Home Blog Page 803

Primus Announces Onward & Upward Tour With Ty Segall and MonoNeon on Select Dates

Eric Alper
-
0
Primus Announces Onward & Upward Tour With Ty Segall and MonoNeon on Select Dates

Following their electrifying run on the Sessanta tour alongside A Perfect Circle and Puscifer, Primus will return this summer with the Onward & Upward Tour—an expansive, coast-to-coast trek that marks an exciting new chapter for the band. The tour not only brings the trio’s signature blend of musical innovation back to stages nationwide, but also introduces fans to drummer John Hoffman, whose recent addition to the lineup brings a renewed sense of energy, experimentation, and groove to the legendary outfit.

Kicking off July 5th in Paso Robles, CA, the Onward & Upward Tour will hit 24 cities across the U.S., making stops at iconic venues like Red Rocks Amphitheatre in Colorado, The Salt Shed in Chicago, The Rooftop at Pier 17 in New York, and The Greek Theatre in Los Angeles, before culminating in a celebratory two-night stand at Channel 24 in Sacramento on August 7th and 8th. Along the way, Primus will be joined by a pair of equally bold and idiosyncratic artists—Ty Segall and MonoNeon—who will appear on select dates throughout the tour.

A special VIP & Artist Presale launches Wednesday, March 26th at 10am local time. Tickets go on sale to the general public on Friday, March 28th at 10am local time. For more information and to purchase tickets, visit: https://primusville.com

The Onward & Upward tour borrows its name from the ever-mutating DNA of Primus itself—a band that’s never been content to sit still or play it straight. That spirit of constant evolution is now hurtling forward with the addition of drummer John Hoffman, whose arrival marks a bold new chapter for the trio. Selected from more than 6,200 global applicants during the band’s wide-open audition process, Hoffman’s deep pocket, wild musical mind, and immediate chemistry with Les Claypool and Larry LaLonde made him the clear choice.

Les Claypool shared the following statement about the tour and the band’s newest member:

“Hitting the road this summer with Hoffer at the helm! This fiery, cheerful, octopus-like drummer from Shreveport, Louisiana has breathed a very potent breath of freshness into this band we all call PRIMUS.

While splitting the drum duties of his first gig with the mighty Danny Carey down in the Dominican Republic, John “Hoffer” Hoffman has launched himself into the PRIMUS world with all guns-a-blazin’. Fresh from their next jaunt around the states with Sessanta Part 2 this Spring, Hoffer, Ler, and The Ol’ Colonel will be playing some full length PRIMUS sets at choice venues across the US, dipping into material (mainly at the request of Hoffer) that have not been performed in a many years.

Come see why this amazing fellow was able to rise above over 6100 applicants to win the Interstellar Drum Derby and become the latest, and possibly the greatest, drummer to sit on the PRIMUS drum throne.

ONWARD AND UPWARD!!”

The search for a new drummer was recently chronicled in the band’s newly launched YouTube series, Interstellar Drum Derby, which gives fans an inside look at the journey that led to Hoffman’s selection. With his first full tour on the horizon, Onward & Upward promises to deliver the next wave of Primus’ creative vision.

SESSANTA TOUR 2025
Thursday, April 24th – Acrisure Arena – Palm Desert, CA
Friday, April 25th – PH Live at Planet Hollywood – Las Vegas, NV
Sunday, April 27th – Isleta Amphitheater – Albuquerque, NM
Tuesday, April 29th – Freeman Coliseum – San Antonio, TX
Thursday, May 1st – BOK Center – Tulsa, OK
Friday, May 2nd – Walmart AMP – Rogers, AR
Sunday, May 4th – The Orion Amphitheater – Huntsville, AL
Tuesday, May 6th – Seminole Hard Rock Hotel & Casino – Hollywood, FL
Thursday, May 8th – MIDFLORIDA Credit Union Amphitheatre – Tampa, FL
Saturday, May 10th – PNC Music Pavilion – Charlotte, NC
Sunday, May 11th – Veterans United Home Loans Amphitheatre – Virginia Beach, VA
Wednesday, May 14th – SNHU Arena – Manchester, NH
Thursday, May 15th – The Mann Center – Philadelphia, PA
Saturday, May 17th – PNC Bank Arts Center – Holmdel, NJ
Sunday, May 18th – EagleBank Arena – Fairfax, VA
Tuesday, May 20th – Petersen Events Center – Pittsburgh, PA
Thursday, May 22nd – Budweiser Stage – Toronto, ON
Saturday, May 24th – Ruoff Music Center – Noblesville, IN
Sunday, May 25th – Blossom Music Center – Cuyahoga Falls, OH
Wednesday, May 28th – The Van Andel Arena – Grand Rapids, MI
Thursday, May 29th – Hollywood Casino Amphitheatre – St. Louis, MO
Saturday, May 31st – American Family Insurance Amphitheater – Milwaukee, WI
Sunday, June 1st – Xcel Energy Center – Saint Paul, MN
Tuesday, June 3rd – Baxter Arena – Omaha, NE
Friday, June 6th – RV Inn Style Resorts Amphitheater – Ridgefield, WA
Saturday, June 7th – White River Amphitheatre – Auburn, WA

ONWARD & UPWARD TOUR 2025
Saturday, July 5th – Vina Robles Amphitheatre – Paso Robles, CA*
Monday, July 7th – Sandy Amphitheater – Salt Lake City, UT*
Tuesday, July 8th – Snow King Mountain – Jackson, WY*
Wednesday, July 9th – Red Rocks Amphitheatre – Morrison, CO*
Friday, July 11th – The Salt Shed – Chicago, IL*
Saturday, July 12th – Grinders KC – Kansas City, MO*
Sunday, July 13th – The Pinnacle – Nashville, TN*
Tuesday, July 15th – Iroquois Amphitheater – Louisville, KY*
Wednesday, July 16th – Michigan Lottery Amphitheatre – Detroit, MI*
Friday, July 18th – Beak & Skiff Apple Orchards – Lafayette, NY*
Saturday, July 19th – Midway Lawn At Champlain Valley Expo – Essex Junction, VT*
Monday, July 21st – The Rooftop at Pier 17 – New York, NY*
Tuesday, July 22nd – Hartford HealthCare Amphitheater – Bridgeport, CT^
Wednesday, July 23rd – Red Hat Amphitheater – Raleigh, NC^
Friday, July 25th – Synovus Bank Amphitheater At Chastain Park – Atlanta, GA^
Saturday, July 26th – Live Oak Bank Pavilion – Wilmington, NC^
Monday, July 28th – Saenger Theater – New Orleans, LA^
Tuesday, July 29th – Shreveport Municipal Auditorium – Shreveport, LA^
Wednesday, July 30th – The Bomb Factory – Dallas, TX^
Friday, August 1st – Arizona Financial Theatre – Phoenix, AZ^
Saturday, August 2nd – Cal Coast Credit Union Open Air Theatre – San Diego, CA^
Sunday, August 3rd – Quarry Amphitheater – Santa Cruz, CA
Wednesday, August 6th – The Greek Theatre – Los Angeles, CA*
Thursday, August 7th – Channel 24 – Sacramento, CA
Friday, August 8th – Channel 24 – Sacramento, CA

• with Ty Segall
^ with MonoNeon

SiriusXM Announces Comprehensive Coverage, New Additions to Lineup for 2025 Major League Baseball Season

Eric Alper
-
0
SiriusXM Announces Comprehensive Coverage, New Additions to Lineup for 2025 Major League Baseball Season

The 2025 Major League Baseball season gets underway this week and SiriusXM delivers listeners the most comprehensive audio coverage of the league, offering access to every regular season and postseason game from Opening Day through the World Series presented by Capital One, plus daily in-depth talk on the exclusive MLB Network Radio channel, 365 days a year.

SiriusXM has added several new expert voices to MLB Network Radio this season. Fans will hear insight and analysis from former Marlins and Braves manager Fredi Gonzalez, and former major league players Stephen Piscotty, Ryon Healy, AJ Ramos and Cole Tucker, who all join the channel as hosts.

They join an MLB Network Radio roster that features former GMs Jim Bowden, Jim Duquette and Steve Phillips, former players David Aardsma, Kevin Frandsen, Chris Gimenez, Jensen Lewis, Trevor May, CJ Nitkowski, Eduardo Pérez, Xavier Scruggs, Ryan Spilborghs and Mike Stanton, and former manager Kevin Kennedy. The channel is also home to shows hosted by national baseball writers Tyler Kepner and Jon Morosi, as well as baseball insiders Robert Brender, Jenny Cavnar, Mike Ferrin, Dan Graca, Jeff Joyce, Jim Memolo, Grant Paulsen, Ed Randall and Dani Wexelman.

SiriusXM and MLB Network also recently announced that MLB Network will simulcast the final hour of SiriusXM’s daily morning show, “The Leadoff Spot,” which is hosted by Steve Phillips, Xavier Scruggs, and Eduardo Pérez. “The Leadoff Spot” airs live on SiriusXM weekdays from 7 to 10 am ET. MLB Network viewers can watch the show live each morning from 9 to 10am ET starting March 26.

As for the action on the field, with SiriusXM, fans can get every one of their team’s 162 regular season games, plus every playoff game, in their cars or anywhere they go with the SiriusXM app.

Additionally, the SiriusXM app features 30 dedicated MLB team pages where fans can find their team’s official radio broadcast for each game, plus SiriusXM programming and podcasts that are specifically focused on that team.

For a schedule of MLB games on SiriusXM go to SiriusXM.com/Sports.

Throughout the season, fans can also hear regularly scheduled interviews with several MLB managers on MLB Network Radio. These include: Torey Lovullo (Diamondbacks), Matt Quatraro (Royals), Stephen Vogt (Guardians), Ron Washington (Angels), Pat Murphy (Brewers), Rocco Baldelli (Twins), Brandon Hyde (Orioles), Alex Cora (Red Sox), Mark Kotsay (Athletics), Mike Shildt (Padres), Bob Melvin (Giants), Derek Shelton (Pirates), John Schneider (Blue Jays), AJ Hinch (Tigers) and others.

 

“GIRLS ROCK!” SHONEN KNIFE Announces The “Everyone Happy” U.S. Tour

Eric Alper
-
0
“GIRLS ROCK!” SHONEN KNIFE Announces The “Everyone Happy” U.S. Tour

Legendary Japanese power pop trio SHONEN KNIFE is excited to announce their 2025 “Everyone Happy U.S. Tour” across North America. Known for their infectious melodies, punk-infused energy, and enduring influence on the global music scene, Shonen Knife promises a tour that celebrates their vibrant catalog and joyful spirit.

Kicking off in late September, the “Everyone Happy U,S, Tour” will feature fan-favorite tracks spanning their entire career, including new songs from their latest release, Our Best Place, out now on Good Charamel Records. The tour features dates in NYC, LA, San Diego and a headline performance at The Music is Art Festival in Buffalo, NY.

“We’re so excited to bring our music to fans across North America and celebrate together with delicious sake,” said Naoko, founding member and lead vocalist. “Shonen Knife is about fun, friendship, and happiness, and we can’t wait to share that with everyone.”

Shonen Knife has built a global following with their unique blend of punk rock and pop sensibilities, inspiring generations of musicians and fans alike. Their songs, often filled with quirky humor and themes of everyday life, continue to resonate with audiences worldwide.

The “Everyone Happy U.S. Tour” promises to be an unforgettable experience, blending Shonen Knife’s iconic sound with the joy of cultural tradition. Whether longtime devotees or new listeners, fans will be treated to a vibrant, energetic show that celebrates the band’s legacy and the simple joy of music.

TOUR DATES
Sep 20 Buffalo, NY Music is Art Festival
Sep 21 Boston. MA Sonia
Sep 23 Hamden, CT Space Ballroom
Sep 24 NYC Littlefield
Sep 26 Baltimore, MD Ottobar
Sep 27 Sellersville, PA Sellersville Theater
Sep 28 Pittsburgh, PA Preserving Underground
Sep 30 Columbus, OH Rumba Cafe
Oct 02 Cleveland, OH Grog Shop
Oct 03 Ann Arbor, MI The Blind Pig
Oct 04 Grand Rapids, MI Pyramid Scheme
Oct 05 Indianapolis, IN Hi-Fi
Oct 07 Kansas City, MO The Record Bar
Oct 09 Denver, CO HQ
Oct 10 Colorado Springs, CO Black Sheep
Oct 11 Santa Fe, NM Meow Wolf
Oct 13 Phoenix, AZ Rebel
Oct 14 San Diego, CA Casbah
Oct 16 Los Angeles, CA Roxy Theatre
Oct 17 Fresno, CA Fulton 55
Oct 18 San Jose, CA The Ritz
Oct 19 San Francisco, CA Bottom of the Hill
Oct 21 Novato, CA Hopmonk
Oct 22 Sacramento, CA Harlow’s
Oct 24 Portland, OR Star Theater
Oct 25 Seattle, WA Tractor Tavern
Oct 26 Tacoma, WA Spanish Ballroom

Indigenous Music Office Introduces Cultural Cadence Mentorship Participants

Eric Alper
-
0
Indigenous Music Office Introduces Cultural Cadence Mentorship Participants

The Indigenous Music Office welcomes its inaugural cohort in the Cultural Cadence mentorship program to Vancouver for the 2025 JUNO Awards. Workshops, speakers and industry events will take place alongside the national music industry gathering as the culmination to the four-month professional development program launched in 2024. The IMO is grateful to be hosted by the Squamish, Musqueam and Tsleil-Waututh nations.

The IMO is pleased to introduce its First Nations, Inuit and Métis participants, a dynamic and enterprising group of emerging Indigenous entrepreneurs from different communities and roles with a shared dedication to the growth of the Indigenous music ecosystem.

Cultural Cadence Participants:
– Cassidy Mann (Sagkeeng First Nation, MB)
– Curtis Clearsky (Anishinaabe and Nitsitapii, BC)
– Dawn Ferguson (Metis-Cree, AB)
– Gerard Wolfe/Mahihkan (Muskowekwan First Nation, SK)
– Gladwyn Badger (Neyhiyaw, AB/ON)
– January Rogers (Six Nations of the Grand River, ON)
– Leanne Goose (Inuvik, NT)
– Malaya Bishop (Iqaluit, NU)
– Tess Ray Houston (Red River Métis, MB)
– Evan Syliboy (Millbrook First Nation, NS)

Cultural Cadence mentors and presenters who will join the cohort in Vancouver this week include Tessa Balaz, Jason Burnstick, David Cox, MJ Dandeneau, Mike Denney, Tara Di Giuseppe, Alan Greyeyes, Noel Habel, Angelika Heim, Tewanee Joseph, Shoshona Kish, Joelle May, Margaret McGuffin, Amanda Rheaume, Mauricio Ruiz, Sun Sun, Amie Therrien and Kim Wheeler.

“The majority of Indigenous artists in Canada don’t have managers or teams,” explains Alan Greyeyes, IMO chairperson. “I’m excited about this project because it supports the development of managers and administrative talent who know just how daunting the road travelled by Indigenous artists is because they’ve had to walk it too.”

Created to support career advancement for emerging Indigenous music industry professionals, the new program reflects the IMO’s commitment to building capacity and creating pathways for professional development. Cultural Cadence program partners include Music Managers Forum Canada (MMF Canada) and Full Circle: First Nations Performance.

Canadian Arts/Media Job Postings For March 26, 2025

Eric Alper
-
0
Canadian Arts/Media Job Postings For March 26, 2025

Arts & Culture Positions (Canada-wide):

Media & Communications Positions:

Journalism & Writing Positions:

Will Insurance Pay for Luxury Rehab in Georgia?

Eric Alper
-
0

By Mitch Rice

When it comes to finding help for addiction or mental health issues, choosing the right rehab facility is a deeply personal and often life-changing decision. For some, a luxury rehab center offers privacy, comfort, and high-end amenities that can make recovery not just effective, but more comfortable and dignified.

But one big question looms large for many: Will insurance pay for luxury rehab in Georgia? The short answer is: it depends. Insurance may cover part—or in some cases, most—of the cost of luxury rehab, but there are important details and limitations to understand.

What Is Luxury Rehab?

Luxury rehab centers provide addiction and mental health treatment in settings that resemble upscale resorts or boutique hotels. Luxury rehabs often include various behavioral therapies as part of their treatment options. Think ocean views, private rooms, gourmet meals, spa treatments, and fitness programs alongside clinical care.

But it’s not just about aesthetics: many luxury rehabs also offer a higher staff-to-patient ratio, more personalized therapy, and advanced treatment options like neurofeedback, holistic therapies, and executive burnout programs.

These facilities often attract high-profile individuals, executives, and anyone seeking a private, comfortable space to focus on recovery. In Georgia, luxury rehabs can be found in serene locations like the North Georgia mountains, the Golden Isles, or even tucked away in private estates just outside Atlanta.

What Does Insurance Coverage Typically Cover in Rehab?

Insurance coverage for substance abuse treatment is mandated by the Affordable Care Act (ACA) and the Mental Health Parity and Addiction Equity Act (MHPAEA). These laws require that mental health and substance use disorder (SUD) services be treated the same as other medical and surgical benefits.

According to the Substance Abuse and Mental Health Services Administration (SAMHSA), insurance will offer coverage for at least some of your rehab cost, if not all of it. In practical terms, that means most insurance plans offer treatment coverage for:

  • Medical detox
  • Inpatient residential treatment
  • Outpatient treatment (including IOP and PHP)
  • Medication-assisted treatment (MAT)
  • Counseling and behavioral therapy

However, what is covered and how much depends on the specifics of your insurance plan.

The Catch: Medically Necessary vs. Luxury Amenities and Behavioral Therapies

Here’s where it gets tricky: insurance only covers medically necessary treatment, which includes essential medical care. While luxury rehabs offer evidence-based care, many of the premium features they provide—like private chefs, equine therapy, or oceanside views—are not considered medically necessary.

As a result, your insurance company may approve the clinical components of a treatment program but not the luxury extras. That means you could still get partial coverage at a luxury rehab facility, but you may be responsible for paying out-of-pocket for the premium accommodations.

Types of Insurance and How They Affect Coverage in Georgia

Different types of insurance offer different levels of coverage that can vary based on the specific facility chosen, individual treatment needs, and details of insurance policies. Let’s take a look at the most common ones and how they may apply to luxury rehab in Georgia.

1. Private Insurance (PPO, HMO, EPO)

Private insurance through employers or the marketplace often provides the best chance of partial or full coverage. PPO plans generally offer the most flexibility, allowing you to choose out-of-network providers (including luxury rehabs), although at a higher out-of-pocket cost.

HMO and EPO plans are more restrictive and may only cover in-network providers, which could limit your luxury rehab options. It is crucial to choose the right program that aligns with your insurance coverage to ensure you receive the best possible care without unexpected expenses.

2. Medicare and Medicaid

In Georgia, Medicaid and Medicare do offer drug and alcohol addiction treatment services, but they typically do not cover luxury rehab. These plans are more likely to cover community-based treatment centers or those with standard accommodations.

Some dual-diagnosis treatments may be available under these plans, but you should expect basic amenities. Luxury rehab can be more expensive compared to standard accommodations covered by Medicare and Medicaid.

3. Employer Assistance Programs (EAPs)

Some employers in Georgia offer Employee Assistance Programs that include short-term counseling and help finding rehab resources. While EAPs don’t usually pay for luxury rehab outright, they can be a stepping stone to accessing your insurance benefits or getting pre-authorizations for treatment. Using EAPs can potentially lead to significant cost savings and enhanced treatment options.

How to Find Out What Your Insurance Covers

The best way to determine whether your insurance will pay for luxury rehab in Georgia is to speak to a treatment provider directly. Your rehab facility can help you verify your insurance coverage and what treatment options are covered under your plan.

Studies have shown that understanding insurance coverage for addiction treatment is crucial, and ongoing research continues to explore effective approaches for managing and treating addiction.

In-Network vs. Out-of-Network: What’s the Difference?

One major factor that affects coverage is whether a facility is in-network or out-of-network. Coverage and costs can vary significantly based on this distinction.

  • In-network means the rehab has a contract with your insurance provider. These usually offer better coverage and lower out-of-pocket expenses.
  • Out-of-network means the facility is not contracted with your insurer, so coverage may be limited or require higher co-pays and deductibles.

Some private luxury rehab centers in Georgia work hard to become in-network or offer single-case agreements with insurance companies. These agreements allow the insurer to cover treatment at an out-of-network facility as if it were in-network, often in cases where specialized care is needed and not available elsewhere.

Realistic Costs: What You Might Expect to Pay

Luxury rehab in Georgia can range from $20,000 to $80,000+ per month, depending on the level of amenities and the length of stay. With insurance, your out-of-pocket cost could range from a few thousand dollars to the full amount, depending on your deductible, co-insurance, and whether the facility is in-network.

For example, if your plan covers 60% of residential treatment but not the luxury amenities, you may be left covering the difference. Some people choose to pay for the upgraded accommodations separately while letting insurance take care of the clinical portion of care. The financial implications of drug addiction treatment can be significant, impacting both personal finances and overall well-being.

Tips to Maximize Insurance Benefits for Luxury Rehab

If you’re looking into luxury rehab and hoping to use your insurance, here are a few practical tips:

Understanding the different treatment types available is crucial, as it can significantly influence both the overall costs and the effectiveness of your recovery process.

1. Choose a Facility with Insurance Experts

Look for a luxury rehab in Georgia that has a dedicated admissions or insurance team. They can handle benefit checks, submit paperwork, and fight for coverage on your behalf. Insurance experts can also help navigate coverage for behavioral therapies.

2. Document Medical Necessity

Make sure your healthcare provider documents your condition thoroughly. Insurers want to see that residential treatment is the best option compared to outpatient or less intensive care.

Additionally, thorough documentation of medical care is crucial for insurance coverage, especially for those requiring intensive treatment.

3. Appeal Insurance Denials

Don’t be discouraged by a denial. Many insurance claims are denied the first time but approved upon appeal, especially if the rehab facility can provide strong clinical justification.

Appealing the denial can potentially lead to approval, offering a chance for coverage.

4. Consider Hybrid Models

Some Georgia facilities offer a hybrid approach: standard accommodations are covered by insurance with optional upgrades for those who want a more luxurious experience. This can be a good middle ground.

Choosing the right program that offers a hybrid approach is crucial to ensure it aligns with your unique needs and definition of luxury.

What to Look for in Georgia Luxury Drug and Alcohol Rehab Programs (Beyond Insurance)

Even if insurance plays a big role in your decision, don’t lose sight of the bigger picture. Recovery is a major investment in your future, and the right environment can make a big difference. Here are some factors to weigh:

  • Clinical credentials: Is the staff licensed and experienced in addiction and mental health treatment?
  • Treatment modalities: Does the program offer evidence-based therapies like CBT, DBT, EMDR, and trauma-informed care?
  • Dual-diagnosis support: Can they treat co-occurring conditions like anxiety, depression, or PTSD?
  • Aftercare planning: Do they help with long-term recovery and relapse prevention?
  • Privacy and discretion: Especially important for professionals and high-profile individuals.

Understanding different treatment types is crucial as it influences both the recovery process and the overall costs associated with rehab.

Is Luxury Rehab in Georgia Worth It?

If you have the means or your insurance can help offset the cost, luxury rehab can offer a healing experience that prioritizes comfort, privacy, and individualized care. From inpatient programs to outpatient treatment, insurance will typically cover substance abuse treatment.

While insurance may not cover every luxury amenity, it often covers the medical backbone of treatment, making the overall cost more manageable.

Although luxury rehab may seem expensive initially, it can save money in the long run by avoiding the high costs associated with ongoing addiction. When choosing a luxury rehab in Georgia, it pays to do your homework.

Speak to admissions counselors, verify your insurance benefits, and make sure the program aligns with your clinical needs and personal values. Ultimately, what matters most is not just where you go—but how committed you are to the journey of recovery.

Ready to Learn More or Verify Your Insurance?

If you’re considering luxury rehab in Georgia and want to understand your insurance options, reach out to a treatment center that offers free insurance verification. Many facilities can tell you within hours what your plan covers and help you create a financial plan for care.

Recovery is possible—and you don’t have to navigate it alone. Studies have shown that understanding insurance coverage is crucial for accessing the appropriate treatment and managing costs effectively.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

20 of the Best Music B-Sides Ever – When the Flip Side Beat the Hit Side

Eric Alper
-
0
20 of the Best Music B-Sides Ever – When the Flip Side Beat the Hit Side

A-sides may get the glory, but B-sides get the cult following.

In the days of vinyl and cassettes, flipping the single meant finding buried treasure — the tracks that weren’t meant to be hits but sometimes outshone them. These weren’t just throwaways or filler — they were the unsung anthems, the raw experiments, the songs that made fans fall even harder.

Some B-sides became concert staples. Some were secret favorites among the band. And some even turned into accidental hits.

Here are 20 of the best music B-sides ever — from legends who couldn’t stop creating magic, even when no one was looking.

1. The Beatles – “Rain”

B-side to: “Paperback Writer” (1966)
Psychedelic before it was fashionable. Lennon’s voice, Ringo’s best drumming ever, and a backwards tape loop? Come on — it’s a whole mood.

2. Oasis – “Acquiesce”

B-side to: “Some Might Say” (1995)
This isn’t just a B-side. This is the song that convinced half the UK that Liam and Noel shouting together was pure rock ’n’ roll perfection.

3. The Rolling Stones – “Child of the Moon”

B-side to: “Jumpin’ Jack Flash” (1968)
The Stones go full-on trippy in this underappreciated slice of ’60s psychedelia. It’s hazy, poetic, and so, so good.

4. Queen – “I’m In Love With My Car”

B-side to: “Bohemian Rhapsody” (1975)
Roger Taylor fought for this track. He even locked himself in a cupboard until it got on the B-side. It’s the sound of chrome, leather, and glorious overdrive.

5. U2 – “Sweetest Thing”

B-side to: “Where the Streets Have No Name” (1987)
Originally just a thank-you to Bono’s wife for forgetting her birthday, it’s so good they re-released it as an A-side years later.

6. David Bowie – “Velvet Goldmine”

B-side to: “Space Oddity” reissue (1975)
Glam. Sleaze. Swagger. Hidden for years and too spicy for early ’70s radio. Now it’s a cult favorite — and the name of a movie, too.

7. Nirvana – “Even In His Youth”

B-side to: “Smells Like Teen Spirit” (1991)
Kurt at his most cathartic and confessional. Loud, fast, and furious — and still better than 90% of the grunge scene.

8. Bruce Springsteen – “Pink Cadillac”

B-side to: “Dancing in the Dark” (1984)
The Boss takes a detour down rockabilly highway. Greasy, playful, and impossible not to love.

9. The Smiths – “Please, Please, Please Let Me Get What I Want”

B-side to: “William, It Was Really Nothing” (1984)
Only Morrissey and Marr could make 1 minute and 50 seconds feel like a lifetime of yearning.

10. Prince – “Erotic City”

B-side to: “Let’s Go Crazy” (1984)
“Must be something in the water they drink.” Funky, filthy, and banned from many stations. Prince owned the B-side.

11. Led Zeppelin – “Hey, Hey What Can I Do”

B-side to: “Immigrant Song” (1970)
Zep’s only non-album B-side, and it’s a beauty. Acoustic strumming, barroom heartbreak, and Plant crooning like a troubadour.

12. R.E.M. – “Fretless”

B-side to: “Losing My Religion” (1991)
Haunting, moody, and melancholic. Stipe and company buried this one and the superfans still talk about it like it’s a secret code.

13. Blur – “Young & Lovely”

B-side to: “Chemical World” (1993)
Better than half the songs on Modern Life Is Rubbish. Lush, Britpop brilliance, and a fan-favorite for good reason.

14. Bob Dylan – “Rita May”

B-side to: “Stuck Inside of Mobile…” (1976)
Lost in the shuffle of Dylan’s prolific mid-’70s run, but this bluesy outtake from the Desire sessions has its own swagger.

15. Radiohead – “Talk Show Host”

B-side to: “Street Spirit (Fade Out)” (1996)
Found new life on the Romeo + Juliet soundtrack. Moody, menacing, and pure mid-’90s cool.

16. The Jam – “The Butterfly Collector”

B-side to: “Strange Town” (1979)
Paul Weller’s bitter, brilliant takedown of groupie culture. Raw and poetic. A real B-side flex.

17. The Who – “Dogs Part Two”

B-side to: “Pinball Wizard” (1969)
An instrumental? Sure. But it barks, it bites, and Keith Moon co-wrote it. That alone makes it legendary.

18. T. Rex – “Raw Ramp”

B-side to: “Get It On” (1971)
Bolanesque to the max. Glitter, groove, and good times all packed into a B-side you’ll want on repeat.

19. Arctic Monkeys – “Evil Twin”

B-side to: “Suck It and See” (2011)
The Monkeys go heavy and hypnotic. A modern B-side that proves the art isn’t dead — just a bit harder to find.

20. Elvis Presley – “Don’t Be Cruel”

B-side to: “Hound Dog” (1956)
In a twist of history, the B-side was just as huge as the A-side. Together, they ruled the charts — and changed the world.

The B-side was never just the throwaway. It was the playground, the secret handshake, the mixtape gold.

And for anyone who ever bought a single and flipped it over just to see what surprises were waiting — you knew the truth: some of the best songs weren’t on the radio. They were spinning on the other side, waiting to be found.

Got a favorite B-side that blew your mind? There’s a record crate somewhere that agrees with you.

Rock on — and always flip the record.

5 Easy Ways to Get Your Podcast on Spotify and Apple Podcasts

Eric Alper
-
0
5 Easy Ways to Get Your Podcast on Spotify and Apple Podcasts

ou’ve recorded your podcast, polished the audio, and you’re ready to share it with the world. But how do you actually get it onto major platforms like Spotify and Apple Podcasts? Whether you’re launching your first episode or growing an existing show, getting listed on these platforms is key to reaching new listeners and building your audience. Here are five straightforward ways to distribute your podcast and get it heard.

1. Use a Podcast Hosting Platform
The easiest way to get on Spotify and Apple Podcasts is through a hosting platform like Buzzsprout, Anchor (by Spotify), or Libsyn. These services generate your RSS feed and offer one-click distribution to major platforms.
More info:

2. Submit Directly to Apple Podcasts Connect
Already have an RSS feed? Head to Apple Podcasts Connect, log in with your Apple ID, and follow the steps to validate and submit your show. Approval usually takes a few days.
More info: How to submit your show to Apple Podcasts

3. Submit Directly to Spotify for Podcasters
If you’re not using a host that distributes automatically to Spotify, you can claim your show via Spotify for Podcasters. You’ll verify ownership using your email and link your RSS feed.
More info: Spotify for Podcasters Help

4. Use a Podcast Aggregator or Distribution Service
Platforms like Podbean, Transistor, and Captivate combine hosting and distribution tools, helping you streamline the process and reach multiple directories at once.
More info: Transistor’s guide to podcast distribution

5. Promote via Podcast Directories and Apps
Once you’re listed on Spotify and Apple, don’t stop there. Submit your RSS feed to other directories like Overcast, Pocket Casts, Stitcher, and Amazon Music. Every additional listing helps more listeners find your show.
More info: Comprehensive podcast directory list by Podnews

5 Surprising Facts About Joy Division’s ‘Unknown Pleasures’

Eric Alper
-
0
5 Surprising Facts About Joy Division’s ‘Unknown Pleasures’

Let’s rewind to 1979: Thatcher was rising, bin bags lined the streets, and something darker, sharper, and eerily beautiful was brewing in the industrial north. Joy Division’s debut album, Unknown Pleasures, arrived not with a bang, but a pulse—a pulsar, in fact. It was a punk record, sure, but also the cold sound of the future—etched in space, soaked in reverb, and growling from deep within Stockport’s Strawberry Studios. Here are five unknown pleasurable facts about the album that still sends shivers down the spine.

1. Martin Hannett’s production magic was part genius, part madness
Martin Hannett didn’t just record Joy Division—he reimagined them. He made drummer Stephen Morris record each drum separately and used sound effects like smashed bottles, basement toilets, and even a lift inside a Leslie speaker. He recorded Ian Curtis’ vocals through a phone line for distance and smeared Bernard Sumner’s guitar into the ether. At the time, Peter Hook hated the result. “It sounded like Pink Floyd,” he said. But over time, even Hook had to admit—Hannett was crafting a haunted cathedral of sound.

2. Ian Curtis wrote ‘She’s Lost Control’ about someone he tried to help
Before Joy Division took off, Curtis worked as an Assistant Disablement Resettlement Officer. He met a woman struggling with epilepsy—like himself—who came for job help. She’d disappear, and he’d later find out she’d died from a seizure. That shock—the reality of her life and death—formed the core of “She’s Lost Control.” Live, he screamed it like an exorcism. In the studio, Hannett made the drums clean and mechanical—each hit isolated, reflecting the sterile fear and confusion Curtis captured in the lyrics.

3. The iconic album cover? Stolen… sort of.
Peter Saville’s now-legendary white-on-black waveform wasn’t just a pretty pattern. It’s a data plot of the pulsar CP 1919, created by radio astronomer Harold Craft. Joy Division didn’t ask permission. Craft only found out years later that his PhD dissertation had become one of the most recognizable album covers of all time. He bought a copy for himself after a friend showed him. Not bad for a signal from space that became the signal for a generation.

4. Factory wanted a hit. They got a funeral hymn.
Factory Records wanted a hit record with singles. What they got was Ian Curtis at his most existential. No songs were released from Unknown Pleasures—an unheard-of move. When David Geffen visited Manchester to scope them out, he reportedly left saying, “They’re not even trying to be pop stars.” But that was the point. Curtis wasn’t writing to charm you. He was documenting a disintegration—his own. In retrospect, it’s what made the record immortal.

5. The band thought they were making a punk record. They made a ghost.
When Joy Division heard the final mix, they were stunned. Where was the aggression? The feedback? The fire? Hannett had hollowed them out. “It was like someone took our painting and painted over it,” Sumner said. But what emerged was something timeless. There’s a reason this record has been referenced by everyone from Interpol to Nine Inch Nails to Green Day. It wasn’t the punk record Joy Division thought they made. It was the birth of post-punk as a spectral artform.

Unknown Pleasures was a transmission from a world just outside our reach. Every note pulses like a warning. Every silence, a scream. In a career cut short by tragedy, Joy Division left behind a document that still hums with eerie life. It’s been more than 40 years, and we’re all still trying to catch up to that sound. As Ian said, “I’ve been waiting for a guide…” Maybe this record was it all along.

5 Surprising Facts About the Eagles’ Debut Album

Eric Alper
-
0
5 Surprising Facts About the Eagles’ Debut Album

Before they were global chart-toppers, Hotel California icons, and inductees into the Rock and Roll Hall of Fame, the Eagles were just four guys trying to figure out if they were a country band, a rock band—or something brand new. Their self-titled 1972 debut Eagles didn’t just introduce the world to pristine harmonies and laid-back swagger—it changed the face of American music. But behind every perfect chorus and Top 40 hit is a dusty trail of strange stories, creative clashes, and psychedelic side quests. Here are 5 things you probably didn’t know about the album that started it all.

1. The Banjo That Saved “Take It Easy”
Sure, it’s one of the most iconic singalongs in rock history, but “Take It Easy” almost flew too close to the sun. Enter producer Glyn Johns, who convinced Bernie Leadon to throw a double-time banjo into the mix. The band thought he was bonkers. But Johns knew what he was doing—it was that unexpected, twangy touch that gave the song its jet-fuel lift. Without it, we might all be standing on a corner in Winslow, Arizona, wondering where the groove went.

2. “Earlybird” Was Helped by a Real Bird
There’s a reason “Earlybird” sounds like it rolled straight out of a morning mist in Laurel Canyon: it features actual bird chirps. But not field-recorded in some enchanted canyon—those warbles were pulled from a sound effects library. It was like putting Mother Nature on speed dial. Add Meisner and Leadon’s harmonies, and suddenly it wasn’t just country rock—it was Audubon-core.

3. The Album Almost Ended in a Food Fight Over “Nightingale”
Geffen wanted more Henley. Glyn Johns didn’t. Geffen tried to record “Nightingale” behind Johns’ back. Cue chaos. Johns caught wind and reluctantly re-recorded the track in Hollywood, even though he thought it was “unsatisfactory.” Still, the track made the final cut. Classic rock mythos, built on passive-aggression and passive compression.

4. The Peyote Picnic at Joshua Tree
The iconic gatefold photo wasn’t just desert chic—it was a full-blown peyote trip. Glenn Frey later admitted the band was tripping during the shoot at Joshua Tree. Intended to be a trippy unfolding poster, the design got glued shut by Geffen, turning the whole thing sideways—literally. Psychedelic country rock never looked so lost and found at the same time.

5. Glyn Johns Banned Booze and Blunts in the Studio
In the land of Led Zeppelin and the Rolling Stones, Glyn Johns knew a thing or two about indulgence. But during the Eagles sessions in London, he dropped the hammer: no drugs, no alcohol. Glenn Frey grumbled. Don Henley quietly complied. Somehow, out of sobriety and spite, came a record that flew higher than any buzz could take them. You can hear the discipline in every harmony—and maybe a little tension in every guitar twang.

From desert visions and double-time banjos to behind-the-scenes drama worthy of a rock opera, Eagles was more than just a debut—it was the sonic blueprint for a generation in faded denim and fringe. Forty years later, the album still sounds like summer love, highway freedom, and a band on the brink of becoming legends. And to think—it all started with a girl in a flatbed Ford slowing down to take a look.

1...802803804...3,009Page 803 of 3,009

Follow us on Instagram @thatericalper

That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

Popular posts

Popular category

© Copyright - That Eric Alper