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Bon Jovi’s ‘Forever’ Anthology Hits Bookstores In September, 2025

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Genesis Publications announces that Bon Jovi’s official Anthology ‘Bon Jovi: Forever’ will be released as a hardback bookstore edition on September 23rd 2025. The news comes after it was announced that the limited edition version became the fastest-selling book in the highly respected, family-run British publishing house’s 50-year history.

Bon Jovi: Forever is the definitive anthology of one of the world’s most iconic rock bands, offering an unparalleled glimpse into their extraordinary journey through rare artifacts, stunning photography, and the personal insights of Jon Bon Jovi himself.

With unprecedented access to Bon Jovi’s extensive archive, this official book chronicles the band’s remarkable 40-year history. From their meteoric rise with chart-topping hits like ‘Livin’ On a Prayer’, ‘You Give Love a Bad Name’, ‘It’s My Life’, and ‘Have a Nice Day’, to their relentless touring schedule that has seen them perform over 2,700 shows for 34 million fans across more than 50 countries, Bon Jovi: Forever captures the essence of a band that defined a generation.

This meticulously curated collection showcases a treasure trove of memorabilia, including handwritten lyrics, iconic stage costumes, guitars, studio track lists, and personal photographs from the band’s private collections. Complemented by an array of vivid images that capture Bon Jovi live, backstage, on tour, and in the studio, this book offers fans a rare, behind-the-scenes look at the band’s enduring legacy.

“As band members, you share a unique bond that no one else can truly understand, not even family. That brotherhood comes with a long career like ours. We all felt part of something special, trusted each other, and they trusted me. I never let them down. It was always a give-and-take.” – Jon Bon Jovi

Jon Bon Jovi shares the intimate stories behind the artifacts, shedding light on the creative process behind their songwriting, the making of their legendary albums, and the key performances that cemented their place in rock history. His candid reflections offer a deeper understanding of the band’s brotherhood, their distinctive style, and the unwavering trust that fuelled their success.

Salt-N-Pepa Celebrate 35 Years of Classic ‘Blacks’ Magic’ Album

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Salt-N-Pepa proudly celebrates the 35th anniversary of their iconic album Blacks’ Magic. This record cemented their status as hip-hop pioneers and empowered generations with timeless messages of strength, independence, and self-expression.

Originally released in 1990, Blacks’ Magic delivered five powerful singles – “Expression,” “Let’s Talk About Sex,” “Independent,” “You Showed Me,” and “Do You Want Me” – each of which spoke to important cultural themes that remain relevant today. The album’s lead single, “Expression,” was notably produced by Cheryl “Salt” James herself, making her the first female MC to produce her own platinum record. Salt also produced the empowering anthem “Independent,” which remains a declaration of self-sufficiency and empowerment.

“Blacks’ Magic was about creating something meaningful that spoke to who we were as women, as artists, and as Black voices,” said Cheryl “Salt” James. “It was empowering to produce tracks like ‘Expression’ and ‘Independent’ that encouraged self-love, independence, and boldness. We wanted our fans to feel seen and powerful.”

Meanwhile, Sandra “Pepa” Denton played a pivotal role in amplifying the group’s bold, unapologetic voice and signature style, helping Salt-N-Pepa become cultural icons recognized for their fearless image and empowering lyrics. As an outspoken advocate for female empowerment, Pepa has remained a vocal presence in entertainment and social causes, earning her continued respect as a trailblazer in the industry.

“Blacks’ Magic was a celebration of women standing strong in their truth,” said Sandra “Pepa” Denton. “We didn’t shy away from topics people thought were taboo. We wanted to educate, uplift, and make people feel good. Looking back, I’m proud we did just that.”

DJ Williams Unveils ‘Gravity & Grace’ and 2025 Tour Dates

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Renowned multi-instrumentalist and producer DJ Williams returns with his highly anticipated album, Gravity & Grace, set for release on June 3, 2025. Written, performed, recorded, and engineered entirely by Williams himself, Gravity & Grace is a fearless sonic journey that blends deep grooves, soaring guitar work, and the raw intensity of rock at its purest form.

“This album is the result of late-night sparks, relentless groove, and the beautiful chaos of creation,” says Williams. “It’s the rock album I’ve always wanted to make. No safety nets, no boundaries—just music in its purest form.”

To celebrate the release, Williams will embark on a massive spring and summer tour, bringing his electrifying live show to audiences across the country. Known for his dynamic performances and deep-pocket rhythms, fans can expect an unforgettable night of soulful storytelling and thrilling musicianship at every stop.

SPRING TOUR DATES

March

    14 – The B. Bar – Omaha, NE
15 – Zoo Bar – Lincoln, NE

April

    4 – Appaloosa – Denver, CO
10 – Winston’s – San Diego, CA
11 – Hotel Cafe – Los Angeles, CA
12 – Goldsteins – Fresno, CA
16 – Liquid Gravity – San Luis Obispo, CA
17 – Music City – San Francisco, CA
18 – Berryessa Brewery – Winters, CA
19 – Ivy Room – Albany, CA
20 – Peri’s Tavern – Fairfax, CA
24 – Torch Club – Sacramento, CA
25-26 – Liberty Bar – Mammoth, CA
27 – Divided Sky – Lake Tahoe, CA

May

    2 – Tres Litros – Salida, CO
3 – The Lariat – Buena Vista, CO
10 – Goosetown Station – Golden, CO
24 – Pittsburgh Winery – Pittsburgh, PA
25 – Private Event – Pittsburgh, PA

June

    3 – Gravity & Grace Album Release
7 – Odell Brewing – Fort Collins, CO
11 – Anthem Park – Broomfield, CO
13 – Roots Music Project – Boulder, CO
20 – Cervantes – Denver, CO

Additional East Coast dates will be announced soon.

Gravity & Grace showcases DJ Williams’ evolving artistry and unwavering commitment to musical exploration. Pre-save the album now and purchase tickets for the upcoming shows at: www.djwilliamsmusic.com

TASH SULTANA Announces ‘RETURN TO THE ROOTS’ EP and U.S. Tour Featuring City and Colour

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A decade into their evolution, multi-instrumentalist, engineer, producer, and entrepreneur TASH SULTANA weaves nostalgia with newfound wisdom, as they reveal their forthcoming EP RETURN TO THE ROOTS out Friday, May 30.

Today TASH unveils the full tracklist for the EP, featuring a powerful collaboration with City and Colour. This standout track brings together two masterful storytellers, blending their distinct styles with deep mutual respect.

The original version of this song is one of the oldest TASH has written and inspired by artists like Jeff Buckley, Bon Iver, and City and Colour. It was only fitting that when reworking the track, City and Colour became part of the journey. When City and Colour announced an Australian tour, TASH reached out, the teams connected, and the song naturally fell into place.

“The song was meant for us,” TASH says. “We instantly understood each other and it was a completely natural fit.”

The EP also features the fan-favourite “Kiss The Sky,” a track that first set the internet buzzing when TASH teased it in 2023 via Instagram. Resurfacing on TikTok this year, the teaser videos have received over 3.5 million views, instantly cementing its status as a must-hear anthem.

First taste of the EP and opening track “Milk & Honey” marked a bold return to their roots as a looper, while the most recent release “Hold On” reaches deep emotional depths, dedicated to their wife after being diagnosed with cancer at the end of last year.

“My partner went through hell because of medical malpractice,” TASH explains. “A tumor left undetected. Surgery on the wrong thing. A second operation. Twice the recovery time. And we still don’t have answers. If you’ve ever been failed by the system—misdiagnosed, ignored, or left without answers—this song is for you.”

The brand-new EP is a raw, unfiltered dive back into the heart of their artistry. Stripping away the pressure of commercial success, this six-track collection rekindles the spirit of spontaneous creation—the very essence that first ignited their career.

Building on the success of the first single, “Milk & Honey”—which earned rotation on triple j, topped the AMRAP Metro Charts, received praise from Rolling Stone (Australia), and landed on key DSP playlists like Spotify’s The Local List and Apple’s Heaps Indie—latest release “Hold On” continues that momentum with support from triple j, DSP playlisting across Spotify’s Pop’N’Fresh and Apple’s New in Indie, and online love from The Music, Rolling Stone and AU Review.

Fresh from selling out Red Rocks in minutes. TASH SULTANA has recently announced a massive 2025 U.S. tour. Bringing their signature electrifying energy and genre-blurring sound to fans nationwide, this tour is set to be nothing short of unforgettable. Tickets are available now via tashsultana.com

With a career spanning over a decade, TASH SULTANA’s accomplishments speak volumes: selling out shows at global arenas and iconic venues, headlining major festivals, 15 ARIA nominations, and the 2023 Rolling Stone (Australia) Global Artist Award. Yet, for TASH, the journey is far from over. With their unwavering drive to push creative boundaries and a focus on building a broader legacy as an entrepreneur and mentor, TASH continues to shape the industry on their own terms.

RETURN TO THE ROOTS is a fearless declaration of resilience, reinvention, and the boundless power of self-expression.

TASH SULTANA ‘RETURN TO THE ROOTS’ US TOUR

TICKETS AVAILABLE HERE

TUEDAY JUNE 10 | THE RANDY SHELL AT JACOBS PARK, SAN DIEGO, CA

WEDNESDAY JUNE 11 | HARD ROCK LIVE – SACRAMENTO, WHEATLAND, CA

FRIDAY JUNE 13 | THE MASONIC, SAN FRANCISCO, CA

SATURDAY JUNE 14 | SHRINE EXPO HALL, LOS ANGELES, CA

SUNDAY JUNE 15 | THE VAN BUREN, PHOENIX, AZ

TUESDAY JUNE 17 | THE PAVILION AT TOYOTA MUSIC FACTORY, IRVING, TX

WEDNESDAY JUNE 18 | BAYOU MUSIC CENTRE, HOUSTON, TX

**FRIDAY JUNE 20 | RED ROCKS AMPHITHEATRE, MORRISON, CO

SATURDAY JUNE 21 | DILLON AMPHITHEATRE, DILLON, CO

SUNDAY JUNE 22 | TBA, SALT LAKE CITY, UT

TUESDAY JUNE 24 | KNITTING FACTORY CONCERT HOUSE, BOISE, ID

WEDNESDAY JUNE 25 | KNITTING FACTORY CONCERT HOUSE, SPOKANE, WA

FRIDAY JUNE 27 | EDGEFIELD CONCERTS ON THE LAWN, TROUTDALE, OR

SATURDAY JUNE 28 | CHATEAU STE. MICHELLE, WOODINVILLE, WA

SUNDAY JUNE 29 | BRITT MUSIC & ARTS FESTIVAL – BRITT PAVILION, JACKSONVILLE, OR

10 of the Best Psychedelic Songs That’ll Melt Your Mind

Psychedelic music is a trip through swirling soundscapes, hypnotic rhythms, and lyrics that stretch the imagination. Whether fueled by acid-soaked creativity or just a desire to expand sonic possibilities, these songs broke barriers, altered minds, and still hit like a cosmic awakening today.

Here are 10 of the best psychedelic songs—each one a portal to a different dimension.

1. The Beatles – “Tomorrow Never Knows” (1966)

If there’s a song that changed everything, it’s this. The Beatles dove headfirst into Eastern mysticism, tape loops, and mind-expanding production, creating a track that sounds like it was beamed in from another planet. With John Lennon’s vocals floating like a mantra over Ringo’s hypnotic drumming, it was the moment rock music turned psychedelic—and never looked back.

2. Pink Floyd – “Echoes” (1971)

A sonic odyssey clocking in at over 23 minutes, “Echoes” is a slow burn into the great beyond. From the underwater sonar pings to the surreal midsection that sounds like a cosmic whale party, Pink Floyd crafted an entire universe inside a song. It’s space rock at its most expansive, hypnotic, and transcendental—best experienced in the dark with your eyes closed.

3. The Jimi Hendrix Experience – “Are You Experienced?” (1967)

Jimi didn’t just play the guitar—he made it speak, scream, and bend reality. This title track from his debut album is drenched in backward tapes, surreal lyrics, and a groove that feels like stepping into another dimension. If you’ve ever wondered what it feels like to float through a dream where the laws of physics don’t apply, this song is your guide.

4. The Doors – “The End” (1967)

Jim Morrison didn’t just write songs—he channeled visions. “The End” starts as a hypnotic, almost meditative tune before descending into Oedipal nightmares and existential chaos. Ray Manzarek’s eerie organ, Robby Krieger’s swirling guitar, and Morrison’s shamanic delivery make this a journey into the abyss—beautiful, terrifying, and unforgettable.

5. Jefferson Airplane – “White Rabbit” (1967)

Few songs capture the psychedelic counterculture like this one. Grace Slick takes us down the rabbit hole, weaving a trippy, Lewis Carroll-inspired fever dream over a swelling, dramatic crescendo. With its marching, hypnotic rhythm and surrealist storytelling, it’s a 2-minute dose of pure, uncut acid rock energy.

6. Grateful Dead – “Dark Star” (1968)

The Dead weren’t just a band—they were a living, breathing psychedelic organism. “Dark Star” is more than a song; it’s a cosmic improvisation, stretching and shifting like an ever-expanding galaxy. With liquid guitar lines, dreamy vocals, and endless possibilities, every live version becomes its own unique trip—one that never quite lands in the same place twice.

7. Tame Impala – “Let It Happen” (2015)

Psychedelic music never died—it just evolved. Tame Impala’s “Let It Happen” is a modern psych masterpiece, blending swirling synths, hypnotic beats, and Kevin Parker’s airy vocals into an eight-minute trip that feels like falling into a kaleidoscope. The glitching, looping midsection creates an out-of-body experience—a moment where time ceases to exist.

8. The 13th Floor Elevators – “You’re Gonna Miss Me” (1966)

Considered the first true psychedelic rock band, The 13th Floor Elevators invented the genre before anyone even knew what to call it. “You’re Gonna Miss Me” is raw, wild, and driven by electric jug sounds (yes, really), making it feel like garage rock being abducted by aliens. It’s the sound of psychedelia in its most unfiltered, manic, and electrifying form.

9. King Gizzard & The Lizard Wizard – “Gamma Knife” (2016)

Modern psych rock doesn’t get much wilder than King Gizzard & The Lizard Wizard. “Gamma Knife” is a frenzied, spiraling whirlwind of guitars, flutes, and relentless grooves that pulls you in and refuses to let go. It’s ancient mysticism meets futuristic chaos, and it’ll make you feel like you’ve unlocked a portal to another dimension.

10. The Flaming Lips – “Do You Realize??” (2002)

Psychedelia isn’t just about melting your brain—it’s about expanding your perception. “Do You Realize??” is as much a philosophical revelation as it is a song, delivering one of the most mind-blowing truths ever put to music: everyone you know someday will die. And yet, it feels strangely uplifting, like staring into the vastness of existence and finally understanding it all.

Psychedelic music is about breaking boundaries, expanding consciousness, and diving into the unknown. Whether it’s the classic acid-drenched anthems of the ‘60s or modern-day sonic explorations, these songs all rearrange reality in their own unique way.

Pistol Whip The Devil Captures Small-Town Nostalgia in New Single “City With One Red Light”

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With their signature blend of outlaw country, rock, and grunge, Pistol Whip The Devil delivers a heartfelt tribute to small-town roots with their latest single, “City With One Red Light.” Built on sweeping guitars, anthemic drums, and raw, evocative vocals, the song captures the bittersweet feeling of returning home, where memories linger in the air like smoke from a fire that never quite burns out.

“City With One Red Light” was written about the nostalgic feeling you get when you go back and visit friends and family—it’s like stepping into a time machine,” the band shares. “The Okanagan lakes are as familiar as family and old friends. You wander the shores, remembering childhood days spent casting lines, skipping stones, bush parties, cliff jumping, mountain climbing, racing cars, and playing guitars.”

The track unfolds like a hazy recollection of youthful nights and first experiences. Shane’s lyrics paint vivid pictures of home, where “days by the lake and nights by the fire” define a place that never truly changes. The chorus swells with a mix of longing and pride:

“As I’m walking by / This city with one red light
I think about the times / The good, the bad, the wrong, the right.”

Pistol Whip The Devil’s edgy country-rock sound sits comfortably alongside Dallas Smith, The Sheepdogs, and Tyler Joe Miller, blending gritty storytelling with soaring melodies. Their ability to balance introspective nostalgia with high-energy instrumentation makes them one of the most exciting emerging acts in the Canadian music scene.

That potential has already been recognized—Pistol Whip The Devil was named a 2024 Emerging Artist Creative BC Grant Recipient, further cementing their place in the next wave of breakout country-rock acts.

Formed when longtime friends and musicians found themselves with unexpected time to create during the pandemic, Pistol Whip The Devil is made up of Shane Jolie (vocals, guitars), Geoff Way (guitars, songwriting), Ryan Trimble (bass), and Dan Wood (drums). Their music reflects their own upbringing—Northern Ontario, the Okanagan, and Vancouver—blending the untamed beauty of their surroundings into a sound that’s both familiar and electrifying.

“The fire pits out in the bush are in the exact same spots they were long before,” the band shares. “You can almost hear the crackle of logs and the stories that once filled the summer nights. All the old sights and sounds envelop you, and for a moment, you’re fifteen years younger, living those simple, precious days once more.”

Following “City With One Red Light,” Pistol Whip The Devil is gearing up for more releases, live performances, and a continued push to bring their roots-driven, hard-hitting sound to wider audiences. Fans can expect music that celebrates the highs and lows of small-town life, the resilience of friendships, and the stories that never fade.

With anthemic energy, a rugged authenticity, and a sound that bridges country, rock, and grunge, Pistol Whip The Devil is proving that sometimes, the places we come from are the ones that shape us the most.

Peterborough/Brantford Americana Artist KC Armstrong Rides a Wave of Momentum as “I Don’t Care” Climbs the Canadian Independent Country Charts

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For many artists, releasing an album is a dream deferred. For Peterborough-born, Brantford-based Americana artist KC Armstrong, that dream became reality with Finally Crafted—and now, that dream comes with a new thrill: watching his music climb the charts.

Since releasing Finally Crafted in September 2024, Armstrong has been making waves internationally, earning radio play across multiple countries and securing the coveted #1 spot on two different stations—one in the U.S. and one in the U.K. But in Canada, the journey of “I Don’t Care” is proving to be the most exciting chapter yet.

A chance discovery of the Canadian Independent Country Countdown (CICC) led Armstrong down an unexpected path. Despite identifying as an Americana artist, he noticed that the chart welcomed the genre alongside country. A quick submission, a bit of good fortune, and a few weeks later, “I Don’t Care” entered the CICC chart at #150.

“I wasn’t expecting much from a country-based chart,” Armstrong admits. “I kept an eye on it, but I didn’t even promote it at first.” Yet the song had other plans. Climbing steadily, it cracked the Top 40 before Armstrong turned his promotional efforts toward it.

Then, a twist: without his knowledge, CICC also began playing his track “Someone Else Tonight.” That song entered at #148 and quickly gained traction—so much so that Armstrong split his focus, rallying support from family, friends, and even his local euchre league to help both tracks gain momentum.

What followed was an exhilarating race to the top. As “I Don’t Care” climbed to #26, Armstrong tapped into a community that had supported his career from the start: his hometown of Lakefield, ON. A single Facebook post mobilized an entire network, propelling the song into the Top 20 nationwide.

Currently, “I Don’t Care” sits at #18, while “Someone Else Tonight” continues to rise at #73—and Armstrong has his sights set on even higher ground.

With six Peterborough-area musicians contributing to Finally Crafted, Armstrong is calling on his home region to help push “I Don’t Care” into the Top 10 nationally.

“I’ve been writing and performing for years, but this is a whole new experience,” Armstrong says. “Seeing the support roll in, watching my songs find their audience—it’s been unreal.”
A testament to passion, perseverance, and the power of community, Finally Crafted is proving to be more than just an album title—it’s a rallying cry. And as Armstrong’s songs continue to rise, one thing is certain: he’s just getting started.

Odario, Mad Professor & Yolanda Sargeant Deliver a Hip-Hop Meets Dub Masterpiece With “The Situation”

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The worlds of hip-hop, dub, and soul collide in mesmerizing fashion on Odario’s latest single, The Situation—a deep, hypnotic groove that brings together UK dub pioneer Mad Professor and Canadian soul singer Yolanda Sargeant. This genre-blurring track, recorded at Mad Professor’s legendary Ariwa Studios in South London, is a lush blend of analog warmth, beat poetry, and sonic innovation.

Odario’s distinctive slow-flow lyricism, a signature of his work with Grand Analog and as a solo artist, finds a new home in the echo-drenched textures of Mad Professor’s signature dub production. “The Situation is a fresh rare groove that sounds like a manual no longer in use—three coats of dust mixed with the lush sound of the city at night,” says Odario. “It’s a reminder of where hip-hop and dub connect, two worlds of sound that have always belonged together.”

Odario’s journey with Mad Professor began in 2016 with their first collaboration on Grand Analog’s “Love Is A Battlefield.” Since then, the two have cultivated a brotherhood through sound and their shared heritage of being born in Guyana, leading to this latest single and an upcoming full-length project, tentatively titled Toaster Boys, set for release in late 2025.

A B-side dub version of The Situation, mixed by Mad Professor himself, strips the track down to its rawest elements, allowing the deep bass and haunting reverb to speak for itself. As the song fades, Mad Professor delivers a final mantra: “Dub music is a natural creation. Analog is our only sound. We don’t know nothing else.”

Joining Odario and Mad Professor on The Situation is the effortlessly soulful Yolanda Sargeant, whose smooth, ethereal vocals glide over the track’s deep, pulsating groove. Best known as one half of Sargeant X Comrade, Yolanda has been hailed as “Canada’s Queen of Lo-Fi Soul” and has built a career pushing the boundaries of jazz, hip-hop, and soul.

The track also features a powerful lineup of musicians, all masters in their craft. Warren Bray (bass, guitar) brings a deep, groove-heavy foundation to the track, while Alister Johnson (drums, keys) adds a rhythmic complexity that blends seamlessly with Mad Professor’s analog magic. Rounding out the sound is Aubrey McGhee (saxophone), whose subtle yet commanding horn arrangements elevate the track’s rich sonic landscape.

A Winnipeg-raised artist now based in Toronto, Odario has spent his career blending storytelling, hip-hop, and jazz-infused grooves. As a solo artist and former frontman of Grand Analog, he has worked with legends like Posdnuos (De La Soul), Shad, Maylee Todd, Cadence Weapon, and Saukrates. His music reflects his lifelong immersion in sound, from tagging along with his DJ father at late-night reggae and funk gigs to discovering the revolutionary work of King Tubby, Sister Nancy, and Scientist.

Available now, The Situation is a sonic meeting of minds, a tribute to the deep roots of dub and hip-hop, and a bold step toward Odario’s highly anticipated 2025 album.

Tour Dates:

Erika Kulnys Unveils Double A-Side Single “Montreal” / “Streets of Montreal” – A Cross-Border, Cross-Genre Masterpiece

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Acclaimed singer-songwriter Erika Kulnys is back with a powerful new double A-side single, “Montreal” / “Streets of Montreal,” an evocative exploration of longing, loss, and the memories that tether us to places and people. With deep lyrical storytelling and lush instrumentation spanning three countries—Canada, Cuba, and the U.S.—this release cements Kulnys’ place as one of the most compelling voices in contemporary folk.

From Halifax, Nova Scotia, to Havana, Cuba, Kulnys has spent her career blending the personal with the political, the intimate with the universal. Compared to Leonard Cohen, Bonnie Raitt, Norah Jones, and Joni Mitchell, her music has resonated on a global scale, with past accolades including a Top Ten placement on the Canada/US Folk Charts, a Canadian Voice of Women for Peace Award, and multiple songwriting honours.

Her latest work continues that trajectory. Recorded with the renowned Cuban pianist Alejandro Falcón, “Montreal” was born in a fleeting moment at Folk Alliance International in Montreal, written spontaneously on a hallway piano alongside Lilli Lewis. Later, the song—and its companion piece, “Streets of Montreal”—came to life in Havana, Cuba, at Estudio Ojala, an iconic space founded by Kulnys’ songwriting idol Silvio Rodríguez. These tracks are a sonic and emotional journey through nostalgia, belonging, and heartbreak.

Adding further depth to the project, cello and vocal harmonies were layered in at Signature Sounds in Connecticut, thanks to Catherine Bent and Kala Farnham. The result is a mesmerizing three-country collaboration that underscores the unifying power of music.

Both “Montreal” and “Streets of Montreal” paint vivid pictures of a city wrapped in memory.

“Montreal” is a sweeping, cinematic ballad infused with longing. The lyrics capture the transient nature of time and relationships:
“I know you’re coming for me, my snow angel on Rue Saint-Denis… Montréal, when will you fall?”

Kulnys’ voice soars over delicate piano and strings, evoking the cold beauty of winter and the warmth of a past love.

“Streets of Montreal,” in contrast, is a bittersweet breakup song that reminisces on youthful love and missed chances. With lines like “Riding swings in the park, laughing in the car, holding hands in the dark, wishing on a star,” the song taps into the universal experience of looking back at a love that could have been.

Together, these tracks are a love letter to Montreal, to the relationships that define us, and to the resilience of the heart.

Working with Alejandro Falcón in Cuba brought a new dimension to Kulnys’ compositions, as his sensitive piano playing weaves seamlessly into the emotional fabric of the songs. The project was also engineered by Olimpia Calderón Arias, marking a meaningful collaboration with a fellow female artist in a traditionally male-dominated space.

Kulnys, who has performed at major festivals like Canadian Music Week, Indie Week, Kingsville Folk Festival, and Copenhagen Pride, is known for her fearless storytelling and social activism through music. This release further establishes her as a boundary-pushing artist whose work is as poetic as it is powerful.

Soul And Blues Dynamo Ollee Owens Unveils Powerful New Music Video for “Nowhere to Hide”

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Ollee Owens isn’t just singing the blues—she’s living and breathing them with a conviction that cuts deep. The Calgary-based blues and Americana artist unveils a stunning new music video for her latest single, “Nowhere to Hide”, an anthem of resilience that perfectly encapsulates the raw emotion and defiant hope that define her sound. With the album, Nowhere to Hide, spending 13 consecutive weeks in the Roots Music Report’s Canadian Top 10 and her previous video, “Shivers and Butterflies,” racking up nearly 800,000 views in just one month, Owens is proving that blues still has a powerful story to tell.

A fearless performer with a voice that commands attention, Owens brings her signature blend of blues, soul, and folk into sharp cinematic focus with “Nowhere to Hide.” Shot in a cavernous warehouse with a massive projection screen behind her, the video juxtaposes historic and contemporary struggles, reminding us that the battles of the past still echo loudly today. “I wanted to create a visual bridge between history and the challenges we face now,” Owens explains. “The troubles we sense, see, and experience may change shape, but the fight remains.”

Draped in bold red to symbolize courage, with white at her core to represent unwavering integrity, Owens stands defiant in the face of fear, delivering a searing performance with the urgency of a woman who has walked through fire and come out stronger. “You can make it through—we will make it through. There is hope—there is always hope because there ‘ain’t no trouble gonna bring us down!’” she proclaims.

“Nowhere to Hide” was recorded at Nashville’s Sweetbriar Studio with producer Bobby Blazier bringing together an all-star lineup featuring guitarist Chris Rodriguez, bassist Tommy Sims and keyboardist De Marco Johnson. The album has been turning heads across the blues world, climbing the charts and earning praise from outlets like Blues Matters, Blues Music Magazine, and Americana Highways, which hailed it as “one of the strongest surprises of 2024.”

Owens’ journey from a small farming community in Manitoba to the world stage is nothing short of extraordinary. Inspired by blues legends and gospel greats, she started writing songs at eight, picked up the guitar at 12, and then put it all on pause to raise her three daughters. But the music never left her soul, and in 2022, she roared back with Cannot Be Unheard, proving that her voice was not just meant to be heard, but felt. Since then, she’s shared festival stages with blues heavyweights like Dawn Tyler Watson and Matt Andersen and made her mark at the iconic B.B. King’s Blues Club in Memphis.

With “Nowhere to Hide”, Ollee Owens issued a rallying cry. The blues has always been about finding strength in the struggle, and Owens embodies that spirit in every note she sings. As this powerful new video makes its way into the world, one thing is clear—there’s no stopping her now.