Madison McFerrin stacks harmonies live, building worlds out of her voice and pure feeling. “I Don’t” lands with humor and heart as she dishes McFerrin family tea between songs. Every moment is precise, playful, and entirely her own.
How Baseball’s Magic Number Works
Every September, baseball fans start saying two words like it’s a chant, a countdown, or a prophecy: magic number. But what is it? Who decided it was magic? And how do teams know when to pop the champagne? Here’s how it works — no calculator required.
The Short Answer
The magic number is the combination of wins by your team and losses by the second-place team needed to clinch a playoff spot or division title.
That’s it. It’s the finish line math that says, “If we win X more games or they lose Y more, it’s over.”
The Actual Formula
Here’s the basic version:
Magic Number = 163 – (your team’s wins + second-place team’s losses)
Why 163? Because that’s one more than the number of games in a season (162), to guarantee you finish ahead.
For example, if your team has 90 wins and the second-place team has 65 losses:
Magic Number = 163 – (90 + 65) = 8
Any combo of your wins and their losses that adds up to 8 will clinch it.
The Vibe
It’s like playing poker with the standings.
Your team wins — it drops.
Their team loses — it drops.
The moment it hits zero? You’re in. You pop bottles. You start debating playoff rotations. And somewhere, a player dumps Gatorade on a coach wearing expensive shoes.
The Tiebreaker Era Is Over
This used to get messy. In past seasons, a tie in the standings meant a Game 163 — a one-game showdown to settle it. But MLB ended that in 2022. Now tiebreakers are head-to-head records, so the math is a little cleaner — and the magic number means a little more.
Why We Love It
Because baseball’s long. It’s a 6-month saga. And the magic number turns the stretch run into a race against the clock. It gives fans permission to hope, scoreboard-watch, and overanalyze every half-game shift like it’s life or death.
And when it gets to one — just one — it’s not magic. It’s momentum.
TL;DR For Your Group Chat
The magic number = the mix of wins and rival losses needed to clinch.
When it hits zero, your team is in the playoffs.
Baseball math never felt so electric.
Dirty Honey Cover “Rock Steady” for Star-Studded Bad Company Tribute Album
Dirty Honey has released their rendition of the Bad Company classic, “Rock Steady” (written by Paul Rodgers) from the forthcoming tribute album, Can’t Get Enough: A Tribute to Bad Company, to be released October 24, 2025 on Primary Wave Music.
“Bad Company are plain and simply one of the cornerstones of rock and roll,” says Marc LaBelle, lead vocalist of Dirty Honey. “Their music has been part of the soundtrack of my life for as long as I can remember. Paul Rodgers voice is timeless, classic, and like a fine wine only got better with age.”
Dirty Honey kick off their 2nd leg of their Mayhem & Revelry tour with The Struts in Las Vegas, NV September 13th. The Struts also appear on Can’t Get Enough with their own rendition of “Rock n’ Roll Fantasy.”
Paul Rodgers and Simon Kirke will join host Steve Harkins on TalkShopLive’s Rock & Roll channel on Thursday, October 9th at 7pm (est) to talk about their 50thanniversary and upcoming Rock & Roll Hall Of Fame induction as well as the exciting new tribute album.
CAN’T GET ENOUGH: A TRIBUTE TO BAD COMPANY features legendary and contemporary artists from Rock, Country, and Americana – genres deeply influenced by Bad Company – including HARDY, The Pretty Reckless, Joe Elliott and Phil Collen from Def Leppard, Slash featuring Myles Kennedy and The Conspirators, Charley Crockett, Halestorm and more, offering fresh takes on the band’s iconic songs. Bad Company was founded by Mick Ralphs and Paul Rodgers in 1973.
Lorna Shore Unleash Emotional Extreme Metal with “Glenwood” and New Album Out Now
Lorna Shore’s first new album in three years, I Feel The Everblack Festering Within Me, is out today via Century Media Records, alongside a highly emotional new music video for “Glenwood” directed by Dylan Hryciuk. It visually captures the song’s overarching narrative: Vocalist/lyricist Will Ramos’ personal journey to reconnect with his estranged father.
Ramos says of the new track, “This song has been a very long-time coming for me. In my teens, my father and I never had a great relationship. We’ve had countless fallouts and it got to the point where we hadn’t spoken to each other in many, many years. I’d written songs in my teens and early 20s about him and my frustration but nothing really helped fill the hole I felt inside. There were just too many mixed emotions. As time went on, I came to realize that, despite my anger, all I ever really wanted was to go back to the home I grew up in. For that reason, I decided to knock on his door and try one more time to get in touch with him.”
He adds, “‘Glenwood Ave’ was the name of the street I grew up on. I remember my father always telling me, ‘I’m the tree, you’re the branch.’ The day I saw my father (for the first time in who knows how long), I quickly realized something. He wasn’t the same person I remembered. He’d aged, had wrinkles, and a full-head of white hair. The tree that I remembered growing up next to was gone. The house inside was the same as I remembered but… older… dustier; and it felt… strange. As time seems to fly by for me, it also does for my father. And in all my parting, I never stopped to think about how much time actually went by. I spent my youth being so prideful and stubborn. I never even considered that as I was aging, so was he. I’ve had countless chances to fix things but wasn’t brave enough to actually do it. And now, I will never be able to get that time back. I wanted to capture that feeling when I wrote this song. My only hope is that when people hear ‘Glenwood,’ they can think about their own lives and the people they’ve pushed away and ask themselves: ‘Is it really worth being upset for this long?’ I believe all we really want is to go back to that special place – a place where nostalgia triumphs over trauma; a place that we can call home.”
“Glenwood” follows the release of “Oblivion,” “Unbreakable” and “Prison Of Flesh” from I Feel The Everblack Festering Within Me. As Lorna Shore’s fifth album and the first in three years since 2022’s explosive Pain Remains, it continues the band’s reputation as one of the most impressive extreme metal acts to emerge in recent memory.
The quintet, also including lead guitarist Adam De Micco, drummer Austin Archey, rhythm guitarist Andrew O’Connor and bassist Michael Yager, have hit the viral Spotify charts, racked up hundreds of millions of streams, embarked on highly successful tours and in the process, galvanized a significant fanbase that hangs onto the band’s quest for stylistic inversion. But by virtue of physical onslaught and wanting to divine truth from their music, Lorna Shore have kept themselves fired up by torching the metal rulebook at every turn, practically demanding that other genres step up their game.
Testament Unleash Thrash Metal Tension with New Single “Shadow People” from Upcoming Album ‘Para Bellum’
Testament have revealed an animated video for their new single “Shadow People”, which comes from their forthcoming fourteenth studio album, “Para Bellum”, that will be released on October 10th via Nuclear Blast Records.
The album stands as both a battle cry and an observation of humanity’s uneasy alliance with its own creations. As technology accelerates and disconnection grows, Para Bellum sees Testament reflecting the modern chaos through music that’s urgent, sharp, and unflinchingly human.
The band’s latest single, ‘Shadow People,’ is a haunting and groovy track that will have you looking over your shoulder. It creates a vivid sense of unease and dread – both lyrically and musically – as if something from the unknown is coming for you. Watch the animated video created by Freakshot Films below:

