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Honey Jam Is Searching Canada for Female Artists Ages 14-25 for Its 30th Season Artist Development Programme

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Honey Jam is celebrating 30 years of fostering emerging female artists and is now open for auditions. The organization is conducting a national search for female artists between the ages of 14 and 25 across all genres, including pop, hip hop, jazz, soca, R&B, gospel, rock, dancehall, blues, alternative, opera, and country. Artists from every province are encouraged to apply, with a Toronto live audition taking place Saturday, May 30, 2026 at 11am at the Live Nation Lounge, 2 Snooker Street, Liberty Village.

No advance approval is needed to audition in Toronto. Artists simply need to fill out the submission form, arrive at 11am for registration, and prepare a one-minute performance of the song they would perform at the showcase if selected. Original songs are encouraged. Covers are welcome but should reflect the artist’s own style. A keyboard will be provided on site. Artists should bring a printed one-pager with bio, photo, contact info, and social media links.

Every artist who participates receives free access to music industry workshops, one-on-one vocal and performance coaching, mentoring and networking opportunities, promotional exposure, and the chance to have original songs considered for airplay on major national radio. Selected artists will also have their bio and links hosted on honeyjam.com for one year and be considered for paid performance opportunities.

Artists outside Toronto can submit through the national online form at honeyjam.com. Selected participants will be contacted by approximately mid-June.

CIMA Is Bringing Canada House Back to Reeperbahn 2026 and Wants Your Applications Now

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CIMA is returning to Hamburg for Reeperbahn 2026, running September 16 to 19, and is currently accepting applications from Canadian artists and bands to showcase at Canada House. Reeperbahn is one of Europe’s most significant music industry gatherings, drawing thousands of artists and professionals from around the world and offering direct access to Germany, the fourth largest music market globally. A potential pre-event showcase and business day in Berlin on September 14 may also be on the table for participating artists.

Showcase applications are free for artists. If accepted, showcasing costs are covered by the presenting partner, typically a provincial music association. Every artist applicant must have a business representative attached. Companies interested in the business mission without a showcasing artist are also welcome to apply and will be invoiced separately based on Hamburg and Berlin participation.

The application process has two required steps. Artists must complete both CIMA’s Canada House application form and Reeperbahn’s own artist application form. CIMA strongly encourages artists to apply as early as possible and no later than end of May to allow time for marketing, promotion, and funding applications. The Canada House showcase deadline is Friday, May 8, 2026.

Artists are also encouraged to connect with their local provincial music association, including Alberta Music, Music BC, MusicOntario, Manitoba Music, and others, to discuss export plans for the German market. Applications are open now at surveymonkey.com/r/CIMAREEPERBAHN26.

Polaris Music Prize Returns to Massey Hall on September 22 With Key 2026 Season Dates Announced

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The Polaris Music Prize has announced its full 2026 season calendar, with the Concert and Award Ceremony returning to Toronto’s Massey Hall on September 22 for the fourth consecutive year. Presented by CBC and powered by FACTOR, the one-night event will feature live performances by that year’s nominees and close with the announcement of the Polaris Album Prize winner, the SOCAN Polaris Song Prize winner, and two Slaight Family Polaris Heritage Prize designations. The Album Prize carries a $30,000 award courtesy of the Slaight Family Foundation, with the Song Prize offering $10,000 from SOCAN. Performers will be announced in July. Tickets are on sale now.

The season rolls out across the summer with the 40-album Long List dropping June 11, the 20-song Long List on June 24, the 10-album Short List on July 9, and the 5-song Short List on July 29. Heritage Prize nominees are announced August 5 with public voting running through August 21. The Polaris Submission Portal is also open now, allowing Canadian musicians to submit their music directly for jury consideration, free of charge, for the first time ever.

Polaris also unveiled its 2026 visual identity, created by Toronto and Montreal-based aftermodern.lab. The design language draws from industrial and analog textile traditions, using fabrics, stitching, looms, and pattern-making as a framework for celebrating the many threads of Canadian musical identity. “We weave together the many threads of Canada’s identity into a quilt that reflects the spirit of the Polaris community,” said Aiyana Alzamora and Joshua Reginales of aftermodern.lab.

Building on the momentum of last year’s inaugural Polaris Festival, which welcomed over 11,000 participants across 22 September events, the organization will expand its Community Development Program and continue integrating the submission portal into its broader services. “The 2026 season is designed to showcase the depth, ambition and diversity of Canadian music,” said Executive Director Amber Still.

7 Fun And Friendly Tips To Nail Your First Zoom Media Interview As An Indie Artist

So you landed your first media interview. First of all, congratulations. That is a huge step. Someone out there wants to hear your story, your music, and what makes you tick. That alone is worth celebrating.

Now comes the part where many artists suddenly think, “Wait… what do I say? Where do I look? Why does my camera make me look like I am broadcasting from a cave?”

Relax. Interviews are just conversations about something you already love talking about: your music. Here are a few simple tips to help you feel comfortable, confident, and ready to shine when the Zoom light turns on.

  1. Set your space before the interview
    Find a quiet room with a clean background and good light facing your face, not behind you. Nothing fancy is required. A lamp and a tidy space go a long way.

Test your camera, microphone, and internet connection about 10 minutes before the interview. Trust me, even I get flustered when something goes wrong, which rarely happens, but you never know. A quick check saves a lot of stress.

  1. Put the camera at eye level
    Raise your laptop or camera so it sits at eye level. Stack a few books under your laptop if you have to. This simple trick makes you look more natural and confident, and it creates the feeling of real eye contact with the interviewer.

Plus, nobody wants the dramatic “camera pointing up at your chin” angle.

  1. Keep answers short and conversational
    Aim for answers that are about 20 to 30 seconds long. Think of it like chatting with one person, not giving a speech.

If the interviewer wants more detail, they will ask a follow up question. When you start repeating things you just said, that is usually the sign that it is time to wrap the answer.

  1. Have three talking points ready
    Before the interview, write down three things you want listeners to remember. Put them somewhere you can see them, but out of the camera’s view.

Maybe it is your new single, a video you just released, or something personal about the story behind the music. If you feel nervous or lose your train of thought, come back to those three points. They are your anchor.

  1. Pause and smile
    Take a breath before answering a question. A short pause makes you sound thoughtful and relaxed.

Smiling occasionally also keeps the tone warm and friendly on camera. If you need a moment to think, you can reset your brain with a simple phrase like, “I love that question,” or “Thank you for asking that.” Those few words give your mind a second to gather your thoughts.

  1. Have fun
    This one might be the most important. Let your personality shine through.

You are talking about music, creativity, and your journey as an artist. This is not a science exam. The more relaxed and authentic you are, the more people will connect with you.

  1. Read your press release and bio again
    Give your press release and your artist bio a quick read before the interview. Most, if not all, of the questions will come from that information.

Think about how you would explain those things in your own words. The interviewer is not looking for a script. They just want your voice and your story.

The interviewer already wants you to succeed. They invited you because they are interested in your music and what you have to say.

So take a breath, hit that Zoom link, and enjoy the moment. Your story deserves to be heard.

CIMA Members Can Now Apply for WINHUB Francophonie, a Free Online Networking Event for Francophone Music Markets

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CIMA is inviting members to apply for WINHUB Francophonie, a free, members-only online networking event taking place May 19, 2026 on the WINHUB platform. Running 120 minutes, the session connects independent music companies across francophone markets through curated speed networking meetings and a company directory organized by shared interests. The event is conducted entirely in French.

Market presentations from ADISQ, BIMA, FÉLIN, IndieSuisse, and UPFI will offer direct insight into key francophone music industries across Europe and beyond. For Canadian independent companies looking to build international partnerships in French-language markets, this is a focused and accessible entry point with real infrastructure behind it.

WINHUB Francophonie is organized by WIN in partnership with ADISQ, BIMA, CIMA, FÉLIN, IndieSuisse, and UPFI, and co-funded by the European Union through IMPALA’s Network Project. Spots are limited and the application deadline is March 18, which means the window closes in days.

CIMA members can apply now at app.swapcard.com. Questions can be directed to membership@cimamusic.ca.

CIMA Is Taking Eight Canadian Music Companies to BIGSOUND 2026 in Brisbane This September

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The Canadian Independent Music Association is organizing a business mission to BIGSOUND 2026 in Brisbane, Australia, running September 1 to 4, with space for eight Canadian music companies. The delegation will include curated business events developed in partnership with the Sydney Consulate and the BIGSOUND team, with support from an in-market consultant focused on building real connections within the Australian industry. It is a direct line into one of the most influential music industry gatherings in the southern hemisphere.

BIGSOUND draws over 1,700 conference delegates and more than 16,000 aggregate showcase attendees, bringing together tastemakers, industry leaders, and emerging artists across three nights of performances and full days of conference programming. Past speakers have included Nick Cave, Mike Shinoda, Amy Taylor, and Kelis. For Canadian companies looking to expand into Indo-Pacific markets, develop roster marketability, and build lasting international relationships, this is a high-value opportunity with genuine infrastructure behind it.

CIMA is also flagging that BIGSOUND may accommodate one to two Canadian acts this year, though artists must apply directly through the festival. The business mission is separate from artist showcasing and focuses on company-level connections and market development.

Participation is not guaranteed. Canadian music companies interested in attending can register their interest now via the CIMA survey at surveymonkey.com/r/CIMABIGSOUND26. More details will follow in the coming months.

Lil Baby Drops “Mrs. Trendsetter” Video While ‘My Turn’ Hits 7x Platinum On Its Sixth Anniversary

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Lil Baby delivers the official video for “Mrs. Trendsetter,” directed by Mikey Rare and arriving after a teaser clip that launched a dedicated social account and sent fans into full speculation mode about the song’s subject. The visual follows a group of women, each thriving in their own lane as creative director, media maven, and social influencer, moving through their day before linking up for a night out. It’s confident, celebratory, and built around exactly the energy the track carries.

“Mrs. Trendsetter” appears on ‘The Leaks,’ Baby’s December 2025 mixtape that debuted at number one on Billboard’s Rap Albums chart, number five on Top R&B/Hip-Hop Albums, and number 17 on the Billboard 200. It marks his fifth consecutive number one project on Billboard’s Top Rap Albums chart, a run that speaks for itself.

The release lands alongside a major anniversary milestone. ‘My Turn’ turns six this week and upgrades to 7x multi-platinum status, with individual tracks stacking fresh certifications including “Sum 2 Prove” at 9x platinum, “Woah” at 8x, and “We Paid” and “Emotionally Scarred” each at 7x. The album now sits at over 15 billion global streams and remains on the Billboard 200, a sustained commercial presence that few albums in any genre can match.

Between ‘WHAM’ debuting at Billboard 200 number one in January 2025, ‘The Leaks’ closing out the year strong, and “Superman” landing on Pitchfork’s 40 Best Rap Songs of 2025, Lil Baby is operating at a level that makes the ‘My Turn’ anniversary feel less like a lookback and more like proof of a foundation still very much in use.

Megan Moroney Sells Out Rodeo Houston and Sits Down With Drew Barrymore In a Whirlwind Week

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Megan Moroney is everywhere right now, and she’s earning every moment of it. This week alone she delivered a sold-out debut performance at Rodeo Houston in front of 72,220 people at NRG Stadium, sat down for her first appearance on The Drew Barrymore Show, and appeared as a guest on the songwriting podcast And The Writer Is with Ross Golan. Cloud 9 is her Billboard 200-topping third album, and its rollout has been relentless in the best possible way.

The Rodeo Houston show was a statement. Moroney sold it out in under half an hour, arrived on stage in her Cloud 9-pink Bronco, and delivered a setlist stacked with country radio number ones including “6 Months Later,” “Am I Okay?,” and the 4x platinum “Tennessee Orange.” The Drew Barrymore Show appearance covered everything from bizarre ramen flavors to post-breakup payback to the scream-along catharsis of her live show, which she describes simply as “group therapy.”

The Ross Golan podcast conversation goes deeper, covering the life-changing accident that led her to music, the stories behind “Tennessee Orange” and Billboard Hot 100 hit “Beautiful Things,” and the details of her writing process. As the latest guest in a lineup that includes Julia Michaels, Jack Antonoff, and FINNEAS, Moroney holds her own and then some.

With over 5.1 billion global streams, a 2025 MTV VMA win for Best Country, New Artist of the Year at the 2024 CMAs, and a massive international Cloud 9 Tour on the horizon, Moroney has moved well past rising star territory. She is operating at the top of the format, and the numbers prove it.

Portuguese Singer-Songwriter J.Mystery Confronts a World Gone Quiet On Sweeping New Single “Change”

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J.Mystery releases “Change” today, his most emotionally and sonically ambitious single to date. Written and recorded in Portugal with longtime collaborator and producer Francisco Reis, the track expands outward through string quartet arrangements and cinematic orchestration by Nikolai Gimaletdinov and IAN, giving it genuine scale without losing the intimacy at its core. J.Mystery calls it “one of the most beautiful pieces I’ve created to date,” and the music backs that up fully.

Lyrically, “Change” is an honest confrontation rather than a polished statement. Inspired by the current state of the world, the song presses hard on indifference and silence, circling the tension between fear and hope, between knowing you can act and choosing not to. The central question it asks is uncomfortable and direct: if you know you can make a difference, how do you live with staying quiet.

The release arrives at a meaningful moment in J.Mystery’s trajectory. In 2025, he earned a nomination for Best Music Video at Portugal’s Prémios Play, was named MTV Push Artist of December (the final artist to receive the distinction before MTV closed its Portuguese channel), and drew international attention from Wonderland and Clash Magazine. His atmospheric blend of alternative rock, electronic, and cinematic pop has built genuine traction across national radio and beyond.

This June, J.Mystery opens for Father John Misty across two headline shows in Portugal, performing at Sagres Campo Pequeno in Lisbon on June 1 and Coliseu do Porto AGEAS in Porto on June 2. He describes the opportunity as “an incredible honour,” noting he was personally chosen by Father John Misty and his team.

Southern California Melodic Death Metal Newcomers Ravenmocker Soar On Cinematic New Single “Where The Raven Flies”

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Ravenmocker drop their second single of 2026 with “Where The Raven Flies,” and it lands with genuine scope and weight. The Southern California melodic death metal quartet build an anthemic, cinematic track around the origin story of the Raven Mocker, a cryptid from Cherokee and Adirondack lore known as a harbinger of death that steals the remaining years of its victims. The mythology drives every element of the release, from the soaring melodic architecture to the music video filmed in Angeles National Forest by Darkslate Media.

Formed in 2025 by guitarist and vocalist Tom Tierney following his departure from Thrown Into Exile, Ravenmocker draws on his Native American heritage as a central creative foundation. Joined by guitarist George Patmas (ex-Dianthus), drummer Dylan Suierveld, and bassist Will Buckley (both of Levinia), the band pulls from melodic death metal’s classic era while weaving in blues, prog, jazz, and country influences. The new single is notably more expansive than their debut, featuring a key change and structural development contributed by Suierveld that gives the track its lofty, mountain-gliding feel.

Debut single “Infallible” cleared 75,000 views quickly and drew praise from No Clean Singing for its melodic hooks and feverish energy. “Where The Raven Flies” raises the stakes further, premiering on Decibel Magazine alongside the full music video. A debut EP is on the way later in 2026.