Seether have announced that they will be hitting the road this spring for their The Surface Seems So Far Tour that will be visiting various markets across the U.S.
The tour will kick off on May 3rd in Phoenix, AZ and will wrap up in Biloxi, MS on May 31st and will also feature an impressive lineup of support acts including Wolfgang Van Halen’s Mammoth WVH, P.O.D., and Nonpoint.
Nonpoint shared their excitement via social media by proclaiming “We’re bringing the pain!!!! We hit the stage this Spring and this time it’s with our friends in Seether MammothWVH and P.O.D. this 5/3-5/31 for THE SURFACE SEEMS FO FAR TOUR!”
SEETHER is continuing to tour in support of its ninth studio album, “The Surface Seems So Far”, which came out last September via Fantasy Records.
Known for their enduring anthems like “Broken”, “Fake It” and “Words As Weapons”, SEETHER returned with “The Surface Seems So Far”, showcasing their trademark blend of aggression and introspection. The track list for the album — the follow-up to 2020’s “Si Vis Pacem, Para Bellum”, which boasted three No. 1 hits — set the tone for an honest and exhilarating journey through themes of melancholy (“Regret”),self-reflection (“Same Mistakes”),and raw emotion (“Dead On The Vine”),with catchy hooks and driving bombast emphasizing its many twists and turns. Adding to SEETHER’s impressive catalog, frontman and songwriter Shaun Morgan and his bandmates — Dale Stewart (bass),John Humphrey (drums) and Corey Lowery (guitar) — sound alternately confident and confessional, full of vitriol and vulnerability throughout “The Surface Seems So Far”, which Morgan produced with veteran producer Matt Hyde (DEFTONES, SLAYER) as engineer and mixer.
SEETHER, known for their authentic and electrifying live show, supported the release of “The Surface Seems So Far” on the road last fall on a co-headlining tour with SKILLET.
Your online profile picture creates the first visual impression for others when they view your content. A powerful profile picture benefits all social media tools and professional network subscriptions. When people first see your profile, they form an initial assessment of you. Invest time and effort into quality selection.
Not everyone possesses the knowledge and available time to produce ideal profile pictures. The platform AI Ease provides users with a fulfilling profile picture transformation solution. This basic AI tool lets you turn your selfies into attractive, professional-quality images with minimal effort. You can make stunning profile pictures at zero cost.
We will demonstrate how AI Ease creates great profile pictures easily and for no cost while explaining why this tool is one of the best.
What Makes AI Ease the Best Free Profile Picture Maker?
Advanced artificial intelligence technology from AI Ease helps you achieve easy photo editing results. The program uses AI technology to take away background elements and creates neater images. After background removal you can adjust your photo to follow your personal preferences.
User-Friendly Interface
You can use AI Ease without any designer background by following its easy-to-use platform. The system works well for all users, from start-up to advanced levels. The platform offers an easy-to-use system that lets users upload their images and then edit and download their new profile pictures with simple mouse clicks.
100% Free
Most profile picture editing services require payment beyond basic functions and add visible marks to your image. AI Ease provides all services for free without surprise billing. Users can produce their profile pictures and save them to their devices without any charge.
High-Quality Results
AI Ease generates professional-quality output with perfect image resolution for all its users. From social media to employment apps and video games, your newly made image shows a professional quality.
Step-by-Step Guide to Creating the Perfect Profile Picture
Using AI Ease gives you an easy and quick way to build your perfect profile image. Here are the basic actions to simplify our transformation process.
Step 1: Upload Your Image
Begin by choosing a selfie or image which will serve as your profile picture transformation base. You can work with multiple image types including JPG, PNG, JPEG and WebP since AI Ease accepts all these formats without issue.
Step 2: Background Removal & Customization
The system removes background elements from your uploaded image right away to create polished professional results. From here, you can adjust the size of your image, zoom in, or rotate it to focus on the perfect angle. The platform presents many template backgrounds that you can match to your preferences whether you want vibrant or professional styles.
Step 3: Fine-Tuning Your Picture
Choose the perfect profile photo by changing it according to your personal preferences. You can:
Adjust the shape (round or square).
Add a stylish border with the colour of your choice.
Play around with other customization features to make your image pop!
Download your new profile photo once you have finished editing it with all preferences selected.
After you are happy with your profile picture, you can download it straight away. The changed profile picture will work on both personal social networks and online business connections.
Why AI Ease Stands Out from Other Free Profile Picture Makers
AI Ease isn’t just another basic profile picture tool – it’s packed with features that make it stand out. Here’s why it’s one of the best free profile picture makers online:
1. Free & No Watermarks
Completely free to use with no hidden fees.
No watermarks have been added to your profile picture.
Download your image without any branding marks.
2. Professional Results in Minutes
AI ensures your picture looks sharp and high-quality.
Fast results that save you time and effort.
Ideal for both casual and professional use.
3. Easy-to-Use Design
No need for design skills – the platform is simple and intuitive.
Clear and user-friendly interface for quick editing.
Edit and download your picture in just a few clicks.
4. Wide Range of Templates
Various templates for every platform (Instagram, LinkedIn, etc.).
Options for both professional and creative looks.
Customize backgrounds to fit your style or brand.
Advanced Customization Features to Elevate Your Profile Picture
AI Ease offers more than just basic editing tools. Here’s a look at the advanced customization options that help you make your profile picture truly unique:
1. Hairstyle Changer
Try out different hairstyles with just a click.
Experiment with new hair colours for a fresh look.
Perfect for customizing your look for social media or professional photos.
2. Clothing & Accessories
Virtual outfit changes to give your profile a new vibe.
Add fun accessories or professional clothing options.
Ideal for experimenting with your look before committing.
3. Cartoon & Anime Style
Transform your profile picture into a fun cartoon or anime character.
Great for gamers, content creators, or anyone wanting a unique online presence.
Stand out with a playful, creative image.
4. Instant Editing
Real-time photo adjustments for quick edits.
No, waiting around – make changes and see results instantly.
A perfect solution for users on the go.
Start Creating Your Perfect Profile Picture Today!
Why settle for a boring or generic profile picture when you can create something that truly reflects your personality? With AI Ease, creating a great profile picture is straightforward and quick and great news, there is no cost involved. This is why you can use AI Ease to update your LinkedIn photo to a more professional one, have a fun social media post for Instagram or even create a one of a kind avatar for gaming.
No need for expensive editing tools or complicated software – AI Ease gives you access to powerful, AI-powered customization features with just a few clicks. AI Ease. Also, it provides you with full control over how the picture is going to look to match your appearance online.
Don’t wait! Stop wasting time and make the right statement right now by beginning the process of creating your own profile picture. Go to the website to start designing your new profile picture right now and make your online presence look better in no time!
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
If you’re a cat owner, you know the struggle of finding the perfect litter box. Traditional plastic boxes might seem like the go-to option, but they often fall short when it comes to odor control, durability, and overall hygiene. Enter stainless steel cat litter boxes—a game-changer for both cats and their humans. Among the top contenders in this category is the Meowant 3-in-1 Stainless Steel Cat Litter Box-LB05, a product that combines functionality, durability, and cat-friendly design. Let’s dive into why stainless steel litter boxes are worth the investment and why the Meowant LB05 stands out.
Why Choose a Stainless Steel Cat Litter Box?
Stainless steel litter boxes are quickly becoming the gold standard for cat owners who value cleanliness, durability, and long-term savings. Here’s why:
Durability: Unlike plastic, stainless steel doesn’t crack, scratch, or warp over time. It’s built to last, even with daily use.
Odor Control: Plastic litter boxes tend to absorb odors, no matter how much you clean them. Stainless steel, on the other hand, is non-porous, meaning it won’t trap smells.
Hygiene: Stainless steel is easy to clean and disinfect, making it a healthier option for both you and your cat.
Eco-Friendly: If you’re environmentally conscious, stainless steel is a great choice. It’s recyclable and doesn’t contribute to plastic waste.
Key Features to Look for in a Stainless Steel Cat Litter Box
Not all stainless steel litter boxes are created equal. When shopping for one, keep these features in mind:
Size and Depth: A spacious box ensures your cat feels comfortable and reduces the chances of litter scatter.
Waterproof Design: Look for a box that’s rust-resistant and waterproof to ensure it lasts for years.
Easy Cleaning: Smooth surfaces and removable components make cleaning a breeze.
Cat-Friendly Design: Features like calming colors (e.g., blue-green) can help reduce your cat’s anxiety and make the litter box a more inviting space.
If you’re looking for a stainless steel litter box that ticks all the boxes, the Meowant 3-in-1 Stainless Steel Cat Litter Box-LB05 is a top contender. Here’s why I recommend it:
3-in-1 Design: This litter box is versatile and adaptable to your cat’s needs. It can be used as a top-entry, open-top, or side-entry box, giving you flexibility.
Waterproof and Rust-Resistant: The high-quality stainless steel construction ensures the box stays in great condition, even with regular cleaning.
Blue-Green Eye-Friendly Color: The soft, calming hue is scientifically proven to reduce cat anxiety and create a more comfortable environment.
Easy to Clean: The smooth surface makes it simple to wipe down, and the non-porous material ensures no lingering odors.
Why It Stands Out:
I’ve tried several litter boxes over the years, and the Meowant LB05 is by far the easiest to maintain. The waterproof design means I don’t have to worry about rust, and the blue-green color seems to make my cat more at ease. Plus, the 3-in-1 design is a nice touch—it gives me options depending on my cat’s preferences.
How to Maintain and Clean Your Stainless Steel Litter Box
Keeping your stainless steel litter box in top shape is a breeze, especially when compared to other materials like plastic. Here’s how I clean mine:
Empty the Litter: Dump out the used litter and dispose of it properly. Stainless steel is durable enough to handle heavy-duty cleaning.
Rinse with Warm Water: Use warm water and mild soap to rinse the box. Avoid harsh chemicals, as they can leave residues.
Wipe Down: Use a clean cloth or sponge to wipe down the inside of the box, ensuring that all corners are clean.
Dry Completely: Dry the box thoroughly before adding fresh litter. The waterproofing ensures there won’t be any lingering moisture that could cause odors or bacteria buildup.
Stainless Steel vs. Plastic: Which is Better?
Let’s be honest—plastic litter boxes are cheap, but they come with a host of problems. They absorb odors, scratch easily, and need to be replaced frequently. Stainless steel, on the other hand, is a one-time investment that pays off in the long run. It’s more durable, easier to clean, and doesn’t retain smells. If you’re tired of constantly replacing plastic boxes, it’s time to upgrade to stainless steel.
Final Thoughts
If you’re looking for a litter box that combines durability, odor control, and cat-friendly design, stainless steel is the way to go. The Meowant 3-in-1 Stainless Steel Cat Litter Box-LB05 is my top pick—it’s easy to clean, built to last, and designed with your cat’s comfort in mind.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
You know that feeling when you hear a song, and it just clicks? Some bands felt it so strongly they took their very name from a lyric or title that spoke to them. From legendary rock outfits to indie trailblazers, here are 25 bands who found their identity in someone else’s music.
1. Radiohead – “Radio Head” (Talking Heads)
Before they changed music forever, they were just another band called On a Friday. Then they took their name from this True Stories track, and the rest is history.
2. The Rolling Stones – “Rollin’ Stone” (Muddy Waters)
Blues legend Muddy Waters didn’t just influence their sound—his song gave them their name. Mick and Keith saw the future in the past, and they were right.
3. Judas Priest – “The Ballad of Frankie Lee and Judas Priest” (Bob Dylan)
A folk song about fate and deception led to one of the greatest metal bands of all time. Dylan probably never imagined his words would inspire leather-clad rock gods.
4. Ladytron – “Ladytron” (Roxy Music)
Bryan Ferry and company brought the glam, and this band brought the electronic edge. A nod to Roxy’s futuristic cool, Ladytron took the name and ran with it.
5. Big Country – “In a Big Country” (Big Country)
They went full meta—naming their band after their song and their album. When in doubt, go big or go home.
6. The Kooks – “Kooks” (David Bowie)
A Brighton band borrowing from Bowie? Perfect. A tribute to Ziggy Stardust’s acoustic tenderness, and a reminder that Britpop had its roots in the ‘70s.
7. Motorhead – “Motorhead” (Hawkwind)
Before Lemmy was Lemmy of Motörhead, he was Lemmy of Hawkwind. Then he got kicked out, stole the song title, and made rock ‘n’ roll even louder.
8. Death Cab for Cutie – “Death Cab for Cutie” (Bonzo Dog Doo-Dah Band)
From British absurdist pop to American indie heartbreak, this quirky name found a second life thanks to Ben Gibbard and company.
9. The Velvet Underground – “The Velvet Underground” (Lou Reed & The Primitives)
Before Warhol’s house band redefined cool, they took their name from an underground ‘60s book and a song from Reed’s early band. Layers upon layers of influence.
10. Jet – “Jet” (Paul McCartney & Wings)
McCartney’s explosive Band on the Run track birthed an Aussie garage-rock powerhouse. Proof that even post-Beatles Macca can inspire a new wave of rockers.
11. Stiff Little Fingers – “Stiff Little Fingers” (The Vibrators)
One punk band named after another punk song? That’s the way it should be. The Belfast icons made sure they lived up to their borrowed name.
12. Spoon – “Spoon” (Can)
Taking cues from German experimental rock, Spoon brought Krautrock cool into indie circles. Minimalist name, maximalist impact.
13. Asia – “Asia” (Steely Dan)
Progressive supergroups deserve big, bold names. So why not borrow from Steely Dan’s masterpiece Aja? A slight spelling tweak, but the prog spirit remained.
14. The Killers – “The Killers” (New Order)
Their name actually comes from the fictional band in New Order’s “Crystal” music video. A case of reality imitating art in the best way possible.
A fictional band referenced in A Clockwork Orange turned into a real synth-pop sensation. New wave was all about reinvention, after all.
16. Love and Rockets – “Love and Rockets” (The Ronnettes)
Gothic and psychedelic, they took their name from a song that originally had all the wall-of-sound beauty of the ‘60s.
17. The Sisters of Mercy – “The Sisters of Mercy” (Leonard Cohen)
Leonard Cohen’s folk poetry gave rise to the ultimate gothic post-punk band. From gentle ballads to doom-laden anthems, it all started with a song.
18. Tokyo Police Club – “Tokyo Police Club” (Silverchair)
What do Australian alt-rockers and Canadian indie kids have in common? A shared appreciation for a weird song title that just sounded cool.
19. Madness – “Madness” (Prince Buster)
Before they were two-tone legends, they were ska kids borrowing from the best. Their name paid tribute to Jamaican ska pioneer Prince Buster’s 1963 classic.
20. The Fall – “The Fall” (Camus’ novel and a song by The Move)
Mark E. Smith had a habit of pulling inspiration from everywhere. The Move’s track and a bit of French existentialism? Sounds about right.
If you’re going to name your band after a song, make sure it oozes nostalgia and raw indie charm. Glasgow’s finest knew exactly what they were doing.
22. Nirvana – “Nirvana” (Sammy Davis Jr.)
Long before Kurt Cobain, Sammy Davis Jr. recorded a song called “Nirvana.” A deep-cut jazz connection for a grunge revolution.
23. Manic Street Preachers – “Manic Street Preachers” (James Dean Bradfield heard someone say it)
More spoken word than song title, but it still counts. Bradfield heard a busker shout it, and just like that, one of the UK’s most enduring rock bands was born.
24. Bastille – “Bastille” (Breton folk song)
Named after the French national holiday and a folk song, Bastille brought stadium-sized anthems to the indie-pop world.
25. Franz Ferdinand – “Franz Ferdinand” (Indie jokes + historical assassination references)
Okay, so they weren’t named after a song, but they joked about it being a “band name with a groove”—and then gave us Take Me Out, one of the best grooves of the 2000s.
Music history is littered with bands who took inspiration from the past and shaped the future. Whether a song title, a lyric, or even a music video, these names prove that one great idea always leads to another. Who knows—maybe the next legendary band name is hiding in your favorite song right now.
Oscar-nominated, GRAMMY Award-winning, multi-platinum recording artist, and international superstar, Ariana Grande announces eternal sunshine deluxe: brighter days ahead, to be released on March 28 via Republic Records.
The announcement of the deluxe album marks the one-year anniversary of Ariana Grande’s critically acclaimed, GRAMMY nominated album eternal sunshine, which debuted at #1 on the Billboard 200, her sixth #1 album. Since release, the album has been certified RIAA Platinum, featuring two-time RIAA Platinum single “we can’t be friends (wait for your love)”, along with RIAA Platinum certified hits “yes, and?” and “the boy is mine”. Both, “yes, and?” and “we can’t be friends (wait for your love)”, debuted at #1 on the Billboard Hot 100, making eternal sunshine the only album to produce multiple Hot 100 #1 hits in 2024.
eternal sunshine was instantly met with rave reviews from press and fans alike. The New York Times declared the album their “Critic’s Pick” while Variety proclaimed, “She’s not only a virtuoso singer but a skilled vocal arranger and producer whose multitracked backing voices are like songs on their own.” Rolling Stone named eternal sunshine one of the best albums of 2024 with “5 Stars” and Associated Press declared the album a “Triumph”.
As Chase Rice kicks off a run of shows in Australia this month, the Diamond-certified songwriter announces 24 new dates expanding the Go Down Singin’ International Tour 2025 through the fall.
Bringing Rice’s critically acclaimed album Go Down Singin’ to audiences across the globe, the tour also sees him joined by fellow singer-songwriters Cory Asbury, Wade Bowen, Pony Bradshaw, Tyler Halverson, Bella Mackenzie, Lori McKenna, Drake White, Scott Wolverton and Charlie Worsham across various dates.
The international run highlights Rice’s widely celebrated artistic evolution in a live setting. As Billboard declares, “his new music leans toward rootsier, raw-rock driven sounds, trading party anthems for introspective lyrical themes,” while “his voice conveys a crackling warmth of self-reflection and an easy-going comfortableness with his new sound.” Rolling Stone highlights the album as “an excellent collection of poignant, often anthemic country,” noting that it finds Rice “trying to do what creative people are supposed to: grow and change,” while Cowboys & Indians proclaims that “maturity and clarity are the reality on Chase Rice’s new album…what is sure to be one of 2024’s most well-received country albums of the year.”
Rice further showcased this new direction with surprise follow-up project Fireside Sessions, which features all 25 songs from both Go Down Singin’ and prior album I Hate Cowboys & All Dogs Go To Hell as live, single-take versions with cowriters including Lori McKenna, Jackson Dean, Hunter Phelps, Randy Montana and more as featured artists.
His latest offering, the brand-new Live From Chief’s EP released this past Friday, March 7 as a surprise for fans, includes Rice’s takes on two songs from his heroes – Eric Church’s “Carolina” and George Strait’s “I Can Still Make Cheyenne” – as well as the previously unreleased original, “Cowboy Goodbye.”
Go Down Singin’ International Tour 2025
* denotes newly added dates
March 11 || Marrickville, NSW || Factory Theater (with Bella Mackenzie)
March 14 || St. Kilda, VIC || Prince Ballroom (with Bella Mackenzie)
March 15 || North Bendigo, VIC || Meatstock 2025 (Festival)
April 3 || New York, NY || Irving Plaza (with Pony Bradshaw)
April 4 || Boston, MA || MGM Music Hall (with Pony Bradshaw & Lori McKenna)
April 5 || Pittsburgh, PA || Stage AE (with Pony Bradshaw)
April 11 || Gonzales, TX || Cattle Country (Festival)
April 17 || Fayetteville, AR || JJ’s Live (with Tyler Halverson)
April 18 || Fort Worth, TX || Billy Bob’s Texas
April 24 || Anderson, SC || Wendell’s Outdoors (with Pony Bradshaw)
April 25 || Cocoa, FL || Cocoa Beach Amp (with Pony Bradshaw)
April 26 || Pompano Beach, FL || Pompano Beach Amp (with Pony Bradshaw)
May 9 || LaGrange, GA || Sweatband Amphitheater (with Charlie Worsham)*
May 10 || Pelham, TN || The Caverns (with Charlie Worsham)
May 17 || Gulf Shores, AL || Sand In My Boots 2025 (Festival)
May 30 || Chelsea, MI || Chelsea Community Fair*
June 5 || Elizabeth, CO || Elizabeth Stampede Rodeo (Festival)*
June 7 || Myrtle Beach, SC || Carolina Country Music Festival (Festival)
June 12 || North Lawrence, OH || The Country Fest 2025 (Festival)
June 13 || Huber Heights, OH || Rose Music Center at The Heights (with Drake White)*
June 14 || Fishers, IN || Nickel Plate District Amphitheater (with Drake White)*
June 20 || Grand Rapids, MI || The Intersection (with Tyler Halverson)*
June 21 || Chicago, IL || The Salt Shed (with Tyler Halverson)*
June 28 || Charleston, SC || The Refinery (with Cory Asbury)*
July 9 || Calgary, AB || Calgary Stampede (Festival)*
July 11 || Great Falls, MT || The Newberry*
July 12 || Thermopolis, WY || Wyoming Discovery Days*
July 17 || Eau Claire, WI || Country Jam USA 2025 (Festival)
July 18 || Hastings, NE || Cedar County Fair (with Scott Wolverton)*
July 19 || Hartington, NE || Cedar County Fair (Festival)
July 25 || Redmond, OR || General Duffy’s Waterhole*
August 2 || Cowichan, BC || Sunfest Country (Festival)
August 5 || Post Falls, ID || Stateline Speedway*
August 8 || Sunbury, PA || Spyglass Ridge Winery (with Wade Bowen)*
August 9 || Oro-Medonte, ON || Boots & Hearts (Festival)
August 14 || Deerfield, MA || Summer Stage at Treehouse Brewing Company (with Wade Bowen)*
August 15 || Hyannis, MA || Cape Cod Melody Tent (with Wade Bowen)*
August 16 || Wantagh, NY || Mulcahy’s (with Wade Bowen)*
August 21 || Saint-Agapit, QC || Festival Country Lotbiniere (Festival)
August 22 || Dieppe, NB || YQM Country Fest (Festival)
August 30 || Doswell, VA || Atlantic Union Bank After Hours at SERVPRO Pavilion (with Drake White)*
August 31 || Roanoke, VA || Dr Pepper Park (with Drake White)*
October 12 || Birmingham, AL || Iron Hills Country (Festival)*
October 16 || Oklahoma City, OK || The Jones Assembly*
November 15 || Chesterfield, MO || The Factory*
November 21 || United Central, FL || St. Pete Country Fest (Festival)*
Multi-Platinum Country music icon, Wynonna Judd, is hitting the road once again, this time to celebrate four decades of chart-topping hits with Wynonna Judd: The Greatest Hits Tour.
Kicking off June 13 in LaGrange, GA, her first-ever greatest hits tour will honor Wynonna’s remarkable career, spotlighting unforgettable songs from her time as one-half of the legendary duo The Judds, along with her powerhouse solo accomplishments.
From Judds chart-toppers like “Mama He’s Crazy,” and “Grandpa (Tell Me ‘Bout The Good Old Days),” to solo anthems “No One Else On Earth” and “Tell Me Why,” Wynonna’s commanding voice and fearless artistry have solidified her as a trailblazer in American music. Wynonna Judd: The Greatest Hits Tour promises fans a night of nostalgia, soul, and the raw energy that only Wynonna can deliver.
“I continue to marvel at the fact that I still get to do what I love, after all these years. I feel incredibly blessed to have experienced so many chapters of my career, which is constantly evolving,” Wynonna shares. “I’ve been pouring my heart into new music, and I cannot wait to share it with you! And right now, it’s time to celebrate my musical journey, and honor the songs that shaped who I am.”
Wynonna Judd: The Greatest Hits Tour Dates:
6.13.25 – LaGrange, GA – Sweetland Amphitheatre *
6.14.25 – Cherokee, NC – Harrah’s Cherokee
6.15.25 – Wilmington, NC – Wilson Center at Cape Fear Community College
6.18.25 – Greenville, SC – Peace Center
6.20.25 – Virginia Beach, VA – The Dome
6.23.25 – Lancaster, PA – American Music Theatre
6.25.25 – Grand Rapids, MI – Venue TBA ^
6.26.25 – Interlochen, MI – Interlochen Center for the Arts – Kresge Auditorium
7.11.25 – Council Bluffs, IA – Harrah’s Stir Cove
7.12.25 – Mankato, MN – Vetter Stone Amphitheatre
7.15.25 – Saskatoon, SK – TCU Place
7.16.25 – Calgary, AB – Grey Eagle Resort & Casino
7.18.25 – Fort St John, BC – Energetic County Fair *
7.23.25 – Rapid City, SD – The Monument
7.24.25 – Waukee, IA – Vibrant Music Hall
7.25.25 – Rockford, IL – Hard Rock Live at Hard Rock Casino Rockford
7.26.25 – Gary, IN – Hard Rock Casino Northern Indiana
8.07.25 – Sedalia, MO – Missouri State Fair ^
8.21.25 – Kennewick, WA – Benton Franklin County Fair
8.22.25 – Boise, ID – Western Idaho State Fair ^
8.23.25 – Jacksonville, OR – Britt Pavilion ^
8.25.25 – Monroe, WA – Evergreen State Fair ^
9.05.25 – Albuquerque, NM – New Mexico State Fair *
* On sale now
^ On sale date varies per market
Jake Wesley Rogers is set to bring his captivating live show to stages across North America, supporting Cyndi Lauper on her Girls Just Wanna Have Fun Farewell Tour this summer.
Kicking off on July 15 at Darien Lake Amphitheater in New York, the run includes stops in Philadelphia, Toronto, Denver and more before a two-night grand finale at The Hollywood Bowl in Los Angeles on August 29 and 30. Tickets are on sale this Friday, March 14 at 10am local time.
Last month, Jake made a grand return with the soaring, celebratory, and subversive “God Bless.” The gospel-infused pop ballad hails from his debut full-length album, In the Key Of Love, arriving May 9.
The new song and album announcement follow Jake’s sparkling glam-rock single “Loser,” which is also set to appear on In the Key Of Love.
Discovered by songwriter Justin Tranter in 2020, Rogers began his path to stardom the following year when Apple Music’s Zane Lowe premiered “Middle of Love” and called him “wildly talented.” That opinion was soon shared by countless tastemakers including People, Billboard, Rolling Stone, American Songwriter, PAPER, and Vogue. He then made a whole new army of fans with the release of 2021’s Pluto EP, a run of North American tour dates supporting Panic! at the Disco, and unforgettable performances on Good Morning America, The Late Late Show with James Corden, The Ellen DeGeneres Show, and Late Night with Seth Meyers.
2025 Tour Dates: All dates supporting Cyndi Lauper
July 15 – Darien Center, NY @ Darien Lake Amphitheater
July 16 – Mansfield, MA @ Xfinity Center
July 19 – Wantagh, NY @ Northwell at Jones Beach Theater
July 20 – Philadelphia, PA @ The Mann Center
July 22 – Raleigh, NC @ Coastal Credit Union Music Park at Walnut Creek
July 24 – Bristow, VA @ Jiffy Lube Live
July 25 – Bethel, NY @ Bethel Woods Center for the Arts
July 27 – Toronto, ON @ Budweiser Stage
July 29 – Cincinnati, OH @ Riverbend Music Center
July 30 – Cuyahoga Falls, OH @ Blossom Music Center
Aug 1 – Clarkston, MI @ Pine Knob Music Theatre
Aug 3 – Milwaukee, WI @ American Family Insurance Amphitheater
Aug 5 – Tinley Park, IL @ Credit Union 1 Amphitheatre
Aug 7 – Noblesville, IN @ Ruoff Music Center
Aug 9 – Kansas City, MO @ Azure Amphitheater
Aug 12 – Denver, CO @ Fiddler’s Green
Aug 14 – Salt Lake City, UT @ Utah First Credit Union Amphitheatre
Aug 17 – Ridgefield, WA @ Cascades Amphitheater
Aug 19 – Auburn, WA @ White River Amphitheatre
Aug 21 – Vancouver, BC @ Rogers Arena
Aug 23 – Wheatland, CA @ Toyota Amphitheater
Aug 24 – Mountain View, CA @ Shoreline Amphitheatre
Aug 26 – Concord, CA @ Toyota Pavilion at Concord
Aug 29 – Los Angeles, CA @ Hollywood Bowl
Aug 30 – Los Angeles, CA @ Hollywood Bowl
Soundwalk Collective with Patti Smith today announce the release of Correspondences Vol II, a new 2-track EP, out March 21 via Bella Union and available to preorder here. To accompany the announcement Soundwalk Collective with Patti Smith have shared the first track from the EP titled “Children Of Chernobyl”. Click HERE to listen.
On the edge of the forest surrounding Chernobyl, a stone’s throw from the Pripyat River, stands the church of St. Elijah, the only house of worship still operational within the 1000 square-mile radioactive exclusion zone. There, in the courtyard, stands the Bell of Sorrow, which rings just once a year, at exactly 1:23am on April 26, the moment when human history was forever altered, 39 years ago, as Reactor Four of the Chernobyl nuclear power plant exploded, scattering its deadly, invisible poison throughout the land.
Ten miles northwest, at the centre of the zone, stands a much larger bell-shaped structure, a 31,000-tonne sarcophagus of concrete and steel, tall enough to entomb the Notre-Dame de Paris or the Duomo of Milan. Deep inside it, the nuclear fuel of Reactor Four still burns unstoppably, and will continue to burn for two millennia more, while outside nature thrives in the near total absence of human intervention.
It’s here, where the natural meets the unthinkable, that the story of Soundwalk Collective and Patti Smith’s CORRESPONDENCES continues. More than 10 years in the making, the audiovisual project centres on eight pieces initially composed as slow, meditative tracking shots for unmade movies using field recordings painstakingly gathered by Collective founder Stephan Crasneanscki on journeys of discovery, inspired as much by the interface of humanity with the natural world as by the lives of the canonical writers, filmmakers and revolutionaries both artists admire.
Presented with these invisible landscapes, Smith improvised and wrote her own spoken-word poetry over the top, often at a distance, allowing the sonic impressions to draw out thoughts and phrases that crystallise into moments of clarity and revelation. “It’s a process of discovery through improvisation and channelling,” she explains. “We are sort of two halves, and we merge together the mental and physical traveller to get the atmosphere and the visual content – the music, even – and the words that will articulate what we want to do.”
“There is a long literary tradition of correspondence,” says Crasneanscki. “Writing was the only way to create proximity across distance. Nowadays, the immediacy of social media abolishes that sort of experience. The longing. That inner ability to channel and reflect, to comment on and share the poetic and sometimes mystical dimensions of travel. Distance allows you to reschedule yourself to what seems new, what is inspiring; it creates conditions for new callings.”
“It sounds abstract, but it creates an atmosphere and almost an earth that I can walk around in my mind,” adds Smith. “I can walk to these places or feel the spirits of these places, because at this point in my life I can’t make difficult journeys. I become the mental traveller. I don’t have to buy a ticket, I don’t have to go to the airport; I just listen and let myself be carried away.”
Released in May 2024, the first two pieces comprising Vol. I explored intimate, multilayered connections between the Greek mythological figure Medea, vengeful daughter of the sun who murdered her own children, and Italian film director Pier Paolo Pasolini, who directed the 1969 movie “Medea” starring opera singer Maria Callas in the title role. Responding to sounds and other material gathered from, among other places, the Caucasus mountains in Georgia, where Medea was supposedly born, and the beach on the outskirts of Rome where Pasolini met his hyper-violent end, Smith articulated beauty and terror alike, both chilling and warm, like fresh blood pooling on sand.
Vol. II is similarly conceived, not only as a dialogue between the artists but also between the two sides of the record – “Children of Chernobyl” and “The Acolyte, The Artist and Nature” – a correspondence spanning more than 500 years, from the turbulence of medieval Russia, through the terrible events of 1986, to the ecological crisis of the here and now. But where Vol. I was marked by death, Vol. II is, as Crasneanscki puts it, “more about the sacred, and how we as humans are damaging it.”
“Having worked with Patti for over 10 years now, I often use the metaphor of Rembrandt’s late paintings when we talk about her poetry,” says Crasneanscki. “There’s a deep blackness to it; a lot of gravitas, a lot of darkness. But it also has these beautiful gold highlights and clair-obscur. It reflects the transition of the world we are living in, and the feeling that there’s a new reality that’s setting in, and the realisation of what we’re leaving behind. There’s a lot of grieving in it, and a lot of longing too.”
Grief and darkness are palpable too in “Children of Chernobyl”, slowly clouding over like a gathering storm as the lush textures of a languid morning – birdsong, gentle rain, a distant bell – transform into a vision of the glowing, walking dead. Smith sings here too, in a fractured, wavering voice against a backdrop of Geiger counter noises and eerie, mutated notes played on the decaying pianos of abandoned Pripyat, once home to the most prestigious music schools in the former Soviet Union. More ghostly still are the same words sung in Ukrainian at the song’s end by the Chernobyl Children’s Choir: “There are roses underfoot that one cannot smell / There is fruit on the vine that one cannot eat / And they went to bed hungry / And hungry they’ll sleep / For a thousand years.”
For Crasneanscki, who has Ukrainian roots on his father’s side, the two pieces are intertwined not only with their Slavic past but also with issues that resonate today, not least with the ongoing Russian aggression. Only last month, a military rocket struck the bell-shaped dome at Chernobyl, penetrating almost to the substructure. Is containment then just an illusion? At a time when both nothing and everything is sacred, where do we turn? The struggle of humanity to sit with its powerful urge to create, while also being reckless and destructive, is something Crasneanscki sees playing out again with AI. “As humans, we put in place these systems, these structures, that we don’t know how to control when suddenly something goes wrong,” he cautions. “Which it always does, at some point.”
With CORRESPONDENCES Vol. II, Soundwalk Collective and Patti Smith continue to meditate on great darkness and great hope, calling and responding to each other across distance, textures and time. “What I like about field recording is that often it’s creating a bridge with the distant past, with people many generations before me who might have experienced almost the exact same moment of sound,” says Crasneanscki. Like Rublev at the monastery, crossing the snowbound courtyard, or walking through the forest at Chernobyl, with the wind in the trees, raindrops falling on leaves, and the distant flowing river. A bell ringing down through the years. “It’s changed my life,” says Smith. “So, I’m grateful.”
Soundwalk Collective with Patti Smith live performances + exhibitions:
April 18 – Correspondences Exhibition opens at Piknik, Seoul
April 26 – Correspondences Exhibition opens at Museum of Contemporary Arts, Tokyo
April 29 – ROHM Theatre Kyoto (performance)
May 3 – New National Theatre Opera Palace Tokyo (performance)
Correspondences Vol II tracklist and artwork below:
Legendary guitarist Steve Hackett is thrilled to announce his highly anticipated North America Tour 2025, celebrating the monumental 50th anniversary of the iconic Genesis album, The Lamb Lies Down On Broadway. This extraordinary live show will include a selection of beloved songs from The Lamb, along with Hackett’s finest solo works and a selection of essential Genesis favorites.
Hackett’s revolutionary guitar performances helped define the signature Genesis sound during the band’s most iconic era in the 1970s. In recent years, he and his world-class band have revisited several cherished Genesis albums on tour to widespread critical acclaim. With fans clamoring for more songs from The Lamb Lies Down On Broadway, there is no better way to honor its half-century legacy than by performing a selection of its highlights, alongside timeless Hackett solo classics and Genesis greats.
Joining Steve on stage will be long-standing band members Roger King (keyboards), Nad Sylvan (vocals), Jonas Reingold (bass, backing vocals), Rob Townsend (saxophone, flutes, additional keyboards), and—for this North American tour—Nick D’Virgilio on drums. Together, they promise an immersive, electrifying musical experience for fans new and old.
Steve Hackett 2025 Tour Dates:
10/04 Ithaca, NY – State Theatre of Ithaca
10/05 Buffalo, NY – Kleinhans Music Hall
10/07 Toronto, ON – Massey Hall
10/09 Montreal, QC – Place des Arts
10/11 Beverly, MA – The Cabot
10/14 Ridgefield, CT – Ridgefield Playhouse
10/15 Ridgefield, CT – Ridgefield Playhouse
10/17 Collingswood, NJ – Scottish Rite Auditorium
10/18 Collingswood, NJ – Scottish Rite Auditorium
10/21 Red Bank, NJ – Count Basie Center for the Arts
10/22 New York, NY – The Town Hall
10/26 Washington, D.C. – Warner Theatre
10/28 Durham, NC – Carolina Theatre
10/30 Atlanta, GA – Center Stage Theater
10/31 Nashville, TN – Ryman Auditorium
11/01 Cincinnati, OH – Taft Theatre
11/03 Columbus, OH – The Southern Theatre
11/04 Akron, OH – Goodyear Theater
11/06 Joliet, IL – Rialto Square Theatre
11/08 Boulder, CO – Boulder Theater
11/11 Phoenix, AZ – Celebrity Theatre
11/13 Los Angeles, CA – Orpheum Theatre
11/15 San Diego, CA – Balboa Theatre
11/18 Oakland, CA – Fox Theater
11/21 Seattle, WA – Moore Theatre
11/22 Portland, OR – Revolution Hall
