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Smithsonian Folkways Launches Music Pathways, a New Tool for Exploring Music History

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 Smithsonian Folkways has announced the launch of the Smithsonian Folkways Music Pathways, an innovative new teaching tool designed to illuminate lesser-known corners of music history using the sounds and resources available in the label’s iconic catalog. The Music Pathways are a free resource available to educators, parents, and the general public, contiguous with Folkways’ mission of making the sounds of the world broadly accessible and increasing understanding among people and cultures. Two Pathways are available now: Estoy Aqui: Music of the Chicano Movement and Cajun and Zydeco Music: Flavors of Southwest Louisiana, with a third covering women in the blues forthcoming. The Smithsonian Folkways Music Pathways offer step-by-step guides through both the music and the history of the people who made it, offering moments for listening, reflection, hands-on activities, and storytelling for teachers and learners in all subjects.

The Music Pathways are a first-of-their-kind lesson-plan resource that meets national academic standards in a variety of subjects, such as Common Core, National Standards for Music Education, and more. The Pathways present music within many contexts, allowing students to discover how music connects to historical moments and why it sounds as it does. Lesson plans are situated like nesting dolls inside larger inquiries of study, allowing students, educators, and parents to move between different topics within each Pathway easily and logically. Music Pathways are currently available for students in grades 6-8, with Pathways for additional age groups to be launched.

Extensive resources from across the Smithsonian are utilized throughout the Music Pathways. Audio, liner notes, and artwork that comprise many releases on Smithsonian Folkways (and other collections, such as Arhoolie Records) are positioned adjacent to photographs, video, scholarship, and other media from nearly every museum and unit of the Institution. Learners are able to see, hear, and directly engage with primary resources that illustrate the vibrancy of the cultures and relevance of the histories being explored. These comprehensive, ready-made resources are able to be immediately implemented in classroom and hybrid learning environments, providing educators with vetted, engaging deep dives that cover multiple perspectives on the histories being uncovered. Each Music Pathway, in its entirety, contains 12-18 hours of rich, thematic, multidisciplinary content that is customizable based on the needs of individual teachers and students in a variety of learning contexts. Music, history, and other humanities teachers alike will find lesson plans that will make for easy curricular integration and standards fulfillment.

While the Music Pathways were designed with national education standards in mind, they are also perfect for independent and lifelong learners, as well as anyone interested in learning more about the histories behind their favorite LPs released by Smithsonian Folkways. They are excellent supplemental resources for parents who wish to introduce their children to music and culture from around the world.

As a leader in resources for music educators for over 30 years, Smithsonian Folkways now charts a new direction for educational projects at the label. In 2024, Folkways received an internal grant through the Smithsonian’s Together We Thrive initiative to support an in-house curriculum specialist overseeing educational offerings like the Music Pathways. “We are thrilled that Dr. Jennifer Mellizo, a music educator and respected researcher with over 22 years of teaching experience in K-12 classrooms, joins us as our first full-time educator at the label,” said Folkways Director and Curator Maureen Loughran. “The Smithsonian’s commitment to education at Folkways encourages us to further develop deep contextual resources, like Music Pathways, and explore new projects dedicated to teachers and students from all parts of the world.” Under Mellizo’s supervision, a third Music Pathway on women and the blues will be released later in 2025.

César Chávez, photograph by Ernest Lowe. National Portrait Gallery

Estoy Aquí: Music of the Chicano Movement: 

Estoy Aquí: Music of the Chicano Movement explores Smithsonian Folkways Recordings’ large collection of songs and genres that emerged as symbols of cultural identity and pride during the Chicano movement of the 1960s-1970s. During this important time in American history, people in Mexican American and ally communities bravely advocated for equal rights and called for social change. As activists and leaders like César Chávez, Dolores Huerta, Reies López Tijerina, and Corky Gonzales fought for fair wages, safe working conditions, land rights, educational opportunities, and political representation, musicians documented history as it was happening––they expressed struggles, energized political messages, and lifted the spirits of strikers, marchers, and protestors.

This Smithsonian Folkways Music Pathway celebrates the Chicano/a community’s important contributions to the American story. As you immerse yourself in the sounds of mariachi, dance to the infectious beat of conjunto, engage with the complex rhythms of son jarocho, and sing protest songs that became anthems during the Chicano movement, you will gain a deeper understanding of how history can shape both the present and the future.

Clifton Chenier, photograph by Reed and Susan Erskine. Ralph Rinzler Folklife Archives and Collections

Cajun and Zydeco Music: Flavors of Southwest Louisiana: 

Through displacement and hardship, both Cajuns (descendants of what is today known as Nova Scotia) and Creoles (people from a combination of Caribbean, West African, Native American, Spanish, and Portuguese descent) ended up making their homes along the banks of the Mississippi River in a place called “Acadiana.” Their exchange of French-language music and diverse cultural traditions created what we now think of as “Cajun” and “zydeco” music. A true musical melting pot, the unique sounds and styles of Cajun and zydeco continue to influence each other and the vibrant music culture of southwest Louisiana. When people with different ancestries combine similar instrumentation, lyrical themes, language, and rhythms into one pot, the result is a true musical gumbo!

Drawing heavily from seminal audio recordings in the Arhoolie Records collection, which Smithsonian Folkways acquired in 2016, Cajun and Zydeco Music: Flavors of Southwest Louisiana explores the diverse roots and stylistic developments of these music genres and celebrates the “laissez les bons temps rouler”  (let the good times roll) ethos that is alive and well in this region today.

Smithsonian Folkways Recordings, the “National Museum of Sound,” makes available close to 60,000 tracks in physical and digital format as the nonprofit record label of the Smithsonian, with a reach of 80 million people per year. A division of the Smithsonian Center for Folklife and Cultural Heritage, the non-profit label is dedicated to supporting cultural diversity and increased understanding among people through the documentation, preservation, production and dissemination of sound. Its mission is the legacy of Moses Asch, who founded Folkways Records in 1948 to document “people’s music” from around the world. For more information about Smithsonian Folkways Recordings, visit folkways.si.edu.

Adam Met of AJR Announces Debut Book AMPLIFY, Blending Music Industry Tactics with Activism

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Today, musician from the multi-platinum band AJR, climate advocate, educator and TIME Earth Award recipient Adam Met announced his debut book, AMPLIFY: How to Use the Power of Connection to Engage, Take Action, and Build a Better World is due out on June 3rd via Harmony Books, a division of Penguin Random House. The book is a blueprint for boosting activism and building support for the causes you care about using fan-building tactics from the music industry and featuring the voices of today’s most passionate change-makers. AMPLIFY includes a foreword by Congressman Maxwell Frost, the first Gen-Z member of the US House of Representatives. You can pre-order the book HERE.

Met holds a Ph.D. in human rights and sustainable development and is the founder and executive director of Planet Reimagined, which trains and engages the climate leaders of the future using media and entertainment platforms along with strategic advocacy to mobilize climate action. He also is a professor at Columbia University, where he uses his expertise to teach about climate policy and campaigning.

“People are feeling overwhelmed, worried, and fearful that our efforts to create a better world haven’t worked,” Met shared. “AMPLIFY offers a fresh perspective — a slate of proven strategies inspired by cultural icons like Taylor Swift and BTS — about building new kinds of movements and empowering individuals to find their space to make a real, tangible difference.”

From stadium acts to indie singer-songwriters, musicians have pioneered ways of sparking passion, building awareness, and catalyzing engagement. Now imagine if the causes you cared about—from the fight to protect the planet to campaigns promoting global health, gun reform, or LGBTQIA+ rights—had the same fervent support as your favorite artists. AMPLIFY’s innovative toolkit will help you find your voice and maximize your impact in the world of social progress to create the change you want to see.

Met has firsthand experience growing an impassioned audience for an indie-pop band that formed in a family living room and is now selling out arenas across the country. With award-winning journalist Heather Landy, he shows how fan-building tactics from the music industry can build up movements in exciting, innovative ways. AMPLIFY demonstrates ways to smartly attract passionate supporters (i.e. fans) using the tactics of engagement, collaboration, and authentic connection, to inspire people to carry your message to the world and spur others to action.

The book also shares strategies from today’s most effective organizers, engagers, and audience builders, and includes interviews with Andrew Yang (former US presidential candidate), David Hogg (March for Our Lives co-founder), Christiana Figueres (Paris Agreement architect), Sue Doster (NYC Pride executive director), Glenn Beck (conservative commentator), Jim Gaffigan(comedian), and Bill Nye (scientist and entertainer), among others.

Last fall, Met was honored with the prestigious TIME Earth Award, which recognizes individuals influencing the future of the planet through their work on climate justice, awareness, and activism. Adam joins an exclusive group of Earth Award recipients, including Jane Fonda and John Kerry. You can read his profile HERE and watch his acceptance speech HERE.

Adam is a regular commentator on climate issues for CNN, and his climate advocacy work has been featured in outlets including The New York TimesThe Wall Street JournalRolling StoneThe Hollywood Reporter and NPR Weekend Edition, which recently profiled Adam in a piece about his effective climate advocacy campaign – listen HERE.

Adam Met, Ph.D., seamlessly transitions between roles as a musician, educator, and advocate. As the bassist in the multi-platinum band AJR, he has played for millions of fans worldwide. He is the co-founder and executive director of the climate research and advocacy nonprofit Planet Reimagined and teaches about climate campaigning and policy at Columbia University.

Heather Landy is a senior editor at Bloomberg News and a former executive editor of Quartz. Her reporting also has appeared in publications including The Washington Post, The New York Times, and The Fort Worth Star-Telegram, where she earned a Gerald Loeb Award for beat reporting.

The Damn Truth Announce 2025 Tour And Self-Titled Album Produced By Bob Rock

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Celebrated Canadian rock and roll band The Damn Truth release their self-titled album The Damn Truth on Friday 14 March via Spectra Musique. The forthcoming album features the singles “Love Outta Luck,” “I Just Gotta Let You Know,” “The Willow,” and their latest single “Better This Way.”

It’s no secret that one of the most exciting new bands making noise in the UK and Europe these days is Canadian. It’s true, and it’s The Damn Truth, a Montreal rock foursome serving up a gutsy, revved up modern reimagining of classic rock ideals.

And now, after touring the UK and Europe for the last four years, The Damn Truth return with their self-titled fourth album, The Damn Truth, and, once again, produced by the legendary Bob Rock (Motley Crue, The Offspring, Bon Jovi). The new album is the culmination of 12 years of hard work and constant touring; The Damn Truth are a perpetual and virtually unstoppable rock and roll machine.

Fuelled by two Top 40 singles on the Canadian Active Rock Charts (“Love Outta Luck,” “I Just Gotta Let You Know”), this new album marks the next level in their relationship with Bob Rock. He has pushed the band in all areas of playing, writing, and refining the Damn Truth signature sound, most evident in the revelatory power of Lee-la Baum’s vocals as evidenced on the mystic, almost Zeppelin-vibed “The Willow;” the full on bittersweet romance of “Better This Way;” the social conscience of “The Dying Dove;” the cautionary “If Don’t Make It Home;” and the hell yeah rabble rousing “All Night Long.”

The Damn Truth have added some extra lanes on their rock and roll highway as they explore new musical scenery, but the destination remains the same: organic loud rock experienced best in a crowded concert hall dripping in sweat.

Singer Lee-la Baum recalls the phone call that started it all – “It’s 3am in the heart of London. The adrenaline from an epic show supporting Glenn Hughes still courses through my veins as I collapse into my hotel room. Just as I start to unwind, my phone jolts me awake. It’s Bob Rock! The same Bob Rock I’d sent our demos to just hours earlier. Anticipation fills the air as I answer the call.

“Hello?”

“Hi there, it’s Bob!”

“How are you, Bob?” I reply, barely able to contain my excitement.

“I’m great! I listened to the new songs first thing this morning and I just had to call you right away. It’s awesome! Probably the best songs you guys have ever written. I’m excited to see you guys in a few weeks.”

“Let’s make a record!”

The album was recorded over a period of two months at Bryan Adams’ Warehouse Studios in Vancouver. This is Bob Rock’s favourite studio; it’s a classic and gigantic old school recording haven (AC/DC had just wrapped up prior to The Damn Truth’s arrival), perfect for the massive drum sound that Bob loves. Unlike their previous LP, Now or Nowhere (2021), which was hampered by Covid restrictions; this one is 100% produced and mixed by Bob Rock, who also gave the band access to his incredible collection of rare and vintage guitars for the sessions.

This is what Bob told the band at the start of this project, “When I hear you guys, I feel the spirit of Zep 1, let’s make a record like that, playing together, live, feeding off each other’s energy. That’s rock n roll”

Led by singer/guitarist Lee-La Baum, the rest of the quartet consists of lead guitarist Tom Shemer, bass-player PY Letellier, and drummer Dave Traina. Critics have been nothing but effusive concerning Lee-la’s vocals. Rock at Night magazine stated, “Lee-La sounds like a combo of Grace Slick (Jefferson Airplane, Jefferson Starship) and Ann Wilson (Heart). Her vocals are beyond powerful… incredible rock and roll.”

Bassist PY Letellier noticed a difference in this album’s creation, “Working with Bob this time around really brought new layers to our music that we hadn’t really had before.”

“Bob Rock is synonymous with the biggest bass and drum sounds,” adds drummer Dave Traina, “But with us, he seemed more interested in the lyrics and melody. He had us play each song quietly with an acoustic guitar and Lee-la’s voice. We built the music around those focal points.”

Their last album, Now or Nowhere, caught fire in the UK and Europe to such a degree (airplay on over 70 stations plus A-list airplay on Planet Rock, the UK’s most influential rock station, in addition to BBC 2 Rock Show.

The Damn Truth have constantly toured Europe performing to audiences in the UK, Sweden, Denmark, Italy, France, Belgium, Germany, Holland, and more). The band have also toured with noteworthy rock bands and artists including Z.Z. Top, Rival Sons, The Cult, Glenn Hughes, The Sheepdogs, Styx, and many more.

Their July 2024, their festival run in Europe included their first ever appearance in Romania (Open Air Blues Festival Brezoi) where the reaction was so overwhelming that the band has been invited back for this year’s festival. They will return to the UK this November for a series of festival and club dates.

This February, the band are special guests on the sold-out Rock Legends Cruise with Alice Cooper, Styx, Burton Cummings, John Waite, Jason Bonham, and others. Another career highlight was being part of the Alex Lifeson’s (RUSH) 2023 all-star band charity concert at Massey Hall, Toronto featuring Lee-la singing lead vocals.

Get ready! 2025 looks to be the year of The Damn Truth!

“THE DAMN TRUTH” TRACK LISTING

1. Be Somebody
2. I Just Gotta Let You Know
3. Love Outta Luck
4. If I Don’t Make It Home
5. Better This Way
6. Mirror Mirror
7. All Night Long
8. The Willow
9. Addicted
10. Killer Whale
11. The Dying Dove

Faye Webster Delivers a Dreamy, String-Laden NPR Tiny Desk Performance

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Faye Webster’s Tiny Desk performance is like stepping into a dream you never want to wake up from. With a string quartet and her locked-in band, she turns Underdressed at the Symphony into a hypnotic, otherworldly experience. You’ll feel it in your bones, in your heart, and maybe even in the last-minute ticket you didn’t buy to the symphony.

MJ Lenderman Takes the NPR Tiny Desk Spotlight with Wry Lyricism and Fiddle-Driven Melodies

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MJ Lenderman steps into the Tiny Desk spotlight with his own set, bringing wry lyricism, fiddle-driven melodies, and that perfect blend of sad, funny, and deeply human storytelling. “Nothing funny has ever happened to me,” he says—yet his songs tell a different story.

Oasis Announces 25th Anniversary Reissue of Standing On The Shoulder Of Giants and Massive Live ’25 Tour

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Oasis announce the 25th anniversary reissue of their fourth studio album, Standing On The Shoulder Of Giants – available on limited edition vinyl including silver LP and official store exclusive blue and purple marble LP on the anniversary of the original release date, February 28th. Today’s news is accompanied by a new lyric video for the album’s first single “Go Let It Out,” originally released 25 years ago today.

A pivotal moment in Oasis’ storied history, Standing On The Shoulder Of Giants marked the start of a new era for the band. “Go Let It Out” was the first release on Noel and Liam Gallagher’s own label Big Brother Recordings Ltd, established in January 2000 following the sudden closure of Oasis’ former UK label Creation Records. Big Brother’s debut release was rushed into production and released on February 7th, 2000, only seven weeks after the label’s inception.

Set up by Noel and Liam, together with their management team and entirely self-financed, Big Brother was the only real option for one of the most independently minded bands in the UK. Including the rights for the band’s existing catalogue as well as new releases, in the 25 years since its birth, Big Brother has gone on to be responsible for 10 No. 1 albums and over 15 billion streams globally.

Following the meteoric global success of Definitely Maybe (1994), What’s The Story (Morning Glory?) (1995) and Be Here Now (1997), with Standing On The Shoulder Of Giants, Oasis embraced a bold development in their sound. Noel Gallagher took a broader and more experimental approach to recording, resulting in a departure from their earlier sounds towards a modern psychedelic rock influenced record. This experimentation and richer sonic palette was in part due to Noel taking more time to craft this record than he had previously enjoyed. New instruments and techniques were utilised, including drum loops, samples, electric sitar, Mellotron, synthesisers and backward guitars, all contributing to a progression in Oasis’ output. Several tracks on the album also saw Oasis use samples for the first time. “F***in’ In The Bushes” contains samples from Murray Lerner’s film “Message To Love Isle Of Wight 1970,” whilst “Go Let It Out” contains elements from Johnny Jenkins “I Walk on Gilded Splinters.” Standing On The Shoulder Of Giants also marked the first time that Liam Gallagher contributed songwriting to an Oasis album (“Little James”), with this continuing on subsequent albums.

Standing On The Shoulder Of Giants holds further significance as the first Oasis album to be released following the change to the original band line up. Gem Archer and Andy Bell took over guitar and bass duties respectively for the album’s live activity, following the departure of Paul “Bonehead” Arthurs and Paul “Guigsy” McGuigan. Also significant to the recording process Mark “Spike” Stent took up production duties alongside Noel.

The bold new sounds were quickly embraced by Oasis’ fans, and Standing On The Shoulder Of Giants reached No.1 in the UK Album Charts, selling over 310,000 copies in its first week alone. It is now certified double platinum and has also sold in excess of 200,000 copies in the US. Moreover, the legacy of its songs continues to burn bright in Oasis back catalogue. “F***in’ In The Bushes” cemented itself in fans consciousness as the incendiary rallying cry Oasis walked on stage to for subsequent live shows. “Go Let It Out,” a classic slice of Noel’s very best songwriting, backed with hypnotic drum loop and Mellotron, topped the single charts in UK, Ireland, Italy, and Spain. And with the spiralling chaos of “Gas Panic!,” the band showed their ability to masterfully explore new territory with dark, sobering textures and an expertly crafted sense of unease.

The 25th anniversary of Standing On The Shoulder Of Giants lands at the start of a year that is sure to belong to Oasis as fans eagerly anticipate the Oasis Live ’25 tour, the reunion that ended years of feverish speculation. Unprecedented demand and a resounding global appetite made the announcement the music story of 2024. Last year also saw the 30th anniversary edition of Definitely Maybe reach No.1 in the UK album charts for a second time in its history.

In the midst of a pivotal moment in the remarkable story of Oasis, reflecting on another during its 25th anniversary, feels particularly apt. With Standing On The Shoulder Of Giants, Oasis embarked on a bold new chapter, one that would lay the foundation for everything that was to follow as the band took control of their own destiny.

TRACKLIST:
1. F***in’ In the Bushes
2. Go Let It Out
3. Who Feels Love?
4. Put Yer Money Where Yer Mouth Is
5. Little James
6. Gas Panic!
7. Where Did It All Go Wrong?
8. Sunday Morning Call
9. I Can See A Liar
10. Roll It Over

All tracks produced by Mark “Spike” Stent and Noel Gallagher
All Songs written by Noel Gallagher except “Little James” written by Liam Gallagher
All tracks engineered by Mark “Spike” Stent and Paul Stacey
Mastered by Howie Weinberg at Masterdisk Corporation, New York
Recorded at Wheeler End, Olympic Studios, Supernova Heights, England and Chateau De La Colle Noire, France

Oasis Live ’25 Tour Dates:
JULY 2025
July 4th, 2025 – Cardiff, UK – Principality Stadium
July 5th, 2025 – Cardiff, UK – Principality Stadium
July 11th, 2025 – Manchester, UK – Heaton Park
July 12th, 2025 – Manchester, UK – Heaton Park
July 16th, 2025 – Manchester, UK – Heaton Park
July 19th, 2025 – Manchester, UK – Heaton Park
July 20th, 2025 – Manchester, UK – Heaton Park
July 25th, 2025 – London, UK – Wembley Stadium
July 26th, 2025 – London, UK – Wembley Stadium
July 30th, 2025 – London, UK – Wembley Stadium

AUGUST 2025
August 2nd, 2025 – London, UK – Wembley Stadium
August 3rd, 2025 – London, UK – Wembley Stadium
August 8th, 2025 – Edinburgh, UK – Scottish Gas Murrayfield Stadium
August 9th, 2025 – Edinburgh, UK – Scottish Gas Murrayfield Stadium
August 12th, 2025 – Edinburgh, UK – Scottish Gas Murrayfield Stadium
August 16th, 2025 – Dublin, IE – Croke Park
August 17th, 2025 – Dublin, IE – Croke Park
August 24th, 2025 – Toronto, ON – Rogers Stadium
August 25th, 2025 – Toronto, ON – Rogers Stadium
August 28th, 2025 – Chicago, IL – Soldier Field
August 31st, 2025 – East Rutherford, NJ – MetLife Stadium

SEPTEMBER 2025
September 1st, 2025 – East Rutherford, NJ – MetLife Stadium
September 6th, 2025 – Los Angeles, CA – Rose Bowl Stadium
September 7th, 2025 – Los Angeles, CA – Rose Bowl Stadium
September 12th, 2025 – Mexico City, MX – Estadio GNP Seguros
September 13th, 2025 – Mexico City, MX – Estadio GNP Seguros
September 27th, 2025 – London, UK – Wembley Stadium
September 28th, 2025 – London, UK – Wembley Stadium

OCTOBER 2025
October 21st, 2025 – Seoul, South Korea – Goyang Stadium
October 25th, 2025 – Tokyo, Japan – Tokyo Dome
October 26th, 2025 – Tokyo, Japan – Tokyo Dome
October 31st, 2025 – Melbourne, VIC – Marvel Stadium

NOVEMBER 2025
November 1st, 2025 – Melbourne, Australia – Marvel Stadium
November 4th, 2025 – Melbourne, Australia – Marvel Stadium
November 7th, 2025 – Sydney, Australia – Accor Stadium
November 8th, 2025 – Sydney, Australia – Accor Stadium
November 15th, 2025 – Buenos Aires, Argentina – Estadio River Plate
November 16th, 2025 – Buenos Aires, Argentina – Estadio River Plate
November 19th, 2025 – Santiago, Chile – Estadio Nacional
November 22nd, 2025 – Sao Paulo, Brazil – Estadio MorumBIS
November 23rd, 2025 – Sao Paulo, Brazil – Estadio MorumBIS

The Taylors to Headline ‘Second Chance Stage’ Reunion Concert in Kansas City on February 21

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Fresh off their journey on HBO Max and Magnolia Network’s ‘Second Chance Stage,’ The Taylors-the electrifying mother-daughter duo of Paula Jo and Amanda Taylor-are set to take the stage for a special ‘Second Chance Stage’ live reunion concert at The Truman in Kansas City, MO, on February 21. This highly anticipated event will bring together standout contestants from the show, backed up by the high-energy mashup band Lost Wax, for an evening of powerhouse performances, epic collaborations, and unforgettable musical moments.

Now available for streaming on HBO Max and Magnolia Network, Second Chance Stage features The Taylors in Episode 5, where their remarkable musical talents shine through, captivating both the judges and viewers alike.

Known for their jaw-dropping musicianship and the undeniable chemistry that only a mother-daughter duo can share, The Taylors have captured the hearts of audiences across the country. Paula Jo, dubbed the “Viral Granny Guitarist” by Mötley Crüe’s Nikki Sixx, stuns with her virtuosic guitar skills, while Amanda’s commanding vocals leave crowds in awe. Their talent has been recognized by some of the biggest names in entertainment-actress and SNL comedian Heidi Gardner exclaimed, “I literally did not see that coming, you knocked me out of my seat.” Country music legend Martina McBride added, “I can definitely see you on the Grand Ole Opry,” while actor Taye Diggs declared, “You guys can go anywhere… you deserve to be everywhere. It blew me away.”

Joining The Taylors on stage will be Second Chance Stage Grand Prize winner Shelby Floyd, along with other surprise guests, making this a one-of-a-kind night that fans won’t want to miss.

 

Passengers’ ‘Original Soundtracks 1’ Celebrates 30 Years with Remastered Vinyl Release for Record Store Day 2025

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sland Records and UMe today announce the release of Original Soundtracks 1 (30th Anniversary Edition) by Passengers, pressed on 2LP recycled black vinyl for Record Store Day, April 12, 2025.

Original Soundtracks 1, the studio album by Brian Eno and U2 was released in November 1995 under the artist pseudonym Passengers. The experimental recording process resulted in a collection of 14 songs, written mostly for imaginary films – hence the album title – with the exception of “Ghost in the Shell,” “Beyond the Clouds,” and the hit single “Miss Sarajevo,” featuring Luciano Pavarotti. Other highlights include guest appearances from musician and producer Howie B and Japanese artist Holi, as well as the bonus track “Bottoms (Watash*tachi No Ookina Yume),” which previously featured on the original Japanese version of the album.

This special double-vinyl 30th anniversary edition, pressed on recycled black vinyl, is now fully remastered for the first time. Original Soundtracks 1 (30th Anniversary Edition) is available at participating independent record stores on Saturday, April 12, 2025.

The full tracklisting is:

Side A:
1. United Colours
2. Slug
3. Your Blue Room

Side B:
1. Always Forever Now
2. A Different Kind Of Blue
3. Beach Sequence
4. Miss Sarajevo

Side C:
1. Ito Okashi
2. One Minute Warning
3. Corpse (These Chains Are Way Too Long)
4. Elvis Ate America

Side D:
1. Plot 180
2 Theme From “The Swan”
3. Theme From “Let’s Go Native”
4. Bottoms (Watash*tachi No Ookina Yume) – Zoo Station Remix

Badminton Players and Music: How Music Enhances Performance and Focus

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By Mitch Rice

Everybody has a favorite tune, melody, or song that helps them complete a task or simply improve their mood. In the case of athletes, the same trend clearly follows. 

In fast-paced and intense badminton, players find the extra motivation and focus needed through music. Whether this means relying on music during training or post-match recovery, there is no denying that music plays a crucial role in a badminton player’s success.

In case you still have doubts, keep reading to find out how exactly music enhances performance and focus. 

The Science Behind Music and Sports Performance

When it comes to it, all of music’s emotional and psychological benefits have been well documented and proven scientifically. The idea that listening to music enhances a badminton player’s performance in the long term is a recognized phenomenon. 

In general, listening to songs and melodies induces the release of dopamine, a neurotransmitter that is associated with happiness and pleasure. 

Experiencing such emotions will bring out the best in an athlete during training or before a big match. 

Physiologically, music has the ability to control one’s heart rate and breathing patterns. In that way, upbeat music can set the energy levels to the required level during tournaments and intense training sessions.

Several studies have confirmed its positive effects in sports. Karageorghis and Terry (1997) found that faster music boosted an energized state as well as motivation and endurance. Another study by Terry et al. (2020) demonstrated that it aids in making training seem less exhausting. 

Of course, different types will have different effects on one’s training and performance mode. 

Type of Music Effects on Training
  • Upbeat
  • Increases motivation and alertness
  • Ideal for warm-ups and high-intensity training
  • Calming
  • Relaxes and heals
  • Helps during post-tournament and recovery period 
  • Rhythmic
  • Enhances coordination and movement efficiency
  • Perfect for drills and footwork exercises

 

Melody, with a high BPM (beats per minute) range of over 120, allows players to practice in the high-intensity range needed to succeed in badminton tournaments. That is where the high 1xBet badminton betting odds come in. 

How Badminton Players Use Music in Their Training Regimes

The pre-training and training playlists for most badminton players will differ due to the varying natures of the regimes. 

The majority of badminton players prefer upbeat music to get into the right mindset before all of the training intensity. When it comes to practicing repetitive drills or endurance exercises, motivational songs are what keep badminton stars persistent. 

 

In that way, hip-hop, rock, pop, and alternative tend to be the most popular genres for players who like training to energetic playlists. 

Popular players like Carolina Marin and Kento Momota have also expressed their appreciation for music in their pre-training and warm-up routines. 

However, some players turn it off during technical exercises or any practice that requires focus. 

Music’s Role in Pre-Match and In-Game Focus

It is no secret that one’s favorite song can invoke a sense of calmness and comfort one may need, especially while under pressure. In the case of pre-match nerves, listening to a familiar melody is what gets badminton players in their zone. 

Depending on a player’s strategy, music can be altered to adequately serve its purpose. For example, upbeat tunes will prepare for an intense match, while slower rhythms can be used to slow the heartbeat and re-center. In either case, music is sure to keep motivation and endurance levels up. 

Music and the Mental Benefits for Badminton Players

Most importantly, it ensures the right set of mind and lower stress levels for badminton players. So far, several direct benefits have been highlighted from the phenomenon:

  • Mental Focus: Players can easily block out any distractions to focus on effective solo training;
  • Mood Regulation: Favorite tunes lead to dopamine release and elevated mood, which is optimal for the right in-game mindset.
  • Stress Relief and Recovery: Used by many for its cool-down effect, relaxing music helps to recover mentally and prevent fatigue.

Music for Recovery: Post-Match and Injury Recovery

Relaxing and soothing melodies will help anyone feel better following a tough badminton tournament. After a fast-paced and intense game, it is essential that the proper recovery procedure is conducted, including listening to instrumental melodies or natural sounds.

Post-injury rehabilitation is another common practice in the world of professional sports. Thankfully, music can help in that case as well. Uplifting sounds and cheerful songs are the perfect emotional remedy for any health issue.

  • Classical music
  • Ambient and lo-fi beats
  • Acoustic and indie music

Famous Badminton Players and Their Music Preferences

The music theory is not a myth. In fact, many famous badminton players rely on their playlists to perform with maximum efficiency. 

Lin Dan had previously shared that listening to music during his training sessions had helped him keep his motivation levels high. 

Carolina Marin prefers to listen to upbeat hits right before a match to feel more confident. 

Kento Momota is often spotted wearing headphones before major tournaments, setting a more focused mode before a big match.

While the badminton legends rarely disclose the specifics of their playlists, their pre-game strategies and personalities suggest that it is a blend of high-energy and calming tracks. 

Conclusion

Music is more than a way to escape reality or enjoy a rhythm – it is a great tool that allows badminton professionals to mentally prepare for any game. It is also a perfect way to relax after an intense training session or tough tournament. In either case, music has proven its worth in the sports world, and as sports psychology evolves, its proper integration into badminton strategies will enhance performance overall.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Vacation Harmony: A Musician’s Guide to Enjoying and Exploring Florida

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By Mitch Rice

Vacations take on a different rhythm for musicians and art lovers. While others may seek thrills in amusement parks or lazy beach days, creative minds often crave destinations that inspire and rejuvenate their artistic spirit. They look for places where they can connect with nature, experience live performances, or simply soak in an atmosphere that fuels their creativity. Florida, with its sun-drenched beaches, diverse music culture, and lively entertainment scene, offers the perfect escape.

From the bustling nightlife of Miami to the serene shores of the Gulf Coast, Florida has something for every musician and music enthusiast. Panama City Beach, in particular, stands out as a must-visit destination. Known for its vibrant music scene, live performances, and stunning coastal beauty, it provides the perfect blend of relaxation and artistic exploration.

Here’s a guide that will help you navigate the best of Florida’s musical and artistic offerings.

  1. Exploring Entertaining Shows in Panama City Beach

Panama City Beach is an exciting destination for music lovers, offering a variety of live performances and immersive entertainment experiences. If you’re planning a trip after spring, you must not miss the Pirates Voyage Dinner & Show, a project that is all set to be completed in late spring 2025. The show is designed for all ages, making it a great option for families or groups traveling together. From June up until December 2025, the Pirates Voyage Dinner & Show tickets are already available for sale online, so it would be best to book yours ASAP!

The show features an action-packed performance that combines storytelling, acrobatics, and live music. As the lights dim, the stage transforms into a dramatic setting where two pirate crews battle for lost treasure on life-sized pirate ships. The sounds of crashing waves and sword fights blend with powerful musical compositions, making this show an unforgettable experience.

Adding to the excitement is the spectacular feast that accompanies the performance. The combination of energetic performances, immersive music, and theatrical storytelling makes this show a must-see for musicians and art lovers visiting Panama City Beach.

  1. Street Performances and Live Music at Pier Park

Pier Park is the heartbeat of Panama City Beach’s entertainment scene, offering an atmosphere filled with live music, local artistry, and vibrant energy. Musicians often set up along the boardwalk, filling the air with everything from smooth jazz to lively country tunes. The beauty of these street performances lies in their spontaneity. Whether it’s a solo guitarist strumming heartfelt melodies or a full band engaging the crowd, the energy of Pier Park is electric.

For musicians, this is an inspiring place to soak in new sounds and appreciate the raw, unfiltered side of live music. Sometimes, visitors might even find an impromptu jam session, where local artists invite the crowd to participate, creating a community-driven musical experience.

  1. Music Festivals in Florida Worth Experiencing

Florida is home to some of the most exciting music festivals in the country, making it a perfect destination for those who love live performances. The 30A Songwriters Festival in South Walton is a hidden gem, attracting some of the best songwriters from across the country. It offers an intimate experience where musicians share the stories behind their songs, allowing audiences to connect with the music on a deeper level.

For fans of the blues, the Tampa Bay Blues Festival is a must-attend event. This festival celebrates the rich tradition of blues music with performances from legendary artists and up-and-coming talents. The festival’s waterfront location adds to the experience, making it a relaxing yet vibrant event.

The Florida Folk Festival is also something that should not be missed. It is an annual festival that blends music, art, and culture. It celebrates and showcases Florida’s diverse folk cultures and traditions. No matter what genre of music you enjoy, Florida’s festivals provide incredible opportunities to immerse yourself in unforgettable musical experiences.

  1. The Best Beach Spots to Play Your Own Music

Florida’s beaches provide the perfect backdrop for musicians who want to create and perform in a peaceful, inspiring setting. St. George Island Beach is a favorite among acoustic musicians. The quiet, relaxed atmosphere allows artists to sit by the water and play without distractions, making it an ideal spot for songwriters seeking inspiration.

On the other hand, South Beach in Miami offers a more energetic vibe. With its lively crowds and street performers, it’s a great place for musicians who love playing in front of an audience. Whether you’re strumming a guitar under the sunset or joining an impromptu drum circle, Florida’s beaches offer unique opportunities to enjoy and share music in a natural setting.

  1. Boat Tours with a Musical Twist

Florida’s coastal beauty isn’t just for sightseeing—it’s also a stage for live music. Several boat tours offer a unique way to experience music while cruising along the ocean or through scenic waterways. The Sunset Cruise in Key West is particularly popular for its blend of breathtaking views and live music performances. As the boat sails into the horizon, musicians on board play everything from classic rock to tropical jazz, setting the perfect mood for a relaxing evening.

  1. Nature’s Music: Exploring the Sounds of Florida’s Wildlife

Music isn’t just found in human-made performances—Florida’s natural landscapes create a symphony of their own. The Everglades, with its lush wetlands and rich biodiversity, offers a unique way to experience sound in its most organic form. The rhythmic croaks of frogs, the distant calls of herons, and the gentle rustling of palm trees create a soundscape unlike any other.

For those looking to fully immerse themselves in nature’s music, taking a kayak trip through Florida’s springs or visiting the Canaveral National Seashore can be a meditative experience. Many musicians find inspiration in these serene settings, using the peaceful environment to compose new melodies or simply appreciate the harmony of the natural world.

  1. Where to Find Music-Inspired Souvenirs

No trip is complete without bringing home something that captures the essence of the journey, and for music lovers, Florida has plenty of unique souvenirs to offer. Retro Records in Orlando is a haven for vinyl collectors, featuring rare and classic records that make for perfect keepsakes. Whether it’s a blues album from a Florida-born artist or a signed record from a legendary band, music lovers can find something special to add to their collection.

Music has a way of transforming the way we experience a place, and in Florida, every corner offers a new rhythm to discover. Whether you find yourself lost in the energy of a live performance, strumming your guitar by the ocean, or letting the sounds of nature guide your creativity, the state invites you to immerse yourself in its melody. Florida isn’t just a destination—it’s a stage, a muse, and a canvas for musical expression.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.