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Yaya Bey Shares New Single “Merlot and Grigio” Featuring Father Philis

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Yaya Bey shares “merlot and grigio” featuring Bajan dancehall artist Father Philis, her new single and first offering following her signing to art-forward NYC-based label drink sum wtr (aja monet, Annahstasia, THEY.). The single, which Yaya wrote and self-produced, is inspired by her own family’s Bajan heritage and the injection of Caribbean sounds she’s incorporated into her own music, like the Remember Your North Star standout “meet me in Brooklyn”. The single is accompanied by a jubilant new video featuring footage from Yaya’s travels to Barbados.

“I’ve been doing a lot of international touring and constantly in places where I’m the only Black person,” Yaya explains. “When I was in France most recently I asked myself what it would look like to play to Black international audiences and that sort of got my wheels turning. My dad would always have at least one Reggae song on his albums. Our family is from Barbados and I continued that tradition with songs like ‘meet me in brooklyn.’ I decided I would dive even deeper with Soca and reached out to Father Philis whose music I’ve been really digging. This song feels like a dream come true. To dig deeper into my own roots and prioritize Black communities especially in the Caribbean.”

“Merlot and grigio” opens Yaya’s next musical chapter, with more new music coming this year via drink sum wtr, along with a hometown set in Queens at Governor’s Ball festival this Summer. In 2024, Yaya released Ten Fold, her widely lauded second studio album which was awarded Pitchfork’s Best New Album in a glowing review, and was praised by the likes of Elle, ESSENCE, and Paste Magazine, who described the album as “Bey’s most liberating music to date.” Yaya also performed a stunning Tiny Desk concert last Spring, which NPR described as “truly healing to experience” and noting “Not a dry eye was left in the building.”

Jesse Daniel Announces New Album Son of the San Lorenzo Featuring Charles Wesley Godwin and Members of Lynyrd Skynyrd and The SteelDrivers

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Less than a year after the release of his critically-acclaimed breakthrough album Countin’ The Miles, Jesse Daniel is back as Son of the San Lorenzo. Today, the rising singer/songwriter announced that his fifth studio album will be released on June 6 via Lightning Rod Records, featuring a collaboration with Charles Wesley Godwin and instrumentation from Charlie McCoy, Lynyrd Skynyrd keyboardist Peter Keys and SteelDrivers banjo player Richard Bailey.

Daniel also released the album’s first single “My Time Is Gonna Come,” a hopeful and soulful California-inspired track. It finds Daniel recounting the brightest and darkest chapters of his life – imbuing his version of the Bakersfield sound with the cosmic country and Southern rock he grew up on.

About the new single, Jesse Daniel explains: “When I was writing this song, I thought a lot about my life. It has been a pretty incredible journey and as I sat there, I thought back on all the work it’s taken to get to the point I’m at. All the road behind me and the road ahead. In the past, I’d anguish over the outcome or success of what I was doing, and it often took the love out of it for me. This song is essentially a realization that music, art and life are more about the journey than they are the destination. It is a confident letter to myself that with this newfound mindset, the best of life has just begun.”

Recorded live to tape at The Bomb Shelter in Nashville, the 11-song collection offers up a candid accounting of Daniel’s remarkable journey, from his early years hitchhiking in the shadow of the Santa Cruz Mountains to his tumultuous adolescence and battles with addiction, to the people, and music, that ultimately saved his life. Taking shape while he was on the road last year, the album expands on his sound in a way that wears its influences on its sleeve, embracing the past and keeping its gaze fixed firmly on the future both sonically and thematically. It’s only fitting for an album about his life to incorporate his own personal soundtrack from the California country of the Eagles and the Flying Burrito Brothers to classic rock like Led Zeppelin and the Allman Brothers.

“I wrote, arranged and produced this record myself. I also took on much of the sonic direction, including percussion, rhythm and lead guitar, harmonies and more, which I think is a really important piece of the puzzle given how personal these songs are. I felt like I was finally ready to stop running and face things head on with this record,” Daniel says. “I felt like I’d matured enough to go deeper than I ever had before, to try and understand how I get here and where I’m headed.”

Last year marked a turning point for Daniel’s career, beginning with creating the theme song to comedian Dusty Slay’s Netflix special Workin’ Man that was released in January. He then released his critically-acclaimed album Countin’ The Miles which garnered praise from Billboard, Texas Monthly, Cowboys & Indians, Bandcamp, BrooklynVegan, Whiskey Riff, No Depression, Holler and many more. The album went on to debut in the top 30 on the Americana Radio Chart and led to a tour supporting Godwin. To close out the year, he released a duo of collaborative singles with Benjamin Tod which was followed by a co-headline tour.

This Friday, March 28, Daniel and his band will perform at the newly opened Skinny Dennis in Nashville. He will also perform a hometown album release show on May 31 on his home turf at the Felton Redwood Mountain Faire in Felton, CA.

“I’m the Son of the San Lorenzo, and that story needed to be told,” he reflects, “but once it’s been told, it’s time to move on and tell the next story. Then, do it again. Repeat. Until the end.”

Son of the San Lorenzo tracklist:
1) Child Is Born
2) Son of the San Lorenzo
3) He
4) The Ballad of Love Creek
5) One’s Too Many (And A Thousand Ain’t Enough)
6) Jodi
7) Mountain Home
8) Time Well Spent For A Man (feat. Charles Wesley Godwin)
9) Crankster
10) My Time Is Gonna Come
11) The End

Tour Dates:
3/28 – Nashville, TN @ Skinny Dennis
5/31 – Felton, CA @ Redwood Mountain Faire 2025
6/21 – Itajai, Brazil @ The Ranch Truck
7/8 – Hamburg, Germany @ Nochtspeicher
7/9 – Groningen, Netherlands @ De Oosterpoort
7/10 – Utrecht, Netherlands @ TivoliVredenburg
7/11 – Lille, Belgium @ Sjock Festival 2025
7/12 – Breim, Norway @ Stiftinga Norsk Country Treff
7/16 – Köln, Germany @ Die Kantine
7/17 – Lichtenvoorde, Netherlands @ Zwarte Cross 2025
7/18 – Eging Am See, Germany @ Pullman City Western Town
7/20 – Balzers, Liechtenstein @ Burg Gutenberg
10/10 – Rockhampton, Australia @ Great Western Hotel
10/11 – Mareeba, Australia @ Mareeba Rodeo
10/12 – Mareeba, Australia @ Mareeba Rodeo
10/15 – Petrie Terrace, Australia @ Lefty’s Old Time Music Hall
10/16 – Cronulla, Australia @ Brass Monkey
10/17 – Paddington, Australia @ Paddo RSL
10/18 – Archies Creek, Australia @ The Archies Creek Hotel
10/19 – Brunswick, Australia @ Brunswick Ballroom
10/24 – Fremantle, Australia @ Honky Tonk Blues
10/25 – Harvey, Australia @ Harvey Dickson’s Country Music Centre

Photo Gallery: Jelly Roll with Josh Ross and Savannah Dexter and Brabo Gator at Toronto’s Scotiabank Arena

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All photos by Mini’s Memories. You can contact her through Instagram or X.

Jelly Roll
Jelly Roll
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Josh Ross
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Savannah Dexter and Brabo Gator
Savannah Dexter and Brabo Gator
Savannah Dexter and Brabo Gator
Savannah Dexter and Brabo Gator

The Swell Season Return with New Single “People We Used To Be” and Stirring Video Shot in Prague

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The Swell Season, the acclaimed duo of Glen Hansard and Marketa Irglova, today shared their lush, sweeping new single ‘People We Used To Be – and begin a new chapter for the band. Augmented by strings and anchored by their poignantly intertwining and soaring vocals, the song was produced by Sturla Mio Thorisson at Iceland’s Masterkey Studios and is The Swell Season’s first since 2023’s ‘The Answer Is Yes.’

“It’s a song about trying to reconcile with what feels like an end of an era and allowing one’s self to mourn the People We Used To Be while choosing to fight for the person we love and the life we built with them,” explains Irglová. “It is a song of defiance and determination as much as heart aching nostalgia.” ‘People We Used To Be’ arrives alongside a video directed by Radim Vanous and produced by Little Greta in collaboration with The Swell Season. Shot in Prague, the clip nods to Hansard and Irglová’s performances in the beloved 2007 film Once, which first catapulted the duo into the spotlight.

After the success of Once – which won them the “Best Original Song” Academy Award for ‘Falling Slowly’ – The Swell Season released their sophomore album Strict Joy in 2009, which drew critical praise from Rolling Stone, Billboard, SPIN, American Songwriter, and NPR Music, among others. In the years since, both artists have continued to have highly successful individual careers: Irglova has released three solo albums, most recently 2022’s LILA; Hansard has released five solo albums, including 2023’s All That Was East Is West of Me Now.

Art d’Ecco Announces “Serene Demon” Spring North American Tour

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Art d’Ecco has announced select North American spring tour dates in support of his acclaimed fourth full-length album, Serene Demon, out now via Paper Bag Records. The tour kicks off May 27 in Seattle, running through June 13 back home in Victoria, BC. Tickets on-sale Friday, March 28 at 10am local times.

Serene Demon is Art d’Ecco’s most ambitious album to date, but fans won’t struggle to recognize his handiwork. Like the many groundbreaking artists who have inspired Art d’Ecco over the years, he intends to keep nudging his listeners forward, prompting them to explore – and accept – unfamiliar ideas. “Once you’ve trained the ear of the audience, it establishes a new precedent,” he concludes. Tastes change and evolve, and outliers mature into icons. “That moves pop music forward in the most beautiful, organic way, and I’m constantly trying to exist within that paradigm. How do I challenge myself and throw the rule book out, but still make this the catchiest, quirkiest piece of music possible? I like existing between those two worlds.”

Art rented an apartment in New York for two months, walking the streets listening to Henry Mancini, Ennio Morricone, John Barry and François de Roubaix, as he dreamed up cinematic visions of the people passing by. Pushing his limits and taking risks during the writing process for Serene Demon, some more successful than others, but always leading him to a place he had not yet traveled before.

Ecstatic when Grammy Award-winning producer and engineer Joe Chiccarelli (The White Stripes, The Strokes, Beck, U2) expressed interest in working on his new material, Art soon came to realize that their methods and concepts didn’t align as closely as hoped; after two weeks of production in Vancouver (including some “great ideas” that made it to the final record), they parted ways, after which Art took over complete creative control in the studio. Yet despite his “ferocious, introverted independence,” Art recognized that he couldn’t realize his ambitious vision single-handedly. Nearly 30 musicians contributed to making Serene Demon, and three of the new songs blossomed from collaborative exercises with his rhythm section, drummer Malcolm Holt and bassist Pascal Le Vasseur.

Great pop music accommodates big ideas and simple truths with equal finesse, but don’t expect a record – even one as ambitious as Serene Demon – to solve all life’s mysteries. “If you’re constantly searching for answers or hope to bestow any relevance to the existence that you’re living, then take a pause and realize that life is happening right now,” concludes Art. “You don’t need to constantly defer happiness. Just exist in the moment.”

Tour Dates:
05/27 – Seattle, WA @ Sunset Tavern
05/28 – Portland, OR @ Lollipop Shoppe
05/29 – Bellingham, WA @ The Shakedown
06/04 – Brooklyn, NY @ The Sultan Room
06/06 – Toronto, ON @ Do West Fest
06/08 – Los Angeles, CA @ Zebulon
06/12 – Vancouver, BC @ Fox Cabaret
06/13 – Victoria, BC @ Upstairs

Limahl Reimagines America’s Classic “A Horse With No Name” With a Retro-Futuristic Spin

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“The original ’70s track has been a favorite on my ‘Evening’ playlist for a long time,” says UK music topliner LIMAHL about his reimagining of the classic folk/rock hit “A Horse With No Name” that is released via Christopher Music on Tuesday, March 25, 2025. “The idea to reimagine it was always ticking away in the back of my mind.”

The song was first released in 1971 in the UK (1972 in the US), the original was composed and performed by folk rock trio America and topped Billboard’s Hot 100 and Easy Listening charts (it reached #3 on the UK Singles chart and was certified gold in 1972). Adapting the ’70s musical aesthetics and injecting a bit of ’90s electronica, Limahl’s updated version of the song carries a bit of a retro-futuristic quality that feels equally at home in 2025.

“The ’90s have been enjoying a revival which prompted me to experiment with the drums/rhythms from that decade,” he explains. “Then the jerky, ‘Jupiter 8’ analogue synthesizer/sequencer was added with a filtering envelope and it became an important personality in the track.” He also toyed with the iconic non-lexical “la la” vocal and updated it, incorporating it further into the song. Absent on the ’70s original but included in this rendition is the ‘la la’ motif in the intro, the key-change on the last verse, and in the final chorus, the ‘la la’s’ crisscrossing the main lyric with the melody. Saying that almost as an afterthought, guitar from standout musician Steve Cooper was added, and it became the “icing on the cake.”

The resulting track transforms the classic folk track with a mesmerizing and hypnotic synth-dominated swirl, making the song pop and click in ways that would have been unimaginable in the 1970s. The equally mesmerizing accompanying video which premiered via OUT.com who calls the track “a lush, retro-future reimagining of America’s folk/rock classic” bursts with surreal and psychedelic imagery, reflecting the song’s hallucinatory spirit. “The video created with ‘Goat Noise Photography,’ added a captivating new dimension,” Limahl explains. “I’m intrigued to see how audiences will respond to this new interpretation!”

Winning the hearts of millions of fans in the ’80s as the lead singer of British band Kajagoogoo, Limahl enjoyed the instant celebrity of hitting the top of the charts with their debut single “Too Shy” (75million+ streams to date) which was followed by two more Top 20 hits “Ooh To Be Ah” and “Hang On Now” (all of which he co-wrote). Limahl struck out on his own and soon re-emerged in the charts again with his first solo single “Only For Love,” That was quickly followed with the Giorgio Moroder-produced worldwide smash “Neverending Story” (151million+ streams to date),” the theme song from the hit film of the same name.

Very much active in pop culture, Limahl continues to perform throughout Europe. In 2024 alone, he performed live and/or co-hosted the SENSE charity gala at London’s Westminster Church Hall with the Princess Royal in attendance (the event raised over £100k), the reopening gala at London’s National Portrait Gallery after its £3m renovation, the London gala for TERRENCE HIGGINS TRUST HIV Charity which raised 100k+, and the premiere of new stage musical adaptation of Neverending Story (La Historia Interminable) in Madrid (now playing in Barcelona). This July 2025, Limahl has been confirmed for Cologne Pride in Germany.

In addition, Limahl’s worldwide smashes “Neverending Story” and “Too Shy” were featured on hit television series Black Mirror (Episode: “Bandersnatch”), American Horror Story (Season Nine: “1984”) and Stranger Things (Season Three).

Dan Wilson Releases “Laurel” from Instrumental Album ‘Good Night Los Angeles’ Ahead of Semisonic Summer Tour

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The GRAMMY-winning musician, songwriter, and producer Dan Wilson released a new song “laurel” from his forthcoming instrumental album good night, los angeles that will be released on May 9. An 18-song collection of piano recordings born out of a regular series of Sunday evening recordings he would post to social media, the album was recorded entirely on a 1918 Vose & Sons upright piano that was found on the streets of Hollywood. The album is Wilson’s first instrumental release and offers a rare glimpse into the award-winning songwriter’s raw, unvarnished creative process.

“Here’s the fourth composition I’ve released from good night, los angeles, titled ‘laurel.’ I think this is the one where I realized I was completely free chordally from pop music. These songs could go anywhere, harmonically – and that was very liberating,” explains Wilson.

“Laurel” follows the release of the three-song EP suite of “deervale / moorpark / tujunga.” The release featured an official video by art director Yazz Alali and illustrator/animator Sarah Nelson, who paired the music with hypnotic animations of mushrooms growing and interacting, their mycelium spreading out through the soil and entangling together to create increasingly complex neural networks.

About the album, Wilson explains: “In January, I was scheduled to announce my first instrumental album, good night, los angeles. The album was born out of a weekly artistic practice: late Sunday nights I would sit down at the piano and improvise a simple, peaceful instrumental piece on the spot. Then I’d share it on Instagram with the caption #goodnightlosangeles. It was a calming and meditative practice for me, and I hoped the songs would have the same calming and meditative effect on listeners. I ended up making nearly 200 of them. Late last year, I compiled my favorites into an album for a January release. But then the wildfires hit my town, and I hesitated. I didn’t want to appear tone-deaf – especially given the album’s title. But now I can’t help wanting to move forward and share this music with the world. I’m from Minneapolis, but I’ve lived here since 2010 and good night, los angeles is a love letter to my adopted city. These are late-night improvised lullabies, and I hope they can help someone put down their worries for a moment and feel the peace of those quiet nights here in LA.”

An instrumental piano album may seem like an unlikely project for an artist so known for his way with words, who last year alone received his first Academy Award nomination for Best Original Song (“It Never Went Away”), won his first CMA Award for Song of the Year (“White Horse”) and took home the GRAMMY for Country Song of the Year (“White Horse”). But in the end, the result is classic Wilson: an evocative work of deep emotion and thoughtful beauty, one crafted purely for the love of the creation and shared in the hopes of forging meaningful connection.

In addition to his new album, Dan Wilson’s band Semisonic has just announced a summer tour supporting Toad The Wet Sprocket which will make stops along the west coast and midwest. Find a full list of tour dates below.

good night, los angeles tracklist:
1) mulholland
2) deervale
3) moorpark
4) tujunga
5) rhinestone
6) volledam
7) beverly glen
8) ambrose
9) van nuys
10) round valley
11) avon
12) alexandria
13) ventura
14) fairway
15) coldwater
16) normandie
17) laurel
18) hillhurst

Semisonic Tour Dates:
7/23 – Eugene, OR @ Cuthbert Amphitheater
7/24 – Bellingham, WA @ Mount Baker Theatre
7/25 – Seattle, WA @ Moore Theatre
7/26 – Sandpoint, ID @ Festival At Sandpoint
7/28 – Salt Lake City, UT @ Venue TBA (Coming soon!)
7/30 – Denver, CO @ Denver Botanic Gardens
8/1 – Omaha, NE @ Astro Amphitheater
8/2 – Kansas City, MO @ Grinders KC Event Venue
8/3 – Chesterfield, MO @ The Factory
8/5 – Huber Heights, OH @ Rose Music Center
8/7 – Chicago, IL @ The Salt Shed
8/8 – Indianapolis, IN @ Rock the Ruins
8/9 – Interlochen, MI @ Kresge Auditorium
8/10 – Paw Paw, MI @ Warner Vineyards

Savannah Bananas and Sixthman Announce Return of Bananaland at Sea for 2026 Cruise Adventure

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The one and only Savannah Bananas are teaming up with Sixthman, the leader in festivals and music cruises for more than two decades, for the second voyage of Bananaland at Sea, a four-day, fully immersive cruise experience sailing February 9 – 13, 2026 from Tampa, FL to Cozumel, Mexico aboard Norwegian Jewel.

First Available Booking for Bananaland At Sea Alumni begins March 24 and continues to March 27 at 11:59 pm (ET). First Round Pre-sale Sign-Ups are available through March 25 at 11:59 pm (ET). Presale (Early Booking Times) run March 27 through April 2. Final Round Pre-sale Sign-Ups will conclude March 31 at 11:59 pm (ET). Public On-Sales begin April 2 at 2:00 pm (ET), exclusively at bananalandatsea.com. Bookings are available for just $100 down per person when they make reservations before June 9 or while cabins last.

Hailed by ESPN as “the Greatest Show in Sports,” the Savannah Bananas are back for another all-star event on the high seas, and they aren’t alone. If you like the Bananas, Party Animals, Firefighters, Texas Tailgaters, heck, the whole cast and crew up to their usual antics, Bananaland At Sea is the place to be. From singing and dancing to banana tossing and trick play ripping, it’s a never-ending wave of fun from the second you come aboard. Oh, you want to meet the stars of Banana Ball? Well, we can give you even more! This unforgettable adventure will be packed with endless chances to connect with favorite players and crew, participate in epic activities and games, and witness mind-blowing performances every day. By the end of the journey, Bananaland At Sea cruisers will feel like a true VIB (Very Important Banana!)

Fun-filled highlights will include Party Animals After Dark: Silent Disco (as well as an earlier kids version, Party Animals Before Dark), Banana Ball Jeopardy, Banana SPL-HITT classes, karaoke, Swag Swap, exclusive panel opportunities offering an inside look behind the business and the people at Fans First Entertainment, plus, would it really be the Bananas if there wasn’t a surprise or two?

To make the voyage even more luxurious and unforgettable, cruisers will enjoy all the incredible amenities available aboard the glittering Norwegian Jewel, including fully stocked bars at (almost) every corner, tasty dining options, the Pool Deck (with multiple hot tubs), the Jewel Club Casino, Mandara Spa, Body Waves Fitness Center, Sports Court, and much more.

Beyond the onboard experience, Bananaland At Sea guests will have the chance to enjoy once-in-a-lifetime shore excursions in Cozumel, Mexico, renowned for fantastic fishing, snorkeling, and diving opportunities, and exploring historic Mayan ruins. Please note: Shore excursions will not be available until 4-6 weeks prior to sailing. Cruisers will be able to book an excursion upon receipt of their official booking number.

The Savannah Bananas have earned worldwide fame with their one-of-a-kind brand of “Banana Ball” – the fastest and most entertaining game of baseball. Known for their choreographed dances, epic scoring celebrations, flaming bats, and an array of other antics, the team has sold out every game at their home field, Savannah, GA’s Historic Grayson Stadium (a.k.a. Bananaland), since their 2016 inaugural season and currently boast over 9.2M followers on TikTok, outnumbering every franchise in Major League Baseball (as well as every team in the NFL, NBA, and NHL). The team has been featured on ESPN, CNN, CBS News, and Sports Illustrated and are made popular by their on-field hijinks and videos. For more information, please visit thesavannahbananas.com.

Sixthman festivals tear down walls between artists and fans by creating community-inspired vacation experiences at resorts and at sea. Since 2001, Sixthman has set the stage for moments that make life rock, serving over 470,000 guests on over 205 unforgettable vacations on sand and at sea with their favorite artists, athletes, actors, comedians, and brands. These carefully curated, intimate events bring non-stop performances, artist collaborations, in-depth panels, Q&As, fan-artist activities, museums, and overall, truly immersive experiences that celebrate community and change expectations of what a vacation can be. Sixthman’s domestic homeport of Miami brings escapes for guests to dream destinations in the Virgin Islands, Belize, Honduras, Mexico, and The Bahamas. In 2019, Sixthman expanded its festivals at sea to Europe, sailing from Barcelona, Spain to exotic Mediterranean ports and then from Athens through the Greek Isles in 2022. In addition to festivals at sea, Sixthman has taken its innovative vacation concept to world-class, all-inclusive resorts in the Dominican Republic and Mexico. In 2020, Sixthman Services was launched to support other event holders with a suite of on-site and virtual event management services and enhanced experiences. 2025 is poised to be a record year in terms of the number of events and expansion into new verticals. LIVE LOUD with us at  www.sixthman.net.

iAM MUSIC Fest Announces 2025 Lineup with MarchFourth, Daniel Rodriguez, and Banshee Tree

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Since its inception in 2015, iAM MUSIC Fest! has been dedicated to uniting independent musicians, visual artists, performers, and local businesses, fostering a vibrant community of creativity and collaboration. The festival serves as a platform for artistic expression, aiming to engage the community, stimulate the local economy, and showcase original music.

Founded by the iAM Music Institute, iAM MUSIC Fest! has grown into one of Colorado’s premier independent music festivals.  The festival’s mission is to provide zero-obstacle music education and access to the arts in the Four Corners Region.

For the 2025 festival, iAM Music is sticking to its roots of celebrating the best local independent artists, showcasing a diverse mix of genres, including indie, folk, rock, electronic, and hip-hop.  In its 10th year, iAM Music is celebrating by adding the talents of several nationally recognized artists.

MarchFourth will lead the charge, bringing a kaleidoscope of musical and visual energy for 2 nights of performances.  Daniel Rodriguez (formerly Elephant Revival) blends his authentically crafted songwriting with a talented band known for their unique styles of psychedelic folk rock and Americana.  Banshee Tree combines earthy roots and jazz with modern indie trance and psychedelic rock, creating a sound that is uniquely their own.

These 3 new nationally touring bands have just been announced, adding to the already bursting lineup of talented independent, local, and up-and-coming artists.  The full lineup also includes the addition of electronic and hip-hop acts, BabyDel, Forest Thump, and Roch Kiss, as well as several student bands.

San Juan Smiles Presents:
2025 iAM MUSIC FEST! Full Lineup

MarchFourth (2 nights)
Daniel Rodriguez ✷  Elder Grown
Blessing Bled Chimanga ✷ Banshee Tree ✷ Desiderata
2MX2 ✷ BabyDel  ✷ Chris Jamison ✷ Dana Ariel ✷ Damn the Moon
Eli Emmitt Band ✷ Eastlin ✷ Forest Thump
Galavant ✷ Haiikuu ✷ Hyperbella ✷ Joy’s Familiar
Kouch ✷ Moksi ✷ Nu Bass Theory ✷ Pineapple Bobo Goats
Roch Kiss ✷ Sean Farley ✷ Secret Circus Society
Parahelios ✷ Sturtz ✷ Street Blues Family
The Internationalists ✷ Westfield ✷ YOPE

The 2025 iAM MUSIC Fest! kicks off on Thursday, May 1st at 8:00 pm with a pre-party hosted at The iNDIGO Room.  iAM MUSIC Institute’s home stage, the iNDIGO Room is where artists and students can showcase their skills and share their talents in a comfortable setting with great sound.

On Friday, May 2nd and Saturday, May 3rd, festival attendees can catch shows on three stages throughout downtown Durango from 5:00 pm – 9:00 pm.  Local food trucks will be on-site, offering a variety of food options for the whole family.  Adults can also enjoy craft spirits and local beers from Durango’s Ska Brewing.

For those looking for more, the festival will continue at Durango Arts Center (DAC) and Black Heron Lounge with late-night musical performances. Music will begin at 9:30 pm at both venues.  New this year,  a hip-hop showcase – featuring Roch Kiss, Baby Del, Forest Thump, and Eastlin – will be held Friday night at Black Heron Lounge from 10:00 pm to 2:00 am.

An Artist Brunch will be hosted at Lola’s Place on 2nd Avenue on Saturday and Sunday from 10:00 am – 1:00 pm.  Patrons can enjoy live music at one of Durango’s favorite community gathering spots.  Food will be available for purchase from one of their local food trucks, as well as coffee and cocktail options from Lola’s Bar and Taste Specialty Coffee.

Tickets for iAM MUSIC Fest! are on sale now.  Full weekend passes (including late-night tickets) and late-night tickets are limited! https://iammusic.us/iam-music-fest-2025

Proceeds from the festival will support the iAM MUSIC Institute’s ongoing initiatives, including scholarships, music programs, and efforts to empower independent artists.

Craft and Bluesville Announce Vinyl Reissues of Buddy Guy’s ‘This Is Buddy Guy’ and Scrapper Blackwell’s ‘Mr Scrapper’s Blues’

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Craft Recordings and Bluesville Records announce a fresh batch of reissues for two highly influential guitarists: 1968’s This Is Buddy Guy!, which marked the debut live album from the celebrated artist, and Mr. Scrapper’s Blues, the 1962 comeback album from seminal pre-war axeman Scrapper Blackwell. Set for release on May 16 and available for pre-order today, both LPs will be issued on vinyl in partnership with audiophile leader Acoustic Sounds and feature all-analog mastering by GRAMMY®-nominated engineer Matthew Lutthans (The Mastering Lab). The albums are pressed on 180-gram vinyl at Quality Record Pressings (QRP) with faithfully reproduced tip-on jackets. Rounding out each title is an insightful obi strip with new notes by GRAMMY-winning producer, writer and musician Scott Billington. Additionally, the remastered albums are available in hi-res and standard digital audio today.

Since launching in early 2024, Bluesville Records has celebrated America’s bedrock music genre, as well as the trailblazing musicians who contributed to its rich traditions, through handpicked titles—all culled from the catalogs of such legendary labels as Stax, Prestige, Vee-Jay, Vanguard, Rounder and Riverside. Living Blues notes that John Lee Hooker’s Burning Hell album, with its intimate acoustic feel and brutally honest songwriting, “casts a spell” over the listener, while Tracking Angle praises the stereo edition for its “terrific sound,” placing Hooker “on stage in your room.” No Depression highlights the diversity of styles across the Bluesville reissues, showcasing the breadth of Hooker’s prolific career. Similarly, Last Night Blues by Lightnin’ Hopkins and Sonny Terry has earned glowing reviews, with Mojo calling it “excellent” and “hypnotic boogie joy bringers.”

For more information, visit bluesvillerecords.com and read about the latest releases below:

Buddy Guy — This Is Buddy Guy!

An eight-time GRAMMY winner, Rock and Roll Hall of Fame inductee and GRAMMY Lifetime Achievement Award Winner, Buddy Guy (b. 1936) has long been counted among the greatest guitarists of all time. A key figure in the Chicago blues scene, whose work as a singer, songwriter and guitarist always straddled the line of blues and rock’n’roll, Guy has influenced multiple generations of musicians (Jimi Hendrix, Eric Clapton, Gary Clark Jr. and John Mayer, to name a few) during his seven-decade-long career.

After relocating to Chicago in the late ’50s, the self-taught, Louisiana-born artist found his footing in the industry, releasing a pair of solo albums, as well as a handful of projects with harmonica player Junior Wells in the ’60s. Those lucky enough to catch Guy in concert, however, were privy to the full breadth of his talents—from his awe-inspiring extended guitar solos to his soulful vocals. Vanguard Records recognized this and sought to capture the power of his electrifying performances with 1968’s This Is Buddy Guy!.

Recorded live at the New Orleans House—an intimate venue in Berkeley, CA—the album puts listeners in the front row, as Guy performs original compositions (including his languid “I Had a Dream Last Night” and the funky “24 Hours of the Day”) with well-chosen covers, such as Little Willie John’s “Fever” and Eddie Floyd’s “Knock on Wood.” Accompanied by a tight-knit band—including saxophonists A.C. Reed and Bobby Fields plus bassist Jack Meyers—Guy is truly at the peak of his prowess.

“Buddy Guy is the most dynamic and influential guitarist to have emerged from the Chicago blues scene, with gospel-shaded vocal chops to match his instrumental skills. He is at his focused best on This Is Buddy Guy!,” writes Scott Billington. “Whether he is playing a simmering line behind his vocal, or spluttering out a solo with the frenzy of a machine gun, his formidable talents are always at the service of sublime passion.”

Click here to pre-order This Is Buddy Guy! and scroll down for a tracklist.

Scrapper Blackwell — Mr. Scrapper’s Blues

While lesser known than many of his contemporaries, singer, songwriter and guitarist Scrapper Blackwell (1903–1962) was a supremely talented musician of the early 20th century who carved his own path in the blues scene. With a revolutionary style that treaded between jazz and blues, Blackwell was known for his articulate single-note picking on the acoustic guitar—a technique that would inform the electric Chicago blues sound in the following decades.

Born Francis Hillman Blackwell, the self-taught, Indiana-raised musician (who earned the nickname “Scrapper” for his fiery nature) began performing as a teenager. In the mid-1920s, he established a musical partnership with pianist Leroy Carr. The duo quickly gained a following—touring across the US and releasing over 100 sides, including “How Long, How Long Blues” (the biggest blues hit of 1928), plus other soon-to-be-standards like “Mean Mistreater Mama” and “Blues Before Sunrise.” This era also found Blackwell exploring a solo career and recording songs like “Kokomo Blues,” which would later inspire Robert Johnson’s “Sweet Home Chicago.” After Carr’s untimely death in 1935, however, Blackwell withdrew completely from music.

Flash forward to the late ’50s, with the rise of the folk-blues revival, when Blackwell was encouraged to return to the spotlight. In 1961, he recorded a full-length album for Prestige Records’ Bluesville imprint. The intimate solo session, captured in Indianapolis, finds Blackwell on guitar and vocals, as he performs some of his best-known repertoire, including the above-mentioned “Blues Before Sunrise,” the instrumental “‘A’ Blues,” the up-tempo “Little Boy Blues” and “Little Girl Blues,” which features the artist on piano. Tragically, just as Blackwell was primed for a successful second act, his life was taken from him during a random mugging, not long before the album’s release. In the coming years, however, his recordings would influence an array of rockers, bluesmen and folk artists.

“Mr. Scrapper’s Blues . . . is his late-career masterpiece,” declares Scott Billington. “Whether playing a precisely articulated rhythm, or taking off on a daring single-string solo flight, Blackwell was an underappreciated blues guitar original.”

Click here to pre-order Mr. Scrapper’s Blues and scroll down for a tracklist.

Buddy Guy – This Is Buddy Guy! (Vinyl)

Side A:

1.  I Got My Eyes On You

2.  The Things I Used To Do

3.  (You Give Me) Fever

4.  Knock On Wood

Side B:

1.  I Had A Dream Last Night

2.  24 Hours Of The Day

3.  You Were Wrong

4.  I’m Not The Best

Scrapper Blackwell – Mr. Scrapper’s Blues (Vinyl)

Side A:

1.   Goin’ Where The Monon Crosses The Yellow Dog

2.   Nobody Knows You When You’re Down And Out

3.   “A” Blues

4.   Little Girl Blues

5.   George Street Blues

Side B:

1.   Blues Before Sunrise

2.   Little Boy Blues

3.   “E” Blues

4.   Shady Lane

5.   Penal Farm Blues