image depicting a celestial witness to a world aflame. Converge continue to treat the band as essential, pouring everything into each release. They will bring that intensity to Saddest Day fest in Boston alongside Touché Amoré, Coalesce, The Hope Conspiracy, Full of Hell, and Soul Glo, followed by festival appearances at Jera on Air in the Netherlands and Outbreak Festival in Manchester.

Soft Skies Inc Channel Record Store Magic On “The Point”

Music

Eric Alper

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Feb 14, 2026

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Soft Skies Inc Channel Record Store Magic On “The Point”

There was a time when album artwork pulled you in from across a record store aisle. Soft Skies Inc tap into that same sense of discovery with their new single “The Point,” a modern alternative dream pop cut wrapped in striking visuals and emotional urgency. The cover, photographed by Lindsay Metivier of Peel Gallery, captures a searing magenta beam against a red canvas, illuminating and piercing a shadowed figure. It feels like a portal, and the music follows through.

The Philadelphia duo, twin brothers Martin and Ryan Rex, build the track around a relentless backbeat, noisy atmospherics, cascading synth layers, and a wall of guitars. Produced by the brothers with Chris McLaughlin at DeepSpace Studios in Brooklyn, the song pushes their sound into sharper modern rock territory while maintaining their hazy, immersive core. It hits with both force and feeling.

“‘The Point’ is about when something that once saved you starts to drown you instead,” Ryan shares. “It’s about the beautiful kind of destruction you can’t seem to walk away from.” He adds, “The phrasing’s intentionally twisted, the line ‘Why so many of these things did you do to me / Right from the start?’ is meant to sound tangled, like the feeling itself.” The emotional tension is palpable, and the hook lands with undeniable pull.

Mastered by Rich Morales at Super Fine Audio, “The Point” expands the Soft Skies Inc universe. Where earlier singles leaned into jangle pop shimmer and dissonant dream pop haze, this release carries a more dynamic edge. It is confident, textured, and alive with movement. Soft Skies Inc continue to evolve, and with each new chapter, they draw listeners deeper into their world.

Kameron Marlowe Sparks Desert Drama With “Fire On The Hillside

Music

Eric Alper

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Feb 14, 2026

0

Kameron Marlowe Sparks Desert Drama With “Fire On The Hillside

Kameron Marlowe turns up the intensity with his new single “Fire On The Hillside,” paired with a moody official music video that finds him alone in the desert at dusk, playing with flames as the sky fades to black. The visual matches the song’s smoldering tension, capturing a restless spirit caught in the heat of rumor and regret.

Written by Marlowe alongside producer Austin Goodloe and Carson Wallace, the track leans into guitar heavy production and showcases his towering baritone. The sound is gritty and immediate, with each chorus hitting like a spark against dry ground.

“‘Fire on the Hillside’ is about what happens when a small town rumor gets out of control,” Marlowe shares. “Where I’m from, folks talk and sometimes that talk burns hotter than any match. It’s a story about heartbreak, anger, and letting the smoke roll on something you can’t take back. I wanted it to feel like you could smell the diesel and hear the crackle before it all goes up.”

Fresh off his Seventeen Fall Tour, which drew thousands across 13 dates in the U.S. and Canada, Marlowe keeps the momentum rolling. He is set to appear at Luke Bryan’s 2026 Crash My Playa weekend and will return to C2C next spring across the U.K., Germany, and the Netherlands, carrying this fiery new anthem with him.