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5 Surprising Facts About Rod Stewart’s ‘Every Picture Tells a Story’

Released in 1971, Rod Stewart’s Every Picture Tells a Story was a melting pot of folk, rock, blues, and even a little country swagger, and shot straight to number one in both the U.S. and the U.K., riding the wave of the now-iconic “Maggie May.” But beneath the radio hits and raspy vocals, there are secrets woven into its grooves. Here are five facts you probably didn’t know about Every Picture Tells a Story—until now.

1. The Drums Were Recorded With… No Cymbals?!

Drummer Micky Waller had a reputation for being a free spirit in the studio, and that led to one of the album’s quirkiest behind-the-scenes moments. When recording “Maggie May,” Waller showed up expecting a drum kit to be provided, as was often the case. However, the kit was missing one key ingredient—cymbals! Rather than delay the session, the band forged ahead, and the cymbals were overdubbed days later. The result? A surprisingly raw, stripped-down drum sound that gave the song its signature feel.

2. Rod Stewart Almost Didn’t Sing “Maggie May”

It’s hard to imagine Every Picture Tells a Story without “Maggie May”—but believe it or not, Stewart wasn’t convinced it should even be on the album. He considered it an odd little song, more of a throwaway B-side than a chart-topping single. In fact, it was originally released as the flip side to “Reason to Believe,” and radio DJs had to push for it to get airplay. Once they did, it took off like wildfire, becoming Stewart’s defining anthem and one of the greatest songs of the 1970s. And there’s no chorus.

3. Who Was That Mandolin Guy?

One of the most unforgettable parts of “Maggie May” and “Mandolin Wind” is the bright, lyrical mandolin playing that gives the songs their folk-infused charm. So, who was that guy? It was Ray Jackson of the British folk-rock band Lindisfarne. His delicate yet expressive playing perfectly complemented Stewart’s raspy vocals, adding a distinctive texture to the album. Though not a household name, Jackson’s contribution to Every Picture Tells a Story remains one of its most defining musical moments.

4. The Faces Are All Over the Album, But Their Names Are Not

Rod Stewart was still the lead singer of The Faces when he recorded Every Picture Tells a Story, and every member of the band contributed to the album. However, due to contractual issues, their names were conspicuously absent from the credits. Ronnie Wood played bass and guitar, Ian McLagan laid down the Hammond organ, and the entire band recorded the blistering cover of “(I Know) I’m Losing You.” But if you didn’t already know that, the album sleeve wouldn’t tell you—one of the many blurred lines between Stewart’s solo work and The Faces’ legacy.

5. The Title Track Was Almost a Disaster

The song “Every Picture Tells a Story” is a full-throttle rock-and-roll journey that barrels through verses with reckless abandon. But behind the scenes, it was chaos. The rhythm was loose—so loose, in fact, that even Stewart later admitted it was a bit of a mess. Critic Tim Ewbank described it as “shoddily thrown together,” while Rolling Stone’s John Mendelsohn praised its energy but called out its unpolished feel. Despite its rough edges, or maybe because of them, the track became a cornerstone of the album, proving that rock music doesn’t always have to be perfect—it just has to be alive.

The Story Still Resonates

More than 50 years later, Every Picture Tells a Story is still as vibrant and rebellious as it was in 1971. It’s the album that made Rod Stewart a superstar, cementing his place in rock history with a mix of barroom swagger and heartfelt storytelling. From cymbal-free drumming to forgotten session musicians, the album’s behind-the-scenes tales only add to its legend. And if you didn’t know these facts before, well—every picture tells a story, don’t it?

The Untold Story of Jimmie Strother: Music, Murder, and Memory in a New Biography by Gregg D. Kimball

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Searching for Jimmie Strother, A Tale of Music, Murder, and Memory by Gregg D. Kimball is the incredible true story of a blind musician, a brutal crime, and the making of an American folk legend.

In June 1936 James Lee Strother performed thirteen songs at the Virginia State Prison Farm for famed folklorist John Lomax and the Library of Congress. Rooted in the rich soil of the Piedmont region, Strother’s repertoire epitomized the Black songsters who defy easy classification. Blinded in a steel mill explosion, which only intensified his drive to connect to the world through song, Strother drew on old spirituals and country breakdowns as readily as he explored emerging genres like blues and ragtime. Biographer Gregg Kimball revives this elusive but singular talent and the creative and historical worlds in which his dramatic life unfolded.

Myths surround Strother but, as Kimball reveals, the facts of Strother’s life are just as compelling as the fanciful embellishments proffered by early folklorists. Musician, murderer, and beloved family member—Strother somehow played each of these roles, and more. And while the songster’s comedic ditties, spirituals, and blues tunes reached a wide range of listeners (and were later covered by musicians like Pete Seeger and Jefferson Airplane), they carried a dark undercurrent that spoke directly to the experiences of Black Americans: sundown towns, Jim Crow segregation, and labor exploitation. As Kimball shows, Strother’s powerful songs and remarkable, tumultuous life continue to influence and remain deeply relevant to American culture to this day.

Charlie Peacock’s Roots and Rhythm Blends Music, Faith, and Backstage Stories in a Powerful New Memoir

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In this artful memoir, Roots and Rhythm – A Life in Music, Grammy Award–winning music producer Charlie Peacock flexes his literary chops and gives readers the gritty backstage stories they crave: biographical anecdotes, geeky trivia, and how the hits were written and recorded (from jazz to rock and pop). Threaded throughout is Peacock’s unique ancestral and spiritual story—the roots. Like Coltrane, Dylan, and Bono before him, Peacock reveals a Christ-affection while refusing genres too small for his music.

Peacock, the great-grandson of a Louisiana fiddler, is an American musical polymath. He’s been the young jazz musician sitting at the feet of trumpeter Eddie Henderson and pianist Herbie Hancock; the singer-songwriter plucked from the Northern California punk/pop underground by legendary impresarios Bill Graham and Chris Blackwell; a pioneering, innovative contributor to the nascent rise of gospel rock in the 1980s; and the genre-busting producer behind such diverse artists as Al Green, Ladysmith Black Mambazo, Chris Cornell, Audio Adrenaline, The Civil Wars, Switchfoot, Turtle Island Quartet, and John Patitucci.

Roots and Rhythm includes Peacock’s seminal NorCal days, the story of indie labels Exit and re:think, his first decade as a Nashville producer (1989–1999), and his essential role in the 21st-century folk/Americana boom (The Civil Wars, Holly Williams, The Lone Bellow). While his exploits and achievements grace the book (including the story of Amy Grant’s “Every Heartbeat” and the evergreen “In the Light”), Peacock is hardly the only character. Instead, he writes as a Joan Didion-style essayist, weaving together a quintessential American story. Beat poet Gary Snyder, evangelist Billy Graham, producer T Bone Burnett, saxophonist Wayne Shorter, and writers Wendell Berry and Isabel Wilkerson all appear in this sweeping tale where ancestry, migration, teenage love, Jesus, and Miles Davis collide.

The book is an invitation to all, including aspiring musicians: embrace the roots and rhythm of our own lives, letting the music and God’s insistent love lead us to gratitude and wonder.

5 Ways to Use Metal Buildings

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By Mitch Rice

Metal buildings offer a versatile and durable solution for a wide range of applications. Whether used for storage, work, or leisure, these structures provide cost-effective and eco-friendly alternatives to traditional wood or brick buildings. Their adaptability makes them an excellent investment for homeowners, businesses, and agricultural operations. Here are five practical ways to use metal buildings.

1. Storage for Farm Equipment and Vehicles

For farmers and landowners, metal buildings serve as excellent storage solutions for tractors, plows, harvesters, and other farm equipment. Unlike wooden barns, metal buildings are resistant to pests, rot, and weather damage, providing a long-term, low-maintenance option. Similarly, they work well for storing boats, RVs, motorcycles, and classic cars, protecting them from the elements and extending their lifespan.

2. Garages and Workshops

Metal buildings are a great option for creating a garage or workshop space. Their open layouts and high ceilings accommodate vehicles, tools, and heavy machinery. Homeowners can use them for auto repair, woodworking, metalworking, or general DIY projects. These structures allow for easy customization, including the addition of insulation, ventilation, and storage racks to optimize workspace functionality.

3. Home Offices or Business Spaces

With the rise of remote work and small businesses, many people are turning to metal buildings as office spaces. Whether it’s a quiet home office, a retail store, or a service-based business like a small auto repair shop, metal buildings offer a cost-effective alternative to traditional commercial buildings. They provide the flexibility to design an open workspace, add partitions for separate offices, or install insulation and HVAC systems for year-round comfort.

4. Man Caves, She Sheds, and Recreational Spaces

For those looking to create a dedicated personal space, metal buildings make the perfect man cave, she shed, or recreational area. These structures can be customized with entertainment systems, seating, mini-bars, or game tables, transforming them into the ultimate getaway. They also work well as home gyms, art studios, or music practice spaces, providing a private retreat for hobbies and relaxation.

5. Guest Houses or Rental Units

With proper insulation, plumbing, and interior finishing, metal buildings can be converted into guest houses or short-term rental units. This is an ideal option for homeowners who want to provide private accommodations for family and friends or generate extra income through vacation rentals. Their durability and energy efficiency make them a smart choice for long-term use, offering a comfortable and sustainable living space.

Conclusion

Metal buildings in Auburn are more than just storage units—they offer practical and customizable solutions for a variety of needs. From agricultural storage to personal retreats and business spaces, their versatility and durability make them a valuable investment. Whether you’re looking to expand your workspace, create a private sanctuary, or generate rental income, a metal building provides a sustainable and cost-effective solution.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Margaret Cho Debut’s Official Music Video for “Lucky Gift”

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Margaret Cho debuts the official music video for her “Lucky Gift” single today. The video was directed by photographer/director Nick Spanos.

“I loved making this video with director Nick Spanos! He’s the best! I think it just captures that VH-1 90s pop diva energy perfectly. Thank you Garrison Starr and my dog Lucia for being incredible co-stars! I hope you love this video as much as I do!” says Margaret.

On “Lucky Gift,” (which was written by Margaret and produced by Garrison Starr) Margaret sings in a sultry-pop tone while playing her double neck mandolin-guitar, “The Mandotar.” “This is my power pop anthem and the first song I wrote on my mandotar. It is definitely giving gay pop in the best way and it’s my favorite song I’ve ever written.” states Margaret.

It’s been 8 years since Margaret released her 2016 Grammy nominated American Myth album HERE which featured the standout track “Anna Nicole” here written about her friendship with Anna Nicole-Smith.

Margaret says of the forthcoming Lucky Gift album – “I am thrilled to share this album which has been many years in the making. There’s tributes to Robin Williams, lost love, found love and anthems to non- binary and gender non-conforming folx. I collaborated with Garrison Starr and Roger Rocha in different cities at different times but it all feels like it comes from the same place and the same heart.”

Lucky Gift Album Track Listing:
Lucky Gift
Funny Man
Wheels Of Gold
Doot Doot
Stevie
90s Sisyphus
You Can Be You
Baked Bread
Melinda
Waterside
Boyfriend From China

CLUE Brings Murder, Mystery, and Laughter to Toronto’s Royal Alexandra Theatre This Spring

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CLUE, the hilarious murder mystery comedy inspired by the Hasbro board game and adapted from the fan-favorite film, is coming to Toronto’s historic Royal Alexandra Theatre from May 20 to June 8, 2025.

Tickets will be available at 10AM on Friday February 21 at mirvish.com or by calling 1.800.461.3333.

Led by Broadway Director Casey Hushion (Associate Director of Mean Girls and The Prom, Associate Resident Director of Aladdin, choreography for the Netflix seriesUnbreakable Kimmy Schmidt”), murder and blackmail are on the menu when six mysterious guests assemble at Boddy Manor for a night they’ll never forget! Was it Mrs. Peacock in the study with the knife? Or was it Colonel Mustard in the library with the wrench? Based on the fan-favorite 1985 Paramount Pictures movie and inspired by the classic Hasbro board game, CLUE is the ultimate whodunit that will leave you dying of laughter and keep you guessing until the final twist.

CLUE is based on the screenplay by Jonathan Lynn. Written by Sandy Rustin with additional material by Hunter Foster and Eric Price. It features original music by Michael Holland.

The production also features scenic design by Lee Savage, costume design by Jen Caprio, lighting design by Ryan O’Gara and sound design by Jeff Human.

The cast includes Jennifer Allen as Mrs. Peacock, Christina Anthony as Miss Scarlet, Mariah Burks as the Cook, Donna English as Mrs. White, David Hess as Colonel Mustard, Jamil A.C. Mangan as The Cop, John Shartzer as Mr. Green, Jeff Skowron as Wadsworth, Alex Syiek as Mr. Boddy, Elisabeth Yancey as Yvette, Evan Zes as Professor Plum. The understudies are Greg Balla, Aaron Kaburick, Mary McNulty, and Cassandra Marie Murphy.

The CLUE franchise began in 1949 with the manufacture of the ‘Cluedo’ board game. Currently owned and published by Hasbro, the game has since sold more than 200 million copies worldwide.  A murder-mystery comedy film by Paramount Pictures based on the board game was released in 1985 and went on to achieve cult classic status with a passionate fanbase.

The North American tour of CLUE is produced by The Araca Group, Work Light Productions, Lively McCabe Entertainment and Aged in Wood.

Originally produced at Bucks County Playhouse, New Hope, Pennsylvania, Alexander Fraser, Robyn Goodman, Josh Fiedler, Producers. Developed by Cleveland Playhouse, Laura Kepley, Artistic Director & Kevin Moore, Managing Director.

Olive Klug Joins Signature Sounds and Announces Sophomore Album ‘Lost Dog,’ Out This April

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Signature Sounds is thrilled to announce the signing of acclaimed singer-songwriter and multi-instrumentalist, Olive Klug. Label president Jim Olsen says, “When a friend sent me the rough mixes for Lost Dog, I was immediately captivated by the catchy songwriting and raw, honest lyrics. Olive’s music evokes the spirit of some of my favorite rebellious songwriters like Michelle Shocked, Alynda Segarra (of Hurray For The Riff Raff), and Adrienne Lenker, pushing the boundaries of roots music with unapologetic authenticity and attitude.”

It’s been a short time since the van-dwelling Olive Klug has fully pursued the life of a touring musician. Their DIY career has resulted in a huge following with over 20 million Spotify streams, nearly 200,000 TikTok followers, and 100,000+ Instagram followers. Self-described as “someone who floats on the breeze, letting the wind take me wherever I’m meant to be,” Klug’s sophomore album and label debut Lost Dog finds them contemplating this propensity for adventure no matter which avenue of love and loss it leads down.

Fans can hear the album’s first singles “Taking Punches From The Breeze” and “What To Make of Me today and be sure to pre-order or pre-save Lost Dog ahead of its April release right here. Olive Klug hits the road again on April 9 in Salt Lake City, UT. A full list of tour dates can be found below.

“Taking Punches From The Breeze” is a fitting opening track to an album about “aging as a neurodivergent free spirit.” Klug reflects, ”As a young touring musician with a propensity for adventure, this instinct towards leaning into the breeze has gotten me into some tough situations, tired me out, and made me generally confused about my life’s direction.”

Gentle at the start, “Taking Punches From the Breeze” gets its title from Klug’s self-described nature of “letting the wind take them wherever they’re meant to be.” As more instrumentation fills in alongside fingerpicked guitar and Klug’s soft croon, a shuffling drum beat arrives under lyrical imagery of life’s new direction and the ups and downs of being beholden to the breeze.

Klug continues, “I was ready to let the breeze take me wherever it wanted me to go, but soon I realized that the breeze has got some hands and has the capacity to toughen and beat you up.”

“What to Make of Me” is an upbeat, zydeco-inspired romp about falling for someone who isn’t quite ready for all you have to offer. Klug writes, “This is the happiest song you’ll ever hear about unrequited love. More specifically, this song arose out of a short-term romance I had with someone who wasn’t ready to claim their queerness. With lines like “you’re too blind to see the goddamn miracle I made of me”, I am claiming my self-assuredness and do not let a lack of understanding from the object of my affection impact the confidence I’ve worked so hard to build.”

Although still very young, on Lost Dog Klug artfully addresses life on the road with an unarguable ability to fearlessly voice deeply honest emotions through captivating storytelling. Audiotree praised, ”equal parts vulnerable and powerful, ebullient and heartbreaking, reminding us how powerful the journey of music can be.” Olive Klug is a singular voice for the future of folk: honest, fearless, often unsure, but willing to try anyway.

Olive Klug refuses to be put in a box. Working out who you are in front of an ever-growing audience is no small task, but one that the Portland-born, Nashville-based singer/songwriter is up for and thriving.

Olive graduated with a liberal arts degree shortly before the 2020 pandemic derailed their plans of pursuing a career in social work. Though they’d recorded and self-released the 2019 EP “Fire Alarm” from a childhood friend’s bedroom, up until early 2021, Olive categorized their music as either a hobby or a pipe dream, depending on who was asking. However, after being laid off from a teaching job in late 2020, Olive started working as a barista and decided to commit all of their extra energy to an ever-growing community of fans online.

Combining their knack for storytelling with a lilting soprano voice, Klug offers observations with an unflinching honesty. 2025 finds Olive in Nashville, attempting to stabilize after a 3-year whirlwind of viral niche internet-fame, non stop touring, and music industry naïveté. Olive’s social work background grounds them in community, a word they keep coming back to when ego proves unfulfilling. Olive is excited to solidify themselves as a fixture of the greater folk community and return to what inspires them the most about music; the catharsis and social change that is possible when people come together and share themselves through song.

Lost Dog tracklisting:

  1. Taking Punches From The Breeze
  2. What To Make Of Me
  3. Cold War
  4. Train of Thought
  5. Opposite Action
  6. Lost Dog
  7. One Dimension
  8. Fleeting

Olive Klug on Tour:

WED 9 APR – Salt Lake City, UT @ Kilby Court
FRI 11 APR – Colorado Springs, CO @ Vultures
SAT 12 APR – Denver, CO @ Globe Hall
SUN 13 APR – Boulder, CO @ Etown Hall
WED 16 APR – Davenport, IA @ The Racoon Motel
THU 17 APR – Des Moines, IA @ xBK
FRI 18 APR – Minneapolis, MN @ Icehouse
SAT 19 APR – Milwaukee, WI @ Cactus Club
TUE 22 APR – Evanston, IL @ SPACE
WED 23 APR – Ann Arbor, MI @ Blind Pig
THU 24 APR – Lakewood, OH @ Mahall’s
FRI 25 APR – Buffalo, NY @ The 9th Ward at Babeville
SAT 26 APR – Toronto, ON, Canada @ The Drake Underground
MON 28 APR – Washington, DC @ The Atlantis
WED 30 APR – Millvale, PA @ The Funhouse at Mr. Smalls
THU 01 MAY – Philadelphia, PA @ The Lounge at World Cafe Live
FRI 02 MAY – Cambridge, MA @ Club Passim
SAT 03 MAY – Providence, RI @ AS220
SUN 04 MAY  – Brooklyn, NY @ Baby’s All Right
WED 07 MAY – Portsmouth, NH @ 3S Artspace
FRI 09 MAY – Portland, ME @ One Longfellow Square
SAT 10 MAY – Burlington, VT @ Higher Ground Showcase Lounge
THU 19 JUN – Telluride, CO @ Telluride Bluegrass Festival
SAT 21 JUN – Greenfield, MA @ Green River Festival
SAT 5- SUN 6 JUL – Orillia, ON, Canada @ Mariposa Folk Festival

 

Tori Amos Unveils ‘Tori and the Muses ‘— A Magical Book Into the World of Inspiration

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From the Grammy-nominated and multiplatinum singer-songwriter and New York Times bestselling author Tori Amos comes Tori and the Muses, a thoughtful and sprightly tale of young Tori navigating the magical world of inspiration in all its forms.

Tori is no ordinary child—her musical inspirations and talents are clear from a young age. But when her dad forces her to rehearse for her recital, Tori is unhappy. She wants to play what she wants to play! And though they don’t see eye to eye, Tori has a secret: eleven Muses who have visited her since she was a baby and inspire her to write and make her own beautiful music. These fairy godmother–like Muses remind Tori that inspiration is everywhere, and perhaps in helping others find their own Muses—including Dad—she may better understand her own inspirations.

So, Tori takes her brand-new floating pink piano—a gift from the Muses—to see what might inspire others, in hopes of understanding what her dad’s Muses might be. And she is surprised at what she finds.

Filled with joy, curiosity, and imagination, this debut picture book written by Tori Amos with otherworldly illustrations by Demelsa Haughton will inspire, encourage, and most importantly, remind young readers to find inspiration in the things they love, and to listen to their own Muses.

Screen to Screen: 50 Years of Austin City Limits Posters in a Stunning New Collection

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From Billie Eilish to Cassandra Wilson, Elvis Costello to Pearl Jam, many of the world’s most beloved musicians have entertained us on Austin City Limits. And for the past couple of decades, each performance recorded on the ACL stage has inspired a special bonus: an original, eye-catching screen-printed poster, commissioned by the show’s producer, Austin PBS, and designed by some of their favorite graphic artists from all over the world.

Screen to Screen celebrates the 50th anniversary of Austin’s premier gig, presenting every poster in brilliant full color alongside dazzling ACL concert photography and reminiscences from Neko Case, Leon Bridges, and other luminaries. Exciting, evocative, and always unique, the posters are accompanied by insightful creative discussion from several designers, including Mark Pedini and Diana Sudyka, and the book itself is designed by the award-winning, Austin-based firm Preacher Co. Introduced by long-time ACL producer Terry Lickona and with a foreword from Willie Nelson—whom you might remember from the pilot episode, taped half a century ago—this collection brings a piece of Austin and music history to life in vivid color.

Zach Top and Billy Strings Team Up for ‘Me & Billy’ — Now Streaming Everywhere

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Zach Top has releases Me & Billy-a three-song EP featuring 2x Grammy Award-winning artist Billy Strings. Previously released last fall as an Apple Music exclusive, the EP can now be streamed everywhere and finds the pair reimagining versions of Top’s original tracks “Bad Luck” and “Things To Do” along with a cover of Ricky Skaggs’ “Don’t Cheat In Our Home Town.”

Of the collaboration with Strings, Top shares, “We had a lot of fun, traded back and forth some playing and whatnot. It’s so fun to watch him play. And I feel like he’s known so much for a player that it gets passed over sometimes how freaking good of a singer he is too. It was so fun to get to sing with him and him kind enough to come in on a couple of my songs and sing a second verse, sing a little harmony, do that kind of thing. It was a blast.”

The new release adds to a breakout year for Top, who was recently named “the future of country music” by Billboard, nominated for New Artist of the Year at the 58th Annual CMA Awards and was named Discovery Artist of the Year at the 2024 MusicRow Awards. He released his widely praised debut album, Cold Beer & Country Music, last spring. Produced by Carson Chamberlain (Billy Currington, Easton Corbin), the record garnered over 3.5 million streams in just its first week and received widespread acclaim. The Tennessean said it’s full of “star-making tunes,” while Country Central praised, “Cold Beer & Country Music is a masterclass in traditional country music…With a record this strong, Zach Top has proven himself as a standout rising star in this format and a premier vocalist in country music.”

Furthermore, Top’s “Cold Beer & Country Music” headline tour completely sold out just hours after tickets went on sale and features stops at Nashville’s historic Ryman Auditorium (two nights), New York’s Terminal 5 and Boston’s MGM Music Hall at Fenway among many others. Additionally, Top is supporting select dates with Alan Jackson on his “Last Call Tour” and will join Dierks Bentley’s “Broken Branches Tour,” kicking off in May.

Raised in Sunnyside, WA, Top grew up on classic country music around the family farm. At the age of seven, he formed a band with his siblings which set the stage for his musical ambitions. Throughout his teenage years and early twenties, Top honed his craft by playing in various bluegrass bands before moving to Nashville in 2021, where he has been steadily making his mark as an artist to watch.

ZACH TOP TOUR DATES
February 28-Nashville, TN-Ryman Auditorium^ (SOLD OUT)
March 1-Nashville, TN-Ryman Auditorium+ (SOLD OUT)
March 5-Jacksonville, FL-Daily’s Place+ (SOLD OUT)
March 7-Orlando, FL-Kia Center#
March 8-Atlanta, GA-Buckhead Theatre+ (SOLD OUT)
March 11-Houston, TX-NRG Rodeo Houston
March 21-23-Willowbank, Australia-CMC Rocks
April 2-Oxford, MS-The Lyric Oxford~
April 3-Starkville, MS-Rick’s Cafe~
April 4-Starkville, MS-Rick’s Cafe~
April 5-New Orleans, LA-Hogs for the Cause 2025
April 10-Columbia, SC-Township Auditorium~
April 11-Winterville, GA-Athens Fairgrounds
April 12-Opelika, AL-Sistrunk Farms
April 24-Wilmington, NC-Live Oak Bank Pavilion^
April 25-Statesboro, GA-The Blue Room^
April 26-Tampa, FL-Amalie Arena#
May 1-New York, NY-Terminal 5^
May 2-Siver Spring, MD-The Fillmore^
May 3-Philadelphia, PA-The Fillmore Philadelphia^
May 4-Boston, MA-MGM Music Hall at Fenway^
May 15-Pikeville, KY-Appalachian Wireless Arena~
May 16-Indianapolis, IN-Everwisse Amphitheater at White River State Park~
May 17-Milwaukee, WI-Fiserv Forum#
May 29-Austin, TX-Moody Center*
May 30-Dallas, TX-Dos Equis Pavilion*
May 31-Tulsa, OK-BOK Center*
June 5-Alpharetta, GA-Ameris Bank Amphitheatre*
June 6-Tampa, FL-MIDFLORIDA Credit Union Amphitheatre*
June 7-iTHINK Financial Amphitheatre*
June 11-North Lawrence, OH-The Country Fest 2025
June 12-Toronto, ON-Budweiser Stage*
June 14-Tinley Park, IL-Credit Union 1 Amphitheatre
June 19-Chula Vista, CA-North Island Credit Union Amphitheatre
June 20-Phoenix, AZ-Talking Stick Resort Amphitheatre
June 21-Albuquerque, NM-Isleta Amphitheater
June 22-Telluride, CO-Telluride Bluegrass Festival 2025
June 26-Los Angeles, CA-Intuit Dome*
June 27-Wheatland, CA-Toyota Amphitheatre*
June 28-Mountain View, CA-Shoreline Amphitheatre
July 10-Virginia Beach, VA-Veterans United Home Loans Amphitheater
July 11-Bristow, VA-Jiffy Libe Live
July 12-Mansfield, MA-Xfinity Center
July 13-Clearfield, PA-Clearfield County Fairgrounds
July 17-Twin Lakes, WI-Shadow Hill Ranch
July 18-Cincinnati, OH-Riverbend Music Center
July 19-Noblesville, IN-Ruoff Music Center
July 31-Salt Lake City, UT-Utah First Credit Union Amphitheatre
August 1-Nampa, ID-Ford Idaho Center Amphitheater
August 2-Quincy, WA-Watershed Festival
August 7-Camden, NJ-Freedom Mortgage Pavilion*
August 8-Raleigh, NC-Coastal Credit Union Music Park at Walnut Creek
August 9-Charlotte, NC-PNC Music Pavilion
August 14-Darrien Center, NY-Darrien Lake Amphitheater*
August 15-Holmdel, NJ-PNC Bank Arts Center
August 16-Bethel, NY-Bethel Woods Center for the Arts
August 21-Savannah, GA-Enmarket Arena
August 22-Birmingham, AL-Coca-Cola Amphitheater
August 23-Biloxi, MS-Mississippi Coast Coliseum*
August 28-New York, NY-Madison Square Garden Arena*
August 29-Burgettstown, PA-The Pavilion at Star Lake*
August 30-Clarkston, MI-Pine Knob Music Theatre*
+with special guest Cole Goodwin
#supporting Alan Jackson
^with special guest Jake Worthington
~with special guest Lauren Watkins
*supporting Dierks Bentley