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Passim’s Down Home Up Here Festival Returns with Bluegrass & Old-Time Acts from Boston and Beyond

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Passim announced the lineup for the 13th Annual Down Home Up Here Bluegrass and Old Time Festival on Patriot’s Day Weekend, April 19 to 21. Down Home Up Here will showcase over a dozen Bluegrass and Old Time acts from greater Boston and around the country, including The Talking Hearts from Boston, Lucy Nelligan from California, and Noah G. Fowler from Tennessee. Guests will also have a chance to take part in workshops and join in on the fun in a Monday jam session with artists.

Saturday’s lineup includes performances from New England acts Evan Murphy, Greg Liszt, The Talking Hearts, Chris Sartori, Dumpster Debbie, Hound & Handler, and west-coast musician Lucy Nelligan.

Sunday’s lineup includes artists Seselia, Johanna Wacker, Maxfield & Friends & Enemies, Noah G. Fowler, and All She Wrote. The day will also have a performance by students from Berklee College of Music’s 21st Century String Band class, who explore the growing trend of blending traditional string instruments with innovative, nontraditional sounds like rock, jazz, soul, and beyond.

On Monday at 7 pm, musicians Trevin Nelson and Micah John & Lillian Chase will host bluegrass and old-time jam. Admission is free, and all are welcome to join the jam.

As part of the festival, the Passim School of Music will host workshops including How to Construct KIller Solos for 3-finger Banjo with Trevin Nelson and Old-Time Fiddle Bowing Basics with Lucy Nelligan on Saturday and Getting Started on the Dobro with Lloyd Thayer and Beginning Clawhammer Banjo with Johanna Wacker on Sunday. Workshops require separate registration.

The full schedule for the weekend and more details can be found at passim.org.

Down Home Up Here Bluegrass and Old Time Festival runs Saturday, April 19 to Monday, April 21. Tickets are available now at passim.org. Club Passim is located at 47 Palmer St., Cambridge MA 02138.

The mission of Passim is to provide truly exceptional and interactive live musical experiences for both performers and audiences, to nurture artists at all stages of their careers, and to build a vibrant, inclusive music community. Passim does so through its legendary listening venue, music school, artist grants, and community programs. As a nonprofit since 1994, Passim carries on the heritage of its predecessors- the historic Club 47 (1958-1968) and the for-profit Passim (1969-1994). We cultivate a diverse mix of musical traditions, emphasizing the relationship between performers and audience and teachers and students. Located in Harvard Square, Passim serves Cambridge and the broader region by featuring local, national, and international artists. Our ultimate goal is to help the performance arts flourish and thereby enrich the lives of members of our community. For a complete schedule, visit www.passim.org.

San Jose Jazz Summer Fest 2025 Celebrates 35 Years with Common, Mavis Staples, PJ Morton, Ghost-Note, Femi Kuti, and More

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“Transforming Plaza de Cesar Chavez Park in downtown San Jose into a musical haven” (San Francisco Chronicle) San Jose Jazz Summer Fest returns to Plaza de César Chávez for its 35th Anniversary festival from Friday, August 8 – Sunday, August 10, 2025, turning the heart of downtown San Jose into an immersive cultural mecca. With nine indoor and outdoor venues featuring more than 80 artists representing the best in jazz, R&B, Latin jazz, salsa, soul, funk, bossa nova, blues, and a larger-than-life celebration of Oaxacan culture with the Mexican exhibition ALEBRIJES EN SAN JOSÉ displayed throughout the urban festival grounds, SJZ Summer Fest 2025 proudly presents the most stylistically diverse music event on the West Coast. San Jose Jazz’s eclectic programming reflects the city’s longstanding role as the epicenter of Latin culture in Northern California with eight epic 23-feet-high Alebrijes sculptures amplifying the artistic ingenuity of South American creators in both the visual arts and music.

Academy Award, Emmy, and GRAMMY-winning artist Common (Friday Headliner — Aug. 8) transfixes audiences as the hip-hop pioneer inspires us for global social change. Common’s much-anticipated return to the Jay Paul Company Main Stage celebrates the 25th anniversary of his pivotal album, Like Water for Chocolate. Fans have seen Common make significant inroads in Hollywood, as he’s starred in Apple TV+’s Silo, as well as making his Broadway debut in Between Riverside and Crazy, and appearing in films like Alice and Breathe alongside Jennifer Hudson. His contributions also extend to the literary world with his health-focused And Then We Rise (2024) and two New York Times best-selling memoirs.

Legendary soul and gospel artist Mavis Staples (Sunday Headliner — Aug. 10) is a cultural titan whose unmistakable voice has defined American music for over six decades. A civil rights icon, Rock and Blues Hall of Famer, GRAMMY Award winner, and Kennedy Center honoree, Staples delivers powerful performances with inimitable conviction and energy. Her illustrious career spans from The Staple Singers’ classic hits like “I’ll Take You There” to critically-acclaimed solo albums that have made Mavis Staples a towering musical force.

New Orleans native PJ Morton (Saturday Headliner — Aug. 9) is notably the 5-time GRAMMY-winning keyboardist with Maroon 5 who’s gained acclaim for his collaborations with Stevie Wonder, Solange, India.Arie, Yebba, Allen Stone, among others. PJ Morton’s sweet and soulful vocals uplifts his audiences with irresistible melodies and his gospel grooves. His celebrated solo albums including Gumbo, Paul and Watch the Sun, which are rich fusions of jazz and R&B that reflect his upbringing as the son of gospel royalty Bishop Paul S. Morton.

Led by GRAMMY Award-winning Snarky Puppy alumni Robert “Sput” Searight and Nate Werth, the explosive musical collective Ghost-Note (Friday Headliner — Aug. 8) delivers a blast of funk, jazz, and hip-hop that ignites dance floors across the globe. Ghost-Note’s 2024 release Mustard n’Onions dazzled critics while their virtuosic live performances feature mind-bending solos and thunderous grooves.

Femi Kuti, the eldest son of Afrobeat legend Fela Kuti, leads The Positive Force with explosive energy and revolutionary spirit. A GRAMMY Award-nominated saxophonist and vocalist, Femi blends traditional Yoruba rhythms with jazz and funk. His electrifying live shows capture the essence of Afrobeat while advancing his father’s legacy of musical activism against corruption and social inequality.

San Jose Jazz has championed two innovative efforts to ensure artists have both access to funds needed to create original works and a state-of-the-art venue to perform their music in while the volatility of concert venues remain in flux. Over the course of five consecutive years, San Jose Jazz has granted $160,000 to local SF Bay Area musicians through offering $1,000 individual grants to support newly written commissioned pieces with the SJZ Jazz Aid Fund. San Jose Jazz is proud to have shepherded more than 100+ new works into existence, right here in their community by offering assistance to 120 Bay Area musicians.

In 2021, San Jose Jazz also opened their very own performance venue the SJZ Break Room, ensuring artists working at the 100-capacity level will have access to a professional live music venue in the South Bay with world class recording and video capabilities. SJZ Break Room has been widely successful with SJZ producing more than 200 concerts through their Winter Series, SJZ New Works Fests featuring Jazz Aid Fund artists, and regular weekend programming.

SJZ Summer Fest 2025 carries forth their mission to book artists carrying the jazz tradition forward with fresh takes on the ever-evolving genre. Following years of their “Jazz Beyond” stages at the Fest, San Jose Jazz goes big on their Friday Night programming featuring a collection of trendsetting artists that represent the “Future of Jazz.” Curated for the twentysomethings crowd with a discounted ticket price of only $25 (for festivalgoers ages 25 and under, Friday Night Only), fans interested in seeing the hottest leading-edge jazz artists will have easy access to the Fest. Groundbreaking artists set to appear on Friday include beloved vocalist José James, electronic music wizard Kiefer, spellbinding collective Ghost-Note, prolific saxophonist David Binney with Pera Krstajic & drummer Louis Cole, and the Bay Area’s very own, Bennett Roth Quartet.

Julie Ramirez, President of the San Jose Jazz Board, comments, “It’s essential for us as a non-profit to not only offer visionary local artists opportunities to perform at our flagship summer festival, but to also encourage younger audiences to enjoy the festivities with a ticket price they can afford. At $25, we feel that many new music fans will be able to have an unforgettable experience at SJZ Summer Fest 2025.”

Additional acts on its array of nine stages, include The Headhunters, Kishi Bashi, Tyreek McDole, Delbert Anderson, Something Else! ft. Vincent Herring, Jonathan Dely, Pacific Mambo Orchestra, Sachal Vasandani, Marisoil and the Love Notes Orchestra, Mary Stallings, David Binney Action Trio with Pera Krstajic & Louis Cole, Kazemde George Trio, Tom Scott & The LA Express, Saul Sierra Quintet: “Caminos, A Pan American Jazz Suite,” Ray Obiedo Group ft. Lilan Kane, Akira Tana with Bobby Floyd, Atsuko Hashimoto & Jackie Ryan, Oakland Interfaith Gospel Choir & Youth Choir, Oakland Jazz Choir, Nidia Góngora, Ricardo Lemvo & Makina Loca, Hermán Olivera with Orquesta Taino, Andre Cruz & Chris Lujan, Malo, Juan Prado Trio, All Things Swamp, SJZ High School All Stars, Synchronicity, SOJ Band, Los Tacoyos, Ames Big Band, Footnotes, Swing Solution, Full Spectrum, Top Shelf, Los Gatos-Saratoga Band, Green Feather, and more headliners to be announced!

20 of the Best ‘80s Rock Ballads That Still Hit Like a Freight Train

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The ‘80s perfected the rock ballad, and not all of them were slow dances for the last dance – they were stadium-sized, emotional gut punches wrapped in soaring melodies and face-melting guitar solos. They had big choruses, bigger emotions, and even bigger hair – but most importantly, they had staying power.

Here are 20 of the best ‘80s rock ballads—songs that still make you want to turn the lights down low, crank the volume up, and sing like your heart depends on it.

Faithfully – Journey (1983)

Steve Perry sings like he’s on the verge of tears, and so are you by the end of this song. A love letter to life on the road, Faithfully takes all the highs and lows of being a touring musician and turns it into one of the most emotional power ballads of all time.

Sweet Child o’ Mine – Guns N’ Roses (1987)

It may not be a ballad in the traditional sense, but the raw emotion, unforgettable melody, and stadium-sized chorus make it impossible to leave off this list. Slash’s iconic intro and Axl Rose’s vulnerable delivery create one of the most enduring love songs in rock history.

Is This Love – Whitesnake (1987)

David Coverdale’s voice drips with heartbreak and longing, while the slow build of the song makes every chorus feel like a tidal wave. It’s smooth, sultry, and the perfect mix of bluesy passion and hair-metal excess.

I’ll Be There for You – Bon Jovi (1988)

Jon Bon Jovi and Richie Sambora deliver one of the most gut-wrenching heartbreak songs of the decade. The soaring guitar solo and desperate lyrics about lost love hit even harder when you scream them at full volume in the car.

Love Bites – Def Leppard (1987)

This isn’t your typical love song—this is Def Leppard at their darkest, moodiest, and most emotionally raw. It’s a slow burn that explodes into one of the most powerful choruses of the decade, proving that heartbreak never sounded so good.

Don’t Know What You Got (Till It’s Gone) – Cinderella (1988)

From the gentle piano intro to the massive guitar solo, this song feels like regret in musical form. Tom Keifer’s raspy vocals make every line sound like he’s experiencing the heartbreak in real time—which is why this song never stops hitting hard.

Every Rose Has Its Thorn – Poison (1988)

Bret Michaels took a breakup, an acoustic guitar, and a whole lot of sadness, and turned it into one of the most iconic rock ballads ever. It’s simple, raw, and proof that sometimes, the best songs come from the worst pain.

Can’t Fight This Feeling – REO Speedwagon (1984)

Kevin Cronin sings like he’s been holding this in for way too long, and that’s what makes this song hit so hard. It starts soft, builds with layer after layer of emotion, and ends in a massive, soaring release that just begs to be belted out.

Still Loving You – Scorpions (1984)

If Every Rose Has Its Thorn is about moving on, Still Loving You is about never letting go. It’s desperate, dramatic, and drenched in longing, with Klaus Meine’s vocals cutting through the mix like a last-ditch plea for a lost love.

I Want to Know What Love Is – Foreigner (1984)

No rock ballad list is complete without this massive, gospel-infused masterpiece. Lou Gramm’s emotional delivery, the swelling instrumentation, and that iconic choir-backed chorus make this one of the most moving songs of the decade.

These Dreams – Heart (1985)

Nancy Wilson’s dreamlike vocals, the surreal atmosphere, and the haunting melody make this ballad one of the most unique on this list. It’s soft, mysterious, and proof that power ballads don’t always have to be about heartbreak—they can be about getting lost in another world.

I Remember You – Skid Row (1989)

Sebastian Bach delivers every note like his heart is breaking in real time, and that’s what makes this song hit like an emotional hurricane. It’s cinematic, powerful, and the perfect mix of soft nostalgia and raw rock energy.

The Search Is Over – Survivor (1985)

Sometimes, love songs sound like movie endings, and this is one of them. The build, the soaring vocals, and the dramatic key change make this one of the most triumphant ballads of the decade.

Amanda – Boston (1986)

Boston stripped things back for this one, proving that you don’t need over-the-top production to create a powerful ballad. The emotional weight of the lyrics, the lush harmonies, and the heartfelt vocal delivery make this a timeless classic.

Sister Christian – Night Ranger (1983)

The slow build-to-epic explosion formula was perfected here. The soft piano, the quiet tension, and then BOOM—the full force of ‘80s rock crashes down in one of the most anthemic choruses ever recorded.

Love Song – Tesla (1989)

Tesla took a raw, acoustic approach and made one of the most emotionally charged ballads of the decade. The combination of delicate fingerpicking and powerful vocals makes it both tender and explosive at the same time.

Here I Go Again – Whitesnake (1987)

Yes, we’ve heard it a million times. Yes, it’s been in commercials, movies, and karaoke bars. But guess what? It still rules. It’s an anthem for reinvention, resilience, and hitting the road one more time.

With or Without You – U2 (1987)

U2 took the rock ballad and turned it into pure atmosphere. The slow build, the aching tension, and Bono’s emotional, pleading vocals make this one of the most heart-wrenching songs ever recorded.

Angel – Aerosmith (1987)

Steven Tyler doesn’t just sing ballads—he belts them from the depths of his soul. Angel is dramatic, theatrical, and overflowing with emotion, proving why Aerosmith was one of the greatest rock bands of the decade.

The ‘80s perfected the rock ballad and the songs were about feeling everything at full volume. Whether you’re driving with the windows down, holding up a lighter at a concert, or staring dramatically into the distance, these ballads still deliver every ounce of passion they did decades ago.

Why Music and Games Are Colliding in the Digital World

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By Mitch Rice

Nowadays, we see music and video games united at a new, exciting level. This mix creates experiences that capture attention and maintain engagement. Because it combines the emotional response of music with the interactivity and fun of games, it is changing the way we experience entertainment.

The Role of Music in Gaming

Music has always been a vital element in video games, but its importance has only skyrocketed ever since. Game music does more than provide a pleasant background sound; it works as a vehicle for setting, feeling and narrative. Be it the classic tunes of Super Mario Bros or the hauntingly atmospheric tracks of Bloodborne, the music connects players to the world of the game.

Background music in games also sets the mood for different scenes. For example, there are calmer tunes for exploration, and a fast and frenetic track might underscore the high-drama of a battle. This dynamic music immerses players, makes them feel like they are in a new world, and makes them want to play more.

Interactive Musical Experiences

From music games (Guitar Hero, Beat Saber) to virtual concerts inside gaming platforms, the intersection of music and games created new experiences. Instead of passively listening to it on your phone, these events allow players to engage with music interactively. As an example, the virtual concerts within Fortnite with Travis Scott surrounded by other notable names turned gaming worlds into mega-music arenas; millions around the world flock to watch.

The Music Used in Slot Games

Beyond its role in standard video gaming, music is also an essential aspect of online gambling. The music used in slot games is carefully crafted to create an engaging atmosphere. Energetic songs keep players hyped, and calm songs promote longer gaming sessions. Some slot games have even adopted popular tracks under license to give an extra touch of familiar entertainment to users.

Merging The Lines of Entertainment Mediums

A seamless blending of music and games is dissolving the lines between entertainment mediums. Now, musicians are looking for new methods of reaching audiences by working with game developers to craft exclusive soundtracks or host virtual shows. In the same way, gaming events frequently have musical acts performing live, creating hybridized experiences that attract multiple audiences.

This partnership broadens the creative horizons of both industries. Musicians can use it as an interactive storytelling playground. For game developers, it gives more complexity and depth to their games.

The Future of Music and Gaming

The bond between music and gaming will strengthen as technology progresses. VR and AR take this kind of interaction even further, allowing players to immerse themselves in the game world and interact with music directly. Also, AI may soon personalize soundtracks to adapt for every player based on their actions and personal style.

Background music in video games will continue to be a major contributor to these experiences. This not only serves to improve gameplay but also creates memories associated with certain moments or achievements in a game.

The intersection of music and games is a new frontier for digital entertainment. This fusion is turning out richer, more interactive experiences for audiences everywhere, as gaming is paired with the emotional impact of music. As the two worlds continue to converge together, there will likely be even more game-changing innovations that change the way we consume and interact with entertainment.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Ultra Music Festival Extends SaferWatch Partnership for 5th Year to Prioritize Attendee Safety

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Ultra Music Festival 2025, taking place March 28–30 at Bayfront Park in downtown Miami, has once again selected SaferWatch as its safety reporting tool for the fifth consecutive year. This ongoing partnership is part of Ultra’s commitment to keep its high-energy celebration safe for all attendees. Festival-goers will have multiple, convenient channels to promptly report any safety concerns or incidents in real-time, helping law enforcement and fire rescue and event security respond swiftly without dampening the festival’s electric atmosphere.

Attendees are encouraged to “See Something, Send Something” by reporting issues through any of the following methods:

  1. Call: 305-800-TIPS (8477)

  2. Text: 305-800-TIPS (8477)

  3. SaferWatch App: Submit photos and videos via the SaferWatch mobile app (Accessible on smartphones via the Apple App Store and Google Play.)

All reports can be made anonymously, ensuring that anyone can alert authorities to suspicious activity or emergencies without hesitation. Once a report is submitted, the SaferWatch app immediately notifies on-site security and law enforcement of the user’s location and details of the incident. The platform also supports two-way communication, so officials can provide instructions or ask follow-up questions as needed. By empowering attendees to share tips, including photos or videos directly from their phones, Ultra and SaferWatch aim to address potential issues proactively – often before they escalate.

This year marks five years of collaboration between Ultra and SaferWatch. The results of this sustained effort speak for themselves: Ultra’s 2022 festival saw a record low number of security incidents after new measures like the SaferWatch system were implemented. With over 170,000 people attending Ultra 2022 and similarly large crowds expected in 2025, the continued use of SaferWatch underscores Ultra’s dedication to attendee safety at large-scale events. Organizers have continually expanded safety initiatives—from increased on-site police and security presence to technology partnerships like SaferWatch—to create a secure environment where fans can focus on enjoying the music.

“Ultra Music Festival is an incredible event that brings together hundreds of thousands of fans. Ultra is committed to keeping their attendees safe and we are proud to play a role in the proactive and real-time safety measures for a large event like this,” said Geno Roefaro, CEO of SaferWatch. “By giving every attendee an easy, anonymous way to alert law enforcement and fire rescue to any concern, SaferWatch empowers festival-goers to play an active role in keeping the festival as safe as possible. We are proud to continue our partnership with Ultra for the fifth year running, helping to ensure everyone can enjoy the music while knowing that safety is a top priority.”

SaferWatch is a leading mobile security platform that enables the public to report suspicious activity, threats, or emergencies in real-time directly to law enforcement and security agencies. The SaferWatch app provides users with a simple and anonymous way to See Something, Send Something, fostering proactive safety at the touch of a button. The platform supports text, photo, and video submissions and offers two-way communication so authorities can swiftly gather information and send guidance. SaferWatch has a proven track record at major public gatherings – it has been deployed at music festivals, sporting events, and public venues worldwide, including previous Ultra Music Festivals, professional sporting events, and even the Miami Super Bowl LIV. By empowering communities and event attendees to easily report concerns, SaferWatch helps prevent incidents and provides peace of mind in any crowd.

5 Surprising Facts About The Beatles’ ‘Meet The Beatles’

Some albums are made to introduce a band to the world. Some albums storm across the planet. Meet the Beatles! did both. Released on January 20, 1964, this was America’s first proper introduction to The Beatles—and within weeks, the U.S. was hooked. Sure, Beatlemania had already been bubbling in the UK, but this album officially set the British Invasion in motion. Yet, while it’s one of the most iconic albums of all time, there are still hidden stories behind its songs, cover, and impact that even hardcore fans might not know. Let’s dig into five fascinating facts about Meet the Beatles! that will change how you hear it.

1. It Wasn’t Actually Their First U.S. Album

Look at the cover, and you’ll see it: “The First Album by England’s Phenomenal Pop Combo.” Bold claim, right? Except…it wasn’t exactly true. Vee-Jay Records had already released Introducing… The Beatles just ten days earlier on January 10, 1964. That album had been delayed due to legal disputes, but it still technically hit stores first. So why does Meet the Beatles! get all the glory? Because Capitol Records had the marketing muscle to push The Beatles into every home, radio station, and teenage bedroom across America. The result? This was the album that truly changed the game.

2. The Cover Was a Recycled UK Image—with a Twist

The album’s stunning blue-tinted cover wasn’t shot for Meet the Beatles! at all. It was actually the same Robert Freeman portrait used on the UK album With the Beatles, but Capitol gave it a subtle makeover. They added a blue tint to make it look more dramatic and mysterious—a decision that gave the album an instantly cool, iconic feel. This move set the stage for The Beatles’ visual identity in America, where they weren’t just musicians but mystical figures from another world.

3. The Tracklist Was Completely Reworked for the U.S.

If you compare Meet the Beatles! to its British counterpart, With the Beatles, you’ll notice a major difference: no cover songs. Capitol stripped out the R&B and rock ‘n’ roll covers from the UK version, leaving only original Lennon-McCartney compositions (plus George Harrison’s “Don’t Bother Me”) alongside their explosive U.S. hit single, “I Want to Hold Your Hand.” This was a brilliant strategy—Capitol wanted Americans to see The Beatles as songwriters, not just another band covering Chuck Berry and Motown. It worked: the album dominated the charts, cementing Lennon and McCartney’s status as a songwriting powerhouse.

4. Some Songs Were in “Fake Stereo”

Audiophiles, brace yourselves—Meet the Beatles! wasn’t exactly a sonic masterpiece. Capitol hadn’t received proper stereo mixes of some tracks, so they resorted to “duophonic stereo”, which was basically a sneaky way of faking it. By slightly separating the treble and bass between speakers and adding a tiny delay, Capitol tricked listeners into thinking they were hearing a stereo recording. The result? A hollow, echo-heavy version of songs like “I Want to Hold Your Hand” that still makes purists cringe today.

5. It Kicked Off One of the Fastest-Selling Albums in History

Meet the Beatles! wasn’t just big—it was astronomical. When it hit shelves on January 20, 1964, The Beatles were already on the verge of explosion in the U.S. But then, just a few weeks later, they played The Ed Sullivan Show on February 9—and boom. Overnight, The Beatles became unstoppable. The album shot to #1 on February 15 and stayed there for 11 weeks, only to be dethroned by…their own next album, The Beatles’ Second Album. By the time 1964 was over, The Beatles had the top five spots on the Billboard Hot 100—a feat that has never been repeated.

Meet the Beatles! was a cultural phenomenon. It turned The Beatles into household names in America, reshaped the music industry, and proved that British bands could take over the world. With its carefully curated tracklist, iconic cover, and industry-shaking success, Meet the Beatles! remains one of the most important albums in rock history. So the next time you hear that opening chord of “I Want to Hold Your Hand”, remember—you’re listening to the moment when everything changed.

5 Surprising Facts About Robyn’s ‘Body Talk’

Some albums reshape a genre entirely. That’s Robyn’s Body Talk, an electro-pop masterpiece that refused to play by the rules. Released in 2010, this album was a game-changer, not just for Robyn, but for the entire future of pop music. It gave us “Dancing on My Own”, a song that would go on to soundtrack breakups, gym sessions, and dramatic solo dance parties worldwide. But behind the shimmering synths and emotional bangers, Body Talk has stories that even the biggest fans might not know. Let’s dive into five lesser-known facts about Robyn’s most iconic record.

1. The Album Was Never Supposed to Exist

Originally, Robyn planned to release three mini-albums instead of a full-length LP. The idea was to keep things fresh, release music as she made it, and avoid long gaps between projects. Body Talk Pt. 1 and Pt. 2 arrived in June and September 2010, but instead of a third installment, Robyn decided to merge the best tracks into one definitive album. The final version of Body Talk included five new songs and served as the ultimate highlight reel of her most ambitious project yet. Talk about a last-minute plot twist!

2. “Dancing on My Own” Almost Didn’t Make the Cut

It’s hard to imagine Body Talk without “Dancing on My Own”, but Robyn actually had mixed feelings about the song at first. She loved the track but felt like it represented a younger version of herself, one she was trying to move on from. After months of second-guessing, she decided to include it—and thank the pop gods she did. Not only did it become her signature anthem, but Rolling Stone later ranked it #20 on their “500 Greatest Songs of All Time” list. Proof that sometimes, the songs we almost leave behind are the ones that define us.

3. Max Martin Made a Surprise Comeback

Before Body Talk, Robyn had already reinvented herself from teen pop star to indie-pop powerhouse. But she decided to circle back to her roots for one track—“Time Machine”, co-written with none other than Max Martin. Yes, the same hit-making wizard behind Britney Spears’ …Baby One More Time and The Weeknd’s Blinding Lights. Martin had worked on Robyn’s ’90s breakout hits but hadn’t collaborated with her for over a decade. This reunion wasn’t just nostalgic—it was a full-circle moment proving that pop can evolve without losing its essence.

4. “Fembot” Was Robyn’s Way of Making Fun of Herself

At first listen, “Fembot” sounds like a futuristic anthem about technology and artificial intelligence. But according to Robyn, it was really about turning 30 and dealing with people’s expectations about marriage and kids. She saw humor in how women are often expected to be “programmed” for certain life milestones, so she leaned into the robotic theme. The best part? The song’s cheeky lyrics: “I got some news for you / Fembots have feelings too”. It’s Robyn in her purest, most playful form, proving that pop music can be both deep and ridiculously fun.

5. Body Talk Secretly Influenced Every Pop Star You Love

Even if you haven’t played Body Talk on repeat since 2010 (which, let’s be real, you should be), its impact is everywhere. Taylor Swift cited it as a major influence on 1989, Lorde called it “the peak of pop”, and Charli XCX built an entire career on the Robyn blueprint. And let’s not forget that Dancing on My Own became one of the most covered songs of the decade, with versions by Calum Scott, Kelly Clarkson, and even Kings of Leon. If you’ve ever loved a sad banger with shimmering synths, you can thank Robyn for paving the way.

It’s been over a decade since Body Talk changed the landscape of electronic pop, but it still sounds as fresh as ever. From its genre-bending production to its unapologetically emotional songwriting, Body Talk set the standard for what modern pop music could be. So the next time you’re dancing alone in your room, remember that Robyn did it first, and she did it best.

Now, excuse me while I blast “Call Your Girlfriend” at full volume.

Parker McCollum Announces Fall 2025 Tour Dates, Bringing His High-Energy Live Show Nationwide

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Multi-Platinum and award-winning Country star, Parker McCollum, is announcing Fall tour dates for his newly rebranded Emporium Presents, PARKER MCCOLLUM TOUR. The name change comes as McCollum leans on his roots – reflecting on the legacy he carved out for himself touring the Red Dirt Country scene in his home state of Texas. Known for his captivating and explosive live shows, McCollum sets the standard of authenticity as he maintains the traditionalism of the Country genre while appealing to contemporary audiences. Special guests for newly announced dates include Ashley Cooke, Corey Smith, Hudson Westbrook, Kameron Marlowe, Laci Kaye Booth and Vincent Mason.

Parker McCollum Tour Dates:

8.19.25 Highland, CA Yaamava’ Resort & Casino at San Manuel
9.4.25 Lubbock, TX United Supermarkets Arena
9.5.25 San Angelo, TX CRC Roofers Coliseum
9.18.25 Baltimore, MD Pier Six Pavilion
9.19.25 Charlotte, NC Skyla Credit Union Amphitheatre
9.20.25 Raleigh, NC Red Hat Amphitheatre
9.25.25 Knoxville, TN Thompson-Boling Arena at Food City Center
9.26.25 Tallahassee, FL Donald L. Tucker Civic Center
10.2.25 State College, PA Bryce Jordan Center
10.4.25 Tinley Park, IL Credit Union 1 Amphitheatre
10.9.25 St. Joseph, MO St. Joseph Civic Arena
10.10.25 Sioux City, IA Tyson Events Center
10.11.25 Grand Forks, ND Ralph Engelstad Arena
10.16.25 Casper, WY Ford Wyoming Center
10.17.25 Rapid City, SD Summit Arena at The Monument
10.18.25 Bismarck, ND Bismarck Event Center

McCollum will be taking the stage tonight for his third consecutive SOLD OUT show at the iconic RODEOHOUSTON. The evening will be one to remember as he gives the crowd one unforgettable concert experience.

Singer/songwriter and multi-instrumentalist Parker McCollum has reached the ranks of a bona fide Country music superstar by connecting with fans and critics alike through his relatable and authentic sound. His most recent album, Never Enough (released on May 12, 2023 via MCA Nashville), is a statement collection of music that cements his status as one of Country’s strongest new voices. Currently on his massive Burn It Down Tour throughout 2024, McCollum will be performing at some of the most iconic venues around the nation and appearing at Country music’s top music festivals.

McCollum has been named an ‘Artist to Watch’ by Rolling Stone, Billboard, SiriusXM, CMT, RIAA, and more with American Songwriter noting, “The Texas native teeters on the edge of next-level superstardom.” Music Row listed McCollum as their 2021 Breakout Artist of the Year and Apple also included him as one of their all-genre “Up Next Artists” Class of 2021. A dedicated road warrior, McCollum made his debut at the famed Grand Ole Opry in 2021 and has sold out major concert venues around the U.S. In March 2022, McCollum made his debut at RODEOHOUSTON to a sold-out crowd with over 73,000 tickets sold, returning to perform at the Opening Day celebration in 2023.

He recently made a dream come true with his first-ever Austin City Limits performance, kicking off their 2023 season. In 2022, McCollum earned his first ACM Award for New Male Artist of the Year, took home “Breakthrough Video of the Year” (a fully fan-voted honor) at the 2022 CMT Music Awards and scored two back-to-back CMA Awards nominations (2022 & 2023) for New Artist of the Year. He is nominated for another CMA Award for “Song of the Year” (2024) for his explosive Platinum hit “Burn It Down” – marking his third straight nomination. Recently, McCollum scored his second ACM Award for “Visual Media of the Year” for his music video for “Burn It Down.”

The hit single marks his fourth consecutive #1 – following his other chart toppers “Pretty Heart,” “To Be Loved By You,” and “Handle On You.” McCollum’s latest single, the foot-stomping, shoot-it-straight, “What Kinda Man,” shows his return to the musical Texas roots that got him started. “What Kinda Man” and its official music video are available now.

Gemma Laurence Announces Third Album, We Were Bodies Underwater, Due Out Summer 2025

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After two years of touring and writing tirelessly, Brooklyn-based Sapphic folk artist Gemma Laurence is ready to announce her third and forthcoming album, We Were Bodies Underwater, due out Summer 2025 via MainFactor and Mad Dragon Records. At its core, We Were Bodies Underwater is a story of finding softness in harsh places, love and tenderness in trauma’s wake. Following the arc of two lovers’ lives, Laurence paints a series of nine vignettes with visceral detail: the skin’s first shock of desire, the tongue’s taste of blood, the stomach’s pit of longing. Sweeping and cinematic, the album pulls listeners into a universe where the past bleeds into the present, where the streets of Brooklyn melt into the open Oklahoma plains, and where nothing is ever truly forgotten.

With the album announcement, she shares an unforgettable lead single, “Bloodlines.”

“Bloodlines” tells a story of nostalgia and trauma, centered around two lovers intertwined in each others’ grasp. Combining her folk background with her love of alt-country and early 00’s rock, Laurence leans into a grungier, twangier sound on her latest offering. Electric guitars wail and shriek in one moment then cut out in the next; pedal steel croons in the distance while mandolin melodies fall like water through a wash of harmonies; banjo-driven rhythms propel the song forward and a pulsing kick drum beats on with a grounding force. And soaring over everything, Laurence’s lilting dulcet twang takes the center stage.

With the single release, Laurence shares a music video directed by Ross Page and co-written and produced by Page and herself. Shot on Super 8, the music video has a timeless feel to it, capturing two lovers building a home together. Everything seems picture-perfect… until the world they’ve created grows more and more strange, and a darker, almost Lynchian, scene unfolds. Trapped in an uncanny valley of memory and fantasy, of what was and what could have been, the two dancers spin effortlessly through a liminal space in the shape of a home.

Ephemeral and elegiac, gut-wrenching and life-affirming, “Bloodlines” tells a story of love and its aftermath, and how the past lives on within us.

Argentinian Trio TRÍADA Releases Debut EP ‘De Versiones y Alma’

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The Argentinian band TRÍADA—comprised of Diamela Spina (percussion, vocals), Aylen Reynoso (guitar) and Julia Percowicz (vocals)— share their debut EP De Versiones y Alma, out now on Verve Records / Mercury Records. De Versiones y Alma is a rich, bite-sized EP that offers a proper introduction to TRÍADA and captures their essence via covers of songs transformed with a fresh Argentine flair. Check out the EP here, and a performance video of “Bésame Mucho.”

The Buenos Aires-based trio, who started making music together while students in performing arts school, have amassed millions of views and a global audience since they began self-recording music in 2023. As they gained momentum, they decided to call themselves TRÍADA, a reference to the musical language of three notes that make a chord, and the sisterhood of three individuals.

At the age of 19, Diamela, Aylen and Julia intonate classics with a perceived lived experience and ease that far surpasses their years. Their rendition of João Gilberto’s “O Pato,” for example, was received with much praise and delight on Instagram, where it garnered 2 million views and became their first proper release. As is the case with most of their covers, the three ladies add their youthful energy and inspiration from their home of Buenos Aires to the track.

Initially tapping into progressive rock and experimenting with a post-punk vibe, the three friends later freely dived into the sounds that formed them: folklore, jazz, bossanova, and acoustic music from singer songwriters like Jorge Drexler, Los Panchos, Gustavo Peña, João Gilberto , Rita Payés and more. Now, the trio is taking their love across borders and language barriers with an EP that calls to artists from Uruguay, Brazil, the UK, and, of course, Argentina. Exploring and expanding their artistry by revisiting and reshaping sonically stunning songs of the past, near and far, the trio is making way for self-discovery and see no limits to their growth. “We don’t know what the future holds; we haven’t produced our album yet,” they assess, “but we’re super clear on the fact that our Argentinian roots, and more broadly our Latino roots, will be there.”