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20 of the Best Music B-Sides Ever – When the Flip Side Beat the Hit Side

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A-sides may get the glory, but B-sides get the cult following.

In the days of vinyl and cassettes, flipping the single meant finding buried treasure — the tracks that weren’t meant to be hits but sometimes outshone them. These weren’t just throwaways or filler — they were the unsung anthems, the raw experiments, the songs that made fans fall even harder.

Some B-sides became concert staples. Some were secret favorites among the band. And some even turned into accidental hits.

Here are 20 of the best music B-sides ever — from legends who couldn’t stop creating magic, even when no one was looking.

1. The Beatles – “Rain”

B-side to: “Paperback Writer” (1966)
Psychedelic before it was fashionable. Lennon’s voice, Ringo’s best drumming ever, and a backwards tape loop? Come on — it’s a whole mood.

2. Oasis – “Acquiesce”

B-side to: “Some Might Say” (1995)
This isn’t just a B-side. This is the song that convinced half the UK that Liam and Noel shouting together was pure rock ’n’ roll perfection.

3. The Rolling Stones – “Child of the Moon”

B-side to: “Jumpin’ Jack Flash” (1968)
The Stones go full-on trippy in this underappreciated slice of ’60s psychedelia. It’s hazy, poetic, and so, so good.

4. Queen – “I’m In Love With My Car”

B-side to: “Bohemian Rhapsody” (1975)
Roger Taylor fought for this track. He even locked himself in a cupboard until it got on the B-side. It’s the sound of chrome, leather, and glorious overdrive.

5. U2 – “Sweetest Thing”

B-side to: “Where the Streets Have No Name” (1987)
Originally just a thank-you to Bono’s wife for forgetting her birthday, it’s so good they re-released it as an A-side years later.

6. David Bowie – “Velvet Goldmine”

B-side to: “Space Oddity” reissue (1975)
Glam. Sleaze. Swagger. Hidden for years and too spicy for early ’70s radio. Now it’s a cult favorite — and the name of a movie, too.

7. Nirvana – “Even In His Youth”

B-side to: “Smells Like Teen Spirit” (1991)
Kurt at his most cathartic and confessional. Loud, fast, and furious — and still better than 90% of the grunge scene.

8. Bruce Springsteen – “Pink Cadillac”

B-side to: “Dancing in the Dark” (1984)
The Boss takes a detour down rockabilly highway. Greasy, playful, and impossible not to love.

9. The Smiths – “Please, Please, Please Let Me Get What I Want”

B-side to: “William, It Was Really Nothing” (1984)
Only Morrissey and Marr could make 1 minute and 50 seconds feel like a lifetime of yearning.

10. Prince – “Erotic City”

B-side to: “Let’s Go Crazy” (1984)
“Must be something in the water they drink.” Funky, filthy, and banned from many stations. Prince owned the B-side.

11. Led Zeppelin – “Hey, Hey What Can I Do”

B-side to: “Immigrant Song” (1970)
Zep’s only non-album B-side, and it’s a beauty. Acoustic strumming, barroom heartbreak, and Plant crooning like a troubadour.

12. R.E.M. – “Fretless”

B-side to: “Losing My Religion” (1991)
Haunting, moody, and melancholic. Stipe and company buried this one and the superfans still talk about it like it’s a secret code.

13. Blur – “Young & Lovely”

B-side to: “Chemical World” (1993)
Better than half the songs on Modern Life Is Rubbish. Lush, Britpop brilliance, and a fan-favorite for good reason.

14. Bob Dylan – “Rita May”

B-side to: “Stuck Inside of Mobile…” (1976)
Lost in the shuffle of Dylan’s prolific mid-’70s run, but this bluesy outtake from the Desire sessions has its own swagger.

15. Radiohead – “Talk Show Host”

B-side to: “Street Spirit (Fade Out)” (1996)
Found new life on the Romeo + Juliet soundtrack. Moody, menacing, and pure mid-’90s cool.

16. The Jam – “The Butterfly Collector”

B-side to: “Strange Town” (1979)
Paul Weller’s bitter, brilliant takedown of groupie culture. Raw and poetic. A real B-side flex.

17. The Who – “Dogs Part Two”

B-side to: “Pinball Wizard” (1969)
An instrumental? Sure. But it barks, it bites, and Keith Moon co-wrote it. That alone makes it legendary.

18. T. Rex – “Raw Ramp”

B-side to: “Get It On” (1971)
Bolanesque to the max. Glitter, groove, and good times all packed into a B-side you’ll want on repeat.

19. Arctic Monkeys – “Evil Twin”

B-side to: “Suck It and See” (2011)
The Monkeys go heavy and hypnotic. A modern B-side that proves the art isn’t dead — just a bit harder to find.

20. Elvis Presley – “Don’t Be Cruel”

B-side to: “Hound Dog” (1956)
In a twist of history, the B-side was just as huge as the A-side. Together, they ruled the charts — and changed the world.

The B-side was never just the throwaway. It was the playground, the secret handshake, the mixtape gold.

And for anyone who ever bought a single and flipped it over just to see what surprises were waiting — you knew the truth: some of the best songs weren’t on the radio. They were spinning on the other side, waiting to be found.

Got a favorite B-side that blew your mind? There’s a record crate somewhere that agrees with you.

Rock on — and always flip the record.

5 Easy Ways to Get Your Podcast on Spotify and Apple Podcasts

ou’ve recorded your podcast, polished the audio, and you’re ready to share it with the world. But how do you actually get it onto major platforms like Spotify and Apple Podcasts? Whether you’re launching your first episode or growing an existing show, getting listed on these platforms is key to reaching new listeners and building your audience. Here are five straightforward ways to distribute your podcast and get it heard.

1. Use a Podcast Hosting Platform
The easiest way to get on Spotify and Apple Podcasts is through a hosting platform like Buzzsprout, Anchor (by Spotify), or Libsyn. These services generate your RSS feed and offer one-click distribution to major platforms.
More info:

2. Submit Directly to Apple Podcasts Connect
Already have an RSS feed? Head to Apple Podcasts Connect, log in with your Apple ID, and follow the steps to validate and submit your show. Approval usually takes a few days.
More info: How to submit your show to Apple Podcasts

3. Submit Directly to Spotify for Podcasters
If you’re not using a host that distributes automatically to Spotify, you can claim your show via Spotify for Podcasters. You’ll verify ownership using your email and link your RSS feed.
More info: Spotify for Podcasters Help

4. Use a Podcast Aggregator or Distribution Service
Platforms like Podbean, Transistor, and Captivate combine hosting and distribution tools, helping you streamline the process and reach multiple directories at once.
More info: Transistor’s guide to podcast distribution

5. Promote via Podcast Directories and Apps
Once you’re listed on Spotify and Apple, don’t stop there. Submit your RSS feed to other directories like Overcast, Pocket Casts, Stitcher, and Amazon Music. Every additional listing helps more listeners find your show.
More info: Comprehensive podcast directory list by Podnews

5 Surprising Facts About Joy Division’s ‘Unknown Pleasures’

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Let’s rewind to 1979: Thatcher was rising, bin bags lined the streets, and something darker, sharper, and eerily beautiful was brewing in the industrial north. Joy Division’s debut album, Unknown Pleasures, arrived not with a bang, but a pulse—a pulsar, in fact. It was a punk record, sure, but also the cold sound of the future—etched in space, soaked in reverb, and growling from deep within Stockport’s Strawberry Studios. Here are five unknown pleasurable facts about the album that still sends shivers down the spine.

1. Martin Hannett’s production magic was part genius, part madness
Martin Hannett didn’t just record Joy Division—he reimagined them. He made drummer Stephen Morris record each drum separately and used sound effects like smashed bottles, basement toilets, and even a lift inside a Leslie speaker. He recorded Ian Curtis’ vocals through a phone line for distance and smeared Bernard Sumner’s guitar into the ether. At the time, Peter Hook hated the result. “It sounded like Pink Floyd,” he said. But over time, even Hook had to admit—Hannett was crafting a haunted cathedral of sound.

2. Ian Curtis wrote ‘She’s Lost Control’ about someone he tried to help
Before Joy Division took off, Curtis worked as an Assistant Disablement Resettlement Officer. He met a woman struggling with epilepsy—like himself—who came for job help. She’d disappear, and he’d later find out she’d died from a seizure. That shock—the reality of her life and death—formed the core of “She’s Lost Control.” Live, he screamed it like an exorcism. In the studio, Hannett made the drums clean and mechanical—each hit isolated, reflecting the sterile fear and confusion Curtis captured in the lyrics.

3. The iconic album cover? Stolen… sort of.
Peter Saville’s now-legendary white-on-black waveform wasn’t just a pretty pattern. It’s a data plot of the pulsar CP 1919, created by radio astronomer Harold Craft. Joy Division didn’t ask permission. Craft only found out years later that his PhD dissertation had become one of the most recognizable album covers of all time. He bought a copy for himself after a friend showed him. Not bad for a signal from space that became the signal for a generation.

4. Factory wanted a hit. They got a funeral hymn.
Factory Records wanted a hit record with singles. What they got was Ian Curtis at his most existential. No songs were released from Unknown Pleasures—an unheard-of move. When David Geffen visited Manchester to scope them out, he reportedly left saying, “They’re not even trying to be pop stars.” But that was the point. Curtis wasn’t writing to charm you. He was documenting a disintegration—his own. In retrospect, it’s what made the record immortal.

5. The band thought they were making a punk record. They made a ghost.
When Joy Division heard the final mix, they were stunned. Where was the aggression? The feedback? The fire? Hannett had hollowed them out. “It was like someone took our painting and painted over it,” Sumner said. But what emerged was something timeless. There’s a reason this record has been referenced by everyone from Interpol to Nine Inch Nails to Green Day. It wasn’t the punk record Joy Division thought they made. It was the birth of post-punk as a spectral artform.

Unknown Pleasures was a transmission from a world just outside our reach. Every note pulses like a warning. Every silence, a scream. In a career cut short by tragedy, Joy Division left behind a document that still hums with eerie life. It’s been more than 40 years, and we’re all still trying to catch up to that sound. As Ian said, “I’ve been waiting for a guide…” Maybe this record was it all along.

5 Surprising Facts About the Eagles’ Debut Album

Before they were global chart-toppers, Hotel California icons, and inductees into the Rock and Roll Hall of Fame, the Eagles were just four guys trying to figure out if they were a country band, a rock band—or something brand new. Their self-titled 1972 debut Eagles didn’t just introduce the world to pristine harmonies and laid-back swagger—it changed the face of American music. But behind every perfect chorus and Top 40 hit is a dusty trail of strange stories, creative clashes, and psychedelic side quests. Here are 5 things you probably didn’t know about the album that started it all.

1. The Banjo That Saved “Take It Easy”
Sure, it’s one of the most iconic singalongs in rock history, but “Take It Easy” almost flew too close to the sun. Enter producer Glyn Johns, who convinced Bernie Leadon to throw a double-time banjo into the mix. The band thought he was bonkers. But Johns knew what he was doing—it was that unexpected, twangy touch that gave the song its jet-fuel lift. Without it, we might all be standing on a corner in Winslow, Arizona, wondering where the groove went.

2. “Earlybird” Was Helped by a Real Bird
There’s a reason “Earlybird” sounds like it rolled straight out of a morning mist in Laurel Canyon: it features actual bird chirps. But not field-recorded in some enchanted canyon—those warbles were pulled from a sound effects library. It was like putting Mother Nature on speed dial. Add Meisner and Leadon’s harmonies, and suddenly it wasn’t just country rock—it was Audubon-core.

3. The Album Almost Ended in a Food Fight Over “Nightingale”
Geffen wanted more Henley. Glyn Johns didn’t. Geffen tried to record “Nightingale” behind Johns’ back. Cue chaos. Johns caught wind and reluctantly re-recorded the track in Hollywood, even though he thought it was “unsatisfactory.” Still, the track made the final cut. Classic rock mythos, built on passive-aggression and passive compression.

4. The Peyote Picnic at Joshua Tree
The iconic gatefold photo wasn’t just desert chic—it was a full-blown peyote trip. Glenn Frey later admitted the band was tripping during the shoot at Joshua Tree. Intended to be a trippy unfolding poster, the design got glued shut by Geffen, turning the whole thing sideways—literally. Psychedelic country rock never looked so lost and found at the same time.

5. Glyn Johns Banned Booze and Blunts in the Studio
In the land of Led Zeppelin and the Rolling Stones, Glyn Johns knew a thing or two about indulgence. But during the Eagles sessions in London, he dropped the hammer: no drugs, no alcohol. Glenn Frey grumbled. Don Henley quietly complied. Somehow, out of sobriety and spite, came a record that flew higher than any buzz could take them. You can hear the discipline in every harmony—and maybe a little tension in every guitar twang.

From desert visions and double-time banjos to behind-the-scenes drama worthy of a rock opera, Eagles was more than just a debut—it was the sonic blueprint for a generation in faded denim and fringe. Forty years later, the album still sounds like summer love, highway freedom, and a band on the brink of becoming legends. And to think—it all started with a girl in a flatbed Ford slowing down to take a look.

Reba McEntire to Host 60th ACM Awards With Performances by Blake Shelton, Eric Church, and Lainey Wilson

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The Academy of Country Music, Prime Video, and Dick Clark Productions announced the first round of powerhouse performers for the landmark 60th Academy of Country Music Awards including Blake Shelton, Eric Church, and Lainey Wilson, with many more unforgettable performances to be revealed in the coming weeks.

Hosted by 16-time ACM Award-winning entertainment icon Reba McEntire, the 60th ACM Awards will stream live exclusively for a global audience across 240+ countries and territories on Prime Video and the Amazon Music channel on Twitch on Thursday, May 8, 2025, at 8 p.m. ET / 7 p.m. CT / 5 p.m. PT from the Ford Center at The Star in Frisco, Texas, the world headquarters of the Dallas Cowboys. Tickets are now available at SeatGeek.

The monumental show will celebrate six decades of Country Music and feature unforgettable performances by the genre’s most legendary and multi-award-winning stars. Six-time ACM Award recipient and former ACM Awards host Blake Shelton will take the stage as his top ten single “Texas” continues to rise up the charts. Seven-time ACM Award recipient Eric Church will perform on the heels of his newest album, Evangeline Vs. The Machine, dropping May 2. Reigning Entertainer of the Year and 12-time ACM Award recipient Lainey Wilson will return to the ACM Awards stage after winning the Academy’s highest honor in 2024.

This Emmy-nominated, star-powered experience will feature unprecedented performances, exclusive collaborations, and unexpected moments from the biggest Country Music stars of the past, present, and future, all while celebrating the genre’s most iconic and emerging talent. A limited number of tickets to the 60th ACM Awards are available for purchase on SeatGeek, offering fans exclusive entry into a nonstop party packed with performances by their favorite Country stars and seats closer to the action than ever.

Established in 1966, the Academy of Country Music Awards is the longest-running Country Music awards show and made history in 2022 as the first major awards ceremony to exclusively livestream, in collaboration with Prime Video. The 60th Academy of Country Music Awards is produced by Dick Clark Productions. Raj Kapoor is executive producer and showrunner, with Patrick Menton as co-executive producer. Damon Whiteside serves as executive producer for the Academy of Country Music, and Jay Penske and Barry Adelman serve as executive producers for DCP. John Saade will also continue to serve as consulting producer for Amazon MGM Studios.

Nominations for the 60th ACM Awards will be announced on Thursday, March 27, 2025, with additional performers, presenters and ACM Awards week events announced in the coming weeks.

Miley Cyrus Announces New Visual Album Something Beautiful Out May 30

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Miley Cyrus unveils the artwork for her highly anticipated ninth studio album, Something Beautiful, set for release on May 30, 2025, via Columbia Records. The album features 13 original tracks and is executive produced by Miley Cyrus and Shawn Everett.

Captured by renowned fashion photographer Glen Luchford, the album artwork features Miley Cyrus draped in archival 1997 Thierry Mugler couture, a striking nod to the album’s bold aesthetic and visual storytelling.

Fans can pre-order Something Beautiful now in multiple exclusive formats, including signed vinyl & CDs, limited-edition vinyl, and two special box sets packed with must-have collectibles. Pre-order Something Beautiful HERE.

Wang Chung Announces ‘Clear Light/Dark Matter’ Compilation, Deluxe Vinyl Release, and Summer Tour With Rick Springfield

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Some of the ’80s biggest and most enduring hits were created by a single band, Wang Chung – including “Dance Hall Days,” “Everybody Have Fun Tonight,” “Let’s Go”, “To Live and Die in L.A.,” “Hypnotize Me,” and “Fire In The Twilight” – and now all those tracks (and more!) will be included on the new compilation, ‘Clear Light/Dark Matter.

Scheduled to release on Friday, May 9th, 2025, ‘Clear Light/Dark Matter’ reveals the many layers of Wang Chung’s music. Available on CD, digital, and a double set on black or white vinyl, the compilation spans the band’s more than four-decade career featuring a carefully curated selection of their greatest hits and hidden gems, including never-before-released demos and a new live recording. Additionally, a single-vinyl release of just the “Greatest Hits” (disc one) of ‘Clear Light/Dark Matter’ will also be available.

“Our songs often have an accessible front end, but there’s always a deeper layer beneath the surface-whether it’s lyrically or musically. ‘Clear Light, Dark Matter’ reflects that balance between the light and the dark, the yin and yang, or as we like to say, the Wang and the Chung of what we do.” -Nick Feldman

The double-vinyl and double-CD sets also include an edit of the recently released brand new remix of “Everybody Have Fun Tonight” by acclaimed remixer Eric Kupper, known for his work with artists such as Whitney Houston, Alicia Keys, Depeche Mode, Diana Ross, and Earth, Wind & Fire.

Priced at $89.95, ‘Clear Light/Dark Matter’ is also available now for preorder here as a “Deluxe Edition,” including instant access to the music and other exclusive digital content!

Included in the set:

* Double 12″ LP Vinyl Record: 180g colored vinyl (Clear White & Black Ice)
* 7″ Vinyl Single: Everybody Have Fun Tonight (Eric Kupper Remix – Club & Dub versions)
* Exclusive Booklet: Featuring photos provided by Nick Feldman and Jack Hues, with written contributions from Jack Hues
* CD: 6-panel two-disc digipak of ‘Clear Light/Dark Matter’
* Turntable Mat
* 8″ x 10″ Semi-Gloss Photo: Exclusive image provided by Wang Chung
* 5″ x 5″ Sticker: Everybody Wang Chung Tonight

The duo are eager to hit the road as part of Rick Springfield’s 2025 edition of his “I Want My ’80s Tour.”

“We are really excited to be doing the Rick Springfield tour this summer, ” said the band in a statement. “The lineup is strong and we feel each act compliments the other really well into a good blend. We’re sure the audiences will enjoy the experience of the musical journey on show. We have done a lot of touring over the years but we have never played with Rick Springfield or John Waite before, so we are looking forward to working with those guys and also getting to play for perhaps a slightly different audience than before. We are very vibed up for getting everyone to Wang Chung every night on the tour!”

The duo of Nick Feldman and Jack Hues came out of the post-punk/new wave scene in the UK, and went on to achieve global success selling millions of records. Throughout their 40+ year career, they have released 6 studio albums and 2 greatest hits collections. They have had 6 US Top 40 hits, including a massive #1 single. They composed and performed the complete score for the 1984 neo-noir action thriller film “To Live and Die in L.A.” and also the song ‘Fire in the Twilight’ for the legendary film ‘Breakfast Club’, amongst many others. Wang Chung’s hit song ‘Dance Hall Days’ was featured almost in its entirety in the 2024 hit movie starring Anne Hathaway titled ‘The Idea of You’.  ‘To Live and Die in LA’ also got used as the theme tune for the John Mulaney Netflix show ‘Everybody’s in LA’. In the process of all of this (and somewhat unintentionally), Wang Chung became part of the contemporary culture of North America with their huge smash ‘Everybody Have Fun Tonight’, with its now famous line ”Everybody Wang Chung Tonight” which saw the invention of a new US verb: ”to Wang Chung’’.

https://www.youtube.com/watch?v=7DgboI7eXk0

And now, fans will be able to experience all of Wang Chung’s classics via ‘Clear Light/Dark Matter.’

From Wang Chung:
“Our songs often have an accessible front end, but there’s always a deeper layer beneath the surface—whether it’s lyrically or musically. ‘Clear Light, Dark Matter’ reflects that balance between the light and the dark, the yin and yang, or as we like to say, the Wang and the Chung of what we do.” -Nick Feldman

Founded in 2019, Seattle-based SING Inc. is a music technology company specializing in deluxe collector’s editions and high-fidelity vinyl records. We focus on fostering the relationship between artists and fans by creating products of high quality and cultural importance. Each release is thoughtfully curated and uses our proprietary intellectual property technology to ensure authenticity. Every edition is designed to deliver a memorable experience in various physical and digital formats, allowing fans to truly “Own the Sound.”

‘Clear Light/Dark Matter’ Track listing:
1.    Dance Hall Days
2.    Everybody Have Fun Tonight
3.    Let’s Go!
4.    Praying to a New God
5.    Fire in the Twilight (Live at the El Mocambo)
6.    Don’t Let Go
7.    To Live and Die in L.A.
8.    Wait
9.    Hypnotize Me
10. Space Junk
11. Isn’t It About Time We Were On TV?
12. Separate Lives
13. Dance Hall Days (Demo)
14. Ti-na-na
15. True Love (Demo)
16. This One’s for You
17. Ornamental Elephant
18. To Live and Die in L.A. (Demo)
19. Eyes of the Girl (Demo)
20. The Waves (Instrumental)
21. Everybody Have Fun Tonight (Eric Kupper Remix Edit)

Fallsview Food & Drink Fest Returns June 6–8 With Star-Studded Chef Lineup, Live Demos, and Culinary Experiences Overlooking Niagara Falls

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It’s back! Get ready to indulge in the culinary event of the year at Fallsview Food and Drink Fest from June 6 – 8, 2025. Featuring a spectacular lineup of celebrity chefs, exquisite food and drink options, and a breathtaking backdrop of Niagara Falls. This year’s event is a feast for your senses with new and returning celebrity and local chefs, live demonstrations, and exclusive experiences for your taste buds.

“Good things come in threes, and this year’s Fallsview Food and Drink Fest is no exception!” said Cathy Price, Vice President of Marketing and Resort Operations at Niagara Casinos. “From intimate culinary experiences to high-energy live demos, guests can expect a weekend filled with some of the best in food, drink, and entertainment!”

Start the weekend off on Friday, June 6 from 7:00pm – 10:00pm with our Celebrity Chef Dine About. Attend an exclusive evening of fine food, amazing drinks and interact with celebrity chefs Antonia Lofaso, Bob Blumer, Maneet Chauhan, and Mary Berg. Sample local food and drink pairings. Live music provided by DJ JustGeorge. On Saturday, June 7 from 1pm – 5pm don’t miss Fallsview Food Con, an all-inclusive eating extravaganza featuring celebrity chefs and local vendors alike, sharing their incredible, edible creations and live demonstrations.

Back by popular demand, on Sunday, June 8 end the weekend with Brunch with Mary Berg in 21 Club Steak and Seafood, from 11:00am to 1:00pm. Enjoy a delightful brunch alongside the award-winning TV host and best-selling author with a breathtaking view of Niagara Falls.

Meet this year’s Food and Drink Fest Celebrity Chefs

  • Antonia Lofaso (New for 2025! June 6 & 7) Executive Chef and Owner of Black Market Liquor Bar, Scopa Italian Roots, and DAMA in Los Angeles. Known for blending personal traditions with global influences, Antonia co-hosts Worst Cooks in America: Celebrity Edition and has competed on Tournament of Champions. A regular on Food Network, she’s also the founder of Chefletics and Antonia Lofaso Catering.
  • Bob Blumer (June 6 & 7) – Culinary adventurer, cookbook author, and TV host, Bob Blumer is known for his whimsical approach to cooking and record-breaking food feats. He has hosted multiple award-winning shows and is a passionate advocate for food sustainability.
  • Maneet Chauhan (New for 2025! June 6 & 7) – A celebrated chef, restaurateur, and Chopped judge, Maneet Chauhan blends her Indian heritage with global culinary influences. She is a James Beard Award recipient and a leader in the international food scene.
  • Mary Berg (June 6 – 8) – Award-winning TV host and bestselling author, Mary Berg is the host of The Good Stuff with Mary Berg and Mary Makes It Easy. A MasterChef Canada winner, she has since become one of Canada’s most beloved culinary personalities.

Comedian and TV personality John Catucci, the host of Fallsview’s Food and Drink Fest is best known for bringing his enthusiasm for great food and storytelling to the Food Network’s Canada series You Gotta Eat Here! and Big Food Bucket List. A fan favourite among food lovers, he’s ready to bring his signature charm to this year’s festival.

Plus, experience seven additional Canadian chefs from Toronto and Vancouver, who will bring their local flair to this year’s Food and Drink Fest. Featuring Afrim Pristine of Toronto’s iconic Cheese Boutique (June 6 & 7), Matt Basile of Fidel Gastro’s and Lisa Marie (June 6), Andrea Buckett, Chef, Recipe Developer, and launching The Essential Cottage Cookbook (June 6), Andrea Nicholson, owner of Butchie’s and Banana’s by Butchie’s Ice Cream Sandwiches (June 6 & 7), Michael Hunter of Antler Kitchen Bar (June 6 & 7), Craig Wong, owner of JunePlum™ (June 6 & 7), and Spencer Watts, launching his new cookbook Comfort Food with Spencer Watts (June 6 & 7).

This year’s Fallsview Food and Drink Festival is proudly supported by our event partners: Egg Farmers of Ontario, The Furniture Gallery, Ontario Lottery and Gaming Corporation (OLG), IGT, MoEa Bio-Sneakers, and Indigo. Their generous support helps bring together a celebration of culinary delights, exceptional beverages, and live entertainment. We look forward to an incredible event with our valued partners. Stay tuned for more delicious details to come about our Fallsview Food & Drink Fest vendors.

To learn more about the Fallsview Food and Drink Fest visit www.fallsviewcasinoresort.com. Tickets will be available for purchase through Ticketmaster on Friday, March 28th at 10am.

Dates & Times

Fallsview Food & Drink Fest – Celebrity Chef Dine About*
Date: Friday, June 6, 2025
Time: 7:00pm – 10:00pm
Location: The Grand Hall

Fallsview Food & Drink Fest – Fallsview Food Con*

Date: Saturday, June 7, 2025
Time: 1:00pm – 5:00pm
Location: The Grand Hall

Fallsview Food & Drink Fest – Brunch with Mary Berg*
Date: Sunday, June 8, 2025
Time: 11:00am – 1:00pm
Location: 21 Club Steak & Seafood

*This is a 19+ event

Sydney Rose Announces Debut EP ‘I Know What I Want’ Out April 4

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In the midst of a rapid rise with her current breakthrough single “We Hug Now,” acclaimed Georgia-born and Nashville-based singer, songwriter, and multi-instrumentalist Sydney Rose will release her brand new EP I Know What I Want on April 4. It notably marks the first official release under her recently minted deal with Mercury Records, kicking off an exciting new chapter for the rising artist.

To celebrate the news, Sydney shared a captivating official Live Performance Video of her beautifully haunting new single “We Hug Now,” which is breaking in real time now.

Following a quiet grind, “We Hug Now” has fueled Sydney’s reintroduction this year. Initially, it overtook TikTok, inciting 400K “creates” and generating 1.3 billion cumulative views. Amassing nearly 40 millions streams, the song landed in the Top 3 of the Spotify US and Global Viral 50 Charts, the Top 15 of the Shazam US Top Songs Chart, Top 30 of the Apple US Songs Chart, and Top 20 of the Genius Overall Chart. Plus, it catapulted to #7 on the Billboard Bubbling Under 100 Chart as she soared to #22 on the Emerging Artists Chart. Not to mention, she has now attracted over 4 million monthly listeners on Spotify and just made her debut on Spotify’s Top Songs Chart in the U.S..

Simultaneously, the singer and songwriter has garnered enthusiastic critical acclaim. Billboard noted, “The post-relationship song starts as a gentle, echoing ballad, a la Rose’s musical hero Phoebe Bridges – but it’s the climax, after a switch to a more cathartic mid-tempo singalong, that has taken off on TikTok, with countless users connecting with the lyrics.”

Get to know Sydney Rose now and stay tuned for I Know What I Want EP.

TRACKLISTING
31
Listen To The Birds
5 More Minutes
Thank You For Trying
Dogs I Pass On The Street
We Hug Now

Crystal Waters Honored With Female Icon Award And Voice Of House Awards at Miami Music Week 2025

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Multi-platinum singer, songwriter, and dance music legend Crystal Waters is stepping into the spotlight at Miami Music Week 2025, receiving top honors and lending her voice to pivotal industry discussions. From being awarded the Voice of House Award at the inaugural FEMMY Awards to receiving the Female Icon Award at the Electronic Dance Music Awards, Waters will be celebrated for her groundbreaking contributions to dance music. Beyond the accolades, she will play a key role in two high-impact panels-the Winter Music Conference’s “Diversifying the Dancefloor: Advancing Equity and Access Through Meaningful Change” and FEMME HOUSE x W HOTELS’ “Impact, Longevity, and Equity in Dance Music”-where she will join leading artists and executives to address systemic challenges and champion inclusivity. Adding to the excitement, she just released “You & Me,” a powerhouse collaboration with Stockholm and London-based duo ManyFew-a radiant, instant-classic house anthem.

On Thursday, March 27, FEMME HOUSE proudly launches the FEMMY Awards, a groundbreaking celebration of excellence in dance music and allyship. Hosted at Palm Tree Club, the event will honor Crystal Waters with the Voice of House Award, recognizing her enduring impact on the genre. Joining her is fellow house legend Barbara Tucker, alongside DJ Minx and DJ Lady D, who will receive Pioneer Awards for Lifetime Achievement, and Sara Landry, recognized as Producer of the Year. The FEMMY Awards spotlight both pioneers and rising stars, celebrating those shaping the future of dance music.

Later that day, Waters will join the Winter Music Conference panel, “Diversifying the Dancefloor: Advancing Equity and Access Through Meaningful Change,” at Eden Roc Miami Beach (Mona Lisa Room). This critical discussion brings together industry leaders to explore strategies for fostering a more inclusive and equitable dance music scene. Panelists include Aluna (Artist/Activist), Joanne Hill (Sydney Blu) (Artist & Founder, Change The Beat), Tadia Taylor (Founder, W.O.Q.E.), and Ollie Zhang (Head of Artist Development, 88rising). Moderated by Elaine Huang (Founder, Neon Owl), the conversation will focus on amplifying underrepresented voices, championing inclusivity, and creating sustainable opportunities for marginalized artists. From the stage to behind the scenes, this discussion will emphasize actionable steps to reshape the industry.

On Friday, March 28, Waters continues her advocacy for industry-wide equity at Miami Music Week with the panel “FEMME HOUSE x W HOTELS Present: Impact, Longevity, and Equity in Dance Music” at W South Beach (The Lawn). Hosted by Hermixalot and LP Giobbi (FEMME HOUSE Co-Founders), the discussion will feature Barbara Tucker, DJ Lady D, and Kaleena Zanders, all of whom have made significant contributions to the genre. Together, they will explore critical issues such as closing the pay gap, reclaiming space for the genre’s originators and amplifying historically silenced voices. As FEMME HOUSE marks its third year at Miami Music Week, the discussion will focus on real solutions to systemic barriers, ensuring that artists like Waters-and the next generation-continue to thrive in an industry that values their contributions.

Capping off a monumental Miami Music Week, Waters will receive the Female Icon Award at the Electronic Dance Music Awards 2025 at Eden Roc Hotel, honoring her legendary contributions to electronic dance music and her lasting impact on the industry.

Crystal Waters holds an iconic place in music history, best known for timeless anthems like “Gypsy Woman (She’s Homeless)” and “100% Pure Love”, as well as her European chart-topper “Destination Calabria” with Alex Gaudino. With six ASCAP Songwriter Awards, four Billboard Music Awards, an MTV Video Music Award, and three American Music Award nominations, her influence continues to shape dance music. Recognized by Mixmag as “one of the most influential women in dance music” and by Billboard for her 12 #1 Billboard Dance Chart hits, Waters remains a dominant force, boasting over 100M Spotify streams and 3.8M monthly listeners.

Beyond her own music, Waters curates and hosts I AM HOUSE Radio, featuring cutting-edge house tracks and reaching 9.6 million monthly listeners across 65 stations in 30 countries. In November, the show expanded to SiriusXM Utopia, airing Saturdays at 7 PM ET, with replays on Sundays and Thursdays. A sought-after performer, she has graced global stages, New York & London Fashion Weeks, and Art Basel, while her songs have been sampled by T.I., Alicia Keys, and Pitbull. In 2024, she was honored at the Women Songwriters Hall of Fame and received the Howard University Distinguished Postgraduate Achievement Award. Constantly evolving, her latest hit “Party People” (with DJ Spen and remixed by Michael Gray) has gained support from BBC Radio One, Pete Tong, and Carl Cox, reaffirming her lasting impact on the genre.

From timeless classics to prestigious awards and influential panels, Crystal Waters stands at the forefront, solidifying her legacy as a dance music icon and inspiring generations of artists. As a trailblazer in electronic music, her impact continues to shape the industry, paving the way for future talent to flourish in a more inclusive and equitable space.