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Scott Borchetta Receives the CMA Irving Waugh Award of Excellence Ahead of “The 59th Annual CMA Awards”

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The Country Music Association awarded Big Machine Label Group Founder, Chairman, and CEO Scott Borchetta the 2025 CMA Irving Waugh Award of Excellence ahead of “The 59th Annual CMA Awards.” Borchetta was surprised with the industry honor on the red carpet by three-time 2025 CMA Award winner and Big Machine Label Group/Nashville Harbor Records & Entertainment artist Riley Green. Borchetta is also a 2025 CMA Awards nominee in the Musical Event of the Year category for his production work on Green’s “Don’t Mind If I Do,” which features Ella Langley

“Scott has played a pivotal role in shaping Country Music’s modern era,” says Sarah Trahern, CMA Chief Executive Officer. “I’ve watched him navigate this industry with remarkable clarity and conviction—championing emerging talent, supporting legacy artists and investing in ideas that move our genre forward. His influence stretches across decades, and honoring him with the Irving Waugh Award of Excellence feels both meaningful and well-deserved.” 

“I truly did not see this coming,” says Borchetta. “A sincere thank you to our extraordinary CEO, Sarah Trahern, and all on the CMA Board for this incredible recognition. Irving Waugh was a true visionary who did so much for Country Music and its culture, and I’m humbled to stand on his shoulders alongside so many who continue to shape and inspire the world of Country Music.” 

The Irving Waugh Award of Excellence is presented to an individual who is the originator and caretaker of ideas and actions that have dramatically broadened and improved Country Music’s influence on a national or international level for the benefit of the industry. It is the intention that these ideas and actions are ongoing and have a proven historical impact on Country Music. 

Borchetta is the Founder, Chairman and CEO of Big Machine Label Group, home to superstars including Thomas Rhett, Riley Green, Tim McGraw, Rascal Flatts, Carly Pearce, Mötley Crüe, Sheryl Crow and more. Under his leadership, Big Machine has celebrated more than 20 years of groundbreaking success, earning multiple GRAMMY®, American Music Award, CMA Award, ACM Award and Billboard Music Award wins; selling more than 226 million albums; and sending over 265 singles to No. 1 across Country, Pop and Rock charts. As an executive producer, Borchetta has championed projects such as the 20-track Petty Country and the GRAMMY®-winning documentary GLEN CAMPBELL… I’LL BE ME. A frequent subject of national media, he has been profiled by Forbes, named to Billboard’s Power 100 and Fast Company’s 100 Most Creative People in Business, and honored with the Music Business Association’s Presidential Award for Outstanding Executive, CRB’s Presidential Award and the Bob Kingsley Living Legend Award. 

Borchetta has also helped drive major industry advancements, including a 2012 agreement with iHeartRadio that marked the first time in U.S. history artists and labels were compensated for terrestrial radio airplay. A committed philanthropist, he and his wife Sandi partnered with Monroe Carell Jr. Children’s Hospital at Vanderbilt to create The Big Machine Neighborhood NICU wing—later expanded to the Scott & Sandi Borchetta Floor—and established the Music Has Value fund supporting music education and therapy. Additional charitable efforts include a nationwide Feeding America campaign that provided more than 50 million meals.  Outside of music, Borchetta is a championship-winning race car driver, serves on the Board of the Indianapolis Motor Speedway Museum, helped bring the NTT INDYCAR SERIES to Nashville with the Big Machine Music City Grand Prix, and owns Big Machine Racing and its NASCAR Xfinity #48 Chevrolet team. 

Concert Review: Muscle Shoals | Low River Rising, Nashville, Nov. 14

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By Darryl Sterdan

NASHVILLE, TENN. — If music is a river, then Muscle Shoals sits squarely at the headwaters of southern soul, R&B, funk and rock. And even though most of the artists who pioneered that swampy, fertile ground are gone, their sound, their work and their legacies roll on.

On Friday night, they rolled into Nashville’s Country Music Hall Of Fame And Museum, where a crew of Muscle Shoals legends, lifers and leading lights staged the sold-out, soul-powered revue Low Rhythm Rising to celebrate the museum’s new exhibit of the same name — and to breathe new life into the music that made it possible.

Held in the museum’s woody, warm and welcoming CMA Theatre — a venue clearly designed for live performances, with pristine sound and great sightlines — the show featured a stellar cast, including Jimmy Hall, Tiera Kennedy, Bettye LaVette, Wendy Moten, Spooner Oldham, Dan Penn, Maggie Rose, Shenandoah, Candi Staton and John Paul White. Guitarist and latter-day Swamper Will McFarlane led a house band of Muscle Shoals ringers, including Mark Beckett (drums, and the son of Swampers keyboardist Barry Beckett), Mickey Buckins (percussion), Kelvin Holly ( guitar), Clayton Ivey (keys), Bob Wray (bass), Brad GuinSteve HerrmanJim Hoke and Charles Rose (horns) and Shoals Sisters Marie Lewey and Cindy Richardson-Walker (background vocals).

Bettye LaVette.
Jimmy Hall.
John Paul White.

After some opening remarks by exhibit curator Michael Gray, McFarlane played host for the rest of the event, welcoming everyone to a night of music and community. He delivered on both counts. This wasn’t some tightly choreographed, fast-paced Nash Vegas extravaganza; it was more like a late-night lockdown jam at your local watering hole. The singers were relaxed and playful. The players were laid-back and in the pocket. And McFarlane was the perfect host, introducing the featured artists and his bandmates with southern hospitality, sharing stories and anecdotes about their careers and talents as if he were talking to you across the table.

The show kicked off with beloved singer-songwriter / overalls enthusiast Dan Penn, delivering impeccable renditions of his tender classics I’m Your Puppet (co-written with keyboard legend Spooner Oldham, deservedly lauded more often than anyone else onstage) and You Left The Water Running. It was just the start of a two-hour set that featured 19 timeless hits birthed at or linked to the legendary FAME and Muscle Shoals Sound studios in the ’60s and ’70s.

The highlight of the night for me was Bettye LaVette, who tore up Eddie Hinton’s I Still Want to Be Your Baby (Take Me Like I Am) and John Prine’s Souvenirs (after revealing she sang the song to him shortly before he died). There are few singers in this world who make me simultaneously grin like a fool and weep like a baby every time they open their mouth, and LaVette — who can convey a lifetime of love, loss, tragedy and triumph in a single note — is one of them. So getting to hear and see her kick up her heels (musically and literally) was all I needed to make my night complete.

Will McFarlane.
Spooner Oldham.
Tiera Kennedy.

But there was plenty more where that came from. Wendy Moten (pictured up top) had the unenviable task of covering two Aretha Franklin classics — Penn’s Do Right Woman, Do Right Man (which he hung around to watch) and her breakout hit I Never Loved a Man (The Way I Love You) — and quite simply knocked it out of the damn park.

Live wire Jimmy Hall was in fine form, belting out Percy Sledge’s When A Man Loves A Woman and tearing the roof off the sucker with Wilson Pickett’s Land Of 1000 Dances. Shenandoah worked the room like old pros on their hits Two Dozen Roses and The Church On Cumberland Road. Former Civil Wars member John Paul White kept it sweet and low with his renditions of Arthur Alexander‘s You Better Move On and Bob Seger’s We’ve Got Tonight, earning well-deserved praise from McFarlane for the purity of his pipes. Proudly informing everyone that she’s 85, Candi Staton proceeded to act like a woman half that age, dancing up a storm on her heaven-sent I’m Just a Prisoner (Of Your Good Lovin’). Tiera Kennedy injected soul into The Rolling Stones’ Wild Horses and the Etta James classic I’d Rather Go Blind. And recent Grammy nominee Maggie Rose — who graciously downplayed the accolade by noting she was in the same category as Mavis Staples, which was an even bigger honour — showed off her powerhouse pipes on The Staple Singers’ I’ll Take You There and Aretha’s Chain Of Fools.

Finally, everyone returned to the stage for show-closing singalongs on Pickett’s Mustang Sally and Lynyrd Skynyrd’s Muscle Shoals-endorsing Sweet Home Alabama. In keeping with the freewheeling vibe of the night, they were endearingly loosey-goosey — energizer bunny Hall seemed to come perilously close to smacking into the tiny LaVette a couple of times, and the band accidentally wrapped up Sweet Home Alabama just as she was starting to sing. But no matter; it was still a night that no one will forget anytime soon. Simply put: They took us there. And made it clear that the Muscle Shoals Sound isn’t just a thing of the past, preserved in amber to be admired and revered; it’s a living, breathing entity filled with and driven by heart and soul, ready to roll on into the future.

Maggie Rose.
Shenandoah.
Candi Staton.

Set List

I’m Your Puppet | Dan Penn
You Left The Water Running | Dan Penn
Do Right Woman, Do Right Man | Wendy Moten
I Never Loved A Man (The Way I Love You) | Wendy Moten
I Still Want To Be Your Baby (Take Me Like I Am) | Bettye LaVette
Souvenirs | Bettye LaVette
When A Man Loves A Woman | Jimmy Hall
Land of 1000 Dances | Jimmy Hall
Two Dozen Roses | Shenandoah
The Church On Cumberland Road | Shenandoah
You Better Move On | John Paul White
We’ve Got Tonight | John Paul White
I’m Just A Prisoner (Of Your Good Lovin’) | Candi Staton
Wild Horses | Tiera Kennedy
I’d Rather Go Blind | Tiera Kennedy
Chain Of Fools | Maggie Rose
I’ll Take You There | Maggie Rose
Mustang Sally & Sweet Home Alabama | Ensemble

The Doors Bring “When You’re Strange” Back to Theaters in Remastered 4K for Their 60th Anniversary

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riginally released in 2006, the documentary “When You’re Strange” returns to theaters on December 4 and December 6 as part of The Doors’ ongoing 60th anniversary celebrations. Directed by Tom DeCillo, the film earned a Grammy Award for Best Long Form Video and features rare footage from the band’s formation in 1965 through 1971. This new 4K presentation brings the documentary back to cinemas with restored detail and added material that reflects the band’s lasting influence.

Each screening will include an introduction from John Densmore and Robby Krieger, along with the worldwide debut of a newly recorded performance of “Riders on the Storm.” The performance features Densmore, Krieger, and special guests in collaboration with Playing For Change. This new version appears alongside archival clips, narration by Johnny Depp, and insights that highlight the band’s musical chemistry and creative legacy. The remastered release continues a milestone year for The Doors and offers fans a chance to experience the film on the big screen.

Okeechobee Music and Arts Festival Expands Its 2026 Lineup With Cage The Elephant, Knock 2, And LCD Soundsystem

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Okeechobee Music and Arts Festival organizers have revealed Wave 2 of the 2026 lineup, adding Cage The Elephant, Knock 2, LCD Soundsystem, Freddie Gibbs, and Japanese Breakfast to an already extensive bill. The festival returns to Sunshine Grove from March 19 to March 22 for its tenth anniversary with programming that spans global names, established acts, and new voices. The additions also include Paris Texas, Beltran, Dirty Heads, and Empress Of.

The festival introduces the first Aquachobee Dub Reggae Takeover featuring Mykal Rose, Subatomic Sound System, Screechy Dan, Scientist, Papa Michigan, and Sister Nancy. Attendees can also expect an opening ceremony with a traditional Rastafarian Drum Circle and a full slate of late night programming. Incendia returns as a four night series curated by Renegade to highlight underground energy and special guests. With previously announced headliners and a wide roster of performers across many genres, Okeechobee continues to grow as one of Florida’s most distinctive festivals.

Tickets are on sale now, with options include 4-Day General Admission, 4-Day GA+, and 4-Day VIP, along with a variety of camping, parking packages and culinary experiences. Payment plans are available for a 25% deposit. and complete ticket information is here.

Lyle Lovett and John Hiatt Hit the Road Together for an Unforgettable Run of Shows

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Lyle Lovett and John Hiatt will join forces for a co headline tour beginning February 23 in Waterville and running through March 12 in Lansdowne. The run includes theater dates across Maine, Massachusetts, New York, New Jersey, Pennsylvania, New Hampshire, and Vermont. Tickets go on sale November 21 at 10 AM local time, with an artist pre sale opening November 19.

Lovett continues to be recognized for his work across country, swing, jazz, and folk after a career filled with major honors. Hiatt remains one of the most respected American songwriters, with a steady output of albums since 1974 and collaborations with Ry Cooder, Nick Lowe, Jim Keltner, and Jerry Douglas. Each evening will highlight their catalogs, musicianship, and long standing connection on stage.

Tour Dates
Feb 23 — Waterville ME — Waterville Opera House
Feb 24 — Portland ME — State Theatre
Feb 26 — Plymouth MA — Plymouth Memorial Hall
Feb 27 — Groton MA — Groton Hill Music Center
Feb 28 — Portsmouth NH — The Music Hall
Mar 1 — Beverly MA — The Cabot
Mar 3 — Huntington NY — The Paramount
Mar 4 — Morristown NJ — Mayo Performing Arts Center
Mar 6 — Reading PA — The Santander Performing Arts Center
Mar 7 — Rutland VT — The Paramount Theatre
Mar 8 — Port Chester NY — The Capitol Theatre
Mar 10 — Rochester NY — Kodak Center
Mar 11 — Troy NY — Troy Savings Bank Music Hall
Mar 12 — Lansdowne PA — Lansdowne Theater

National Music Centre Opens Montreal Satellite Hub, Strengthening Ties with Francophone Music Scene

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The National Music Centre (NMC) is deepening its connection with Canada’s Francophone music community through the opening of a satellite space in Montreal’s Latin Quarter, within the Quartier des Spectacles part of downtown.

Last night, as part of the official opening of NMC’s Montreal satellite space, MU, a registered charity transforming Montreal into an open-air museum, unveiled a mural by artist Mathieu Potvin, titled “Merci Beau Dommage.” The piece is part of the “Les bâtisseur·e·s culturel·le·s de Montréal” collection, which honours key figures who have helped shape the city’s cultural identity. With Beau Dommage showcased in the Quebec Music Hall of Fame exhibition at the National Music Centre in Calgary, the unveiling celebration was a symbolic first event for the new Montreal co-location.

Located in the same building as l’Association québécoise de l’industrie du disque (Adisq), the 3,000-square-foot Montreal space will serve as an anchor point for NMC’s growing activities in Eastern Canada, specifically in Quebec. The proximity to Adisq will help foster collaboration on a range of activities, including music industry events, professional development programs, workshops for industry professionals and artists, as well as other special pop-up events exploring new opportunities to strengthen cultural ties and support and amplify the work of Quebec-based creators and businesses.

“There’s no better time than now for nation-building and creating bridges between the East and the West. As a national organization, it’s vital that we not only amplify but actively engage with Canada’s diverse music communities,” said Andrew Mosker, NMC President and CEO. “Our new presence in Montreal reflects our commitment to strengthening relationships with Francophone creators, artists, businesses, industry partners, and audiences in the rich cultural hub of Quebec and other parts of Canada.”

“Our partnership with the NMC will create new opportunities for innovative projects, foster collaborations, and offer enriching musical experiences for Francophone communities from coast to coast,” adds Eve Paré, Executive Director of Adisq.

This expansion builds on an already strong relationship between NMC and Quebec’s music community. NMC’s Calgary home proudly houses the Adisq Hall of Fame, which celebrates Quebec’s music industry and Canadian Francophone artists, as well as the Canadian Music Hall of Fame, the Canadian Country Music Hall of Fame, and the Canadian Songwriters Hall of Fame. Many Francophone artists have been celebrated through NMC’s exhibitions and supported through its artist residencies and live performance programs. 

The Montreal space will also host a number of activities bringing NMC’s curatorial experience and storytelling approach to new audiences in Quebec. These efforts align with NMC’s national mandate to celebrate, preserve, and share the stories of Canadian music from coast to coast to coast. 

By establishing a presence in Montreal, the National Music Centre is taking a meaningful step toward building stronger connections between Canada’s English and French-speaking music communities, and furthering its aspiration is to be present in other parts of Canada over the coming years.

25 Things You Need to Know About Gary “Mani” Mounfield

Gary “Mani” Mounfield wasn’t just the bassist of The Stone Roses and Primal Scream. He was a cornerstone of the Madchester sound, a beloved figure in British music, and one of the most universally admired musicians to ever pick up a bass. Following the news of his death on November 20, 2025, we look back on 25 things you should know about the man behind the groove.

  1. He was born in Crumpsall, Manchester on November 16, 1962.
  2. His father, Colin, worked as a chef for the Manchester United football team.
  3. He developed an early love of darts, which became a lifelong passion.
  4. Mani joined The Stone Roses in 1987, just as they were finding their sound.
  5. His basslines defined Madchester, especially on tracks like “I Wanna Be Adored” and “Fools Gold.”
  6. He played a Rickenbacker 4005 bass, famously painted in a Pollock-inspired splatter style.
  7. After The Stone Roses split in 1996, he joined Primal Scream full-time.
  8. He was considered the most likely Rose to support a reunion, often quoted saying it would happen when “Man City won the European Cup.”
  9. Mani was a live wire on stage, with an energy that radiated through every performance.
  10. He performed with Ian Brown during the Roses’ hiatus, including festival sets in Madrid and Barcelona.
  11. He formed Freebass, a supergroup with Peter Hook (Joy Division, New Order) and Andy Rourke (The Smiths).
  12. He appeared in the film 24 Hour Party People in a small but fitting guest role.
  13. He was a dedicated Manchester United fan, despite being raised with Irish roots.
  14. Mani’s musical influences ran deep, drawing from funk, punk, reggae, and psychedelic rock.
  15. He met his wife Imelda at Rockfield Studios, during the making of Second Coming.
  16. The couple had twin sons, and remained married until Imelda’s passing in 2023.
  17. He lived in Heaton Moor, Stockport since 1991, never losing his North West roots.
  18. He rejoined The Stone Roses in 2011, igniting a wildly successful reunion tour.
  19. He performed six nights at Manchester’s Heaton Park during their comeback.
  20. In 2019, he received the Made of Athy Award, celebrating his Irish heritage.
  21. He was always up for a jam, once playing tambourine at a Paul Weller show.
  22. He supported the “Manchester Versus Cancer” benefit, reuniting with Ian Brown to play “I Am the Resurrection.”
  23. He was a beloved presence in backstage darts tournaments, bringing the same fire he had on stage.
  24. His awards included Best Bass Guitar and Godlike Genius as part of Primal Scream.
  25. Mani passed away on November 20, 2025, leaving behind a musical legacy that shaped generations.

Whether it was the swirling psychedelia of “She Bangs the Drums” or the raw power of Primal Scream’s live shows, Mani was the pulse behind it all. His presence, humor, and unmistakable sound will echo forever.

Are Over 60s Eligible for Free Boiler Support?

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By Mitch Rice

Yes, but not just because you’re 60. Age matters less than you think. What actually gets you a free boiler? Your benefits, your income, and your heating system’s efficiency. The ECO4 scheme offers fully funded replacements until March 2026, but only if you tick specific boxes. Miss one requirement and you’re out.

Here’s what determines eligibility: qualifying benefits like Pension Credit, household income under £31,000, property ownership (or landlord consent), and an EPC rating of D or lower. No upfront costs. No repayments. But the clock’s ticking.

Who Actually Qualifies?

Think turning 60 opens the door to free heating? Not quite.

The government doesn’t hand out boilers based on birthday candles. ECO4 targets fuel poverty; households choosing between heating and eating. Being a pensioner helps, but the real gatekeepers are your bank statement and benefit letter.

The Benefits That Matter

Here’s the shortlist that gets you approved:

Primary BenefitsSecondary Benefits
Pension Credit (Guarantee)Child Tax Credit
Universal CreditWorking Tax Credit
Income SupportHousing Benefit
Income-related ESA
Income-based JSA

One crucial point: State Pension alone doesn’t qualify. Receiving your weekly pension? That’s not enough. You need Pension Credit, specifically the Guarantee component. Don’t confuse the two.

Income Limits

No qualifying benefits? You can still get in if your household income sits below £31,000 yearly. Some councils use stricter thresholds through the LA Flex Scheme. Worth checking your local rules.

Property Requirements: The Three Tests

Your home needs to pass these checks:

Ownership Status

 Own it outright or have a mortgage? Green light. Private tenant? You’ll need written landlord consent before applying. Social housing? Different pathway entirely; contact your council.

Boiler Condition

Seven years old minimum, or broken beyond reasonable repair cost. Non-condensing boilers and back boilers jump the queue; they waste up to 40% of your fuel. That’s money burning in your exhaust pipe.

Energy Performance

EPC rating of E, F, or G required. High-efficiency homes (A-C ratings) get deprioritised. No current EPC? They’ll assess it for free during your application.

What Disqualifies You?

Let’s cut through the wishful thinking. These scenarios lock you out:

  • Household income over £31,000 without qualifying benefits
  • Boiler under 7 years old (unless it’s dead and expensive to fix)
  • EPC rating of C or better
  • Landlord says no to installation
  • Already have an A-rated boiler that works fine

Age 60+ doesn’t override these rules. Ever.

The Application Process: Five Steps

No mystery here. Just documentation and patience.

Step 1: Check Eligibility
Use an online checker or call your council. Take two minutes with your benefit letters handy. Most installers offer postcode-based tools that give instant qualification likelihood.

Step 2: Submit Documentation
You’ll need proof of benefits, boiler make and model, property ownership documents, and landlord consent if renting. Incomplete applications are the number one rejection cause.

Step 3: Home Assessment
A certified assessor visits free of charge. They evaluate your heating system, confirm EPC rating, and identify other improvements like insulation. No obligation at this stage.

Step 4: Approval
If cleared, expect installation scheduling within 8-12 weeks. Current demand means longer waits in some regions; some applicants hit 4-month delays.

Step 5: Installation
Takes 1-2 days. Gas Safe-registered engineers remove your old boiler and fit a new A-rated condensing model with smart controls. Zero cost to you.

Critical Deadlines You Can’t Ignore

ECO4 ends in March 2026. Period.

What happens after? Nobody knows. The government hasn’t announced a successor scheme. Miss this window, and you might lose this level of support entirely. Demand already outstrips installer capacity in most areas, creating months-long backlogs.

Even if your boiler works now, securing approval protects against future breakdowns. Waiting until it dies could mean waiting until ECO4 dies too.

Common Mistakes That Kill Applications

Smart people make dumb errors. Here are the worst:

Assuming State Pension = Pension Credit

They’re different benefits. The State Pension is your standard retirement payment. Pension Credit is means-tested support for low-income pensioners. Only the latter qualifies.

Skipping Landlord Consent

Private tenants: get written permission before applying. Not after approval. Not during assessment. Before.

Using Outdated EPC Ratings

Certificates expire after 10 years. If yours is old, request a new assessment through your application. Don’t guess.

Delaying Until the Boiler Dies

Apply while it still functions. Waiting for catastrophic failure means waiting in the winter cold during the application process.

Alternatives If ECO4 Rejects You

Didn’t cut? Other options exist.

  1. Boiler Upgrade Scheme (BUS)

Offers £7,500 grants (not fully free) for heat pumps or biomass boilers. Requires boilers over 10 years old. You’ll co-fund the difference.

  1. Great Britain Insulation Scheme (GBIS)

 Focuses on insulation but may include boiler support for council tax bands A-D (England) or A-E (Scotland/Wales).

  1. Warm Homes Local Grant

 Launching April 2025 for low-income households. Details remain sparse.

  1. Local Authority ECO4 Flex

Some councils run targeted schemes for vulnerable residents outside standard criteria. Worth investigating locally.

The Bottom Line

Being over 60 opens the door. It doesn’t guarantee you walk through. ECO4 Scheme qualification depends on benefits, income, property status, and heating efficiency. The application takes 8-12 weeks from installation approval; longer if demand spikes in your area.

March 2026 remains the hard cutoff. After that? Maybe nothing replaces it.

Check eligibility now using free online tools or council contacts. No cost to enquire. Two minutes to find out. Months of regret if you wait too long, and funding evaporates. Your move.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

How About Designer Cabinets and Shelves for Your Home Library?

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By Mitch Rice

If you are a voracious reader, you must have a vast collection of books at home. At any given opportunity, you buy a new book to quench your thirst for reading. But buying different books is not enough. You also need to display them correctly. Bookshelf is the best solution for this. And if you have a reading room at home, you can easily convert it into a well-stocked home library with books of different genres, authors, and time periods. This room is sure to charm anyone who steps in. How about custom shelves for the library?

Tailor-made shelves and bookcases in your home library are sure to up the game. You will get a dedicated space to display your books. And since these custom-cabinets and shelves come in different shapes and sizes, you can take your pick from an extensive range of collections. You can get them further personalized to suit your specific requirements. Why don’t you contact a reliable service provider for high end cabinetry solutions?

How to ensure that the cabinets and shelves are suitable for your home library?

Through tailored solutions, you can achieve the desired results. When you contact the experts, concentrate on the following aspects:

  • Accurate measurements:

Before deciding on the style of the cabinet and shelves, determine where you want to install them, as the size of the items will depend on this. If you are opting for wall cabinets or wall shelves, please indicate the position on the wall where they will be fitted. The cabinet maker will take the measurements accordingly. If you don’t show him the place where you would like to install it, he will come up with a regular-sized cabinet, and when you try to install it, the fitting will not be proper.

  • Offbeat style and design:

For your home library, opt for uncommon cabinet designs and styles. The same applies to the shelves as well. You can opt for wooden cabinets with glass panels or those made from laminate or melamine. They have a distinct look and finish. Don’t opt for the regular-styled cabinets, as they are pretty standard and lack appeal. Designer ones are way better, even if they are expensive, than the regular ones.

  • Match the décor of the library:

Keep in mind that the cabinets and shelves in the library will be an integral part of the room; hence, they should match the existing décor of the space. It should blend in perfectly and should not stand out like a sore thumb. When you hire the cabinet maker, ask them to visit your house so that you can show them the room where you want to install these. Let them soak in the ambiance of the room. This will give them a clear idea about what needs to be done.

Summing it up

A library in the house is a great thing. Whenever you feel like reading a good book, you can go to the library, take out the book from the cabinet or the shelf, and read it. You can spend some quality time with yourself, away from the hustle and bustle of daily life.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Insanidade Unleashes Pure Fire With The Wild New Video For “Black Thunder”

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Insanidade turns up the voltage with the official music video for “Black Thunder,” a standout track from the album ‘Enough to Be a Loser.’ Directed by Ygor Silva of Macabro Studio, the video channels the bloody grit of classic B horror cinema from the sixties and seventies and pairs it with the nonstop rush of rock n roll. It feels like a wild ride built for fans who love intensity, atmosphere, and loud guitars.

The band calls this album their heaviest work yet. The record brings together nine fierce tracks including a cover of “Looks That Kill” by Mötley Crüe and pulls influence from legends like AC DC, Motörhead, Guns N Roses, Mötley Crüe, and The Hellacopters. Every song carries the spirit of old school Hard and Heavy while keeping a sharp and current edge. The riffs punch through the mix, the rhythm section hits with force, and the vocals carry the rebellious spark that defines Insanidade.

With Lucas Tamandare, Luis Maldonalle, Gustavo Vasquez, and Rodrigo Miranda at full power, the group steps forward with total confidence. “Black Thunder” stands as a loud statement of identity and a reminder of why Insanidade holds a strong place in the Brazilian underground scene. It is raw, energetic, and built for listeners who want music that moves fast and leaves a mark.