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Cherry Gold for Aussies: fast sign-ins, fair dinkum pokies, and bonuses that actually land

Eric Alper
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By Mitch Rice

Swing by Cherry Gold Casino and have a go today. The lobby carries 130+ games, from pokies like Aladdin’s Wishes to table staples and video poker. Keen for a spin right now? Register, set a budget, and play smart. Try a quick round on Bubble Bubble or a few hands of blackjack – easy in, easy out.

Pokies first, talk later

Cherry Gold Casino keeps things simple: RTG-powered pokies, classic tables, and a few progressive jackpots for when you’re chasing that “go on then” moment. The slot cupboard leans into recognisable names — Aladdin’s Wishes, Bubble Bubble — plus progressive picks like Mega Vault and Treasure Chase for a bigger sweat. You also get blackjack in a few flavours, roulette variants, baccarat, craps, and video poker such as Jacks or Better and Deuces Wild, so there’s always a seat handy.

Bonuses that actually pull their weight

Cherry Gold Casino doesn’t shy away from detail, and that’s handy because you want real numbers. Here’s the shape of what’s on the table right now:

  • Welcome Package: 260% up to AU$2,600 + 35 free spins on select slots; code CHERRYSPLASH; minimum AU$20 deposit; 30× wagering on bonus amount.
  • No-deposit offer: AU$100 or 20 free spins on sign-up; code CHERRY100; typical no-deposit terms apply; check max cashout once you’re in the cashier.
  • Weekly rhythm: Free Spins Friday and a Wednesday Reload with spins; seasonal promos and the odd tournament when the calendar gets lively.

A gentle reminder: you can only claim each bonus once. If Cherry Gold Casino flags bonus abuse — say, multiple accounts or mismatched details — those winnings can be clipped. Keep it tidy and you’re sweet.

Cherry Gold Casino also runs a four-tier VIP setup — Bronze, Silver, Gold, Platinum — with higher match rates, quicker withdrawals, bigger limits, birthday perks, and an account manager as you climb. Not a bad carrot for regulars who keep a steady bankroll.

Banking in AUD that doesn’t muck about

Cherry Gold Casino supports AUD across cards, crypto, and bank transfer, so topping up in Australia is straightforward. Deposits generally land instantly, and the site states it doesn’t charge withdrawal fees (your bank or processor might).

AUD methods at a glance

For timing and choices, here’s the short version before you hit the cashier.

MethodTypeMin DepositWithdrawal LimitsTypical Payout Time
Visa / MasterCard / AmexCard (Deposit & Withdrawal)AU$20AU$100–AU$2,000 per request3–7 business days
Bitcoin (BTC)Crypto (Both ways)AU$30AU$100–AU$2,000 per request3–7 business days
Litecoin (LTC)Crypto (Both ways)AU$30AU$100–AU$2,000 per request3–7 business days
Ethereum (ETH)Crypto (Both ways)AU$30AU$100–AU$2,000 per request3–7 business days
Bank WireBank transfer (Withdrawal)—AU$100–AU$2,000 per request3–7 business days

Those ranges are what Cherry Gold Casino advertises for the .bet site; limits can tighten or stretch during promos or verification checks, so take 30 seconds in the cashier to confirm the exact figures you see on your account.

Sign-in, spin, repeat

New day, same routine: the Cherry Gold Casino login gets you back to your dashboard in seconds — username or email, password, and away you go. If you misplace the password, the reset link does the job quickly. For the “back in I go” crowd, the Cherry Gold login page highlights current promos as you sign in, which makes snagging a reload less of a treasure hunt. Live chat and email support run 24/7 if something goes pear-shaped.

Why Aussies tend to stick around

Before chasing the next shiny thing, Cherry Gold Casino gives you a few steady anchors that matter week to week:

  • Pokies with familiar mechanics and clear paytables; no strange gimmicks.
  • Loyalty tiers that actually scale perks as you play; real value for regular deposits.
  • AUD-friendly banking and responsive support, so problems don’t drag on.

That combo makes Cherry Gold Casino easy to keep in rotation — quick to top up, quick to play, and no dramas when you want to hop back in after work.

FAQ

How do deposits work at Cherry Gold?

Cherry Gold Casino accepts AUD via cards, bank wire, and crypto like BTC, ETH, and LTC; deposits are typically instant and withdrawals are quoted at 3–7 business days.

What is the Cherry Gold Casino login process?

Use your email or username and password on the login page; if needed, trigger a password reset and you’ll be back into Cherry Gold Casino fast.

Does Cherry Gold have no-deposit offers?

Yes — Cherry Gold Casino periodically lists a no-deposit chip or free spins; a current example is AU$100 or 20 spins with code CHERRY100, subject to standard bonus rules.

What pokies are popular at Cherry Gold?

Aladdin’s Wishes and Bubble Bubble remain steady picks at Cherry Gold Casino, with progressives like Mega Vault and Treasure Chase for a bigger sweat.

Is support helpful at Cherry Gold?

Live chat runs around the clock at Cherry Gold Casino, with email and phone as backup, so you can get answers without hanging about.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Bob Odenkirk Admits Absurd Crimes In Iconic ‘Mr. Show’ Lie Detector Sketch

Eric Alper
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Bob Odenkirk Admits Absurd Crimes In Iconic ‘Mr. Show’ Lie Detector Sketch

During a 1998 episode of the seminal sketch comedy series Mr. Show with Bob and David, the brilliant Bob Odenkirk played a job applicant who was undergoing a hilariously rigorous screening process for Shoecourt Shoes. The premise involved David Cross administering a lie detector test, during which Odenkirk honestly admitted to a wide array of increasingly absurd crimes and misdeeds.

Bluegrass Band Steve’n’Seagulls Drop Spooky Cover Of “Don’t Fear the Reaper”

Eric Alper
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Bluegrass Band Steve’n’Seagulls Drop Spooky Cover Of “Don’t Fear the Reaper”

Finnish bluegrass band Steve’n’Seagulls has released their cover of the classic Blue Öyster Cult song “Don’t Fear the Reaper,” which is out now. The band delivered a spookier version of the song for Halloween, using green lighting effects and a costumed title character in the video. The bluegrass cover showcases the band’s unique style of blending traditional sounds with hard rock classics for a memorable and fun result.

Ticketmaster Supports Olivia Dean’s Commitment to Fair Ticket Pricing and Takes Action to Cap Resale for ‘The Art of Loving Live’ Tour on Its Site

Eric Alper
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Ticketmaster Supports Olivia Dean’s Commitment to Fair Ticket Pricing and Takes Action to Cap Resale for ‘The Art of Loving Live’ Tour on Its Site

To support Olivia Dean’s commitment to fair ticket pricing, Ticketmaster is capping all future ticket resale prices for ‘The Art of Loving Live’ tour on its platform and refunding fans for any markup they already paid to resellers on Ticketmaster.

Ticketmaster has activated a Face Value Exchange for the tour, effectively immediately but without transfer restrictions, to ensure that any future ticket sales on its site are capped at the original price paid—with no added fees. Ticketmaster was the first ticketing service to offer a Face Value Exchange in 2019 and continues to offer artists the right to cap resale prices prior to going on sale.

Demand for this tour was high with the artist adding three additional nights at Madison Square Garden to give fans the opportunity to see the show. After reviewing all sales, less than 20% of primary tickets were listed for resale—showing that Olivia’s demand was driven by genuine fans who intend to go to the show rather than resellers out for profit.

In early December, fans who purchased resale tickets on Ticketmaster will receive partial refunds reflecting the difference between the original tour price and the higher price charged by the reseller. Ticketmaster does not receive the markup on those tickets but is stepping in to absorb this refund cost for fans. Refunds will be processed by December 10 and may take a few additional days to post, depending on individual banks.

“We share Olivia’s desire to keep live music accessible and ensure fans have the best access to affordable tickets,” said Michael Rapino, CEO, Live Nation Entertainment. “While we can’t require other marketplaces to honor artists’ resale preferences, we echo Olivia’s call to ‘Do Better’ and have taken steps to lead by example. We hope efforts like this help fans afford another show they’ve been considering—or discover someone new.”

Ticketmaster believes artists should control how tickets are sold and resold. To support artists who want to keep concerts affordable, Ticketmaster is committed to:

  • 20% Concert Resale Caps: They will continue to advocate for lawmakers to create and enforce industry-wide resale caps on concert tickets and curb deceptive resale practices.
  • No-Fee Face Value Exchange: They offer artists the ability to use Face Value Exchanges to cap resale on our site while still giving fans the flexibility if they need to sell tickets at the price they originally paid; and
  • Verified Resale: WeThey authenticate resale listings on our site to ensure fans have a safe, secure marketplace that offers flexibility AND respects artists’ wishes.

Live Nation Gives Developing Artists The Stage — Free Venues, Full Support, And Every Dollar From Tickets & Merch

Eric Alper
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Live Nation Gives Developing Artists The Stage — Free Venues, Full Support, And Every Dollar From Tickets & Merch

Live Nation is proud to launch Next On, a new program supporting developing artists in Australia and New Zealand with the access, exposure, and support they need to grow their careers and reach new fans.

Hosted at Live Nation’s iconic venues across Australia and New Zealand, Next On unlocks stages rent-free, removing some of the biggest barriers facing developing artists: venue hire, and costs related to production, marketing, and ticketing.

Every month, one of Live Nation’s premier venues will host a showcase featuring local talent. Artists will set their ticket prices, keep every dollar of their ticket and merchandise revenue, and be backed by Live Nation’s expansive marketing and industry network. Artists know how critical those early breaks can be.

Kate Ceberano, ARIA Award-winning artist and advocate for developing talent, said, “My career began in pubs, clubs, and the small rooms where Australian music has always found its heartbeat. Those early stages teach you everything – how to test your material, how to win an audience, and how to build a fan base not through hype, but through real connection.

Giving young artists the chance to stand on iconic stages early, to find their voice and confidence in the right environment, is invaluable. I’m 100% behind it, and I’m thrilled to see these sorts of initiatives help make this possible. This is how we build a healthy industry – one strong foundation at a time.” [1]

Missy Higgins, ARIA Award-winning artist and advocate for developing talent, said, “When you’re starting out, what you need most is a chance – to get on stage, connect with fans, and be supported by the industry. ‘Next On’ delivers that.”

Tim Rogers, ARIA Award winning artist and advocate for developing talent, said, “Taking a punt on a new act, a new group, a book reading, a theatre show that is not necessarily on the popular culture radar WILL make you a more fulfilled human. While the rush of being part of a spectacle is palpable, to engage with an artist as they begin makes you, more than ever these days, part of the experiment. To be a fan, a participant, a patron is a noble thing. You are not just an audience. You were involved, and joined the community. Welcome, Onward we go.”

Adelaide’s pop punk duo Teenage Joans, said, “Growing up in Adelaide, we were lucky to have a few initiatives that gave us a leg up in those early days, and we know how much that help matters. Later, in the US, we benefited from Live Nation’s On The Road Again program, which supported developing artists with financial benefits – the kind of support that really keeps you going between gigs. Next On takes that same spirit even further here at home – taking the pressure off and giving developing artists space to grow on real stages. Support like this can genuinely change the path for new bands.”

Seb Szabo, rising Australian songwriter, said, “Having the chance to play a venue as iconic as the Palais at this point in my journey is incredible, especially after having seen my third ever show (Glen Hansard) here with my dad years ago. Next On is providing such a unique opportunity for developing artists to dream big & be inspired about possibility at a crucial early career stage, and it’s an opportunity I know I won’t soon forget.”

Next On launches this Aus Music Month, calling for applications ahead of shows kicking off in  2026 at some of the country’s most iconic venues — including the Palais Theatre – On The Stage  (Melbourne), The Outpost at Fortitude Music Hall and The Triffid (Brisbane), Anita’s Theatre – The King’s Room (Thirroul), Divide at Hindley Street Music Hall (Adelaide) and The Tuning Fork in Auckland (NZ).

Mark Vaughan, Senior Vice President Touring, Live Nation Australia and New Zealand said,  “We’re handing over the keys – giving artists the stage to own, and fans the story to tell. Next On tears down some of the barriers so developing artists can shine, keep 100% of what they earn, and fans can say, ‘I saw them here first.’”

Artists will also benefit from marketing and PR support, professional photography, and career development opportunities, reaching over six million fans via Live Nation and Moshtix’s channels and media partners.

For more information visit: https://www.livenation.com.au/nexton or to apply for Next On visit here.

LIVE NATION PRESENTS – NEXT ON

  • Palais Theatre – On The Stage, Melbourne
  • The Triffid, Brisbane
    The Outpost at Fortitude Music Hall, Brisbane
  • Anita’s Theatre – King’s Room, Thirroul
  • Divide, Hindley Street Music Hall, Adelaide
  • Tuning Fork, Auckland (NZ)

RÜFÜS DU SOL Recognized For Highest-Selling Electronic Tour Of All Time

Eric Alper
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RÜFÜS DU SOL Recognized For Highest-Selling Electronic Tour Of All Time

Following a trio of sold-out hometown headline shows in Sydney, Grammy-winning live electronic trio RÜFÜS DU SOL have been honored with a commemorative plaque, presented by Live Nation and Untitled, recognizing their Inhale / Exhale World Tour as the highest-selling electronic tour of all time. The milestone caps a record-breaking 2025, during which the trio sold 750,000 headline tickets and performed to 1.5 million fans worldwide across their festival and headlining shows

Credit: Boaz Kroon

The Inhale / Exhale era has been a critical and commercial success, earning RÜFÜS DU SOL a  2026 GRAMMY nomination for Best Dance/Electronic Album and four nominations at the 2025 ARIA Awards. The album debuted on the Billboard 200 and spawned the band’s first #1 on U.S. dance radio with “Music is Better” highlighting their crossover appeal and position as pioneers in the live electronic music landscape.

Spanning nearly 50 headline shows across four continents, the Inhale / Exhale World Tour has solidified their position amongst the world’s most iconic live acts, performing in venues traditionally reserved for legacy artists, headlining major festivals around the globe like Lollapalooza, and cementing their status as the only electronic act performing at this scale globally. The tour featured historic moments, including the band becoming the first electronic act to headline Los Angeles’ Rose Bowl and now hold the record for the highest selling Australian act the Qudos Bank Arena in their hometown of a Sydney, while setting new benchmarks for electronic music and the live ecosystem, reaffirming their broader influence on contemporary musical culture worldwide.

The recent plaque presentation celebrates RÜFÜS DU SOL’s unmatched live performance achievements in 2025 and marks the start of their record-setting journey into 2026 when they head back on tour for their biggest headline tours in South America and Europe, where demand continues with new shows added this week in Dublin, Dusseldorf and Bologna. These performances join a staggering run of dates at some of Europe’s most celebrated arenas including London’s The O2, Paris’ Adidas Arena, and Barcelona’s  Palau Sant Jordi. Go to rufusdusol.com/live for full tour dates and tickets to select shows while supplies last. 

RÜFÜS DU SOL Inhale / Exhale Word Tour Dates:

January 4 – Zamna – Tulum, MX (^)

February 19 – Movistar Arena – Buenos Aires, AR

February 22 – Movistar Arena – Santiago, CL

February 25 – Pedreira Paulo Leminsky – Curitiba, BR

February 27 – Mercado Livre Arena Pacaembu – São Paulo, BR

March 4 – Estadio Cincuentenario – Medellín, CO

March 6 – Coliseo MedPlus – Bogotá, CO

April 22 – PSD Bank Dome – Dusseldorf, DE (*)

April 24 – Palau Sant Jordi – Barcelona, ES (*)

April 26 – Movistar Arena – Madrid, ES (*)

April 28 – Unipol Forum – Bologna, IT (*)

April 29 – AG Hallenstadion – Zürich, CH (*)

May 1 – Velodrom – Berlin, DE (*)

May 3 – ING Arena – Brussels, BE (*)

May 6 – Ziggo Dome – Amsterdam, NL (*)

May 9 – Adidas Arena – Paris, FR (*)

May 13 – The O2 – London, UK (*)

May 15 – 3Arena – Dublin, IE (**)

* With Support from SG Lewis (Live)

** With Support from Weval

^ DJ Set

Samantha Gongol Steps Into A Bold New Era With Solo EP ‘Flash in the Pan!’

Eric Alper
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0
Samantha Gongol Steps Into A Bold New Era With Solo EP ‘Flash in the Pan!’

Samantha Gongol opens a striking new chapter with her debut solo EP ‘Flash in the Pan!’, an eight song collection shaped by theatrical flair and emotionally charged storytelling. The project brings together new tracks like “American Boy” and “Whiplash” with earlier singles that explore self reflection, uncertainty and how time reshapes us. Jeremy Lloyd’s production on “Whiplash” offers a gentle nod to the Marian Hill sound while Gongol leans into fresh ideas with confidence. She says the EP holds something for everyone and reflects a choice to stop boxing herself in and release whatever felt true.

112 Bring Classic R&B Spirit To The Road With ‘The Room 112’ Tour

Eric Alper
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112 Bring Classic R&B Spirit To The Road With ‘The Room 112’ Tour

112 set out across the country this winter as Live Nation Urban rolls out the Room 112 Tour, a run of intimate shows built around the group’s timeless harmonies and deep catalog of R and B favorites. Total and Case join as special guests, turning each night into a celebration of the era that shaped so many fans. The tour stretches from early November through February, ending with a hometown finale in Atlanta. With VIP options, meet and greets and carefully curated venues, the tour promises a warm, nostalgic and high energy experience for longtime listeners and new audiences alike.

Room 112 Tour Dates:
January 23 – Los Angeles, CA // YouTube Theater
January 24 – Oakland, CA // Oakland Paramount
January 25 – Las Vegas, NV // Pearl Concert Theater at Palms Casino Resort
January 28 – Indianapolis, IN // Murat Theatre at Old National Centre
January 30 – Philadelphia, PA // The Met
February 1 – Washington, DC // The Theater at MGM National Harbor
February 3 – Raleigh, NC // Meymandi Concert Hall
February 5 – Charlotte, NC // Ovens Auditorium
February 6 – Atlanta, GA // Tabernacle

The Acacia Strain Bring Back Their Heavy Holiday Mayhem With ‘Tune Low Die Slow Ho Ho 2025’

Eric Alper
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The Acacia Strain Bring Back Their Heavy Holiday Mayhem With ‘Tune Low Die Slow Ho Ho 2025’

The Acacia Strain return with Tune Low Die Slow Ho Ho 2025, a two-day December blowout at Empire Live that brings metallic holiday chaos to Albany. Vincent Bennett calls it Merry TASMAS, Round Two, an open invitation to pit, celebrate and close the year in pure heavy style. With the band headlining both nights, the lineup hits hard from top to bottom, stacking veterans, rising acts and full throttle energy. It is a festive tradition built for fans who prefer their season loud, unfiltered and absolutely crushing.

Lineups:

Saturday, December 13:
The Acacia Strain
Skinless
Fuming Mouth
Gates to Hell
No Cure
Azshara
Horse Grave
NOIR
Surfaced

Sunday, December 14:
The Acacia Strain
Full of Hell
On Broken Wings
Jivebomb
Jarhead Fertilizer
Flatwounds
Sunbloc
Evil Mind
Violent Streets

The Dream Syndicate Celebrate A Landmark Return With Massive ‘Medicine Show’ Reissue And 2025 Tour

Eric Alper
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The Dream Syndicate Celebrate A Landmark Return With Massive ‘Medicine Show’ Reissue And 2025 Tour

The Dream Syndicate reclaim their storied past with the expansive 42 song ‘Medicine Show’ box set, arriving through their Down There label and Fire Records after finally securing reissue rights from Universal. The collection digs deep into their 1983 84 vaults with radio sessions, demos, rehearsals and the full WXRT broadcast alongside a remastered album drawn from the original tapes. Steve Wynn says he cannot wait to revisit the songs onstage as the band launches a U.S. fall run before heading to Europe. The set captures the wild chemistry, raw ideas and combustible spirit that defined their Medicine Show era.

Tour Dates:
Dec 9, 2025 – Hamden, CT @ Space Ballroom
Dec 10, 2025 – Boston, MA @ Crystal Ballroom
Dec 11, 2025 – New York, NY @ Le Poisson Rouge
Dec 12, 2025 – Philadelphia, PA @ Johnny Brenda’s
Dec 13, 2025 – Washington, DC @ Union Stage
Dec 14, 2025 – Richmond, VA @ Richmond Music Hall


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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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