Join us for an unforgettable night of rock and gratitude on Thursday, February 27 as we honor Los Angeles’ first responders, military personnel, and emergency management partners with a star-studded benefit concert on Thursday, February 27, 2025, at the Battleship IOWA Museum in San Pedro, CA.
The Performers:
The event will feature an electrifying performance by Kings of Chaos, a supergroup of rock legends, including Sammy Hagar, Robin Zander (Cheap Trick), Glenn Hughes (Deep Purple), Steve Stevens (Billy Idol, Top Gun Anthem), Orianthi (Alice Cooper, Michael Jackson), Matt Sorum (Guns ‘N’ Roses, Velvet Revolver, The Cult), Carmine Rojas (Rod Stewart, David Bowie), and Brent Woods (Gene Simmons, Chevy Metal), with more special guests to be announced.
The evening will also include actor, comedian, and US Air Force veteran BJ Lange as the emcee and an appearance by ABC News chief national correspondent Matt Gutman.
Event Details:
Set against the iconic backdrop of the Battleship IOWA and hosted in partnership with the Port of Los Angeles and Princess Cruises, Rock for Responders will celebrate and support the incredible contributions of local firefighters, police, military, and emergency response agencies.
Date: Thursday, February 27, 2025
Venue: Battleship IOWA Museum, San Pedro, CA
Tickets: Free for first responders (distributed in advance by event organizers), with blocks available for sponsors and veterans. Individual tickets will also be available for sale to the public.
Event Guidelines:
Rain or Shine: The concert will go on regardless of the weather—plan accordingly!
No Personal Chairs: For everyone’s safety, personal chairs are not allowed.
No Outside Food or Alcohol: Enjoy a wide array of local food trucks and beverages on-site. Outside alcohol will not be permitted.
Bags Subject to Search: All bags will be checked upon entry for safety reasons.
Final Ticket Sales: All ticket sales and donations are final and non-refundable.
This special night will not only feature unforgettable live music but also serve as a heartfelt thank-you to those who work tirelessly to keep our communities safe and resilient.
Exactly 30 years to the day, multi-platinum, four-time GRAMMY-nominated rock band Goo Goo Dolls are set to release a 30th Anniversary deluxe edition of their fifth studio album, A Boy Named Goo, on March 14. Originally released in 1995, this classic album catapulted the band to mainstream success and was Certified 2x Platinum within a year of its release. Driven by the smash hit “Name,” the record also included the singles “Flat Top,” “Naked,” “Only One” and “Long Way Down.”
The 24-track, deluxe 2xLP format will include the original album, plus an unreleased live concert performance recorded in Las Vegas on March 10, 1996. The 2xCD deluxe edition contains 34 tracks and includes the live concert, plus 4 B-sides from the era and 6 songs recorded semi-acoustically for the radio show Modern Rock Live in 1996. There is also a limited 2xLP edition pressed on sea blue vinyl available exclusively via the band’s webstore.
In addition, the band will take their lauded live show back on the road this year with an extensive run of summer tour dates with Dashboard Confessional. Kicking off on July 13, the “Summer Anthem Tour 2025” will bring the band to iconic venues coast-to-coast, including stops at Los Angeles’ Greek Theatre, Morrison’s Red Rocks Amphitheatre, Nashville’s Ascend Amphitheater, Boston’s LeaderBank Pavilion, Chicago’s Huntington Bank Pavilion as well as a hometown show at Buffalo’s KeyBank Center. Full tour routing can be found below while tickets can be purchased at googoodolls.com/tour.
The band will perform a career-encompassing set that features multiple songs from their 2022 album Chaos in Bloom along with other hits from their complete discography, including their global hit “Iris.” The 4x GRAMMY-nominated track is now Certified Diamond and has amassed over 2 billion streams worldwide.
Fans can now stream the band’s Modern Rock Live version of “Name” below:
A BOY NAMED GOO (30TH ANNIVERSARY DELUXE EDITION) TRACK LIST
2xLP Deluxe Edition
LP1 – Original album
Side One:
1. Long Way Down
2. Burnin’ Up
3. Naked
4. Flat Top
5. Impersonality
6. Name
Side Two:
1. Only One
2. Somethin’ Bad
3. Ain’t That Unusual
4. So Long
5. Eyes Wide Open
6. Disconnected
7. Slave Girl
LP2 – Live At The Aladdin Theatre (Las Vegas, NV – 3/10/1996)
Side One:
1. Naked
2. Impersonality
3. Fallin’ Down
4. Burnin’ Up
5. Eyes Wide Open
6. Long Way Down
Side Two:
1. Only One
2. Hey
3. Slave Girl
4. Name
5. Flat Top
Note: This applies to the all retail black and the D2C sea blue exclusive.
2xCD Deluxe Edition and Digital Deluxe Edition
Original album:
1. Long Way Down
2. Burnin’ Up
3. Naked
4. Flat Top
5. Impersonality
6. Name
7. Only One
8. Somethin’ Bad
9. Ain’t That Unusual
10. So Long
11. Eyes Wide Open
12. Disconnected
13. Slave Girl
Deluxe Bonus Content:
1. Hit Or Miss (B-Side)
2. Nothing Can Change You (B-Side)
3. I Wanna Destroy You (Soft Boys Cover)
4. Wait For The Black Out (The Damned Cover)
5. Naked (Modern Rock Live New York)
6. Name (Modern Rock Live New York)
7. Another Second Time Around (Modern Rock Live New York)
8. Girl Right Next To Me (Modern Rock Live Los Angeles)
9. Name (Modern Rock Live Los Angeles)
10. Don’t Change (Modern Rock Live Los Angeles)
11. Naked (Live in Las Vegas, March 10, 1996)
12. Impersonality (Live in Las Vegas, March 10, 1996)
13. Fallin’ Down (Live in Las Vegas, March 10, 1996)
14. Burnin’ Up (Live in Las Vegas, March 10, 1996)
15. Eyes Wide Open (Live in Las Vegas, March 10, 1996)
16. Long Way Down (Live in Las Vegas, March 10, 1996)
17. Only One (Live in Las Vegas, March 10, 1996)
18. Hey (Live in Las Vegas, March 10, 1996)
19. Slave Girl (Live in Las Vegas, March 10, 1996)
20. Name (Live in Las Vegas, March 10, 1996)
21. Flat Top (Live in Las Vegas, March 10, 1996)
Note: Tracks 1-10 of the deluxe bonus tracks are only on the 2-CD format and digital deluxe edition.
GOO GOO DOLLS LIVE
Thursday, February 20, 2025 – Bruce, Australia – AIS Arena
Friday, February 21, 2025 – Moore Park, Australia – Hordern Pavilion
Sunday, February 23, 2025 – Broadmeadow, Australia – Newcastle Entertainment Centre
Tuesday, February 25, 2025 – South Brisbane, Australia – Brisbane Convention & Exhibition Centre
Thursday, February 27, 2025 – Hindmarsh, Australia – Aec Theatre
Saturday, March 1, 2025 – North Wollongong, Australia – Yours & Owls Festival
Sunday, March 2, 2025 – Melbourne, Australia – Margaret Court Arena
Tuesday, March 25, 2025 – Cape Town, South Africa – Kirstenbosch National Botanical Garden
Wednesday, March 26, 2025 – Cape Town, South Africa – Kirstenbosch National Botanical Garden
Thursday, March 27, 2025 – Berea, South Africa – ICC Durban
Saturday, March 29, 2025 – Pretoria, South Africa – Voortrekker Monument
Sunday, April 27, 2025 – Indio, CA – Stagecoach
Saturday, July 13, 2025 – Phoenix, AZ – Arizona Financial Theatre*
Wednesday, July 16, 2025 – Fort Worth, TX – Dickies Arena*
Thursday, July 17, 2025 – Sugar Land, TX – Smart Financial Centre at Sugar Land*
Saturday, July 19, 2025 – Rogers, AR – Walmart AMP*
Sunday, July 20, 2025 – Nashville, TN – Ascend Amphitheater*
Tuesday, July 22, 2025 – Atlanta, GA – Cadence Bank Amphitheatre at Chastain Park*
Wednesday, July 23, 2025 – St. Augustine, FL – St. Augustine Amphitheatre*
Friday, July 25, 2025 – Charlotte, NC – Skyla Credit Union Amphitheatre*
Saturday, July 26, 2025 – Raleigh, NC – Red Hat Amphitheater*
Sunday, July 27, 2025 – Vienna, VA – Wolf Trap – Filene Center*
Tuesday, July 29, 2025 – Boston, MA – LeaderBank Pavilion*
Wednesday, July 30, 2025 – Saratoga Springs, NY – Broadview Stage at SPAC*
Friday, August 1, 2025 – Holmdel, NJ – PNC Bank Arts Center*
Saturday, August 2, 2025 – Wantagh, NY – Northwell at Jones Beach Theater*
Sunday, August 3, 2025 – Philadelphia, PA – The Mann Center*
Tuesday, August 5, 2025 – Bangor, ME – Maine Savings Amphitheater*
Wednesday, August 6, 2025 – Gilford, NH – BankNH Pavilion*
Friday, August 8, 2025 – Bridgeport, CT – Hartford HealthCare Amphitheater*
Saturday, August 9, 2025 – Buffalo, NY – KeyBank Center*
Saturday, August 10, 2025 – Toronto, ON – Budweiser Stage*
Tuesday, August 12, 2025 – Cuyahoga Falls, OH – Blossom Music Center*
Wednesday, August 13, 2025 – Chicago, IL – Huntington Bank Pavilion at Northerly Island*
Friday, August 15, 2025 – Indianapolis, IN – Everwise Amphitheater at White River State Park*
Saturday, August 16, 2025 – Sterling Heights, MI – Michigan Lottery Amphitheatre*
Monday, August 18, 2025 – Waite Park, MN – The Ledge Amphitheater*
Tuesday, August 19, 2025 – La Vista, NE – The Astro*
Thursday, August 21, 2025 – Maryland Heights, MO – Saint Louis Music Park*
Friday, August 22, 2025 – Kansas City, MO – Starlight Theatre*
Sunday, August 24, 2025 – Morrison, CO – Red Rocks Amphitheatre*
Tuesday, August 26, 2025 – West Valley City, UT – Utah First Credit Union Amphitheatre*
Thursday, August 28, 2025 – Airway Heights, WA – Northern Quest Resort & Casino*
Friday, August 29, 2025 – Bend, OR – Hayden Homes Amphitheater*
Sunday, August 31, 2025 – Seattle, WA – Venue TBD*
Monday, September 1, 2025 – Seattle, WA – Venue TBD*
Thursday, September 4, 2025 – Berkeley, CA – Greek Theatre*
Saturday, September 6, 2025 – Santa Barbara, CA – Santa Barbara Bowl*
Sunday, September 7, 2025 – Los Angeles, CA – Greek Theatre*
Tuesday, September 9, 2025 – Albuquerque, NM – Isleta Amphitheater*
Thursday, September 11, 2025 – Oklahoma City, OK – The Zoo Amphitheatre*
Friday, September 12, 2025 – Camdenton, MO – Ozark Amphitheater*
*with Dashboard Confessional
Eric Clapton has released the physical version of his studio album Meanwhile from Bushbranch/Surfdog Records on vinyl and CD. The physical release of the album is available here.
The album features collaborations with Jeff Beck, Van Morrison, Bradley Walker, Judith Hill, Daniel Santiago, and Simon Climie, six brand new songs and eight previously released singles.
Next week MTV will be releasing ERIC CLAPTON UNPLUGGED…OVER 30 YEARS LATER from its trailblazing, Grammy and Emmy Award-winning global music franchise MTV UNPLUGGED. The special will premiere in select U.S. and U.K. theaters on Monday, January 27 and Tuesday, January 28, 2025 before it is available to stream on Paramount+ beginning Wednesday, February 12, 2025 in the U.S. and globally.
Considered one of the most iconic installments of the MTV Unplugged series, 18x GRAMMY Award-winner Eric Clapton originally recorded his unforgettable performance of ERIC CLAPTON UNPLUGGED in 1992 at Bray Studios in Windsor, England. In this all-new extended, remixed and remastered edition, ERIC CLAPTON UNPLUGGED…OVER 30 YEARS LATER will feature never-before-seen interviews of Clapton discussing the inspiration behind specific songs with the crew just before he took the stage, seamlessly integrated with the performance footage.
After touring in South America, Mexico and Los Angeles this past fall, this year Clapton will return to Japan for a six-night residency at the Nippon Budokan in Tokyo on April 14, 16, 18, 19, 21 and 24th. The concerts, presented by Martin Guitars Japan, will mark his 24th visit to the country since 1974. In addition, after a sold-out tour of the UK in 2024, Clapton will return to his second home: London’s Royal Albert Hall in May 2025 for a limited run of 3 shows. Additionally, he will play just one show outside the capital, at Nottingham’s Motorpoint Arena, his first show in that city since 2008. Continuing in Europe Clapton will perform two shows in Milan, Italy at Unipol Forum on May 27th & 28th as well as perform two shows in France at Accor Arena in Paris on May 31st and Palais Nikaia de Nice in Nice on June 2nd.
ERIC CLAPTON – Tour Dates 2025
April 14 – Nippon Budokan – Tokyo
April 16 – Nippon Budokan – Tokyo
April 18 – Nippon Budokan – Tokyo
April 19 – Nippon Budokan – Tokyo
April 21 – Nippon Budokan – Tokyo
April 24 – Nippon Budokan – Tokyo
May 18 – Motorpoint Arena – Nottingham
May 21 – Royal Albert Hall – London
May 23 – Royal Albert Hall – London
May 24 – Royal Albert Hall – London
May 27 – Unipol Forum – Milan
May 28 – Unipol Forum – Milan
May 31 – Accor Arena – Paris
June 1 – Palais Nikaia de Nice – NICE
Meanwhile Tracklisting:
1. Pompous Fool
2. Heart of a Child
3. Moon River (with Jeff Beck)
4. Sam Hall*
5. Smile*
6. Always On My Mind (with Bradley Walker)
7. One Woman*
8. The Rebels (with Van Morrison)
9. The Call*
10. How Could We Know (with Judith Hill, Simon Climie, Daniel Santiago)
11. This Has Gotta Stop (with Van Morrison)
12. Stand and Deliver (with Van Morrison)
13. You’ve Changed*
14. Misfortune*
Queen has shared the latest episode of their video series The Greatest Special with “The Story Of Queen I -Trident Drum Sound”. With the remixed, remastered and expanded version of Queen’s classic 1973 debut album now available, The Greatest goes behind the scenes with Brian May and Roger Taylor to explore the creation of this landmark album.
In 1972, having had their first taste of professional recording at De Lane Lea studios for a demo reel, the band were understandably excited when they were given access to the famous Trident Studios to start work on their first album. However, they quickly discovered that their idea of how Queen should sound was at odds with that of the studio bosses, and for Roger, it posed a particular challenge.
Roger Taylor’s status amongst the all-time greats of rock drumming is cast in stone. But when it comes to the original pressing of their self-titled 1973 debut album, the Queen co-founder’s masterful drum parts were the cruellest casualty of studio sessions that saw the young band struggle to reconcile their vision with the sound foisted upon them by their original label, Trident Audio Productions and for Roger, it posed a particular challenge.
It’s only now, with the release of the newly remixed, remastered and expanded Queen I boxset, that fans can hear Roger’s stellar percussion live and breathe as it should have back in 1973. And in this final episode of this Queen The Greatest Special series, Roger Taylor looks back on the half-century road to this acclaimed restoration.
As Roger explains, the creative freedom he enjoyed while tracking Queen’s demos at De Lane Lea Studios in December 1971 ended when album sessions proper began the following year at Trident Studios in Soho. “At De Lane Lea, we’d just turn up and do what we can – and quickly. At Trident, it did feel like, ‘OK, now we’re in it,’ but I didn’t really get on with their ideas. They had a drum booth and it was a well-known sound: very dry and dead, which is not what I wanted. I wanted to hear the drums resonate. I didn’t want it to go ‘thud, whack.’ But that’s what they wanted. There was cloth over everything, and everything was taped down.”
Adding insult to injury, Roger found himself forced onto the stool of a flavourless Hayman acrylic drumkit. “I didn’t even have my proper kit in there. I had to play this sh***y little kit. It was just awful. We were told: ‘This is the Trident sound.’ But we didn’t want the Trident sound. We wanted our sound. I really had a bad time playing that kit, which is why, actually, if you listen to the demos – which I played on my relatively cheap kit in De Lane Lea – it’s a higher standard of drumming. It’s quite busy, but it makes sense. And it’s just better to listen to.”
Closing the series, this week’s episode of Queen The Greatest lets you be the judge – with A/B/C samples of the flat Trident drum sound, the sparkier beats from De Lane Lea, and finally the thrilling remastering heard on the new boxset. “What we’ve done now with Queen I is we’ve used all the actual recordings but made it sound more like we wanted it to sound at the time,” explains Roger. “So it’s ‘liver’, the drums are more alive and more ambient. So, for me, it’s a significant improvement, and I know Brian feels the same.”
And in this final episode of this Queen The Greatest Special series we get to witness the evolution of the drum sound and compare the three versions of the opening to Liar – the first recorded at De Lane Lea, the second the original Trident recording, and finally the new 2024 remix.
LCD Soundsystem has confirmed a spring 2025 run of 10 new shows in five North American cities. Following an already announced March 7 appearance at the M3F Music Festival in Phoenix, the new LCD headline dates will begin with a March 8 one-off at San Diego’s Gallagher Square at Petco Park, and will include an April 22-24 three-night stand at Emo’s in Austin, followed by two nights each at The Factory in Deep Ellum in Dallas (April 26, 27), the Saenger Theatre in New Orleans (April 30, May 1) and the Coca-Cola Roxy in Atlanta (May 3, 4).
Gustaf will be kicking things off in Dallas, New Orleans and Atlanta. Nation of Language will open in San Diego. LCD Soundsystem is James Murphy, Pat Mahoney, Nancy Whang, Al Doyle, Tyler Pope, Korey Richey, Nick Millhiser and Abby Echeverri.
Tickets for the 10 new shows will go on sale to the general public beginning Friday, January 31 at 10am local time. Register now at www.lcdsoundsystem.com for first access to tickets before the artist presale goes live on Tuesday, January 28 at 10am local time.
LCD Soundsystem North American Tour 2025
March 8 – San Diego, CA – Gallagher Square at Petco Park
April 22 – Austin, TX – Emo’s
April 23 – Austin, TX – Emo’s
April 24 – Austin, TX – Emo’s
April 26 – Dallas, TX – The Factory in Deep Ellum
April 27 – Dallas, TX – The Factory in Deep Ellum
April 30 – New Orleans, LA – Saenger Theatre
May 1 – New Orleans, LA – Saenger Theatre
May 3 – Atlanta, GA – Coca-Cola Roxy
May 4 – Atlanta, GA – Coca-Cola Roxy
Madeline Hawthorne’s new song, “Ghost in a Shell,” was inspired by close friends experiencing difficult breakups and was co-written with her husband during a short break in her touring schedule. “The song puts you in a dream-like state,” she says. “It also harkens back to 70s-era pop, rock, and folk recordings. I thoroughly enjoyed producing this track, and I hope you enjoy listening.”
“Ghost in a Shell” follows the 2024 release Tales From Late Nights & Long Drives, produced by the famed Ryan Hadlock (Zach Bryan, The Lumineers, Vance Joy) and recorded at Bear Creek Studios near Seattle, WA. The album received widespread praise from outlets including Whiskey Riff, No Depression, Relix, Americana Highways, MAGNET, and more.
Hawthorne will kick off her winter tour on January 30 in Colorado Springs, bringing her band through the Rockies and the Pacific Northwest. All tour information and up-to-date news can be found at madelinehawthorne.com.
ON TOUR
January 30 @ Lulu’s Downtown | Colorado Springs, CO*
January 31 @ Aggie Theatre | Fort Collins, CO^
January 31-February 2 @ UllrGrass Music & Beer Festival | Golden, CO
February 1 @ Fox Theatre | Boulder, CO^
February 13 @ The State Room | Salt Lake City, UT‡
February 14 @ Sun Valley Resort | Sun Valley, ID
February 15 @ Trap Bar & Grill | Alta, WY
February 16 @ Trap Bar & Grill | Alta, WY
February 26 @ The Hybrid | Eugene, OR
February 27 @ Silver Moon Brewing | Bend, OR
February 28 @ The Showdown | Portland, OR°
March 1 @ Rabbit Box | Seattle, WA
March 2 @ The Shakedown | Bellingham, WA
March 5 @ Kenworthy Performing Arts Center | Moscow, ID
March 6 @ Panida Little Theater | Sandpoint, ID^^
March 7 @ Great Northern Bar & Grill | Whitefish, MT
March 8 @ Great Northern Bar & Grill | Whitefish, MT
w/ Xanthe Alexis
^ w/ Clay Street Unit
‡ w/ Alicia Stockman
° w/ Katelyn Convery
^^ w/ Kevin Dorin
How Patrick Avard Shapes the Sound of Power Cheer Music
Introduction
Patrick Avard is a leading figure in the cheerleading music industry. He specializes in creating thrilling soundtracks that enhance cheerleading performances. Known for his innovative approach, Avard has played a pivotal role in shaping power cheer music, a genre that energizes teams and captivates audiences with dynamic mixes and high-energy beats.
Power cheer music is more than background sound; it’s a crucial component of cheerleading routines. It amplifies the intensity of performances and helps synchronize the athletes’ movements. Cheer music mixes often include various styles blended seamlessly, creating an exciting and motivational atmosphere during competitions.
This article will explore the evolution of cheerleading music, focusing on the remarkable contributions of Patrick Avard. We’ll delve into the history of cheer music mixes and examine the elements that define power cheer music today.
The Evolution of Cheerleading Music
Cheerleading music has undergone significant changes over the years. Initially, it was simple, with basic rhythms to support cheerleaders’ chants and movements. However, the evolution towards dynamic and elaborate music mixes has transformed cheerleading into a more exhilarating experience.
Over time, cheer music became more sophisticated, integrating various musical genres and custom sound effects. These changes enabled athletes to perform more synchronized and complex routines. Patrick Avard has been at the forefront of these innovations, pushing the boundaries of cheer music.
Avard’s unique techniques have introduced fresh elements into the cheerleading music industry. By incorporating custom vocal drops, seamless transitions, and high-energy beats, he has transformed traditional approaches to creating music mixes. Avard’s influence is evident in the growing complexity and energy of cheerleading routines.
To learn more about the history and evolution of cheerleading music, you can visit the VICE website, which offers rich insights into the sport’s development over the years.
Patrick Avard’s Influence on Cheer Music
Patrick Avard has transformed the cheerleading scene with his memorable cheer music mixes. His innovative style blends high-energy beats with dynamic soundscapes, elevating the standards in cheer music. By mixing multiple musical genres and infusing performances with energy, Avard has crafted his industry distinction through passion and meticulous attention to detail.
Components of a Power Cheer Music Mix:
A power cheer music mix is more than a list of songs. It’s a crafted experience, with Patrick Avard being a master of its creation. Here’s what makes up a compelling cheer mix:
High-Energy Beats: These keep the momentum throughout the routine, ensuring the team maintains their energy and rhythm.
Customized Sound Effects: Unique sounds add flair and create emphasis on key stunts or transitions. They make the performance not just visible but audibly spectacular.
Vocal Drops and Cheer Instructions: Clear vocal cues direct the team and synchronize movements, turning the music into an integral part of the routine.
Seamless Transitions Between Songs: Smooth transitions maintain the flow and prevent any downtime, keeping both the audience and performers engaged.
Patrick Avard expertly incorporates these elements, ensuring each mix is distinct and engaging. For an in-depth look at how music synchronization impacts performance, refer to studies by the National Center for Biotechnology Information.
These components work together to elevate cheer routines, showcasing Avard’s signature style and commitment to excellence in cheer music production.
The Impact of Power Cheer Music on Performance
Power cheer music plays a crucial role in elevating team performance during competitions. It doesn’t just set the rhythm but actively lifts the energy and spirit of the athletes. Here’s how:
Boosts Morale: A well-crafted cheer music mix can lift a team’s spirit as soon as the music starts, creating an adrenaline rush that boosts performance. Music’s power to affect mood and motivation is supported by Psychology Today.
Enhances Synchronization: The beats and rhythms in cheer music help synchronize movements, which is vital for team performances. This synchronization reduces errors and makes routines look fluid and polished.
Increases Audience Engagement: High-energy soundtracks grab the audience’s attention and keep them engaged, which is crucial during competitions where crowd support can boost team confidence.
Promotes Energy Release: Powerful music allows athletes to release energy and showcase their full potential, delivering exciting performances that judges and audiences love.
Case studies from cheerleading competitions have shown that teams performing with dynamic music mixes generally score higher in energy and execution categories. This underscores the power of music as a performance enhancer in cheerleading events.
Patrick Avard’s Legacy and Future in Cheer Music
Patrick Avard’s impact on the cheer music industry is profound and lasting. He has set the bar for what cheer mixes can achieve and continues to inspire future trends. As music technology advances, Avard may incorporate more digital and interactive elements into his mixes, keeping them fresh and exciting.
In summary, Patrick Avard’s legacy is one of innovation and excellence, with his work continuing to inspire and shape the future of cheerleading music. The lasting impact of his music ensures that he remains a central figure in the industry for years to come.
Wrap-Up and Appreciation of Power Cheer Music
Patrick Avard has truly redefined the landscape of power cheer music. His innovative approach to creating cheerleading music and mixes has set a new standard in the industry. By blending dynamic sounds with tailor-made elements, Avard creates music that energizes teams and elevates performances.
Redefining Power Cheer Music: Avard’s work stands out because he understands the pulse of the cheerleading world. His mixes are not just background tracks; they’re integral to the routines, adding excitement and intensity.
Encouraging Exploration: For those interested in the complexities and artistry behind cheerleading music, exploring Avard’s music is highly recommended. Delving into these mixes offers insights into the rhythmic and motivational power they hold.
Explore Patrick Avard’s Work and Related Services
By engaging with Patrick Avard’s productions, you can better appreciate the artistry and skill that goes into creating each cheer mix. His work is accessible through various platforms, offering a peek into his unique approach.
Accessing His Work: Many of Avard’s projects are featured on popular music streaming services. These platforms provide a direct way to experience the impact of his sound on cheerleading performances.
Services Offered: Avard also offers custom music solutions for teams. These services allow teams to benefit from tailored mixes that enhance their routines and performances.
To truly embrace the full experience and depth of cheerleading music, consider engaging with Avard’s work. The energy and creativity he brings to each track highlight the vital role music plays in the world of cheerleading and beyond.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
A full-time job is meant to provide you with enough money so that you can pay your bills and live a comfortable lifestyle. Unfortunately, that isn’t the case for many. To say the past few years have been difficult is a gross understatement. Between the financial fallout of the COVID-19 pandemic, the inflation that followed (and the rise in the cost of housing and just about every other expense), it has left people looking for ways to earn some extra money on the side.
Canadians are known for being resilient in challenges, and that’s likely why so many have looked at earning additional income online. Whether they have tried selling music online, uploading content on streaming platforms like Spotify and YouTube, or even playing online casino games with the hopes of striking it big, there are many options out there.
If this sounds familiar and you’ve been earning or thinking about earning money online, there are tax implications you need to know about. We’ll go over some of the most important tax tips Canadians should know to protect their financial portfolio.
What Counts as Earning Money Online?
It’s important to define what counts as earning money online. If you’re only earning a bit of cash, it’s easy to assume it’s no big deal and you don’t have to worry about taxes. But this could be setting you up for disaster. It’s always better to err on the side of caution and look into what counts as earning money online.
Begin by reading up on the new Reporting Rules for Digital Platform Operators. This is meant for people who earn money through a digital platform. It’s all about being more open and transparent about financial earnings. If you offer any types of services or sell goods online, these rules will affect you.
What about earning money through online lottery and casino winnings? There are plenty of fast withdrawal casinos in Canada that make it very attractive to those looking to earn a little side cash. While you don’t need to report winnings of any amount, unless it is a prize tied to an achievement, you do have to report income earned on those winnings. For example, if you invested your winnings, the interest earned is taxable.
Track Your Earnings in an Organized Manner
If you need to include your online earnings in your tax filing, it’s wise to start thinking about a way to track them. Creating a spreadsheet, using a specific platform, or even using an app to track earnings can make easy work of this task. If you’re tracking earnings as they occur, it means tax season will be much smoother.
Factor in the Currency Exchange on Earnings (if Applicable)
Another tip is to make sure you’re tracking earnings in your currency. Sometimes, online work requires a currency exchange to take place. Whatever your currency amount, it is what you need to include in your tax return.
Don’t Omit Earnings Even if They Are Small
While it can be very tempting to leave earnings off your tax filing, it’s never worth the risk. Even small amounts need to be included. You don’t want to be flagged for an audit, and you certainly don’t want to look as though you’re hiding income from the CRA. Not declaring the full and accurate amount of income can result in provincial, territorial, or federal penalties if the amount is more than $500.
Include Deductions Whenever Possible
Those whose main source of income comes from online work can attest to how useful deductions can be. These are expenses that you can deduct from your earnings, which can then lower the taxes you need to pay.
Deductions can include expenses for things such as computer hardware and software, office supplies, travel, marketing or advertising, and much more. If you meet the criteria, you can even use home-office deductions like your mortgage interest, insurance, rent, utilities, and more.
When in Doubt Speak to an Accountant
If you are ever in doubt about which online earnings you need to report to the Canada Revenue Agency, how to report them, and what may or may not be taxable, it’s best to speak to a qualified accountant who can advise you properly.
There are independent tax consultants and chartered professional accountants (CPAs). A consultant can certainly help with the basics of tax filing, but they don’t have to be formally trained. A CPA, on the other hand, does require formal training, so they will have much more knowledge and insight into current tax laws that will make for accurate and efficient tax preparation.
Is Earning Money Online Worth the Hassle?
While not a tip, it’s a valid question to ask. Knowing how important it is to track your income and accurately declare all income on your tax filing, you may wonder if it’s worth the hassle. Because there is no limit to what you could earn online as a side hustle, the answer is generally yes, it is absolutely worth the hassle.
Not being able to pay your bills each month is stressful and not sustainable. That doesn’t necessarily mean you should start looking for a new and better-paying job. Earning extra income online can be a convenient solution, whether in the short or long term.
You Don’t Want to Take Risks With Your Taxes
Filing taxes can be confusing at the best of times, but once you start earning money online, there are a lot more implications and rules to be aware of. Doing your research is important, but that may not be enough. Putting your trust in a trained professional may be the smartest decision, as you don’t want to take any risks when it comes to filing your taxes.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
Released in 2009 as the companion to her debut album The Fame, Lady Gaga’s The Fame Monster thisrecord pushed the boundaries of pop music by fusing electropop, disco, glam rock, and industrial influences into one cohesive—and haunting—artistic vision. With chart-topping hits like “Bad Romance,” “Alejandro,” and “Telephone,” Gaga introduced the world to the darker, more introspective side of fame and its monstrous underbelly.
This album cemented Gaga as a pop powerhouse and creative visionary. But beneath the surface of its glitz and glamour lie fascinating details that even the most devoted Little Monsters might have missed. Let’s dive into five unknown facts that make The Fame Monster an enduring pop phenomenon.
It Was Almost Just a Deluxe Edition of The Fame The Fame Monster began as a simple re-release of Gaga’s debut album, but Gaga fought for its standalone identity. She felt that attaching it to The Fame would dilute its distinct concept. After a battle with her label, Gaga secured a separate release for the eight new songs. Her dedication to presenting it as a complete and independent work led to a duality concept, with The Fame representing the light and The Fame Monster embodying the darkness—true yin and yang.
Horror Films and Eastern Europe Shaped Its Sound
While touring Eastern Europe, Gaga became obsessed with horror films and 1950s sci-fi movies. These influences are apparent in the album’s eerie tones and haunting metaphors, from the “Fear of Love Monster” to the “Fear of Alcohol Monster.” Tracks like “Monster” and “Dance in the Dark” were born out of Gaga’s fascination with blending terror and seduction, resulting in a sound that’s as unsettling as it is danceable.
“Bad Romance” Was Written on Tour in Norway
One of Gaga’s biggest hits, “Bad Romance,” was born on her tour bus in Norway. Inspired by German house and techno music, Gaga crafted the song as a pop experiment with darker undertones. The song’s iconic “rah-rah” hook and gothic aesthetic set the tone for the entire album, capturing the paranoia and allure of toxic love.
A Lock of Her Wig Came with the Super Deluxe Edition
Talk about going above and beyond for fans—Gaga included a lock of her wig in the super deluxe edition of The Fame Monster. This limited-edition release also featured exclusive merchandise like USB drives, digital booklets, and remixes. Gaga’s commitment to creating a tactile and immersive fan experience helped solidify her bond with her Little Monsters.
“Telephone” Was Originally Meant for Britney Spears
The smash hit “Telephone,” featuring Beyoncé, wasn’t originally intended for Gaga. She wrote the song for Britney Spears’ Circus album, but it was ultimately rejected. Gaga later recorded it herself, turning the track into an anthem about escaping work pressures for the dance floor. The accompanying music video, a mini-film directed by Jonas Åkerlund, has since become one of Gaga’s most iconic visual works.
The Fame Monster is the soundtrack to a world where the dark side of fame collides with self-discovery and raw emotion. From its intricate themes to its unforgettable visuals, Gaga delivered a body of work that feels as relevant today as it did over a decade ago.
This was the moment Gaga proved she wasn’t just another pop star but a creative force destined to reshape music and culture. With The Fame Monster, she roared — and she redefined what it meant to be a monster in the best possible way.
Bob Dylan’s Love and Theft stands as a testament to his unparalleled artistry, storytelling genius, and deep reverence for American musical traditions. Released on September 11, 2001, this 31st studio album has remained one of Dylan’s most celebrated works, resonating with listeners across generations. From the rollicking blues of “Tweedle Dee & Tweedle Dum” to the poignant dirge of “Sugar Baby,” Dylan’s ability to weave humor, heartbreak, and history into his music is on full display. As we celebrate this masterpiece, here are five little-known facts that make Love and Theft a cornerstone in Dylan’s vast catalog.
The Album’s Title Was Inspired by a History Book:
The title Love and Theft was borrowed from Eric Lott’s 1993 book, Love & Theft: Blackface Minstrelsy and the American Working Class. Dylan’s use of the title reflects the album’s exploration of the myths and complexities of American culture, much like Lott’s book. The songs are steeped in Americana, blending blues, folk, country, and jazz while subtly grappling with themes of identity, appropriation, and reinvention.
“Mississippi” Was Almost Left Behind:
Originally recorded during the Time Out of Mind sessions in 1997, “Mississippi” was shelved and nearly forgotten. Dylan decided to revisit it for Love and Theft after a friend reminded him of its potential. Dissatisfied with Daniel Lanois’ production approach, Dylan stripped the song down to its essence, allowing its lyrical beauty and majestic simplicity to shine. This track has since been hailed as one of Dylan’s greatest songs.
The Recording Process Was Analog and Spontaneous:
Unlike many modern albums, Love and Theft was recorded entirely using analog equipment at Clinton Recording in Manhattan. Dylan’s process was marked by spontaneity, often reworking arrangements mid-session. Engineer Chris Shaw revealed that Dylan would hack up master tapes to rearrange verses, ensuring each song found its perfect form. This old-school approach added a raw, organic quality to the record.
A Nod to Pre-Rock Pop and Blues:
Tracks like “Moonlight” and “Po’ Boy” evoke the charm of pre-rock American pop ballads and jazz, with intricate chord progressions rarely found in Dylan’s earlier work. Dylan’s inspiration for “Moonlight” came from the Carter Family’s 1928 recording “Meet Me By the Moonlight.” By blending these vintage sounds with his signature lyrical wit, Dylan bridged the past and present in a way few artists could.
“High Water (For Charley Patton)” and its Historical Roots:
This banjo-driven track is a tribute to blues legend Charley Patton, drawing its title from Patton’s song “High Water Everywhere.” While the song references the South’s racial and cultural history, it also features a distinctive arrangement with two banjo parts, accordion, and timpani percussion. It’s a masterpiece of storytelling that pays homage to the rich traditions of American music while crafting something entirely unique.
. From its spontaneous recording sessions to its thoughtful nods to history and culture, Dylan’s work on this record reaffirms his status as one of the greatest artists of our time. As we revisit this timeless classic, we’re reminded of Dylan’s ability to transcend genres and eras, crafting songs that feel as relevant today as they did on their release.
