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Bobby Mahoney Hits the Gas With the Nostalgic New Single “Smoke and Drive” and a Fired Up Cover of “Machine Gun Blues”

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JUNO nominated and Maple Blues Award winner Spencer Mackenzie releases his third single “Frozen Hearts” from his upcoming studio album Empty Chairs.

Frozen Hearts” – “Emerging from the depths of grief and resilience, I wrote Frozen Hearts as a personal tribute honouring the victims of residential schools,” says Spencer. With searing guitar riffs, soulful vocals, and a rhythm that echoes both sorrow and defiance, this song became my memorial in sound –ensuring that the voices of those who never made it home are forever heard.”

Continues Spencer, “Writing Frozen Hearts meant confronting the painful legacy of children taken from their families, children whose laughter was silenced, whose lives were cut short, whose culture and identities were stripped away. Through every chord and lyric, I tried to transform that mourning into remembrance, to carry forward the voices silenced by history. This song is my promise to remember them – with love, respect and truth.”

Mackenzie’s new album Empty Chairs will be released by Gypsy Soul Records on February 20th, 2026. The album is produced by 2XJuno nominated producer, mixer and engineer and Emmy Award winning recording mixer Ross Hayes Citrullo, the guitarist of The Commoners.

Spencer’s passion for the genre deepens as he explores the works of blues legends while simultaneously being influenced by the bold energy of renowned present-day blues rockers in this highly anticipated new album. This fusion of styles along with Spencer’s unique sound in his new upcoming album Empty Chairs embodies this gritty, introspective style with electrifying guitar, punchy riffs, soaring organ, dynamic vocals, and an explosive rhythm section.

Bobby Mahoney Hits the Gas With the Nostalgic New Single “Smoke and Drive” and a Fired Up Cover of “Machine Gun Blues”

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Bobby Mahoney returns with a new single, “Smoke and Drive,” paired with a cover of Social Distortion’s “Machine Gun Blues.” The release finds the Asbury Park songwriter and his band channeling nostalgia, grit, and heart through a rock-and-roll lens that’s both timeless and unmistakably Jersey.

“‘Smoke and Drive’ was the title of a demo recording that [producer/songwriter] Matty Carlock sent me last year,” says Mahoney. “It was drums and guitars, and he had me write a melody and lyrics to the track. The song just screamed nostalgia to me — driving around with friends in high school or college on highways and single-lane back roads. We had a great time ironing the song and production out with Matty and with Geoff Sanoff in NYC. Mark Masefield (Dave Hause, Will Hoge, Outside The Box) plays keys on the track and adds a beautiful dimension. We hope it reminds you of that time when…”

On the B-side, Mahoney and his band tackle Social Distortion’s “Machine Gun Blues,” a fan-favorite live cover that finally found its way into the studio.

“We love Social Distortion and have had fun covering ‘Machine Gun Blues’ live for a few years now,” Mahoney explains. “I think I first saw them play it on Conan a few years ago. It felt like the right time to ‘pull the trigger’ on it, along with ‘Smoke and Drive.’ Shout out to Social D!”

The recordings feature Mahoney’s core lineup — James McIntosh (drums), Andrew Saul (guitars, backing vocals), Jon Chang-Soon (bass, backing vocals), and Mark Masefield (keys) — with Matty Carlock and Geoff Sanoff contributing backing vocals. Mahoney adds, “Brian Legentil (LKFCT) is our new live bass player and will be on the rest of the record. Nothing but love for Jon Chang-Soon (JC Soon).”

Carlock, who co-produced the single, is a New Jersey native working between LA and NYC with artists across pop, hip-hop, punk, and hardcore. Masefield, whose keys can also be heard on both new tracks, is a veteran player known for his work with Dave Hause, Will Hoge, and Outside The Box.

Carrie Underwood, Shinedown and Creed Lead a Blockbuster 2026 Return to the Field of Dreams

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The Field of Dreams Movie Site in Dyersville, Iowa, is set for its biggest weekend yet as Dyersville Events announces that Carrie Underwood, Shinedown and Creed will headline the 2026 Velocity Music Festival from September 4 to 6. T

he historic location, known worldwide from the 1989 film, continues to build a new legacy as a live music destination after hosting Tim McGraw and Nickelback in 2025. Organizers shared that last year’s success strengthened their decision to grow the event into a full three day experience, with U.S. Concert Agency founder Nick Abate noting the powerful economic impact and the site’s rise as a world class venue.

Shinedown will kick things off on Friday, Carrie Underwood takes center stage on Saturday and Creed will close the festival on Sunday.

Tickets go on sale November 21 at 10 a.m. through velocityfest.live.

Anne Wilson Expands Her Celestial Journey With The 2026 ‘Extension Of The Stars’ Tour

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Anne Wilson brings fresh excitement to her growing musical world with the announcement of twenty one new dates for The Stars Tour in 2026. The run stretches across the United States and Canada, adding cities like Atlanta, Charlotte, Boston, Baltimore and Toronto. Each night promises a space for connection, reflection and celebration as fans gather to experience the songs that have defined her recent chapter.

Wilson shared her gratitude for the journey so far, reflecting on the stories, worship and powerful moments that have filled the tour. Her message carries warmth as she invites families and friends to join her in remembering that everyone is known and loved. The new shows expand the reach of her music and welcome more listeners into the community forming around Stars.

Her latest album Stars arrived on October 17 through Capitol Christian Music Group. The twelve track project debuted across multiple Billboard charts and highlighted her rare ability to bridge Christian and country audiences. Wilson co wrote every song, working with Jeff Pardo, Jonathan Smith and Ross Copperman, along with a strong circle of collaborators. The album reflects growth, craft and a deep sense of faith at its center.

Beyond the stage, Wilson extends her message through her new forty day devotional Hey, Girl: You Are Seen, Loved, and Made for More released by K LOVE Books. It adds another layer to her mission of encouragement and allows readers to engage with her voice in a personal and uplifting way.

With new dates ahead and fans ready to gather once more, The Stars Tour continues to glow brightly into 2026. Wilson steps forward with intention, joy and a clear sense of purpose as she brings these songs to more cities across North America.

The Stars Tour 2026 Dates
March 12 Huntsville AL VBC Mark C. Smith Concert Hall
March 13 Fayetteville NC Crown Theatre
March 14 Richmond VA Altria Theater
March 20 Orlando FL Dr. Phillips Center
March 21 Jacksonville FL Moran Theater
March 22 Tampa FL Straz Center
March 26 Atlanta GA Fox Theatre
March 27 Charlotte NC Ovens Auditorium
March 28 Columbia SC The Township Auditorium
April 9 Bloomington IN Indiana University Auditorium
April 10 Pittsburgh PA Benedum Center for the Performing Arts
April 11 Rosemont IL Rosemont Theatre
April 23 Knoxville TN Knoxville Civic Auditorium
April 25 St. Louis MO Stifel Theatre
April 30 Hershey PA Hershey Theatre
May 1 Erie PA Warner Theatre
May 2 Boston MA Boch Center Shubert Theatre
May 7 Syracuse NY Landmark Theatre
May 8 Albany NY Palace Theatre
May 9 Baltimore MD Lyric Baltimore
May 11 Whitby ON Canada Event Centre

The Stars Tour remaining 2025 dates
Nov 21 Akron OH Akron Civic Theatre *
Nov 22 Charleston WV Maier Foundation Performance Hall *
Nov 23 Greensboro NC Steven Tanger Center *
*with special guest Jordan Rowe

Braison Cyrus Shines In A Warm New Era With The Radiant Sibling Duet “As Long As You Stay”

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Acclaimed singer, songwriter, and producer Braison Cyrus today released his new single “As Long As You Stay,” featuring vocals from his sister, Grammy-nominated artist Noah Cyrus, available now across all major music streaming platforms.  

“As Long As You Stay” radiates with upbeat warmth from its opening notes, driven by Braison’s grounded and sincere lead vocal. Noah’s harmonies add emotional depth and a rich, atmospheric undertone, elevating the track into a vibrant and modern indie-folk offering. With its memorable melodies, organic instrumentation, and tight, dynamic production, the single builds into a lively, driving groove that is both effortlessly catchy and deeply heartfelt. Blending their distinct voices, the siblings craft a nostalgic yet contemporary ballad that continues to underscore Braison’s growth as a refined performer, songwriter, and producer.

The release marks the first recorded duet between Braison and Noah and follows the momentum of his critically acclaimed September single Know This,” featuring vocals from his sister and global superstar Miley Cyrus. Praised by People Magazine as “a poignant reflection on the different stages of his life,” the track signaled a new creative era for Braison, one that highlights his sharpened lyrical perspective and expanding artistic range.

“As Long As You Stay” serves as the fourth offering from Braison’s forthcoming full-length album, arriving in 2026, following the summer releases “From Now On” and “Here In The Middle” featuring Sierra Lundy, as well as September’s “Know This” featuring Miley. The new project is Braison’s first full-length release since his 2021 narrative-driven psychedelic folk album Javelina and promises bold collaborations, rich storytelling, and a thoughtfully crafted sonic world. Acting as a time capsule of his creative rebirth, the album cements Braison Cyrus as an artist coming into his own – confident, intentional, and unafraid to evolve.

The N.S.O. Charge Ahead With The Thrilling New Anthem ‘Sunday Club’

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Yorkshire’s four piece force The N.S.O. return with ‘Sunday Club’, a fast paced rush of an anthem that pushes their sound further than ever. Built on thrashing guitars, pounding drums and vocals that hit with pure conviction, the track captures everything that has made the band one of the region’s most exciting new names. It’s a full throttle ride from the first second and a sharp reminder that their momentum keeps climbing.

The band formed in 2022 with Reece Howe on lead vocals and rhythm guitar, Josh Tallis on vocals and lead guitar, Simon Barton on bass and Jordan Watkin on drums. They built their identity early by blending gritty vocal tones with melodies that shimmer, landing on a style that feels both raw and addictive. Their debut single ‘Hurts Instead’ arrived later that same year, followed by ‘Up and Down’ in spring 2023, and the gigs have barely stopped since.

They’ve taken stages across festivals like Tramlines, Bunkerfest, Doncaster Summer of Love, Be Reyt and Barnsley Live, along with headline shows through tastemakers This Feeling. Their last single “Do Ya” earned praise and airplay from John Kennedy on Radio X and helped pull in more fans after they won a £1000 battle of the bands competition. Across DSPs they’ve now passed forty five thousand streams, building a loyal and fast growing audience.

‘Sunday Club’ arrives with clarity and intent. Written by Josh Tallis and Reece Howe and recorded at West Homesick Recording Studios, the track was mixed, mastered and produced by Federico Telesca. The band describes it as a relatable story about going out, pushing limits and waking up with that familiar wave of “hangxiety”. Its huge chorus lines echo the inner dialogue of a night spiraling just a little too far, wrapped in a hook that sticks instantly.

The N.S.O. continue to build toward their upcoming EP, due next year. ‘Sunday Club’ sets the stage with power and personality, promising even more music that captures the energy fans have come to love.

Rolando Villazón Brings Myth to Life With the Expressive New Album ‘Orfeo son io’

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Deutsche Grammophon artist Rolando Villazón has joined forces with early music ensemble L’Arpeggiata and its founder-director Christina Pluhar to record Orfeo son io (“I am Orpheus”), an album inspired by Greek mythology. The recording is based on a conceptual programme devised by Pluhar which the artists have also performed live to great acclaim. Villazón sings excerpts from Monteverdi’s Orfeo and operas on the same subject by Gluck, Peri and Sartorio, as well as 20th-century songs by Carlos Gardel and Luis Bonfá. Directed by Pluhar from the theorbo or Baroque harp, L’Arpeggiata also weave instrumental works by Allegri, Buonamente, Caccini, Cazzati and Priuli into their Orpheus narrative.

A first digital single, Gardel’s Sus ojos se cerraron, comes out on 17 October 2025, with Gluck’s aria “Che farò senza Euridice?” following on 7 November (both tracks are arranged by Pluhar). Orfeo son io will be released digitally and on CD on 21 November.

Rolando Villazón first worked with Christina Pluhar and L’Arpeggiata when he made his role debut as Monteverdi’s Orfeo in a concert performance at the Musikfest Bremen in 2016. The success of their collaboration resulted in numerous other performances around Europe.

In 2021, the artists reunited to premiere Pluhar’s Orfeo son io programme, again at the Musikfest Bremen, and again leading to further acclaimed concerts together. Squaring the circle, in January this year Villazón, as Artistic Director of the Salzburg Mozartwoche, invited his friends to be part of director and puppeteer Nikolaus Habjan’s new production of Orfeo – another huge success.

Pluhar’s relationship with Monteverdi’s Orfeo dates back to her youth. “Not only is it an unparalleled masterpiece,” she says, “it’s regarded as the first opera, launching a genre that then spread like wildfire throughout Europe. It’s been a constant of my musical life and I’ve continued to develop my interpretation of it. And together, L’Arpeggiata and I have been deepening our understanding of 17th-century music more generally for over 25 years.”

The myth of Orpheus, who could charm people, animals, trees and rocks, and even open the doors to another world with his musical gifts, has survived in writings by Ovid and Virgil. When told that his beloved Eurydice has died, he descends into the Underworld. There, Pluto allows him to rescue Eurydice, but forbids him to look at her until they have left his realm. Orpheus fails to obey and she is lost for ever.

“In Orfeo son io,” explains Pluhar, “we’ve decided to let Orpheus tell his own story, without any help from Eurydice, the Messenger, Charon, and so on. Instead, we’ve chosen instrumental pieces to depict characters, places, or states of mind. Priuli’s Sonata prima à due cori expresses the news of Eurydice’s death, Buonamente’s Intrada symbolises the entrance to Hades guarded by Charon, the ‘walking bass’ of Cazzati’s Capriccio sopra 12 note evokes the couple’s steps as they try to leave the Underworld…”

“Meanwhile,” she adds, “in an inner journey of the soul, Orpheus tells us about falling in love, the huge joy of his wedding day, the terrible grief unleashed by Eurydice’s death, his desire to save her, and his final farewell to her.”

Accompanied by L’Arpeggiata, Villazón brings Orpheus vividly to life. He conveys every emotion the character experiences with beauty and sincerity – from the joy of Monteverdi’s “Vi ricorda, o boschi ombrosi” to the sorrow of “Che farò senza Euridice” from Gluck’s Orfeo ed Euridice or Gardel’s Sus ojos se cerraron, which the tango star sang in the 1935 film El día que me quieras as his character mourns his dead wife (“Her eyes closed, and the world kept on turning…”).

“For me,” says the singer, “Orpheus is much more than a mythical figure – he is a mirror of our deepest human truths. Every time I embody him on stage, I am struck by the purity of his fragility and the strength he finds through music. He teaches us to embrace longing as a source of beauty, and to believe in the miraculous power of music to keep love alive.”

Víkingur Ólafsson Opens A Dazzling New Chapter With The Masterful Album ‘Opus 109’

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Icelandic pianist Víkingur Ólafsson’s anticipated new album on Deutsche Grammophon: Opus 109 – Beethoven · Bach · Schubert is out today (21 November 2025)At its heart is Beethoven’s Piano Sonata No. 30 in E major, Op. 109 – a masterpiece of the composer’s late period – which Ólafsson places in an illuminating and thrilling temporal dialogue, tracing the musical and historical lineages that converge on this beacon of the piano literature. Known for his inspired programming, Ólafsson juxtaposes the work with music by J.S. Bach and Schubert, as well as Beethoven’s own earlier Sonata in E minor, Op. 90. Opus 109 is out now on all formats. Also released today is the new music video for Beethoven: Piano Sonata, Op. 109: I. Vivace ma non troppo – Adagio espressivo.

Opus 109 – Beethoven · Bach · Schubert follows on from 2023’s Goldberg Variations, which earned Ólafsson a GRAMMY Award®, the title of Musical America’s Instrumentalist of the Year, the OPUS KLASSIK Bestseller award and the German Record Critics’ Annual Award, as well as help him hit the milestone of one billion streams in November 2024. The unanimous critical acclaim that greeted the album was echoed in the reviews of Ólafsson’s season-long global tour which saw him perform the work 90 times.

Víkingur Ólafsson performs the Opus 109 programme throughout the current season and beyond, including on a German tour in November and December 2025 and in several dates across North America.

To mark the release, a new short documentary, entitled ‘On Opus 109’, has just been released exclusively on STAGE+. In this ten-minute film, Víkingur Ólafsson shares the making of Opus 109, the ideas behind the programme and what he discovered along the way – filmed between his home studio and the landscapes of Iceland.

Selection of forthcoming OPUS 109 recitals:

1 Dec – Müpa, Budapest

2 Dec – Konzerthaus, Vienna

5 Dec – Tonhalle, Zürich

6 Dec – Victoria Hall, Geneva

8 Dec – Isarphilharmonie, Munich

9 Dec – Meistersingerhalle, Nuremberg

Erykah Badu Celebrates A Soulful Milestone With The 25th Anniversary Vinyl Edition Of ‘Mama’s Gun’

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Five-time GRAMMY Award-winning neo-soul trailblazer Erykah Badu commemorates the 25th anniversary of her influential sophomore album, Mama’s Gun, with the release of new limited-edition Vinyl options out January 23, 2026. The 2LP UMe Ecomm variant is pressed on Gold Black Ice Vinyl and features a newly redesigned gatefold jacket, alternate cover, and special lithograph. Pre-order HERE.

Finally, the Vinylphyle edition of Mama’s Gun features this album’s first ever hi-res remaster since its original CD release, sourced from the original production tapes. The 2LP, which features new liner notes personally penned by Badu, was cut by Joe Nino-Hernes at Sterling Sound Nashville and pressed at RTI on 180g Black Vinyl. The Vinylphyle edition drops a day early on January 22, 2026, and is available for pre-order HERE.

The indisputable influence of Mama’s Gun looms over every corner of the culture. It first arrived in stores on November 21, 2000. It peaked at #11 on the Billboard 200, scoring her strongest first-week sales ever and moving north of 191K copies. Within the span of only four weeks, it reached the threshold for a Platinum certification from the RIAA. Not to mention, this landmark body of work garnered three GRAMMY Award nominations, including “Best Female R&B Vocal Performance” and “Best R&B Song” for “Bag Lady” and “Best R&B Song” for “Didn’t Cha Know?”

Indicative of the record’s impact, it has claimed spots on numerous marquee lists such as Rolling Stone’s “The 500 Greatest Albums of All Time, Pitchfork’s “The 200 Best Albums of the Last 25 Years, and NPR’s “The 150 Greatest Albums Made By Women, among many others. Resonating from one generation to the next, it has also impressively tallied over 1 billion streams. Retrospectively, Pitchfork rated it a rare “9.4, marveling at how, “She made a record that wore its awareness of the larger traumas and challenges that complicate human intimacy on its sleeves.

Badu also partnered with Spotify in their latest Anniversaries video series, where she reflects on the past 25 years and performs select tracks from Mama’s Gun. Watch HERE

Badu’s unparalleled alchemy of soul, R&B, jazz, rock, reggae, and poetry underscores these 14 tracks, enshrining Mama’s Gun as a game-changer whose influence continues to grow.

Check out the full tracklisting below.

Right now, Badu is canvasing North America on the “Mama’s Gun 25 World Tour,” performing the LP in its entirety.

She reloads Mama’s Gun with this new vinyl in 2026.

TRACKLISTING:
1. Penitentiary Philosophy
2. Didn’t Cha Know
3. My Life
4. … & On
5. Cleva
6. Hey Sugah – Interlude
7. Booty
8. Kiss Me On My Neck
9. A.D. 2000
10. Orange Moon
11. In Love With You
12. Bag Lady
13. Time’s A Wastin
14. Green Eyes

TOUR DATES:
November 22: Cincinnati, OH – Andrew J. Brady Music Center
November 23: Atlanta, GA – Cobb Energy Performing Arts Centre
November 24: Atlanta, GA – Cobb Energy Performing Arts Centre
November 28: Houston, TX – 713 Music Hall
November 29: Houston, TX – 713 Music Hall
December 2: Chicago, IL – Chicago Theatre
December 3: Chicago, IL – Chicago Theatre
December 5: Brooklyn, NY – Kings Theatre
December 6: Brooklyn, NY – Kings Theatre
December 8: Nashville, TN – The Pinnacle
December 10: Dallas, TX – Pavilion at Toyota Music Factory

Guns N’ Roses Celebrate A Monumental Legacy With The Remastered Vinyl Release ‘Live Era ’87-’93’

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UMe/Geffen celebrate Guns N’ Roses’ incredible musical legacy with GUNS N’ ROSES – LIVE ERA ’87-’93, the ultimate vinyl set that chronicles the first official live album from Guns N’ Roses. LIVE ERA ’87-’93 was recorded live across the universe between 1987 and 1993, and it has been newly remastered for this collection from the original stereo analog master tapes for the first time since 1999. Included on LIVE ERA ’87-’93 are definitive, of-era live renditions of classic Guns N’ Roses tracks such as “November Rain,” “Sweet Child O’ Mine, “Welcome To The Jungle,” “Don’t Cry,” and “Paradise City.”

Out now, GUNS N’ ROSES – LIVE ERA ’87-’93 features a total of 23 live tracks. It is available in multiple configurations, including a Premium 4-LP Color Vinyl, Standard 4-LP 180-Gram Black Vinyl, and Digital Remaster. The new remaster of GUNS N’ ROSES – LIVE ERA ’87-’93 is available to stream and as digital downloads newly expanded with the 1999 vinyl & Japan bonus track “Coma”, with all vinyl configurations available to order, HERE

Live Era ’87-’93: 4LP Premium Edition
The limited edition 4LP Premium Edition sports two gatefold jackets that come inside an embossed slipcase with foil details, and includes a poster. Each of the 4 LPs are pressed on unique color vinyl, and is available HERE.

Live Era ’87-’93: 4LP
The standard 4LP edition is pressed on 180-gram black vinyl, has been expanded into two gatefold jackets that are housed in a slipcase, and comes with a poster.

Live Era ’87-’93: Digital
The digital version features the complete album remastered from the original stereo analog master, and it also contains the 1999 vinyl & Japan-exclusive bonus track “Coma” that is now available digitally worldwide for the first time.

The history of Guns N’ Roses up to the time that Live Era ’87-’93 was originally released in 1999 is the stuff of legends. The first full-length album from Guns N’ Roses, 1987’s Appetite For Destruction, is one of the most popular hard rock albums in history and has been on the Billboard Top 200 albums or Top Pop Catalog chart for a total of 746 weeks. Certified 18 times platinum in the U.S., Appetite For Destruction charted No. 1 for five weeks and includes three Top 10s: the anthem “Welcome To The Jungle” (No. 7) and the frenzied rocker “Paradise City” (No. 5), plus their platinum selling No. 1 single “Sweet Child O’ Mine.” The video for “Sweet Child O’ Mine” has over 1 billion views on YouTube.

1988’s G N’R Lies, comprised of songs from the group’s independently-released 1986 EP Live?!*@Like A Suicide plus new studio recordings, followed Appetite For Destruction up the charts, peaking at No. 2 on the Billboard 200 albums chart. The Grammy-nominated album (for Best Hard Rock Performance) was five times platinum (each platinum level connotes sales of more than one million units) and claimed the gold No. 4-charting ballad “Patience.” 

Then, on September 17, 1991, with one of the most anticipated releases ever in music, both Use Your Illusion I and Use Your Illusion II debuted. Use Your Illusion I featured two gold singles with “November Rain” (No. 3) and “Don’t Cry” (No. 10) plus another Top 40 with “Live And Let Die” (No. 33). Use Your Illusion II boasted another gold hit with the previously released single “You Could Be Mine” (No. 29), heard in the film Terminator II: Judgment Day. II also features “Yesterdays,” “Civil War,” and GN’R’s take on Bob Dylan’s “Knockin’ On Heaven’s Door.” Each of the Use Your Illusion albums went seven times platinum with Use Your Illusion I going to No. 2 and Use Your Illusion II hitting No. 1. Use Your Illusion I was Grammy nominated for Best Hard Rock Performance as was the Wings cover “Live And Let Die.” Both Use Your Illusion I and Use Your Illusion II have sold over seven million copies to date.

A collection of Guns N’ Roses covers of classic, mainly punk, songs that had influenced the bandmembers since their early days, 1993’s The Spaghetti Incident? hit No. 4, and is certified platinum. The Spaghetti Incident? features renditions of The Dead Boys’ 1978 track “Ain’t It Fun” and an unlikely cover of The Skyliners’ ’50s doo-wop gem “Since I Don’t Have You.”

Guns N’ Roses will continue their global tour in 2026.

GUNS N’ ROSES – 2025/2026 Tour Dates
November 8, 2025 – Estadio GNP Seguros – Mexico City, MX
March 28, 2026 – Tecate Pa’l Norte – Monterrey, MX
April 4, 2026 – Monsters of Rock – São Paulo, BR
May 7, 2026 – Welcome to Rockville – Daytona Beach, FL
June 12, 2026 – Download Festival – Donnington, GB

TRACKLISTINGS:

PREMIUM 4LP / 4LP:
LIVE ERA ’87-’93
(Original Album Remastered)

LP 1
Side 1
1. NIGHTRAIN
2. MR. BROWNSTONE
3. IT’S SO EASY
4. WELCOME TO THE JUNGLE

Side 2
1. DUST N’ BONES
2. MY MICHELLE
3. YOU’RE CRAZY
4. USED TO LOVE HER

LP 2
Side 3
1. PATIENCE
2. IT’S ALRIGHT
3. NOVEMBER RAIN

Side 4
1. OUT TA GET ME
2. PRETTY TIED UP
3. YESTERDAYS

LP 3
Side 5
1. MOVE TO THE CITY
2. YOU COULD BE MINE

Side 6
1. ROCKET QUEEN
2. SWEET CHILD O’ MINE

LP 4
Side 7
1. KNOCKIN’ ON HEAVEN’S DOOR
2. DON’T CRY
3. ESTRANGED

Side 8
1. PARADISE CITY
2. COMA

DIGITAL:
LIVE ERA ’87-’93
(Original Album Remastered)

Disc 1
1. NIGHTRAIN
2. MR. BROWNSTONE
3. IT’S SO EASY
4. WELCOME TO THE JUNGLE
5. DUST N’ BONES
6. MY MICHELLE
7. YOU’RE CRAZY
8. USED TO LOVE HER
9. PATIENCE
10. IT’S ALRIGHT
11. NOVEMBER RAIN
12. COMA*

Disc 2
1. OUT TA GET ME
2. PRETTY TIED UP
3. YESTERDAYS
4. MOVE TO THE CITY
5. YOU COULD BE MINE
6. ROCKET QUEEN
7. SWEET CHILD O’ MINE
8. KNOCKIN’ ON HEAVEN’S DOOR
9. DON’T CRY
10. ESTRANGED
11. PARADISE CITY