Home Blog Page 869

Elbow Returns to North America for First Tour Since 2020, Bringing ‘Audio Vertigo’ and More Across the U.S. and Canada

Eric Alper
-
0
Elbow Returns to North America for First Tour Since 2020, Bringing ‘Audio Vertigo’ and More Across the U.S. and Canada

elbow have announced that they are returning to the US for the first time since 2020, and their first East Coast and Canada shows since 2017, bringing their critically acclaimed catalog across North America for a headlining tour announced today.

Starting in Washington, D.C. on September 26, the band will be making 14 stops across the country, winding their way to the west coast and finishing at The Wiltern in Los Angeles on October 16.

Today’s tour announcement follows their latest single release ‘Adriana Again,’ continuing the band’s desire to keep their output upbeat and experimental and follows their most recent album ‘AUDIO VERTIGO’ which earned the band their fourth number 1 in the UK.

elbow are currently working on new music and plan to release a new EP later this year.

NORTH AMERICAN TOUR DATES
09/26 – 9:30 Club – Washington, DC
09/27 – Brooklyn Bowl Philadelphia, Philadelphia, PA
09/29 – Brooklyn Steel – Brooklyn, NY
10/02 – Roadrunner – Boston, MA
10/03 – MTELUS – Montreal, QC
10/04 – HISTORY – Toronto, ON
10/06 – The Riviera Theatre – Chicago, IL
10/07 – First Avenue – Main Room – Minneapolis, MN
10/09 – Summit – Denver, CO
10/10 – The Union Event Center – Salt Lake City, UT
10/12 – The Showbox – Seattle, WA
10/13 – Revolution Hall – Portland, OR
10/15 – Fox Theater – Oakland, CA
10/16 – The Wiltern – Los Angeles, CA

Beck Returns with Orchestral Tour in 2025, Reimagining His Iconic Catalog with Live Symphonies

Eric Alper
-
0
Beck Returns with Orchestral Tour in 2025, Reimagining His Iconic Catalog with Live Symphonies

Having dazzled crowds last summer at landmark venues from New York’s Carnegie Hall to the Hollywood Bowl, Beck has confirmed that North American fans will once again have the chance to experience the magic of his live orchestral performances. This summer, Beck will be accompanied by native orchestras for nine shows in eight cities in the U.S. and Canada—as they unite to reimagine a body of work that includes hits and deep cuts from classic Beck works including the multi-platinum Odelay, world-tripping Mutations, somber and reflective Sea Change, and GRAMMY Album of the Year winner Morning Phase, plus a share of surprises.

For tickets, pre-sales and further information, see the full list of dates below or go to Beck.com

July 15, 2025 – Westville Music Bowl – New Haven, CT
With The Westville Philharmonic*
July 16, 2025 – Salle Wilfrid-Pelletier – Montreal, QC
With L’Orchestre Métropolitain*
July 18 + 19, 2025 – Roy Thomson Hall – Toronto, ON
With Toronto Symphony Orchestra *
July 21, 2025 – PNC Pavilion at Riverbend Music Center – Cincinnati, OH
With Cincinnati Symphony Orchestra *
July 23, 2025 – Ravinia Festival – Highland Park, IL
With Chicago Symphony Orchestra *
July 26, 2025 – Ford Amphitheater – Colorado Springs, CO
With Colorado Symphony ^
July 27, 2025 – Red Rocks – Morrison, CO
With Colorado Symphony ^
July 29, 2025 – The Rady Shell at Jacobs Park – San Diego, CA
With San Diego Symphony *
*Conducted by Edwin Outwater
^Conducted by Christopher Dragon

SPACEHOG and EMF join forces for U.S. Tour

Eric Alper
-
0
SPACEHOG and EMF join forces for U.S. Tour

Coming June 2025, two platinum-selling artists will join forces for a co-headline tour – Forest of Dean’s favorite sons EMF and Leeds-by-way-of-NYC’s Spacehog. The tour kicks off on June 14th in San Jose, CA and focuses their routing around the West Coast, including dates in San Francisco, Seattle, Denver, and Los Angeles before wrapping up in Las Vegas, both bands are excited to be combining forces for a perfectly inspired lineup.

“We’re so looking forward to getting back on the road, reconnecting with everyone, and sharing these moments together again,” says Spacehog vocalist/bassist Royston Langdon. “To be out there with EMF makes it all the more special — we can’t wait to see all your faces and feel that energy once more.” Adds drummer Jonny Cragg, “I am personally very excited at the prospect of playing with EMF who were such a big part of my youth in Leeds – both playing in bands and going to the clubs. Sometimes it’s just about waiting for the perfect wave and riding it to the shore.”

Echoes EMF’s vocalist James Atkin, “The fact Spacehog is joining us on this double headline jaunt is just the icing on the cake for EMF.”

A decade since their last show in San Francisco and 30 years since the release of their breakthrough debut Resident Alien, Spacehog took a break from the music realm to focus on life for a spell. A pivotal placement of their massive single “In the Meantime,” however, awoke the itch to get back on the road. “We were all busy doing our big boy jobs in 2023 when ‘In The Meantime’ found a whole new audience in the soundtrack of Marvel’s Guardians of the Galaxy 3,” says Cragg. “The attention got us talking to one another again and resulted in a very kind invitation to rehearse at the legendary Record Plant in Sausalito, CA. Being in a place where so many amazing records were made was magical, and playing together helped us recapture the alchemy that happens when we make music.”

Having had a triumphant return to the U.S. in 2024 for three shows – Milwaukee’s Summerfest, Detroit, and Brooklyn, their first Stateside performances since 1992, EMF was riding on a crest of newfound and rejuvenated popularity. Their fifth album The Beauty and the Chaos (released in January 2024) garnered pages of glowing press including British tome Retropop who hailed that the album “reaffirms EMF’s place in the pop landscape and proves, even three decades later, they’re still capable of delivering material to the standard of their classic recordings.” With dozens of glowing press coverage that extended to the U.S. with features in SPIN, Consequence, Stereogum, Brooklyn Vegan, Rock And Roll Globe, among dozens of others., EMF’s return was heralded with welcoming open arms. “Having had a small taste of being back in the USA last year in Milwaukee, Detroit and NYC, we are thrilled to get a West Coast tour in the diary for June 2025. We can’t wait to see you all again,” replied Atkin excitedly.

Spacehog were formed by natives of Leeds, England in the spring of 1994 in New York City. Guitarist Antony Langdon met drummer Jonny Cragg at a café in the East Village, where Cragg worked killing rats in the basement. The pair agreed to make music and Langdon persuaded his younger brother Royston to move to the States to sing and play bass. The current lineup was finally completed by Craggs’ friend Richard Steel who moved to New York to fill out an all Yorkshire lineup.

The band quickly generated a following and record company interest with their epic live shows and sharp, irreverent and mesmerizing song craft. They signed with Sire Records in the Spring of 1995. Spacehog, with producer Bryce Goggin recorded their platinum debut at Bearsville Studios later that year, scoring a mega-hit single with “In The Meantime” in early 1996. The band’s follow up, The Chinese Album, was released in 1998, taking a more thoughtful and conceptual approach, it consolidated their appeal In Europe and South America, and tours with Red Hot Chili Peppers, Aerosmith and Sex Pistols.

The advent of the new millennium saw more touring with REM and Oasis and a third album The Hogyssey, recorded at Ardent Studios in Memphis with producer Paul Ebersold Spacehog were largely inactive from 2001 until July 2006 when they reformed to play Craggs’ birthday party. The party served as a catalyst for recording their fourth studio LP As It Is on Earth ,again with Goggin and released in 2013.

In 2024 the band contributed to the GRAMMY-nominated soundtrack to Guardians Of The Galaxy 3. And now after this long ride the band has decided to saddle up once again.

Exploding on the U.K. scene in November 1990 with their debut album Schubert Dip, EMF made quite an entrance with their inescapable and irresistibly catchy single “Unbelievable,” which conquered the charts on both sides of the Atlantic, hitting #1 on the Billboard Hot 100 and #3 in the UK. The single was certified gold in May 1991 in the U.S., and it sold over 500k. The song was in such heavy rotation for most of the year in America that it finished as the #6 single overall. Schubert Dip was certified platinum in the U.S. by September of that year, selling over one million.

Their latest album, The Beauty And The Chaos, saw the return of the late Ralph Jezzard (Chapterhouse, Fatima Mansions, Senseless Things) in the producer’s chair (he produced their first two full-length albums, Schubert Dip and Stigma). Said the band of working with Jezzard again, “We produced another set of classic songs about our lives and the world in 2023 inspired by our favorite past, present, and future sounds. We mixed James Atkin’s techno synths and Ian Dench’s punk guitar, heated it to 200 degrees with Stevey Marsh and Aid Todd’s groovy rock rhythms, iced it with Derry Brownson’s maniacal sampling and popped it in a box of Ralph Jezzard’s sonic excellence. Unwrap and enjoy!” The album’s first single, “Hello People,” reestablished the band’s stronghold on the mainstream, with My Global Mind commenting, “I, for one, am overjoyed. Bouncing around the room like it’s 1991-92 all over again and feeling great for it.”

Jun 14 San Jose CA The Ritz (tickets)
Jun 15 San Francisco CA Great American Music Hall (tickets)
Jun 17 Portland OR Star Theater (tickets)
Jun 18 Seattle WA The Neptune (tickets)
Jun 20 Salt Lake City UT Metro Music Hall (tickets)
Jun 21 Denver CO Oriental Theater (tickets)
Jun 23 Phoenix AZ Crescent Ballroom (tickets)
Jun 24 San Diego CA Music Box (tickets)
Jun 26 Santa Ana CA The Observatory (tickets)
Jun 27 Los Angeles CA  The Regent (tickets)
Jun 28 Las Vegas NV House of Blues (tickets)

How do Swiss Taxes and Swiss Foundations Work Together to Optimize Wealth?

Eric Alper
-
0

By Mitch Rice

Switzerland is famend for its sturdy economic device and appealing tax advantages. Many people and businesses are on the lookout for methods to decorate their wealth thru Swiss taxes and foundations. In this newsletter, we’ll explore how those  factors come collectively to assist people efficiently manipulate their price range.

Getting to Know Swiss Taxes

Swiss taxes play a crucial position in the united states’s monetary making plans. Switzerland has a completely unique tax machine that offers a ramification of benefits for each residents and worldwide buyers.

How Swiss Taxes Operate

The Swiss tax device is decentralized, which means taxes are levied at three extraordinary tiers

Tax Level Description
Federal Taxes Imposed by the Swiss federal government
Cantonal Taxes Vary according to each canton (state)
Municipal Taxes City-specific taxes that differ by location

 

Benefits of Swiss Taxes

Switzerland is well-known for its low tax prices and allowances that help both individuals and groups save money. Some key advantages include:

  • No tax on capital profits in maximum instances
  • Certain varieties of wealth are tax-free
  • Double taxation agreements with many countries

Who Pays Swiss Taxes?

Residents: People residing in Switzerland are taxed on their worldwide earnings.

Non-citizens: Only pay taxes on income sourced in Switzerland.

Companies: Businesses running in Switzerland are problem to company tax primarily based on their place and revenue.

What Exactly is a Swiss Foundation?

 

A Swiss foundation is a legal entity created to manipulate wealth and assets for a specific cause. Many people and agencies use Swiss foundations to protect their property, plan for inheritance, or aid charitable reasons.

Types of Swiss Foundations

Types of Swiss Foundations

Foundation Type Purpose
Charitable Foundation Supports social, educational, or environmental causes
Family Foundation Preserves family wealth and ensures succession
Corporate Foundation Facilitates corporate social responsibility

 

Why Form a Swiss Foundation?

Swiss foundations offer numerous benefits, along with

Asset protection: Safeguard your wealth against complaints and creditors.

Tax blessings: Minimize tax liabilities thru legal preparations.

Wealth control: Divide assets correctly among heirs or beneficiaries.

Confidentiality: Switzerland has strict privateness legal guidelines, which make it a popular vacation spot for foundations.

How Swiss Foundations and Swiss Taxes Complement Each Other?

Most people make use of Swiss foundations to maximize their wealth whilst playing Swiss tax blessings. Here’s how they complement each other

1. Tax Efficiency

Swiss foundations can help individuals and organizations in lowering their tax liabilities. Certain foundations are eligible for tax exemptions, which lower the whole tax burden.

2. Inheritance Planning

Swiss inheritance taxes may be heavy, but a Swiss foundation allows households to manipulate their fortunes without being difficulty to excessive taxation.

3. Growth of Business

Businesses hire Swiss foundations to design income that lessen taxation while enabling lengthy-term business increase.

4. Charitable Advantages

Soliciting donations in the form of money through a Swiss basis can also bring about tax deductions, and charitable giving is consequently high quality for each the donor and society.

FAQs About Swiss Taxes and Swiss Foundations

1. Are non-residents eligible to advantage from Swiss taxes?

Yes, non-residents are eligible to benefit from Swiss tax agreements and offshore tax planning in the event that they hold financial interests in Switzerland.

2. Are Swiss foundations taxable for tax planning?

Yes, Swiss foundations are identified by means of regulation and extensively hired for tax-advantaged wealth management.

3. Do Swiss foundations pay tax?

Some Swiss foundations are entitled to tax exemption, even as others pay negligible taxes based totally on cause and shape.

4. How do I begin a Swiss foundation?

To begin a Swiss basis, you want to draft a criminal file, define the cause, and sign in it with Swiss authorities.

5. Can a Swiss foundation own a business?

Yes, a Swiss foundation can own a commercial enterprise and manipulate its operations whilst making the most of tax making plans techniques.

Conclusion

Swiss foundations and Swiss taxes supplement every different to provide powerful wealth control tools. As an person who desires to comfortable your property or a organization that desires to maximize taxes, knowing how these  factors complement every other can help you in making higher economic selections.

5 Surprising Facts You Didn’t Know About Love’s ‘Forever Changes’

Eric Alper
-
0
5 Surprising Facts You Didn’t Know About Love’s ‘Forever Changes’

Forever Changes, the 1967 masterpiece from Los Angeles band Love, barely made a dent on the charts when it was first released, but decades later, it’s widely considered one of the greatest albums ever recorded. A swirling mix of folk, baroque pop, and psychedelia, Forever Changes is both hauntingly beautiful and deeply unsettling, capturing the disillusionment of the late ‘60s in ways few other records could. But for all its legendary status, there are still stories hidden within its grooves.

1. The Wrecking Crew Nearly Replaced the Whole Band

Arthur Lee had a vision for Forever Changes, but his band wasn’t delivering. Frustrated with their lack of preparation, producer Bruce Botnick pulled in members of The Wrecking Crew—legendary session musicians who played on everything from The Beach Boys to Frank Sinatra—to record “Andmoreagain” and “The Daily Planet.” When the actual members of Love heard the finished tracks, they snapped into shape, realizing they might be left out of their own album. From that point on, the band tightened up and recorded the rest of the album themselves, but those two songs remain a testament to The Wrecking Crew’s quiet influence.

2. Neil Young Was Supposed to Co-Produce the Album

Arthur Lee wanted Forever Changes to be something completely unique, and he originally enlisted Neil Young to help make that happen. Fresh off Buffalo Springfield Again, Young was tapped to co-produce the album, but before sessions even began, he backed out to focus on his solo career. While Young later denied having any real involvement, some reports claim he arranged the track “The Daily Planet.” Either way, one can only imagine how Forever Changes might have sounded with Young behind the boards.

3. The Album Title Came from a Breakup

The phrase Forever Changes sounds poetic, philosophical, and grand—but its origin is surprisingly mundane. Arthur Lee had a friend who had just broken up with his girlfriend. When she protested, saying, “You said you’d love me forever!” the friend simply shrugged and replied, “Well, forever changes.” Lee was struck by the offhand profundity of that line and decided it would be the perfect title for his band’s magnum opus. It’s a reminder that even the most poetic truths sometimes come from everyday moments.

4. “Alone Again Or” Almost Didn’t Feature Bryan MacLean’s Vocals

Bryan MacLean, Love’s second songwriter, wrote Forever Changes’ opening track, “Alone Again Or,” and originally sang lead. But Arthur Lee, always the dominant force in the band, thought MacLean’s vocals were too weak. Lee remixed the track to bring his own unison vocals to the forefront, burying MacLean’s performance in the background. It was a move that fueled tensions between the two songwriters, and within a year, MacLean was out of the band. Despite the behind-the-scenes friction, the song became Love’s most enduring hit, covered by everyone from The Damned to Calexico.

5. The “Red Telephone” Wasn’t Really Red—Or a Telephone

“The Red Telephone” is one of the most haunting tracks on Forever Changes, full of eerie lyrics and ominous instrumentation. According to legend, Love’s communal house in Los Angeles had a mysterious red telephone that inspired the song. In reality, there was no red phone, and the lyrics had little to do with the supposed object. Instead, the song is a dark meditation on paranoia, mortality, and social unrest, ending with Lee’s chilling spoken outro: “All of God’s children gotta have their freedom.” It was Forever Changes in a nutshell—beautiful, mysterious, and a little bit terrifying.

For an album that was largely ignored upon release, Forever Changes has had an incredible afterlife. It has influenced everyone from The Stone Roses to Radiohead, and it continues to mystify and captivate listeners more than 50 years later. Whether it was the orchestral arrangements, the surreal lyrics, or the studio drama behind the scenes, Forever Changes remains one of rock’s greatest puzzles—one that, no matter how many times you listen, forever changes with each spin.

5 Surprising Facts About Rod Stewart’s ‘Every Picture Tells a Story’

Eric Alper
-
0
5 Surprising Facts About Rod Stewart’s ‘Every Picture Tells a Story’

Released in 1971, Rod Stewart’s Every Picture Tells a Story was a melting pot of folk, rock, blues, and even a little country swagger, and shot straight to number one in both the U.S. and the U.K., riding the wave of the now-iconic “Maggie May.” But beneath the radio hits and raspy vocals, there are secrets woven into its grooves. Here are five facts you probably didn’t know about Every Picture Tells a Story—until now.

1. The Drums Were Recorded With… No Cymbals?!

Drummer Micky Waller had a reputation for being a free spirit in the studio, and that led to one of the album’s quirkiest behind-the-scenes moments. When recording “Maggie May,” Waller showed up expecting a drum kit to be provided, as was often the case. However, the kit was missing one key ingredient—cymbals! Rather than delay the session, the band forged ahead, and the cymbals were overdubbed days later. The result? A surprisingly raw, stripped-down drum sound that gave the song its signature feel.

2. Rod Stewart Almost Didn’t Sing “Maggie May”

It’s hard to imagine Every Picture Tells a Story without “Maggie May”—but believe it or not, Stewart wasn’t convinced it should even be on the album. He considered it an odd little song, more of a throwaway B-side than a chart-topping single. In fact, it was originally released as the flip side to “Reason to Believe,” and radio DJs had to push for it to get airplay. Once they did, it took off like wildfire, becoming Stewart’s defining anthem and one of the greatest songs of the 1970s. And there’s no chorus.

3. Who Was That Mandolin Guy?

One of the most unforgettable parts of “Maggie May” and “Mandolin Wind” is the bright, lyrical mandolin playing that gives the songs their folk-infused charm. So, who was that guy? It was Ray Jackson of the British folk-rock band Lindisfarne. His delicate yet expressive playing perfectly complemented Stewart’s raspy vocals, adding a distinctive texture to the album. Though not a household name, Jackson’s contribution to Every Picture Tells a Story remains one of its most defining musical moments.

4. The Faces Are All Over the Album, But Their Names Are Not

Rod Stewart was still the lead singer of The Faces when he recorded Every Picture Tells a Story, and every member of the band contributed to the album. However, due to contractual issues, their names were conspicuously absent from the credits. Ronnie Wood played bass and guitar, Ian McLagan laid down the Hammond organ, and the entire band recorded the blistering cover of “(I Know) I’m Losing You.” But if you didn’t already know that, the album sleeve wouldn’t tell you—one of the many blurred lines between Stewart’s solo work and The Faces’ legacy.

5. The Title Track Was Almost a Disaster

The song “Every Picture Tells a Story” is a full-throttle rock-and-roll journey that barrels through verses with reckless abandon. But behind the scenes, it was chaos. The rhythm was loose—so loose, in fact, that even Stewart later admitted it was a bit of a mess. Critic Tim Ewbank described it as “shoddily thrown together,” while Rolling Stone’s John Mendelsohn praised its energy but called out its unpolished feel. Despite its rough edges, or maybe because of them, the track became a cornerstone of the album, proving that rock music doesn’t always have to be perfect—it just has to be alive.

The Story Still Resonates

More than 50 years later, Every Picture Tells a Story is still as vibrant and rebellious as it was in 1971. It’s the album that made Rod Stewart a superstar, cementing his place in rock history with a mix of barroom swagger and heartfelt storytelling. From cymbal-free drumming to forgotten session musicians, the album’s behind-the-scenes tales only add to its legend. And if you didn’t know these facts before, well—every picture tells a story, don’t it?

The Untold Story of Jimmie Strother: Music, Murder, and Memory in a New Biography by Gregg D. Kimball

Eric Alper
-
1
The Untold Story of Jimmie Strother: Music, Murder, and Memory in a New Biography by Gregg D. Kimball

Searching for Jimmie Strother, A Tale of Music, Murder, and Memory by Gregg D. Kimball is the incredible true story of a blind musician, a brutal crime, and the making of an American folk legend.

In June 1936 James Lee Strother performed thirteen songs at the Virginia State Prison Farm for famed folklorist John Lomax and the Library of Congress. Rooted in the rich soil of the Piedmont region, Strother’s repertoire epitomized the Black songsters who defy easy classification. Blinded in a steel mill explosion, which only intensified his drive to connect to the world through song, Strother drew on old spirituals and country breakdowns as readily as he explored emerging genres like blues and ragtime. Biographer Gregg Kimball revives this elusive but singular talent and the creative and historical worlds in which his dramatic life unfolded.

Myths surround Strother but, as Kimball reveals, the facts of Strother’s life are just as compelling as the fanciful embellishments proffered by early folklorists. Musician, murderer, and beloved family member—Strother somehow played each of these roles, and more. And while the songster’s comedic ditties, spirituals, and blues tunes reached a wide range of listeners (and were later covered by musicians like Pete Seeger and Jefferson Airplane), they carried a dark undercurrent that spoke directly to the experiences of Black Americans: sundown towns, Jim Crow segregation, and labor exploitation. As Kimball shows, Strother’s powerful songs and remarkable, tumultuous life continue to influence and remain deeply relevant to American culture to this day.

Charlie Peacock’s Roots and Rhythm Blends Music, Faith, and Backstage Stories in a Powerful New Memoir

Eric Alper
-
0
Charlie Peacock’s Roots and Rhythm Blends Music, Faith, and Backstage Stories in a Powerful New Memoir

In this artful memoir, Roots and Rhythm – A Life in Music, Grammy Award–winning music producer Charlie Peacock flexes his literary chops and gives readers the gritty backstage stories they crave: biographical anecdotes, geeky trivia, and how the hits were written and recorded (from jazz to rock and pop). Threaded throughout is Peacock’s unique ancestral and spiritual story—the roots. Like Coltrane, Dylan, and Bono before him, Peacock reveals a Christ-affection while refusing genres too small for his music.

Peacock, the great-grandson of a Louisiana fiddler, is an American musical polymath. He’s been the young jazz musician sitting at the feet of trumpeter Eddie Henderson and pianist Herbie Hancock; the singer-songwriter plucked from the Northern California punk/pop underground by legendary impresarios Bill Graham and Chris Blackwell; a pioneering, innovative contributor to the nascent rise of gospel rock in the 1980s; and the genre-busting producer behind such diverse artists as Al Green, Ladysmith Black Mambazo, Chris Cornell, Audio Adrenaline, The Civil Wars, Switchfoot, Turtle Island Quartet, and John Patitucci.

Roots and Rhythm includes Peacock’s seminal NorCal days, the story of indie labels Exit and re:think, his first decade as a Nashville producer (1989–1999), and his essential role in the 21st-century folk/Americana boom (The Civil Wars, Holly Williams, The Lone Bellow). While his exploits and achievements grace the book (including the story of Amy Grant’s “Every Heartbeat” and the evergreen “In the Light”), Peacock is hardly the only character. Instead, he writes as a Joan Didion-style essayist, weaving together a quintessential American story. Beat poet Gary Snyder, evangelist Billy Graham, producer T Bone Burnett, saxophonist Wayne Shorter, and writers Wendell Berry and Isabel Wilkerson all appear in this sweeping tale where ancestry, migration, teenage love, Jesus, and Miles Davis collide.

The book is an invitation to all, including aspiring musicians: embrace the roots and rhythm of our own lives, letting the music and God’s insistent love lead us to gratitude and wonder.

5 Ways to Use Metal Buildings

Eric Alper
-
0

By Mitch Rice

Metal buildings offer a versatile and durable solution for a wide range of applications. Whether used for storage, work, or leisure, these structures provide cost-effective and eco-friendly alternatives to traditional wood or brick buildings. Their adaptability makes them an excellent investment for homeowners, businesses, and agricultural operations. Here are five practical ways to use metal buildings.

1. Storage for Farm Equipment and Vehicles

For farmers and landowners, metal buildings serve as excellent storage solutions for tractors, plows, harvesters, and other farm equipment. Unlike wooden barns, metal buildings are resistant to pests, rot, and weather damage, providing a long-term, low-maintenance option. Similarly, they work well for storing boats, RVs, motorcycles, and classic cars, protecting them from the elements and extending their lifespan.

2. Garages and Workshops

Metal buildings are a great option for creating a garage or workshop space. Their open layouts and high ceilings accommodate vehicles, tools, and heavy machinery. Homeowners can use them for auto repair, woodworking, metalworking, or general DIY projects. These structures allow for easy customization, including the addition of insulation, ventilation, and storage racks to optimize workspace functionality.

3. Home Offices or Business Spaces

With the rise of remote work and small businesses, many people are turning to metal buildings as office spaces. Whether it’s a quiet home office, a retail store, or a service-based business like a small auto repair shop, metal buildings offer a cost-effective alternative to traditional commercial buildings. They provide the flexibility to design an open workspace, add partitions for separate offices, or install insulation and HVAC systems for year-round comfort.

4. Man Caves, She Sheds, and Recreational Spaces

For those looking to create a dedicated personal space, metal buildings make the perfect man cave, she shed, or recreational area. These structures can be customized with entertainment systems, seating, mini-bars, or game tables, transforming them into the ultimate getaway. They also work well as home gyms, art studios, or music practice spaces, providing a private retreat for hobbies and relaxation.

5. Guest Houses or Rental Units

With proper insulation, plumbing, and interior finishing, metal buildings can be converted into guest houses or short-term rental units. This is an ideal option for homeowners who want to provide private accommodations for family and friends or generate extra income through vacation rentals. Their durability and energy efficiency make them a smart choice for long-term use, offering a comfortable and sustainable living space.

Conclusion

Metal buildings in Auburn are more than just storage units—they offer practical and customizable solutions for a variety of needs. From agricultural storage to personal retreats and business spaces, their versatility and durability make them a valuable investment. Whether you’re looking to expand your workspace, create a private sanctuary, or generate rental income, a metal building provides a sustainable and cost-effective solution.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Margaret Cho Debut’s Official Music Video for “Lucky Gift”

Eric Alper
-
0
Margaret Cho Debut’s Official Music Video for “Lucky Gift”

Margaret Cho debuts the official music video for her “Lucky Gift” single today. The video was directed by photographer/director Nick Spanos.

“I loved making this video with director Nick Spanos! He’s the best! I think it just captures that VH-1 90s pop diva energy perfectly. Thank you Garrison Starr and my dog Lucia for being incredible co-stars! I hope you love this video as much as I do!” says Margaret.

On “Lucky Gift,” (which was written by Margaret and produced by Garrison Starr) Margaret sings in a sultry-pop tone while playing her double neck mandolin-guitar, “The Mandotar.” “This is my power pop anthem and the first song I wrote on my mandotar. It is definitely giving gay pop in the best way and it’s my favorite song I’ve ever written.” states Margaret.

It’s been 8 years since Margaret released her 2016 Grammy nominated American Myth album HERE which featured the standout track “Anna Nicole” here written about her friendship with Anna Nicole-Smith.

Margaret says of the forthcoming Lucky Gift album – “I am thrilled to share this album which has been many years in the making. There’s tributes to Robin Williams, lost love, found love and anthems to non- binary and gender non-conforming folx. I collaborated with Garrison Starr and Roger Rocha in different cities at different times but it all feels like it comes from the same place and the same heart.”

Lucky Gift Album Track Listing:
Lucky Gift
Funny Man
Wheels Of Gold
Doot Doot
Stevie
90s Sisyphus
You Can Be You
Baked Bread
Melinda
Waterside
Boyfriend From China

1...868869870...3,024Page 869 of 3,024

Follow us on Instagram @thatericalper

That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

Popular posts

Popular category

© Copyright - That Eric Alper