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The 10 Biggest-Selling Albums of All Time

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Music has the power to define generations, break records, and sell in numbers so astronomical they seem almost impossible. The biggest-selling albums of all time are cultural landmarks, touchstones of their era that continue to inspire new listeners. Whether you bought them on vinyl, cassette, CD, or stream them daily, these records have left a lasting impact. Here’s a look at the 10 biggest-selling albums ever and the songs that helped them reach legendary status.

1. Michael Jackson – Thriller (1982) – 70M+ copies sold

There’s big, and then there’s Thriller. The album that turned Michael Jackson into the King of Pop and rewrote the music industry playbook. Quincy Jones’ production was sleek, the videos were revolutionary, and every track felt like a hit. The title track alone changed the way we think about music videos, but the entire album is a masterclass in pop perfection.
Biggest Songs: Thriller, Billie Jean, Beat It, Wanna Be Startin’ Somethin’

2. AC/DC – Back in Black (1980) – 50M+ copies sold

A tribute to late frontman Bon Scott, Back in Black didn’t just revive AC/DC—it launched them into immortality. Every riff, every drum hit, every Brian Johnson scream made this a hard rock bible. Few albums define a genre like this one, and nearly every track has become a stadium anthem.
Biggest Songs: Back in Black, You Shook Me All Night Long, Hells Bells, Shoot to Thrill

3. Pink Floyd – The Dark Side of the Moon (1973) – 45M+ copies sold

An album that spent over 900 weeks on the Billboard 200, The Dark Side of the Moon is a psychedelic masterpiece that made prog rock accessible to the masses. It’s not just an album—it’s an experience, filled with existential themes, sonic experimentation, and production that still sounds futuristic today.
Biggest Songs: Time, Money, Us and Them, Brain Damage/Eclipse

4. Whitney Houston / Various Artists – The Bodyguard Soundtrack (1992) – 45M+ copies sold

The rare soundtrack that became bigger than the movie itself. Whitney Houston’s powerhouse vocals turned this into a global phenomenon, with I Will Always Love You becoming one of the best-selling singles of all time. A mix of soul, pop, and R&B, it cemented Houston’s status as one of the greatest vocalists ever.
Biggest Songs: I Will Always Love You, I Have Nothing, I’m Every Woman, Run to You

5. Eagles – Their Greatest Hits (1971–1975) (1976) – 44M+ copies sold

Before Thriller, this was the best-selling album in the U.S., proving the Eagles’ blend of rock, country, and smooth harmonies was unbeatable. A greatest-hits album selling this much tells you all you need to know—these songs were the soundtrack to an era.
Biggest Songs: Take It Easy, Lyin’ Eyes, Desperado, Tequila Sunrise

6. Fleetwood Mac – Rumours (1977) – 40M+ copies sold

An album forged in chaos, heartbreak, and pure magic. The behind-the-scenes drama only made Rumours more compelling, but it’s the songwriting, harmonies, and timeless melodies that have kept it essential for nearly five decades.
Biggest Songs: Go Your Own Way, Dreams, The Chain, Don’t Stop

7. Shania Twain – Come On Over (1997) – 40M+ copies sold

Shania Twain didn’t just bring country to the mainstream—she owned it. Come On Over shattered records, blending country, pop, and rock into a genre-bending sensation that still influences artists today. Every track felt like a hit, and nearly half of them actually were.
Biggest Songs: Man! I Feel Like a Woman!, You’re Still the One, That Don’t Impress Me Much, From This Moment On

8. Led Zeppelin – Led Zeppelin IV (1971) – 37M+ copies sold

The ultimate rock and roll epic. Zeppelin’s IV isn’t just an album—it’s a mythology, with Stairway to Heaven at its center. Every track, from the bluesy swagger of Black Dog to the thunderous When the Levee Breaks, cemented the band as rock gods.
Biggest Songs: Stairway to Heaven, Black Dog, Rock and Roll, When the Levee Breaks

9. The Beatles – The White Album (1968) – 35M+ copies sold

A sprawling double album that proved The Beatles could do anything—and do it better than anyone else. Psychedelic rock, folk, blues, avant-garde experiments—The White Album was chaos and genius wrapped in one, and its influence remains immeasurable.
Biggest Songs: While My Guitar Gently Weeps, Blackbird, Helter Skelter, Back in the U.S.S.R.

10. Meat Loaf – Bat Out of Hell (1977) – 34M+ copies sold

The most theatrical, over-the-top rock album of all time—and that’s exactly why it worked. Jim Steinman’s operatic songwriting and Meat Loaf’s bombastic vocals made Bat Out of Hell a rock opera for the ages, filled with drama, passion, and huge songs.
Biggest Songs: Bat Out of Hell, Paradise by the Dashboard Light, Two Out of Three Ain’t Bad, You Took the Words Right Out of My Mouth

Some albums break records. Some albums change music forever. And then, there are these—records so massive that they’re woven into the fabric of pop culture. Whether it was moonwalking across the stage, screaming along to You Shook Me All Night Long, or slow dancing to I Will Always Love You, these albums defined moments in time. They don’t just belong to their artists anymore—they belong to all of us.

Ray Charles’ Iconic Diet Pepsi Campaign and the Prince Connection

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Ray Charles’ unforgettable Diet Pepsi jingle, “You Got The Right One, Baby, Uh Huh,” was more than just a catchy tune—it was a cultural phenomenon. The 1990 ad campaign recharged Charles’ image, turned the slogan into one of the decade’s biggest catchphrases, and even inspired an early form of user-generated content through a nationwide contest. But behind the scenes, rumors swirled: Did Prince have a hand in writing or producing the track? While the official credits go to Peter Cofield and BBDO’s creative team, speculation about a TAFKAP demo refuses to fade.

Adding to the confusion, Prince later sampled the jingle in his song “Uh Huh,” making some fans believe he had written the original. While there’s no direct link between Prince and the Pepsi ad’s creation, the similarities have fueled debate for decades.

Corey Hart’s 1987 Concert Film Captures a Pop Icon at His Peak

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Corey Hart’s electrifying 1987 concert film, directed by Michael Lindsay-Hogg, is a must-watch for fans of ‘80s pop perfection. With soaring vocals, anthemic hits, and high-energy stage presence, this film shows why Hart was  one of Canada’s most iconic performers. From “Sunglasses at Night” to “Never Surrender,” this is the sound of an era in full force.

BAD Day Music & Arts Festival Debuts in Wilmington with Railroad Earth, Yonder Mountain String Band & Lettuce

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Get ready for one seriously B.A.D. day this summer! The inaugural BAD Day Music & Arts Festival is set to take over Wilmington’s historic Brooklyn Arts District on Saturday, July 12, 2025. With three outdoor stages, a stacked musical lineup, local makers, food and beverage vendors, yoga and wellness offerings, and more, BAD Day promises to be an unforgettable one-day celebration of music, art, and community.

Headlining the daytime portion are acclaimed acts Railroad Earth, Yonder Mountain String Band, and Daniel Donato’s Cosmic Country, with support from Signal Fire, Electrolust, and additional artists to be announced in the coming weeks. Festivalgoers looking for an extra-special experience can upgrade to the Best Day Ever ticket, granting entry to the evening celebration headlined by funk powerhouse Lettuce plus a Femme House afterparty and more surprises.

Beyond the live music, attendees will enjoy exploring the festival’s diverse artist and maker market, savoring regional food and beverage selections, and taking part in wellness activities such as yoga. From early afternoon until well into the night, the Brooklyn Arts District will come alive with color, creativity, and the collective energy of artists, musicians, and fans from near and far.

Highlights include:

Three Outdoor Stages: Day-to-night performances featuring bluegrass, funk, rock, and more.
Best Day Ever Ticket: Premium evening access with a headlining set by Lettuce.
Femme House Afterparty: Dance the night away at a special late-night celebration.
Vendors & Makers: Local artists, crafters, and boutique businesses showcasing their wares.
Food & Beverage: Mouthwatering eats and drinks from Wilmington’s best local purveyors.
Yoga & Wellness: Energizing sessions to recharge and rejuvenate amidst the festival buzz.

Tickets are on sale now at www.baddayfest.com. Fans are encouraged to secure passes early, as space is limited and the event is anticipated to sell out quickly.

Don’t miss your chance to be part of Wilmington’s newest summer highlight—the BAD Day Music & Arts Festival. Come for the daytime fun, stay for the nightlong jams, and join us for one truly incredible day in the Brooklyn Arts District!

About BAD Day Music & Arts Festival
BAD Day Music & Arts Festival is a one-day celebration spotlighting the eclectic spirit of Wilmington’s Brooklyn Arts District. Founded with a mission to bring together music lovers, artists, and the local community, BAD Day delivers a high-quality festival experience featuring nationally known headliners, emerging talent, and a curated marketplace of regional makers and vendors. For more information and to purchase tickets, visit www.baddayfest.com.

Rhino Celebrates Robert Hunter’s ‘Tiger Rose’ with 50th Anniversary Deluxe Reissue

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Rhino continues the career-spanning archival series honoring Robert Hunter‘s work as a solo artist with a deluxe reissue of his 1975 studio album, Tiger Rose. While Hunter is widely revered as the primary lyricist for the Grateful Dead, this series explores the depth of his solo work, offering a renewed appreciation for his exceptional artistry.

Tiger Rose (50th Anniversary Editions) will be available on March 28 from Rhino as a 2-CD (Deluxe Edition), as well as a 1-LP and digitally. Pre-order HERE.

Originally released in March 1975, the Jerry Garcia-produced Tiger Rose features contributions from Garcia, Mickey Hart and Donna Jean Godchaux. The Tiger Rose (50th Anniversary Editions) have been remastered from the original analog tapes by GRAMMY® Award-Winning Engineer David Glasser using Plangent Processes tape restoration and speed correction.

The 2-CD Deluxe Edition introduces a freshly remastered version of the original album alongside nine previously unreleased alternate versions of album tracks.

In the Deluxe Edition liner notes, Jesse Jarnow (author, DJ, and cohost of the “Good Ol’ Grateful Deadcast”) deftly captures the essence of the album: “Complex and inviting, the world of Tiger Rose overflows with Hunter’s lyrical signatures, painting new corners of the already wide landscape he’d begun to map with the Dead. There are stacks of simple and beguiling images (“Dance A Hole”), cosmic advice (“One Thing To Try”), dispatches from mystical landscapes (“Rose Of Sharon”), and folkloric characters (“Wild Bill”).”

Robert Hunter’s Tiger Rose Rarities will also be available as a 1LP exclusively at select independent music retailers as a part of RECORD STORE DAY 2025 on April 12. Find your nearest participating retailer HERE.

Tiger Rose (50th Anniversary Deluxe Edition)

Tracklisting

2CD

Disc One: Original Album (2025 Remaster)

“Tiger Rose”
“One Thing To Try”
“Rose Of Sharon”
“Wild Bill”
“Dance A Hole”
“Cruel White Water”
“Over The Hills”
“Last Flash Of Rock ‘N Roll”
“Yellow Moon”
“Ariel”

Disc Two: Alternate Versions (2025 Remaster)

“Tiger Rose” – Alternate Version *
“Last Flash Of Rock ‘N Roll” – Alternate Version *
“Over The Hills” – Alternate Version *
“Ariel” – Alternate Version *
“Wild Bill” – Alternate Version *
“Cruel White Water” – Alternate Version *
“Rose Of Sharon” – Alternate Version *
“Yellow Moon” – Alternate Version *
“Dance A Hole” – Alternate Version *

* previously unreleased

Tiger Rose (50th Anniversary Remaster)

1LP & Digital

Original Album (2025 Remaster)

Side One

“Tiger Rose”
“One Thing To Try”
“Rose Of Sharon”
“Wild Bill”
“Dance A Hole”

Side Two

“Cruel White Water”
“Over The Hills”
“Last Flash Of Rock ‘N Roll”
“Yellow Moon”
“Ariel”

A Canadian First: The Nova Music Festival Exhibition Coming to Toronto in April

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The Nova Music Festival Exhibition, a groundbreaking and profound tribute to the unifying power of music, the lives lost, and the survivors of the brutal October 7, 2023 attack, is coming to Toronto in April 2025 for six weeks, April 23 through June 8.

Marking its first time in Canada, the installation is a must-see experience, essential to remembering and understanding the events of the largest massacre in music history and empathizing with what happened and who it happened to.

On Friday, October 6, 2023, thousands of music and arts fans gathered for a celebration of life, peace, and music in Re’im Israel for the Nova Music Festival. At 6:29AM on Saturday October 7, the peaceful festival was savagely cut short when thousands of Hamas terrorists invaded Israel, killing 1,200 people, including 370 from the Nova Music Festival, four of whom were Canadian, and abducting more than 250, including 44 innocent civilians attending the festival.

“The story of the Nova Music Festival is one of strength, survival, love and community,” said Jesse Brown, Lead Canadian Representative, Nova Exhibition. “This exhibit is to honour and remember the victims while also hearing the heart-wrenching stories of survivors who remind the world that we will dance again.”

The exhibit is interactive, experiential, immersive, and educational. Visitors will embark on a full sensory journey through the timeline of the Nova Music Festival, reliving the harrowing events of that fateful day. Moving through the re-created festival grounds with real artifacts and evidence on display and to interact with, attendees will witness first-hand footage from the attack and hear powerful, emotional testimonies from festival survivors and bereaved family members who will be onsite daily at the exhibit. Surrounded by the actual artifacts from the festival—charred vehicles, bullet-ridden bathroom stalls, abandoned merchandise stands, and scattered personal belongings left behind in the aftermath—visitors will experience the raw, lingering impact of the attack.

The exhibition honours more than the tragic events of October 7, 2023, it celebrates the resilient spirit of the Tribe of Nova community in the immediate aftermath of that day, transforming profound loss into purposeful action.

“The Nova community is centered around light, and now more than ever we need to continue to spread that message,” said Ofir Amir, Founder and Producer of The Nova Music Festival. “It is important, as part of our core values, that we take care of our community, help lead in the rehabilitation of the Nova survivors, and make our voices heard to the whole world.”

Toronto is the third-largest city in North America and home to the world’s third-largest Jewish community outside of Israel. With hate, intolerance, and antisemitism on the rise in Canada, Nova’s impact in Toronto will go far beyond the exhibit, sparking awareness, education and inspiring all human beings to stand together to ensure such an atrocity never happens again.

“This is not a political statement. It is a reflection of what happened at a festival dedicated to love and peace. It could have happened to you, your son or daughter or friend. Come meet the survivors, meet the bereaved families, and hear about the moment music stood still,” said Evan Zelikovitz, Canadian Representative, Nova Exhibition.

“The Lawfare Project Canada is proud to bring the Nova Music Festival Exhibition to Toronto. While the Exhibition honours the victims and survivors of the terrorist attack at the Nova Music Festival, it also fosters allyship as it educates and highlights the importance of defending human rights and reaffirming our democratic values,” stated Brooke Goldstein, Director of The Lawfare Project Canada.

The Nova Music Festival Exhibition was created, curated, and directed by Reut Feingold. Since its opening in Tel Aviv in 2024 and runs in New YorkLos AngelesBuenos Aires and Miami, the exhibit has attracted over 300,000 visitors, including thousands of students, educators, political, faith-based and community leaders and members like the mayors of New YorkLos Angeles and Miami, and the Archbishop of New York. Members of the music, sports and entertainment industry also attended the exhibit including Diplo, SIA, Usher, Jessica AlbaWill FerrellKristen BellDavid Schwimmer and Cindy Crawford, to name only a few.

Net proceeds from the exhibition will go to supporting the Nova community including initiatives and support programs for victims and families of the October 7 massacre.

The exhibit will be held in Toronto at a venue to be announced at a later date, utilizing 60,000+ square feet of space, making it one of the largest exhibitions in Canadian history.

For tickets and information visit: novaexhibition.com

15 of the Best Live at the Fillmore Albums That Capture Rock History in Its Purest Form

The Fillmore East and Fillmore West were sanctuaries for music lovers, where legendary artists delivered some of the most electrifying live performances ever recorded. Bill Graham’s iconic venues saw career-defining moments, improvised brilliance, and sheer musical transcendence—all captured in some of the greatest live albums of all time. Here are 15 of the best that truly bring the spirit of the Fillmore to life.

1. The Allman Brothers Band – At Fillmore East (1971)

This isn’t just the greatest Fillmore album—it’s one of the greatest live albums ever recorded. Duane Allman and Dickey Betts rip through extended jams of “Whipping Post” and “In Memory of Elizabeth Reed”, while Gregg Allman’s soulful vocals ground the chaos. This album defined Southern rock and proved that the Allmans were a force unlike any other.

2. Jimi Hendrix – Live at the Fillmore East (1999)

Recorded during Band of Gypsys’ legendary New Year’s Eve 1969-70 shows, this posthumous release showcases Hendrix at his most experimental. Tracks like “Machine Gun” and “Power of Soul” feature searing guitar work, politically charged lyrics, and a raw, unfiltered intensity that solidified his live performance legacy.

3. Aretha Franklin – Live at Fillmore West (1971)

The Queen of Soul in a rock setting? Yes, and it’s absolutely stunning. Aretha delivers powerhouse renditions of “Respect”, “Dr. Feelgood”, and a show-stopping take on The Beatles’ “Eleanor Rigby.” With King Curtis’ blistering saxophone and a backing band that included Billy Preston, this album is pure magic.

4. Derek and the Dominos – Live at the Fillmore (1994)

Eric Clapton’s short-lived supergroup turned “Layla” into an extended, slow-burning blues epic during these Fillmore shows in 1970. Duane Allman wasn’t there for these gigs, but Clapton and his band dug deep into the blues, delivering gut-wrenching solos and raw, emotional performances.

5. The Grateful Dead – Fillmore West 1969 (2005)

Arguably the best representation of the Dead’s psychedelic glory, this four-disc set captures the band as they refined their signature sound before recording Live/Dead. Cosmic jams of “Dark Star” and “St. Stephen” are jaw-dropping, proving why Fillmore was their ultimate playground.

6. Humble Pie – Performance: Rockin’ the Fillmore (1971)

Steve Marriott’s scorching vocals and Peter Frampton’s blues-drenched guitar make this one of the rawest, grittiest live albums ever. Their 14-minute version of “I Don’t Need No Doctor” is pure fire, and the entire set is filled with boozy, bluesy swagger.

7. Santana – Live at the Fillmore 1968 (1997)

Before Woodstock, before Abraxas, before international superstardom, Santana cut their teeth at the Fillmore. This album captures the early, jam-heavy, Latin-tinged blues sound that would make them icons, with an electrifying version of “Soul Sacrifice” that foreshadowed their breakthrough.

8. Miles Davis – Live at the Fillmore East: March 7, 1970 (2001)

Miles went full electric at the Fillmore, embracing fusion with a vengeance. Featuring Chick Corea, Jack DeJohnette, and Dave Holland, this set finds Davis pushing jazz into the rock world with relentless, exploratory energy. Mind-melting.

9. Neil Young & Crazy Horse – Live at the Fillmore East (2006)

Neil Young and Danny Whitten create some of the grungiest, dirtiest, most emotionally charged guitar duels ever on this 1970 performance. The 16-minute version of “Down by the River” is otherworldly, showing why Crazy Horse was Young’s greatest band.

10. The Byrds – Live at the Fillmore West (1969)

Roger McGuinn’s 12-string jangle, Clarence White’s country-rock licks, and a high-energy setlist that included “Eight Miles High” and Bob Dylan covers make this a hidden gem. The Byrds rarely get credit for their live chops, but this album proves they could bring the heat.

11. Jefferson Airplane – Bless Its Pointed Little Head (1969)

Forget the studio versions—this is what Jefferson Airplane was meant to sound like. Grace Slick’s commanding vocals, Jorma Kaukonen’s bluesy licks, and extended psychedelic jams make this one of the best live albums of the era.

12. Joe Cocker – Mad Dogs & Englishmen (1970)

Cocker’s massive, ragtag band (including Leon Russell) tore through rock, soul, and gospel like a traveling circus of sound. This Fillmore-recorded album is wild, untamed, and filled with musical euphoria.

13. The Doors – Live at the Fillmore East 1968 (Bootleg Recording)

While an official release remains elusive, bootleg recordings of The Doors’ 1968 Fillmore East shows capture Jim Morrison at his most theatrical and unpredictable. The deep, bluesy energy of “When the Music’s Over” and “Light My Fire” is haunting.

14. Albert King – Live Wire/Blues Power (1968)

Blues legend Albert King delivered one of the most electrifying performances in Fillmore history with this tight, razor-sharp set. His soulful, expressive guitar playing on “Blues Power” and “Crosscut Saw” is the definition of blues mastery.

15. Frank Zappa & The Mothers – Fillmore East – June 1971 (1971)

This album captures Zappa at his absurd, theatrical best, blending jaw-dropping musicianship with satirical insanity. With Flo & Eddie’s wild antics and a mix of jazz, rock, and humor, it’s the perfect document of the Mothers’ controlled chaos.

What made the Fillmore shows legendary wasn’t just the talent—it was the energy of the crowd, the unpredictability of the performances, and the once-in-a-lifetime moments that were captured on tape. These albums aren’t just recordings—they’re time machines, transporting you to a time when music wasn’t just played, it was felt.

Sean Egan’s Book ‘Decade of Dissent’ Explores Bob Dylan’s Revolutionary 1960s

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During the 1960s—a juncture in history when music was the meeting place for the ideas of the young and questioning—Bob Dylan stood head and shoulders in influence above all others. In telling the story of his first calendar decade as a recording artist, Sean Egan’s book Decade Of Dissent provides a unique angle on an endlessly fascinating and truly peerless career.

Dylan’s 60s recordings constitute a dizzying run that includes such landmark albums as The Freewheelin’ Bob Dylan, Highway 61 Revisited, Blonde On Blonde, the so-called ‘Basement Tapes’, and John Wesley Harding, and such classic songs as ‘Blowin’ In The Wind’, ‘The Times They Are A-Changin’’, ‘Mr. Tambourine Man’, ‘Like A Rolling Stone’, ‘Just Like A Woman’, ‘Quinn The Eskimo’, ‘All Along The Watchtower’, and ‘Lay Lady Lay’. They set the template for his genius and encompass the bulk of his greatest work. The career arc they collectively describe saw Dylan effortlessly and repeatedly instigate revolution, by turns reinvigorating folk music, turning protest song mainstream, bringing the intellectualism and social conscience of folk to rock and pop, reasserting roots music over the excesses of psychedelia, and making country music respectable.

Through each of his new identities, Dylan’s dazzling lyrics established him as the poet laureate of the counterculture. All during this time he was engaged in a personal voyage that saw him first embrace the blandishments of fame and then emphatically reject them. His journey during this era from ambitious nobody to cultural icon back to willing background figure makes for one of the most extraordinary narratives in the history of recorded music. It features a fascinating supporting cast of collaborators and peers, from Al Kooper and Mike Bloomfield to The Beatles and The Byrds.

Dylan now occupies an unparalleled role as venerated elder statesman of music, but through the twists and turns of his long career he has never quite regained the position he held during his insurrectionary first decade, when he was the most important artist in popular music—and, by extension, one of the most crucial figures in Western society. Drawing on exclusive interviews and packed full of fresh insights, Decade Of Dissent brings to life Dylan and his milieu at the point when he was making music that was not merely aesthetically magnificent but sociologically earthshaking.

Bill Murray Faces the “Wings of Death” and Talks Riff Raff, SNL’s 50th, and More

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Bill Murray is a pop-culture icon and Mark Twain Award-winning comedian and actor, who has entertained us for nearly five decades. And now, you can catch him in the critically acclaimed comedy Riff Raff, in theaters now. But how is he with spicy food? Find out as the Hollywood legend takes on the wings of death and discusses his iconic roles, reflects on SNL’s 50th anniversary, and shares a dab with Pete Davidson.

George Brown Honors Miles Davis and Parisian Jazz Culture on Posthumous Album ‘Jazz in Paris’

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George Brown, beloved co-founder of Kool & The Gang and Songwriters Hall of Fame inductee, will release his second posthumous project, ‘Jazz in Paris,’ on April 18 via Astana Music Inc/BFD/The Orchard. Inspired by the smoky jazz clubs of Paris and New York in the late 1950s and ‘60s—a sound that shaped Brown’s musical world from an early age—the album reflects his deep love for jazz while showcasing his musical versatility. The first single, “Lisa,” a sultry, classic jazz composition, is out now, featuring smooth instrumentation, brass accents, and a full-bodied walking bassline. On the track, Brown performs drums, vocals, percussion, and keyboards, highlighting his remarkable range as a multi-instrumentalist.

‘Jazz in Paris’ is a meticulously crafted body of work that blends the timeless elegance of classic jazz with George Brown’s signature touch, reflecting his lifelong dedication to the universal language of music. Produced by Brown, co-produced by Curtis F. Williams and Wolfgang Amadeus Aichholz, and with Claude Ismael as Executive Producer, the album captures Brown’s love for jazz while incorporating contemporary influences he gathered throughout his illustrious career. Recorded primarily during the pandemic at his Alley Kat Studio in Los Angeles, the album features collaborations with longtime musical allies, including Williams and Louis Van Taylor. After Brown’s passing, celebrated drummer Vinnie Colaiuta stepped in to finalize key tracks.

A central influence on ‘Jazz in Paris’ is the groundbreaking work of Miles Davis. Brown, inspired by Davis’ ability to push musical boundaries, infused the album with melodic and harmonic textures reminiscent of Davis’ First and Second Great Quintets of the 1950s and 1960s. This influence is especially evident on “Lisa,” a modal jazz composition featuring a straight 4/4 rhythm, muted trumpets, and a flurry of improvisation with interchangeable blues elements. Brown’s reverence for Davis is woven throughout the album, reflecting his commitment to honoring his jazz roots while offering his own modern interpretations.

Over his impressive sixty-year career, George Brown toured extensively across Europe with Kool & The Gang, becoming a highly celebrated act, particularly in Paris. Their festival performances and concerts were met with an outpouring of love from French audiences, most notably at the iconic Olympia Theatre. Brown’s deep connection to the city extended beyond the stage—frequent visits to Paris, both personal and professional, fueled his creative spirit and directly inspired the creation of ‘Jazz in Paris.’ The album serves as both a love letter to the city and a tribute to the jazz pioneers who first captured his imagination.

Reflecting on the project, Brown’s close collaborator Wolfgang Amadeus Aichholz shared, “This project was very close to his heart and a way to pay homage to the greats of the era. We spent countless nights in the studio crafting the music that often came to him in dreams. GB would always say that music is a universal language, and through our shared creativity, I truly came to understand that sentiment.”

Born and raised in Jersey City, N.J., George Brown’s musical journey began with childhood afternoons spent drumming on household objects. By high school, he was performing in jazz clubs six nights a week alongside future Kool & The Gang members, including Robert “Kool” Bell and Ronald Bell. Originally known as the Jazziacs, the band evolved into Kool & The Gang in 1969, blending jazz, funk, and soul into a groundbreaking sound that sold millions of records worldwide and earned them induction into the Rock & Roll Hall of Fame in 2024. With ‘Jazz in Paris,’ Brown comes full circle—returning to his jazz roots while leaving behind a timeless tribute to the music that first inspired him.

George Brown was a pioneering musician and a founding member of the legendary group Kool and The Gang. With a career spanning decades, George left an indelible mark on the music industry with his unparalleled talent and groundbreaking contributions. Through his music, he continues to inspire and uplift audiences worldwide, ensuring that his legacy lives on for generations to come. Even up until his passing, Brown’s remarkable contributions persisted, including the production of Kool & The Gang’s 2023 album, ‘People Just Wanna Have Fun,’ and the release of his memoir, Too Hot: Kool & The Gang & Me. Brown’s first solo album, ‘Where I’m Coming From,’ was released posthumously in September 2024, further showcasing his musical vision. These efforts further solidified Kool & The Gang’s place in music history alongside their iconic hits like “Ladies Night,” “Celebration,” and “Jungle Boogie.”

George Brown passed away in 2023 at the age of 74, leaving behind a lasting legacy. He is survived by his wife, Hanh Brown, and five children.

‘Jazz in Paris’ Tracklist
Lisa
What I Love About You
Juliette
MDD
Francess
Daddy Jazz Bow
Addicted to the Hustle
West End Avenue
The Kat
Jardin De Lapin
In the Land of Allah – In the Land of God