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Denver Rock Trio Pink Fuzz Hit the Road in Support of Critically Praised Album ‘Resolution’

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Pink Fuzz have been earning their stripes the right way, and ‘Resolution’ is the record that proves it. The Denver trio’s critically praised album, produced by Kevin Mckeown of Black Pistol Fire and mixed by Alain Johannes (Queens of the Stone Age, Chris Cornell, PJ Harvey, Arctic Monkeys), has been turning heads since its release, and now the band brings it to a fresh run of Midwest dates this spring.

The road work behind this album has been relentless in the best possible way. Pink Fuzz toured the US supporting The Sword and Rickshaw Billie’s Burger Patrol before closing that run with a sold-out headlining album release party at Denver’s Bluebird Theatre in November 2025. That kind of grassroots momentum, built night by night in rooms across the country, is exactly what ‘Resolution’ deserves.

The album itself is a ten-track statement that moves with real purpose. Mckeown’s production gives it punch and grit, while Johannes’ mix brings out the nuance and texture that sets Pink Fuzz apart from the crowded field of rock trios. Available on LP, cassette, and download, it’s a record that rewards multiple listens and sounds even better live.

The spring run takes the band through Oklahoma City, Lawrence, Omaha, Minneapolis, Milwaukee, St. Louis, Chicago, and Cleveland, giving Midwest audiences a chance to experience what the sold-out Denver crowd already knows. Pink Fuzz are the real thing, and ‘Resolution’ is the proof.

‘Resolution’ Tracklist:

Trigger

Long Gone

Coming For Me

No Sympathy

Worst Enemy

So Sad

Resolution

Cycles

Am I Happy?

Animal

2026 Tour Dates:

May 1 – Oklahoma City, OK – Resonant Head

May 2 – Lawrence, KS – The Bottleneck

May 3 – Omaha, NE – Reverb

May 4 – Minneapolis, MN – 7th Street Entry

May 6 – Milwaukee, WI – Falcon Bowl

May 7 – St. Louis, MO – Blueberry Hill Duck Room

May 8 – Chicago, IL – Empty Bottle

May 9 – Cleveland, OH – Mahall’s

Cincinnati Hard Rockers ENMY Kick Off 2026 With a Reworked, Harder-Hitting “Last One Standing”

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ENMY hit the ground running in 2026 with a reworked edition of “Last One Standing,” and the overhaul is significant. Originally released for the game Bloodhunt, the track has been rebuilt from the ground up into something more aggressive, more empowering, and more unapologetic than its first incarnation. Crushing riffs, a massive chant-ready chorus, and a central message about outlasting everything stacked against you, this is a track that lands with real force.

The Cincinnati hard rock outfit have been steadily building one of the most emotionally resonant catalogs in modern rock, blending soaring vocals, groove-oriented instrumental play, and electronic melodies into a sound that draws comparisons to Breaking Benjamin, Linkin Park, and Three Days Grace without sounding like any of them. Their self-titled sophomore album, which features standout singles “Survive” and “Silver Bullet,” has already surpassed seven million streams across platforms, a number that reflects just how quickly their audience is growing.

Singles like “Hourglass,” “Broken Man,” and “The Ledge,” the last of which arrived with an ominous music video directed and produced by Will Story, have demonstrated repeatedly that ENMY understand how to fuse hard rock urgency with genuine emotional weight. There’s nothing performative about what this band does. The intensity is real, and it shows every time.

“Last One Standing” adds another strong entry to a catalog that keeps getting harder to ignore. ENMY are building toward something substantial, and this reworked single makes a compelling case for paying close attention to every move they make next.

Italian AOR Vocalist Lexyia Signs With Burning Minds Music Group and Prepares Debut Album

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The Italian AOR scene has a compelling new name to pay attention to. Lexyia has signed with Art Of Melody Music and Burning Minds Music Group, and her debut album is now in development. It’s the kind of signing that happens when the right voice finds the right team at exactly the right moment, and everything about this one suggests the timing is exactly right.

Lexyia first came to wider attention through social media clips from her cover band Winona Joyce, where her voice caught the ear of Pierpaolo “Zorro” Monti, A&R of Burning Minds Music Group. That led to her stepping in as lead vocalist on “I’m Alive,” the comeback single from Shining Line after fifteen years of silence. The response from AOR media and fans was immediate and enthusiastic, and a record deal followed. Monti puts it plainly: “It’s not easy to find musicians capable of handling a challenge of this kind with the right mindset. She has shown remarkable talent still waiting to be fully realized.”

The debut album will be produced by Monti and Davide “Dave Rox” Barbieri, with songwriting contributions from across the Burning Minds Music Group roster. Lexyia handles the lyrics herself, supported by Monti and novelist Peter Darley. Mixed and mastered by Roberto Priori at Pri Studio, the project has serious craft behind it from top to bottom.

Lexyia is direct about what this moment means. “Joining the Burning Minds Music Group family is the realization of the dream of a little girl who pretended to be a singer,” she says. “My amazing producers and vocal coaches are doing an exceptional job and giving me the chance to express myself and tell my story through something truly my own.” That kind of grounded self-awareness, combined with a voice that stopped people in their tracks from a cover band clip alone, is a strong foundation for everything that comes next.

Further details about the album and backing band will be revealed in the coming months. Watch this space.

Platinum Country-Rock Six-Piece Southall Roll Hard on New Single “Freight Train” Ahead of Massive Summer Tour

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Southall have been building toward a summer like this for a decade, and “Freight Train” is the sound of a band that knows exactly where they’re headed. The new single from the Platinum country-rock six-piece is a southern soul anthem built on a locked-in groove, rattling guitar, head-nodding bassline, and old school piano, with frontman Read Southall reflecting on time slipping through his fingers faster than he can hold it. “Time is moving like a freight train, brother,” he laments. By the end of the track, he’s made peace with it. The journey from yearning to acceptance takes less than four minutes and hits every beat along the way. Listen here.

Southall describes “Freight Train” as “a southern soul anthem dedicated to old friends and lovers,” and the track earns that description without leaning on sentiment alone. It follows “Southwestern Son,” which arrived to critical acclaim earlier this year. Entertainment Focus called that single a “statement of intent from a band that understands where they’ve been, knows where they stand, and sounds ready to keep moving forward.” Raised Rowdy added that it “reminds you why Southall has stayed relevant without chasing trends.” Two strong singles in quick succession, with more music promised imminently.

The band arrives at this moment with serious momentum behind them. Nearly 700 million career streams, a decade of grassroots road work, sold-out coast-to-coast dates on the 10 Years of Six String Sorrow Tour, and a self-titled album that Rolling Stone described as “infuse[ing] rock and metal into the band’s coffee shop vibe.” Their RIAA Platinum-certified single “Why” remains a benchmark, and ‘The Six String Sorrow Sessions,’ released last year with contributions from Koe Wetzel and John Jeffers of Whiskey Myers, reminded everyone how strong those original songs were to begin with.

This summer, Southall steps up to the biggest stages of their career. The Southern Hospitality Tour co-headlined by The Black Crowes and Whiskey Myers takes them across North America from May through August, hitting amphitheatres in Nashville, Atlanta, New York City, Boston, Toronto, Denver, Houston, Dallas, and beyond. These are the kinds of crowds that turn a rabid grassroots following into something much larger, and Southall are ready for every one of them.

2026 Tour Dates:

May 9 – Tyler, TX – Red Dirt BBQ & Music (Festival)

May 17 – Austin, TX – Moody Center+

May 19 – Rogers, AR – Walmart Amp+

May 21 – Nashville, TN – Bridgestone Arena+

May 23 – Alpharetta, GA – Ameris Bank Amphitheatre+

May 24 – Birmingham, AL – Coca-Cola Amphitheater+

May 26 – Brandon, MS – Brandon Amphitheater+

May 27 – Orange Beach, AL – The Wharf Amphitheater+

May 30 – Hollywood, FL – Seminole Hard Rock Hotel & Casino+

May 31 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre+

June 2 – Saint Augustine, FL – St Augustine Amp+

June 4 – Augusta, GA – The Bell Auditorium+

June 6 – Charlotte, NC – Truliant Amphitheater+

June 7 – Raleigh, NC – Coastal Credit Union Music Park At Walnut Creek+

June 9 – Cincinnati, OH – Riverbend Music Center+

June 10 – Cuyahoga Falls, OH – Blossom Music Center+

June 12 – Camden, NJ – Freedom Mortgage Pavilion+

June 13 – New York City, NY – Forest Hills Stadium+

June 16 – Columbia, MD – Merriweather Post Pavilion+

June 17 – East Bridgeport, CT – Hartford Healthcare Amphitheater+

June 19 – Boston, MA – Xfinity Center+

June 20 – Newark, NJ – Prudential Center+

July 17 – Indianapolis, IN – Ruoff Music Center+

July 18 – Detroit, MI – Pine Knob Music Theater+

July 21 – Toronto, ON – RBC Amphitheatre+

July 22 – Grand Rapids, MI – Acrisure Amphitheater+

July 24 – Tinley Park, IL – Credit Union 1 Amphitheatre+

July 25 – St. Louis, MO – Hollywood Casino Amphitheater+

July 28 – Shakopee, MN – Mystic Lake Amphitheater+

July 30 – Kansas City, MO – Morton Amphitheater

August 1 – Colorado Springs, CO – Ford Amphitheatre+

August 2 – Denver, CO – Fiddler’s Green Amphitheatre

August 4 – Lincoln, NE – Pinewood Bowl Amp+

August 8 – Houston, TX – Cynthia Woods Mitchell Pavilion+

August 9 – Dallas, TX – Dos Equis Pavilion+

August 12 – Nampa, ID – Ford Idaho Center Amphitheater+

August 13 – Salt Lake City, UT – Utah First Credit Union Amphitheatre+

August 15 – Phoenix, AZ – Mortgage Matchup Arena+

August 19 – Wheatland, CA – Toyota Amphitheater+

August 20 – Mountain View, CA – Shoreline Amphitheater+

+with The Black Crowes & Whiskey Myers

BRIT-Nominated Soul Force Joy Crookes Brings Her “Juniper Tour” to North America This Spring

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Joy Crookes is having a landmark year, and the North American leg of her Juniper Tour makes it official. The BRIT and Mercury Prize-nominated singer-songwriter brings her sophomore album ‘Juniper’ to intimate headline venues across the US and Canada this spring, alongside a run of arena dates as direct support to Lewis Capaldi. For fans who want to experience one of contemporary music’s most compelling voices up close, the headline shows are the ones to catch. Listen to the album here.

‘Juniper’ has already earned the kind of press that most artists only dream about. Rolling Stone UK called it “urgent commotions of layered instrumentation, heartfelt soul-pop lyricism with sprinkles of dry wit and her timeless, bluesy vocals that powerfully intertwine the personal with the political.” The Guardian praised it as “impressively fresh and individual.” Wonderland called Crookes “the most charismatic name in UK soul.” The album explores love, loss, identity, and resilience with a depth and sonic ambition that builds meaningfully on her debut, ‘Skin.’

Crookes arrives in North America off the back of a remarkable 2025. She was named War Child’s newest music ambassador, wrapped an acclaimed European tour, and curated a Tate Late at London’s Tate Modern, performing inside Do Ho Suh’s Walk The House exhibition. That kind of breadth, activist, curator, performer, is what sets Crookes apart from the field. She’s not just making music. She’s building a body of work with real cultural weight.

The headline dates put Crookes in rooms where her voice and songwriting can do exactly what they do best. Sets will draw from ‘Juniper’ alongside beloved tracks from ‘Skin,’ delivering a full picture of an artist in full creative command. The Capaldi arena dates extend that reach considerably, with stops at Scotiabank Arena in Toronto, Red Rocks Amphitheatre, and the Hollywood Bowl among the highlights.

2026 North American Tour Dates:

April 21 – Montreal, QC – Bell Centre*

April 23 – Toronto, ON – Scotiabank Arena*

April 24 – Chicago, IL – Park West

April 25 – Chicago, IL – United Center*

April 28 – Denver, CO – Red Rocks Amphitheatre*

May 2 – Los Angeles, CA – Hollywood Bowl*

May 3 – Berkeley, CA – Greek Theatre*

May 5 – Portland, OR – Wonder Ballroom

May 6 – Vancouver, BC – Rogers Arena*

May 7 – Seattle, WA – The Crocodile

*Direct support for Lewis Capaldi

Metal and Hip-Hop Fusion Act UnityTX Drop Club-Ready Single “Body Roc” From Sophomore Album

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UnityTX are making their move. The metal and hip-hop fusion outfit have released “Body Roc,” a club-ready single from their sophomore album ‘Somewhere, In Between…,’ out now via Pure Noise Records. Frontman Jay Webster, known as SHAOLIN G, keeps the mission simple and direct: “Catch the rhythm and get lost in the ROC.” On the evidence of this track, that’s not a hard sell.

UnityTX have built their reputation on colliding worlds that aren’t supposed to fit together, and ‘Somewhere, In Between…’ leans into that tension fully. “Body Roc” sits at the danceable end of that spectrum, a track that brings the rhythmic energy of hip-hop into a harder-edged sonic landscape without losing either quality in the process. It’s the kind of single that opens a door into a wider record worth exploring.

The band completed a full month-long US tour supporting Varials earlier this spring, hitting major markets including Chicago, Denver, Anaheim, Dallas, Atlanta, Baltimore, Brooklyn, and Philadelphia among many others. That kind of road time sharpens a band, and UnityTX went into it with an album worth championing every night.

Electronic Powerhouse Alesso and Pendulum Unite on Euphoric New Single “FADE”

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Alesso has opened 2026 with a statement, and “FADE” is exactly that. The collaboration with Australian electronic rock band Pendulum is out now, a hauntingly euphoric electro-ballad that brings together Alesso’s colossal drops and Rob Swire’s unmistakable vocals into something that feels genuinely timeless. This is the kind of track that reminds you why both artists have the fanbases they do.

The chemistry between Alesso and Pendulum is immediate and earned. “I’ve known Rob and Pendulum for many years, and they’ve held such a special sound,” Alesso says. “Rob’s voice is so unique that it can really bring a track to life. Working on FADE with them was amazing.” That enthusiasm translates directly into the music, a track that entwines rock and electronic without compromising either, letting both artists’ individuality shine while building something larger than either could have made alone.

“FADE” arrives on the heels of an already busy year for Alesso, who made appearances at Milan Fashion Week and headlined X Games Aspen earlier in 2026. The single now sets the tone for his biggest move yet, a first-ever US headline tour kicking off this April at the iconic Red Rocks Amphitheater in Colorado, with stops in San Francisco and Los Angeles before a closing night in New York City. For an artist cementing his place as a genuine household name in electronic music, a Red Rocks headline is exactly the right stage.

“FADE” is out now, and Alesso’s first-ever US headline tour is on sale now.

Newcastle Alt-Rock Brothers The Pale White Deliver Their Sharpest Record Yet With ‘Inanimate Objects of the 21st Century’

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The Pale White are back, and ‘Inanimate Objects of the 21st Century’ is the record they’ve been building toward. Newcastle brothers Adam and Jack Hope return with their third studio album, a full-length that blends the anthemic punch of classic rock with the urgency and edge of modern alternative. Louder, sharper, and more defiant than anything they’ve done before, this is a band fully in command of their own sound and fully aware of what they want to say with it. Listen here.

Lead single “Absolute Cinema” arrives as a love letter to cinema culture and everything the big screen used to mean. “When we were kids in the mid-2000s, ‘going to the pictures’ with a tenner would get you your film ticket, fast food, and the bus fare home,” frontman Adam Hope explains. The song pays homage to filmmakers including Martin Scorsese, and to the communal experience of watching a film in a packed theatre, something that now feels increasingly rare. It’s a track with genuine warmth and a sharp cultural point, and it lands both.

The album title itself is a statement. As Adam puts it, technology is accelerating while human connection quietly atrophies. “We humans have now in fact become the inanimate objects, mannequins.” Written and recorded back home in the northeast, the Hope brothers embraced complete creative control after learning on their sophomore LP ‘The Big Sad’ that going home and being themselves produced their best work. That instinct has paid off again, dramatically.

‘Inanimate Objects of the 21st Century’ positions itself as the evil twin of ‘The Big Sad,’ its louder, faster, more confrontational counterpart. Where the second album turned inward and melancholic, this one faces outward and accelerates. Across eleven tracks the band moves through anthemic rock, urgent alternative energy, and moments of genuine melodic weight, a record that earns every second of its runtime.

The Pale White have been one of the northeast’s most compelling acts since their self-titled debut, and this third album raises the stakes considerably. ‘Inanimate Objects of the 21st Century’ is out now, with a Bearded Theory Festival appearance still to come this spring.

‘Inanimate Objects of the 21st Century’ Tracklist:

Moth in the Headlights

Float Away

Göbekli Tepe

Absolute Cinema

Oh Brother

Medusa

Carpe Diem

Mannequin

This Fascination

Disappoint Me

All I Have To Do Is Dream

2026 Live Dates:

May 23 – Bearded Theory Festival

Angine de Poitrine Bring “Sarniezz” to Life in a Stunning Télé-Québec Performance

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Angine de Poitrine have delivered something genuinely extraordinary with their performance of “Sarniezz” in Saguenay, captured for Télé-Québec’s FAB series and directed by Jean-Marc E. Roy. The Quebec duo performed the track in the landscapes of their home region, and the result is exactly what their growing global fanbase has come to expect: a baroque sonic carnival, part trance, part storm, part something that has no name yet. The KEXP full performance video has already racked up 11 million views, Scott’s Bass Lessons and Jazz Musician React channels are losing their minds over the band’s musicality, and commenters from Indonesia to Eastern Europe are reporting full-blown obsession. Angine de Poitrine aren’t just a band worth watching. They’re becoming a phenomenon.






Irish Nu-Metalcore Force Following The Signs Deliver a Rallying Cry on EP ‘Evolve’

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Following The Signs have been building toward this moment since forming in Cork in 2018, and ‘Evolve’ delivers on every promise they’ve made along the way. The Irish nu-metalcore outfit’s new EP is out now, five tracks of crushing metalcore, nu-metal groove, and progressive muscle that position the band as one of modern heavy music’s most purposeful rising forces. This isn’t aggression for its own sake. There’s a message running through every breakdown.

Lead single “Call To Rise” sets the tone immediately. Written as a rallying cry for those living under oppression, whether imposed by individuals, systems, or governments, the track operates on two complementary levels simultaneously. One frames humanity’s struggle to survive in a hostile world. The other reflects the growing unrest of modern society, where corruption and the erosion of freedom point toward inevitable confrontation. Punishing riffs, towering breakdowns, and searing vocals are balanced by atmospheric passages that mirror both the fury and the determination at the song’s core.

‘Evolve’ builds on the foundation laid by debut album ‘Conflictions’ and singles including “Birthright” and “Stand Tall,” pushing into sharper and more ambitious territory. The EP expands on themes of societal pressure, survival, and rebellion with a focus and urgency that feels earned rather than performed. Following The Signs aren’t reaching for relevance. They’re writing from the middle of the realities they’re describing.

Their growing international footprint backs up the momentum. Recent shows in Warsaw and Kraków, Poland, saw the band perform to their largest audiences yet, a clear signal that their reach is extending well beyond the Irish scene. Five members, one direction, and a sound that resonates across borders. ‘Evolve’ is out now.

‘Evolve’ Tracklist:

Stuck In Place

Call To Rise

Break The Frame

Evolve

Infectious