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Four decades ago, a little band out of Los Angeles lit a match under the glam-metal scene and burned their way into rock ‘n’ roll immortality. Guns N’ Roses at 40, the new retrospective by rock historian Martin Popoff, dives deep into the chaos, creativity, and cultural impact of GN’R. From the sweaty Sunset Strip clubs of 1985 to the world’s biggest stadiums, Popoff curates 40 pivotal moments in the band’s history – and, in true GN’R fashion, there’s no shortage of triumph, tragedy, or tabloid-worthy tales.
This stunning hardcover book doesn’t just list dates and discography – it tells a wild, loud, and unapologetic story. Readers will find biographies of original members Axl Rose, Slash, Duff McKagan, Izzy Stradlin, and Steven Adler, details of studio sessions and infamous incidents, plus insights into lineup changes and long-awaited reunions. With first-person interviews from Duff McKagan and Tommy Stinson, plus a gatefold timeline and stunning photography, this is the ultimate coffee-table tribute to the most dangerous band in the world.
Whether you’re a die-hard fan who lived through the Appetite for Destruction era or a newcomer discovering “November Rain” on vinyl, Guns N’ Roses at 40 is a must-have. As Martin Popoff has proven time and time again with his rock lit resume, no one charts the course of a legendary band quite like he does. This book is loud, proud, and absolutely essential.
Conan O’Brien, the towering, flame-haired king of late night absurdity, has officially joined comedy royalty. The 26th Mark Twain Prize for American Humor now belongs to the man who gave us Triumph the Insult Comic Dog, the “Walker, Texas Ranger Lever,” and the most delightfully awkward remotes in TV history. On March 25, the John F. Kennedy Center for the Performing Arts was filled with the sound of applause, laughter, and probably a few well-placed string dance moves.
And if you missed it? Don’t worry — the celebration streams exclusively on Netflix starting Sunday, May 4, 2025. So grab your legally distinct bear costumes, your Harvard diploma, and a healthy disdain for corporate synergy, and prepare to laugh, cry, and wonder how someone this funny also managed to be one of the kindest people in the business. Mark Twain would be proud. Probably confused, but proud
On the heels of their hugely successful 2024 tour run, two-time GRAMMY-award winning band Korn will bring their show to fans across Canada this fall with Korn: Kanada Tour 2025. Produced by Live Nation Canada, the 8-city tour kicks off on Wednesday, September 17 at Canadian Tire Centre in Ottawa, making stops in Montreal, Winnipeg, Calgary and more before wrapping up in Vancouver at Rogers Arena on Wednesday, October 1. GRAMMY-nominated group Gojira and UK’s Loathe will join the band as special guests.
Korn celebrated their 30 year milestone with a massive 2024 North American tour to coincide with their self-titled, debut studio album turning 30 on October 11, 1994. Playing 25 dates in arenas and amphitheaters across North America alongside Gojira and Spiritbox, the rock cultural icons captivated audiences in cities including Detroit, Los Angeles, Toronto, Houston, and more, marking one of their largest tours yet.
More recently, the band is set to deliver electrifying performances at a handful of major festivals this summer, headlining Welcome To Rockville in Daytona Beach, Download Festival in the UK, Lollapalooza in Chicago, and more. This year will be Korn’s first time hitting the iconic Lollapalooza stage since 1997. In addition, the iconic rock band will perform two stadium shows at MetLife Stadium in New Jersey with System Of The Down on August 27 and 28th, 2025.
TICKETS: Tickets will be available starting with artist pre-sales beginning Tuesday, March 25 at 10am local time. Additional pre-sales will run throughout the week ahead of the general on-sale beginning Friday, March 28 at 10am local time at KornOfficial.com
KORN: KANADA TOUR 2025 DATES:
Wed Sep 17 – Ottawa, ON – Canadian Tire Centre
Fri Sep 19 – Quebec City, QC – Videotron Centre
Sat Sep 20 – Montreal, QC – Bell Centre
Mon Sep 22 – London, ON – Canada Life Place
Thu Sep 25 – Winnipeg, MB – Canada Life Centre
Sun Sep 28 – Calgary, AB – Scotiabank Saddledome
Mon Sep 29 – Edmonton, AB – Rogers Place
Wed Oct 1 – Vancouver, BC – Rogers Arena
When Ray of Light dropped in 1998, Madonna remixed the whole idea of what pop could be. Think synths, Sanskrit, and soul-searching wrapped up in a glittery, transcendental sonic journey. It wasn’t just an album; it was a spiritual rave for your headphones. Here are 5 unknown facts about Ray of Light that might just blow your speaker cones.
1. “Swim” Was Recorded the Day Gianni Versace Was Killed
When Madonna stepped into the vocal booth to track “Swim,” the world had just lost fashion icon Gianni Versace. The emotion? Palpable. William Orbit remembers the vibe in the studio as electric but somber—so it’s no wonder that “Swim” carries an almost meditative depth. As synths wash in like tidewater and her vocals stretch out over haunting beats, you can feel the weight of grief turned into art. That’s dance floor therapy, if you ask me.
2. The Sanskrit Track Sparked a Language Lesson
“Shanti/Ashtangi” wasn’t just a bold fusion of techno and ancient scripture—it was also a pronunciation challenge. After some early missteps, Madonna reportedly got a crash course in Sanskrit over the phone with Indian scholar Vagish Shastri. Imagine dialing into enlightenment while sipping yerba mate in LA. The result? A thumping, sacred chant that goes harder than most 3 a.m. club closers.
3. “Candy Perfume Girl” Almost Got Left Off the Album
Buried in the tracklist like a glitchy treasure, “Candy Perfume Girl” almost didn’t make it. The song, which blends grunge guitars with electronic weirdness, was considered too out-there—even for Ray of Light. But Madonna fought for it, seeing it as a bridge between the analog and the experimental. It’s one of the most daring cuts on the album and proof that even pop queens can get weird (and win).
4. The Album Cover Happened After Madonna Said “No”
Photographer Mario Testino remembers Madonna shutting down the shoot after saying she was “done.” But he pushed back, kept shooting, and boom—the iconic Ray of Light cover was born. That image of her in a flowing blue raincoat, hair windswept like an EDM festival goddess ascending into the astral plane? Total accident. Total magic. Total Madonna.
5. The Album Was Nearly Called Veronica Electronica
No, really. Before settling on Ray of Light, Madonna considered the name Veronica Electronica, which sounds like a DJ alias who opens for Aphex Twin at Burning Man. Another contender? Mantra. Cool, but not quite cosmic enough. Ultimately, Ray of Light captured the vibe—a spiritual awakening set to synths, bass drops, and neon starlight.
Ray of Light is a metaphysical trip through BPMs and belief systems. Twenty-six years later, it still slaps, glows, and elevates. Whether you’re meditating or moving, just remember: this album didn’t just change Madonna—it changed the game.
Let there be light. Let there be bass.
The HBO Original two-part documentary BILLY JOEL: AND SO IT GOES, directed by Emmy winners Susan Lacy (HBO’s “Jane Fonda in Five Acts” and “Spielberg”) and Jessica Levin (HBO’s “The Janes” and “Jane Fonda in Five Acts”), will debut on HBO and will be available to stream on Max this summer.
BILLY JOEL: AND SO IT GOES is an expansive portrait of the life and music of Billy Joel, exploring the love, loss, and personal struggles that fuel his songwriting. With unprecedented access to never-before-seen performances, home movies, and personal photographs, along with extensive, in-depth one-on-one interviews, the documentary intimately explores the life and work of Joel, whose music has endured across generations.
Susan Lacy, director and producer, says, “For those who think they know Joel’s story, as well as those who are not as familiar, I believe this two-part film is both a revelation and a surprise. I was drawn to his story as someone who knew little at the outset, and was astounded at how autobiographical his songs are and how complex his story is. We are gratified that Bill trusted us with his story, which we have told as honestly as possible, diving into territory which has not been explored before.”
HBO Documentary Films presents a Pentimento Production in association with Hazy Mills Productions and Playtone Productions. Directed and produced by Susan Lacy and Jessica Levin; executive producers, Tom Hanks, Gary Goetzman, Todd Milliner, Sean Hayes, Steve Cohen; producer, Emma Pildes; edited by Kris Liem, James Pilott, Steven Ross. For HBO: executive producers, Nancy Abraham, Lisa Heller, Sara Rodriguez.
Max has announced that season two of the HBO’s Emmy-winning original drama series THE LAST OF US will be available to stream in American Sign Language (ASL) alongside the show’s episodes each week beginning with the season debut on SUNDAY, APRIL 13 at 9:00 p.m. ET. Season one of the series will be available to stream in ASL starting FRIDAY, MARCH 31, just in time to catch up before the debut of season two.
This marks the first time that HBO’s original programming will be available to stream in ASL on Max, following the ASL versions of Warner Bros. films such as Barbie, Godzilla x Kong: The New Empire, and Beetlejuice Beetlejuice. This expansion in availability of ASL programming continues to build on Max’s commitment to create a premium and accessible streaming experience for all subscribers.
THE LAST OF US with ASL is performed by Daniel Durant (Academy Award®-winning “Coda,” “Green Day’s American Idiot,” “Dancing with the Stars,” “Flash Before the Bang“) and Leila Hanaumi (Deaf Austin Theater (DAT) and ZACH’s “Cinderella,” DAT’s “Tiny Beautiful Things,” DAT and Ground Floor Theatre’s “The Laramie Project”), who delivered a highly-acclaimed performance in Barbie with ASL — the first film available on Max with ASL interpretation. Hanaumi also directed the first season of THE LAST OF US with ASL.
“With ASL” titles, including THE LAST OF US, will be displayed on the Max app along with key art featuring the sign language symbol. The Max platform also offers features such as audio descriptions, closed captions, screen reader compatibility, magnification, keyboard navigation, and color contrast to ensure an accessible streaming experience.
“We are thrilled to expand our ASL program and debut our first HBO Original series in ASL with The Last of Us,” said Naomi Waibel, SVP of Global Product Management at WBD. “This debut brings the show to life in an authentic and fully accessible way for Deaf audiences and is another meaningful step towards our goal of offering an inclusive streaming experience.”
THE LAST OF US, based on the acclaimed video game franchise developed by Naughty Dog for the PlayStation consoles, is written and executive produced by Craig Mazin and Neil Druckmann. The series is a co-production with Sony Pictures Television and is also executive produced by Carolyn Strauss, Jacqueline Lesko, Cecil O’Connor, Asad Qizilbash, Carter Swan, and Evan Wells; with writer/co-executive producer Halley Gross. Production companies: PlayStation Productions, Word Games, Mighty Mint, and Naughty Dog.