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Avoid Common Mistakes When Setting Up Your Home Entertainment System

Eric Alper
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By Mitch Rice

Table of Contents

  • Introduction
  • Planning Your Space
  • Choosing the Right Equipment
  • Proper TV Aerial Installation
  • Cable Management Tips
  • Optimising Audio Settings
  • Avoiding Overcrowding
  • Lighting Considerations
  • Calibrating Your Display
  • Future-Proofing Your Setup
  • Wrapping It All Together

Introduction

Creating the perfect home entertainment system is a dream for many, but it’s easy to fall into common pitfalls that can ruin the experience. Whether you’re a cinephile, a gamer, or simply someone who enjoys binge-watching your favourite shows, setting up your system correctly is crucial. This guide will walk you through the key steps to avoid mistakes and ensure your setup is both functional and visually appealing.

Planning Your Space

Before you even think about buying equipment, take the time to plan your space. Measure the room, consider where your furniture will go, and think about how you’ll use the system. Will it be primarily for movies, gaming, or casual TV watching? Understanding your needs will help you make better decisions about the equipment and layout.

A common mistake is failing to account for viewing angles and distances. Your TV should be positioned at eye level when seated, and the distance from the screen should be proportional to its size. For example, a 55-inch TV is best viewed from about 2 to 3 metres away.

Choosing the Right Equipment

Investing in the right equipment is essential, but it’s easy to overspend or buy items you don’t need. Start with the basics: a high-quality TV, a sound system, and a reliable media player. Don’t forget to consider compatibility between devices. For instance, ensure your soundbar or AV receiver supports the same HDMI standards as your TV.

Avoid the temptation to buy the latest gadgets without researching their practicality. A 4K Blu-ray player might sound impressive, but if you primarily stream content, it could be an unnecessary expense.

Proper TV Aerial Installation

One of the most overlooked aspects of setting up a home entertainment system is the TV aerial installation. A poorly installed aerial can lead to weak signals, pixelation, or even a complete loss of channels. Ensure your aerial is positioned correctly, ideally pointing towards the nearest transmitter. If you’re unsure, consider hiring a professional to handle the installation.

Additionally, check the quality of your coaxial cables and connectors. Cheap or damaged cables can significantly impact signal strength.

Cable Management Tips

Nothing ruins the aesthetic of a home entertainment system faster than a tangled mess of cables. Invest in cable management solutions like trunking, clips, or sleeves to keep everything neat and tidy. Label your cables to make future adjustments easier, and consider using wireless options where possible, such as Bluetooth speakers or HDMI extenders.

If you’re mounting your TV on the wall, use a cable cover to hide the wires. This not only looks cleaner but also reduces the risk of tripping hazards.

Optimising Audio Settings

Great visuals are only half the battle; sound quality is equally important. Take the time to calibrate your audio settings to suit your room’s acoustics. If you’re using a surround sound system, ensure the speakers are positioned correctly. The front speakers should be at ear level, while the rear speakers should be slightly behind the seating area.

Don’t forget to adjust the equaliser settings on your TV or sound system. Boosting the bass can enhance action scenes, while tweaking the treble can make dialogue clearer.

Avoiding Overcrowding

It’s easy to get carried away with gadgets and accessories, but overcrowding your entertainment unit can lead to overheating and poor ventilation. Leave enough space around your devices to allow for proper airflow. If you’re using a closed cabinet, consider installing a small fan to prevent heat buildup.

Keep your setup minimalistic and functional. Too many devices can make the system confusing to use and detract from the overall experience.

Lighting Considerations

Lighting plays a significant role in creating the perfect viewing environment. Avoid placing your TV opposite a window, as glare can make it difficult to see the screen. Instead, use blackout curtains or blinds to control natural light.

Consider adding ambient lighting behind your TV or around the room. LED strip lights can create a cinematic effect and reduce eye strain during long viewing sessions.

Calibrating Your Display

Out-of-the-box settings on most TVs are rarely optimal. Take the time to calibrate your display for the best picture quality. Adjust the brightness, contrast, and colour settings to suit your room’s lighting conditions.

If you’re unsure how to do this, many TVs come with built-in calibration tools or presets for different viewing modes, such as ‘Cinema’ or ‘Sports’. Alternatively, you can use a calibration disc or hire a professional to fine-tune your settings.

Future-Proofing Your Setup

Technology evolves rapidly, so it’s important to future-proof your home entertainment system. Choose devices with the latest connectivity options, such as HDMI 2.1 or USB-C, to ensure compatibility with future upgrades.

Consider investing in a smart TV or streaming device that receives regular software updates. This will help keep your system up-to-date with the latest features and apps.

Wrapping It All Together

Setting up a home entertainment system is more than just plugging in a few devices. It requires careful planning, thoughtful equipment selection, and attention to detail. By avoiding common mistakes like poor cable management, incorrect speaker placement, or inadequate lighting, you can create a setup that’s both functional and visually stunning.

Remember, the goal is to enhance your viewing experience, not complicate it. Take your time, do your research, and enjoy the process of building a system that’s tailored to your needs. With the right approach, your home entertainment system will be the envy of your friends and family.

This guide should serve as a comprehensive resource for anyone looking to create the ultimate home entertainment setup. Happy viewing!

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

5 Game-Changing Social Media Marketing Courses for Musicians 

Eric Alper
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5 Game-Changing Social Media Marketing Courses for Musicians 

You wouldn’t go on stage without tuning your guitar. You wouldn’t release a song without mixing and mastering. So why would you wing your social media marketing? In today’s music industry, your social media presence is as important as your sound. It’s how you reach fans, build hype, and—let’s be real—make money.

But let’s cut to the chase: social media is an ever-changing beast, and keeping up can feel like running a never-ending marathon. The good news? There are killer courses out there—many of them FREE—that will teach you how to optimize your strategy, grow your audience, and stand out in the crowded digital landscape.

Ready to up your game? Here are FREE courses that will take your social media marketing from DIY to VIP.

Social Media Marketing Certification Course – HubSpot Academy

💰 Price: FREE
This course is like a masterclass in social media domination. You’ll learn the fundamentals of content creation, engagement strategies, analytics, and even advertising. It’s an industry-recognized certification, meaning you can flex it on your resume or LinkedIn.

👉 Check it out here

Social Media Marketing Course – Great Learning

💰 Price: FREE
If you’re starting from scratch and want a beginner-friendly breakdown of how social media works for musicians, this course is gold. You’ll learn about content strategy, audience engagement, and analytics—everything you need to boost your music career online.

👉 Get started

Google Digital Marketing & E-commerce Professional Certificate – Coursera

💰 Price: FREE
Yes, Google wants to teach you digital marketing for free! This course covers social media, search engine optimization (SEO), email marketing, and analytics—essential tools for any musician looking to grow their audience organically.

👉 Check it out

Social Media Marketing Specialization – Northwestern University on Coursera

💰 Price: FREE
This course is next-level. If you want to understand audience segmentation, paid ads, and influencer marketing, this is the kind of expertise that gets artists to the next stage of their career.

👉 Learn more

Crash Course on Social Media by Aptly – Coursera

💰 Price: FREE
If you need a quick, no-BS refresher on social media, this is it. Perfect for busy musicians who need to learn content creation, analytics, and engagement strategies on the fly.

👉 Enroll now

Some of these courses take less than a day to complete. You’ve got no excuse not to put in the time and invest in your future. Even if you already know the basics, you might pick up new tricks that set you apart. The key to success? Consistency, strategy, and never stopping learning.

 

 

5 Surprising Facts About Depeche Mode’s ‘Violator’

Eric Alper
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5 Surprising Facts About Depeche Mode’s ‘Violator’

When Violator dropped on March 19, 1990, it reshaped electronic music with Depeche Mode at the forefront. With its dark atmospheres, pulsating beats, and some of the most iconic singles in their catalog, the album became an instant classic. But beneath the synth-heavy sound and melancholic lyrics lie hidden stories that few fans know.

1. “Enjoy the Silence” Was Originally a Ballad

It’s hard to imagine Depeche Mode’s most iconic song as anything other than the danceable, synth-driven anthem it became, but “Enjoy the Silence” started out as a slow, mournful ballad. Martin Gore originally wrote it as a soft, stripped-down piece, but Alan Wilder convinced the band to rework it into something more uptempo. That decision not only transformed the track but also became a defining moment for Violator. The song would go on to win Best British Single at the Brit Awards and solidify Depeche Mode as stadium-filling superstars.

2. “Personal Jesus” Was Inspired by Priscilla Presley’s Memoir

One of the album’s most famous tracks, “Personal Jesus,” wasn’t just a catchy, blues-infused departure from the band’s usual synthpop sound—it was deeply rooted in personal inspiration. Martin Gore read Elvis and Me, Priscilla Presley’s memoir about life with Elvis, and was struck by the idea of a lover being idolized as a godlike figure. That theme turned into one of the most recognizable Depeche Mode songs ever, with a riff that has since been covered by artists like Johnny Cash, Marilyn Manson, and Def Leppard.

3. The Album Title Was a Joke

With a name like Violator, you might expect the album to be an aggressive, heavy metal assault. But according to Martin Gore, the title was a joke—an ironic nod to the over-the-top, tough-guy imagery of rock and metal bands at the time. They wanted the most absurdly dramatic title they could come up with, fully expecting people to misunderstand the humor. Turns out, the joke was on them: Violator became their most critically acclaimed and commercially successful album.

4. Over 100 Different Riffs Were Tested for “Policy of Truth”

While “Policy of Truth” stands out as one of Violator’s most polished and hypnotic tracks, the process of perfecting it was anything but smooth. Alan Wilder revealed that the band experimented with over 100 different riffs before finally settling on the now-iconic slide guitar melody. They even recorded multiple versions of the track at different studios, constantly reworking it until they landed on the perfect groove. The result? A track that remains a staple in Depeche Mode’s live shows to this day.

5. Flood Helped Redefine Depeche Mode’s Sound

Before Violator, Depeche Mode’s albums were produced in a meticulous, heavily programmed way. But for this record, they brought in legendary producer Flood, who encouraged a more spontaneous approach. Instead of rigid pre-production sessions, Flood pushed the band to experiment in the studio, layering in live instrumentation and unexpected sonic textures. This freer, more organic method gave Violator its cinematic depth and emotional resonance, setting the blueprint for the band’s future work.

More than three decades later, Violator remains the defining moment of Depeche Mode’s career. It bridged the gap between their underground electronic roots and mainstream superstardom, influencing countless artists across genres. Whether it’s the eerie swagger of “Personal Jesus,” the hypnotic pulse of “Enjoy the Silence,” or the brooding atmospheres of deep cuts like “Halo,” Violator still sounds as fresh today as it did in 1990.

5 Surprising Facts About Johnny Cash’s ‘At Folsom Prison’

Eric Alper
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5 Surprising Facts About Johnny Cash’s ‘At Folsom Prison’

Few live albums have captured the raw energy and cultural significance of Johnny Cash at Folsom Prison. Released in 1968, this record not only revitalized Cash’s career but also cemented his place as one of America’s most authentic and rebellious musical voices. While many know the album’s prison setting and its iconic tracklist, here are five fascinating facts about At Folsom Prison that add even more grit to its legendary status.

1. The Governor of California (And Future President) Showed Up at Rehearsals

In the days leading up to the Folsom Prison concert, Johnny Cash and his band were rehearsing at the El Rancho Motel in Sacramento. On January 12, 1968, California’s then-governor Ronald Reagan happened to be at the same motel for an after-dinner speech. Upon hearing that Cash was in town preparing for his prison concert, Reagan paid him a visit, offering words of encouragement. The future president’s unexpected drop-in added an unusual political twist to the historic event, proving that Cash’s reputation extended far beyond country music circles.

2. A Prisoner’s Song Made the Setlist at the Last Minute

One of the most memorable moments on the album is Cash’s performance of “Greystone Chapel,” a song written by inmate Glen Sherley while serving time at Folsom. The prison’s recreation director passed a tape of the song to Reverend Floyd Gressett, a preacher with close ties to Cash. When Gressett introduced the track to Cash the night before the concert, he was so moved by the song’s message that he learned it on the spot and added it to the setlist. It became a defining moment of the performance—Cash, singing the words of a prisoner to a captive audience, blurring the line between performer and listener.

3. Columbia Records Wasn’t Interested in Promoting the Album

Despite Cash’s growing reputation as a live performer, Columbia Records didn’t initially see At Folsom Prison as a priority. At the time, the label was focused on its pop stars and wasn’t convinced a prison-recorded album would sell. As a result, Columbia offered minimal promotional support when the album was released. However, radio stations picked up on “Folsom Prison Blues”, and word of mouth spread quickly, leading to a massive commercial success. The album eventually went triple platinum, proving that authenticity and raw storytelling resonated more than industry marketing strategies.

4. The Crowd’s Reactions Were Carefully Orchestrated

One of the most striking elements of At Folsom Prison is the energy of the crowd—cheers, laughter, and applause that make the album feel almost cinematic. However, while the inmates were genuinely excited, the audience’s reactions were carefully directed. Before Cash took the stage, MC Hugh Cherry coached the prisoners on how to respond, instructing them to hold their applause until Cash introduced himself. This deliberate staging helped create one of the album’s most famous moments—the electric silence before Cash’s first words, “Hello, I’m Johnny Cash.” It was a theatrical touch that made the recording all the more legendary.

5. The Album Was Censored After a Tragic Event

Just a few weeks after the album’s release, tragedy struck. On June 5, 1968, Senator Robert F. Kennedy was assassinated in Los Angeles. In the wake of the national mourning, radio stations pulled “Folsom Prison Blues” from rotation because of the infamous lyric: “I shot a man in Reno / Just to watch him die.” Columbia Records responded by ordering producer Bob Johnston to create a censored version of the song, removing the line entirely. Cash fought against the decision, but the edited version was reissued anyway. Despite this, the album’s impact remained untouched, and it continued climbing the charts, cementing its place in history.

More than just a live album, At Folsom Prison was a moment of cultural rebellion. Johnny Cash gave the inmates a voice, reinforcing his lifelong empathy for the marginalized. The album’s success catapulted Cash back into the spotlight and set the stage for future prison recordings, including At San Quentin. Decades later, the album remains one of the most celebrated live recordings of all time, a raw and powerful testament to music’s ability to connect with the forgotten corners of society.

Brandon Woody Announces For The Love Of It All, a Soul-Stirring Debut on Blue Note Records

Eric Alper
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Brandon Woody Announces For The Love Of It All, a Soul-Stirring Debut on Blue Note Records

For The Love Of It All is more than trumpeter and composer Brandon Woody’s recording debut; it is a manifesto, a ritual, a hymn to the enduring power of love. Joined by his band Upendo — Troy Long (piano, organ, Rhodes, keyboards), Quincy Phillips (drums), and Michael Saunders (bass) with special guests Imani-Grace (vocals), Vittorio Stropoli (aux synth) — the Baltimore-born and based artist extends an invitation into communion with a striking body of work. The album will be released May 9 on Blue Note Records and is available for pre-order now on Blue Note Store exclusive color vinyl, black vinyl, CD, and digital download.

Woody describes “Real Love, Pt. 1,” the album’s lead single, as “the essence of the group.” Co-written by Long, it’s a rare piece that balances individuality and community, leaving listeners with a visceral sense of what For The Love Of It All really means. This track is where they empty themselves entirely, leaving traces of their humanity — sweat, laughter, and tears — pressed into the sound. It is a bold testament to the trust, interplay, and love that binds them. The song opens with conviction, each instrument claiming its space with a distinct and purposeful voice. Stropoli joins the quartet on aux synth, an electrifying layer that expands the piece. Woody’s trumpet rises, fierce and unyielding, as Long and Phillips fold in rhythmic spirals beside him—delicate yet deliberate.

For The Love Of It All surges with love, not as a fleeting sentiment but as an elemental force channeled through sound. Each song emits a lineage of perseverance, an inheritance of resilience passed down through intuitive memory. This project sews a tapestry of music that holds space for the unseen — love in its purest form: communal, generational, and radical. It is a reckoning with history and a strong gesture toward the future, where the boundaries between emotion and sound dissolve, leaving only the raw, unmediated truth of connection.

With his debut on Blue Note Records, Woody positions himself as both an innovator and a griot, balancing technical mastery with a reverence for his roots. This album anchors itself in the past while reverberating forward, tethering listeners to something larger than themselves. In every track, love is palpable, not idealized, but complex, textured, and human. This is music that carries, uplifts, and insists that survival is its own form of artistry, powered by the knowledge that love, in all its dimensions, is what binds us across generations and geographies.

Jordan Rakei Announces ‘The Loop (Deluxe)’ with Three New Tracks and Live Royal Albert Hall Performances

Eric Alper
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Jordan Rakei Announces ‘The Loop (Deluxe)’ with Three New Tracks and Live Royal Albert Hall Performances

Revered multi-instrumentalist, vocalist and producer Jordan Rakei has today announced a deluxe version of his latest studio album The Loop, which features three new tracks: ‘Celebrate’ featuring STUTS (which has already reached 2 million global streams), ‘The Seize’ and today’s lead single, ‘Talk Talk Talk’, which was recorded at the iconic Abbey Road studios during Jordan’s year-long residency. Speaking on the track, Jordan Rakei explains: “This song is simply about talking about your problems with people you trust. It was a really healthy exercise to let stuff go. Now I’m able to process stuff a lot better.”

The Loop, Rakei’s fifth album saw Jordan achieve his first Top 40 album, be named Abbey Road’s first ever Artist In Residence, play a coveted slot on Glastonbury’s West Holts stage, sell out his biggest-ever shows globally, curate his very own BBC Prom, and finish the year of 2024 with 2 stellar sold-out nights at London’s Royal Albert Hall. As well as the previously unheard singles, The Loop (Deluxe) version also features live versions of ‘Trust’, ‘Hopes and Dreams’ & ‘Friend Or Foe’ from the Royal Albert Hall shows.

Released last year via Decca (and Verve Forecast in the US), The Loop marked a new chapter in Jordan’s career that coincided with a number of profound changes in his personal life. It’s an extraordinary record, not least for its sheer, breathtaking ambition whilst retaining the experimental, off-kilter vibe he’s synonymous with. Containing singles ‘Flowers’, ‘Freedom’, ‘Learning’, ‘Friend or Foe’ and ‘Trust’, the album showcased his typically bold production style alongside spectacular orchestral arrangements and haunting choirs, hypnotic beats and an Odyssean-style narrative that charts a course through times of darkness and positivity.

Recorded at RAK Studios, self-produced and mixed by Ben Baptie, fans and critics will note how on The Loop, Rakei has stepped away from the DIY sound he was once known for (and still loves). He grew up listening to artists such as Stevie Wonder, Bill Withers, Curtis Mayfield and D’Angelo and having returned to immersing himself with their music recently, he knew he didn’t want this new album to sound like it was made in a bedroom. Inspired by a Bill Withers documentary, in which his hero ignored the contempt of his peers for daring to reach higher, Rakei set about assembling a crack team of musicians to fulfill his own crystal clear ambitions for this album.

Speaking on the deluxe version, Jordan explains, “This deluxe album is special for me, because it features two new songs that hold a special place in my heart. So happy for them to be coming out in the world. It also features three live performances from my shows at The Royal Albert Hall last year which were some of my favourite live performances throughout the year of touring this record!”

Original album:
Flowers
Freedom
Friend or Foe
Forgive
Royal
Trust
State of Mind
Hopes and Dreams
Learning
Cages
Everything Everything
Miracle
A Little Life

Deluxe additions:
Celebrate
Talk Talk Talk
The Seize
Friend or Foe – Live from The Royal Albert Hall
Hopes and Dreams – Live from The Royal Albert Hall
Trust – Live from The Royal Albert Hall

The Tragically Hip’s Music Takes the Stage in ‘It’s a Good Life If You Don’t Weaken,’ Premiering in 2026

Eric Alper
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The Tragically Hip’s Music Takes the Stage in ‘It’s a Good Life If You Don’t Weaken,’ Premiering in 2026

The legendary music of Canada’s most beloved and influential rock bands, The Tragically Hip, will come to life in a brand-new musical from producers David and Hannah Mirvish and Michael Rubinoff. With songs from the iconic catalogue of The Tragically Hip and a book by Brian Hill and Ahmed Moneka, It’s a Good Life If You Don’t Weaken tells the story of a family in turmoil facing the revelation of long-guarded secrets, and the resilience they find through a group of friends in the micro-mosaic of Toronto’s Kensington Market.

It’s a Good Life If You Don’t Weaken will immerse audiences in a powerful original story integrated with The Tragically Hip’s timeless hits, capturing the raw energy, heartfelt lyrics, and unmistakable spirit that have made them an essential part of Canada’s musical identity.

It’s a Good Life If You Don’t Weaken will have its world premiere in 2026 at Theatre Aquarius in Hamilton, Ontario, under the leadership of Artistic Director Mary Francis Moore, in partnership with Thousand Islands Playhouse, led by Managing Artistic Director Brett Christopher. The show will be further developed in partnership with The Creative School Chrysalis at Toronto Metropolitan University. Full details will be announced at a later date.

“Some of the country’s best theatre makers have come together to create a show that honours our music,” said The Tragically Hip. “It’s exciting to see our songs interpreted in a new way that will continue to connect audiences, while supporting a compelling story for the theatrical stage.”

“The Tragically Hip are a foundational part of Canadian culture and music, to be able to support a musical using their music and telling a wonderfully Canadian story is such an exciting opportunity,” said David and Hannah Mirvish.

“The Tragically Hip’s music has had a huge impact on me and millions of other lives, transcending generations and people from all walks of life,” said Rubinoff. “This musical is an opportunity to not only honour the band’s legacy but also celebrate their glorious music. It is a dream project.”

Casting will begin next month with an open casting call on Sunday, March 9, 2025 at The Creative School Chrysalis at Toronto Metropolitan University, 43 Gerrard Street East, Toronto, sign in from 9AM – 1PM. Please note that CAEA members will be seen first. More information about casting is available at theatreaquarius.org/auditions-submission.com

From their hometown of Kingston, ON, Rob Baker, Gord Downie, Johnny Fay, Paul Langlois and Gord Sinclair skyrocketed to fame as The Tragically Hip with their signature blend of rock anthems and poetic lyricism. Over their storied career, the band released 14 studio albums, 9 of which hit #1 in Canada, won 17 Juno Awards, and were inducted into the Canadian Music Hall of Fame and received a star on Canada’s Walk Of Fame. Their 2016 cross-Canada tour, undertaken after Downie’s terminal cancer diagnosis, was a cultural phenomenon watched by millions. On September 5, 2024, celebrating their 40th anniversary, The Tragically Hip: No Dress Rehearsal, a definitive four-part documentary series about the band, premiered at The Toronto International Film Festival, winning the People’s Choice Award. The documentary is currently streaming on Amazon Prime worldwide.

David Tennant Kicks Off the EE BAFTA Film Awards 2025 with a Kilt and a Proclaimers Classic

Eric Alper
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David Tennant Kicks Off the EE BAFTA Film Awards 2025 with a Kilt and a Proclaimers Classic

David Tennant may have just redefined the art of the awards show opening. Kilt-clad and brimming with Scottish pride, the actor launched the EE BAFTA Film Awards 2025 with a raucous, audience-led rendition of I’m Gonna Be (500 Miles) by The Proclaimers. Delivered in a thick Scottish brogue, the performance was both an homage to his roots and a masterclass in how to command a room. With the energy of a pub singalong and the presence of a Shakespearean lead, Tennant reminded us that showmanship isn’t just about spectacle—it’s about bringing people together.

Louder Than Life 2025 Unleashes Its Biggest Lineup Ever with Slayer, Avenged Sevenfold, Rob Zombie, and More

Eric Alper
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Louder Than Life 2025 Unleashes Its Biggest Lineup Ever with Slayer, Avenged Sevenfold, Rob Zombie, and More

Louder Than Life will be disturbing the peace in 2025 with one of the biggest and LOUDEST festivals in North America all year. Over 160 bands will perform on 6 stages September 18, 19, 20 & 21 at the Highland Festival Grounds at Kentucky Exposition Center in Louisville, KY for the 11th edition of Louder Than Life. Louder Than Life 2025 also marks the largest lineup in the history of producer Danny Wimmer Presents.

In addition to the previously announced return of metal legends Slayer, the four-day destination event will also feature Rob Zombie in a global exclusive performance of Astro-Creep: 2000 in honor of the album’s 25th anniversary, plus Marilyn Manson on Thursday; Avenged Sevenfold, Sleep Token and Breaking Benjamin on Friday; Deftones, Bad Omens and A Perfect Circle on Saturday; and Bring Me The Horizon, $uicideboy$ and Evanescence on Sunday.

America’s Loudest Rock & Metal Festival will also feature performances from Knocked Loose, Three Days Grace, Lamb of God, Mudvayne, I Prevail, Spiritbox, All Time Low, Dream Theater, Stone Temple Pilots, Motionless in White, Cypress Hill, Acid Bath, DOWN, Lorna Shore, Bruce Dickinson, and many more.

“Louder Than Life has always been about showcasing the future of rock and heavy music while honoring the legends who paved the way. Bands like Bring Me The Horizon, Sleep Token, Bad Omens, $uicideboy$, Motionless In White, Spiritbox, I Prevail, Slaughter To Prevail, Lorna Shore, Wage War, Dayseeker, and Knocked Loose aren’t just performing-they’re defining the next generation of headliners,” says Danny Wimmer of Danny Wimmer Presents. “At the same time, pioneers like Slayer, Deftones, A Perfect Circle, and Avenged Sevenfold have set the standard, proving that this music is always evolving. This is where the past, present, and future of heavy music collide.”

“We’re coming back to Louder Than Life in Louisville. Get ready f*ckers!” says Slayer’s Tom Araya.

“We are very thrilled to finally be returning to America. We have missed our fans dearly and LOUDER THAN LIFE is one of our favorite festivals to play,” adds Bring Me The Horizon’s Oli Sykes.

“Louder Than Life 2025 will bring electrifying beats and bold bites to the Commonwealth,” says David S. Beck, president & CEO of Kentucky Venues. “As one of the nation’s largest and most celebrated music festivals, it continues to grow at the Kentucky Exposition Center, solidifying its place as a uniquely Kentucky experience and a must-visit event.”

While festival producers Danny Wimmer Presents have unveiled some of the Louder Than Life 2025 bands in recent weeks, the full music lineup–including several reunions and rare performances–is as follows for the 11th year of the fan-favorite event: Slayer, Deftones, Avenged Sevenfold, Bring Me The Horizon, Sleep Token, $uicideboy$, Bad Omens, Rob Zombie, A Perfect Circle, Breaking Benjamin, Marilyn Manson, Evanescence, Knocked Loose, Three Days Grace, Lamb of God, Mudvayne, I Prevail, Spiritbox, All Time Low, Dream Theater, Stone Temple Pilots, Motionless in White, Cypress Hill, Acid Bath, DOWN, Lorna Shore, Bruce Dickinson, The Story So Far, Slaughter To Prevail, Trivium, Chiodos, Hollywood Undead, The Dillinger Escape Plan, Cannibal Corpse, Black Veil Brides, Insane Clown Posse, Dayseeker, Wage War, Powerwolf, Flyleaf w/ Lacey Sturm, Cavalera, Machine Head, Chimaira, Neck Deep, PVRIS, Tech N9ne, Testament, Kublai Khan TX, Story of the Year, Letlive., Glassjaw, State Champs, We Came As Romans, Crossfade, Exodus, DRAIN, From Ashes To New, Static-X, Hatebreed, August Burns Red, Bilmuri, Queensrÿche, Imminence, Atreyu, Carcass, DragonForce, Alestorm, Sebastian Bach, Of Mice & Men, Whitechapel, Suicide Silence, Fleshwater, Superheaven, Kittie, Blessthefall, Rev Theory, Accept, Failure, DevilDriver, Stabbing Westward, Hinder, Counterparts, Yngwie Malmsteen, Municipal Waste, Memphis May Fire, Set It Off, The Black Dahlia Murder, Fear Factory, Scowl, Dope, Violent Vira, Demon Hunter, Spineshank, Hawthorne Heights, From First To Last, The Plot In You, Northlane, Snot, LANDMVRKS, Gloryhammer, Winds of Plague, Brand of Sacrifice, Catch Your Breath, 10 Years, Magnolia Park, The Red Jumpsuit Apparatus, Sleep Theory, Miss May I, Thrown, Escape The Fate, Hot Milk, 12 Stones, Dying Wish, Quannnic, Sanguisugabogg, Nonpoint, Full of Hell, Gideon, Walls of Jericho, The Union Underground, The Funeral Portrait, Attack Attack!, Norma Jean, It Dies Today, Woe, Is Me, Thornhill, Left To Suffer, Aurorawave, Guilt Trip, Spiritworld, RA, Return To Dust, Chained Saint, WARGASM, Amira Elfeky, PeelingFlesh, Ded, Disembodied Tyrant, If Not For Me, Colorblind, Mugshot, Liliac, Savage Hands, Small Town Titans, Smile Empty Soul, Halocene, Versus Me, The Haunt, Kami Kehoe, Picturesque, Snuffed On Sight, Big Ass Truck, Fulci, Not Enough Space, Uncured, Islander, ENMY, No Resolve, Gates To Hell, XCOMM, Sicksense, Imperial Tide, plus the “Loudest in LOU” Contest Winner.

Tyler, The Creator Expands CHROMAKOPIA: THE WORLD TOUR with Asia Dates

Eric Alper
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0

In the midst of the North American leg of his CHROMAKOPIA: THE WORLD TOUR, Tyler, The Creator announces new tour dates across Asia in September. Starting September 9th in Tokyo and ending in Manila on September 20th with stops in Seoul and Bangkok along the way, the dates round out his world tour that encompasses North America, the UK, Europe, Australia, and New Zealand.

CHROMAKOPIA: THE WORLD TOUR is in support of Tyler’s critically acclaimed and Billboard chart-topping album CHROMAKOPIA, which sat atop the Billboard 200 chart for 3 weeks upon its release in late 2024 and set the record for the biggest streaming debut for a rap album on Spotify ever at the time of its release.

Just shy of 3 weeks into the world tour, Tyler has already been designated “one of the most exciting live performers of this era” by the Los Angeles Times and “one of the best performers in rap” by Complex following the first of his six nights performing at Crypto.com Arena in his hometown of Los Angeles.

Tickets for Seoul, Bangkok and Manila will be available for purchase on March 5th at 12 pm local time. Tickets for Tokyo will be on sale on March 20th at 6PM JST.

North America Tour Dates

2/4 – St. Paul, MN @ Xcel Energy Center *^
2/6 – Milwaukee, WI @ Fiserv Forum *^
2/8 – Kansas City, MO @ T-Mobile Center *^
2/11 – Denver, CO @ Ball Arena *^
2/14 – Los Angeles, CA @ Crypto.com Arena *^
2/17 – Los Angeles, CA @ Crypto.com Arena *^
2/20 – Los Angeles, CA @ Crypto.com Arena *^
2/23 – Sacramento, CA @ Golden 1 Center *^
2/24 – Oakland, CA @ Oakland Arena *^
2/26 – Portland, OR @ Moda Center *^
2/28 – Vancouver, BC @ Rogers Arena *^
3/2 – Seattle, WA @ Climate Pledge Arena *^
3/5 – San Francisco, CA @ Chase Center *^
3/7 – Las Vegas, NV @ MGM Grand Garden Arena *^
3/9 – San Diego, CA @ Pechanga Arena San Diego *^
3/12 – Phoenix, AZ @ Footprint Center *^
3/15 – Austin, TX @ Moody Center *^
3/17 – Dallas, TX @ American Airlines Center *^
3/19 – Houston, TX @ Toyota Center *^
3/21 – Atlanta, GA @ State Farm Arena *^
3/22 – Orlando, FL @ Kia Center ^
3/24 – Miami, FL @ Kaseya Center ^
3/26 – Charlotte, NC @ Spectrum Center *^
3/28 – Pittsburgh, PA @ PPG Paints Arena *^
3/29 – Columbus, OH @ Schottenstein Center *^
4/1 – Washington, D.C. @ Capital One Arena *^
6/27 – Cincinnati, OH @ Heritage Bank Center *^
6/28 – Cleveland, OH @ Rocket Mortgage FieldHouse *^
6/30 – Chicago, IL @ United Center *^
7/3 – Detroit, MI @ Little Caesars Arena *^
7/5 – Philadelphia, PA @ Wells Fargo Center *^
7/8 – Boston, MA @ TD Garden *^
7/11 – Baltimore, MD @ CFG Bank Arena *^
7/12 – Raleigh, NC @ Lenovo Center *^
7/14 – New York, NY @ Madison Square Garden *^
7/17 – Brooklyn, NY @ Barclays Center *^
7/22 – Montreal, QC @ Bell Centre *^
7/24 – Toronto, ON @ Scotiabank Arena *^
7/27 – Newark, NJ @ Prudential Center *^

UK/EU Tour Dates

4/25 – Antwerp, BE @ Sportpaleis *^
4/27 – Paris, FR @ Accor Arena *^
4/30 – Milan, IT @ Unipol Forum *^
5/1 – Zurich, CH @ Hallenstadion *^
5/2 – Frankfurt, DE @ Festhalle *^
5/4 – Cologne, DE @ LANXESS Arena *^
5/6 – Oslo, NO @ Oslo Spektrum *^
5/7 – Copenhagen, DK @ Royal Arena *^
5/9 – Prague, CZ @ O2 arena *^
5/10 – Krakow, PL @ TAURON Arena Krakow *^
5/12 – Berlin, DE @ Uber Arena *^
5/14 – Amsterdam, NL @ Ziggo Dome *^
5/17 – Birmingham, UK @ Utilita Arena Birmingham *^
5/19 – London, UK @ The O2 *^
5/21 – London, UK @ The O2 *^
5/24 – Dublin, IE @ 3Arena *^
5/27 – Manchester, UK @ Co-op Live *^
5/30 – Glasgow, UK @ OVO Hydro *^
AU/NZ Tour Dates

8/18 – Auckland, NZ @ Spark Arena *^
8/22 – Melbourne, AU @ Rod Laver Arena *^
8/23 – Melbourne, AU @ Rod Laver Arena *^
8/26 – Sydney, AU @ Qudos Bank Arena *^
8/27 – Sydney, AU @ Qudos Bank Arena *^
8/30 – Brisbane, AU @ Brisbane Entertainment Centre *^
9/4 – Perth, AU @ RAC Arena *^
Asia Tour Dates

^ = Direct support from Paris Texas

9/9 – Tokyo, JP @ Ariake Arena ^
9/13 – Seoul, KR @ KINTEX Hall 10 ^
9/16 – Bangkok, TH @ IMPACT Arena ^
9/20 – Manila, PH @ Araneta Coliseum ^

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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