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Spotify’s Loud & Clear 2024 Report Highlights Record Royalties, Global Artist Growth, and Streaming’s Future

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Spotify has just unveiled this year’s Loud & Clear report, a transparent look at how the streaming economy continues to support artists and fuel the music industry’s explosive growth. Loud & Clear is an annual initiative to demystify how artists earn money through streaming, clarify royalty distribution, and highlight the growing and evolving global music landscape. The latest report underscores record-breaking revenues, increased artist diversity, and a more borderless music industry than ever before.

A booming industry

Music streaming services now boast more than 500 million paying subscribers worldwide (IFPI), and a future with one billion paying listeners is within reach. In 2024, Spotify alone paid out $10 billion to the music industry—more than any single company has ever contributed in one year. The best news? This surge in payouts is increasing payouts for artists at all levels.

Breaking borders and expanding representation

The music industry’s growth isn’t just financial—it’s cultural. More artists are succeeding across borders, with more languages and diverse voices breaking into the mainstream. In 2024, the artists who generated at least $100K in royalties were recording music in more than 50 languages, while the artists who generated at least $1 million on Spotify recorded music in 17 different languages, both more than double the languages at those thresholds in 2017.

Women are also making historic gains on Spotify. Female artists generating more than $1 million annually have quadrupled since 2017. Markets like Canada, South Korea, Sweden, and Argentina see particularly strong female representation amongst their top artists.

The export factor: global fandom fuels artist success

Artists today are no longer bound by their home markets. Over 50% of the artists who generated at least $1K in royalties on Spotify in 2024 made the majority of their earnings from listeners outside their home country. This demonstrates the pivotal role that export plays in the success and sustainability of an artist’s career. Around one-third of them saw more than 75% of their royalties come from outside their home countries, showing the power of global streaming in driving artist income. And at the $100,000 level, the connections run even deeper—over 80% of these artists have teamed up with musicians from abroad.

More artists, more success

Spotify has helped level the playing field for artists at every stage of their careers. Since 2017, the number of artists generating between $1,000 and $10 million annually has tripled. Notably, nearly a quarter of the 12,500 artists generating over $100,000 in 2024 weren’t even releasing music professionally five years ago.

Success in the streaming era doesn’t require a decade-spanning catalog nor a chart-topping hit.

More than 80% of Spotify’s top-royalty generating artists weren’t even featured in its Global Daily Top 50, proving that independent musicians and niche genres can thrive in the new streaming economy. Meanwhile, in 2024, independent artists and labels collectively generated more than $5 billion from Spotify — representing about half of total Spotify royalties for another year.

Record-breaking royalties and industry impact

Spotify continues to lead the music industry in payouts, with more than $10 billion distributed in music royalties in 2024 alone—increasing payouts tenfold over the past ten years. The company has now paid out around $60 billion since its inception. Music publishing payouts have also hit new peaks, surpassing $4.5 billion to songwriters and publishing rights holders in just the past two years  – with double-digit percentage growth from 2023 to 2024 alone.

What’s next: fans driving the future of music

The future of music is being shaped by its most passionate force: fans. New opportunities for innovation, collaboration, and creative expression will emerge as they continue to embrace and support artists across streaming platforms. With global access to diverse sounds and cultures stronger than ever, artists will keep pushing boundaries, and fans will play an even more significant role in shaping the next era of music. The industry is not just growing, it’s evolving into an ecosystem where listeners and creators thrive together.

Envy Of None Release New Single “The Story” Ahead of ‘Stygian Wavz’ Album, Out March 28

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Ahead of the release of their new album Stygian Wavz (March 28th, Kscope), American/Canadian fourpiece Envy Of None have shared a brand-new single today. The second track from the new album, ‘The Story’ holds a special place in each of the band member’s hearts and is brought to life with a stunning new video by Jaden D.

Speaking about the new single and inspiration behind the video, songwriter and vocalist Maiah Wynne shared “I wrote about wanting to be better, to grow, and the sense of desperation that comes with that desire. To me, the song is about the struggle of not being able to break bad cycles. I had been stuck for a very long time and was trying to be better. I think it’s a theme a lot of people can connect with in some way. Whether it’s habits, addiction, self-sabotage, or just unhealthy patterns, we all are trapped by something we are trying to break away from. If I had the power to write my own story, I’d want to be the hero, but so often I am my own villain.”

Envy Of None announced their new album back in January and have so far shared 3 standout singles, ‘Not Dead Yet’, ‘Under The Stars’ and ‘Stygian Waves’. To promote the album, the band recently appeared on Talk Shop Live in the US with host Steve Harkins to discuss the creation of Stygian Wavz, the writing and recording process and plans for the future.

Though they’d never describe themselves as such, Envy Of None are the living, breathing definition of a supergroup. No other band on earth could rightly claim to have Alex Lifeson – one of rock’s most influential visionaries – heading up guitar duties, with Andy Curran of Coney Hatch and Soho 69 overseeing bass/programming as well as producer extraordinaire Alfio Annibalini on keyboards. However, the star in this band could very well be its youngest member – American singer-songwriter Maiah Wynne – whose wonderfully emotive vocals are able to spin the music in new exciting directions that thrill to the core.

On their self-titled debut of 2022, the group were able to prove that they were a lot more than the sum of their parts, with an abundance of panache and finesse poured into a contemporary alt rock sound that was hard to predict and even harder to categorise. This year’s sophomore release, Stygian Wavz, is the sound of a band basking in the radiant glow of creative confidence and coming into their own, staggering the listener with every twist and turn encased within their heady mix of genre-splicing brilliance.

OK Go Releases Two New Tracks from And the Adjacent Possible, Out April 11

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OK Go have surprised fans with the release of two additional tracks off their forthcoming fifth studio album And the Adjacent Possible. The tracks include the bright, synth-splashed “Take Me with You” released with a psychedelic official visualizer by David McLeod. The second track is the pensive ballad “This Is How It Ends”. And the Adjacent Possible will arrive on April 11.

OK Go set the stage for And the Adjacent Possible with the January release of the album’s lead single “A Stone Only Rolls Downhill” alongside a stunning official music video. Adding to the band’s vast catalog of ground-breaking music videos – they’ve danced on treadmills and with dogs; in time-lapse and slow motion; in zero-gravity, Rube Goldberg machines, and Super Bowl commercials – the clip for “A Stone Only Rolls Downhill” features 64 videos on 64 phones laid out as a moving mosaic. The band did more than a thousand takes over the course of eight days, and the final video crams over two hours and twenty minutes of single-take clips into one frame.

The music video for “A Stone Only Rolls Downhill” premiered on The Kelly Clarkson Show, and arrived to widespread critical acclaim. Consequence proclaimed, “Come for the song, stay for the wildly ambitious music video,” while Fast Company lauded, “OK Go has reintroduced itself as a creative force with a new video that’s a whimsical riff on modern digital life.” Apple CEO, Tim Cook tweeted, “OK Go knows how to make an incredible music video!” and Shots declared, “Whenever a new OK Go video drops, the creative community’s mixture of anticipation and professional jealousy is palpable.” The New York Times praised, “OK Go’s latest single – from what will be its first album since 2014 – arrives, as usual, with an ingenious, playful, effort-packed video clip: a kaleidoscopic mosaic of intricately coordinated cellphone videos, directed by the band’s lead singer, Damian Kulash. Yet the audio can stand on its own.”

Gene Loves Jezebel & Slim Jim Phantom Hit the Road for 2025’s “Hit & Run” Tour

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Two Cleopatra label favorites, Goth pioneers Jay Aston’s Gene Loves Jezebel and Stray Cat Slim Jim Phantom (Headcat, 13 Cats, Swing Cats, Voodoo Tones) launch their much-anticipated Hit & Run tour of the United States on April 8. Eighties hit maker (and Pretty In Pink soundtrack standout) Belouis Some is also on the bill.

Key figures on the 1980s US college/alternative rock scene, Gene Loves Jezebel were responsible for a stream of immortal club and MTV hits, among them “Jealous,” “The Motion of Love,” “Heartache,” “Josephina” and “Desire (Come and Get It).”

This is Gene Loves Jezebel’s first American visit since the release of their acclaimed 2023 album Love Death Sorrow X; 2025 also marks the 40th anniversary of the core trio of Aston, bassist Pete Rizzo and guitarist James Stevenson playing together – in fact, Stevenson’s first tour with the band was the US.

“The tour is definitely something we’re looking forward to celebrating this milestone with,” says Aston. “It’s amazing that we’re still together after all this time!

“We’ve never stopped creating new music together and we are great friends. We’ll be playing so many of the classic GLJ songs of course, along with our personal favorites from the last two albums (Dance Underwater was released in 2017).”

He is also excited about the line-up for the tour. “We played a wonderful show with Belouis Some in London recently. Such a great band and it was a pleasure to share the same stage.”

Aston and Slim Jim go back even further; “I’ll never forget seeing Slim Jim with The Stray Cats at the Venue in Victoria, London, when they first came on the scene, and they were sensational. Jim and his beautiful wife, Jennie Vee are a striking rhythm section and I can’t wait to play these shows with them.”

Slim Jim also has a new Cleopatra release behind him. Issued at the end of February, the tumultuous rockabilly stomp “Livin’ Ain’t Easy” is the first single by Voodoo Tones, a new band formed by Phantom with fellow Headcat alumni Danny B Harvey and Djordje Stijepovoc (Tiger Army), plus CM Wolf of The Delta Bombers.

4/8 Philadelphia, PA – City Winery
4/9 NYC, NY- Sony Hall
4/10 Pittsburgh, PA -Jergels
4/11 Toronto, ON – El Mocambo
4/12 Cincinnati, OH – Ludlow Garage
4/13 Detroit, MI – Magic Bag ***
4/15 Roslyn, NV – My Fathers Place*
4/15 Hightstown, NJ -Randy Now’s Man Cave **
4/16 Pawling, NY – Daryl’s House
4/17 Roslyn, NY – My Fathers Place ***
4/17 Hightstown, NJ – Randy Now’s Man Cave *
4/18 Norwalk, CT – District Music Hall ****
4/19 Elkton, MD – Elton Music Hall*
4/20 Boston – City Winery
‘SIP only **CLJonly ***GLJ and BS only ****GLJ and SJP only

Grateful Dead Announces ‘Enjoying the Ride’ Massive 60-CD Box Set Spanning 25 Years of Legendary Live Performances

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When the ride begins in ’65 at a pizza parlor in the South Bay under another moniker, who would have imagined? When “Who Are You? Where Are You? How Are You?” became “Won’t you come with me?” and, ultimately, “Where does the time go?,” who would have thought? 60 years on, we’re celebrating the Grateful Dead’s Diamond Era. Here we go back to the beginning, to the original “Follow,” and uncover the wonders of getting on the bus all over again.

ENJOYING THE RIDE is a sweeping 60-CD collection that maps an epic cross-country road trip along the “Heady Highway” with stops at storied venues where the music, the moment, and the magic of the Dead reliably converged. Spanning 25 years of legendary live performances, this expansive compendium spotlights defining shows from 1969 to 1994 at 20 venues that consistently inspired the band to new heights.

With the exception of a few tracks from earlier releases, virtually all of the music on ENJOYING THE RIDE is previously unreleased, with more than 450 tracks and over 60 hours of music. Of the 20 shows in the collection, 17 are presented in full, with some featuring additional material from the same venue. The remaining three — Fillmore West, Fillmore East, and Boston Music Hall — are curated from multiple performances at each venue, capturing key moments on those legendary stages.

These performances were originally recorded by Owsley “Bear” Stanley, Betty Cantor-Jackson, Kidd Candelario, Dan Healy, and John Cutler. David Glasser and Jeffrey Norman restored and mastered the performances, with select ones using Plangent Processes tape restoration and speed correction for optimal sound quality.

It’s all housed in a custom keepsake box inspired by the experience of traveling from city to city to see the Dead at legendary venues across America. Inside, a beautifully detailed tour guide features liner notes by Jesse Jarnow (author and co-host of the Good Ol’ Grateful Deadcast) and a producer’s note from Lemieux, an essay by the Owsley Stanley Foundation, and more. The set is richly illustrated with photos, including many taken at the shows featured in the collection.

Due May 30th, this one is limited to 6,000 individually numbered copies and exclusive to Dead.net.

WHAT’S INSIDE:
Avalon Ballroom, San Francisco, CA (4/5/69) – Cassette
Fillmore West, San Francisco, CA (6/5/69)
Fillmore West, San Francisco, CA (6/7/69)
Fillmore West, San Francisco, CA (6/8/69)
Capitol Theatre, Port Chester, NY (2/24/71)
Capitol Theatre, Port Chester, NY (2/20/71)
Fillmore East, New York, NY (4/25/71)
Fillmore East, New York, NY (4/27/71)
Boston Music Hall, Boston, MA (9/15/72)
Boston Music Hall, Boston, MA (9/16/72)
Nassau Veterans Memorial Coliseum, Uniondale, NY (3/16/73)
Winterland, San Francisco, CA (3/20/77)
Philadelphia Spectrum, Philadelphia, PA (5/13/78)
Red Rocks Amphitheatre, Morrison, CO (8/12/79)
Alpine Valley Music Theatre, East Troy, WI (8/23/80)
Alpine Valley Music Theatre, East Troy, WI (7/11/81)
Hartford Civic Center, Hartford, CT (3/14/81)
Hampton Coliseum, Hampton, VA (5/1/81)
Frost Amphitheatre, Stanford University, Palo Alto, CA (8/20/83)
Greek Theatre, University of California, Berkeley, CA (7/13/84)
Henry J. Kaiser Convention Center, Oakland, CA (11/21/85)
Henry J. Kaiser Convention Center, Oakland, CA (11/22/85)
Madison Square Garden, New York City, NY (9/16/87)
Deer Creek Music Center, Noblesville, IN (7/15/89)
Oakland Coliseum Arena, Oakland, CA (12/27/89)
Shoreline Amphitheatre, Mountain View, CA (5/12/91)
Capital Centre, Landover MD (3/17/93)
Capital Centre, Landover MD (9/15/82)
Boston Garden, Boston, MA (10/3/94)

Originally Recorded By Owsley “Bear” Stanley, Betty Cantor-Jackson, Kidd Candelario, Dan Healy, & John Cutler
Mastered By David Glasser & Jeffrey Norman
Plangent Processes Tape Restoration And Speed Correction
Custom Keepsake Box w/ A Guide Book By Jesse Jarnow, Producer’s Note By David Lemieux, & Essay By The Owsley Stanley Foundation
Design By Once Upon A Time

Raven Drum Foundation Hosts All-Star Benefit at NYC’s Cutting Room to Support First Responders and Veterans

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Raven Drum Foundation brings together an all-star lineup at NYC’s famed Cutting Room to support first responders and veterans for the second year in a row.

Founded in 2001 by Rick Allen, drummer of Def Leppard, and healing arts educator and musician, Lauren Monroe, Raven Drum Foundation brings musicians, health educators, and the philanthropic community together to serve the healing of first responders and veterans struggling with post-traumatic stress. With the core philosophy that when music, intention, and healing wisdom all meet on the paths of neurobiology and psychology, we harmonize our inner mental and emotional states to effect positive change, the foundation provides mind, body, and drumming integrated workshops incorporating evidence-based techniques such as guided visualization, breathwork, and heart-brain coherence education to support wellness, and regulation of the human nervous system.

Together with first responder organizations Friends of Firefighters and First Responder Resiliency Inc., artists will raise funds for proactive resiliency education, counseling, and holistic care programs addressing post-traumatic stress.

In addition to performances by an all-star band and a silent auction of rock memorabilia, the Legacy Award will be presented to humanitarian and artist Peter Criss – the original Cat-Man and co-founder of KISS. Joining Criss, Allen, and Monroe onstage will be The Joe Bouchard Band with Albert Bouchard (former members of Blue Oyster Cult) featuring Mickey Curry (Hall & Oates, Bryan Adams), Mountain’s Corky Laing, R&B legend Bernard Purdie, Saturday Night Live’s Christine Olhman, Shawn Pelton, Carlton Jumel Smith, Ricky Byrd (Joan Jett), Devon Maria (Debbie Gibson), Kasim Sulton (Joan Jett, Todd Rundgren) and surprise guests, as well as emcees Maria Milito of Q104.3 and musical director Billy Amendola.

Tickets and VIP packages are on sale now. Please visit RavenDrumFoundation.org for more information.

Candlemass Celebrates 40 Years of Doom with ‘Black Star EP,’ Out May 9

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Swedish godfathers of epic doom Candlemass celebrate their 40th anniversary of pioneering the genre with a four-track EP, Black Star. Packed with craterous riffs, this celebration of doom metal mastery is set for release on May 9, 2025 via Napalm Records.

With Black Star, the genre-defying band unveils two brand-new songs alongside two cover versions of timeless classics. The EP will be available in various formats, including a strictly limited vinyl edition featuring a 12-page vinyl booklet, an A3 poster, and a tote bag.

Leif Edling comments: “Not all bands get to see their 40th birthday and it certainly hasn’t been an easy ride. But many ups and downs later, we stand here as survivors, veterans even… a bit scarred perhaps? Still ready though to unleash another piece of doom-laden metal upon an unsuspecting world. You have to do something when you turn 40, right? Anyway, as always, it’s been fun recording some new stuff as well as covering a couple of old favorites.”

Title track, “Black Star”, blends haunting melodies with deeply introspective lyrics, brought to life by the dark, romantic voice of vocalist Johan Lanquist. Songwriter Leif Edling’s lyrics delve into themes of existential struggle, temptation, and the allure of darkness – creating an intense atmosphere imbued with Candlemass’ signature sound. The second new track, “Corridors Of Chaos”, marks a true old school instrumental containing both classic metal riffing and stunning guitar playing by Lars Johansson, showcasing the band’s mastery of dynamics.

Adding to this tribute, Candlemass delivers a cover of Black Sabbath’s iconic “Sabbath Bloody Sabbath”, taking listeners back to 1973. This is followed by their rendition of Pentagram’s classic “Forever My Queen”, further cementing Candlemass’ remarkable contribution to shaping the genre into what it is today.

Black Star tracklist:
1. Black Star
2. Corridors Of Chaos
3. Sabbath Bloody Sabbath
4. Forever My Queen

Oasis Announces New Film in Conjunction with Live ’25 Tour

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As this summer’s wildly anticipated Oasis Live ’25 tour approaches, Oasis can now confirm that a new film is being made in conjunction with the tour.

The film will be created and produced by Steven Knight, the BAFTA and Oscar-nominated writer, producer and director who is best known as the visionary behind “Peaky Blinders.” Knight is also renowned as the writer of David Cronenberg’s “Eastern Promises,” Stephen Frears’ “Dirty Pretty Things” and for producing, directing and writing “Locke” starring Tom Hardy. His many recent projects have included creating and writing the series “This Town” for the BBC on the rise of ska and two-tone in 1970’s Coventry and Birmingham; and writing the script for “Maria,” the Oscar nominated film about Maria Callas starring Angelina Jolie and “A Thousand Blows” on Disney+ starring Stephen Graham.

The new film will be directed by Dylan Southern and Will Lovelace. The duo have a track record of creating highly innovative music films, with credits including the genre-defying LCD Soundsystem documentary/concert film “Shut Up And Play The Hits” and “Meet Me In The Bathroom,” the acclaimed documentary on the early 2000s NYC music scene.

Produced by Magna Studios (Producers Sam Bridger & Guy Heeley & Executive Producers Marisa Clifford & Kate Shepherd), the multidisciplinary studio known for collaborating with visionary talent across film and music from the founding members and partners of Pulse Films. Previous credits include “Beastie Boys Story,” “Gangs Of London,” “20000 Days On Earth,” “Lewis Capaldi: How I’m Feeling Now.”

The project will be distributed by Sony Music Vision. Krista Wegener of Sony Music Vision will lead global sales.

No release date has yet been set, and no further details regarding the content of the film will be released at this moment in time.

HAIM Returns with New Single and Video “Relationships” Ahead of Upcoming Fourth Album

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HAIM makes a powerful return with brand new single and video “Relationships,” out now on Columbia Records. “What’s all this talk about relationships?” is among the questions explored by the sister trio of Este, Danielle and Alana Haim who navigate the whirlwind of unexplainable feelings brought on by the evolution of relationships.

The single premiered earlier today as BBC Radio 1’s Hottest Record and is the first new music from the band’s highly anticipated and not yet announced fourth studio album. “Relationships,” which features the band’s familiar mix of genres, offers a contrast to the forthcoming album’s Rock sound and was produced by Rostam Batmanglij and Danielle Haim. The video, stars HAIM with actor Drew Starkey, and was directed by Camille Summers-Valli.

In 2021 HAIM made history as the first all-female rock group to be nominated for the GRAMMY Album of The Year with their third album, ‘Women In Music Pt. III.’ The album was met with an overwhelming amount of critical acclaim, debuted #1 on the U.S. Album Sales chart, as well as the Rock and Alternative charts. ‘Women In Music Pt. III’ entered at #1 on the UK Album chart, marking the second time the band has reached this prestigious achievement. That same year, HAIM took home their first BRIT Award for International Group. Renowned for their high energy live performances, HAIM have toured the world playing headline shows and festival stages including Glastonbury, Coachella, Lollapalooza, Bonnaroo and more. The band are set to perform at New Orleans Jazz and Heritage Festival on April 27, as well as Primavera Sound Festival in Barcelona on June 6 and Portugal on June 14.