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Snoop Dogg Honors Tupac With Limited-Edition “2 of Amerikaz Most Wanted” Wine on 30th Anniversary

Eric Alper
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Snoop Dogg Honors Tupac With Limited-Edition “2 of Amerikaz Most Wanted” Wine on 30th Anniversary

Cali By Snoop has released its most personal bottle yet. “2 of Amerikaz Most Wanted” is a limited-edition red blend from Snoop Dogg marking 30 years since his and Tupac Shakur’s iconic collaboration of the same name. Alongside the wine, Snoop stars in a tribute film featuring archival behind-the-scenes footage from the original music video, the only one the two ever filmed together. “I can’t think of a better way to honor his legacy than with a drink,” Snoop says.

The wine itself is a Petite Sirah-dominant red blend with notes of toasty oak, dark fruit, toffee, and baking spice. Winemaker Michael Garrison of Treasury Wine Estates describes it as well-structured, with supple tannins and a long finish. The label pulls from a moment etched in hip-hop history, drawn from the 1996 VMA Awards, and includes a personal tribute to Tupac written by Snoop.

Both artists were signed to Death Row Records during the West Coast hip-hop boom of the 1990s, and the energy of that era runs through every element of this release. Cali By Snoop launched in 2020 with Cali Red and has since built a portfolio that includes Cali Smooth, Cali Rosé, Cali Gold, and more. “2 of Amerikaz Most Wanted” is available now at major retailers nationwide for $14.99.

Thirty years on, the friendship and the legacy it produced remain undeniable. This bottle is a fitting way to raise a glass to both.

Tedeschi Trucks Band Bring Their Madison Square Garden Debut to the Big Screen With ‘The Garden Party’

Eric Alper
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Tedeschi Trucks Band Bring Their Madison Square Garden Debut to the Big Screen With ‘The Garden Party’

Tedeschi Trucks Band have announced ‘The Garden Party’, a concert film documenting their sold-out Madison Square Garden debut on September 29, 2023. Directed by Grammy-nominated filmmaker John McDermott and co-produced by BAFTA Award-winner George Scott alongside Derek Trucks and Susan Tedeschi, the film captures a two-and-a-half-hour performance featuring special guests Trey Anastasio, Norah Jones, and Lukas Nelson, woven together with commentary from the duo. “Going from Manny’s Car Wash to Madison Square Garden has been pretty surreal,” says Trucks.

The film premieres at Brooklyn Bowl in New York on Sunday, March 22, with full concert sound, family-friendly entry at $10 for adults and free for kids under 16, and all ticket proceeds going to HeadCount. The premiere falls mid-way through TTB’s ten-night run at the Beacon Theatre from March 10 to 28. A theatrical release follows later this spring, with an additional screening event at the Regent Theater in Arlington, MA on May 1, and more cities to follow.

The announcement arrives two days after the release of ‘Future Soul’ on March 20 via Fantasy Records, TTB’s sixth studio album and their most wide-ranging to date. Produced by Mike Elizondo (Twenty One Pilots, Eminem, Carrie Underwood) and co-produced by Trucks, the 11-track collection pulls from funk, rock, blues, soul, and punk, with singles “I Got You” and “Who Am I” already out now.

Between the new album, the Beacon Theatre residency, the film premiere, and a theatrical rollout on the way, Tedeschi Trucks Band are deep into one of the most active and rewarding stretches of their career.

Providence Industrial Techno Duo Snowbeasts Unleash “Abuse of Power” Remix EP With Three Dark Electronic Heavyweights

Eric Alper
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Providence Industrial Techno Duo Snowbeasts Unleash “Abuse of Power” Remix EP With Three Dark Electronic Heavyweights

Snowbeasts have expanded one of the sharpest tracks from their 2025 album ‘Dire Days’ into a full remix EP. “Abuse of Power” originally landed as a driving, EBM-fueled broadside against corruption and exploitation, with vocalist Elizabeth Virosa delivering its mantra in a deadpan, morose style that hits harder for its restraint. Heavy basslines, hard-hitting kicks, and ominous atmospheric textures made the original a dancefloor statement with genuine teeth. The remix package brings in three producers from the darker corners of the electronic music world, each pulling the track in a distinct direction.

Hexmaschine’s Kevin Brown pushes the BPM and injects a ’90s trance-techno edge. Caustic’s Matt Fanale goes groovy and acidic, rooting his version in classic body music territory. Sawtooth’s Lillian Martin leans into stomp-worthy industrial aesthetics, threading in political speech samples that expand the original’s themes outward. Together the four versions form a cohesive and genuinely varied package. The Providence duo, comprised of Galbraith and Virosa, have been building their hardware-driven, modular synth-powered sound since 2014 across more than 20 releases. ‘Dire Days’ earned comparisons to Front Line Assembly, Front 242, and ADULT.

Folk-Pop Storyteller Catie Turner Signs With TikTok SoundOn and Drops Intimate Audiotree Live Session

Eric Alper
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Folk-Pop Storyteller Catie Turner Signs With TikTok SoundOn and Drops Intimate Audiotree Live Session

Catie Turner has signed a distribution deal with TikTok’s SoundOn platform, pairing her independent momentum with one of the most powerful music discovery engines in the world. The partnership builds on an already proven relationship. Her breakout single “God Must Hate Me” first gained serious traction on TikTok, climbing past 100 million streams and introducing her candid, sharply observed songwriting to a global audience. SoundOn gives her the reach to go further while keeping creative control firmly in her hands.

Alongside the announcement, Turner releases a new Audiotree Live session featuring five tracks: “I Might,” “Not Young Just Dumb,” “Shrinking Violet,” “God Must Hate Me,” and “Tourist Attraction.” Stripped back and filmed in Audiotree’s intimate studio setting, the session is Turner at her most direct. She moves between vulnerability and wit with ease, and her vocal delivery and lyricism land with the kind of emotional weight that doesn’t need production to prop it up.

Turner first came to national attention on American Idol with her original song “21st Century Machine,” and has since built a catalog that spans 200 million career streams, one million social followers, and praise from Rolling Stone and Ones To Watch. Previous releases “Comedown,” “Friends,” and “Last Name” kept that trajectory moving, and new music is on the way under the SoundOn deal. With creative independence and platform-powered distribution locked in, Turner enters 2026 with real wind behind her.

Ava Franks Deliver Cinematic New Anthem “Good Scar”

Eric Alper
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Ava Franks Deliver Cinematic New Anthem “Good Scar”

New York-based songwriter Ava Franks has delivered a striking new entry into the indie pop landscape with her latest single, “Good Scar”. The track lands today as a defiant exploration of romantic bravery, moving away from the hesitation that often defines early adulthood. Franks has built a reputation for sharp, coming-of-age storytelling, and this release solidifies her trajectory as a vital voice for her generation. It is a record that prioritizes emotional honesty over safety.

The production on “Good Scar” is a lush, widescreen experience, featuring sparkling synths and driving bass guitars that provide a grounded contrast to ethereal vocal layers. Ava collaborated with multi-platinum producers Shep Goodman and Aaron Accetta to create a soundscape that feels both intimate and expansive. The track carries a melodic weight that demands attention, building toward a crescendo that captures the rush of a new connection. It is an irresistible piece of pop craftsmanship that feels instantly familiar yet Refreshingly bold.

The core of the song explores the willingness to accept eventual heartbreak in exchange for the depth of a current moment. Franks describes the sentiment as wanting “everything with them, the good and the bad,” a theme that resonates throughout the single’s dream-like arrangement. Influences of Sarah McLachlan’s lyrical precision and Lorde’s atmospheric production are evident here, but Franks maintains a distinct identity that is entirely her own. This is sophisticated pop music that refuses to hide behind metaphors.

Following the success of her previous single “Every Day,” which earned critical nods from tastemakers like Earmilk and LADYGUNN, Franks continues to iterate on her sound with impressive speed. Since debuting in 2021 with “3 Pines,” she has consistently released music that reflects the turbulence and beauty of being in your early twenties. “Good Scar” is a high-impact milestone in that journey, proving that Ava Franks is a talent with the momentum to match her creative ambition.

SiriusXM Secure Comprehensive Broadcast Rights For 2026 March Madness

Eric Alper
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SiriusXM Secure Comprehensive Broadcast Rights For 2026 March Madness

SiriusXM has locked in an massive broadcast schedule for the 2026 NCAA Division I Men’s and Women’s Basketball Championships. Starting March 17, the network will provide coast-to-coast play-by-play coverage, ensuring fans have access to every Men’s tournament game and extensive Women’s tournament action. The partnership with Westwood One brings the high-stakes atmosphere of March Madness to listeners in their cars and on the SiriusXM app. It is a comprehensive audio blitz designed for the most frantic month in college sports.

The Men’s tournament coverage begins with the First Four in Dayton and culminates at the Final Four in Indianapolis on April 4 and 6. For the Women’s side, SiriusXM will carry every game from the Sweet 16 through to the National Championship in Phoenix on April 3 and 5, alongside select early-round matchups. This broadcast scale is paired with deep analytical depth, featuring daily insights from a roster of former players and coaches. The network is positioning itself as the central nervous system for tournament intelligence.

Selection Sunday on March 15 serves as the official launch point for this programming marathon. Listeners can tune into Mad Dog Sports Radio for Chris “Mad Dog” Russo’s signature high-energy bracket breakdown or join SiriusXM College Sports Radio for dedicated men’s and women’s reveal specials. The coverage is not just about the final score; it is about the narrative of the bracket, the bubble teams, and the inevitable upsets that define the tournament’s legacy. This year’s expert lineup ensures no sleeper team goes unnoticed.

The tournament experience extends to the ground with live on-site programming from both Final Four locations. These broadcasts will include pregame shows and live coverage of the Naismith Awards Brunch, where the season’s top individual honors are handed out. By providing team-specific broadcasts for early women’s rounds and national feeds for the later stages, SiriusXM is delivering a tailored experience for every type of fan. It is a vital service for a championship that remains one of the most unpredictable spectacles in global athletics.

2026 March Madness Key Dates:

  • Selection Sunday: March 15
  • Men’s First Four: March 17–18
  • Women’s First Four: March 18–19
  • Women’s Final Four (Phoenix): April 3 & 5
  • Men’s Final Four (Indianapolis): April 4 & 6

Hip-Hop Duo Syncia And CASH ONLY Recruit Legend Scott Garcia For “Do Nothin”

Eric Alper
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Hip-Hop Duo Syncia And CASH ONLY Recruit Legend Scott Garcia For “Do Nothin”

UK garage icon Scott Garcia is back. For his first release of the year, the “It’s a London Thing” legend has teamed up with bassline specialists Syncia and CASH ONLY for a heavy-hitting new single titled “Do Nothin”. Arriving March 20 via Famous When Dead Records, the track has already secured a worldwide premiere on Garcia’s KISS Radio show. It is a calculated collision between the foundation of the UKG scene and the forward-thinking energy of modern club production.

The track is built on a hypnotic, wobbling bassline and the kind of skippy drum programming that defines the best of the British underground. Early tastemakers are already drawing comparisons to the legendary “Flat Beat”, labeling this collaboration the definitive low-end anthem of 2026. The production is lean and assertive, trading in clutter for a raw, infectious bounce. It is a certified dancefloor weapon that leans into a darker, more industrial garage aesthetic.

This release follows the announcement of Famous When Dead Records’ full summer residency at the iconic Pikes Ibiza. Helmed by CASH ONLY, the label has rapidly become a primary hub for house and UK-influenced club sounds. By bringing Garcia into the fold, the imprint bridges generational divides. The collaboration feels essential rather than nostalgic, proving that the classic UKG swing still has plenty of room to evolve in a modern context.

The momentum behind the trio is undeniable. Following their previous joint effort “Surrender”, Syncia and CASH ONLY have carved out a specific niche for bumpy, bass-heavy house with jungle undertones. “Do Nothin” pushes that signature sound further, utilizing Garcia’s decades of heritage to ground the track’s experimental edges. This is a high-impact release that sets the pace for the upcoming Ibiza season and beyond.

House Icon Anyma And Electronic Legends Underworld Lead ARC Music Festival 2026

Eric Alper
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House Icon Anyma And Electronic Legends Underworld Lead ARC Music Festival 2026

ARC Music Festival has officially unveiled a massive lineup for 2026, signaling a major evolution for Chicago’s premier house and techno gathering. The festival expands to a four-day format this year, taking over Union Park during Labor Day Weekend from September 4 to September 7. This expansion allows the organizers to showcase a broader spectrum of global talent while honoring the city’s status as the birthplace of house music. It is a bold move that cements the event’s position as an essential destination on the international electronic circuit.

The 2026 roster is led by futuristic visionary Anyma, legendary electronic pioneers Underworld, and global house champion Michael Bibi. The curation balances massive headliners with deep underground credibility, featuring Chicago icon Honey Dijon and the relentless techno energy of Sara Landry. This year also emphasizes unique collaborative performances, including a pioneering Detroit Love set featuring Carl Craig, Moodymann, and Stacey Pullen. The sheer density of world-class talent across these four days is staggering and purposeful.

New for this year is the debut of The Midway, a fourth stage inspired by Chicago’s civic and architectural history. This environment joins the established stages of The Grid, Expansions, and Area 909 to provide a diverse range of sonic atmospheres. Each stage is designed to reflect a different facet of dance culture, from massive main-stage spectacle to gritty, warehouse-inspired aesthetics. The introduction of The Midway nods to the global diaspora of the Chicago sound, bridging local roots with an international terminal theme.

The experience continues long after the sun sets with the return of the ARC After Dark series. Spanning five nights from Thursday through Monday, these afterparties are exclusive to festival pass holders and take place across more than a dozen venues in the city. Expect surprise sets and rare back-to-back pairings that aren’t appearing on the main festival grounds. It is a comprehensive takeover of the Chicago nightlife scene that ensures the music remains the singular focus of the entire weekend.

Passes for the 2026 edition go on sale tomorrow, March 13, at 12 PM CT. Given the expanded schedule and the high-demand lineup, these are expected to move quickly. ARC remains a vital tribute to house music’s legacy while pushing the boundaries of what a modern electronic festival can achieve.

ARC Music Festival 2026:

  • Dates: September 4 – 7 (Labor Day Weekend)
  • Location: Union Park, Chicago, IL
  • Tickets On Sale: Friday, March 13 @ 12 PM CT

Classic Rockers Foreigner To Drop Electrifying New Single “Urgent (Live In Halifax)”

Eric Alper
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Classic Rockers Foreigner To Drop Electrifying New Single “Urgent (Live In Halifax)”

Foreigner is bringing the heat from the stage to the digital world. On March 20, the band will release “Urgent (Live in Halifax)” across all major streaming platforms. This specific rendition was previously a YouTube exclusive, but its sheer power demanded a wider release. It is a high-voltage document of a band that refuses to slow down as they approach a massive half-century milestone.

The track serves as a definitive showcase for new frontman Luis Maldonado. Since taking over lead vocals last year, Maldonado has injected a fresh, commanding energy into the catalog. His performance in Halifax is a technical triumph, hitting the iconic soaring notes with a grit that respects the original while claiming the moment. The production is crisp, capturing the driving, rhythmic precision that has made this song a staple of rock radio for decades.

This release lands in the middle of a pivotal year for the group. They are currently wrapping up a five-show residency at The Venetian Theatre in Las Vegas, which concludes this Saturday, March 14. From there, the momentum shifts toward the 50th anniversary of their 1976 formation. The celebration includes the world premiere of the Broadway musical ‘Feels Like The First Time – The Foreigner Musical’, cementing their legacy in a new medium.

April brings even more firepower as the group tours Florida for the ‘Foreigner 4 Deluxe’ shows. These dates feature original vocalist Lou Gramm as a special guest, with the band performing the ‘4’ album in its entirety. It is a rare alignment of the band’s past and present. “Urgent (Live in Halifax)” is the perfect bridge for this transition, proving that the band’s live show remains an earth-shattering experience.

2026 Milestone Dates:

  • Las Vegas Residency Finale: March 14 @ The Venetian Theatre
  • Single Release: March 20 (“Urgent (Live in Halifax)”)
  • Florida Tour Kickoff: April 1 (with Lou Gramm)

Bahamas Announce Major North American Run Behind New Album ‘My Second Last Album’

Eric Alper
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Bahamas Announce Major North American Run Behind New Album ‘My Second Last Album’

Afie Jurvanen, the meticulous songwriter behind the Bahamas moniker, is heading back to the road. This fall, the Industrial Sport & Sound Tour kicks off a massive trek across North America. The announcement comes on the heels of a JUNO Award nomination for Best Adult Alternative Album of the Year, the tenth of his storied career. Jurvanen continues to prove that understated, guitar-driven pop still carries immense cultural weight.

The new record, ‘My Second Last Album’, marks a pivot from the country-tinged textures of 2023’s ‘Bootcut’. Recorded largely in a backyard shed, these tracks trade polished studio sheen for a loose, essential energy that captures Jurvanen in a moment of creative freedom. Lead single “The Bridge” features a collaboration with M.C. Taylor of Hiss Golden Messenger, landing with a relaxed groove that has already secured significant AAA radio support. It is a record that feels lived-in and deeply personal.

This tour represents a significant homecoming and expansion for the five-time JUNO winner. The run begins September 18 in Victoria, moving through major Canadian markets before diving into a heavy US leg. Fans in Minneapolis, Chicago, and Los Angeles will see the show before the tour culminates in high-profile stops like Toronto’s Massey Hall and Austin’s Emo’s East. Jurvanen has built a reputation for live performances that balance sharp humor with technical brilliance.

Tickets are moving fast for these dates. Presales began earlier this week, and the general public sale opens tomorrow, March 13, at 10 am local time. With over a billion streams to his name, Jurvanen has cultivated a global audience that values his specific brand of soulful, indie-pop wit. The Industrial Sport & Sound Tour is a chance to see a songwriter at the peak of his powers, delivering a setlist that bridges his folk roots with modern, rhythmic sophistication.

Industrial Sport & Sound Tour 2026 Dates:

  • Sept 18 – Victoria, BC @ Royal Theatre
  • Sept 19 – Vancouver, BC @ Malkin Bowl
  • Sept 21 – Calgary, AB @ Jack Singer Concert Hall
  • Sept 22 – Edmonton, AB @ Winspear Centre
  • Sept 24 – Saskatoon, SK @ TCU Place
  • Sept 25 – Winnipeg, MB @ Burton Cummings Theatre
  • Sept 26 – Minneapolis, MN @ Fine Line Music Cafe
  • Sept 27 – Milwaukee, WI @ Vivarium
  • Sept 29 – Chicago, IL @ Lincoln Hall
  • Sept 30 – Detroit, MI @ El Club
  • Oct 2 – Meaford, ON @ Meaford Hall Arts & Cultural Centre
  • Oct 6 – Kingston, ON @ The Spire
  • Oct 8 – Toronto, ON @ Massey Hall
  • Nov 3 – Seattle, WA @ The Crocodile
  • Nov 4 – Portland, OR @ Revolution Hall
  • Nov 6 – San Francisco, CA @ August Hall
  • Nov 7 – Los Angeles, CA @ Pacific Electric
  • Nov 8 – San Diego, CA @ Belly Up Tavern
  • Nov 10 – Tucson, AZ @ La Rosa
  • Nov 11 – Santa Fe, NM @ Meow Wolf House of Eternal Return
  • Nov 13 – Denver, CO @ Bluebird Theater
  • Nov 14 – Fort Collins, CO @ Washington’s
  • Nov 15 – Omaha, NE @ The Waiting Room
  • Nov 17 – Kansas City, MO @ Knuckleheads
  • Nov 18 – Dallas, TX @ The Kessler Theater
  • Nov 20 – Houston, TX @ Heights Theater
  • Nov 21 – Austin, TX @ Emo’s East
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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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