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Winnipeg Folk Festival Adds Peach Pit The Lone Bellow and More to 2025 Lineup

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The festival has announced six additions to the 2025 Winnipeg Folk Festival lineup. The new artists are Peach Pit, The Lone Bellow, Jeffrey Martin, Dengue Fever, The Black Sea Station, SAND, and VÍÍK.

“We believe this year’s lineup truly embodies what the festival has always been about—discovering diverse indie artists from home and around the world,” said Chris Frayer, Artistic Director. “We always add a few bands after the initial lineup announcement to round out the music and bring in as many diverse genres and artists as possible. We’re excited about these new additions and the overall lineup. We can’t wait for our folkies to enjoy them in July.”

The full lineup is here.

50th Festival Edition Updates:

  • 50 Years of Folk: The 1980’s of the Winnipeg Folk Festival
    The 1980’s decade webpage is now available on ca. As part of our ongoing project to showcase each decade of the Winnipeg Folk Festival, this page highlights key site developments, milestones, performers, fun facts, and statistics. Explore the era through photos, mini wrap-up videos, performer lists, and a detailed timeline.
  • Volunteer registration is open 

Each year, the festival relies on over 2,400 volunteers. Volunteers receive free festival admission, meals backstage, and other benefits.  For more information or to apply visit winnipegfolkfestival.ca

  • 2025 Young Performers Program applications open
    Folks between 14 and 24 years old will experience hands-on workshops, expert mentoring, performance skills development, and a chance to perform on a festival stage. For more information visit ca
  • The last concert scheduled before the festival is Wild Rivers on April 19 at Burton Cummings Theatre
    The indie trio Wild Rivers from Toronto brings their Platinum- and Gold-certified hits to the stage. Their latest album, Better Now, blends rich harmonies with pop, rock, and folk influences. Tickets and information available on ca
  • The last In the City Library Workshop before the festival is on April 26 at the Bill & Helen Norrie Library
    This special free event will feature performances by Arlo Jones, Lily Bee Vanderhooft and Melody Pearson Munroe as part of the celebration of 24 years of the Young Performers Program. More information on ca

How to Find the Best Piano Teachers in San Diego: A Comprehensive 2025 Guide

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By Mitch Rice

San Diego, famous for its sun-kissed beaches, vibrant neighborhoods, and rich cultural heritage, is equally renowned for its thriving music scene. Whether you’re just beginning your musical journey or you’re a seasoned pianist aiming to perfect your skills, finding the right piano instructor is crucial to your success. In this comprehensive guide, we will explore every aspect of how you can effectively find piano teachers in San Diego.

Importance of Choosing the Right Piano Teacher

A piano teacher can significantly influence your musical journey, turning it into a rewarding, joyful experience. Here’s why choosing the right instructor matters:

  • Customized Instruction: The most beneficial aspect of personal piano lessons is the tailored approach teachers provide. An experienced instructor recognizes your individual strengths, interests, and areas for improvement and designs lessons specifically to suit you.

  • Building Proper Techniques: Teachers ensure you develop healthy playing habits from the start, avoiding poor posture, incorrect fingering, and other mistakes that can impede progress or cause injury.

  • Structured Learning: Piano teachers offer clear lesson plans, guiding you step by step through your musical growth, ensuring you master foundational skills before advancing.

  • Motivation and Support: Regular lessons with a supportive teacher help maintain motivation, ensuring continued improvement and enjoyment in playing the piano.

Key Qualities to Consider in a Piano Teacher

When looking for piano teachers in San Diego, consider several critical qualities:

  • Experience and Credentials: Look for teachers with professional qualifications or extensive teaching experience. Teachers affiliated with established music schools or possessing advanced degrees in music often provide structured and effective instruction.

  • Teaching Philosophy and Style: Every teacher has a unique teaching style. Some may focus on classical technique, while others may emphasize creativity and improvisation. Identify a style that resonates with your goals and personality.

  • Communication and Compatibility: Great teachers are effective communicators who inspire and clearly articulate concepts. Meeting potential instructors beforehand can help you assess your compatibility.

  • Track Record and Testimonials: Feedback from current and former students can be highly insightful, offering genuine perspectives on the teacher’s effectiveness, patience, and ability to inspire.

Where to Find Piano Teachers in San Diego

San Diego offers various avenues to connect with outstanding piano instructors:

Local Music Schools and Academies

Music schools and academies such as Villa Musica, Recreational Music Center, and Greene Music provide structured learning environments. These institutions typically feature experienced instructors, performance opportunities, and comprehensive curricula.

Online Resources and Directories

Online platforms have made finding reputable piano teachers easier than ever. Websites like Musikey.com provide extensive lists of piano teachers in San Diego, allowing you to read detailed profiles, compare credentials, and find the perfect match for your musical ambitions.

Community Centers and Local Colleges

Local community centers often host talented musicians providing lessons at affordable rates. Similarly, community colleges or universities often have music departments with instructors offering private lessons, workshops, or group sessions.

Cost of Piano Lessons in San Diego

Understanding the cost of piano lessons helps in making informed decisions. According to recent statistics, piano lessons in San Diego typically range from $40 to upwards of $100 per hour, depending on the instructor’s experience, lesson duration, and location. For more detailed information and breakdown of costs, you can refer to this informative guide on piano lesson pricing.

Questions to Ask Potential Piano Teachers

Before committing to lessons, conduct thorough interviews with potential instructors by asking:

  • Can you describe your teaching approach or philosophy?

  • What music genres or styles do you specialize in?

  • How do you structure your lessons?

  • Can I have a trial lesson before committing?

  • What is your policy on missed or canceled lessons?

  • Are there performance opportunities for your students?

Highlighted Piano Teachers & Studios

Platforms like Musikey.com streamline your search, presenting verified piano teachers who have been assessed and recommended for their skill, experience, and passion for teaching. Whether seeking classical instruction, jazz improvisation, or modern piano techniques, Musikey.com connects you with exceptional local instructors tailored to your musical aspirations.

Online vs. In-Person Lessons

Choosing between online and in-person piano lessons depends on your learning preferences, goals, and lifestyle.

  • In-Person Lessons: Ideal for beginners and students needing direct feedback and hands-on guidance for posture and technique.

  • Online Lessons: Suitable for individuals seeking convenience, flexibility, or access to specialized teachers who might not be geographically nearby.

Hybrid approaches are also increasingly popular, offering a balanced combination of in-person sessions and online follow-ups.

Getting the Most Out of Your Piano Lessons

To maximize your progress:

  • Consistent Practice: Establish regular practice routines, reinforcing what you’ve learned between lessons.

  • Open Communication: Regularly discuss your goals, progress, and challenges with your teacher.

  • Active Participation: Engage actively during lessons by asking questions, requesting specific songs or techniques, and being open to feedback.

Starting Your Musical Journey

Finding piano teachers in San Diego doesn’t have to feel overwhelming. By following this guide and utilizing resources like Musikey.com, you’ll confidently select an instructor who fits your goals, budget, and personality. Start exploring the rich musical community San Diego offers, and take the first steps toward fulfilling your piano-playing aspirations.

Now is the perfect time to connect with talented piano teachers and unlock your full musical potential. Begin your exciting musical adventure today!

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Do Celebrities Use Insurance When They Go to Rehab?

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By Mitch Rice

When it comes to addiction and mental health treatment, most people picture rehab centers as places of healing, growth, and change. But when the word “celebrity” enters the mix, a different image tends to surface—lavish, resort-like facilities with gourmet meals, ocean views, and price tags that seem completely out of reach for the average person.

Which begs the question: Do celebrities use insurance when they go to rehab? Or are they paying entirely out-of-pocket for their recovery process? This question is more relevant than ever. As public figures open up about their battles with addiction and mental health—think Demi Lovato, Robert Downey Jr., Ben Affleck, and more—curiosity about how they get help (and who foots the bill) continues to grow.

People have many questions about the intake process at luxury rehab centers, where patients are asked a variety of questions to assess their needs and personal history.

How Is Rehab Paid For

Before we get into the celebrity side of things, it helps to understand how addiction and mental health treatment are generally paid for. In the U.S., rehab can be covered by:

  • Private health insurance (commercial plans like Aetna, Cigna, Blue Cross Blue Shield)
  • Public insurance (Medicare or Medicaid)
  • Out-of-pocket payments (self-pay)
  • Scholarships or grants
  • Sliding-scale payment models based on income

Every year, approximately 12.8 million people need treatment for drug or alcohol problems, so there’s a big need for addiction treatment and insurance coverage.

Under the Affordable Care Act (ACA), substance use disorder (SUD) and mental health services are essential benefits. This means insurance companies have to cover them the same as they would any other medical condition. So if someone has insurance—celebrity or not—they can use it for rehab, as long as the treatment center accepts it.

But there are layers to this, especially when you factor in fame, privacy, and the luxury some celebrities expect.

What is a Celebrity Rehab Center?

A celebrity rehab center is a specialized treatment facility designed to meet the unique needs of high-profile individuals struggling with addiction and mental health issues. These centers provide a safe, private, and luxurious environment for celebrities to receive personalized care and support during their recovery journey.

Celebrity rehab programs have a team of experienced professionals, including therapists, counselors, and medical staff, who are trained to address the specific challenges faced by celebrities, such as intense media scrutiny and pressure to maintain a public image.

These rehab centers go beyond the standard treatment offerings, ensuring every aspect of a celebrity’s stay is tailored to their specific needs. From the moment they wake up to the end of their day, the schedule is carefully planned to provide a balance of therapy, relaxation, and personal growth. This personalized care is key to helping celebrities navigate their unique challenges and focus on their recovery.

What do Celebrity Rehab Centers Treat?

Celebrity rehab centers treat a wide range of addiction and mental health issues, including substance abuse, alcoholism, depression, anxiety, and trauma. They also treat co-occurring disorders, which are conditions that occur simultaneously with drug and alcohol addiction. This includes eating disorders, bipolar disorder, and post-traumatic stress disorder (PTSD).

The goal of these rehab centers is to provide comprehensive treatment that addresses the physical, emotional, and psychological aspects of addiction and mental health, helping celebrities achieve long-term recovery and happiness.

By offering a holistic approach to treatment, these centers ensure every aspect of a celebrity’s well-being is addressed. This includes not only detox and therapy but also activities that promote overall mental and physical health. The serene environment of these rehab centers allows celebrities to focus on their recovery without the distractions and pressures of their public life, making it easier for them to achieve lasting change.

So, Do Celebrities Use Insurance for Rehab?

The short answer: sometimes. But it depends on the individual, the treatment facility and the insurance plan.

Some celebrities do use insurance to cover part—or even most—of their treatment. While they may not rely solely on it, insurance can reduce the overall cost, even at high-end facilities. Others choose to pay out-of-pocket to maintain privacy, bypass insurance limits, or access elite, exclusive rehab experiences.

Let’s break this down further.

Why Some Celebrities Do Use Insurance

Because Rehab Is Expensive – Even for the Rich and Famous

Despite the assumption that all celebrities are multi-millionaires, many aren’t as wealthy as we think. Living in the public eye—managers, publicists, security, stylists, lawyers—gets expensive fast. So when celebrities go to rehab and a $30,000 to $90,000 monthly rehab bill comes in, using insurance suddenly makes sense, especially if it covers a significant portion of treatment.

SAG-AFTRA (the union representing actors and other entertainment professionals) health insurance plans often have robust behavioral health benefits. So if a celebrity is part of the union, they may have great coverage for rehab and therapy, making it a worthwhile investment for their future.

To Access In-Network Inpatient Programs

Some high-quality, reputable treatment centers accept insurance, even if they have luxury accommodations. Inpatient programs at these facilities require clients to stay on-site for a higher level of care.

These facilities may not be as flashy as Malibu mansions but still offer evidence-based care, individualized treatment plans, and holistic services. When a celebrity prioritizes treatment quality over amenities, using insurance to access these centers is a smart move.

To Offset Ongoing or Long-Term Treatment for a Mental Health Condition

Recovery doesn’t end after 30 days. Many individuals, celebrities included, engage in ongoing outpatient treatment, therapy and medication management. These ongoing services can get expensive. Insurance helps offset the cost, especially for recurring therapy appointments, psychiatric care, or medication-assisted treatment (MAT) for opioid or alcohol use disorders.

Why Some Celebrities Avoid Using Insurance

1. Privacy Concerns

Let’s face it—public figures live under a microscope. The idea of a rehab stay being revealed due to insurance claims processing (even though protected by HIPAA laws) may be enough to scare some celebrities into paying out-of-pocket. While laws do protect patient privacy, many celebrities don’t want to take that chance, especially when their careers or reputations could be at stake.

By not using insurance at all, they avoid any paper trails that might hint at where they’ve been, when, or for what reason.

To Access Exclusive, Ultra-Luxury Accommodations

There’s a tier of rehab most of us will never experience—think private villas, personal chefs, on-call therapists, and customized treatment in tropical or remote locations. These luxury rehab centers offer their amenities at a cost of $100,000+ per month and are for high-net-worth individuals. Many don’t accept insurance and frankly, they don’t need to.

These centers cater to clients who value anonymity, luxury, and personalized care above all else. Often located near serene surroundings like a private lake, these facilities offer a peaceful environment for recovery. Celebrities who can afford this level of treatment—and want privacy—are more likely to pay out-of-pocket.

3. To Avoid Insurance Limitations

Insurance companies often impose restrictions on the type of treatment, length of stay, and even the number of therapy sessions a person can access. Some plans only cover 30 days, even when longer treatment is clinically recommended. Others require extensive pre-authorizations or proof of medical necessity.

Celebrities who want to stay longer, engage in alternative or experimental therapies (like ketamine therapy, equine therapy, or psilocybin retreats), or avoid the red tape may opt to bypass insurance entirely.

Luxury Rehab Centers for Celebrities

What Makes Luxury Rehab Centers Special?

Luxury rehab centers for celebrities offer a unique and exclusive treatment experience that combines high-end amenities with personalized care and support. These centers provide luxurious accommodations, gourmet meals, and a range of recreational activities like yoga, meditation, and spa treatments.

The private and serene environment of luxury rehab centers allows celebrities to focus on their recovery without the distractions and pressures of their public life. Quickly, celebrities can begin to heal and recover in a safe and supportive environment.

In addition to their luxurious amenities, luxury rehab centers for celebrities also offer a range of evidence-based treatments including cognitive-behavioral therapy (CBT), dialectical behavior therapy (DBT) and medication-assisted treatment (MAT).

These treatments address the underlying causes of addiction and mental health issues, helping celebrities develop the skills and strategies they need to maintain long-term recovery. The intake process at luxury rehab centers for celebrities is comprehensive and personalized, involving a thorough assessment of the individual’s addiction and mental health needs.

This assessment informs the development of a personalized treatment plan that is tailored to the individual’s specific needs and goals. The length of treatment at luxury rehab centers can vary but most programs last 30, 60, or 90 days.

Overall, luxury rehab centers for celebrities offer a unique and exclusive treatment experience that combines high-end amenities with personalized care and support. These centers provide a safe, private and luxurious environment for celebrities to receive comprehensive treatment for addiction and mental health issues, to achieve long-term recovery and happiness.

What Kind of Insurance Do Celebrities Have?

Not all celebrities have the same level of health insurance. Some common scenarios include:

  • Union Insurance: As mentioned earlier, SAG-AFTRA and other entertainment unions offer good health benefits which include rehab coverage.
  • Employer-sponsored insurance: Some celebrities who are under contract with studios or record labels may be provided with insurance plans.
  • Private insurance: Wealthier celebrities may purchase high-end private plans with extensive coverage and low deductibles.
  • No insurance: Believe it or not, some celebrities—especially those whose careers have slowed—may not have insurance at all. In these cases, out-of-pocket becomes the only option, even if it’s financially challenging.

Can You Tell Which Celebs Use Insurance?

Not really. The specifics of how someone pays for rehab are private. While the media may report on who entered treatment and where the financial details aren’t usually disclosed. That said, some stars have spoken out about the importance of accessible treatment and insurance coverage, especially when advocating for recovery in public forums.

For example, musician Macklemore has been vocal about how expensive and inaccessible rehab can be, even suggesting that more people would get help if cost weren’t a barrier. Others, like Russell Brand and Jamie Lee Curtis, have advocated for systemic change in how society approaches addiction care.

These conversations often hint at the fact that insurance matters, even at the top levels of fame.

What This Means for the Rest of Us

The real takeaway here isn’t whether celebrities use insurance—but that they even need treatment in the first place. Addiction doesn’t discriminate. Fame, fortune, and red-carpet appearances don’t make someone immune to mental health challenges.

What’s reassuring is that the same types of treatment that help celebrities recover—trauma-informed therapy, cognitive behavioral therapy (CBT), group counseling, and aftercare planning—are available to everyday people, too.

And yes, insurance can help cover it. If you or someone you love is seeking treatment, know that insurance is often a key to making rehab more affordable. Many reputable centers offer a range of options, from inpatient detox to outpatient therapy, and work directly with insurers to reduce out-of-pocket costs.

Celebrities Are Just People, Too

At the end of the day, whether someone is famous or not, recovery is personal. It takes courage, commitment, and the right support system. Some celebrities use insurance. Others don’t. But they all face the same core issue—healing from addiction and getting their life back.

If you’re interested in using insurance for rehab, the first step is easy: contact a treatment center and ask for a verification of benefits. Many centers offer this for free and can walk you through what your plan covers. You don’t need a celebrity’s bank account to get good care.

Because recovery isn’t about fame—it’s about freedom.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Rhiannon Giddens and Justin Robinson Share “Going To Raleigh” From Forthcoming Album ‘What Did the Blackbird Say To The Crow’

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Today, Rhiannon Giddens and Justin Robinson have shared “Going to Raleigh” from their upcoming album of North Carolina fiddle and banjo music What Did the Blackbird Say to the Crow (April 18 / Nonesuch Records). Originally released in 1939 by western North Carolina string band The Carolina Playboys, this version (learned by Robinson from Evelyn Shaw) was recorded at the historic former plantation Mill Prong House & Preservation in Red Springs, NC.

Giddens says, “Mill Prong is located on a complicated patch of land – once owned by an indigenous farmer subsequently kicked off the land, bought by Gaels (an oppressed population overseas) who then bought African Americans to work it – a microcosm of American history. ‘Going to Raleigh’ was recorded by a nearby stream that has seen it all.”

Produced by Giddens and Joseph “joebass” DeJarnette, What Did the Blackbird Say to the Crow finds Giddens and Robinson reuniting to play eighteen of their favorite North Carolina tunes: a mix of instrumentals and tunes with words. Many were learned from their late mentor, the legendary North Carolina Piedmont musician Joe Thompson, one of the last musicians of his era and his community to carry on the southern Black string band tradition; one song is from another musical hero, the late Etta Baker, from whom they also learned by listening to recordings of her playing. Giddens and Robinson recorded outdoors at Thompson’s and Baker’s North Carolina homes. They were accompanied by the sounds of nature, including a roaring chorus of cicadas, creating a unique soundscape. Watch the previously released videos for “Hook and Line” and “Marching Jaybird.”

In further tribute to Giddens’ North Carolina roots, What Did the Blackbird Say to the Crow will arrive just a week before Biscuits & Banjos, the inaugural edition of her first festival. Taking place April 25–27 in downtown Durham and curated by Giddens, Biscuits & Banjos highlights the deep roots and enduring legacy of Black music, art, and culture while fostering community and storytelling. The sold-out festival will feature a much-anticipated Carolina Chocolate Drops reunion, their first performance together in more than a decade.

The full festival schedule will be unveiled on April 4 and include a robust offering of free, community programming and a Biscuit Trail activating local restaurants with biscuit-inspired cuisine, alongside musical performances and panel conversations with chefs, authors, artists and scholars alike.

The panels include:

Black Voices in Country Music: A Conversation with Rhiannon Giddens, Rissi Palmer, and Alice Randall
Let the Church Say Amen!: Ritual, Storytelling, and the Oral Tradition with Dasan Ahanu and Dr. Lalenja Harrington
Intentional Community: Celebrating Black Voices in Festivals and Live Events with Holly G, Brandi Waller-Pace, Rissi Palmer, and Dr. Dena Ross Jennings
The Art of the Biscuit A Conversation with Michael Twitty, Toni Tipton-Martin, and Ricky Moore, presented by Biscuitville

The full line up can be viewed now on biscuitsandbanjos.com/lineup

Biscuits & Banjos is a non-profit, community responsive festival. Funding for Biscuits & Banjos is made possible in part by the North Carolina Department of Natural and Cultural Resources, the National Endowment for the Arts, North Carolina Humanities, the Danielle Rose Paikin Foundation, the Harper House Music Foundation, the Mary Duke Biddle Foundation, Warner Music Group & Blavatnik Family Foundation Social Justice Fund (a sponsored project of Moore Impact), Duke Arts, Duke Community Affairs, 21c Museum Hotel, Biscuitville, the City of Durham, Durham County, Discover Durham, North Carolina Arts Council, Durham Arts Council, American Tobacco Campus, Blue Ridge Music Center, Sugarlands Distilling Company, Bull City Burger and Brewery, Proximity Brewing Company, Old Hillside Bourbon, Deering Banjos, Elderly Instruments, The Durham Hotel, The Hello in There Foundation, American Tobacco Campus, and other generous individual donors, sponsors, civic, and community partners.

Earlier this month, Giddens announced a number of new dates on her Rhiannon Giddens & The Old-Time Revue tour–featuring Robinson and four other string musicians, including multi-instrumentalist Dirk Powell. On June 18 they will headline the Hollywood Bowl in Los Angeles, joined by special guests Our Native Daughters– in their first performance since 2022–as well as Steve Martin, Ed Helms, and more. Additional shows in July have been added to the itinerary as well; see below for the full list.

Pre-order the album here: https://giddensrobinson.lnk.to/BlackbirdCrow

What Did the Blackbird Say to the Crow Track List:

Rain Crow
Brown’s Dream
Hook and Line
Pumpkin Pie
Duck’s Eyeball
Ryestraw
Little Brown Jug
Going to Raleigh
Country Waltz
Molly Put the Kettle On
Fly Around My Pretty Little Miss
John Henry
Love Somebody
Ebenezer
Old Joe Clark
Old Molly Hare
Marching Jaybird
Walkin’ in the Parlor

Tour Dates:

April 25-27 – Durham, NC – Biscuits & Banjos

April 30 – Asheville, NC – The Orange Peel

May 2 – Miami, FL – Miami Beach Bandshell

May 3 – Atlanta, GA – The Eastern

May 4 – Birmingham, AL – Jemison Concert Hall @ Alys Robinson Stephens Center

May 7 – Nashville, TN – Ryman Auditorium

May 8 – Cincinnati, OH – Memorial Hall

May 9 – Chicago, IL – Thalia Hall

May 11 – Washington, DC – The Anthem

May 13 – Grand Rapids, MI – St. Cecilia Music Center

May 15 – Toronto, ON – Koerner Hall at The Royal Conservatory of Music

May 16 – Toronto, ON – Koerner Hall at The Royal Conservatory of Music

May 17 – Ottawa, ON – National Arts Centre, Southam Hall

June 15 – Napa, CA – Uptown Theatre

June 16 – Ventura, CA – Ventura Theater

June 18 – Los Angeles, CA – Hollywood Bowl (with Our Native Daughters, Steve Martin, Ed Helms, Leyla McCalla, Amythyst Kiah and Allison Brown)

June 19 – San Diego, CA – The Observatory North Park

June 21 – Berkeley, CA – Zellerbach

June 23 – Seattle, WA – The Moore Theater

June 26 – Montréal, QC – Théâtre Maisonneuve @ Montreal Jazz Festival

July 11 – Tucson, AZ – Fox Tucson Theatre

July 12 – Flagstaff, AZ – Pepsi Amphitheater

July 14 – Santa Fe, NM – Lensic Performing Arts Center

July 18 – Sonoma, CA – Green Music Center

July 19 – Navarro, CA – Redwood Ramble

July 21 – Saratoga, CA – The Mountain Winery

July 25 – Boise, ID – Egyptian Theater

July 28 – Boulder, CO – Chautauqua Park

July 29 – Denver, CO – Ogden Theatre

July 31 – Vail, CO – Vilar Performing Arts Center

Brittany Davis’ ‘Black Thunder’ Arrives June 13 With Improvised Spirit and Unforgettable Power

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Black Thunder is the new album by Seattle-based artist Brittany Davis, arriving June 13 on Loosegroove Records, a label run by Pearl Jam’s Stone Gossard. The album’s first single, “Amid The Blackout Of The Night” is out today (listen/share here). Featuring Davis on keys and vocals, Evan Flory-Barnes on bass, and D’Vonne Lewis on drums, the Josh Evans-produced offering recalls artists like Nina Simone, Roberta Flack, and Rahsaan Roland Kirk in its immersive, incantatory spirit.

The trio — who barely knew each other previously — improvised Black Thunder in a surge of interactive creativity across two days in the studio. The pressure-cooker environment did away with overthinking and brought each musician’s A-game. Steeped in Black and Afrocentric cultural influences, this is Davis’ most poignant and cathartic work to date.

“Brittany, Evan, and D’Vonne have, in some way, been preparing for this recording all their lives. Honing their instrumental craft and ability, of course — but more importantly, preparing their ears, emotions, and egos to be fully present and create absolutely in the moment,” Evans says. “To listen deeply and respond empathetically. To speak with uncomfortable honesty. To listen, and be vulnerable.”

Davis — who has been blind since birth — arrives at Black Thunder via considerable headwinds. In 2023, she released her debut album, Image Issues, also via Loosegroove Records. Image Issues met critical hosannas, including recognition and appearance on NPR Tiny Desk Home, KEXP, World Cafe and SPIN. As NPR’s All Songs Considered put it, “Brittany’s music is a potent expression of hope…giving the listener courage to face the challenges the world throws at them.” And American Songwriter hailed her “voice that would fill the deepest cavern. The blind singer/songwriter is a marvel, imbued with talent and presence.” In 2023, Davis was featured on ABC’s Good Morning America, which noted, “She uses her music to connect with people and fight for a more inclusive world.”

​Black Thunder marks a shift away from Image Issues’ urban soul-funk built upon drum machines and programmed keys; instead opting for a fully live, organic performance, one that showcases her stylistic maturation, pure expression and the breadth of her versatility.

“She is channeling something or someone else,” the producer adds. “Voices, spirits, the divine — something bigger than the room itself. Something more than just the three musicians playing — something older, something deeper.”

“So many things I’ve never seen / but I’ve touched it all, it seems,” Davis sings on the album’s first single, “Amid the Blackout of the Night.” “She’s never seen the stars; she’s never seen the sun nor moon; she’s never seen the night. But how can she somehow still perfectly capture that feeling of looking up into the night sky?” Evans says. “Is there more to seeing than just sight?”

​Black Thunder is the work of a sui generis artist charting a course all her own. By bulldozing easy narratives and accessing the realm of pure feeling, Davis’ latest missive is a creative thunderclap that will be impossible to unhear.

BLACK THUNDER​ ​Track Listing
1. Ancestors
2. All You Get
3. Ancestors II
4. Amid the Blackout of the Night
5. Ancestors III
6. Black Thunder
7. Ancestors IV
8. Change Me
9. Ancestors V
10. Girl (Don’t You Know)
11. Girl (Now We’re the Same)
12. Ancestors VI
13. Mirrors
14. Ancestors VII
15. Sarah’s Song
16. Sun and Moon
17. Ancestors VIII

​Black Thunder
 is out June 13 on Loosegroove Records. | Available now for pre-save and pre-order on digital and vinyl formats HERE.

Slaughter ‘Revolution’ Reissued on Vinyl With Restored Artwork by Ioannis

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Slaughter was formed in Las Vegas, Nevada in 1988. The group was founded by lead vocalist and rhythm guitarist Mark Slaughter and bassist Dana Strum, who previously played together in the band Vinnie Vincent Invasion. The addition of guitarist Tim Kelly and drummer Blas Elias allowed Slaughter to quickly gain attention for their lively performances, catchy hooks, and melodic guitar solos. Slaughter’s debut album Stick It to Ya had three singles released that hit the Billboard Hot 100: the hit “Fly to the Angels” (US#19), and the moderate hits “Up All Night” (US#27) and “Spend My Life” (US#39).

Slaughter has continued to release new albums and tour constantly, and now Deko Entertainment is re-issuing for the first time on vinyl their 1997 release Revolution, a retro/psychedelic vibe permeates this album, as clearly evident on such highlights as “American Pie” and the long and winding epic “Heaven it Cries.” The artwork has been restored with the assistance of original art director Ioannis (Deep Purple, Styx, Fates Warning, etc…) and it has been re-mastered on 180g vinyl in two color variations, standard Black and deluxe Blue.

There is a limited amount (100 copies) of a CD/LP Bundle with at 10×10 print signed by original cover artist Ioannis which includes the Blue vinyl and 6-Panel CD Digipak. Revolution will drop on May 30th with bundles expected to ship mid-May.

Pre-order Revolution on CD and LP while supplies last here.

Tracklist:
American Pie
Heaven It Cries
Tongue N’ Groove
Can We Find A Way
Stuck On You
Hard To Say Good-Bye
Revolution
Guck
Heat Of The Moment
Rocky Mountain Way
You’re My Everything
I’m Gone
Ad-Majorem-Dei-Gloriam

20 Songs Inspired by Books and Literature

You think your English teacher didn’t rock? Think again. For decades, artists across genres have cracked open books, dog-eared some pages, and turned literature into lyric sheets. From Shakespeare to Sylvia Plath, these 20 songs prove the pen and the guitar are mightier than the sword.

1. Kate Bush – “Wuthering Heights”
Yes, that voice. Kate Bush’s debut single was straight-up Brontëcore, telling the story of Cathy and Heathcliff with gothic drama only she could deliver. A ghostly howl of romance inspired by Emily Brontë’s novel? Iconic.

2. Nas – “N.Y. State of Mind”
Nas channels the raw intensity of Native Son and the realism of James Baldwin throughout Illmatic. With its vivid imagery and existential weight, it’s street poetry that reads like a modern classic.

3. The Beatles – “I Am the Walrus”
Inspired in part by Lewis Carroll’s The Walrus and the Carpenter, John Lennon wrote this song to be delightfully confusing, like a trippy poem you’d study in English Lit. Plus, he threw in a live radio reading of King Lear. No big deal.

4. Hozier – “Take Me to Church”
While not quoting a specific book, Hozier’s fire-and-brimstone lyrics read like a queer reinterpretation of biblical texts and Oscar Wilde’s philosophy. Gothic literature meets Irish soul, and the result is pure poetry.

5. David Bowie – “1984”
Big Brother’s watching. Inspired by Orwell’s 1984, this track off Diamond Dogs brought dystopia to the dance floor. Bowie was obsessed with the novel and even planned a musical based on it. Imagine Ziggy Stardust: The Surveillance Years.

6. Tracy Chapman – “Behind the Wall”
Chapman’s stark, spoken-word song feels like it could’ve lived in a Toni Morrison novel. Without music, just voice, she tells the story of domestic violence and systemic failure with chilling, literary economy.

7. Panic! At The Disco – “Time to Dance”
This hyper-theatrical track is inspired by Chuck Palahniuk’s Invisible Monsters. With lyrics lifted straight from the novel, it’s high-drama glam rock for the postmodern reader. Who says you can’t mosh with a library card?

8. Kendrick Lamar – “Mortal Man”
Referencing The Autobiography of Malcolm X and echoing themes from James Baldwin, Lamar questions leadership, loyalty, and legacy. Literature isn’t just on his bookshelf—it’s in his DNA.

9. Metallica – “For Whom the Bell Tolls”
Metal and Hemingway? Yes, please. This blistering anthem takes its name and anti-war themes from the classic novel. A reminder that literary despair can shred just as hard as any riff.

10. Lana Del Rey – “Off to the Races”
Lana taps into Vladimir Nabokov’s Lolita with her signature mix of danger and glamour. It’s problematic, provocative, and pure pop noir—like if you turned a dusty paperback into a perfume ad.

11. The Smiths – “Cemetry Gates”
Morrissey reads Wilde and Yeats so you don’t have to—but you’ll want to. A song about plagiarism, death, and poetry? Sounds morbidly joyful, which is peak Smiths energy.

12. Janelle Monáe – “Many Moons”
Drawing from Octavia Butler and Afrofuturism, Monáe’s music (and whole Metropolis concept) is basically a syllabus in motion. Science fiction, social justice, and androids in love? Class dismissed.

13. Stevie Wonder – “Pastime Paradise”
This isn’t directly about a novel, but the spiritual themes echo The Souls of Black Folk and The Bible. Stevie blends gospel, social critique, and poetry into a piece that lives on far beyond the page.

14. Taylor Swift – “Love Story”
It’s Shakespeare-lite but catchy as hell. Swift modernizes Romeo and Juliet with a happier ending—and introduced a generation to the Bard through glittery pop-country. English teachers everywhere nodded in approval.

15. Frank Ocean – “Novacane”
Ocean sings about detachment and numbness with echoes of Brave New World. There’s no love story here—just a slow fade into synthetic pleasure and isolation. Literature as lifestyle.

16. Rush – “Tom Sawyer”
Loosely inspired by the character from Mark Twain’s novel, this song turns Tom into a modern rebel. “What you say about his company / Is what you say about society”—now that’s thesis statement energy.

17. Solange – “Weary”
While not quoting a book, the tone and themes feel lifted from Audre Lorde and bell hooks. Emotional labor, self-preservation, and Black womanhood are all rendered with quiet, literary power.

18. The Velvet Underground – “Venus in Furs”
Inspired by Leopold von Sacher-Masoch’s novella of the same name, this track dives into themes of dominance, submission, and surreal eroticism. Lou Reed turned taboo literature into rock legend.

19. Bad Bunny – “Si Veo a Tu Mamá”
Opening with a nod to The Little Prince in the form of a melody sample, the song deals with longing and emotional immaturity, echoing the book’s themes of nostalgia and loneliness—with a reggaetón twist.

20. Leonard Cohen – “Suzanne”
Cohen was a published poet before he was a songwriter, and Suzanne is pure literature set to music. Every line feels pulled from a novel you meant to read but now feel like you’ve lived.

Whether they’re drawing from dystopias, feminist theory, romantic tragedy or gothic horror, these artists remind us that books are the stuff of choruses, riffs, and revolutions, and the classroom. And if music is the soundtrack to your life, these songs prove that literature is the script.

5 Surprising Facts About The Grateful Dead’s ‘American Beauty’

Released in November 1970, American Beauty marked a turning point for the Grateful Dead — from acid-drenched psychedelia to heartfelt Americana. And like the best road trips, the stories behind it are full of unexpected detours. Here are 5 of them.

1. It Was Born From Betrayal and Became a Healing Force
American Beauty wasn’t just recorded in a studio — it was summoned through heartbreak, exhaustion, and betrayal. After discovering that their manager Lenny Hart (father of drummer Mickey Hart) had embezzled funds and skipped town, the Grateful Dead were broke, bruised, and looking for solid ground. Instead of leaning into the chaos, they turned inward, crafting gentle harmonies and Americana-infused sounds that felt like balm for a bruised generation. The magnetism of Wally Heider’s studio, surrounded by fellow psychedelic seekers like Santana and Jefferson Airplane, offered sanctuary. For bassist Phil Lesh, who was grieving the death of his father, it was more than music — it was medicine.

2. “Box of Rain” Was a Love Letter to a Dying Father
Phil Lesh had never sung lead on a studio track before “Box of Rain.” But with his father gravely ill, he wanted a song to carry his emotions — and Robert Hunter delivered. Hunter used Lesh’s scat-sung melody as the roadmap and wrote what he later described as one of the fastest lyrics he’d ever composed. “By ‘box of rain,’ I meant the world we live on,” he explained. Lesh practiced the song driving to and from his father’s nursing home. That deep intention gave the song a spiritual weight, making it not just an opening track but an anthem of presence, impermanence, and cosmic compassion.

3. They Weren’t Just Influenced by the Counterculture — They Were the Counterculture
It’s hard to overstate how much American Beauty reflects the late-60s ethos of musical cross-pollination. Jerry Garcia’s experiments with pedal steel on Déjà Vu led to jam sessions with David Crosby, Stephen Stills, and Neil Young, all of whom were regulars in the same Northern California scene. Bill Kreutzmann credited Crosby, Stills, Nash & Young with inspiring the Dead’s newfound focus on harmonies, but Crosby graciously clarified: “They already had their own style — they were just great tale-tellers.” What American Beauty proved was that the psychedelic mind could find peace in a country cadence, and radical truth-telling could wear a flannel shirt instead of a tie-dye.

4. “Friend of the Devil” Was Born in a Baseball Conversation
Mandolinist David Grisman, fresh from the dissolution of Earth Opera, ran into Garcia at a baseball game in Fairfax, California — because, of course, this was 1970 and that kind of magic still happened. Garcia casually invited him to drop by the studio, and just like that, Grisman was laying down mandolin tracks on “Ripple” and “Friend of the Devil.” That offhand invitation led to one of the most iconic acoustic collaborations in Dead history. The track’s folk-roots spirit and elegant picking would go on to influence everyone from bluegrass pickers to jam bands, proving that the Dead’s musical curiosity knew no genre boundaries.

5. “Truckin’” Took Their Worst Night and Turned It Into a National Treasure
The Dead’s arrest in New Orleans during their 1970 tour could’ve been a low point. Instead, they made it immortal. With lines like “Busted, down on Bourbon Street,” “Truckin’” captured the spirit of a band that rolled with life’s punches — hard. Co-written by Jerry Garcia, Bob Weir, Phil Lesh, and Robert Hunter, the song was a snapshot of the road, the drugs, the paranoia, and the poetry of being young and on tour in America. In 1997, the Library of Congress declared the song a national treasure. Because when you sum up an entire era in one line — “What a long, strange trip it’s been” — you earn your place in history.

More than 50 years later, American Beauty still sounds like a warm fire on a cold night. It’s proof that even the trippiest band can find beauty in simplicity. And that sometimes, the most radical thing you can do is write a beautiful song.

5 Surprising Facts About Tom Petty’s ‘Wildflowers’

Released in 1994, Wildflowers wasn’t just another album — it was Tom Petty at his most raw, reflective, and free. It captured heartbreak, healing, and hope in one beautifully understated package. And behind its acoustic guitars and Rick Rubin’s warm production lie stories you probably haven’t heard.

1. It Was Supposed to Be a Double Album (And One of the Best Songs Was Given to Rod Stewart?!)
Tom Petty originally recorded 25 songs for Wildflowers, fully intending it to be a sprawling double album. But Warner Bros. exec Lenny Waronker thought it was “too long” (we strongly disagree). So 10 tracks were left off—including “Leave Virginia Alone,” which was so good, Petty gave it to Rod Stewart, who turned it into a hit the following year. Others were chopped up, reworked, or saved for the She’s the One soundtrack. It took until 2020 for the full version to finally get released as Wildflowers & All the Rest. Worth the wait? Absolutely.

2. The Heartbreakers Were There—Even If They Weren’t on the Cover
Though Wildflowers is technically a Tom Petty solo album, it was basically a Heartbreakers project in disguise. Everyone played on it except drummer Stan Lynch, who was fired right before the album dropped. Petty brought in Steve Ferrone after a long audition process—and Ferrone later became the Heartbreakers’ full-time drummer. So yes, it’s “solo” on paper, but it still has that full Heartbreakers soul and swagger.

3. “Wildflowers” Took 3½ Minutes to Write. Seriously.
Petty described writing the title track as one of the most effortless moments of his life. He said he took a deep breath, hit record, and the entire song just flowed out in a single take. No edits. No rewrites. Just pure stream-of-consciousness magic. He actually thought something must be wrong with it because it came too easy. Sometimes the best songs don’t come from effort—they just arrive fully formed, like gifts from the universe.

4. “You Don’t Know How It Feels” Was Too Honest for TV—So They Played It Backwards
The single “You Don’t Know How It Feels” became a massive hit—but also sparked a mini scandal. The line “Let’s roll another joint” freaked out radio and TV execs, so they created versions where “joint” was played backwards, replaced with other words like “hit,” or just blanked out completely. Still, the song hit #1 on the Billboard Rock charts and won a GRAMMY for Best Male Rock Vocal Performance. Censorship couldn’t stop the vibe.

5. “Girl on LSD” Was Too Wild for Wildflowers
There was one B-side even too wild for Petty’s most vulnerable album. “Girl on LSD,” originally intended for Wildflowers, was booted off by Warner Bros. for being “too controversial.” In it, Petty sings about girls on every substance from coffee to crystal meth—and in the chorus, confesses that no drug compares to love. It’s bizarre. It’s hilarious. It’s heartfelt in a weird way. And it shows just how unafraid Petty was to push boundaries, even in his most introspective moments.

The album is a diary, a road trip, and a quiet rebellion. It may have come from a place of personal unraveling, but it ended up becoming one of Petty’s greatest triumphs. Whether you heard it back in ’94 or are just discovering it through Wildflowers & All the Rest or the stunning 2021 doc Tom Petty: Somewhere You Feel Free, one thing’s for sure: This record was always meant to find you—whenever you were ready.

Kenny Chesney Inducted Into Country Music Hall of Fame Class of 2025

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Kenny Chesney, who’s known for spreading positive energy through a singular kind of country hybrid, has taken the music to a whole lot of places. But the soft-spoken songwriter/superstar from East Tennessee had never considered taking his music, his high impact performances and voracious No Shoes Nation into the Country Music Hall of Fame.

“That’s just something you don’t dare to imagine,” said Chesney, waiting to step into the Rotunda of the Country Music Hall as this year’s Modern Era Artist of their Class of 2025. “I would never have even thought about being here, because it’s almost too much. Just walking past so many of these bronzes, realizing how many are friends or whose music I’ve listened to my whole life, this is an honor that extends beyond anything my heart would dare think.”

The first country artist to play Sphere Vegas, the man the Los Angeles Times deemed “the people’s superstar” was clearly gobsmacked when Country Music Hall of Fame member Vince Gill read a bio that retraced Chesney’s journey from a kid playing in East Tennessee State’s Bluegrass Band through a Greatest Hits and two distinctive waves of changes the way country music was made. Stressing that Chesney was still creatively striving and growing, Gill beamed introducing the artist he’d known since his first Capricorn Records album in 1993.

“The beauty of this music is that,” Chesney says, “even though it tells some pretty strong truth, country music runs on dreams.

“For me, this is beyond a dream. I keep thinking I’m gonna wake up on my couch back at ETSU. But standing here, this is more than real, it’s surreal. I couldn’t be more thankful or humble.”

Laughing with fellow inductees Tony Brown and June Carter Cash’s children John Carter Cash and Carlene Carter during the class picture, Chesney was clearly thrilled by the honor. With longtime advocate, legendary executive and Country Music Hall of Fame member Joe Galante, who’d signed him, on hand to share the moment, it was a moment of taking in the breadth of his three decade career.

“You might not think about something like this,” Chesney said. “But I have to tell you: when you hear the news, there is no feeling like it – except that moment when you realize they’re not kidding. When [CMA CEO] Sarah Trahern, Joe and Clint (Higham), my manager, came to tell me, once I realized they weren’t having some fun with me, they told me I couldn’t tell a soul.

“I didn’t tell my mom, my dad or even Dale Morris, my other manager. So today, finally, makes it feel real, and man, I am grateful to be in this company.”