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Nashville Tour Stop Hosts International Women’s Day Benefit for Anthems Against Abuse

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Mark your calendars for an empowering evening of live music in celebration of International Women’s Day! On Friday, March 7, Nashville Tour Stop will host a special all-female lineup at Bassline Brewing Company, benefiting Anthems Against Abuse. The event, hosted by Christina Brennan, promises an unforgettable night of music, community, and advocacy.

When: Friday, March 7, 2025
Time: 6:00 PM – 9:00 PM
Where: Bassline Brewing Company, 410 39th Ave N, Nashville, TN 37209

International Women’s Day, officially recognized by the United Nations in 1977, is a global celebration that honors the achievements of women, raises awareness about the challenges they face, and advocates for gender equality.

The evening’s lineup includes performances by:
6:00 PM: Lynagh, Eva Cassell, Kadie Jacobs, Paige Rose
7:00 PM: Winter Wilson, Sam Costigan, Kelsey Miller, Chapel Bell
8:00 PM: Don’t Call Me Tina, Elyse Wilkinson, Katie Pederson, Genna Matthew

“International Women’s Day is a time to honor the strength, creativity, and resilience of women, both on and off the stage,” said Aaron Schilb, founder of Nashville Tour Stop. “This show is more than just great music—it’s a platform for solidarity and change.”

Proceeds from the concert will support Anthems Against Abuse, a nonprofit co-founded by songwriters Daisy Sellas and Brittany Bishop. The organization raises awareness about domestic violence and funds critical services provided by the YWCA, the Mary Parrish Center, and the Office of Family Safety at Metro Nashville.

Daisy, a domestic violence survivor, uses her personal story to inspire and empower others. After enduring two years of emotional and physical abuse, she overcame both the trauma of her relationship and a methamphetamine addiction introduced by her abuser. Brittany, an alternative country artist, is known for her advocacy work with RAINN, channeling her own experience with the #MeToo movement to help women heal from sexual violence.

Domestic violence is far more prevalent than many realize. Nearly 20 people per minute are physically abused by an intimate partner in the U.S. One in three women have experienced some form of physical violence by an intimate partner, and intimate partner violence accounts for 15% of violent crime (Source: National Coalition Against Domestic Violence). In Tennessee, nearly 40% of women will experience domestic violence in their lifetime, with cases numbering in the tens of thousands each year.

No tickets are required for the show, but donations will be accepted at the door. Unable to attend? You can still support Anthems Against Abuse by making a direct contribution here.

Experience an unforgettable evening of music, community, and empowerment, celebrating the strength of women and amplifying voices for change. So come in, sit down, order up a round, and remember: all roads lead to the Nashville Tour Stop.

Since its founding in 2018, Nashville Tour Stop has become a staple in the city’s vibrant live music scene. More than just a live music production company, Nashville Tour Stop is a community-driven organization that blends seasoned artists with emerging songwriters, offering them a platform to perform, share their stories, and connect with audiences in an intimate, listening-room atmosphere.

Known locally as “Tour Stop,” the company has curated performances of all genres at bars, restaurants, hotels, and concert venues across Nashville. In addition to its entertainment services, Nashville Tour Stop also provides corporate event packages and supports touring musicians.

For more information, visit www.nashvilletourstop.com.

5 Surprising Facts About Bad Bunny’s “Un Verano Sin Ti”

Bad Bunny’s Un Verano Sin Ti redefined what a summer record could be. Blending reggaeton, indie pop, and a kaleidoscope of Caribbean sounds, the record made history as the first all-Spanish album to be nominated for a Grammy Award for Album of the Year. It broke streaming records, dominated charts, and secured Bad Bunny’s place as a global icon. But beyond the accolades and infectious beats, there are layers of creativity and history that make this album even more extraordinary. Here are five facts about Un Verano Sin Ti that you might not know.

1. The Artwork Took Over Six Months to Perfect
The striking album cover, featuring a sad, one-eyed heart set against a vibrant beach scene, was a collaboration between Bad Bunny and Los Angeles-based artist Adrian Hernandez, better known as Ugly Primo. The idea was born in summer 2021, with Bad Bunny sketching out his vision and Hernandez creating seven variations before landing on the final design. The cover’s bright yet melancholic aesthetic reflects the album’s themes of joy, heartbreak, and nostalgia, capturing the essence of a summer that lingers long after the season ends.

2. A Genre-Blending Masterpiece
Un Verano Sin Ti is a genre-defying project, seamlessly weaving reggaeton, cumbia, and indie pop with elements of dembow, mambo, bachata, and even psychedelia. Bad Bunny didn’t stop there, incorporating influences as diverse as surf rock, disco, synthwave, and trap. The result is an album that feels expansive and celebratory while paying homage to Caribbean musical traditions. Each track is a melting pot of sounds, making the record as diverse as the beaches it was meant to be played on.

3. “Me Porto Bonito” Was Recorded Right After the Met Gala
Bad Bunny’s collaboration with Chencho Corleone, “Me Porto Bonito,” was recorded under unique circumstances. After attending the Met Gala in New York, Bad Bunny went straight to the studio, still in his gala outfit and iconic hairstyle. The song, a playful ode to admiration and flirtation, was crafted with Corleone specifically in mind. Bad Bunny even admitted that if Chencho couldn’t collaborate, the track wouldn’t have been released—a testament to the synergy between the two artists.

4. “Tití Me Preguntó” Ranked as Rolling Stone’s Best Song of 2022
One of the standout tracks, “Tití Me Preguntó,” combines Dominican dembow, Latin trap, psychedelia, and bachata, creating a genre-fusing hit. The song samples Antony Santos’s “No Te Puedo Olvidar,” adding a layer of Dominican musical heritage. Its playful yet introspective lyrics, paired with innovative production, earned it acclaim from critics and audiences alike. Rolling Stone went as far as to name it the best song of 2022, solidifying its place in modern music history.

5. Breaking Records and Making History
From the moment Un Verano Sin Ti dropped, it shattered expectations. It became the first album by a Latin artist to reach 10 billion streams on Spotify and spent 13 weeks atop the Billboard 200 chart. It was also the first Spanish-language album to top the Billboard 200 Year-End Chart and the first to receive a Grammy nomination for Album of the Year. These accomplishments not only highlight Bad Bunny’s global appeal but also signify a pivotal moment for Latin music in mainstream culture.

From its intricate artwork to its genre-bending tracks and groundbreaking success, Bad Bunny crafted a project that resonates across borders and languages. Whether you’re vibing to “Me Porto Bonito” or reflecting on the melancholia of summer through its artwork, the album’s impact is undeniable. It’s the soundtrack of endless summer nights and proof that music knows no boundaries.

5 Surprising Facts About SZA’s “SOS”

Every once in a while, an album redefines the music landscape, and in 2022, SZA’s SOS did just that. The record isn’t just a showcase of her incredible vocal ability and songwriting—it’s a cultural milestone that blends vulnerability, empowerment, and bold artistry. Fans worldwide were captivated by its themes of heartbreak, self-discovery, and resilience, but there’s much more beneath the surface. Here are five lesser-known facts about SOS that make it even more remarkable.

1. Princess Diana Inspired the Album Cover
The iconic SOS album cover, featuring SZA perched on a diving board over a vast ocean, is a direct homage to a 1997 paparazzi photo of Princess Diana aboard a yacht in the Mediterranean. SZA said she was drawn to how the image conveyed isolation and introspection, themes that resonate deeply throughout the album. While the original concept involved shooting on a shipping barge, last-minute adjustments led to the now-famous diving board image. The haunting serenity of the cover perfectly mirrors the album’s exploration of solitude, longing, and strength.

2. A 100-Song Writing Process
SZA wrote over 100 songs while creating SOS, an impressive feat that speaks to her intense creative process. Though only 23 tracks made the final cut, this overflow of material highlights her relentless dedication to capturing every emotion and story she wanted to share. The writing spanned years, with bursts of productivity often fueled by looming deadlines. SZA’s willingness to experiment and refine her work ultimately resulted in an album that feels expansive yet cohesive, balancing introspective ballads with bold, genre-defying tracks.

3. Groundbreaking Chart Success
SOS shattered records, becoming the first R&B album since Whitney Houston’s Whitney (1987) to spend its first seven weeks at #1 on the Billboard 200. It also broke the record for the largest streaming week for an R&B album in U.S. history, cementing SZA’s dominance in the digital era. Beyond the numbers, the album’s staying power is remarkable—it remained at the top for 12 non-consecutive weeks, making it the longest-running #1 female album of the decade at the time. This success solidifies SZA as one of the most influential artists of her generation.

4. The All-Star Guest List
SOS features collaborations with an eclectic mix of artists, including Don Toliver, Phoebe Bridgers, Travis Scott, and even the late Ol’ Dirty Bastard. SZA personally reached out to many artists she admired, though only a few were able to contribute in time. Bridgers recorded her verse for “Ghost in the Machine” just a week before the album’s release. Each feature brings something unique to the table, blending seamlessly with SZA’s introspective and genre-defying approach, showcasing her ability to elevate collaborations into integral parts of her narrative.


5. “Kill Bill” Broke Records
“Kill Bill,” one of the standout tracks from SOS, became a chart-topping phenomenon. The song spent eight weeks at #2 on the Billboard Hot 100 before reaching #1, thanks in part to a remix featuring Doja Cat. It also broke the record for the longest-running #1 on the R&B/Hip-Hop Songs chart, staying at the top for 21 weeks. The song’s dark yet relatable lyrics about heartbreak and revenge struck a chord with fans, while its nostalgic boom-bap production showcased SZA’s ability to bring classic sounds into a modern context.

SZA’s SOS pushed boundaries and redefined what R&B can be. From its record-breaking achievements to its deeply personal themes and innovative collaborations, SOS is a testament to SZA’s unparalleled artistry. Whether it’s the introspective lyrics, genre-blending production, or unforgettable visuals, SOS continues to win new fans daily and show why her SZA’s place as one of the defining artists of her generation is set.

Pat Benatar’s Isolated Vocals For “Heartbreaker”

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Pat Benatar’s “Heartbreaker” from In the Heat of the Night (1979) marked her breakthrough, climbing to #23 on the US Billboard Hot 100 and earning her rock icon status. Originally recorded by Jenny Darren, Benatar’s version revamped the lyrics for American audiences, delivering a high-energy anthem that still sounds great on the radio.

Roger Daltrey’s Isolated Vocals For The Who’s “I Can See For Miles”

“I Can See for Miles,” The Who’s only single from their 1967 album The Who Sell Out, is a masterclass in late ’60s studio innovation. Written by Pete Townshend, the track’s sprawling production spans sessions in London, New York, and Los Angeles, resulting in a thunderous mix of dynamic vocals and groundbreaking rock energy.

Canadian Steve Strongman Celebrated for Contributions to Grammy-Nominated ‘Struck Down’ by The Fabulous Thunderbirds

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Stony Plain Records is thrilled to share that Canadian producer, guitarist, and songwriter Steve Strongman is associated with two Grammy-nominated categories for the 2025 Grammy Awards, honoring his exceptional contributions to the acclaimed album Struck Down by The Fabulous Thunderbirds.

The nominations are:

  • Best Traditional Blues Album for Struck Down, which Strongman co-wrote and co-produced with Thunderbirds’ frontman Kim Wilson.
  • Best American Roots Performance for “Nothing In Rambling,” featuring Strongman alongside Bonnie Raitt, Keb’ Mo’, Taj Mahal, and Mick Fleetwood.

Struck Down has made waves on the blues charts, securing:

  • #1 on the iTunes Canada Blues Chart
  • #1 on the iTunes U.S. Blues Chart
  • Top 65 on the Billboard Top 200 Albums Chart

Steve Strongman played a pivotal role in shaping Struck Down, co-writing nine of the album’s ten tracks with Wilson and contributing his signature guitar work to its dynamic sound. The album’s title track, “Struck Down By The Blues,” highlights Strongman’s seamless synergy with Wilson’s harmonica.

“Working on Struck Down with Kim Wilson and The Fabulous Thunderbirds was an incredible experience,” said Strongman. “The creative energy during the writing and recording sessions was inspiring, and I’m deeply honored to see the album receive such recognition.”

A native of Hamilton, Ontario, Strongman is no stranger to accolades, having earned multiple Maple Blues Awards and a Juno Award. These Grammy nominations mark a significant milestone in his career, showcasing his ability to elevate blues music on a global stage.

Struck Down continues to earn acclaim for its seamless blend of blues-rock tradition and modern innovation. Strongman’s collaboration with The Fabulous Thunderbirds highlights his ability to push boundaries within the genre while staying true to its roots.

The 67th Annual Grammy Awards will be held on February 2, 2025, live from the Crypto.com Arena in Los Angeles, California.

Steve Strongman Tour Dates:

  • Wed, Jan 22, 2025 @ 7:00 PM — Wed, Jan 29, 2025 @ 7:00 PM, Samsara, Negril, Jamaica,
  • Sat, May 3, 2025 @ 8:30 PM, King Eddy, 438 9 Ave SE, Calgary
  • Sun, Jun 22, 2025 @ 4:00 PM, Uxbridge, Ontario (location disclosed with reservation, contact mbbl.blues@gmail.com)

For more information about Steve Strongman and his work on Struck Down, visit www.stevestrongman.com.

4x MusicNL Nominated Rozalind MacPhail Reimagines Jill Barber’s ‘In Perfect Time’ with an Ethereal Indie Folktronica Twist

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Artists sometimes pay tribute to those who have inspired them by covering their material. But often those renditions are run-of-the-mill, note-for-note efforts that rarely push the creative envelope. Thankfully, Toronto Island-born and now St. John’s, Newfoundland-based indie pop singer and acclaimed flutist Rozalind MacPhail has given kudos to Canadian jazz pop singer Jill Barber with a sensational, chic cover of “In Perfect Time,” a song Barber originally released on her 2004 EP entitled Oh Heart. It’s the lead single from MacPhail’s anticipated 2025 studio effort Push & Pull.

MacPhail was inspired to cover “In Perfect Time” during the Unscripted Twillingate — Digital Artist Residency (DART), an artist residency MacPhail took located on rural Newfoundland’s majestic island of Twillingate back in 2021. She says the song has “always held a special place in my heart” since it came out two decades ago. “Her melancholic melodies and heartfelt vocals paint a poignant picture of love lost and the ache of moving on,” she says. “Jill’s song has comforted me during many heavy moments throughout my life. Her lyrics speak to my soul.”

MacPhail, who plays omnichord and alto flute on the track to complement her adoring vocals and delivery, says the time and location was perfect to cover “In Perfect Time,” creating “an indie folktronica version of this folk classic.” As well, musician Brad Weber, best known for his work in his group Pick A Piper and drumming in the Juno Award-winning group Caribou, adds electronics for a mystical, atmospheric vibe. Terry Barrow recorded MacPhail’s vocals in St. John’s, Newfoundland while MacPhail recorded some tracks for the single in the rural island Salt Harbour, Newfoundland. Meanwhile, Jason Jaknunas mixed the song and Noah Mintz mastered it.

“In Perfect Time” differs from the roots-based, train chugging back beat of Barber’s version, instead giving it an eclectic electronica flavoring, bringing to mind Metric or Metric’s Emily Haines solo work, Florence & the Machine, Yeah Yeah Yeah’s Karen O., or even Marianne Faithfull. It hits all the right notes in all the right places while taking the song in an entirely different but marvelous musical direction.

MacPhail also released a video for “In Perfect Time” shot in Twillingate by Newfoundland cinematographers Julian Earle and Joshua Caine. The video shows an elderly woman with middle stage dementia waiting for her husband (who passed several years prior) to return every day from work, forgetting he has died. “I lost my own grandmother to dementia, and my husband and I are currently caring for other family members who are experiencing different stages of dementia,” MacPhail says. “It’s a heartbreaking experience to witness their mental decline, but there are also many touching moments we experience where we get a glimpse of how our loved ones are still there. These tiny moments of clarity give us hope. This was our attempt to help those experiencing it with their loved ones feel less alone.”

“In Perfect Time” is the first single from MacPhail’s upcoming studio album Push & Pull, which will be a “waterfall release” over a 12-month period before being issued on vinyl at the end of 2025. It marks MacPhail’s first time branching out into more vocal-oriented material after previously recording instrumentals on flute. The album was inspired by the singer feeling “a sense of urgency” to document the local history and stories from Twillingate and its residents through the eyes of a singer-songwriter.

MacPhail, a classically-trained looping flutist, has produced several solo albums while composing music for film the last 20 years. Her first solo album was 2007’s Edgework. Since then, additional releases include 2013’s Head First, 2016’s From the River to the Ocean, 2017’s Sunset Sunrise, 2018’s Love and Let Be, 2019’s Don’t Let Me Fall Too Far, and 2021’s single Never Let Go. The artist has received five ECMA nominations for Electronic Recording of the Year to go alongside four MusicNL nominations for Instrumental Recording of the Year over her career. She has also toured internationally while winning MusicNL’s Music Educator of the Year Award in 2022. In 2023, MacPhail earned an East Coast Music Award Industry Innovator of the Year nomination. And she’s also performed internationally in festivals while appearing on Radio Sweden, NPR, and CBC Radio.

Now with a new single in “In Perfect Time,” a new studio album in Push & Pull, and plans for international touring with an “interactive hybrid concert” entitled Inspiration Soup, Rozalind MacPhail has found the perfect song that will be playing in your head for some time to come!

Niagara-on-the-Lake’s First Coworking Space, Haven, Redefines Flexibility and Collaboration for Today’s Professionals

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Whether you’re in entertainment or any other business that needs to be at the vanguard of cultural evolution, you know that adaptability to constantly shifting workplace realities isn’t just a nice theory—it’s a physical necessity. That kind of perpetual flexibility is waiting behind the doors of Haven, Niagara-on-the-Lake’s very first coworking facility, open now. Not only is Haven a state-of-the-art commercial center, but it’s also an endlessly malleable professional environment that’s ready to meet the needs of everyone from business owners and creative entrepreneurs on down to freelancers, remote workers and all-around digital nomads.

Located in the commercial heart of NOTL, Haven offers a variability of form and function that opens the door to an infinite number of operational approaches. Gone are the structures of conventional offices, with their fixed layouts and rigidly defined parameters. In their place is the freedom to switch up your M.O. on a dime, instantly transforming the methodologies of last week into the winning strategies of tomorrow.

Located at 242 Mary Street, Unit 8 (Second Level), Haven combines state-of-the-art facilities with an emphasis on community, technology, and flexibility to meet the needs of entrepreneurs, freelancers, and remote workers alike.

From now until January 31st, Haven is offering an introductory discount on memberships via Indiegogo. Afterward, memberships will be available directly through the Haven website at regular rates. Prospective members can also book private tours of the space online. Both links are accessible via the Haven website.

The 1,700-square-foot office area boasts an impressive array of hot desks, conference and call rooms, private offices, a reception area, a lounge and a kitchen stocked with high-end amenities. Just beyond lies event space that’s ideal for hosting private workshops, business mixers and product/project launches. The shared-space model fosters a sense of community and endless possibility, encouraging collaboration among the forward thinkers of NOTL and the broader Niagara region.

If music is your trade, you’ll find Haven the ideal platform to showcase Canadian and international artists who want to raise their profile via listening parties and affairs keyed to important song or album releases. Or use the same space for educational workshops focusing on the nuts and bolts of the industry, like technological advancements and the intricacies of entertainment law. From project incubation to public presentation, the opportunities that Haven presents are as limitless as your professional imagination.

What’s more, this is the first coworking space to leverage the capabilities of AI for seamless management of customer service, billing, memberships, sales and content marketing. That emphasis on time-saving technology frees up the in-person team to focus on building meaningful relationships and fostering a true sense of community. Whatever your long- or short-term goals, the Haven approach puts you in touch with the tools and knowledge you need to take your working concept from the local drawing board to success on the world stage.

Behind this one-of-a-kind undertaking are two firmly established business leaders with a broad knowledge base and a rich history of innovation. Co-founder Reggie Tan has raised the bar for marketing at his Story Mode Marketing Company Inc., a leader in its field that specializes in emerging markets like AI, blockchain, crypto and fintech. Adept at wearing the hats of senior web3 fractional CMO, growth hacker, storyteller, educator, speaker and writer, Reggie brings a top-down perspective and in-depth insight to the art of marketing, encompassing all aspects of content and delivery.

Haven co-founder Madaline Zannes is principal lawyer at her Zannes Law Firm, where she provides legal and advising services to Canadian and international clients. She’s a certified corporate trainer and facilitator, speaker, guest lecturer and a writer whose work has been featured in a host of publications. As an entertainment agent, she’s cultivated the branding of musicians, artists, models and other talent; she’s also done extensive work as a legal technology consultant, spurring that industry to adopt future-forward practices and next-generation technologies.

“Haven Workspace was born out of the need for a dedicated professional environment in Niagara-on-the-Lake that fosters creativity and collaboration,” Reggie says. Adds Madaline: “We envisioned a space where local professionals can connect with one another and thrive amongst the very unique history and inspiring energy of Niagara-on-the-Lake.”

Haven is located at 242 Mary Street, Unit 8 (Second Level), Niagara-on-the-Lake, Ontario. The grand opening of the facility is set for early January 2025, following a month’s worth of soft-launch events and membership sales. (Prospective members can message the company’s AI assistant on Whatsapp and Telegram to learn more about Haven.)

“Whether you’re a digital nomad exploring wine country or a local entrepreneur ready to scale, Haven isn’t just about beautiful workspace,” Reggie says. “It’s about connecting you with the tools, community and opportunities to thrive in today’s digital economy.” For Madaline, it’s the culmination of a long-held vision:

“After years working in Toronto’s bustling legal and tech scene, I understand the unique needs of today’s professionals. We’re creating the kind of space I wish had existed when I first moved to NOTL. We look forward to welcoming you to your new professional home.”

Right on Cue: Legendary Manager Harvey Lisberg’s Memoir Reveals Snooker’s Wild Side

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When you think about it, professional snooker is a lot like rock and roll: They both involve a certain amount of gambling, and in each one, your success hinges on staying in the pocket. But there’s one key difference: Snooker players are wilder. A lot wilder.

That’s Harvey Lisberg’s story, anyway. A legendary manager who’s handled both rock stars and giants of sport, he’s chosen to spill the juicy details of the latter in his new ebook, Managing the Bad Boys of Snooker: Jimmy White and Alex Higgins. And the way he describes it, looking after the likes of “Hurricane” Higgins and “Whirlwind” White was a brush with utter madness that not even his years in the trenches of pop could have prepared him for.

“The snooker players were way more rock ‘n roll than the rock ‘n roll stars, and there’s huge irony in that. But it’s true! Some of the stories are just irresistible, so I decided to write them into a book.”

To be precise, the new book is an outgrowth of his earlier memoir, I’m Into Something Good, which told how a 22-year-old accountant from Salford UK came to guide the careers of Herman’s Hermits, 10cc, Tony Christie and other stalwarts of the charts. In the midst of all that musical activity was an early ‘80s detour into sports management—brought about, he says, by a lack of interest in working with the punk and New Wave artists of the day, but which ended up yielding its own special brand of anarchy.

“Between 1980 and 1984, I got more publicity in snooker than in almost 20 years of music, and the stories are amazing … from a winter trip with Alex Higgins in deep snow on the M62 from Yorkshire back to Manchester over the Pennines … to Jimmy White’s involvement with the ‘Two Ronnies’—not the comedy duo, but Ronnie Wood of The Rolling Stones and Ronnie Kray of The Kray Twins.”

Any account that features an appearance by one of the most notorious gangsters in British history has to be a wild ride. The Audible version of the book makes the author’s stories even more immersive by working in a playable sample of original music. Because while his sojourn into snooker was a relatively brief interlude in a career that’s focused largely on music—now living in Rancho Mirage, California, he’s been responsible for booking stadium acts like The Eagles, Tom Petty, The Who and Luis Miguel into the Indian Wells Tennis Garden near Palm Springs—the snooker years were simply unforgettable. And revisiting them for his two books has brought those days to life again in more ways than one
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“The best rewards of writing my memoir were the wonderful reviews, podcasts, personal appearances and broadcasts, and then rekindling old friendships as a result,” Lisberg says. “Now I’m in daily contact with Jimmy White and share a weekly football bet with him—on the understanding it is the only betting we do. We’re born-again recovering gamblers!”

Pick up Managing the Bad Boys of Snooker, and let yourself in on a sure bet. Get it on Audible or Amazon.

Autistic License: Victoria, BC’s RHIANNA BARR-BEAUMONT Sings With Every Colour of the Spectrum

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Slowly but surely, our society is finally starting to understand neurodivergence. As more and more of those on the spectrum come forward with their experiences, we’re gaining invaluable insight into their unique ways of seeing and hearing—the special process by which they navigate the world.

For that, we can thank artists like Victoria, BC’s Rhianna Barr-Beaumont, whose diagnosed autism hasn’t been a roadblock in her path to musical achievement. Instead, it’s merely another aspect of her story. From Day One, she’s used music as an expression of love, joy, heartbreak and gratitude, letting songs convey her feelings when she couldn’t find the words for what she was trying to say.

https://music.youtube.com/watch?v=oV9Cb7qYOdE&si=bLsWsI8i87gpSCr2

“I believe music is a source of holistic healing for the mind, body and spirit,” she says. “From my earliest memory, music has been a constant source of joy in my life.”

And when she says “earliest,” she means it: She’s been singing since before she could talk. Now, as a full-grown woman, she isn’t just a highly developed vocalist with a beautifully ethereal coloratura mezzo-soprano voice; she’s an all-in-one production machine who variously wears the hats of singer, songwriter, producer and multi-instrumentalist.

Whether she’s laying down one of her original compositions or a cover of one of her favorite songs, Barr-Beaumont is constantly creating fresh arrangements with her arsenal of keyboards and digital music equipment. Working from the home she shares with her husband in beautiful Victoria, she’s become adept at leveraging tools like piano sequencers, GarageBand and the workstation Reaper to capture the sounds she hears in her head. It’s a solitary process to be sure, but one that paradoxically allows her to connect with the world at large on a level not everyone gets to experience.

The latest result of that process is her version of “Cold Hearted,” the 1988 Paula Abdul dance-pop classic she’s given her own singular twist. Stripped down and with a greater emphasis on electronic accents, the rendition she’s come up with is an almost breezy take on Abdul’s cautionary tale.

“I’ve known ‘Cold Hearted’ since I was a teenager, and I’ve always been drawn to its powerful lyrics,” Barr-Beaumont says. “The song’s message of warning someone about a person who doesn’t have their best interests at heart stuck with me. It’s a strong, relatable theme that I felt needed to be reinterpreted with my own style.”

Not that she’s gotten too heavy with it:

“I absolutely love this song because it’s pure pop,” she says. “It’s one of those guilty pleasures that just never gets old. There’s something timeless about its upbeat energy and catchy melody. It’s a song that instantly gets stuck in your head.”

The way she sees it, reliability and routine are the key to building trust with an audience. Plus, they’re simply good for everybody’s mental health: She’s a firm believer that music is Vitamin H—Vitamin Harmony—and we all need a dose every day. Sounds like just what the doctor ordered.