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Stock Music Market Set to Surge: $650.4 Million Growth by 2028 with North America Leading at 38% Contribution

Eric Alper
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Stock Music Market Set to Surge: $650.4 Million Growth by 2028 with North America Leading at 38% Contribution

The stock music market size is estimated to grow by USD 650.4 million from 2024 to 2028, according to Technavio. The market is estimated to grow at a CAGR of 8.09% during the forecast period.

North America is estimated to contribute 38%. To the growth of the global market. The Stock Music Market report forecasts market growth by revenue at global, regional & country levels from 2017 to 2027.

The North American stock music market is more established compared to other regional markets. The increasing popularity of digital music services, such as streaming and downloading, is driving growth in this market. Strict copyright laws in place contribute significantly to its expansion. The US dominates this market due to the presence of numerous music publishers and streaming service providers, along with a high consumer spending capacity. According to The World Bank Group, the US has a substantial Gross Domestic Product (GDP) per capita of USD76,329.

Royalty-free (RF) music refers to the permission to use copyrighted materials without paying recurring royalties or license fees. RF music allows for one-time payment, regardless of usage frequency, number of copies sold, or timeframe. Traditionally, RF music was popular for TV productions due to its ease of use and elimination of complex licensing processes. With the rise of digital distribution, RF music adoption, benefiting both composers and buyers. Numerous websites offer a vast selection of RF music across various genres, making it a convenient choice for producers. RF music’s affordability fuels the growth of the global stock music market, as it offers legal access to a wide range of musical content without the need for copyright infringement.

The Stock Music Market is a dynamic and evolving industry that caters to the diverse audio needs of various sectors, from Millennials to corporations. Technology and social media have revolutionized the way we consume and create music, making music libraries an essential resource for content creators in the entertainment business. From TV and films to advertisements, video games, and corporate production, the demand for authentic and high-quality music is at an all-time high. The gig economy has given rise to a new generation of multimedia artists, providing them with an opportunity to monetize their creations through stock music platforms. Genres and styles vary widely, catering to the unique needs of different industries and audiences. The user base of streaming services and digital advertising continues to grow, making online marketing and podcasting increasingly important channels for reaching consumers. The Stock Music Market is a thriving business that is here to stay.

The Stock Music Market is a dynamic and evolving industry that caters to the growing demand for authentic and high-quality music in various sectors. With millennials leading the charge, technology and social media have revolutionized the way music is consumed and shared. Music libraries have become essential resources for content creators in TV, films, advertisements, video games, corporate production, and the entertainment business. Stock music producers offer licenses, attribution, and exploitable rights to market participants, enabling a diverse range of businesses to access original music for their brand assets. Affluent consumers, cultural change agents, touring musicians, and local musicians all contribute to this vibrant ecosystem. Brands like Coca-Cola and Budweiser have embraced music as a powerful branding tool, creating iconic brand anthems and sponsoring music festivals. The digital element has transformed the industry, with streaming services, podcasting, and online marketing leading the charge. Editing tools and platforms have made it easier for professionals to integrate music into their multimedia content, from magazines and newspapers to instore activations and digital efforts. The market continues to grow, fueled by media spending and the unified approach to platform integration.

Prime Video Announces Tom Green Triple Treat: Documentary, Comedy Special, and Unscripted Series launching in January

Eric Alper
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Prime Video Announces Tom Green Triple Treat: Documentary, Comedy Special, and Unscripted Series launching in January

Prime Video announced the launch dates and trailers for a trifecta of Tom Green projects from the groundbreaking comedian, offering viewers an unprecedented look into the life and career of the iconic Canadian comedian, actor, and filmmaker. From his groundbreaking MTV show to his Hollywood adventures and recent return to rural living, Green’s journey will be showcased in This Is The Tom Green Documentary, Tom Green: I Got A Mule!, and Tom Green Country. These three titles, spanning Green’s irreverent humor, boundary-pushing comedy, and surprising lifestyle shift, will be available globally on Prime Video, treating audiences worldwide to the multi-faceted world of the man who topped MTV’s TRL charts with the “Lonely Swedish (The Bum Bum Song)” and painted his father’s house plaid. All three projects from Tom Green will be available exclusively on Prime Video in 240 countries and territories worldwide.

This Is The Tom Green Documentary launches January 24 on Prime Video. This Amazon Original documentary follows Tom Green’s career as a trailblazing influence on comedy, film, television, and internet culture. With thousands of hours of digitalized personal footage, rare episodes, and unseen raw footage from past series and films, the documentary captures the early days of his humble beginnings in Canada, to stardom in Hollywood, as he goes full circle and returns to his roots moving from his LA home to a rural farm in the country. Tom reveals the highs and lows of his journey including his creative process, his controversial antics, and unique brand of humor that has had a lasting impact on a generation of comedians.

Tom Green’s newest comedy special, Tom Green: I Got A Mule! launches January 28. The special showcases the influential comedian’s act from his most recent sold-out stand-up tour across North America. Tom Green’s unique blend of comedy and music is on full display, highlighting his trademark willingness to take risks, push boundaries and his ability to blend humor with heart.

In Tom Green Country, the Amazon Original unscripted series, legendary comedian Tom Green pulls up stakes and relocates from the bright lights of Hollywood to his newly purchased country farm. Joined by his 1,500-pound mule, a donkey and six chickens the reality series gives a heartwarming glimpse into the hilarious life on the farm – as only Tom Green can. Tom Green Country launches January 31.

This Is The Tom Green Documentary is also produced by Jack Turner and Leah Culton Gonzalez from Matador Content, a Boat Rocker Company. All three projects are executive produced by Tom Green who also serves as director on the projects, and Rory Rosegarten. The series is produced by Tom Green Productions Canada.

Princess Cruises and the Academy of Country Music Bringing Rising Country Music Stars to Sea

Eric Alper
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Princess Cruises and the Academy of Country Music Bringing Rising Country Music Stars to Sea

Princess Cruises, in partnership with the Academy of Country Music, is bringing country music to the high seas with the ACM Live from the Red Barrel Lounge concert series. On Caribbean voyages departing Galveston between February 9 and March 17, guests aboard Regal Princess will enjoy intimate live performances from some of country music’s most exciting emerging artists, including chart-topping singer and ACM Award nominee Kameron Marlowe, reigning ACM New Vocal Duo or Group of the Year Tigirlily Gold, and America’s Got Talent breakout stars Chapel Hart, along with other rising acts across several cruises sailing out of Galveston in early 2025 voyages.

As part of the series, six ascending country music acts will perform two, 45-minute concerts in the Princess Theater and interact with guests during Meet & Greet sessions, with appearances from:

Regal Princess, February 9-17, 2025, 8-day Western Caribbean with Mexico
Drew Baldridge – Raised in Patoka, Illinois, he began performing in local talent contests as a teenager before moving to Nashville at 18 to pursue country music. After releasing a pair of EPs in 2014-2015, his single “Dance with Ya” became his first chart hit, and his debut album Dirt on Us followed in 2016. His single “She’s Somebody’s Daughter” became a viral hit in 2023-2024, marking his first top-40 hit. In 2024, he signed with BBR Music Group’s Stoney Creek label and released “Tough People” as his debut single under the new deal.

Regal Princess, February 17-23, 2025, 6-day Western Caribbean with Mexico
Chapel Hart – Danica and Devynn Hart, along with their cousin Trea Swindle, make up Chapel Hart and have proven they are truly a force to be reckoned with. These ladies have found a way to gift wrap their Mississippi roots & Louisiana spunk and share it with listeners around the world. They’ve independently released four studio albums and eleven singles. In July 2022, they competed in the 17th season of America’s Got Talent, where they finished fifth. The group’s most popular song is “You Can Have Him Jolene,” an answer song to Dolly Parton’s “Jolene.”

Regal Princess, February 23-March 3, 2025, 8-day Western Caribbean with Mexico
Hannah Ellis – The Campbellsville, Kentucky-native’s voice – a mix of favorite flannel, sparkling pink wine and welcome – is the friend we always wanted. Whether pouring from a car radio or the phone, the act named to Rolling Stone Country’s “Artist To Watch” list and ACM Award nominee, reminds listeners big leaps often come as a series of small steps when no one is looking. Her debut album, That Girl, features notable singles such as “Wine Country,” “Too Much and Not Enough,” “Country Can,” and “Home and a Hometown.”

Regal Princess, March 3-9, 2025, 6-day Western Caribbean with Mexico
Tigirlily Gold – This sister duo, originally from North Dakota, signed to Monument Records and to SMACK Songs Publishing. They toured throughout the mid-west while still in high school, selling out amphitheaters in their home state. In 2024, their current single “I Tried A Ring On,” climbed the Country Radio Charts and became their second top-40 radio single before releasing their debut studio album, Blonde. They won “New Duo or Group of the Year” at the 59th Academy of Country Music Awards in 2024, only the second female duo to ever win the award.

Regal Princess, March 9-17, 2025, 8-day Western Caribbean with Mexico
Kelsey Hart – Curb Records recording artist, songwriter and Kentucky native Kelsey Hart has found his way into the spotlight, a place he’s dreamed of being since his childhood days of belting gospel music from the passenger seat of his dad’s truck. His radio single “Life with You” has garnered over 100 million global streams, 429,800 TikTok views and debuted in the Top 10 on Billboard’s Country Digital Songs Chart.

Regal Princess, March 17-23, 2025, 6-day Western Caribbean with Mexico
Kameron Marlowe – Raised in North Carolina, he developed a passion for music through his grandfather and began singing in church at age 10. In 2018, he gained national attention on The Voice, where he joined Blake Shelton’s team before being stolen by Adam Levine, though he was eliminated in the live playoffs. Marlowe then moved to Nashville to pursue songwriting, releasing his debut single “Giving You Up” in 2019. In 2020, he signed with Columbia Nashville and released “Burn ‘Em All.” His hit “Giving You Up” was certified Gold by the RIAA in 2021, marking a major milestone in his career.

“We’re thrilled to partner with the Academy of Country Music to showcase the incredible talent of these rising stars,” said Becky Thomson Foley, Head of Global Entertainment for Princess Cruises. “Many of our guests are passionate about country music, and this unique experience featuring intimate performances and meet and greet opportunities, promises to make their cruise vacation unforgettable.”

The ACM Live from the Red Barrel Lounge series, presented by Princess Cruises, pays homage to the Academy’s Western roots and the beginnings of the Academy of Country Music. The Red Barrel Niteclub, and owners Mickey and Chris Christensen, hosted the first So-Cal Country Music Awards Banquet circa 1963. It was officially known as first the Academy of Country and Western Music Awards Banquet and would later become the ACM Awards. The Red Barrel Lounge, located at the Academy’s headquarters in Nashville, provides established and rising artists with a unique platform to showcase their talents, connect with new fans, and expand their reach.

The 3,560-guest Regal Princess offers well-appointed staterooms, world class dining, grand performances, an award-winning casino and entertainment, luxurious spa, imaginative experiences and boundless activities.

No matter the cruise, Princess delivers a premium vacation with the line’s award-winning, signature Princess MedallionClass experience which offers unparalleled service and personalization. Guests can take advantage of inclusive packages like Princess Plus and Princess Premier which add popular amenities like WiFi, beverages, desserts, fitness classes, crew gratuities and more at an even greater savings of up 65% when the inclusive package amenities are purchased separately.

Additional information about Princess Cruises is available through a professional travel advisor, by calling 1-800-Princess (1-800-774-6237) or by visiting www.princess.com.

Nashville Tour Stop Hosts International Women’s Day Benefit for Anthems Against Abuse

Eric Alper
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Nashville Tour Stop Hosts International Women’s Day Benefit for Anthems Against Abuse

Mark your calendars for an empowering evening of live music in celebration of International Women’s Day! On Friday, March 7, Nashville Tour Stop will host a special all-female lineup at Bassline Brewing Company, benefiting Anthems Against Abuse. The event, hosted by Christina Brennan, promises an unforgettable night of music, community, and advocacy.

When: Friday, March 7, 2025
Time: 6:00 PM – 9:00 PM
Where: Bassline Brewing Company, 410 39th Ave N, Nashville, TN 37209

International Women’s Day, officially recognized by the United Nations in 1977, is a global celebration that honors the achievements of women, raises awareness about the challenges they face, and advocates for gender equality.

The evening’s lineup includes performances by:
6:00 PM: Lynagh, Eva Cassell, Kadie Jacobs, Paige Rose
7:00 PM: Winter Wilson, Sam Costigan, Kelsey Miller, Chapel Bell
8:00 PM: Don’t Call Me Tina, Elyse Wilkinson, Katie Pederson, Genna Matthew

“International Women’s Day is a time to honor the strength, creativity, and resilience of women, both on and off the stage,” said Aaron Schilb, founder of Nashville Tour Stop. “This show is more than just great music—it’s a platform for solidarity and change.”

Proceeds from the concert will support Anthems Against Abuse, a nonprofit co-founded by songwriters Daisy Sellas and Brittany Bishop. The organization raises awareness about domestic violence and funds critical services provided by the YWCA, the Mary Parrish Center, and the Office of Family Safety at Metro Nashville.

Daisy, a domestic violence survivor, uses her personal story to inspire and empower others. After enduring two years of emotional and physical abuse, she overcame both the trauma of her relationship and a methamphetamine addiction introduced by her abuser. Brittany, an alternative country artist, is known for her advocacy work with RAINN, channeling her own experience with the #MeToo movement to help women heal from sexual violence.

Domestic violence is far more prevalent than many realize. Nearly 20 people per minute are physically abused by an intimate partner in the U.S. One in three women have experienced some form of physical violence by an intimate partner, and intimate partner violence accounts for 15% of violent crime (Source: National Coalition Against Domestic Violence). In Tennessee, nearly 40% of women will experience domestic violence in their lifetime, with cases numbering in the tens of thousands each year.

No tickets are required for the show, but donations will be accepted at the door. Unable to attend? You can still support Anthems Against Abuse by making a direct contribution here.

Experience an unforgettable evening of music, community, and empowerment, celebrating the strength of women and amplifying voices for change. So come in, sit down, order up a round, and remember: all roads lead to the Nashville Tour Stop.

Since its founding in 2018, Nashville Tour Stop has become a staple in the city’s vibrant live music scene. More than just a live music production company, Nashville Tour Stop is a community-driven organization that blends seasoned artists with emerging songwriters, offering them a platform to perform, share their stories, and connect with audiences in an intimate, listening-room atmosphere.

Known locally as “Tour Stop,” the company has curated performances of all genres at bars, restaurants, hotels, and concert venues across Nashville. In addition to its entertainment services, Nashville Tour Stop also provides corporate event packages and supports touring musicians.

For more information, visit www.nashvilletourstop.com.

5 Surprising Facts About Bad Bunny’s “Un Verano Sin Ti”

Eric Alper
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5 Surprising Facts About Bad Bunny’s “Un Verano Sin Ti”

Bad Bunny’s Un Verano Sin Ti redefined what a summer record could be. Blending reggaeton, indie pop, and a kaleidoscope of Caribbean sounds, the record made history as the first all-Spanish album to be nominated for a Grammy Award for Album of the Year. It broke streaming records, dominated charts, and secured Bad Bunny’s place as a global icon. But beyond the accolades and infectious beats, there are layers of creativity and history that make this album even more extraordinary. Here are five facts about Un Verano Sin Ti that you might not know.

1. The Artwork Took Over Six Months to Perfect
The striking album cover, featuring a sad, one-eyed heart set against a vibrant beach scene, was a collaboration between Bad Bunny and Los Angeles-based artist Adrian Hernandez, better known as Ugly Primo. The idea was born in summer 2021, with Bad Bunny sketching out his vision and Hernandez creating seven variations before landing on the final design. The cover’s bright yet melancholic aesthetic reflects the album’s themes of joy, heartbreak, and nostalgia, capturing the essence of a summer that lingers long after the season ends.

2. A Genre-Blending Masterpiece
Un Verano Sin Ti is a genre-defying project, seamlessly weaving reggaeton, cumbia, and indie pop with elements of dembow, mambo, bachata, and even psychedelia. Bad Bunny didn’t stop there, incorporating influences as diverse as surf rock, disco, synthwave, and trap. The result is an album that feels expansive and celebratory while paying homage to Caribbean musical traditions. Each track is a melting pot of sounds, making the record as diverse as the beaches it was meant to be played on.

3. “Me Porto Bonito” Was Recorded Right After the Met Gala
Bad Bunny’s collaboration with Chencho Corleone, “Me Porto Bonito,” was recorded under unique circumstances. After attending the Met Gala in New York, Bad Bunny went straight to the studio, still in his gala outfit and iconic hairstyle. The song, a playful ode to admiration and flirtation, was crafted with Corleone specifically in mind. Bad Bunny even admitted that if Chencho couldn’t collaborate, the track wouldn’t have been released—a testament to the synergy between the two artists.

4. “Tití Me Preguntó” Ranked as Rolling Stone’s Best Song of 2022
One of the standout tracks, “Tití Me Preguntó,” combines Dominican dembow, Latin trap, psychedelia, and bachata, creating a genre-fusing hit. The song samples Antony Santos’s “No Te Puedo Olvidar,” adding a layer of Dominican musical heritage. Its playful yet introspective lyrics, paired with innovative production, earned it acclaim from critics and audiences alike. Rolling Stone went as far as to name it the best song of 2022, solidifying its place in modern music history.

5. Breaking Records and Making History
From the moment Un Verano Sin Ti dropped, it shattered expectations. It became the first album by a Latin artist to reach 10 billion streams on Spotify and spent 13 weeks atop the Billboard 200 chart. It was also the first Spanish-language album to top the Billboard 200 Year-End Chart and the first to receive a Grammy nomination for Album of the Year. These accomplishments not only highlight Bad Bunny’s global appeal but also signify a pivotal moment for Latin music in mainstream culture.

From its intricate artwork to its genre-bending tracks and groundbreaking success, Bad Bunny crafted a project that resonates across borders and languages. Whether you’re vibing to “Me Porto Bonito” or reflecting on the melancholia of summer through its artwork, the album’s impact is undeniable. It’s the soundtrack of endless summer nights and proof that music knows no boundaries.

5 Surprising Facts About SZA’s “SOS”

Eric Alper
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5 Surprising Facts About SZA’s “SOS”

Every once in a while, an album redefines the music landscape, and in 2022, SZA’s SOS did just that. The record isn’t just a showcase of her incredible vocal ability and songwriting—it’s a cultural milestone that blends vulnerability, empowerment, and bold artistry. Fans worldwide were captivated by its themes of heartbreak, self-discovery, and resilience, but there’s much more beneath the surface. Here are five lesser-known facts about SOS that make it even more remarkable.

1. Princess Diana Inspired the Album Cover
The iconic SOS album cover, featuring SZA perched on a diving board over a vast ocean, is a direct homage to a 1997 paparazzi photo of Princess Diana aboard a yacht in the Mediterranean. SZA said she was drawn to how the image conveyed isolation and introspection, themes that resonate deeply throughout the album. While the original concept involved shooting on a shipping barge, last-minute adjustments led to the now-famous diving board image. The haunting serenity of the cover perfectly mirrors the album’s exploration of solitude, longing, and strength.

2. A 100-Song Writing Process
SZA wrote over 100 songs while creating SOS, an impressive feat that speaks to her intense creative process. Though only 23 tracks made the final cut, this overflow of material highlights her relentless dedication to capturing every emotion and story she wanted to share. The writing spanned years, with bursts of productivity often fueled by looming deadlines. SZA’s willingness to experiment and refine her work ultimately resulted in an album that feels expansive yet cohesive, balancing introspective ballads with bold, genre-defying tracks.

3. Groundbreaking Chart Success
SOS shattered records, becoming the first R&B album since Whitney Houston’s Whitney (1987) to spend its first seven weeks at #1 on the Billboard 200. It also broke the record for the largest streaming week for an R&B album in U.S. history, cementing SZA’s dominance in the digital era. Beyond the numbers, the album’s staying power is remarkable—it remained at the top for 12 non-consecutive weeks, making it the longest-running #1 female album of the decade at the time. This success solidifies SZA as one of the most influential artists of her generation.

4. The All-Star Guest List
SOS features collaborations with an eclectic mix of artists, including Don Toliver, Phoebe Bridgers, Travis Scott, and even the late Ol’ Dirty Bastard. SZA personally reached out to many artists she admired, though only a few were able to contribute in time. Bridgers recorded her verse for “Ghost in the Machine” just a week before the album’s release. Each feature brings something unique to the table, blending seamlessly with SZA’s introspective and genre-defying approach, showcasing her ability to elevate collaborations into integral parts of her narrative.

5. “Kill Bill” Broke Records
“Kill Bill,” one of the standout tracks from SOS, became a chart-topping phenomenon. The song spent eight weeks at #2 on the Billboard Hot 100 before reaching #1, thanks in part to a remix featuring Doja Cat. It also broke the record for the longest-running #1 on the R&B/Hip-Hop Songs chart, staying at the top for 21 weeks. The song’s dark yet relatable lyrics about heartbreak and revenge struck a chord with fans, while its nostalgic boom-bap production showcased SZA’s ability to bring classic sounds into a modern context.

SZA’s SOS pushed boundaries and redefined what R&B can be. From its record-breaking achievements to its deeply personal themes and innovative collaborations, SOS is a testament to SZA’s unparalleled artistry. Whether it’s the introspective lyrics, genre-blending production, or unforgettable visuals, SOS continues to win new fans daily and show why her SZA’s place as one of the defining artists of her generation is set.

Pat Benatar’s Isolated Vocals For “Heartbreaker”

Eric Alper
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Pat Benatar’s Isolated Vocals For “Heartbreaker”

Pat Benatar’s “Heartbreaker” from In the Heat of the Night (1979) marked her breakthrough, climbing to #23 on the US Billboard Hot 100 and earning her rock icon status. Originally recorded by Jenny Darren, Benatar’s version revamped the lyrics for American audiences, delivering a high-energy anthem that still sounds great on the radio.

Roger Daltrey’s Isolated Vocals For The Who’s “I Can See For Miles”

Eric Alper
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Roger Daltrey’s Isolated Vocals For The Who’s “I Can See For Miles”

“I Can See for Miles,” The Who’s only single from their 1967 album The Who Sell Out, is a masterclass in late ’60s studio innovation. Written by Pete Townshend, the track’s sprawling production spans sessions in London, New York, and Los Angeles, resulting in a thunderous mix of dynamic vocals and groundbreaking rock energy.

Canadian Steve Strongman Celebrated for Contributions to Grammy-Nominated ‘Struck Down’ by The Fabulous Thunderbirds

Eric Alper
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Canadian Steve Strongman Celebrated for Contributions to Grammy-Nominated ‘Struck Down’ by The Fabulous Thunderbirds

Stony Plain Records is thrilled to share that Canadian producer, guitarist, and songwriter Steve Strongman is associated with two Grammy-nominated categories for the 2025 Grammy Awards, honoring his exceptional contributions to the acclaimed album Struck Down by The Fabulous Thunderbirds.

The nominations are:

  • Best Traditional Blues Album for Struck Down, which Strongman co-wrote and co-produced with Thunderbirds’ frontman Kim Wilson.
  • Best American Roots Performance for “Nothing In Rambling,” featuring Strongman alongside Bonnie Raitt, Keb’ Mo’, Taj Mahal, and Mick Fleetwood.

Struck Down has made waves on the blues charts, securing:

  • #1 on the iTunes Canada Blues Chart
  • #1 on the iTunes U.S. Blues Chart
  • Top 65 on the Billboard Top 200 Albums Chart

Steve Strongman played a pivotal role in shaping Struck Down, co-writing nine of the album’s ten tracks with Wilson and contributing his signature guitar work to its dynamic sound. The album’s title track, “Struck Down By The Blues,” highlights Strongman’s seamless synergy with Wilson’s harmonica.

“Working on Struck Down with Kim Wilson and The Fabulous Thunderbirds was an incredible experience,” said Strongman. “The creative energy during the writing and recording sessions was inspiring, and I’m deeply honored to see the album receive such recognition.”

A native of Hamilton, Ontario, Strongman is no stranger to accolades, having earned multiple Maple Blues Awards and a Juno Award. These Grammy nominations mark a significant milestone in his career, showcasing his ability to elevate blues music on a global stage.

Struck Down continues to earn acclaim for its seamless blend of blues-rock tradition and modern innovation. Strongman’s collaboration with The Fabulous Thunderbirds highlights his ability to push boundaries within the genre while staying true to its roots.

The 67th Annual Grammy Awards will be held on February 2, 2025, live from the Crypto.com Arena in Los Angeles, California.

Steve Strongman Tour Dates:

  • Wed, Jan 22, 2025 @ 7:00 PM — Wed, Jan 29, 2025 @ 7:00 PM, Samsara, Negril, Jamaica,
  • Sat, May 3, 2025 @ 8:30 PM, King Eddy, 438 9 Ave SE, Calgary
  • Sun, Jun 22, 2025 @ 4:00 PM, Uxbridge, Ontario (location disclosed with reservation, contact mbbl.blues@gmail.com)

For more information about Steve Strongman and his work on Struck Down, visit www.stevestrongman.com.

4x MusicNL Nominated Rozalind MacPhail Reimagines Jill Barber’s ‘In Perfect Time’ with an Ethereal Indie Folktronica Twist

Eric Alper
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0
4x MusicNL Nominated Rozalind MacPhail Reimagines Jill Barber’s ‘In Perfect Time’ with an Ethereal Indie Folktronica Twist

Artists sometimes pay tribute to those who have inspired them by covering their material. But often those renditions are run-of-the-mill, note-for-note efforts that rarely push the creative envelope. Thankfully, Toronto Island-born and now St. John’s, Newfoundland-based indie pop singer and acclaimed flutist Rozalind MacPhail has given kudos to Canadian jazz pop singer Jill Barber with a sensational, chic cover of “In Perfect Time,” a song Barber originally released on her 2004 EP entitled Oh Heart. It’s the lead single from MacPhail’s anticipated 2025 studio effort Push & Pull.

MacPhail was inspired to cover “In Perfect Time” during the Unscripted Twillingate — Digital Artist Residency (DART), an artist residency MacPhail took located on rural Newfoundland’s majestic island of Twillingate back in 2021. She says the song has “always held a special place in my heart” since it came out two decades ago. “Her melancholic melodies and heartfelt vocals paint a poignant picture of love lost and the ache of moving on,” she says. “Jill’s song has comforted me during many heavy moments throughout my life. Her lyrics speak to my soul.”

MacPhail, who plays omnichord and alto flute on the track to complement her adoring vocals and delivery, says the time and location was perfect to cover “In Perfect Time,” creating “an indie folktronica version of this folk classic.” As well, musician Brad Weber, best known for his work in his group Pick A Piper and drumming in the Juno Award-winning group Caribou, adds electronics for a mystical, atmospheric vibe. Terry Barrow recorded MacPhail’s vocals in St. John’s, Newfoundland while MacPhail recorded some tracks for the single in the rural island Salt Harbour, Newfoundland. Meanwhile, Jason Jaknunas mixed the song and Noah Mintz mastered it.

“In Perfect Time” differs from the roots-based, train chugging back beat of Barber’s version, instead giving it an eclectic electronica flavoring, bringing to mind Metric or Metric’s Emily Haines solo work, Florence & the Machine, Yeah Yeah Yeah’s Karen O., or even Marianne Faithfull. It hits all the right notes in all the right places while taking the song in an entirely different but marvelous musical direction.

MacPhail also released a video for “In Perfect Time” shot in Twillingate by Newfoundland cinematographers Julian Earle and Joshua Caine. The video shows an elderly woman with middle stage dementia waiting for her husband (who passed several years prior) to return every day from work, forgetting he has died. “I lost my own grandmother to dementia, and my husband and I are currently caring for other family members who are experiencing different stages of dementia,” MacPhail says. “It’s a heartbreaking experience to witness their mental decline, but there are also many touching moments we experience where we get a glimpse of how our loved ones are still there. These tiny moments of clarity give us hope. This was our attempt to help those experiencing it with their loved ones feel less alone.”

“In Perfect Time” is the first single from MacPhail’s upcoming studio album Push & Pull, which will be a “waterfall release” over a 12-month period before being issued on vinyl at the end of 2025. It marks MacPhail’s first time branching out into more vocal-oriented material after previously recording instrumentals on flute. The album was inspired by the singer feeling “a sense of urgency” to document the local history and stories from Twillingate and its residents through the eyes of a singer-songwriter.

MacPhail, a classically-trained looping flutist, has produced several solo albums while composing music for film the last 20 years. Her first solo album was 2007’s Edgework. Since then, additional releases include 2013’s Head First, 2016’s From the River to the Ocean, 2017’s Sunset Sunrise, 2018’s Love and Let Be, 2019’s Don’t Let Me Fall Too Far, and 2021’s single Never Let Go. The artist has received five ECMA nominations for Electronic Recording of the Year to go alongside four MusicNL nominations for Instrumental Recording of the Year over her career. She has also toured internationally while winning MusicNL’s Music Educator of the Year Award in 2022. In 2023, MacPhail earned an East Coast Music Award Industry Innovator of the Year nomination. And she’s also performed internationally in festivals while appearing on Radio Sweden, NPR, and CBC Radio.

Now with a new single in “In Perfect Time,” a new studio album in Push & Pull, and plans for international touring with an “interactive hybrid concert” entitled Inspiration Soup, Rozalind MacPhail has found the perfect song that will be playing in your head for some time to come!

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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