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Bif Naked Kicks Off 2025 with Release of Three Singles + Announces Ontario Tour

Eric Alper
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Bif Naked Kicks Off 2025 with Release of Three Singles + Announces Ontario Tour

Canada’s iconic music artist, Bif Naked, is starting 2025 with a bang, simultaneously releasing three singles in three distinct formats. These tracks showcase the breadth of her talent and her ongoing influence in the music industry.

The first single, Champion, serves as the title track of her current album and has been distributed to rock radio across Canada and international tastemakers. This epic track has already garnered strong reactions, setting the tone for a high-energy year. Bif is launching the single with renewed enthusiasm, aligning with multiple shows planned for 2025.

The second single, Sweet Pea, is a beautiful and emotional ballad also from the Champion album. Promoted to AC radio in Canada, the song explores themes of rescue and emotional connection, reminiscent of Bif Naked’s iconic chart-topping hit, Spaceman.

The third release, I Broke Into Your Car, offers a darker, edgy perspective on the pursuit of love. This track is aimed at CHR radio in Canada, expanding Bif Naked’s reach to a broader audience.

All three singles will also be marketed globally to tastemakers, as well as university, college, co-op, and indie radio stations.

Since founding Her Royal Majesty’s Records with her manager, Peter Karroll, in 1995, Bif Naked has maintained full creative control over her music. The label has released every album in her extensive discography, collaborating with major and independent distributors to reach audiences worldwide.

Stay tuned for an exciting year of music and performances from Bif Naked as she continues to inspire and captivate fans around the globe.

Bif Naked Tour Dates
February 28, 2025, Algonquin Theatre, Huntsville, ON
March 5, 2025, Sanderson Centre, Brantford, ON
March 6, 2025, Shenkman Arts Centre, Ottawa, ON
March 7, 2025, Living Arts Centre, Mississauga, ON
March 8, 2025, Rose Theatre, Brampton, ON

Yafania Captures the Heartache of the ‘Situationship’ in Dreamy New Single “Don’t You Wanna Be With Me?”

Eric Alper
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Yafania Captures the Heartache of the ‘Situationship’ in Dreamy New Single “Don’t You Wanna Be With Me?”

We’ve all been there before: the dreaded “situationship,” that frustrating limbo zone that isn’t quite friendship but isn’t quite romance either. Yafania, Vancouver’s newly minted queen of dream romance pop, takes us on a guided tour of that misbegotten territory on “Don’t You Wanna Be With Me?,” a poignant exploration of unspoken love that perfectly captures the frustration and longing that come from being caught between what you have and what you want.

Through striking visuals, the song’s frustration and longing comes to life with Yafania embodying both the intensity and fragility of her emotions as an angelic figure. The track finds our narrator wanting more than the agonizing uncertainty of waiting for her guarded, hesitating crush to make the first move. Yafania, dressed as an angel, represents the intensity and fragility of her emotions. Reaching her breaking point, she finally addresses the unspoken tension: “Am I really just another friend, or am I the girl you’d call your own?”

The track’s dramatic urgency is driven by Yafania’s bold vision, seamlessly blending rock influences with rich, layered instrumentation. Backed by the dynamic sounds of Eddie Lam (electric guitar and keys), Flavio Cirillo (drums), and Darren Parris (bass), the song evokes the nostalgic feel of a late-2000s romcom while providing the perfect backdrop for her soaring, emotionally charged and complex lyrics.

It’s a project of remarkable depth and maturity, especially when you consider that this songstress hasn’t yet hit 20.

“When I first wrote the song, I was a teenager. I was full of dreams of that ideal love, with the youthful hope of “Could this be the beginning of something real?” she recalls. “But the reality, when it came to relationships, was often much more complicated. I was frustrated with the silence, the waiting game, and finally decided to confront it head-on. That frustration and uncertainty are vividly captured in the music video, where the tension between longing and hesitation takes center stage. It’s part of a larger story that I’m telling across my music in chapters.”

Returning to the screen with Disney’s Pearce Joza (ZOMBIES, Mech-X4, Lab Rats), “Don’t You Want to Be With Me?” places viewers in the middle of the love story, into Yafania’s world of longing and frustration as the pair struggle to leap from friends to lovers. With cinematic flair, Yafania delivers the next chapter of the narrative introduced in “The Right Guy,” which has already amassed 500k YouTube views and 160k Spotify streams, following the success of “Don’t You,” which has garnered 200k YouTube views and 90k Spotify streams. Blending surreal and real elements, the video weaves a tale where memories and desires collide. Unlike standalone music videos, Yafania’s music video saga unfolds as a connected narrative, offering fans a serialized experience.

The first chapter, “The Right Guy,” introduced audiences to the highs and lows of high-school love. Directed by Said Khallaf and Yafania, “Don’t You Want to Be With Me?” carries the same striking aesthetic as “The Right Guy”, weaving emotion and stunning cinematography into a thoughtfully crafted sequel. With more chapters to unfold, fans eagerly await to discover if the pair will ever recognize the spark of romance between them, or if the chance for love will slip away once again.

Taken together, the two songs and their companion videos show why Yafania is already such a trailblazer in her chosen genre, one who uses her signature gift for storytelling to craft unforgettably immersive musical experiences. Her ferocious drive and unrelenting passion may convey romantic idealism, but they also portray an emotional depth that sets her apart from her peers.

Those qualities are evident in her latest work, with the new double single offering a tantalizing preview of her records to come “Don’t You Want to Be with Me” stands out, setting the stage with its themes of longing and self-discovery that will continue to resonate throughout her music.

“Ultimately, everything I do is about making people feel seen,” she says. “I want listeners to connect with the emotions in my songs and feel empowered to speak their truth.”

The Cooper Brothers’ Pro-Canada Anthem ‘That’s What Makes Us Great’ Hits 130,000 Views in A Week Amid U.S. Tariff Debate

Eric Alper
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The Cooper Brothers’ Pro-Canada Anthem ‘That’s What Makes Us Great’ Hits 130,000 Views in A Week Amid U.S. Tariff Debate

Internationally acclaimed, Ottawa, ON-based country-rockers The Cooper Brothers are joining the fight against the threat of U.S. tariffs and Canadians are responding, with over 130,000 views of the video in a week on Facebook.

With the possibility of 25% tariffs being levied by new U.S. President Donald Trump on all Canadian goods as early as this month, The Cooper Brothers are re-releasing their song “That’s What Makes Us Great”.

The 51tst State? Take off, eh! The Cooper Brothers are back with a song that’s as Canadian as a double-double, a frozen pond, and a game-winning goal in overtime.

“That’s What Makes Us Great!” is a love letter to the True North, strong and free, celebrating the spirit, resilience, and unshakable pride that defines this country.

Inspired by a chance encounter with young soldiers returning from Afghanistan, Richard Cooper channeled their passion, dedication, and unwavering belief in making a difference into lyrics that remind us of what it means to be Canadian. “We never seem to toot our own horn,” Cooper reflects, “but we have so much to be thankful for.”

From universal healthcare to Tim Horton’s, from beavertails and poutine to the coldest beer and the hottest women, “That’s What Makes Us Great!” captures the essence of a country that doesn’t brag—but has every reason to.

Produced by Grammy Award-winning producer Colin Linden, this track is infused with the classic Cooper Brothers sound: heartfelt storytelling, undeniable energy, and a chorus made for singing at the top of your lungs—whether you’re in a packed hockey arena or a campfire up north.

The Cooper Brothers first gained international attention when they signed with Capricorn Records (famous for producing several of the most popular southern-rock acts of the time including The Allman Brothers and Marshall Tucker) in Macon, Georgia. Over the next few years, the Cooper Brothers released two albums under the Capricorn label, the eponymous Cooper Brothers and Pitfalls of the Ballroom. Subsequent singles “The Dream Never Dies”, “Rock and Roll Cowboys” and “I’ll Know Her When I See Her” all charted on The Billboard Hot 100 in the U.S.

Among their many accolades, The Cooper Brothers were voted Best New Group in 1978, Best MOR Group in 1979 and Best Overall Group in 1980 by Canadian Contemporary Music Programmers. In 1980, “The Dream Never Dies” also earned an A.S.C.A.P Award as one of the most played songs on U.S radio.

At the height of their career, the band toured extensively with such diverse artists as The Doobie Brothers, Joe Cocker, Charlie Daniels and the Atlanta Rhythm Section garnering stellar reviews.

The Cooper Brothers continue to perform and have released a number of critically acclaimed new albums including In From The Cold (produced by Grammy nominee Colin Linden in Nashville/featuring special guests Jim Cuddy (Blue Rodeo), Delbert McClinton and Chuck Leavell (The Rolling Stones)), Southbound (recorded at the Tragically Hip’s studio/produced by Colin Cripps (Blues Rodeo) and their latest album Radio Silence.

HOLLY COLE’s DARK MOON #1 Jazz Album in Canada – #1 Soundscan and #1 iTunes

Eric Alper
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HOLLY COLE’s DARK MOON #1 Jazz Album in Canada – #1 Soundscan and #1 iTunes

Renowned Canadian / International vocalist Holly Cole released her 13th studio album, Dark Moon, on January 24, 2025 and it immediately stormed up the charts, ending the week as the #1 Jazz Album in Canada on both the Soundscan and iTunes Charts.

Teaming up with her long-time live performance partners, along with additional musicians to create rich harmonies and layers, this album is a true ensemble project that highlights her signature style. Dark Moon is available via Rumpus Room/Universal Music Canada.

“I really wanted this album to embrace the spirit of spontaneity. At the same time a quintessential part of the sound of my music is in the arrangements. So, we did very little rehearsal in advance, and the songs were incredibly fresh for us while we were in the studio. The musicians that I play with contribute greatly to the arranging of the songs, and I wanted to hear the sound of when the light goes on for each one of us and many of the arrangements fell together as we played them. What we end up hearing on this record is the moment when we discover what we love about the song, and what its essence is for me.” – said Cole.

Holly Cole isn’t one of those artists who falls into any one category. Her smoky voice is sultry, her arrangements smart and sexy and all the while she and her musicians very uniquely reshape traditional Jazz, Pop and Country standards this time particularly from the New American Songbook writers including Marty Balin, Peggy Lee, Hal David, Burt Bacharach and Johnny Mercer.

The ensemble that Holly has brought together to help create and perform on Dark Moon includes long time live performance / recording mates, Aaron Davis (piano), George Koller (bass), Davide Direnzo (drums) and John Johnson (saxophone). Add to that the brilliance of sometime accompanist’s including guitar master and provocateur Kevin Breit and on harmonica two-time Grammy winner and original member of Bella Fleck and the Flecktones, Howard Levy and finally the wonderful three-part 1950’s Nashville style harmonies of the Good Lovelies. Together they define the absolute best in “ensemble playing”!

The first featured single is ‘No Moon At All’ is an up-tempo, sexy version of the track originally recorded by Peggy Lee that features a wonderful Howard Levy (2-time Grammy winner, friend, and original member of the Flecktones) harmonica solo.

Dark Moon was released on January 24, 2025 via Rumpus Room/Universal Music Canada on CD, 180-gram black vinyl, standard, Hi-Res digital + ATMOS.

Holly Cole is a renowned Canadian / International jazz singer who began her career in 1989 with the release of her 4-song EP ‘Christmas Blues’ under indie label Alert Music, followed by her debut album ‘Girl Talk’ in 1990.

In 1992, she signed with Blue Note’s Manhattan imprint and released ‘Blame It on My Youth’ which achieved Platinum + sales in Canada, over 200,000 copies internationally, and based on the success of the single “Calling You”, a number 1 charted single and album in Japan. The next album based on her hit rendition of Johnny Nash’s, “I Can See Clearly Now” and its accompanying video cemented her success internationally setting up her following release, the critically acclaimed, Temptation, an album made up of material exclusively written by Tom Waits, one of Holly favourite songwriters.

With 12 previous albums to her name, Cole has achieved multi-platinum sales and received numerous awards, including 2 Juno Awards (out of 8 nominations) and 2 Gemini Awards. She has also won two Japanese Grand Prix Gold Disc Awards and the prestigious Ella Fitzgerald Award from the Montreal Jazz Festival, joining the ranks of Aretha Franklin, Diana Krall and Etta James. In 2014, she was awarded an honorary doctorate from Queen’s University.

In 2019, Holly Cole reunited the original Holly Cole Trio, with David Pitch on bass and Aaron Davis on piano, to celebrate the 40th anniversary of the Festival International de Jazz de Montreal. They performed at the cabaret Lion d’Or in Montreal, and these special shows were recorded and became the 2021 album ‘Montreal’.

For Christmas 2022, Cole released a remastered compilation combining her holiday releases from 1989 and 2001, titled anew ‘Baby It’s Cold Outside and I Have the Christmas Blues’.

Upcoming Tour Dates

  • March 7, 8, 10, 11,  – Tokyo, Japan – Blue Note
  • April 27 –  Peterborough – Market Hall Performance Art Centre
  • July 2 – Montreal, QC –  Theatre Jean Duceppe – Place des Arts
  • Canadian Summer Festival appearances announcements coming soon
  • Germany / US / Western Canada Late Summer / Fall 2025

Casey and Diana – Inspired By Princess Diana’s Historic 1991 Visit to Casey House – Coming To Theatre Aquarius February 19 – March 8, 2025

Eric Alper
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Casey and Diana – Inspired By Princess Diana’s Historic 1991 Visit to Casey House – Coming To Theatre Aquarius February 19 – March 8, 2025

Theatre Aquarius and The Royal Manitoba Theatre Centre are proud to present a new production of Nick Green’s critically acclaimed play Casey and Diana. Initially commissioned by the Stratford Festival of Canada, Casey and Diana is inspired by Princess Diana’s historic visit to Toronto’s Casey House in 1991. The original production played to sold-out houses at The Stratford Festival and Soulpepper Theatre in Toronto, garnering rave reviews and winning the Toronto Theatre Critics Choice Award 2024 for Best New Canadian Play.

This potent and moving drama by Nick Green vividly captures a moment when a rebel Princess, alongside less famous caregivers and advocates, reshaped the course of the AIDS pandemic—and how those stricken by the virus found hard-won dignity, community and love in the face of astonishing hardship.

Casey and Diana stars Gregory Prest as Thomas (The Bidding War at Crow’s Theatre, A Streetcar Named Desire at Soulpepper, The Inheritance at Canadian Stage, and Ron Weasley in Harry Potter and the Cursed Child at Mirvish) and Catherine Wreford as Diana (Winner of CTV’s The Amazing Race Canada; 42nd Street, Oklahoma on Broadway; 42nd Street, Annie Get Your Gun on Broadway Tour). In 2013, Catherine was diagnosed with terminal brain cancer and was given 2-6 years to live. Undeterred, Catherine defied the odds and embraced her true calling as a performer. Her triumph on Season 8 of The Amazing Race Canada, alongside her best friend Craig Ramsay, amplified her mission to find a cure for brain cancer. She is a living testament to the indomitable human spirit, an unwavering advocate for life, and an empowering voice encouraging us all to “run your own amazing race.”

Casey and Diana at Theatre Aquarius and The Royal Manitoba Theatre Centre welcomes the director of the original production, Andrew Kushnir, who returns to direct a new production with Joshua Quinlan designing the set and costumes, Logan Cracknel designing the lights and Ashley Au designing the sound and composing the music.

Casey and Diana – 2025 Performances

Theatre Aquarius
February 19 – March 8, 2025
Tickets: www.theatreaquarius.org
Box Office: 905-522-7529

The Royal Manitoba Theatre Centre
March 19 – April 12, 2025
Tickets: www.royalmtc.ca
Box Office: 204-942-6537

Casey and Diana by Nick Green
CAST
Alicia Johnston as Pauline
Noah Beemer as Andre
Sharon Bajer as Marjorie
Gloria Mampuya as Vera
Catherine Wreford as Diana

CREATIVE TEAM
Andrew Kushnir (Director)
Nick Green (Playwright)
Joshua Quinlan (Set & Costume Designer)
Logan Cracknell (Lighting Designer)
Ashley Au (Composer & Sound Designer)
Tara Rosling (Assistant Director)
Geoff Scovell (Fight Director)
Rebecca Cuthbertson (Dialect Coach)
Michael Hart (Stage Manager)
Samantha Desiree (Assistant Stage Manager)
Brianna Unger (Apprentice Stage Manager)

Blues/Folk Singer Ollee Owens Heats Up with Sizzling New Video for “Shivers and Butterflies”

Eric Alper
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Blues/Folk Singer Ollee Owens Heats Up with Sizzling New Video for “Shivers and Butterflies”

Reminiscing about the past can be a blast, particularly if the one you were with back then is still the same partner you’re looking back with now. For Calgary-based blues and Americana singer Ollee Owens, that reflection is captured perfectly in her fantastic new music video for “Shivers and Butterflies.”

The song, from her 2024 chart-topping album Nowhere To Hide, was inspired by Owens and her “guy” for the past 25 years discussing the early days of their relationship. From reflecting on the nerves or jitters both had before their first date to the “silly things we did to impress each other back then.”

The video, directed by Travis Nesbitt (who’s directed videos for Royal Tusk, Brett Kissel, and Dallas Smith, among others), was culled from footage of Owens and her other half making the most of a summer day in and around Victoria, British Columbia. Nesbitt, who previously worked with Owens on a music video for “Some Days” and a short film for “O Holy Night,” records Owens initially singing portions of “Shivers and Butterflies” in a Silver Streak camper. From there, the couple is captured sauntering around Victoria’s Fisherman’s Wharf, taking in the sights and eats. After riding on a bicycle built for two and visiting a petting zoo, the duo ends the fun-filled day cuddled up in front of a cozy fire on the shoreline.

“Our goal was to capture a lighthearted, fun day out together by the ocean,” Owens says of the “Shivers and Butterflies” video. “I hope it brings a smile to your face as you watch — it sure does to mine! After all these years — and the wild ride it’s been — these same feelings still flit and flutter to the surface from time to time…and this song holds relevance today in middle age as it did when we were young.”

“Shivers and Butterflies,” co-written by Owens and Kornelius Colyn, was recorded at Nashville’s Sweetbriar Studio and produced by Bobby Blazier (who plays drums on the track). Aside from Owens on lead vocals, the song features guitarist Chris Rodriguez, bassist Tommy Sims, keyboardist De Marco Johnson, and backing vocalists Gene Miller and Joey Richey.

The video for “Shivers and Butterflies” is the latest highlight in what has been a mammoth and momentous few months for Owens and Nowhere To Hide. The album has spent 13 consecutive weeks in the Roots Music Report Canadian Chart’s Top 10, including three weeks topping the chart. Nowhere To Hide also has cracked the Top 10 on RMR’s Top 50 Blues Album Chart (#8) and Top 50 Soul Blues Album Chart (#2).

Raised in the small farming community of New Bothwell, Manitoba, Owens started writing songs when she was eight and was playing guitar four years later. Inspired by a myriad of influences, including Elvis, The Beatles, Bob Dylan, and Mahalia Jackson, among others, Owens put her musical career on hold and took a hiatus to raise her three daughters, one of whom has a cognitive disability. She returned to music a decade ago, releasing Cannot Be Unheard in 2022.

Owens’ music has been heard internationally on radio stations in Brazil, Australia, and Europe. And she’s shared billing with Dawn Tyler Watson and Matt Andersen at the Roots Blues and BBQ Festival in Drumheller, Alberta. Recently, Owens has received critical acclaim in outlets such as British publication Blues Matters, Blues Music Magazine, and Americana Highways, which described Nowhere To Hide as “one of the strongest surprises of 2024.” In January 2025, Owens performed at the iconic B.B. King’s Blues Club in Memphis.

Now with an honest and engaging music video for “Shivers and Butterflies,” Ollee Owens is keeping the home fires burning while continuing to burn up the charts.

Canada’s Teen Jam Spotlights the Next Generation of Musical Superstars in Toronto Showcase

Eric Alper
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Canada’s Teen Jam Spotlights the Next Generation of Musical Superstars in Toronto Showcase

The highly anticipated Canada’s Teen Jam is bringing together a network of the most talented teen musicians from this country for an unforgettable showcase. Finalists will take the stage at the iconic TD Music Hall in Toronto on February 27, 2025, performing original songs and vying for top honors, cash prizes, and invaluable industry exposure. Tickets are now on sale here.

Renowned live music producer Mark Higgins, the visionary founder of Canada & America’s Teen Jam and Big Music Fest—a festival that has hosted legends like Aerosmith, Bryan Adams, Soundgarden, The Tragically Hip, and ZZ Top—shared his enthusiasm for the initiative:

“This program is about fostering the next generation of musical superstars. We’re building a network of gifted teens, giving them the chance to shine on big stages, and amplifying their brands across international platforms to connect with fans and industry professionals alike.”

The upcoming Toronto showcase features an electrifying lineup of young artists, ages 15–17, all performing original songs:

Bands:

  • Third Times A Charm – Napanee, ON
  • Destined For The Throne – London, ON

Solo Artists:

  • Braydon Hall -Ayr, ON
  • Jade Peter – Napanee, ON
  • Anna Goldsmith – Toronto, ON
  • Brandon Ahmet – Kitchener, ON
  • Tia Nova – Barrie, ON

Sponsored by United Van Lines Canada, the program is dedicated to nurturing teens, families, and communities across Canada. The showcase marks the start of an exciting journey, with Canada & America’s Teen Jam set to travel to Canadian capital cities this summer, culminating in an expansion to the U.S. with dates to be announced soon.

All finalists and winners will receive promotion across Canada & America’s Teen Jam’s international platforms, elevating their profiles and creating opportunities to engage with fans and industry insiders.

Join us for a night of musical discovery and celebrate the future of music!

EVENT DETAILS:
What: Canada & America’s Teen Jam Showcase
When: February 27, 2025
Where: TD Music Hall, Toronto, ON
Tickets: Visit canadateenjam.com for more details

Founded by Mark Higgins, Canada & America’s Teen Jam is a unique platform fostering the growth of young musical talent across North America. By offering live performance opportunities, cash prizes, and international promotion, the initiative inspires teens to pursue their musical dreams while connecting them with industry professionals and global audiences.

The Canada Black Music Archives Announces Black History Month Programming: Dream Warriors, Mathematik + More

Eric Alper
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The Canada Black Music Archives Announces Black History Month Programming: Dream Warriors, Mathematik + More

This Black History Month the Canada Black Music Archives celebrates Toronto’s hip-hop icons and the impact the city has had on the genre. Often overlooked due to the popularity of our neighbours to the south, Toronto hip-hop is long overdue for its flowers.

Starting February 1st and running to the end of the month, Canadian Cyphers: Elements of Toronto Hip-Hop will be open to the public at the City of Toronto Archives located at 255 Spadina Rd. This exhibition offers a glimpse at the many greats who have built the Toronto hip-hop scene and the elements that set the genre apart. Explore album covers, photographs, turntables and more. The exhibit will also feature items from Toronto’s iconic 100 Miles brand and an audiovisual display featuring a mix of live performances and interviews from hip-hop’s early days.

As part of the Black History Month programming and in partnership with the City of Toronto Music Office, the CBMA Presents the Black History Month Showcase. This event will take place once more at the City of Toronto Archives on Friday February 21st.

Hosting the evening is Andy McCurbin aka ‘Brother A’. The MC was a popular presence in the early days of Toronto hip-hop. Special guest speakers include former President of the Ontario Black History Society, Dr. Rosemary Sadlier, and Dr. Mark Campbell of Northside Hip-Hop.

Legendary duo, Dream Warriors, will make a special appearance; their global hit “My Definition of a Boombastic Jazz Style” helped put the city on the map. Check out the music video for the 90s classic here.

Another Toronto rap pioneer, Mathematik, will be performing. He is known for his conscious lyrism and fresh perspectives. Masters of the mix spinning between sets include DJ Carl Allen, DJ DTS, and Joey from Sound Quest. Special guest speakers and a surprise guest star are still to be announced, so stay tuned!

Those in attendance are welcome to explore the Canadian Cyphers: Elements of Toronto Hip-Hop exhibit and music video screenings in between acts. This free event will run from 6:00pm – 9:00pm, with donations encouraged. Exclusive merchandise, drinks and food will also be available for purchase. Book your tickets now on Eventbrite.

Join the CBMA this February to celebrate Toronto’s impact on the hip-hop genre!

Thank you to their partners at the City of Toronto Music Office, the City of Toronto Archives, Retrontario, and Northside Hip Hop for making this programming possible.

For more information, please check out their website.

Americana Artist KC Armstrong Revisits the Past with Swampy New Single “Someone Else Tonight”

Eric Alper
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Americana Artist KC Armstrong Revisits the Past with Swampy New Single “Someone Else Tonight”

Musicians revisiting their discographies can shed light on a certain time and place. It can also be a reason to revisit old songs and see if there’s a new sonic coat of paint that might bring them back to life. For Brantford, Ontario-based Americana musician KC Armstrong, the pandemic offered up time to rediscover old gems, including “Someone Else Tonight,” the latest strikingly solid single, from his Finally Crafted album, teeming with passion and verve despite the recording process being the antithesis of the original approach.

“Someone Else Tonight” was originally recorded for Ranchsongs, an album released in the mid ’80s by Armstrong’s previous band Cadillac Ranch. Armstrong says that version was “recorded live off-the-floor in about three takes with no rehearsal beforehand.” Each of the musicians simply used hand signals as cues to perform their solos as they would live in concert. For this latest version created during the pandemic, the recording process was deliberate, requiring patience as files were sent back and forth via e-mail after recording was done in each musician’s home studio.

Armstrong says he started with drum tracks, then bass, 12-string acoustic guitar, and a scratch vocal. “Doing the recording in this fashion, you might think there would be no synergy between the musicians; each in their own cities, each at a different time – but this was not the case,” he says.

Guest musician Bobby Brioux, who plays mandolin on “Someone Else Tonight,” was given the “bare-bones backing tracks” as a guide but asked to “play away.” While editing that particular piece, Armstrong received keyboardist Steve O’Connor’s accordion and Wurlitzer parts who had only been given the request to make the music “eerie and foreboding.” Neither Brioux nor O’Connor knew what each other was playing. But what transpired was amazing!

“It was astounding,” Armstrong says. “There was only one small bar of music in the whole song where both musicians were playing simultaneously. The rest of the song fit together perfectly while also allowing guitarist Barry Haggarty places to showcase his talents. Another cosmic bit of good fortune emerged when Armstrong unknowingly left both of Haggarty’s guitar tracks in the song. When played simultaneously, they created a gorgeous “twin solos” effect on “Someone Else Tonight.”

“Someone Else Tonight” brings to mind a swampy, dark, and mysterious collage of folk, blues, “swampy-country,” and Americana similar to the late Gordon Lightfoot and particularly Steve Earle’s 2000 album Transcendental Blues. Led Zeppelin’s intro to “No Quarter” sounds like a subtle source of inspiration as well. A Celtic hue adds great results as the song has a surefire, steady pace demanding your attention. The homestretch is also fantastic as the interplay between the instruments and vocals creates music far greater than the sum of its parts. Alongside Armstrong (who sings and plays bass), Brioux, Haggarty, and Steve O’Connor, additional musicians on “Someone Else Tonight” include vocalist MaryEllen Allen, saxophonist Sean O’Connor, guitarist Scott Utting and drummer Jake Adams.

“Someone Else Tonight” is the latest offering from KC Armstrong and the follow-up to his festival single “I Hate That Sweater.” Armstrong’s witty, whimsical style brings to mind musicians like Earle, Randy Newman, Nick Lowe, and the late Ronnie Hawkins. In fact, Armstrong’s band subbed as the Hawks for the iconic rocker back in 2003. Armstrong’s then band Cadillac Ranch were slated to back Hawkins at the legendary SARS-Stock concert at Toronto’s Downsview Park before hundreds of thousands featuring the Rolling Stones and AC/DC. Sadly, Hawkins’ health resulted in the appearance never being realized. Armstrong has also worked with and shared the stage with countless others, including the late Jeff Healey, while playing festivals across Canada and throughout North America.

Now with the spectacular and magical “Someone Else Tonight,” KC Armstrong is kicking off 2025 with a bang. It’s a track you should be telling someone else about tonight, if not sooner!

Amazon Music’s Hype Deck: A Free, Easy Way to Boost Your Big Moments

Eric Alper
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Amazon Music’s Hype Deck: A Free, Easy Way to Boost Your Big Moments

Amazon Music just made it easier than ever for artists to celebrate their biggest milestones, hype up new releases, and share exciting news with fans—without needing a design degree or a marketing team. Enter Hype Deck, the latest addition to the growing “Amazon Music for Artists” toolkit, and a total game-changer for musicians who want to amplify their presence on social media.

Think of it like Spotify’s Promo Cards, but with that signature Amazon Music touch. Hype Deck lets artists (and their teams) create custom Hype Cards to spread the word about new music, anniversaries, playlist placements, and more—all in just a few clicks.

What Can You Do With Hype Deck?

Promote a new release—because every song deserves a spotlight.
Celebrate the anniversary of a fan-favorite album or single.
Let the world know you made it onto a playlist (because that’s a BIG deal!).
Hype up your artist profile and remind people where to find your music.

And the best part? It’s totally free for anyone with an Amazon Music for Artists account.

How to Use Amazon Music’s Hype Deck

Step 1: Open the Amazon Music for Artists app or head to artists.amazon.com.
Step 2: Navigate to the HYPE DECK section and choose what you want to promote—song, album, playlist placement, or your artist profile.
Step 3: Customize it! Adjust the layout, pick a background color, and even change the language.
Step 4: Share it directly from the app or download it to use anywhere—Instagram, Twitter, email newsletters, you name it.

In 2024, visibility is everything. Fans are flooded with content daily, and the artists who stand out are the ones who show up consistently with engaging, shareable content. Hype Deck makes it effortless for artists to turn big moments into social media gold—no fancy graphics software needed.

So whether you’re an indie artist dropping your first single or a seasoned pro celebrating a chart milestone, Hype Deck is here to help you own the moment and make sure fans know about it.

For all your publicity needs, feel free to email Eric@ThatEricAlper.com or call me at 647-971-3742. With 25+ years of experience and a deep passion for connecting artists to audiences, I’m here to help you make an impact.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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