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Jet Black Roses Drop Vibrant New Video For “Barefoot Gypsy Mama”

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Following the runaway success of their funky, genre bending hit “PsychoBoogieHoochieCoo,” Southern rock outfit Jet Black Roses have released a vibrant new music video for the single “Barefoot Gypsy Mama,” which is available everywhere out now. Sporting equal parts vintage flair and modern swagger, the video opens on a nostalgic stage performance bathed in warm retro tones, channeling the 1970s with flared pants, tinted glasses, and TV frame transitions. It then bursts into a high energy montage of life on and off stage, featuring tattoos, soundchecks, race cars, and the electric camaraderie of the road. Footage from the band’s NASCAR Cup Series pre race performance at EchoPark Speedway perfectly captures the all American spirit that defines this dynamic group.

“Barefoot Gypsy Mama” embodies the band’s signature “Rock N Roll with a Country Soul” ethos, blending bluesy electric guitar, raspy vocals, and a driving beat. The group shares that the track is “for all the free spirits who love feeling your bare feet on the earth, cruising with the windows down, and marching to the beat of your own drum.” The single follows a whirlwind year for Jet Black Roses, who have shared stages with rock legends like Styx, Sammy Hagar, and Collective Soul, and closed out CMA Week with a fiery set at Luke Combs’ bar. Their previous single, “PsychoBoogieHoochieCoo,” produced by Grammy winner Greg Archilla, drew praise from MusicRow as “funky, horn punctuated Southern rock with some built in grease.”

A2O MAY Is Bigger, Badder, and Better with New Single “B.B.B”

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The next gen global girl group, A2O MAY, has released their bold new single, “B.B.B (Bigger Badder Better),” which is available everywhere out now. This next era marks a major step forward in the quintet’s mission to revolutionize global music with its genre defying sounds and striking visuals. This high energy track is an empowering anthem for today’s youth, radiating confidence, self expression, and unapologetic flair. Earlier this year, the group made global headlines after being the first Chinese idol group to perform at the well renowned iHeartRadio’s Wango Tango, marking both their U.S. stage debut and simultaneous appearance on American television via KTLA.

Driven by an infectious pop beat and bold lyrics like “I’m bigger, badder, better than the cool kids” and “Don’t need nobody to follow,” the track celebrates owning your power and embracing your true self. The highlight of “B.B.B” is the special feature by A2O LTG (Low Teen Girls), three members from A2O Entertainment’s Rookies unit set to debut in the near future. The accompanying music video, set against a lively school backdrop, charmingly captures the younger LTG members admiring the stylish and popular seniors, A2O MAY (composed of CHENYU, SHIJIE, QUCHANG, MICHE, and KAT). The release follows the success of their first EP, ‘PAPARAZZI ARRIVE’, which has landed them on the Billboard Emerging Artists and Top Album Sales charts.

TEED (Formerly Totally Enormous Extinct Dinosaurs) Launches New Era With Double Single “Desire” / “The Echo”

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TEED (formerly known as Totally Enormous Extinct Dinosaurs) has made his highly anticipated return with a thrilling two track digital single, “Desire” / “The Echo,” which is available everywhere out now. This release marks the first new music from Orlando Higginbottom since his acclaimed 2022 album, ‘When the Lights Go’, and serves as a vibrant introduction to a bold new chapter in his artistic journey. “Desire” leads the release, offering a psych electro pop gem built around a propulsive drum groove, hypnotic synth melody, and Higginbottom’s signature falsetto. He implores across the track’s dancefloor pulse: “I’m looking for love in your arms tonight. Is it too late?”

Higginbottom notes that “Desire” is about “yearning for connection at the end of the world,” while its companion track, “The Echo,” is a hypnotic club anthem that taps into the pure joy and inspiration that first made him fall in love with music. This dual release is the opening transmission from a body of work that finds Higginbottom purposefully reclaiming the joy of creation. With two GRAMMY nominations and collaborations with artists like SG Lewis and Mark Ronson under his belt, TEED has re emerged with a sharper focus, successfully reconfiguring his own sense of success by separating his art from industry noise. The new music, which is already building towards his forthcoming third album, ‘Always With Me’, is a thrilling blend of nostalgic feeling and exhilarating contemporary sound.

Manchester’s Savage Sons WODE Return with Formidable Album ‘Uncrossing The Keys’

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Manchester’s savage sons WODE have returned with their fourth album, ‘Uncrossing The Keys’, which is out now. The record marks a confident expansion of their already formidable sound, built upon a shadowy foundation of feral black metal and ironclad heavy metal heft. Having evolved from the more straightforward methodology of their debut, WODE has continuously embraced a wider spectrum of moods, painting with blacker, richer hues across this newest work. Their sound remains steeped in flame and fury, but the songwriting has grown leaner yet more intricate, focused, and melodic than ever before.

The nine track opus masterfully blends genres, allowing jagged post punk and goth leanings to bleakly shine on tracks like “Saturn Shadow” and the atmospheric instrumental “Phantom.” The doomier pace and majestically pensive mood of the single “Transmutation” recalls both Paradise Lost and Amorphis with its sombre undercurrent, while the morosely anthemic “Under Lanternlight” is suffused with dynamic melodies. The guitars carry a mournful shimmer at times, their hooks laced with both melancholy and menace, drifting above the carnage with moments of elegiac beauty and dark lamentation. ‘Uncrossing The Keys’ was expertly recorded and mixed by James Atkinson at The Stationhouse and mastered by Magnus Lindberg, resulting in a truly haunted and commanding blackened heavy metal album.

‘Uncrossing The Keys’ Track Listing

  • Two Crossed Keys
  • Under Lanternlight
  • Saturn Shadow
  • Transmutation
  • Prisoner of the Moon
  • Fiery End
  • Lash of the Tyrant
  • Phantom
  • Dashed on the Rocks

Massachusetts Rock Band The Burning Paris Releases Emotional New Single “The Advocate”

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Massachusetts rock outfit The Burning Paris has returned with their brand new single, “The Advocate,” which is available everywhere out now. This track brilliantly showcases their songwriting prowess like never before, taking the listener on a compelling journey from start to finish. The song immediately welcomes you in with a beautiful guitar riff that sets a dynamic tone, supported by a tightly locked drum groove that drives the entire composition forward with its consistent rhythmic motif.

Vocalist and guitarist Nathan Shumaker leads listeners through the winding trail of the track as it steadily builds and builds. The journey culminates in a powerful crescendo featuring a beautifully emotional guitar solo at the end that truly captures the listener’s feelings. If you are a fan of indie rock and emo, you need to have The Burning Paris on your radar. With two full length albums already available and more new music on the way, fans new and old will have plenty to enjoy for a while.

Inner Wave Signs to Nettwerk, Releases New Single “Madre” Ahead of Next Album

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Nettwerk is thrilled to announce the signing of Gardena, CA Latin indie band Inner Wave. Known for their bright, experimental mix of psych pop and synthwave, the quintet has amassed hundreds of millions of streams with hit songs like “American Spirits” and “Eclipse.” The band, who previously played both weekends of Coachella in 2022 and opened for Chicano Batman’s farewell shows, has established a die hard regional following that now extends globally thanks to tours across North America, Europe, and China.

Inner Wave has released “Madre,” their first new solo single since their 2021 album ‘Apoptosis’, and it is available everywhere out now. “Madre” is the first single from the band’s forthcoming full length album, featuring effortlessly cool guitar melodies, thick kick drums, and a zany synth line during the chorus. Bassist Jean Pierre Narvaez spoke about the track’s distinctive rhythm, noting, “It also speaks to our West Coast hip hop background—it has a bounce that I don’t really hear other bands doing.” Lead vocalist Pablo Sotelo added that the new project reflects maturation, explaining, “There’s a lot of letting go of things and embracing the uncomfortable—the unknown. We’ve all become more self aware and mindful of others, and that led us to make this record.”

Hauser’s Sweeping Film Tribute Album ‘Cinema’ Is Out Now, Featuring “What Was I Made For?”

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World class cellist Hauser, celebrated for effortlessly transcending boundaries in classical crossover, has released his highly anticipated album, ‘Cinema’, which is out now via Sony Music Masterworks. This sweeping homage to unforgettable film melodies is Hauser’s first solo foray into the genre, offering a more introspective and curated collection that reflects his own cinematic passions. The album was preceded by his soul stirring rendition of “What Was I Made For?,” the Oscar winning hit by Billie Eilish and Finneas from the Barbie Movie. Reimagined as a powerful solo cello piece, the single is paired with a visually striking music video that finds Hauser at his most expressive, channeling the song’s vulnerability and depth through his unmistakable artistry.

‘Cinema’ features 25 tracks recorded with the prestigious London Symphony Orchestra and conducted by Robert Ziegler, spanning decades of cinematic history. The selections highlight both the grandeur and intimacy of film music, ranging from the sweeping drama of “Tara’s Theme” from Gone with the Wind to the contemporary melancholy of the Billie Eilish cover. The album features a powerful lineup of iconic themes, including the “Mission: Impossible” theme, “Music Of The Night” from Phantom of the Opera, and Sam Smith’s Oscar winning song “Writing’s on the Wall” from Spectre. Hauser recently concluded his successful solo North American tour, The Rebel Is Back!, and is now bringing his cinematic performances to Europe this fall. As Hauser explains, “Some of these pieces are hidden jewels. They may not be instantly recognizable to everyone, but I believe they’ll become new favorites once people hear them through the lens of the cello.”

‘Cinema’ Digital Track Listing

  • Writing’s On The Wall (from “Spectre”)
  • Concerto pour la fin d’un amour
  • A Time for Us (Love Theme from “Romeo and Juliet”)
  • Mission: Impossible
  • Comptine d’un autre été, l’après-midi (from “Amélie”)
  • Le vent, le cri
  • Stranger in Paradise
  • Lujon
  • Tara’s Theme (from “Gone with the Wind”)
  • Somewhere in Time
  • The Music of the Night
  • Theme from “A Summer Place”
  • If You Are My Love
  • Chi Mai
  • Mi mancherai (feat. Caroline Campbell)
  • Promentory (from “The Last of the Mohicans”)
  • The Ludlows (from “Legends of the Fall”)
  • Amore mio aiutami
  • An Affair to Remember
  • What Was I Made For? (from “Barbie”)
  • Marion’s Theme (from “Raiders of the Lost Ark”)
  • We Have All The Time In The World
  • Main Title (I Had A Farm in Africa)
  • La petite fille de la mer
  • Conquest of Paradise

Liam St. John’s Debut Album ‘Man Of The North’ Is Out Now, Featuring Hell Raising Single “Trouble”

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Roots rock rambler Liam St. John has officially released his debut studio album, ‘Man Of The North’, which is out now through Big Loud Rock. The album was preceded by the release of his hell raising new single, “Trouble,” a swampy, grungy number that finds St. John amidst a rock tinged bender as he attempts to exercise his darkest demons. “They say it’s darkest before the dawn, and ‘Trouble’ is the point in the album and in my life where I reached my darkest days,” said St. John. “They never tell you how dark it is down at rock bottom.”

The album, which has amassed significant buzz with over 90 million streams worldwide, is a powerful and personal statement from the Spokane born, Nashville based artist, who channels ferocity into every aspect of the project. It follows the gritty title track “Man Of The North,” which Wide Open Country called “a powerful song that I can’t get enough of.” The album, which features collaborations with Grammy winner Molly Tuttle and Houndmouth, finds St. John blending Americana, outlaw country, and rock with raw, immediate, and vulnerable songwriting. He recently made his debut at CMA Fest and appeared at Lollapalooza, prompting Celeb Secrets to name him “one of the most exciting rising voices in rock tinged Americana.” St. John is celebrating the record with his extensive 50+ date Man Of The North Headline Tour, which just kicked off his UK debut at Leicestershire’s The Long Road Festival.

‘Man Of The North’ Track Listing

  • If I Were My Father
  • Believer
  • forefathers
  • Off The Rails
  • Trouble
  • Devil To Pay
  • Dipped In Bleach
  • Everything I Had
  • Sweet Like
  • Falling In Love With You
  • Landslide Over The Highway
  • Greyhound Bus Blues (feat. Molly Tuttle)
  • Devil In Disguise (feat. Houndmouth)
  • Stick To Your Guns
  • Man Of The North
  • Paul Revere

Molly Gordon and Blake Mills Release Intimate Duet “Islands in the Stream” for Film Oh, Hi!

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Actor, screenwriter, and director Molly Gordon and producer and multi instrumentalist Blake Mills have released their new duet, “Islands in the Stream,” which is available everywhere out now. The track is featured in the Sony Pictures Classics film Oh, Hi!, which was also produced and co conceived by Gordon alongside writer and director Sophie Brooks. Gordon and Mills deliver a fresh and intimate folk version of the beloved classic, which was originally written by The Bee Gees and famously recorded by country icons Kenny Rogers and Dolly Parton.

Gordon shared her sheer excitement about working with Mills, stating, “When Sophie and I were developing OH, HI! and she came up with the dream sequence, she mentioned that she planned to ask her friend Blake Mills to help us out. I tried to play it very cool, but I was secretly freaking out inside as he is my favorite artist.” She added, “We only had a couple of hours to record the cover, but we had an immediate language – and again, I tried to hide how much of a dream those few hours were.” Mills affirmed the unique experience, saying, “We got to take this song to the moon – fitting for its usage in the film – and I think we ended up with something that truly stands on its own merits.”

Don McLean’s Legendary ‘Live in Manchester’ 1991 Concert Is Out Now on Digital Platforms

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Folk rock icon Don McLean has released his classic ‘Live in Manchester’ concert performance to the digital world for the first time, available everywhere out now via StarVista Music. This 1991 concert, which was recorded at Manchester’s historic Free Trade Hall, had been “lost for over 20 years” until its master tapes were rediscovered and restored for an archival release in 2014. Now, fans worldwide can finally stream or download the entire performance in high quality digital audio and video, with the content landing on major platforms like Spotify, Apple Music, and YouTube.

Recorded before a sold out crowd on October 22, 1991, ‘Live in Manchester’ captures Don McLean in peak form, delivering over ninety minutes of music. The set list spans his career, featuring chart topping classics like “American Pie” and “Vincent (Starry, Starry Night)” along with hits such as “Crying” and “Castles in the Air.” McLean also pays tribute to his musical roots with covers like Buddy Holly’s “Everyday,” creating a powerful time capsule of folk rock excellence. McLean said of the release: “It’s hard to believe this concert was sitting unheard for so long—it was a special night for me in 1991. I remember the electricity in that hall. We were in Manchester, but the energy felt like everybody in the world was singing along.”

‘Live in Manchester (1991)’ Track Listing

  • Everyday
  • If We Try
  • Raining In My Heart
  • Crying
  • Since I Don’t Have You
  • Homeless Brother
  • Headroom
  • Empty Chairs
  • Vincent
  • American Pie
  • Castles in the Air
  • Wonderful Baby
  • And I Love You So
  • It Was A Very Good Year
  • Left Behind
  • Babylon