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LISS GALLERY Celebrates the Holidays with “The Art of Dr. Seuss Collection”

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Toronto’s Liss Gallery is inviting collectors and fans to step into a world of whimsical imagination with “The Art of Dr. Seuss Collection,” currently on view through January 31, 2026. This extraordinary exhibition showcases the visual brilliance of Theodor Seuss Geisel beyond his legendary books, featuring iconic imagery from “The Grinch” and “Oh, the Places You’ll Go!” alongside rare pieces from his “Secret Art Collection.” Visitors can explore a wide array of mediums, including his famous “Unorthodox Taxidermy” sculptures and bronze works, all of which highlight the wit and surrealism that defined his creative mind. As a centerpiece of the holiday season, the gallery offers a nostalgic journey for those discovering these works for the first time as well as veteran collectors looking for highly sought-after additions.

As the year draws to a close, Brian Liss and his team are adjusting gallery hours to allow for holiday reflection and rest. While the Dr. Seuss exhibition remains the primary focus, the gallery will be open for special appointment hours during the festive period to accommodate those traveling to see the collection. Located in the heart of Yorkville at 112 Cumberland Street, Liss Gallery remains a premiere destination for fine art in Toronto, blending playful storytelling with high-end curation. Whether you are seeking a meaningful holiday gift or a moment of seasonal inspiration, the colorful world of Sam-I-Am and the Seussian landscape provides a joyful backdrop for the end of 2025 and the start of a new year of art.

Exhibition & Gallery Details:

  • Title: “The Art of Dr. Seuss Collection”
  • Dates: On view now through January 31, 2026
  • Location: 112 Cumberland St., Toronto, ON
  • Featured Works: Secret Art Collection, Unorthodox Taxidermy, and Bronze Sculptures
  • Contact: +1-416-787-9872 | info@lissgallery.com

ALANIS MORISSETTE Unveils Soulful “Ave Maria” for Annual Holiday Tradition

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Alanis Morissette has released a tender new recording of “Ave Maria,” continuing her cherished annual tradition of seasonal covers. Originally composed by Franz Schubert, the legendary devotional piece is reimagined through Morissette’s signature emotive lens, following her previous holiday offerings such as “Happy Xmas (War is Over),” “Last Christmas,” and “O Holy Night.” This 2025 release serves as a serene moment of reflection before the singer-songwriter gears up for a massive summer 2026 tour across the U.K. and Ireland. Kicking off in Cork on June 24th, the tour will see Morissette performing at iconic heritage sites and festivals, including Blenheim Palace and London’s Crystal Palace Park, bringing her storied catalog to some of the region’s most scenic outdoor venues.

Alanis Morissette 2026 U.K. & Ireland Tour Dates:

  • 24/06 – Cork, IE – Virgin Media Park
  • 26/06 – Exeter, UK – TK Maxx Presents Live at Powderham
  • 28/06 – Woodstock, UK – Blenheim Palace Festival
  • 30/06 – Glasgow, UK – Bellahouston Park
  • 02/07 – Lytham, UK – TK Maxx Presents Lytham Festival
  • 04/07 – London, UK – Crystal Palace Park

NICK ENG Channels British Invasion Spirit on New Single “All of the Time”

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Reno-based singer-songwriter Nick Eng has made a triumphant return with “All of the Time,” his first new release since 2022. Known as “The Paul McCartney of Reno,” Eng leans into his classic rock ‘n’ roll roots while introducing a sophisticated layer of synths and experimental textures. Unlike his previous jangly pop-rock efforts, this track was approached like a painter’s canvas, with Eng meticulously layering “unique and different sounds” to create a modern yet nostalgic sonic feel. The result is an effortlessly charming piece of power-pop that balances the energy of the 1960s British Invasion with the clean, polished production of today’s indie-rock landscape.

Lyrically, “All of the Time” dives into the raw vulnerability of emotional dependence and the deep-seated need for verbal reassurance in a relationship. Eng captures the anxious, intimate moments of love where hearing the words “I need you” or “you’re mine” feels less like a luxury and more like a necessity. By pairing these honest, vulnerable lyrics with a confident, driving melody, Eng proves that his three-year hiatus was well worth the wait. “All of the Time” is a testament to his growth as a songwriter and producer, solidifying his reputation as one of the most compelling melodic craftsmen coming out of the West Coast today.

THE BAND OF HEATHENS Celebrate 20 Years and Platinum Success with New Single “No Direction”

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The Band of Heathens are marking their 20th anniversary with the release of their new single “No Direction,” a “cowboy lovelorn anthem” that serves as the opening track for their upcoming tenth studio album, ‘Country Sides’. Arriving February 20, 2026, the self-produced record was tracked in just over a week at the band’s own studio, The Finishing School, alongside longtime collaborator Jim Vollentine. The release comes at a career-high moment for the Austin-based group, coinciding with the official platinum certification of their hit “Hurricane.” Described by founding members Ed Jurdi and Gordy Quist as a love song for the families left behind during the nomadic chase of the musical dream, “No Direction” showcases the lush harmonies and “swamp-swaggering” guitar work that have made them a cornerstone of the fiercely independent roots-rock scene.

For two decades, The Band of Heathens have bypassed major label machinery to build a legacy rooted in organic storytelling and creative self-reliance. This DIY ethos is the heart of ‘Country Sides’, an album that celebrates life on the margins and the enduring bond between its founders. The band is set to take this new material on the road with the massive ‘Country Sides Tour’ throughout the spring of 2026, hitting major markets including Chicago, Atlanta, New Orleans, and a special homecoming co-bill in Austin with Jamestown Revival. From their early late-night sessions at Momo’s to headlining world-class stages like Red Rocks and the Grand Ole Opry, the group continues to prove that music crafted with integrity resonates far beyond the mainstream center.

The Band of Heathens – ‘Country Sides Tour’ 2026 Dates:

  • Mar 06 – Austin, TX (co-bill with Jamestown Revival)
  • Mar 12 – El Dorado, AR
  • Mar 13 – Jackson, MS
  • Mar 14 – Huntingdon, TN
  • Mar 15 – Indianapolis, IN
  • Mar 17 – Madison, WI
  • Mar 18 – Chicago, IL
  • Mar 19 – Minneapolis, MN
  • Mar 20 – Ottawa, KS
  • Mar 21 – Tulsa, OK
  • Apr 10 – Atlanta, GA
  • Apr 11 – Walhalla, SC
  • Apr 12 – Charleston, WV
  • Apr 14 – Asheville, NC
  • Apr 15 – Raleigh, NC
  • Apr 16 – Charlotte, NC
  • Apr 17 – Isle of Palms, SC
  • Apr 18 – Pelham, TN (with Wilder Blue)
  • Apr 19 – Waverly, AL
  • Apr 22 – New Orleans, LA
  • Apr 23 – Baton Rouge, LA
  • Apr 24 – Houston, TX
  • Apr 25 – Plano, TX

Watch HUNTER S. THOMPSON Burn His Christmas Tree…And Almost House

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In a legendary display of gonzo madness, Hunter S. Thompson celebrated the 1990 holiday season by torching a massive Christmas tree inside his living room fireplace at Owl Farm. Witnessed by a terrified TIME magazine reporter, the writer doused the oversized shrub in lighter fluid just feet away from a crate of 9-mm bullets and the original manuscript of ‘Hell’s Angels’. Wearing a dime-store wig and swigging Chivas Regal, Thompson ignored pleas to stop as the inferno spilled into the room, cementing his reputation as a man who lived perpetually on the edge of catastrophe.

SIMON COWELL Unveils New Boyband DECEMBER 10 Following Netflix Debut

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Newly signed to EMI/Universal, the British boyband December 10 has officially stepped into the spotlight with a live acoustic performance of NSYNC’s “Bye Bye Bye.” Recorded at London’s legendary Metropolis Studios, the video offers the first full look at the septet since their formation on the global Netflix docuseries ‘Simon Cowell: The Next Act’. The group—consisting of Cruz, Danny, Hendrick, John, Josh, Nicolas, and Sean—was hand-selected by Cowell from over a thousand hopefuls. Boasting a diverse heritage and the ability to play 14 instruments between them, the band is being positioned as a musically accomplished and inclusive group for 2026. Industry heavyweights like Poo Bear and Julian Bunetta have already been enlisted to mentor the boys, ensuring their vocal and songwriting skills match their undeniable charisma.

The members of December 10 bring a wealth of prior experience to the table, from West End stages and Junior Eurovision to the Irish National Opera. With influences ranging from Fela Kuti and Pearl Jam to Steve Lacy and Daft Punk, the band aims to revitalize the British boyband legacy with a fresh, “rambunctious” energy. Simon Cowell, who previously launched global giants like One Direction and Little Mix, expressed immense pride in the group’s humility and talent, while Island EMI President Louis Bloom noted their “undeniable chemistry.” As they move forward from their televised origins, the boys are focused on creating a unique sonic identity that blends multiple-part harmonies with a modern pop edge, signaling a major shift in the boyband landscape for the new year.

Meet December 10:

  • Cruz (19): Percussionist, West End veteran (Motown: The Musical)
  • Danny (17): Guitarist, former The Voice Kids contestant
  • Hendrick (19): Guitar, bass, and piano player from Walsall
  • John (17): Multi-instrumentalist and former Rochester Cathedral chorister
  • Josh (17): Drummer and guitarist with a massive social following
  • Nicolas (16): Guitarist who represented Portugal at Junior Eurovision
  • Sean (19): Guitarist and harmonica player, formerly of the Irish National Opera

ILLENIUM Unleashes High-Impact Single “War” with LØ SPIRIT Ahead of ‘Odyssey’

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Grammy-nominated electronic powerhouse ILLENIUM has released his latest single, “War,” a visceral collaboration with alternative singer-songwriter Lø Spirit. Arriving via Republic Records, the track serves as a high-octane bridge to his highly anticipated album ‘Odyssey’, set for release on February 6, 2026. “War” blends indie rock grit with cinematic electronic production, delivering a “darker, heavier energy” that explores the chaos of internal struggle and forward motion. The single follows a massive chart-topping moment for ILLENIUM, whose previous hit “Forever” recently secured the #1 spot on both the Billboard Dance/Mix Show Airplay and Mediabase Dance charts. With over 8 billion global streams and a legacy of record-breaking stadium shows, the Denver-based producer is poised to enter his most ambitious era yet, utilizing ‘Odyssey’ as a canvas for expansive sonic world-building.

Alongside the new single, ILLENIUM has revealed an elite roster of special guests for his upcoming “ILLENIUM Presents ODYSSEY” residency at the Sphere in Las Vegas. Across nine nights in March and April 2026, the immersive venue will host a rotating lineup featuring Alok, Dab The Sky, Wooli, Levity, Audien, Ray Volpe, SLANDER, DJ Diesel (Shaquille O’Neal), and Tape B. These shows represent the exclusive opportunity for fans to experience the ‘Odyssey’ album within the Sphere’s revolutionary audio-visual environment. Lø Spirit, the project of Joshua Landry, adds a raw, confessional depth to the collaboration, reflecting his own journey through recovery and self-reckoning. As ILLENIUM prepares to take over the world’s highest-resolution LED stage, “War” stands as a defiant anthem of catharsis that cements his status as a leading architect of modern melodic bass.

ILLENIUM Presents ODYSSEY at Sphere Las Vegas:

  • March 5 – with Alok
  • March 6 – with Dab The Sky
  • March 7 – with Wooli
  • March 12 – with Levity
  • March 13 – with Audien
  • March 14 – with Ray Volpe
  • April 2 – with SLANDER
  • April 3 – with DJ Diesel
  • April 4 – with Tape B

ANYMA Releases Trance-Inducing Single “Out Of My Body (Featuring EJAE)”

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Multidisciplinary artist Anyma has unveiled his latest single, “Out Of My Body (Featuring EJAE),” a transcendent electronic cut that further expands his cybernetic sonic universe. The track showcases the ethereal vocals of Korean American singer-songwriter EJAE, known for her record-breaking work in K-Pop and electronic music. Set against a backdrop of atmospheric synths and pulsing, hypnotic rhythms, the song explores the intersection between a love that feels like an out-of-body experience and the visceral power of a great dance record. Released via Interscope Records, this single marks the next stage of Anyma’s creative journey as he prepares for the forthcoming deluxe edition of ‘The End Of Genesys’, scheduled for early 2026.

Matteo Milleri, the visionary behind Anyma and co-founder of the global Afterlife movement, continues to cement his status as a boundary-breaking force in the industry. From his historic residency at the Las Vegas Sphere to headlining major festivals like Coachella and Tomorrowland, Milleri’s work seamlessly melds high-concept visuals with sophisticated techno production. EJAE’s haunting intensity adds a multidimensional layer to “Out Of My Body,” a track Anyma has looked forward to releasing for quite some time. As Milleri continues to lead the “Quantum Genesys” era with massive performances at the Pyramids of Giza and beyond, this new collaboration serves as a polished example of his commitment to raising global consciousness through art and technology.

SOLORA Captures After-Hours Intimacy with New Single “Cali Nights”

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Electronic producer Solora is shifting gears with his latest single “Cali Nights,” a sophisticated departure from the peak-hour adrenaline of his previous club anthem “Bassline.” Trading floor-filling intensity for a deeper, atmospheric groove, the track serves as the ultimate “after-party cut” designed for the blurred city lights of a late-night West Coast drive. Originally conceived as “LA Nights,” the production features a hypnotic, rolling bassline paired with ethereal vocals and melodic synths that drift over the beat with cinematic restraint. Drawing on his experience as the frontman for indie rockers The Scream, Solora infuses this electronic work with a distinct sense of songcraft, moving away from the energy of the crowd to explore the intimacy found once the music stops.