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Gene MacLellan’s 1977 Album ‘If It’s Alright With You’ Returns in Remastered Reissue

Eric Alper
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Gene MacLellan’s 1977 Album ‘If It’s Alright With You’ Returns in Remastered Reissue

Singer songwriter, JUNO Award winner, and Canadian Country Music Hall of Fame inductee Gene MacLellan, the self-effacing songwriter from Prince Edward Island, continues his reissue series with the release of his 1977 album If It’s Alright With You, out April 25 via Universal Music Canada. This new re-issue follows the recent re-issue of his debut album Gene MacLellan that included both the original 1970 self-titled debut Gene MacLellan and its U.S. counterpart Street Corner Preacher album. If It’s Alright With You will be available as both a remastered digital edition and limited-edition 180-gram Black Vinyl. Pre-order If It’s Alright With You HERE

With the success of the hit songs MacLellan penned including “Snowbird” (Anne Murray) and “Put Your Hand In The Hand” (Ocean), he quickly became a household name in Canada, and an in-demand songwriter in Nashville and Los Angeles. For many, the acclaim would be a dream come true, but MacLellan was cut from different cloth – he did not want the attention, did not need the adulation, and did not trust the money. In 1971, to try to escape the pressures and constant demands, MacLellan and his new wife Claudia moved to an isolated farmhouse on Prince Edward Island, without a phone or even running water at first, but even in isolation, the requests kept piling up.

In June 1972, MacLellan announced he was quitting the music business, and so the next part of the MacLellan legend was formed; he quit music, gave away his fortune, and disappeared. The reality was that the retirement lasted about a month. After a miserable few weeks traveling in Europe, the couple split up, and MacLellan moved to Toronto, and was back on stage at The Riverboat. MacLellan was still writing, and new, moody songs were mixed with numbers that hinted at his religious background. Anne Murray recorded “If It’s Alright With You” for her 1975 album Together, while MacLellan held on to “Faces,” about feeling alone in a sea of people.

In 1976, finally up to making another record, he was in the studio with producer John Capek (songwriter for Rod Stewart, Diana Ross) and a first-rate band featuring Rock n’ Roll Hall of Fame member Prakash John (Parliament, Lou Reed), drummer Whitey Glan (Mandala, Alice Cooper) and studio ace Bob Mann on guitar (James Taylor, Bonnie Raitt). The sessions were more polished than MacLellan’s previous work, with keyboards, backing vocals, strings, and horns playing big roles. “Won’t Talk About Love Anymore” reflected his spiritual search, “Natural Born Friend” had a brightness and optimism, while “One With You,” spoke to his new marriage and renewed faith. Anne Murray also contributes vocals to two songs. Billed as ‘special friend,’ she appears on “Shilo Song”, one of MacLellan’s most beautiful compositions, and “Put Your Hand In The Hand” which he finally got to record for himself.

While “Snowbird” remains an integral part of Canadian culture, and “Put Your Hand In The Hand,” “The Call,” and “Bidin’ My Time” are still beloved, MacLellan’s own recordings have all but disappeared. This album has not been reissued since going out of print shortly after its release, nor has his debut, Gene MacLellan/Street Corner Preacher. Finally, it is a joy to be able to bring these recordings back for the many fans who have wondered about him over the years, and to introduce these exceptional compositions to a new generation.

This long sought-after reissue of his now 1977 Canadian classic has been remastered and will be available as both a remastered digital edition and limited-edition 180-gram Black Vinyl on April 25, 2025, and includes updated liner notes from Canadian music writer Bob Mersereau, who’s previous credits include the best-selling The Top 100 Canadian Albums, and The History of Canadian Rock ‘n’ Roll. Juno-winning artist and daughter, Catherine MacLellan recently performed a series of theatre shows featuring the songs of her father. “The Songs of Gene MacLellan” part concert, part memoir, and both Bob and Catherine are currently writing the definitive biography of Gene MacLellan.

It’s time to dispel the myths, for fans to gather and share their stories of Gene and most importantly to celebrate the music of Gene MacLellan.

Gene MacLellan – If It’s Alright With You tracklisting:

A1 Put Your Hand In The Hand / A2 Ain’t No Tellin’ (How Time Flies) / A3 Canterbury Song / A4 If It’s Alright With You / A5 Shilo Song / B1 Natural Born Friend / B2 Won’t Talk About Love Anymore / B3 When You’re Not Around / B4 Faces / B5 One With You

Adult Pull-On Absorbent Underwear Demystified: Your Go-To Guide for Incontinence Solutions

Eric Alper
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By Mitch Rice

Urinary incontinence is a common condition that affects many people globally. Women and the elderly are the most vulnerable, although young people may still suffer the same due to accidents and other illnesses.

Living with incontinence can be challenging and can affect one’s social life. However, there are many incontinence solutions, like pull-on absorbent underwear meant to enhance the comfort of people with incontinence. If you or your dear is incontinent, you can still live a fulfilling life without fear or shame. Here’s a guide to finding the ideal incontinence solution for your loved one.

What is Incontinence?

Incontinence is a temporary condition characterized by involuntary loss of urine. It happens when your bladder cannot hold urine for a long time, meaning that you may notice urine leaks before getting to the washroom. The intensity of incontinence varies among patients, so the condition can be severe to some people.

The most common type of incontinence happens when there’s a huge urge to urinate, but the urine comes out before you go to a restroom. This condition may also be triggered by stress, meaning that urine comes out after doing a heavy job, coughing, or even exercising.

Incontinence can be treated through medical methods, lifestyle changes, or even surgery in extreme cases. It’s advisable to seek the help of an expert as soon as you notice involuntary urine leakage.

If you or your loved is incontinent and would like to buy them high quality adult pull ups, consider the tips below to get the perfect product.

1. Get a Medical Prescription

The first step to buying any incontinent products is to get a medical prescription. An experienced doctor should examine your health and recommend the ideal solution based on your age, skin sensitivity, and lifestyle.

If you notice the signs of incontinence, don’t rush immediately to the shop without having a detailed medical checkup. A good doctor will not only help you know the ideal incontinent solution to use, but may also identify underlying health issues to be treated.

2. Find the Right Size

Adult pull-on underwear comes in varying sizes. As you buy, it’s vital to understand your waist to pick the best size for your body. The ideal pull-on underwear should be of the same size as your normal underwear in the waist area. If you can’t find the right size, it’s better to get a bigger one than a small one, because you can adjust as you wear.

3. Check Comfort Features

Comfortability is an important consideration to keep in mind when buying an incontinent product. As such, you should only pick a high-quality pull-on diaper made of a soft material. The material should not cause friction when wearing it and should adequately absorb all the urine.

For first-time purchases, you may buy one diaper only for testing and then buy more when you are satisfied with its comfort. Some diapers have a light absorption material and are designed for people with mild incontinence. Others have a heavy cotton material for extra comfort for people with severe incontinence. Know your condition well to pick the most comfy product.

The ideal diaper should be gentle on the skin, breathable, and should keep your skin dry. Most importantly, it should not let out odors even when it’s soaked.

4. Consider the Level of Activity

The patient’s level of activity is another vital factor to keep in mind. Do they stay at home or have an active lifestyle? Some incontinent products have a soft but thick material meant to allow heavier soaking for people with an active lifestyle. Others are thin for people with a sedentary lifestyle or whose level of incontinence is not severe. Understand the level of incontinence for your dear one to get the best pull-on diaper for them.

5. Check the costs

The costs of adult pull-on diapers vary significantly according to the manufacturer’s reputation, quality level, and size. If you need the highest quality diaper, you will pay more compared to buying a smaller-sized diaper of lower quality.

Nevertheless, you don’t have to spend excessively even when buying the highest quality products. Compare different sellers to know how they price their products, and then buy from where you can afford them.

6. Monitor Progress and Develop a Care Plan

The last process of buying the perfect pull on diaper is to watch the progress of the user. How’s the patient responding to the products? Some people have sensitive skin and may develop rashes. Find out how your dear one is coping with this new product, and change it immediately if you notice an adverse effect.

Also, you may have to come up with an effective care plan to complement the diapers. The plan may include creating washroom routines and changing diets to help improve the condition while using the incontinent product.

Conclusion

Finding the right absorbent underwear may be challenging for the first time. You should carefully assess the unique needs of the user, understand the size requirements, and focus on quality. There is an adult diaper for everyone, and with careful consideration, you can pick the most suitable one.

How a Superman Radio Show Helped Expose and Undermine the Ku Klux Klan

Eric Alper
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How a Superman Radio Show Helped Expose and Undermine the Ku Klux Klan

The Adventures of Superman was a radio show depicting the thrilling adventures of Superman, Lois Lane, Perry White and Jimmy Olsen. The show ran in various timeslots and formats from 1940 to 1951, in both an initial transcribed syndicated format and later on the Mutual and ABC radio networks (sponsored for several years by Kellogg’s Pep, from 1943 until 1947).

The character created by Jerry Siegel and Joe Shuster arrived on radio not long after the comic book, and took on an added dimension with Clayton “Bud” Collyer in the title role. During World War II and the post-war years, the juvenile adventure radio serial was a huge success, with many listeners following the quest for “truth, justice and the American way” in the daily radio broadcasts, the comic book stories and the newspaper comic strip.

The series is also credited with dealing a powerful blow against the Ku Klux Klan’s prospects in the northern USA. The human rights activist, Stetson Kennedy, infiltrated the Ku Klux Klan and other racist/terrorist groups. Concerned that the organization had too strong connections to the government and police forces, Kennedy decided to use his findings to strike at the Klan in a different way. He contacted the producers of “The Adventures of Superman” radio series and proposed a story where the superhero battles the Klan. The producers, looking for new villains, eagerly agreed to the idea. The result was a series of episodes, “Clan of the Fiery Cross,” in which Superman took on the Klan.

Sum 41 Drop Final Spotify Singles Ahead of JUNO Awards Farewell Performance

Eric Alper
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Sum 41 Drop Final Spotify Singles Ahead of JUNO Awards Farewell Performance

Spotify has teamed up with Sum 41 to release two swansong Singles just days ahead of the Canadian allstars’ last-ever broadcast performance at The JUNO Awards in Vancouver on March 30. The Singles, which were recorded in LA, include an unforgettable skate-punk spin on Rage Against the Machine’s Sleep Now in the Fire and an acoustic version of their 2023 single, Landmines. The Singles are a bittersweet goodbye for fans after wrapping their farewell world tour – The Tour of the Setting Sum – in Toronto at the end of January.

Available on Spotify on Friday, March 28, the Singles are a fitting tribute to a band who have won a global fandom of their nearly 30-year career and are set to be inducted into the Canadian Music Hall of Fame ahead of their performance at The JUNO Awards. Since its release, the chart-topping single Landmines has racked up over 35 million streams globally, and has been streamed on over 100,000 playlists on Spotify in the last month alone. The track shows how Canadian music continues to rock the world on Spotify: in the last 28 days, Landmines’ biggest fan bases included cities such as Prague, Vienna and Sydney, with the US, Australia and Brazil also featuring in the list of countries where the track was in heaviest rotation.

Speaking on the Singles’ release, Sum 41 said:  “Recording these Spotify Singles has been an incredible way to celebrate with our fans around the world. We’re so grateful for their support and excited to share this special session with everyone. Huge thanks to Spotify for making this experience possible.”

The band will also be featured in a cross-country OOH campaign beginning on Friday, March 28, including a billboard takeover at Toronto’s Yonge-Dundas Square and New York’s Times Square.

Spotify Singles also just broke its own major milestone, passing 10 billion streams last month. Recorded in Spotify’s state-of-the-art studios in New York City, Los Angeles, London, and Stockholm, the sessions which make up the Singles have resulted in nearly 1,000 recordings from more than 750 artists in 45 markets.

Spotify Singles is Spotify’s longest-running original recorded music franchise, produced with artists in Spotify’s award-winning recording studios. Spotify Singles gives artists the opportunity to re-record one of their existing songs in a fresh new way, as well as cover a song of their choice by one of their own musical heroes. With hundreds of exclusive recordings and over ten billion streams, the program has collaborated with more than 750 artists across 45 markets. From global icons like Taylor Swift and Sabrina Carpenter, legends including Yo-Yo Ma and Norah Jones, and breakthrough artists like Rachel Chinouriri and The Marías, Spotify Singles has worked with artists at every stage of their careers. The franchise has recordings nominated for a Grammy, with several others charting on Billboard, cementing its influence in the music industry.

Exploring the Unique Tones of Crystal Singing Bowls

Eric Alper
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By Mitch Rice

Crystal singing bowls captivate the senses with their striking aesthetics and exceptional sound qualities. Made from pure quartz crystal, these bowls offer a distinct resonance that sets them apart from other instruments. Whether for meditation, sound healing, or simply creating a tranquil atmosphere, their tones can leave a lasting impression.

What Makes Crystal Singing Bowls Stand Out?

The craftsmanship behind crystal singing bowls is reflected in their tonal qualities. Each bowl is carefully shaped and tuned to a specific frequency, often corresponding to the chakras or specific musical notes. The result is a pure, harmonious sound that can fill a space with calming vibrations.

The material also contributes to the sound’s clarity. Quartz crystal amplifies and transmits energy, giving the bowls the unique ability to produce resonant tones that linger in the air. This quality makes them highly sought after for therapeutic and musical purposes.

The Versatility of Crystal Singing Bowls

Crystal singing bowls come in various sizes and finishes, each producing a slightly different tone. Larger bowls create deeper, grounding sounds, while smaller bowls emit higher, more ethereal pitches. This variety allows users to develop soundscapes tailored to their needs, whether they’re using one bowl or a full set.

Some bowls are infused with additional materials like gold or titanium, adding another layer of complexity to their sound. These variations can appeal to those looking for specific tonal characteristics or aesthetic appeal.

Practical Applications of Crystal Singing Bowls

In addition to being revered as musical instruments, crystal singing bowls are widely used in wellness practices, including meditation, sound baths, and yoga sessions. Their tones are believed to help create a serene environment, aiding relaxation and focus. They are often incorporated into alternative healing modalities as tools to help balance energy.

These bowls allow musicians to experiment with unique sounds and integrate them into performances or recordings. Their ability to blend with other instruments adds an extra dimension to creative projects.

Tips for Choosing the Right Crystal Singing Bowl

Selecting a crystal singing bowl can be a personal experience. Here are a few tips to guide your decision:

  • Consider Size: Larger bowls are ideal for creating powerful, low tones, while smaller bowls are better suited for high-pitched, delicate sounds.
  • Material Matters: Bowls infused with elements like platinum or copper can offer distinct tonal variations.
  • Purpose: Consider how you plan to use the bowl for personal meditation, professional therapy sessions, or musical performances.
  • Frequency and Note: Many bowls are tuned to specific notes corresponding to chakras, so you may choose one that aligns with your intentions.

Final Thoughts

Crystal singing bowls offer a truly unique auditory experience that can enhance a variety of practices. Whether you’re incorporating them into your wellness routine or using them to create artful soundscapes, their tones have a way of resonating with both the body and mind. If you’re ready to bring the mesmerizing sounds of crystal singing bowls into your life, take your time to find one that aligns with your intentions and personal style.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Antone’s 50th Allstars to Lead Austin Blues Fest Jam with Gary Clark Jr., Jimmie Vaughan And More

Eric Alper
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Antone’s 50th Allstars to Lead Austin Blues Fest Jam with Gary Clark Jr., Jimmie Vaughan And More

Antone’s co-owner Gary Clark Jr. and Texas blues icon Jimmie Vaughan are among a group of illustrious musicians who will unite as the ‘Antone’s 50th Allstars’ at Austin Blues Fest next month; taking place April 26 and 27 in the Moody Amphitheater at Waterloo Park. Celebrating the 50th anniversary of Antone’s – Austin’s iconic “Home Of The Blues” – Clark and Vaughan will lead Sunday’s Allstar Jam lineup, while the Saturday edition will feature multi-talented vocal powerhouse Kam Franklin (of The Suffers) and Ian Moore, who just headlined Antone’s SXSW party last week, an event which “pointed the way towards the future of the blues,” according to Rolling Stone. Additional performers at the Antone’s 50th Allstar Jams will include John Primer (Muddy Waters’ legendary guitarist), Big Bill Morganfield (Muddy Waters’ son, and co-star of A Complete Unknown) and 2024 Blues Hall Of Fame inductees Lil’ Ed Williams and Lurrie Bell.

They’ll join an Austin Blues Fest bill that already includes a stacked lineup of performers from across styles and generations: Christone “Kingfish” Ingram, Mavis Staples, North Mississippi Allstars, Jackie Venson, Lee Fields, Jalen Ngonda, Orquesta Akokán and Sue Foley among them. For tickets and full details visit: https://www.austinbluesfestival.com

The ‘Antone’s 50th Allstar Jams’ continue a year-long celebration for “the birthplace of a blues revival” (NPR), which “helped put the Live Music Capital Of The World on the map” (Austin American Statesman). Antone’s will continue the party the following night, Monday April 28, with a special taping of Austin City Limits – “ACL & Antone’s Celebrate The Blues” – which will feature a yet-to-be-announced lineup of Antone’s Allstars, and will air during the show’s next season. Much of the music performed during the Austin City Limits taping – and the Austin Blues Fest Allstar Jams – originates from an upcoming box set celebrating Antone’s 50th anniversary, with official details on that release arriving next month.

A SPECIAL EPISODE OF AUSTIN CITY LIMITS - CELEBRATING ANTONE’S 50TH ANNIVERSARY - SET FOR AN APRIL 28 TAPING, FOLLOWING AUSTIN BLUES FEST

Founded by Clifford Antone as the first live music venue on Austin’s now-famous Sixth Street, Antone’s quickly became ‘home away from home’ for a Mount Rushmore of blues musicians including Muddy Waters, Albert King, Otis Rush, Willie Dixon and B.B. King – as well as a broader tapestry of American roots music. The force behind this all was Antone, a native of Texas’ Gulf Coast region who spent much of his youth roadtripping through the juke joints of nearby Louisiana, where he developed a deep love of Creole music, R&B, zydeco and, above all, the blues. In the venue’s five decade run, Antone’s has continued to define the present and shape the future of blues music, bolstering the careers of internationally-renowned artists like Stevie Ray Vaughan, The Fabulous Thunderbirds, Doug Sahm, Charlie Sexton, Angela Strehli, Lou Ann Barton and many more. Today, it remains a vital presence in the live music scene, with its influence carried forward by a new generation of trailblazing artists including Gary Clark Jr., Kam Franklin, Jackie Venson and McKinley James.

Lollapalooza: The Untamed Story of Alternative Rock’s Wildest Festival Now Unleashed in New Book

Eric Alper
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Lollapalooza: The Untamed Story of Alternative Rock’s Wildest Festival Now Unleashed in New Book

LOLLAPALOOZA: The Uncensored Story of Alternative Rock’s Wildest Festival (St. Martin’s Press) is out today. The new book sees New York Times bestselling authors Richard Bienstock and Tom Beaujour (Nothin’ But A Good Time) telling the no-holds-barred history of the iconic music festival. Through hundreds of new interviews with artists, tour founders, festival organizers, promoters, publicists, sideshow freaks, stage crews, record label execs, reporters, roadies and more, LOLLAPALOOZA chronicles the tour’s pioneering 1991-1997 run, and, in the process, alternative rock’s rise – as well as the reverberations that led to a massive shift in the music industry and the culture at large.

LOLLAPALOOZA features a foreword by Soundgarden’s Kim Thayil along with original interviews with some of the biggest names in music, including Perry Farrell and Jane’s Addiction, Pearl Jam, Soundgarden, Nine Inch Nails, Sonic Youth, Tool, Smashing Pumpkins, Ice-T, Rage Against the Machine, Green Day, Patti Smith, Alice in Chains, Metallica, and many more.

Conceived by Farrell as a farewell tour for Jane’s Addiction, Lollapalooza’s inaugural outing across the U.S. in the summer of 1991 helped to coalesce an ideology and aesthetic that not only washed over popular music but seeped into fashion, film, television, literature, food, politics and more. Throughout the decade, Lollapalooza offered a vast and diverse ensemble of bands, breaking barriers of genre and uniting alternative rock, heavy metal, punk, hip-hop, industrial, goth, avant-garde, spoken word, electronic dance music and other styles under one big tent, and setting the template for the modern American music festival and the scores of other contemporary destination fests that are now an integral part of how audiences experience live music.

Unorthodox not just in music, Lollapalooza also spotlighted visual arts, nonprofit organizations, political outfits, and even the occasional freak show, offering a tantalizing cocktail of culture, art, and activism that, taken together, defined the alternative mindset that dominated the 1990s. Echoes of its impact reverberate strongly today – cemented by annual sell-outs at destination events all over the world, an estimation of 400,000 attendees at the flagship Chicago fest each summer, and a spot among the world’s largest and longest-running music festivals.

A nostalgic look back at 1990s music and culture, LOLLAPALOOZA traces the festival’s groundbreaking origins, following the tour as it progresses through the decade, and documenting the action onstage, backstage, and behind-the-scenes in detailed and uncensored and sometimes shocking first-person accounts. This is the story of Lollapalooza and the 1990s alternative rock revolution.

RICHARD BIENSTOCK is a journalist whose writing has appeared in the New York Times, the Wall Street Journal, Rolling Stone, Billboard, SPIN, and other publications. He is a former senior editor of Guitar World magazine and executive editor of Guitar Aficionado magazine. He has authored and co-authored several books, among them Kurt Cobain: Montage of Heck. He is also the New York Times bestselling co-author of Nothin’ But a Good Time.

TOM BEAUJOUR is a journalist as well as a co-founder and former editor-in-chief of Revolver, America’s premier hard rock and heavy metal monthly. Beaujour has produced and mixed albums by Nada Surf, Guided by Voices, the Juliana Hatfield Three, and many others. He is also the New York Times bestselling co-author of Nothin’ But a Good Time.

Linkin Park Unleash Anthemic New Single “Up from the Bottom”

Eric Alper
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Linkin Park Unleash Anthemic New Single “Up from the Bottom”

With the excitement of their triumphant return still palpable, LINKIN PARK unleash a ferocious new single entitled “Up From The Bottom” out now via Warner Records. Listen HERE. It sets the stage for the Deluxe Edition of their acclaimed album FROM ZERO, arriving on May 16. Pre-order/Pre-save HERE. Notably, it includes three brand new songs, and an expanded physical edition containing five live tracks captured during their inimitable live show.

While the From Zero World Tour gallops through the U.S. this month, the band has added new South America show details, including venues and ticketing details (full routing below). LP Underground fan club exclusive presales start March 31. Get all details and ticketing info HERE. General onsale begins Thursday April 3rd.

LINKIN PARK wrote and recorded “Up From The Bottom” in between segments of their massive From Zero World Tour. Harnessing the energy of their 2024 live re-emergence, the track’s decisive piano refrain, distorted riffs, and propulsive drums lay the foundation for the singular vocal duo of Emily Armstrong and Mike Shinoda, singing “You keep me waiting down here so far below, staring up from the bottom, up from the bottom.” The song climaxes with a surprising bridge of turntable scratches, 808s, and one of Shinoda’s most memorable rap verses–evoking their signature genre alchemy spiked with a rush of fresh inspiration.

This bevy of excitement paves the way for the FROM ZERO (DELUXE EDITION). About the new collection, Shinoda said, “We are so grateful for the incredible reception to From Zero. This new chapter, our continuing journey, and the connection between the band and fans has been more than we could’ve hoped for. Thank you for listening.” 

Among the Deluxe Edition’s brand new material, “Let You Fade” is sure to be a fan favorite, with its crushing guitars, brutal drums, and full-hearted lyrics. The third track, “Unshatter,” came to life early in the FROM ZERO recording process, with Armstrong’s vocal fireworks mid-song hinting at “what was possible together,” as the band says.

This winter, LINKIN PARK ignited their massive From Zero World Tour with epic and unforgettable shows everywhere from Mexico to Tokyo, Jakarta, and beyond. Throughout 2025, the From Zero World Tour—produced by Live Nation—will see the band touch down on four continents. Anticipation has already reached fever pitch, resulting in 15 sellouts across the tour at legendary venues such as Wembley Stadium in London, Stade de France in Paris, and Boston’s TD Garden where a second date has been added for July 31 due to overwhelming demand. This massive global jaunt carries them through to the end of the year, concluding on November 11 in Brasilia, Brazil. Special guests Spiritbox, AFI, Architects, grandson, Jean Dawson, JPEGMAFIA, and PVRIS will join on select dates. Check out the full confirmed itinerary and get tickets at https://linkinpark.com/tour.

FROM ZERO, winner of this year’s “Rock Album of the Year” at the iHeartRadio Music Awards, has churned out successive hits since its 2024 debut. “The Emptiness Machine” surged as “the biggest rock song of 2024,” spending 15 weeks at #1 on Billboard’s Rock & Alternative Airplay Chart. Their next anthem “Heavy Is The Crown” followed in its footsteps at #1 on the respective chart. FROM ZERO impressively bowed at #1 on charts in 14 countries. Stateside, it opened at #2 on the Billboard 200 and at #1 across six Billboard charts: Top Rock & Alternative Albums, Top Rock Albums, Top Alternative Albums, Top Hard Rock Albums, Vinyl Albums, and Indie Store Album Sales. Not to mention, it has incited widespread acclaim from the likes of VULTURE, The Guardian, KERRANG!, NME, Associated Press, USA Today, and more. As reported by Billboard, LINKIN PARK was the one-and-only rock band to cross over 2 Billion yearly streams in 2024.

The band—Mike Shinoda, Brad Delson, Dave “Phoenix” Farrell, Joe Hahn, Emily Armstrong and Colin Brittain—have returned as strong as ever with FROM ZERO, their first full-length offering since 2017. Listen HERE via Warner Records. Be on the lookout for more from LINKIN PARK soon and don’t miss the From Zero World Tour – list of tour dates HERE.

LINKIN PARK emerged as an innovative musical force and are one of the best-selling artists of the last twenty years. Their RIAA Diamond-certified full-length debut, Hybrid Theory, stands out as the “best selling debut of the 21st century,” while landmark sophomore album Meteora bowed at #1 on the Billboard Top 200 before going 8X-Platinum in the U.S. The band’s worldwide sales across the entire catalog eclipses 100 million, and among numerous accolades and honors, they have garnered 2 GRAMMY Awards, 5 American Music Awards, 4 MTV VMA Awards, 10 MTV Europe Music Awards and 3 World Music Awards. Selling out stadiums worldwide, they’ve headlined the largest festivals globally and also remain the first and only Western rock band to play a five-stadium tour in China. 2017’s One More Light marked their fifth #1 debut on the Billboard 200. In 2020, the band celebrated their groundbreaking debut album, Hybrid Theory, by releasing a comprehensive 20th anniversary edition super deluxe box set which features their RIAA Diamond-certified single “In The End.” In 2023, the band released Meteora 20th Anniversary Edition, which topped the charts and featured the newly-uncovered song “Lost.” The emotionally charged single was originally recorded during sessions for their second studio album Meteora (2003), and soon after its 2023 release, “Lost” hit #1 at both Alternative and Rock radio. 2024 marked the release of their first greatest hits package Papercuts, featuring vault track “Friendly Fire” that similarly topped both the Alternative and Rock charts. On September 5, the band made a triumphant return to the top of the charts with “The Emptiness Machine,” which exploded as the #1 rock song in the country and the biggest rock song of 2024. It made a rapid climb to #1 on both the Billboard Mainstream Rock Airplay Chart and Alternative Airplay Chart. In total, the band have scored a staggering 13 #1 entries on the latter chart (the second-most in history) with three in the last eighteen months. LINKIN PARK released their 8th studio album From Zero on November 15 on Warner Records, once again topping charts around the world and eclipsing a billion streams. The band have always prioritized charity and goodwill in an effort to make the world a better place, helping to raise millions over the years for victims of natural disasters. Today, LINKIN PARK’s imprint on music and culture continues to expand and magnify.

FROM ZERO WORLD TOUR 2025
*Festival Performance 
= General onsale begins Thursday, April 3rd 
$ With support from Spiritbox
~ With support from Architects
^ With support from grandson
# With support from Jean Dawson
& With support from JPEGMAFIA
+ With support from PVRIS
April 26, 2025 | Moody Center – Austin, TX ^
April 28, 2025 | BOK Center – Tulsa, OK ^
May 1, 2025 |  Van Andel Arena – Grand Rapids, MI ^
May 3, 2025 | CFG Bank Arena – Baltimore, MD ^
May 6, 2025 | Lenovo Center – Raleigh, NC ^
May 8, 2025 | Bon Secours Wellness Arena – Greenville, SC ^
May 10, 2025 | Sonic Temple – Columbus, OH *
May 17, 2025 |  Welcome to Rockville – Daytona, FL *
June 12, 2025 | Novarock Festival -Nickelsdorf, AT *
June 14, 2025 | Rock for People Festival – Hradec Kralove, CZ *
June 16, 2025 | Heinz-Von-Heiden Arena – Hannover, DE ~
June 18, 2025 | Olympiastadion – Berlin, DE ~
June 20, 2025 | Bernexpo – Bern, CH
June 24, 2025 | I-DAYS Festival – Milan, IT *
June 26, 2025 | Gelredome – Arnhem, NL $
June 28, 2025 | Wembley Stadium – London, UK $&
July 1, 2025 | Merkur Spiel Arena – Dusseldorf, DE ~&
July 3, 2025 | Rock Werchter Festival – Werchter, BE *
July 5, 2025 | Open’er Festival – Gdynia, PL *
July 8, 2025 | Deutsche Bank Park – Frankfurt, DE ~&
July 11, 2025 | Stade de France – Paris, FR
July 29, 2025 | Barclays Center – Brooklyn, NY+
August 1, 2025 | TD Garden – Boston, MA +
August 3, 2025 | Prudential Center – Newark, NJ +
August 6, 2025 | Bell Centre – Montreal, QC +
August 8, 2025 | Scotiabank Arena – Toronto, ON +
August 11, 2025 | United Center – Chicago, IL +
August 14, 2025 | Little Caesars Arena – Detroit, MI +
August 16, 2025 | Wells Fargo Center – Philadelphia, PA #
August 19, 2025 | PPG Paints Arena – Pittsburgh, PA #
August 21, 2025 | Bridgestone Arena – Nashville, TN #
August 23, 2025 | Enterprise Center – St. Louis, MO #
August 25, 2025 | Fiserv Forum – Milwaukee, WI #
August 27, 2025 | Target Center – Minneapolis, MN #
August 29, 2025 | CHI Health Center – Omaha, NE #
August 31, 2025 | T-Mobile Center – Kansas City, MO #
September 3, 2025 | Ball Arena – Denver, CO #
September 6, 2025 | Footprint Center – Phoenix, AZ #
September 13, 2025 | Intuit Dome – Los Angeles, CA &=
September 15, 2025 | SAP Center – San Jose, CA &
September 17, 2025  | Golden 1 Center – Sacramento, CA &
September 19, 2025 | Moda Center – Portland, OR &
September 21, 2025 | Rogers Arena – Vancouver, BC &
September 24, 2025 | Climate Pledge Arena – Seattle, WA &
October 25, 2025 | Distrito Verde – Bogota, CO =
October 28, 2025 | Estadio San Marcos – Lima, PE =
October 31, 2025 |Parque de la Ciudad – Buenos Aires, AR =
November 2, 2025 | Estadio Nacional – Santiago, CL =
November 5, 2025 | Estadio Couto Pereira – Curitiba, BR =
November 8, 2025 | Estadio MorumBIS – São Paulo, BR =
November 11, 2025 | Estadio Mane Garrincha – Brasilia, BR =

TRACKLISTING

  1. From Zero (Intro)
  2. The Emptiness Machine
  3. Cut the Bridge
  4. Heavy Is the Crown
  5. Over Each Other
  6. Casualty
  7. Overflow
  8. Two Faced
  9. Stained
  10. IGYEIH
  11. Good Things Go
  12. Up From The Bottom*
  13. Unshatter*
  14. Let You Fade*

*Previously Unreleased

20 of the Best Songs With Cowbell (Because You Can Never Have Too Much Cowbell)

Eric Alper
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20 of the Best Songs With Cowbell (Because You Can Never Have Too Much Cowbell)

There are few instruments that can turn a groove into a moment like the cowbell. Clanky, clunky, unmistakable—it’s the funky exclamation mark we never knew we needed. From rock anthems to disco bangers, here are 20 songs that let the cowbell shine.

1. “(Don’t Fear) The Reaper” – Blue Öyster Cult
The cowbell that launched a thousand SNL skits. Played by producer David Lucas, it adds tension and swagger to the haunting track. More cowbell? This is where that plea was born.

2. “Mississippi Queen” – Mountain
The opening cowbell hits like a starter pistol. Drummer Corky Laing laid it down to help guitarist Leslie West stay on beat—and it stuck. Raw, loud, and heavy as a Southern rock steamroller.

3. “Honky Tonk Women” – The Rolling Stones
Charlie Watts kicks things off with an iconic cowbell intro. It’s slinky, it’s swampy, and it leads into one of the Stones’ most bluesy jams. This cowbell swings like a bar door on Bourbon Street.

4. “Good Times Bad Times” – Led Zeppelin
John Bonham doesn’t just play cowbell—he attacks it. It punctuates the track’s off-kilter groove and Bonham’s jaw-dropping kick-drum work. Subtle? Never. Effective? Always.

5. “Low Rider” – War
The cowbell on this one is smooth as a chrome rim. A laid-back, hypnotic rhythm that oozes cool from the first beat. It’s basically a musical hydraulic system.

6. “We’re an American Band” – Grand Funk Railroad
This song opens with cowbell and never lets up. It’s fast, relentless, and proud—kind of like the band itself. Rock radio wouldn’t be the same without it.

7. “Hair of the Dog” – Nazareth
You’re messin’ with a son of a cowbell. Those pounding hits give the riff an extra bite. It’s macho, it’s metal, it’s gloriously over the top.

8. “Rock Lobster” – The B-52’s
The cowbell here is part of the band’s deliciously weird surf-punk stew. It’s there to keep you dancing… and laughing… and wondering what planet this band came from. (It’s a fun one.)

9. “You Can’t Do That” – The Beatles
Ringo gives us some early cowbell action on this 1964 B-side. Tucked under jangly guitars and Lennon’s sneer, it still manages to stand out. A sign of cowbell greatness to come.

10. “Funky Cold Medina” – Tone Lōc
Built on a Van Halen sample that includes cowbell, this track is pure party fuel. It’s hip-hop, but the percussion owes a lot to hard rock swagger. Proof the cowbell knows no genre.

11. “Drive My Car” – The Beatles
Yes, more Beatles. Because when they let the cowbell in, they did it right. It adds drive (pun intended) to this groovy tale of ambition and innuendo.

12. “Jungle Boogie” – Kool & the Gang
This whole song is a masterclass in rhythm—and the cowbell holds it all down. A funky strut with attitude and brass to spare. That metallic ding is a dancefloor secret weapon.

13. “Time Has Come Today” – The Chambers Brothers
This psychedelic soul epic features cowbell like echoes in time. Wild, unpredictable, and totally hypnotic. It’s less of a song and more of a sonic trip.

14. “Alright Now” – Free
Before Paul Rodgers joined Bad Company, he gave us this swaggering classic. The cowbell here works like punctuation for every riff. Minimalist cowbell done maximally well.

15. “La Grange” – ZZ Top
Billy Gibbons’s guitar growls. Frank Beard’s cowbell barks. It cuts through like a signal that something funky and greasy is about to happen. And it always does.

16. “Fell in Love with a Girl” – The White Stripes
Jack White keeps it raw and fast. The cowbell isn’t flashy, but it’s vital. Just a quick hit here and there—but without it, the whole song loses that garage-punk punch.

17. “Bang a Gong (Get It On)” – T. Rex
Glam rock gets cowbell glitter. The groove struts with the help of a steady metallic tick. It’s sexy, stylish, and just a little bit sleazy—just how Marc Bolan wanted it.

18. “Born on the Bayou” – Creedence Clearwater Revival
Fogerty’s swamp-rock simmer builds on a rhythmic foundation of, yep, cowbell. Subtle, but it makes the whole thing feel like a backwoods incantation.

19. “Cuban Pete” – Desi Arnaz
Old-school cowbell brilliance. Arnaz introduced Latin rhythms—and their essential percussion toys—to American audiences. Call it vintage cowbell supremacy.

20. “Gimme Some Lovin’” – The Spencer Davis Group
A pounding, organ-fueled anthem. But it’s the cowbell that keeps the engine running. A total mod-rock banger with just enough cowbell to make you feel alive.

Cowbell isn’t just a percussion instrument—it’s a statement. It says: “Pay attention. This moment matters.” And from classic rock to funk to Latin jazz, it’s been clanking its way into our hearts for decades.

More cowbell? Always.

Chevelle Return with New Single “Rabbit Hole” and Announce Tour with Asking Alexandria and Dead Poet Society

Eric Alper
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Chevelle Return with New Single “Rabbit Hole” and Announce Tour with Asking Alexandria and Dead Poet Society

Chevelle are back with their first new music in four years. Today, the band has dropped the video for the new single “Rabbit Hole (Cowards, Pt. 1).”

It’s a gnarly, riffy rager with more hooks than a tackle box and alternately snarling and melodic vocals. Push and pull tension define the song, which leads to thrilling, dissonant breakdown at the end of the song. Put simply, it was worth the wait.

“How about we all put on our tinfoil hats, slam a Dunkies, and go deep doomscrolling. If that sounds like your sorta thing, we’ve got a new song for you called ‘Rabbit Hole (Cowards, Pt. 1). Enjoy,” shares Chevelle.

Additionally, Chevelle have confirmed a headline tour with Asking Alexandria and Dead Poet Society serving as support. Tickets go on sale on Friday, March 28 at 10am local time.

Additionally, Chevelle have confirmed a headline tour with Asking Alexandria and Dead Poet Society serving as support. Tickets go on sale on Friday, March 28 at 10 AM, local time. Get tickets here. All dates are below, including confirmed festival appearances at Coachella, Sonic Temple, Welcome to Rockville, Aftershock, and more.

Festivals:

April
20 – Indio, CA – Coachella

May
11 – Columbus, OH – Sonic Temple
17 – Ocean City MD – Boardwalk Rock
18 – Daytona Beach, FL – Welcome to Rockville
24 – The Woodlands, TX – Buzzfest
25 – Dallas, TX – The Eagle Rocks BFD

October
4 – Sacramento, CA – Aftershock

Headline tour (with Asking Alexandria, Dead Poet Society):

August
7 – San Antonio, TX – Boeing Center at Tech Port
9 – Durant, OK – Choctaw Casino & Resort Durant – Grand Theater
10 – North Kansas City, MO – Harrah’s Kansas City – VooDoo Lounge
12 – Omaha, NE – Steelhouse Omaha
14 – Indianapolis, IN – Everwise Amphitheater
15 – Chicago, IL – Byline Bank Aragon Ballroom
16 – Louisville, KY – Iroquois Amphitheater
19 – Sterling Heights, MI – Michigan Lottery Amphitheatre at Freedom Hill
20 – Toronto, ON – Great Canadian Toronto – The Theatre
21 – Pittsburgh, PA – Stage AE
23 – Asbury Park, NJ – Stone Pony Summer Stage
24 – Boston, MA – MGM Music Hall at Fenway
26 – New York, NY – The Rooftop at Pier 17
27 – Bethlehem, PA – Wind Creek Bethlehem – Wind Creek Event Center
28 – Wallingford, CT – The Dome at Toyota Oakdale Theatre
30 – Virginia Beach, VA – The Dome
31 – Washington, DC – The Anthem

September
3 – Raleigh, NC – Red Hat Amphitheater
4 – Charlotte, NC – Skyla Credit Union Amphitheatre
5 – Simpsonville, SC – CCNB Amphitheatre at Heritage Park
7 – Atlanta, GA – Coca-Cola Roxy
9 – Nashville, TN – The Pinnacle
10 – Cincinnati, OH – PNC Pavilion
11 – Milwaukee, WI – The Rave/Eagles Club – Eagles Ballroom
13 – Maryland Heights, MO – Saint Louis Music Park
14 – Oklahoma City, OK – The Criterion
16 – Denver, CO – Fillmore Auditorium
17 – Grand Junction, CO – Las Colonias Park Amphitheater
18 – Albuquerque, NM – Revel
20 – Las Vegas, NV – The Cosmopolitan of Las Vegas – The Chelsea
21 – Phoenix, AZ – Arizona Financial Theatre
23 – San Diego, CA – Cal Coast Credit Union Open Air Theatre
26 – Hollywood, CA – Hollywood Palladium
27 – San Francisco, CA – The Masonic
28 – Redding, CA – Redding Civic Auditorium
30 – Idaho Falls, ID – Mountain America Center

October
1 – Nampa, ID – Ford Idaho Center Amphitheater
2 – Airway Heights, WA – Northern Quest Resort & Casino – BECU Live

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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