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Indigenous Music Office Introduces Cultural Cadence Mentorship Participants

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The Indigenous Music Office welcomes its inaugural cohort in the Cultural Cadence mentorship program to Vancouver for the 2025 JUNO Awards. Workshops, speakers and industry events will take place alongside the national music industry gathering as the culmination to the four-month professional development program launched in 2024. The IMO is grateful to be hosted by the Squamish, Musqueam and Tsleil-Waututh nations.

The IMO is pleased to introduce its First Nations, Inuit and Métis participants, a dynamic and enterprising group of emerging Indigenous entrepreneurs from different communities and roles with a shared dedication to the growth of the Indigenous music ecosystem.

Cultural Cadence Participants:
– Cassidy Mann (Sagkeeng First Nation, MB)
– Curtis Clearsky (Anishinaabe and Nitsitapii, BC)
– Dawn Ferguson (Metis-Cree, AB)
– Gerard Wolfe/Mahihkan (Muskowekwan First Nation, SK)
– Gladwyn Badger (Neyhiyaw, AB/ON)
– January Rogers (Six Nations of the Grand River, ON)
– Leanne Goose (Inuvik, NT)
– Malaya Bishop (Iqaluit, NU)
– Tess Ray Houston (Red River Métis, MB)
– Evan Syliboy (Millbrook First Nation, NS)

Cultural Cadence mentors and presenters who will join the cohort in Vancouver this week include Tessa Balaz, Jason Burnstick, David Cox, MJ Dandeneau, Mike Denney, Tara Di Giuseppe, Alan Greyeyes, Noel Habel, Angelika Heim, Tewanee Joseph, Shoshona Kish, Joelle May, Margaret McGuffin, Amanda Rheaume, Mauricio Ruiz, Sun Sun, Amie Therrien and Kim Wheeler.

“The majority of Indigenous artists in Canada don’t have managers or teams,” explains Alan Greyeyes, IMO chairperson. “I’m excited about this project because it supports the development of managers and administrative talent who know just how daunting the road travelled by Indigenous artists is because they’ve had to walk it too.”

Created to support career advancement for emerging Indigenous music industry professionals, the new program reflects the IMO’s commitment to building capacity and creating pathways for professional development. Cultural Cadence program partners include Music Managers Forum Canada (MMF Canada) and Full Circle: First Nations Performance.

Canadian Arts/Media Job Postings For March 26, 2025

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Arts & Culture Positions (Canada-wide):

Media & Communications Positions:

Journalism & Writing Positions:

Will Insurance Pay for Luxury Rehab in Georgia?

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By Mitch Rice

When it comes to finding help for addiction or mental health issues, choosing the right rehab facility is a deeply personal and often life-changing decision. For some, a luxury rehab center offers privacy, comfort, and high-end amenities that can make recovery not just effective, but more comfortable and dignified.

But one big question looms large for many: Will insurance pay for luxury rehab in Georgia? The short answer is: it depends. Insurance may cover part—or in some cases, most—of the cost of luxury rehab, but there are important details and limitations to understand.

What Is Luxury Rehab?

Luxury rehab centers provide addiction and mental health treatment in settings that resemble upscale resorts or boutique hotels. Luxury rehabs often include various behavioral therapies as part of their treatment options. Think ocean views, private rooms, gourmet meals, spa treatments, and fitness programs alongside clinical care.

But it’s not just about aesthetics: many luxury rehabs also offer a higher staff-to-patient ratio, more personalized therapy, and advanced treatment options like neurofeedback, holistic therapies, and executive burnout programs.

These facilities often attract high-profile individuals, executives, and anyone seeking a private, comfortable space to focus on recovery. In Georgia, luxury rehabs can be found in serene locations like the North Georgia mountains, the Golden Isles, or even tucked away in private estates just outside Atlanta.

What Does Insurance Coverage Typically Cover in Rehab?

Insurance coverage for substance abuse treatment is mandated by the Affordable Care Act (ACA) and the Mental Health Parity and Addiction Equity Act (MHPAEA). These laws require that mental health and substance use disorder (SUD) services be treated the same as other medical and surgical benefits.

According to the Substance Abuse and Mental Health Services Administration (SAMHSA), insurance will offer coverage for at least some of your rehab cost, if not all of it. In practical terms, that means most insurance plans offer treatment coverage for:

  • Medical detox
  • Inpatient residential treatment
  • Outpatient treatment (including IOP and PHP)
  • Medication-assisted treatment (MAT)
  • Counseling and behavioral therapy

However, what is covered and how much depends on the specifics of your insurance plan.

The Catch: Medically Necessary vs. Luxury Amenities and Behavioral Therapies

Here’s where it gets tricky: insurance only covers medically necessary treatment, which includes essential medical care. While luxury rehabs offer evidence-based care, many of the premium features they provide—like private chefs, equine therapy, or oceanside views—are not considered medically necessary.

As a result, your insurance company may approve the clinical components of a treatment program but not the luxury extras. That means you could still get partial coverage at a luxury rehab facility, but you may be responsible for paying out-of-pocket for the premium accommodations.

Types of Insurance and How They Affect Coverage in Georgia

Different types of insurance offer different levels of coverage that can vary based on the specific facility chosen, individual treatment needs, and details of insurance policies. Let’s take a look at the most common ones and how they may apply to luxury rehab in Georgia.

1. Private Insurance (PPO, HMO, EPO)

Private insurance through employers or the marketplace often provides the best chance of partial or full coverage. PPO plans generally offer the most flexibility, allowing you to choose out-of-network providers (including luxury rehabs), although at a higher out-of-pocket cost.

HMO and EPO plans are more restrictive and may only cover in-network providers, which could limit your luxury rehab options. It is crucial to choose the right program that aligns with your insurance coverage to ensure you receive the best possible care without unexpected expenses.

2. Medicare and Medicaid

In Georgia, Medicaid and Medicare do offer drug and alcohol addiction treatment services, but they typically do not cover luxury rehab. These plans are more likely to cover community-based treatment centers or those with standard accommodations.

Some dual-diagnosis treatments may be available under these plans, but you should expect basic amenities. Luxury rehab can be more expensive compared to standard accommodations covered by Medicare and Medicaid.

3. Employer Assistance Programs (EAPs)

Some employers in Georgia offer Employee Assistance Programs that include short-term counseling and help finding rehab resources. While EAPs don’t usually pay for luxury rehab outright, they can be a stepping stone to accessing your insurance benefits or getting pre-authorizations for treatment. Using EAPs can potentially lead to significant cost savings and enhanced treatment options.

How to Find Out What Your Insurance Covers

The best way to determine whether your insurance will pay for luxury rehab in Georgia is to speak to a treatment provider directly. Your rehab facility can help you verify your insurance coverage and what treatment options are covered under your plan.

Studies have shown that understanding insurance coverage for addiction treatment is crucial, and ongoing research continues to explore effective approaches for managing and treating addiction.

In-Network vs. Out-of-Network: What’s the Difference?

One major factor that affects coverage is whether a facility is in-network or out-of-network. Coverage and costs can vary significantly based on this distinction.

  • In-network means the rehab has a contract with your insurance provider. These usually offer better coverage and lower out-of-pocket expenses.
  • Out-of-network means the facility is not contracted with your insurer, so coverage may be limited or require higher co-pays and deductibles.

Some private luxury rehab centers in Georgia work hard to become in-network or offer single-case agreements with insurance companies. These agreements allow the insurer to cover treatment at an out-of-network facility as if it were in-network, often in cases where specialized care is needed and not available elsewhere.

Realistic Costs: What You Might Expect to Pay

Luxury rehab in Georgia can range from $20,000 to $80,000+ per month, depending on the level of amenities and the length of stay. With insurance, your out-of-pocket cost could range from a few thousand dollars to the full amount, depending on your deductible, co-insurance, and whether the facility is in-network.

For example, if your plan covers 60% of residential treatment but not the luxury amenities, you may be left covering the difference. Some people choose to pay for the upgraded accommodations separately while letting insurance take care of the clinical portion of care. The financial implications of drug addiction treatment can be significant, impacting both personal finances and overall well-being.

Tips to Maximize Insurance Benefits for Luxury Rehab

If you’re looking into luxury rehab and hoping to use your insurance, here are a few practical tips:

Understanding the different treatment types available is crucial, as it can significantly influence both the overall costs and the effectiveness of your recovery process.

1. Choose a Facility with Insurance Experts

Look for a luxury rehab in Georgia that has a dedicated admissions or insurance team. They can handle benefit checks, submit paperwork, and fight for coverage on your behalf. Insurance experts can also help navigate coverage for behavioral therapies.

2. Document Medical Necessity

Make sure your healthcare provider documents your condition thoroughly. Insurers want to see that residential treatment is the best option compared to outpatient or less intensive care.

Additionally, thorough documentation of medical care is crucial for insurance coverage, especially for those requiring intensive treatment.

3. Appeal Insurance Denials

Don’t be discouraged by a denial. Many insurance claims are denied the first time but approved upon appeal, especially if the rehab facility can provide strong clinical justification.

Appealing the denial can potentially lead to approval, offering a chance for coverage.

4. Consider Hybrid Models

Some Georgia facilities offer a hybrid approach: standard accommodations are covered by insurance with optional upgrades for those who want a more luxurious experience. This can be a good middle ground.

Choosing the right program that offers a hybrid approach is crucial to ensure it aligns with your unique needs and definition of luxury.

What to Look for in Georgia Luxury Drug and Alcohol Rehab Programs (Beyond Insurance)

Even if insurance plays a big role in your decision, don’t lose sight of the bigger picture. Recovery is a major investment in your future, and the right environment can make a big difference. Here are some factors to weigh:

  • Clinical credentials: Is the staff licensed and experienced in addiction and mental health treatment?
  • Treatment modalities: Does the program offer evidence-based therapies like CBT, DBT, EMDR, and trauma-informed care?
  • Dual-diagnosis support: Can they treat co-occurring conditions like anxiety, depression, or PTSD?
  • Aftercare planning: Do they help with long-term recovery and relapse prevention?
  • Privacy and discretion: Especially important for professionals and high-profile individuals.

Understanding different treatment types is crucial as it influences both the recovery process and the overall costs associated with rehab.

Is Luxury Rehab in Georgia Worth It?

If you have the means or your insurance can help offset the cost, luxury rehab can offer a healing experience that prioritizes comfort, privacy, and individualized care. From inpatient programs to outpatient treatment, insurance will typically cover substance abuse treatment.

While insurance may not cover every luxury amenity, it often covers the medical backbone of treatment, making the overall cost more manageable.

Although luxury rehab may seem expensive initially, it can save money in the long run by avoiding the high costs associated with ongoing addiction. When choosing a luxury rehab in Georgia, it pays to do your homework.

Speak to admissions counselors, verify your insurance benefits, and make sure the program aligns with your clinical needs and personal values. Ultimately, what matters most is not just where you go—but how committed you are to the journey of recovery.

Ready to Learn More or Verify Your Insurance?

If you’re considering luxury rehab in Georgia and want to understand your insurance options, reach out to a treatment center that offers free insurance verification. Many facilities can tell you within hours what your plan covers and help you create a financial plan for care.

Recovery is possible—and you don’t have to navigate it alone. Studies have shown that understanding insurance coverage is crucial for accessing the appropriate treatment and managing costs effectively.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

20 of the Best Music B-Sides Ever – When the Flip Side Beat the Hit Side

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A-sides may get the glory, but B-sides get the cult following.

In the days of vinyl and cassettes, flipping the single meant finding buried treasure — the tracks that weren’t meant to be hits but sometimes outshone them. These weren’t just throwaways or filler — they were the unsung anthems, the raw experiments, the songs that made fans fall even harder.

Some B-sides became concert staples. Some were secret favorites among the band. And some even turned into accidental hits.

Here are 20 of the best music B-sides ever — from legends who couldn’t stop creating magic, even when no one was looking.

1. The Beatles – “Rain”

B-side to: “Paperback Writer” (1966)
Psychedelic before it was fashionable. Lennon’s voice, Ringo’s best drumming ever, and a backwards tape loop? Come on — it’s a whole mood.

2. Oasis – “Acquiesce”

B-side to: “Some Might Say” (1995)
This isn’t just a B-side. This is the song that convinced half the UK that Liam and Noel shouting together was pure rock ’n’ roll perfection.

3. The Rolling Stones – “Child of the Moon”

B-side to: “Jumpin’ Jack Flash” (1968)
The Stones go full-on trippy in this underappreciated slice of ’60s psychedelia. It’s hazy, poetic, and so, so good.

4. Queen – “I’m In Love With My Car”

B-side to: “Bohemian Rhapsody” (1975)
Roger Taylor fought for this track. He even locked himself in a cupboard until it got on the B-side. It’s the sound of chrome, leather, and glorious overdrive.

5. U2 – “Sweetest Thing”

B-side to: “Where the Streets Have No Name” (1987)
Originally just a thank-you to Bono’s wife for forgetting her birthday, it’s so good they re-released it as an A-side years later.

6. David Bowie – “Velvet Goldmine”

B-side to: “Space Oddity” reissue (1975)
Glam. Sleaze. Swagger. Hidden for years and too spicy for early ’70s radio. Now it’s a cult favorite — and the name of a movie, too.

7. Nirvana – “Even In His Youth”

B-side to: “Smells Like Teen Spirit” (1991)
Kurt at his most cathartic and confessional. Loud, fast, and furious — and still better than 90% of the grunge scene.

8. Bruce Springsteen – “Pink Cadillac”

B-side to: “Dancing in the Dark” (1984)
The Boss takes a detour down rockabilly highway. Greasy, playful, and impossible not to love.

9. The Smiths – “Please, Please, Please Let Me Get What I Want”

B-side to: “William, It Was Really Nothing” (1984)
Only Morrissey and Marr could make 1 minute and 50 seconds feel like a lifetime of yearning.

10. Prince – “Erotic City”

B-side to: “Let’s Go Crazy” (1984)
“Must be something in the water they drink.” Funky, filthy, and banned from many stations. Prince owned the B-side.

11. Led Zeppelin – “Hey, Hey What Can I Do”

B-side to: “Immigrant Song” (1970)
Zep’s only non-album B-side, and it’s a beauty. Acoustic strumming, barroom heartbreak, and Plant crooning like a troubadour.

12. R.E.M. – “Fretless”

B-side to: “Losing My Religion” (1991)
Haunting, moody, and melancholic. Stipe and company buried this one and the superfans still talk about it like it’s a secret code.

13. Blur – “Young & Lovely”

B-side to: “Chemical World” (1993)
Better than half the songs on Modern Life Is Rubbish. Lush, Britpop brilliance, and a fan-favorite for good reason.

14. Bob Dylan – “Rita May”

B-side to: “Stuck Inside of Mobile…” (1976)
Lost in the shuffle of Dylan’s prolific mid-’70s run, but this bluesy outtake from the Desire sessions has its own swagger.

15. Radiohead – “Talk Show Host”

B-side to: “Street Spirit (Fade Out)” (1996)
Found new life on the Romeo + Juliet soundtrack. Moody, menacing, and pure mid-’90s cool.

16. The Jam – “The Butterfly Collector”

B-side to: “Strange Town” (1979)
Paul Weller’s bitter, brilliant takedown of groupie culture. Raw and poetic. A real B-side flex.

17. The Who – “Dogs Part Two”

B-side to: “Pinball Wizard” (1969)
An instrumental? Sure. But it barks, it bites, and Keith Moon co-wrote it. That alone makes it legendary.

18. T. Rex – “Raw Ramp”

B-side to: “Get It On” (1971)
Bolanesque to the max. Glitter, groove, and good times all packed into a B-side you’ll want on repeat.

19. Arctic Monkeys – “Evil Twin”

B-side to: “Suck It and See” (2011)
The Monkeys go heavy and hypnotic. A modern B-side that proves the art isn’t dead — just a bit harder to find.

20. Elvis Presley – “Don’t Be Cruel”

B-side to: “Hound Dog” (1956)
In a twist of history, the B-side was just as huge as the A-side. Together, they ruled the charts — and changed the world.

The B-side was never just the throwaway. It was the playground, the secret handshake, the mixtape gold.

And for anyone who ever bought a single and flipped it over just to see what surprises were waiting — you knew the truth: some of the best songs weren’t on the radio. They were spinning on the other side, waiting to be found.

Got a favorite B-side that blew your mind? There’s a record crate somewhere that agrees with you.

Rock on — and always flip the record.

5 Easy Ways to Get Your Podcast on Spotify and Apple Podcasts

ou’ve recorded your podcast, polished the audio, and you’re ready to share it with the world. But how do you actually get it onto major platforms like Spotify and Apple Podcasts? Whether you’re launching your first episode or growing an existing show, getting listed on these platforms is key to reaching new listeners and building your audience. Here are five straightforward ways to distribute your podcast and get it heard.

1. Use a Podcast Hosting Platform
The easiest way to get on Spotify and Apple Podcasts is through a hosting platform like Buzzsprout, Anchor (by Spotify), or Libsyn. These services generate your RSS feed and offer one-click distribution to major platforms.
More info:

2. Submit Directly to Apple Podcasts Connect
Already have an RSS feed? Head to Apple Podcasts Connect, log in with your Apple ID, and follow the steps to validate and submit your show. Approval usually takes a few days.
More info: How to submit your show to Apple Podcasts

3. Submit Directly to Spotify for Podcasters
If you’re not using a host that distributes automatically to Spotify, you can claim your show via Spotify for Podcasters. You’ll verify ownership using your email and link your RSS feed.
More info: Spotify for Podcasters Help

4. Use a Podcast Aggregator or Distribution Service
Platforms like Podbean, Transistor, and Captivate combine hosting and distribution tools, helping you streamline the process and reach multiple directories at once.
More info: Transistor’s guide to podcast distribution

5. Promote via Podcast Directories and Apps
Once you’re listed on Spotify and Apple, don’t stop there. Submit your RSS feed to other directories like Overcast, Pocket Casts, Stitcher, and Amazon Music. Every additional listing helps more listeners find your show.
More info: Comprehensive podcast directory list by Podnews

5 Surprising Facts About Joy Division’s ‘Unknown Pleasures’

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Let’s rewind to 1979: Thatcher was rising, bin bags lined the streets, and something darker, sharper, and eerily beautiful was brewing in the industrial north. Joy Division’s debut album, Unknown Pleasures, arrived not with a bang, but a pulse—a pulsar, in fact. It was a punk record, sure, but also the cold sound of the future—etched in space, soaked in reverb, and growling from deep within Stockport’s Strawberry Studios. Here are five unknown pleasurable facts about the album that still sends shivers down the spine.

1. Martin Hannett’s production magic was part genius, part madness
Martin Hannett didn’t just record Joy Division—he reimagined them. He made drummer Stephen Morris record each drum separately and used sound effects like smashed bottles, basement toilets, and even a lift inside a Leslie speaker. He recorded Ian Curtis’ vocals through a phone line for distance and smeared Bernard Sumner’s guitar into the ether. At the time, Peter Hook hated the result. “It sounded like Pink Floyd,” he said. But over time, even Hook had to admit—Hannett was crafting a haunted cathedral of sound.

2. Ian Curtis wrote ‘She’s Lost Control’ about someone he tried to help
Before Joy Division took off, Curtis worked as an Assistant Disablement Resettlement Officer. He met a woman struggling with epilepsy—like himself—who came for job help. She’d disappear, and he’d later find out she’d died from a seizure. That shock—the reality of her life and death—formed the core of “She’s Lost Control.” Live, he screamed it like an exorcism. In the studio, Hannett made the drums clean and mechanical—each hit isolated, reflecting the sterile fear and confusion Curtis captured in the lyrics.

3. The iconic album cover? Stolen… sort of.
Peter Saville’s now-legendary white-on-black waveform wasn’t just a pretty pattern. It’s a data plot of the pulsar CP 1919, created by radio astronomer Harold Craft. Joy Division didn’t ask permission. Craft only found out years later that his PhD dissertation had become one of the most recognizable album covers of all time. He bought a copy for himself after a friend showed him. Not bad for a signal from space that became the signal for a generation.

4. Factory wanted a hit. They got a funeral hymn.
Factory Records wanted a hit record with singles. What they got was Ian Curtis at his most existential. No songs were released from Unknown Pleasures—an unheard-of move. When David Geffen visited Manchester to scope them out, he reportedly left saying, “They’re not even trying to be pop stars.” But that was the point. Curtis wasn’t writing to charm you. He was documenting a disintegration—his own. In retrospect, it’s what made the record immortal.

5. The band thought they were making a punk record. They made a ghost.
When Joy Division heard the final mix, they were stunned. Where was the aggression? The feedback? The fire? Hannett had hollowed them out. “It was like someone took our painting and painted over it,” Sumner said. But what emerged was something timeless. There’s a reason this record has been referenced by everyone from Interpol to Nine Inch Nails to Green Day. It wasn’t the punk record Joy Division thought they made. It was the birth of post-punk as a spectral artform.

Unknown Pleasures was a transmission from a world just outside our reach. Every note pulses like a warning. Every silence, a scream. In a career cut short by tragedy, Joy Division left behind a document that still hums with eerie life. It’s been more than 40 years, and we’re all still trying to catch up to that sound. As Ian said, “I’ve been waiting for a guide…” Maybe this record was it all along.

5 Surprising Facts About the Eagles’ Debut Album

Before they were global chart-toppers, Hotel California icons, and inductees into the Rock and Roll Hall of Fame, the Eagles were just four guys trying to figure out if they were a country band, a rock band—or something brand new. Their self-titled 1972 debut Eagles didn’t just introduce the world to pristine harmonies and laid-back swagger—it changed the face of American music. But behind every perfect chorus and Top 40 hit is a dusty trail of strange stories, creative clashes, and psychedelic side quests. Here are 5 things you probably didn’t know about the album that started it all.

1. The Banjo That Saved “Take It Easy”
Sure, it’s one of the most iconic singalongs in rock history, but “Take It Easy” almost flew too close to the sun. Enter producer Glyn Johns, who convinced Bernie Leadon to throw a double-time banjo into the mix. The band thought he was bonkers. But Johns knew what he was doing—it was that unexpected, twangy touch that gave the song its jet-fuel lift. Without it, we might all be standing on a corner in Winslow, Arizona, wondering where the groove went.

2. “Earlybird” Was Helped by a Real Bird
There’s a reason “Earlybird” sounds like it rolled straight out of a morning mist in Laurel Canyon: it features actual bird chirps. But not field-recorded in some enchanted canyon—those warbles were pulled from a sound effects library. It was like putting Mother Nature on speed dial. Add Meisner and Leadon’s harmonies, and suddenly it wasn’t just country rock—it was Audubon-core.

3. The Album Almost Ended in a Food Fight Over “Nightingale”
Geffen wanted more Henley. Glyn Johns didn’t. Geffen tried to record “Nightingale” behind Johns’ back. Cue chaos. Johns caught wind and reluctantly re-recorded the track in Hollywood, even though he thought it was “unsatisfactory.” Still, the track made the final cut. Classic rock mythos, built on passive-aggression and passive compression.

4. The Peyote Picnic at Joshua Tree
The iconic gatefold photo wasn’t just desert chic—it was a full-blown peyote trip. Glenn Frey later admitted the band was tripping during the shoot at Joshua Tree. Intended to be a trippy unfolding poster, the design got glued shut by Geffen, turning the whole thing sideways—literally. Psychedelic country rock never looked so lost and found at the same time.

5. Glyn Johns Banned Booze and Blunts in the Studio
In the land of Led Zeppelin and the Rolling Stones, Glyn Johns knew a thing or two about indulgence. But during the Eagles sessions in London, he dropped the hammer: no drugs, no alcohol. Glenn Frey grumbled. Don Henley quietly complied. Somehow, out of sobriety and spite, came a record that flew higher than any buzz could take them. You can hear the discipline in every harmony—and maybe a little tension in every guitar twang.

From desert visions and double-time banjos to behind-the-scenes drama worthy of a rock opera, Eagles was more than just a debut—it was the sonic blueprint for a generation in faded denim and fringe. Forty years later, the album still sounds like summer love, highway freedom, and a band on the brink of becoming legends. And to think—it all started with a girl in a flatbed Ford slowing down to take a look.

Reba McEntire to Host 60th ACM Awards With Performances by Blake Shelton, Eric Church, and Lainey Wilson

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The Academy of Country Music, Prime Video, and Dick Clark Productions announced the first round of powerhouse performers for the landmark 60th Academy of Country Music Awards including Blake Shelton, Eric Church, and Lainey Wilson, with many more unforgettable performances to be revealed in the coming weeks.

Hosted by 16-time ACM Award-winning entertainment icon Reba McEntire, the 60th ACM Awards will stream live exclusively for a global audience across 240+ countries and territories on Prime Video and the Amazon Music channel on Twitch on Thursday, May 8, 2025, at 8 p.m. ET / 7 p.m. CT / 5 p.m. PT from the Ford Center at The Star in Frisco, Texas, the world headquarters of the Dallas Cowboys. Tickets are now available at SeatGeek.

The monumental show will celebrate six decades of Country Music and feature unforgettable performances by the genre’s most legendary and multi-award-winning stars. Six-time ACM Award recipient and former ACM Awards host Blake Shelton will take the stage as his top ten single “Texas” continues to rise up the charts. Seven-time ACM Award recipient Eric Church will perform on the heels of his newest album, Evangeline Vs. The Machine, dropping May 2. Reigning Entertainer of the Year and 12-time ACM Award recipient Lainey Wilson will return to the ACM Awards stage after winning the Academy’s highest honor in 2024.

This Emmy-nominated, star-powered experience will feature unprecedented performances, exclusive collaborations, and unexpected moments from the biggest Country Music stars of the past, present, and future, all while celebrating the genre’s most iconic and emerging talent. A limited number of tickets to the 60th ACM Awards are available for purchase on SeatGeek, offering fans exclusive entry into a nonstop party packed with performances by their favorite Country stars and seats closer to the action than ever.

Established in 1966, the Academy of Country Music Awards is the longest-running Country Music awards show and made history in 2022 as the first major awards ceremony to exclusively livestream, in collaboration with Prime Video. The 60th Academy of Country Music Awards is produced by Dick Clark Productions. Raj Kapoor is executive producer and showrunner, with Patrick Menton as co-executive producer. Damon Whiteside serves as executive producer for the Academy of Country Music, and Jay Penske and Barry Adelman serve as executive producers for DCP. John Saade will also continue to serve as consulting producer for Amazon MGM Studios.

Nominations for the 60th ACM Awards will be announced on Thursday, March 27, 2025, with additional performers, presenters and ACM Awards week events announced in the coming weeks.

Miley Cyrus Announces New Visual Album Something Beautiful Out May 30

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Miley Cyrus unveils the artwork for her highly anticipated ninth studio album, Something Beautiful, set for release on May 30, 2025, via Columbia Records. The album features 13 original tracks and is executive produced by Miley Cyrus and Shawn Everett.

Captured by renowned fashion photographer Glen Luchford, the album artwork features Miley Cyrus draped in archival 1997 Thierry Mugler couture, a striking nod to the album’s bold aesthetic and visual storytelling.

Fans can pre-order Something Beautiful now in multiple exclusive formats, including signed vinyl & CDs, limited-edition vinyl, and two special box sets packed with must-have collectibles. Pre-order Something Beautiful HERE.

Wang Chung Announces ‘Clear Light/Dark Matter’ Compilation, Deluxe Vinyl Release, and Summer Tour With Rick Springfield

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Some of the ’80s biggest and most enduring hits were created by a single band, Wang Chung – including “Dance Hall Days,” “Everybody Have Fun Tonight,” “Let’s Go”, “To Live and Die in L.A.,” “Hypnotize Me,” and “Fire In The Twilight” – and now all those tracks (and more!) will be included on the new compilation, ‘Clear Light/Dark Matter.

Scheduled to release on Friday, May 9th, 2025, ‘Clear Light/Dark Matter’ reveals the many layers of Wang Chung’s music. Available on CD, digital, and a double set on black or white vinyl, the compilation spans the band’s more than four-decade career featuring a carefully curated selection of their greatest hits and hidden gems, including never-before-released demos and a new live recording. Additionally, a single-vinyl release of just the “Greatest Hits” (disc one) of ‘Clear Light/Dark Matter’ will also be available.

“Our songs often have an accessible front end, but there’s always a deeper layer beneath the surface-whether it’s lyrically or musically. ‘Clear Light, Dark Matter’ reflects that balance between the light and the dark, the yin and yang, or as we like to say, the Wang and the Chung of what we do.” -Nick Feldman

The double-vinyl and double-CD sets also include an edit of the recently released brand new remix of “Everybody Have Fun Tonight” by acclaimed remixer Eric Kupper, known for his work with artists such as Whitney Houston, Alicia Keys, Depeche Mode, Diana Ross, and Earth, Wind & Fire.

Priced at $89.95, ‘Clear Light/Dark Matter’ is also available now for preorder here as a “Deluxe Edition,” including instant access to the music and other exclusive digital content!

Included in the set:

* Double 12″ LP Vinyl Record: 180g colored vinyl (Clear White & Black Ice)
* 7″ Vinyl Single: Everybody Have Fun Tonight (Eric Kupper Remix – Club & Dub versions)
* Exclusive Booklet: Featuring photos provided by Nick Feldman and Jack Hues, with written contributions from Jack Hues
* CD: 6-panel two-disc digipak of ‘Clear Light/Dark Matter’
* Turntable Mat
* 8″ x 10″ Semi-Gloss Photo: Exclusive image provided by Wang Chung
* 5″ x 5″ Sticker: Everybody Wang Chung Tonight

The duo are eager to hit the road as part of Rick Springfield’s 2025 edition of his “I Want My ’80s Tour.”

“We are really excited to be doing the Rick Springfield tour this summer, ” said the band in a statement. “The lineup is strong and we feel each act compliments the other really well into a good blend. We’re sure the audiences will enjoy the experience of the musical journey on show. We have done a lot of touring over the years but we have never played with Rick Springfield or John Waite before, so we are looking forward to working with those guys and also getting to play for perhaps a slightly different audience than before. We are very vibed up for getting everyone to Wang Chung every night on the tour!”

The duo of Nick Feldman and Jack Hues came out of the post-punk/new wave scene in the UK, and went on to achieve global success selling millions of records. Throughout their 40+ year career, they have released 6 studio albums and 2 greatest hits collections. They have had 6 US Top 40 hits, including a massive #1 single. They composed and performed the complete score for the 1984 neo-noir action thriller film “To Live and Die in L.A.” and also the song ‘Fire in the Twilight’ for the legendary film ‘Breakfast Club’, amongst many others. Wang Chung’s hit song ‘Dance Hall Days’ was featured almost in its entirety in the 2024 hit movie starring Anne Hathaway titled ‘The Idea of You’.  ‘To Live and Die in LA’ also got used as the theme tune for the John Mulaney Netflix show ‘Everybody’s in LA’. In the process of all of this (and somewhat unintentionally), Wang Chung became part of the contemporary culture of North America with their huge smash ‘Everybody Have Fun Tonight’, with its now famous line ”Everybody Wang Chung Tonight” which saw the invention of a new US verb: ”to Wang Chung’’.

https://www.youtube.com/watch?v=7DgboI7eXk0

And now, fans will be able to experience all of Wang Chung’s classics via ‘Clear Light/Dark Matter.’

From Wang Chung:
“Our songs often have an accessible front end, but there’s always a deeper layer beneath the surface—whether it’s lyrically or musically. ‘Clear Light, Dark Matter’ reflects that balance between the light and the dark, the yin and yang, or as we like to say, the Wang and the Chung of what we do.” -Nick Feldman

Founded in 2019, Seattle-based SING Inc. is a music technology company specializing in deluxe collector’s editions and high-fidelity vinyl records. We focus on fostering the relationship between artists and fans by creating products of high quality and cultural importance. Each release is thoughtfully curated and uses our proprietary intellectual property technology to ensure authenticity. Every edition is designed to deliver a memorable experience in various physical and digital formats, allowing fans to truly “Own the Sound.”

‘Clear Light/Dark Matter’ Track listing:
1.    Dance Hall Days
2.    Everybody Have Fun Tonight
3.    Let’s Go!
4.    Praying to a New God
5.    Fire in the Twilight (Live at the El Mocambo)
6.    Don’t Let Go
7.    To Live and Die in L.A.
8.    Wait
9.    Hypnotize Me
10. Space Junk
11. Isn’t It About Time We Were On TV?
12. Separate Lives
13. Dance Hall Days (Demo)
14. Ti-na-na
15. True Love (Demo)
16. This One’s for You
17. Ornamental Elephant
18. To Live and Die in L.A. (Demo)
19. Eyes of the Girl (Demo)
20. The Waves (Instrumental)
21. Everybody Have Fun Tonight (Eric Kupper Remix Edit)