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Willow Avalon’s Highly Anticipated Album ‘Southern Belle Raisin’ Hell’ Out Now

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Rising singer, songwriter and musician Willow Avalon’s highly anticipated full-length album, Southern Belle Raisin’ Hell, is out now via Atlantic Records/Assemble Sound. Stream/purchase HERE.

In celebration of the new music, Avalon, who was recently named a 2025 “Artist to Watch” by The Tennessean and Holler, will make her television debut on “The Late Show with Stephen Colbert” on Wednesday, January 22.

Already receiving widespread attention, Southern Belle Raisin’ Hell consists of fourteen tracks including breakout singles, “Tequila or Whiskey” and “Homewrecker,” which have amassed nearly 100 million views on social media to date and over 15 million streams across platforms in just the last two months. Originally from Georgia and now based in New York, Avalon’s musical journey began with her first word, “Elvis.” She grew up playing piano in church and taught herself guitar at age 12, using songwriting as a form of escapism. She plays, writes and produces her music alongside a small group of collaborators, crafting a sound that refreshingly blends classic country and Americana sounds. Her unique style has led her to share stages with Cage the Elephant, Paul Cauthen, Charles Wesley Godwin and more.

Avalon will share her music with fans on her first-ever headline tour across the U.S., U.K. and Ireland. Following a string of sold-out shows in the fall, including a recent performance at Los Angeles’ Roxy Theatre, Avalon will stop New York’s Bowery Ballroom, Washington D.C.’s The Atlantis, Toronto’s Horseshoe Tavern, Boston’s The Sinclair and more this year. Due to overwhelming demand, several previously sold-out shows across the U.K. and Ireland, including Manchester, Birmingham, London, Glasgow and Dublin have been upgraded to larger venues to accommodate more fans. Full details and ticket information can be found at www.willowavalonmusic.com.

Ahead of Southern Belle Raisin’ Hell, Avalon released her debut EP, Stranger, last spring, which serves as an introduction to her one-of-a-kind sound. The EP has collected over 30 million worldwide streams to date and includes the viral songs “Honey Ain’t No Sweeter,” “Stranger” and “Gettin’ Rich, Goin’ Broke.” Avalon recently released a music video for “Gettin’ Rich, Goin’ Broke,” a song hailed by Billboard as a “Country Song You Need To Know.” Watch the official video for “Gettin’ Rich, Goin’ Broke” HERE and stream Southern Belle Raisin’ Hell HERE.

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 photo credit: Katherine Goguen

SOUTHERN BELLE RAISIN’ HELL TRACKLIST
1. Runs in the Family
2. Something We Regret
3. Homewrecker
4. Yodelayheewho (feat. Maggie Antone)
5. Baby Blue
6. Country Never Leaves
7. Tequila or Whiskey
8. The Actor
9. Southern Belle Raisin’ Hell
10. Gettin’ Rich, Goin’ Broke
11. Hey There, Dolly
12. Want Me Now
13. Damned
14. Good Morning, Goodbye

WILLOW AVALON CONFIRMED TOUR DATES
January 30—Philadelphia, PA—The Foundry
January 31—Washington, D.C.—The Atlantis
February 1—Richmond, VA—Richmond Music Hall
February 3—Charlotte, NC—Neighborhood Theatre
February 4—Durham, NC—Motorco Music Hall
February 6—Athens, GA—40 Watt
February 7—Nashville, TN—Exit/In
February 8—St. Louis, MO—Off Broadway
February 10—Indianapolis, IN—Hi-Fi
February 11—Columbus, OH—A&R Bar
February 12—Cleveland, OH—Grog Shop
February 14—Detroit, MI—El Club
February 15—Toronto, ON—Horseshoe Tavern
February 16—Montreal, QB—Bar La Ritz
February 18—Hamden, CT—Space Ballroom
February 19—Boston, MA—The Sinclair
February 20—New York, NY—Bowery Ballroom
March 10—Manchester, U.K.—Academy 3
March 11—Birmingham, U.K.—O2 Institute2
March 12— London, U.K.— Neon
March 14—London, U.K.—Country to Country
March 16—Glasgow, U.K.—Country to Country
March 18—Glasgow, U.K.—Oran Mor Auditorium
March 20—Belfast, U.K.—The Limelight 2
March 21—Dublin, IE—Opium
April 4—New Orleans, LA—Hogs for the Cause
April 6—Georgetown, TX—Two Step Inn
May 10—Knoxville, TN—Southern Skies
July 20—Whitefish, Montana—Under the Big Sky Festival

Disturbed Announce The 25th Anniversary Edition Release Of Debut Album ‘The Sickness’ On March 7, 2025

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Today, multi-platinum rock band, Disturbed, announce the 25th anniversary edition release of The Sickness on March 7th, their seminal debut album which launched the band into public consciousness and is one of the most important and influential heavy metal albums of all time. To commemorate the anniversary, the band will reissue their five-times Platinum certified debut album on March 7th exactly 25 years to the date of their original release, in editions including:

  • A Limited Edition 1-LP (silver vinyl) and 3-CD Box Set. It includes the original album, B-sides, unreleased demos, and an unreleased 14-track concert from The Palladium in LA from April 2001 as well as songs recorded at Chicago’s Metro in March 2000 and the London Astoria in February 2001. The box includes a poster, cloth patch, backstage pass, and a set of guitar picks. It also includes a book featuring rare photos and memorabilia, and an extensive essay with new interviews with the members of Disturbed, and producer Johnny K. An exclusive lithograph signed by the band is included with the limited-edition D2C format.
  • A 2-CD Deluxe Edition that includes the original album, plus a disc of B-sides, unreleased demos, and rarities. The booklet features an essay with new interviews with the members of Disturbed and producer Johnny K.
  • Vinyl editions including variants in limited edition green vinyl, limited edition orange vinyl (Germany/Central Europe exclusive), and limited edition milky clear vinyl (Spotify Fans First).
  • Digitally, which includes all 40 tracks included in the limited-edition box set.

The Sickness 25th Anniversary edition is available to pre-order on all formats here. The deluxe box set will be available via the band’s website and digitally on March 7th, and via all retailers in North America on the 21st.

Today the band also shared a new mix of their song “Glass Shatters,” available for the first time ever on DSPs, and includes a Stone Cold Steve Austin intro. Listen to “Glass Shatters” here.

Disturbed has become one of the most celebrated and commercially successful metal acts of all time. To date, Disturbed has seen record-breaking success with sales of over 17 million units and 14 billion streams. It all began with The Sickness, which includes their songs “Down With The Sickness” (recently certified 8x platinum), “Stupify” (2x platinum), “Voices” (Gold), and “The Game” (Gold). The album peaked at #29 on the Billboard Top 200 chart and spent a total of 106 weeks on the chart. To date, The Sickness has been streamed 2.5B times worldwide. It was included as #24 on Loudwire’s “Top 25 Debut Hard Rock Albums” list, one of Metal Hammer’s “20 Best Albums of 2000,” and was highlighted in Revolver Magazine’s “20 Essential Nu Metal Albums” list. Billboard said of the title trck upon release: “‘Down With The Sickness’ is, of course, the quintessential Disturbed song, harnessing all the band’s seethe and its now-famous tribal beat and guitar chug into three and a half minutes of alt-metal mayhem. It’s menacing, it’s rhythmic, it’s rebellious.”
The band recently announced thir 34-date The Sickness 25th Anniversary Tour which will kick off in Nampa, ID on February 25th (full dates below) and is produced by Live Nation. Each night will feature two sets ofmusic, opening with Disturbed playing the five times platinum The Sickness in full, followed by a full set of greatest hits. The first half of the tour will feature support from specal guests Three Days Grace, featuring the return of original singer Adam Gontier, and opener Sevendust, and the second half will feature special guests Daughtry with opener Nothing More. Tickets and VIP options are available now here disturbed1.com/tour.

Disturbed – The Sickness 25th Anniversary Edition
Deluxe Box Set
Original Album – LP & CD
1 Voices
2 The Game
3 Stupify
4 Down With The Sickness
5 Violence Fetish
6 Fear
1 Numb
2 Want
3 Conflict
4 Shout 2000
5 Droppin Plates
6 Meaning Of Life
CD 2 (Demos and Rarities)
1 The Game Demo (unreleased)
2 Stupify Demo (unreleased)
3 Down With The Sickness Demo (unreleased)
4 Want Demo (unreleased)
5 Shout Demo (unreleased)
6 Droppin’ Plates Demo (unreleased)
7 Meaning of Life Demo (unreleased)
8 God Of The Mind Released on 10th anniversary CD/2LP version (The Lost Children)
9 A Welcome Burden Released on 10th anniversary CD/2LP version (The Lost Children)
10 Stupify The Forbidden “Fu” mix
11 Glass Shatters (New Mix) AKA “Stone Cold Theme”. New Mix with Steve Austin intro (Unreleased Version)

CD 3 (Live- Recorded live at The Palladium, Los Angeles- April 18 2001)
1 Want (Live)
2 Fear (Live)
3 Droppin’ Plates (Live)
4 Fetish (Live)
5 Stupify (Live)
6 Numb (Live)
7 God Of The Mind (Live)
8 Shout 2000 (Live)
9 Voices (Live
10 Meaning Of Life (Live)
11 Conflict (live)
12 The Game (Live)
13 Walk (Live)
14 Down With The Sickness (Live)
15 Voices (Live) Recorded live at the Metro, Chicago (March 10 2000)
16 Stupify (Live) Recorded live at the London Astoria (February 25 2001)

Disturbed The Sickness 25th Anniversary Tour 
Feb 25 Nampa, ID Ford Idaho Center Arena*
Feb 27 Denver, CO Ball Arena*
Mar 02 Saint Louis, MO Enterprise Center*
Mar 04 Milwaukee, WI Fiserv Forum*
Mar 06 Minneapolis, MN Target Center*
Mar 08 Chicago, IL United Center*
Mar 10 Detroit, MI Little Caesars Arena*
Mar 12 Louisville, KY KFC Yum! Center*
Mar 14 Boston, MA TD Garden*
Mar 17 Washington, DC Capital One Arena*
Mar 19 Montreal, QC Centre Bell*
Mar 21 New York, NY Madison Square Garden*
Mar 29 Cincinnati, OH Heritage Bank Center^
Mar 31 Cleveland, OH Rocket Mortgage Fieldhouse^
Apr 02 Philadelphia, PA Wells Fargo Center^
Apr 04 Buffalo, NY KeyBank Center^
Apr 05 Pittsburgh, PA PPG Paints Arena^
Apr 07 Toronto, ON Scotiabank Arena^
Apr 09 Indianapolis, IN Gainbridge Fieldhouse^
Apr 12 Charlotte, NC Spectrum Center^
Apr 14 Raleigh, NC Lenovo Center^
Apr 16 Birmingham, AL Legacy Arena at The BJCC^
Apr 18 Sunrise, FL Amerant Bank Arena^
Apr 23 Duluth, GA Gas South Arena^
Apr 25 San Antonio, TX AT&T Center^
Apr 26 Fort Worth, TX Dickies Arena^
Apr 28 Oklahoma City, OK Paycom Center^
May 05  Seattle, WA Climate Pledge Arena^
May 07  Portland, OR Moda Center^
May 09  Sacramento, CA Golden 1 Center^
May 10 San Francisco, CA Chase Center^
May 13 Inglewood, CA Kia Forum^
May 15 Phoenix, AZ Footprint Center^
May 17 Las Vegas, NV MGM Grand Garden Arena^
*with special guests Three Days Grace and opener Sevendust
^with special guests Daughtry and opener Nothing More

The Doors Complete Live Recordings Available To Stream and Download For The First Time Continuing 60th Anniversary Celebrations

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) Igniting a year-long 60th-anniversary celebration, The Doors will unveil their iconic Bright Midnight Archives live recordings on DSPs for the very first time throughout 2025. These coveted concerts previously only existed physically on limited-edition LPs and CDs. Today marks a momentous occasion with the first live release in the series, Live at the Matrix 1967: The Original Masters, available now for streaming and download. Listen https://lnk.to/TD-LATM HERE.

This series illustrates The Doors’ evolution and transformative impact on both music and culture. Tracing their global journey from tiny clubs to arenas, it scrapbooks the band’s storied three-year run on the road as they closed out the sixties. Upcoming releases in this series include Live in Boston, 1970, on April 4, recorded at the Boston Arena on April 10, 1970, and includes both performances. Live in Philadelphia ’70, Recorded at The Spectrum on May 1, 1970, and Live in Pittsburgh, 1970, recorded at the Pittsburgh Civic Arena on May 2, 1970, on May 2; Live in Detroit 1970, recorded May 8, 1970, at the Cobo Arena, one of the longest Doors shows ever caught on tape on May 8; Live in Vancouver, 1970, recorded at the Pacific Coliseum on June 6, 1970, and features a guest appearance by blues legend Albert King on June 6; Live In Bakersfield, California, August 21, 1970, on August 21. Live at Konserthuset, Stockholm, September 20, 1968, on September 19. The set contains both the early and late shows from The Doors’ appearance at the renowned concert hall in Stockholm, immortalizing the climactic conclusion of their only European tour. The concerts are among the tour’s best, featuring rare live performances of Doors’ originals “Love Street” and “You’re Lost Little Girl” and a cover of “Mack The Knife.” Each release has been remastered by The Doors’ longtime engineer/mixer, Bruce Botnick.

Commencing this trip, Live At The Matrix 1967 bottles the musicians’ primal intensity and psychedelic panache. The Doors were a few months away from stardom in March 1967 when they played five sparsely attended shows at a small club in San Francisco called The Matrix. These uninhibited performances would have been fleeting if not for Peter Abram, who co-owned the pizza parlor-turned-nightclub with Jefferson Airplane founder Marty Balin. An avid recordist, Abram regularly taped concerts at The Matrix and his recordings of The Doors, made between March 7-11, 1967, spawned one of the band’s most storied bootlegs. Complete and original recordings sourced from the first-generation 7” reels.

The dynamic interplay between band members fuels everything from the rip-roaring “Break On Through” to a bone-chilling rendition of “The End.” At the same time, a rare instrumental of “Summertime” proves utterly captivating, while their passion for the blues drives fluid, extended covers of “I’m A King Bee” and “Crawling King Snake.”

The Doors kicked off their 60th Anniversary last year with The Doors 1967-1971 release, a 6-LP box set part of Rhino’s acclaimed High Fidelity audiophile vinyl series, featuring all six of the band’s original studio albums. Limited to 3,000 individually numbered copies, the collection quickly sold out. These sought-after audiophile titles will be available individually on January 31.

To commemorate The Doors anniversary, their first-ever complete anthology book, Night Divides the Day, illuminates the band’s archives like never before with rare photography, intimate interviews with Robby Krieger and John Densmore, and meticulously sourced archival text from Jim Morrison and Ray Manzarek. With unlimited access granted by the band, Night Divides the Day includes a unique collection of historical ephemera – including childhood photos, song lyrics, poster artwork, movie stills, and much more – which adds context to the wealth of rare photography that documents the band’s musical odyssey.

Joining Krieger and Densmore are a host of contributors, with a foreword by Nirvana bassist Krist Novoselic and an afterword by maestro Gustavo Dudamel. The anthology is presented in a limited edition of only 2,000 numbered sets, each hand-signed by Densmore and Krieger. Each set includes the 344-page signed edition, a 7” vinyl record with rare demos of “Hello, I Love You” and “Moonlight Drive,” and other assorted historical memorabilia. Available for pre-order now and shipping early this year.

Bright Midnight Archives – Tracklist

Live at the Matrix, 1967

March 7, 1967 – First Set

  1. Bag’s Groove [Instrumental]
  2. Back Door Man
  3. My Eyes Have Seen You
  4. Soul Kitchen
  5. All Blues [Instrumental]
  6. Get Out Of My Life Woman
  7. When The Music’s Over

March 7, 1967 – Second Set

  1. Close To You
  2. Crawling King Snake
  3. I Can’t See Your Face In My Mind
  4. People Are Strange
  5. Alabama Song (Whisky Bar)
  6. The Crystal Ship
  7. Twentieth Century Fox

March 7, 1967 – Third Set

  1. Moonlight Drive
  2. Summer’s Almost Gone
  3. Unhappy Girl
  4. Woman Is A Devil / Rock Me Baby
  5. Break On Through (To The Other Side)
  6. Light My Fire
  7. The End

March 8 or 9, 1967

  1. The End (Partial) / Let’s Feed Ice Cream To The Rats

March 10, 1967 – First Set

  1. My Eyes Have Seen You
  2. Soul Kitchen
  3. I Can’t See Your Face In My Mind
  4. People Are Strange
  5. When The Music’s Over

March 10, 1967 – Second Set

  1. Money
  2. Who Do You Love
  3. Moonlight Drive
  4. Summer’s Almost Gone
  5. I’m A King Bee
  6. Gloria
  7. Break On Through (To The Other Side)

March 10, 1967 – Third Set

  1. Summertime [Instrumental]
  2. Back Door Man
  3. Alabama Song (Whisky Bar)

Live in Boston, 1970

First Show

  1. Start
  2. All Right, All Right, All Right
  3. Roadhouse Moan
  4. Roadhouse Blues
  5. Ship Of Fools
  6. Alabama Song (Whisky Bar)
  7. Back Door Man
  8. Five To One
  9. When The Music’s Over
  10. Rock Me
  11. Mystery Train
  12. Away In India
  13. Crossroads
  14. Prelude To Wake Up!
  15. Wake Up!
  16. Light My Fire

Second Show

  1. Start
  2. Break On Through
  3. I Believe In Democracy
  4. When The Music’s Over
  5. Roadhouse Blues
  6. The Spy
  7. Alabama Song (Whisky Bar)
  8. Back Door Man
  9. Five To One
  10. Astrology Rap
  11. Build Me A Woman
  12. You Make Me Real
  13. Wait A Minute!
  14. Mystery Train
  15. Away In India
  16. Crossroads
  17. Band Intro’s
  18. Adolf Hitler
  19. Light My Fire
  20. Fever (Light My Fire cont’d.)
  21. Summertime (Light My Fire cont’d.)
  22. St. James Infirmary Blues (Light My Fire cont’d.)
  23. Graveyard Poem (Light My Fire cont’d.)
  24. Light My Fire (Reprise)
  25. More, More, More!
  26. Ladies & Gentlemen
  27. We Can’t Instigate
  28. They Want More
  29. Been Down So Long
  30. Power Turned Off

Live in Philadelphia May 1, 1970

  1. Announcer “Sit Down”
  2. Tuning
  3. Roadhouse Blues
  4. Break On Through (To The Other Side)
  5. Back Door Man / Love Hides
  6. Ship Of Fools
  7. Universal Mind
  8. When The Music’s Over
  9. Mystery Train
  10. Wake Up!
  11. Light My Fire
  12. The Concert Continues
  13. Maggie M’Gill
  14. Roadhouse Blues (Reprise)
  15. Been Down So Long / Rock Me Baby
  16. The Music Capital Of The World, Philadelphia
  17. Carol
  18. Soul Kitchen

Live in Pittsburgh, May 2, 1970

  1. Back Door Man
  2. Love Hides
  3. Five To One
  4. Roadhouse Blues
  5. Mystery Train
  6. Away In India
  7. Crossroads Blues
  8. Universal Mind
  9. Someday Soon
  10. When The Music’s Over
  11. Break On Through
  12. Push Push
  13. The Soft Parade Vamp
  14. Tonight You’re In For A Special Treat
  15. Close To You
  16. Light My Fire

Live in Detroit May 8, 1970

  1. Tuning
  2. Roadhouse Vamp
  3. Hello To The Cities
  4. Dead Cats, Dead Rats
  5. Break On Through (To The Other Side)
  6. Alabama Song (Whisky Bar)
  7. Back Door Man
  8. Five To One
  9. Roadhouse Blues
  10. You Make Me Real
  11. Ship Of Fools
  12. When The Music’s Over
  13. People Get Ready
  14. Mystery Train
  15. Away In India
  16. Crossroads
  17. Tuning
  18. Carol
  19. Light My Fire
  20. Been Down So Long
  21. Love Hides
  22. Mean Mustard Blues
  23. Carol (Reprise)
  24. Close To You
  25. I’m A King Bee
  26. Rock Me Baby/Heartbreak Hotel
  27. The End

Live in Vancouver, June 1970

  1. Start Of Show
  2. Roadhouse Blues
  3. Alabama Song (Whisky Bar)
  4. Back Door Man
  5. Five To One
  6. When The Music’s Over
  7. Applause – Jim Talks
  8. Love Me Two Times
  9. Applause – Jim Talks
  10. Little Red Rooster – with Albert King
  11. Tuning
  12. Money – with Albert King
  13. Tuning
  14. Rock Me – with Albert King
  15. Tuning
  16. Who Do You Love – with Albert King
  17. Tuning
  18. Petition The Lord With Prayer
  19. Light My Fire
  20. Tuning
  21. The End
  22. Thank You & Good Night

Live at Bakersfield, August 21, 1970

  1. Roadhouse Blues
  2. Medley: Alabama Song (Whisky Bar) / Back Door Man / Five To One
  3. Medley: Universal Mind / Afro Blue
  4. When The Music’s Over
  5. Love Me Two Times
  6. Medley: Mystery Train / Away In India / Crossroads
  7. Ship Of Fools
  8. The End

Live at Konserthuset Stockholm, September 20, 1968

  1. Introduction
  2. Five To One
  3. Love Street
  4. Love Me Two Times
  5. When The Music’s Over
  6. A Little Game
  7. The Hill Dwellers
  8. Light My Fire
  9. The Unknown Soldier
  10. Five To One
  11. Mack The Knife
  12. Alabama Song (Whisky Bar)
  13. Back Door Man
  14. You’re Lost Little Girl
  15. Love Me Two Times
  16. When The Music’s Over
  17. Wild Child
  18. Money (That’s What I Want)
  19. Wake Up!
  20. Light My Fire
  21. The End

Claiming Compensation After a Wildfire in California

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By Mitch Rice


During the first week of 2025, the world watched in horror as California burned. Wildfires wreaked havoc in suburbs, leaving rich and poor residents homeless. Some even had to watch their homes burn down on live TV as they sought shelter away from the flames. 

Unfortunately, wildfires are common in California and will worsen due to climate change. Those who survive these fires are often left struggling to find their feet again.  

Very often, wildfires result in catastrophic injuries, total loss of property, and emotional distress. 

If you are a victim of a wildfire in 2025, there are steps you can take to receive compensation for your losses. But, it is essential to know how to approach a legal claim and to hire a lawyer to help you. 

Wildfire Compensation Claims


There are several types of damages for which you can claim compensation. These include:

  • Personal injuries. If you suffered burns, smoke inhalation, or worsened medical conditions because of the fire, you can file a claim for compensation.
  • Property damage. If you lost your home, vehicle, and other personal belongings, you may also be able to file a claim. Keep in mind that California’s insurance crisis may make this process challenging. 
  • Emotional distress. Wildfires are terrifying events. You may suffer PTSD and other emotional trauma. If you do, you may be able to file a claim as well. 

Identifying Responsible Parties


There are many different reasons wildfires start. For instance, one lightning strike can lead to a massive fire. However, lightning was quickly ruled out as a source of the most recent Los Angeles fires. 

Other common causes of wildfires include arson and utility lines. Neither of these has been confirmed as the cause of the fires either. 

Therefore, since there is no official word yet on what may have caused the fires, you will likely have to seek compensation from your insurance provider. This will allow you to cover immediate losses, including your car, home, and other valuables. 

However, your insurer may act in bad faith, not in small part due to the state’s insurance crisis. This does not mean you are not eligible for an insurance claim. 

If your insurer refuses to pay your claim, a lawyer can help you sue them for a settlement. 

If it is eventually proven that an entity or person caused the fires, you can file a legal claim against them. 

There is talk of Southern California Edison’s equipment potentially responsible for the Eaton and Hurst fires. It is important to note that this has not been confirmed yet. It is still early, which means more details will emerge. 

Other people who lost everything in the fires may file class action lawsuits. Thus, if they are from your area, you may be able to join in these lawsuits. 

Liability in Wildfire Claims


If you file your claim, liability will form the main part of it. Your lawyer will determine whether strict liability or negligence is the applicable legal principle in your claim. 

Negligence means someone did something they should not have done, and it directly caused you harm. In the case of a wildfire, negligence covers a broad spectrum of actions. For instance, someone may have left a campfire to simmer. Or, they may have failed to maintain their property, allowing the fire to spread faster to your property.

A person or utility is legally liable when it comes to strict liability. This is true whether you prove that they are to blame or not. For example, the utility company may have to pay victims of the Los Angeles fires, even if it did not start the fire. 

But, if you want to sue the company under California’s inverse compensation law, you must prove the company either started or contributed to the fires. At the same time, proving that negligence or mistakes led to the blaze is not always necessary. 

Insurance Claims vs Personal Injury Claims

 

You can have an insurance claim or a personal injury claim against a utility company (if relevant agencies discover it had started or contributed to the fires). 

A claim against a utility company will not be easy. This is because it won’t be a straightforward process to prove the link between the start of the fire, the spread of the fire, and the injuries or damages sustained. 

Still, if you have a good lawyer, you can compile the evidence you need to pursue such a case. 

If you want to file an insurance claim instead, your lawyer can also help you through the process. Typically, insurance claims are filed after fires are contained. This is because you must determine the full extent of your damages, including injuries. 

It is also important to know what your policy covers and doesn’t. For instance, your homeowner’s policy may cover wildfire damage, but your vehicle insurance may not. This means you can file a claim for damage to your house but not your car. 

Additionally, your insurer will deny your claim. This may happen due to a long delay in receiving an answer (because of the sheer volume of claims). 

Your insurer may claim your policy lacks adequate fire damage coverage. They may come up with a host of other reasons as well. If that does not work, they may give you a lowball offer. 

This is another reason why working with a lawyer is crucial. Your lawyer can help you file a formal lawsuit against the insurer if need be. 

Wildfires Will Continue to Happen


It is impossible to prevent wildfires entirely, but there are steps you can take after a wildfire to prevent future losses. 

You can look into fire-resistant materials for your home and maintain defensible space around your property. Also, an emergency plan should be created that includes an evacuation plan and emergency kit. 

Review your insurance policies to ensure maximum coverage for natural disasters. 

Being prepared is the best way to get through disasters and get the compensation you need and deserve. 

  Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

How Technology is Giving Independent Artists an Edge in Music Production

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By Mitch Rice

In the age of digital music, independent artists are no longer relegated to the shadows of major record labels. Platforms like SoundCloud, Spotify, and Bandcamp have allowed them to share their music with global audiences. But what has truly transformed the playing field is the rise of cutting-edge technology, especially AI-powered tools, which empower independent musicians to create songs with professional-grade quality. From AI stem splitters to lyric generators, technology is reshaping the music production process, making it more accessible and innovative than ever before.

This article explores how tools like AI stem splitters, AI lyric generators, and other advancements are revolutionizing music production, allowing independent artists to rival major studio productions.

The Changing Landscape of Music Production

Traditional Music Production vs. Modern Approaches

Historically, music production was a domain dominated by record labels with access to expensive studios, skilled engineers, and advanced equipment. For independent artists, the barriers were steep: high costs, limited studio access, and restricted opportunities to refine their craft.

Today, technological advancements have shifted the paradigm. Independent musicians now have access to affordable software and hardware that replicate and even surpass traditional studio capabilities. The rise of DIY music production has given artists creative control and the ability to produce high-quality tracks without major label backing.

Technology’s Role in Democratizing Music Creation

Technology has made professional music creation accessible to anyone with a computer or smartphone. High-quality digital audio workstations (DAWs) and plugins have leveled the playing field. Tools once reserved for industry insiders are now available to aspiring musicians at a fraction of the cost, empowering them to experiment and innovate.

AI Stem Splitter and Its Role in Modern Music

What is an AI Stem Splitter?

An AI stem splitter is a revolutionary tool that uses machine learning algorithms to isolate components of a song, such as vocals, drums, bass, and instrumental tracks. These tools allow artists to extract vocal lines or instrumentals from existing songs, making remixing and reinterpretation seamless.

Practical Applications for Independent Artists

AI stem splitters are particularly useful for independent musicians who want to create background music, remix popular songs, or study individual elements of a track for inspiration. By isolating specific components, artists can build new compositions or enhance their understanding of intricate arrangements.

Examples of AI Stem Splitters

Popular AI stem splitter tools like Spleeter and Moises offer intuitive interfaces that make track isolation simple and effective. For instance, an artist can extract a drumline to reimagine it in their own unique style or focus on vocals to create an acoustic cover.

AI Lyric Generators and the Evolution of Songwriting

Breaking Down the AI Lyric Generator

AI lyric generators harness natural language processing to craft song lyrics tailored to specific themes, emotions, or genres. These tools analyze vast databases of existing lyrics and use algorithms to produce text that aligns with the artist’s desired mood or message.

Benefits of Using AI for Lyrics

Independent musicians often face creative blocks, especially when it comes to crafting song lyrics. An AI lyric generator provides a starting point, offering fresh ideas and overcoming mental roadblocks. Whether an artist is writing in their native language or experimenting with multilingual lyrics, these tools streamline the songwriting process.

The Creative Process with AI-Powered Tools

Rather than replacing creativity, AI lyric generators complement it. Artists can blend AI-generated lyrics with their unique voice and style, ensuring the final result feels authentic. Case studies of musicians using these tools show how they can write songs in unfamiliar languages, opening doors to cross-cultural collaborations.

Enhancing Instrumentals with AI

The Role of AI in Composing and Enhancing Music

AI-powered tools are not just limited to lyric creation; they can also generate entire musical compositions. Song generators use AI to craft backing tracks or instrumental arrangements in genres ranging from pop to classical. For example, an AI might produce a piece tailored for acoustic guitar, electric guitar, or orchestral strings.

Tools for Layering and Improving Sound Quality

Combining AI-generated instrumentals with traditional music techniques allows independent artists to create unique sounds. Tools like AIVA and Amper Music offer options for layering instrumentals and improving audio quality, helping musicians refine their creative process and stand out in a crowded market.

Bridging the Gap Between Creativity and Technical Skill

Redefining the Artist’s Role in Music Production

AI tools have shifted the focus of music production from technical proficiency to creativity and vision. Artists no longer need to master every aspect of sound engineering; instead, they can use AI as a collaborator, amplifying their ideas while reducing technical barriers.

Empowering Artists to Create Songs in Any Language

AI also enables independent musicians to expand their reach by producing songs in their native language or experimenting with other languages. This capability fosters cultural exchange and allows artists to connect with diverse audiences worldwide.

The Future of AI-Powered Music Production

What’s Next for AI in the Music Industry?

As AI technology advances, we can expect even more personalized tools for music creation. From highly customized lyric suggestions to real-time instrument tuning, AI’s potential in music production is boundless. These innovations will enable independent artists to push creative boundaries and explore new artistic directions.

Ethical Considerations

Despite its benefits, AI in music raises ethical questions about originality and ownership. For instance, who owns a song generated with significant AI input? Balancing AI’s contributions with human creativity will be critical to preserving authenticity and addressing copyright concerns.

In Conclusion

The rise of AI-driven tools like stem splitters and lyric generators has empowered independent artists, transforming the music production landscape. With accessible and affordable technology, musicians can now produce tracks that rival the quality of major studio productions.

As we embrace this age of innovation, independent artists should explore the vast possibilities these tools offer to enhance their creativity. By leveraging AI in the creative process, artists can focus on what matters most: expressing their unique vision and connecting with audiences worldwide. The future of music is here, and it’s powered by technology.

 

5 Surprising Facts About ZZ Top’s “Eliminator”

ZZ Top’s 1983 Diamond-certified Eliminator marked a new chapter for the band, not just musicially, but sold 10 times more than their biggest album at the time, and changed the landscape of rock music in the 80s. Packed with iconic hits like “Sharp Dressed Man” and “Legs,” the album combined blues rock roots with cutting-edge technology. Let’s dive into five little-known facts that make Eliminator a timeless classic.

1. A Drag Racer Inspired the Album’s Title
The name Eliminator came from a drag racing term that embodies competition and speed. The band’s manager, Bill Ham, suggested the name after seeing Billy Gibbons’s newly customized 1933 Ford coupe, which eventually graced the album cover. The coupe, nicknamed Eliminator, became a star in its own right, appearing in music videos and even in the Rock and Roll Hall of Fame.

2. The Perfect Tempo Was No Accident
Billy Gibbons and engineer Linden Hudson meticulously analyzed hit songs to determine the ideal tempo for Eliminator. They found that many popular tracks hovered around 120-125 beats per minute and used this insight to craft the album’s steady, driving rhythm. Tracks like “Legs” and “Sharp Dressed Man” exemplify this tempo sweet spot, giving the album its infectious energy and widespread appeal.

3. Inspired by European Electronic Music
Billy Gibbons drew inspiration for Eliminator from European electronic acts like Depeche Mode and Orchestral Manoeuvres in the Dark. Fascinated by their innovative use of synthesizers and drum machines, Gibbons blended these modern elements with ZZ Top’s blues-rock roots. This fusion created a unique sound that pushed the boundaries of rock music and helped the album stand out in the 80s music scene.

4. The “Legs” Synth Effect Was a DIY Marvel
The iconic pulsing synth sound on “Legs” wasn’t created with off-the-shelf gear. Linden Hudson routed a synthesizer through a noise gate triggered by hi-hat samples from a drum machine, creating the track’s relentless propulsion. This unconventional method gave “Legs” its hypnotic groove, which became a defining feature of the song. It’s a testament to how ingenuity in the studio can lead to groundbreaking results.

5. MTV Made ZZ Top Superstars
Music videos for “Gimme All Your Lovin’,” “Sharp Dressed Man,” and “Legs” became staples on MTV, showcasing a mix of rock, cars, and swagger. Directed by Tim Newman, the videos featured the Eliminator coupe, spinning guitars, and a trio of mysterious women who became icons in their own right. These visuals helped ZZ Top shed their “old-school” image, earning them awards and introducing their music to millions of young fans.

Eliminator redefined ZZ Top’s place in music history. From drag racing inspiration to revolutionary studio techniques, the record is a masterclass in reinvention. Whether you’re blasting “Sharp Dressed Man” or marveling at the Eliminator coupe, this album proves that innovation and grit are a winning combination.

5 Surprising Facts About Billy Idol’s “Rebel Yell”

Billy Idol’s Rebel Yell is one of those albums that defined the sound of the 80s. With its mix of new wave energy, hard rock grit, and unforgettable hooks, it still resonates today. But even if you’re a die-hard fan, there are a few fascinating details about the album’s creation and legacy you might not know. Let’s dive into five lesser-known facts that make Rebel Yell a cornerstone of 80s rock.

1. The Album Title Came from a Bourbon-Fueled Night with the Rolling Stones
The title Rebel Yell wasn’t a calculated brainstorm—it came from a wild party with Mick Jagger, Keith Richards, and Ronnie Wood of The Rolling Stones. The trio passed around a bottle of Rebel Yell bourbon whiskey, and Idol loved the name. He decided right then that it would make the perfect album title, capturing the rebellious spirit of the music he wanted to create. Sometimes, inspiration is just one drink away!

2. The Album’s Master Tapes Were Held Hostage
Billy Idol once “stole” the master tapes for Rebel Yell after a dispute with his record label over the album cover. Frustrated, he gave the tapes to his drug dealer, threatening to release them as bootlegs unless the label agreed to change the artwork. However, producer Keith Forsey later revealed Idol had taken the wrong tapes! The real masters stayed safe while Idol unknowingly negotiated with the label, proving rock and roll chaos can sometimes be surprisingly harmless.

3. “Eyes Without a Face” Was Inspired by a Creepy French Horror Film
The haunting ballad “Eyes Without a Face” takes its title from the 1960 French film Les Yeux sans visage (Eyes Without a Face). Idol, fascinated by the movie’s macabre story of a surgeon’s twisted quest to restore his daughter’s face, saw parallels with his experiences in New York’s gritty nightlife. He transformed these themes into a poignant exploration of love, loss, and moral decay, blending soft melodies with a mid-song hard rock riff that still surprises listeners.

4. The Iconic Intro to “Rebel Yell” Was Inspired by Leo Kottke
Guitarist Steve Stevens crafted the unforgettable intro to the title track, making his electric guitar sound like a fusion of a keyboard and an acoustic guitar. His inspiration? Acoustic guitarist Leo Kottke, known for his intricate picking style. Stevens adapted Kottke’s approach to create a unique sound that became one of Rebel Yell’s signature elements, proving that rock and folk influences can collide in magical ways.

5. The Album Was Largely Built Around Drum Machines
Before Thommy Price added live drumming to a few tracks, much of Rebel Yell was built using the LinnDrum and Roland TR-808 drum machines. This innovative use of electronic beats gave the album its sharp, modern edge, setting it apart from traditional rock records of the time. The hybrid of electronic and acoustic elements became a hallmark of Billy Idol’s sound, blending new wave innovation with rock’s raw energy.

From bourbon-fueled inspiration to stolen master tapes and horror film nods, Rebel Yell is packed with stories as wild as its music. These lesser-known details highlight the creativity and chaos behind one of the 80s’ most iconic albums. Billy Idol, Steve Stevens, and Keith Forsey crafted a timeless snapshot of rebellious energy that still rocks today. With over a billion streams on Spotify, it’s easy to see why the fans want more, more, more.

TikTok Gets Banned: A Musician’s Guide To Staying Ahead

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TikTok has become the ultimate stage for musicians. It’s where songs go viral, artists find fans, and bedroom beats turn into chart-toppers. It’s official – The U.S. Supreme Court has upheld a law subjecting TikTok to a national ban on Sunday. Don’t panic —opportunity is everywhere. Here’s how you can pivot, adapt, and thrive.

 

1. Reclaim the Power of Instagram Reels and YouTube Shorts
Instagram Reels and YouTube Shorts are ready to catch your falling TikToks. Both platforms are pushing short-form video HARD. Your creativity won’t go to waste—reformat your best TikToks, reupload them, and keep creating fresh, shareable content. Bonus: YouTube Shorts could even pay you directly through the YouTube Partner Program. So download your TikTok videos. Now.

2. Build an Email List (Yes, It Still Works)
Social media is unpredictable, but your email list? That’s your safety net. Offer fans exclusive content, discounts on merch, or sneak peeks at new music in exchange for their email addresses. That direct connection keeps you in control, no matter what happens to any platform.

3. Expand to Emerging Platforms
Keep your eyes on the next big thing. Platforms like Triller, Clapper, and Lemon8 are vying to become the new TikTok. Early adoption is key—get in while the competition is low and grow alongside the platform.

4. Lean Into Streaming Playlists
TikTok’s power lies in music discovery. If it disappears, shift that energy into Spotify and Apple Music playlists. Submit your tracks to independent curators and focus on your algorithms. Viral sounds may fade, but solid streaming numbers will always matter.

5. Double Down on YouTube and Long-Form Content
If TikTok was your intro, let YouTube be the full story. Behind-the-scenes videos, acoustic performances, Q&As, and tutorials can turn casual fans into devoted superfans. Plus, YouTube is searchable forever—it’s like TikTok with a longer attention span. AND, you can embed your videos onto your website, which you do own THAT space.

6. Go Local, Think Global
With TikTok gone, there’s a chance to reconnect with your community. Play live shows, collaborate with local creators, and lean into grassroots marketing. A real-world connection is irreplaceable, and local buzz can often ripple out to global success.

7. Turn Followers Into Lifelong Fans
TikTok might disappear, but your fans don’t have to. Guide them to other places you exist—your website, other platforms, or even a Discord community. Use this as a chance to deepen the connection beyond the swipe and scroll.

8. Embrace the Challenge
If TikTok taught us anything, it’s that musicians are resilient and creative. Every challenge is a chance to innovate. Don’t see this as the end of an era—see it as the start of something new. Because as long as there are fans, there will be ways to reach them.

TikTok might have been a stage, but YOU are the show, you are the reason people go to these platforms. Whether it’s through new sites or strategies, your music will find its way. Keep creating, keep connecting, and keep going. The next big opportunity is just a beat away.

OK Go’s ‘A Stone Only Rolls Downhill’ Video Is As Great As You Think It Would Be

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GRAMMY-Award-winning rock band OK Go have unveiled their brand new single, “A Stone Only Rolls Downhill,” alongside a stunning official music video that premieres today on The Kelly Clarkson Show (check local listings). The track is the first single off the band’s forthcoming fifth studio album And the Adjacent Possible, which will arrive later this year.

“It’s a tough time to be optimistic. Getting through life requires some faith along the lines of the famous MLK quote: ‘The arc of the moral universe is long, but it bends towards justice,'” shares OK Go frontman, Damian Kulash. “But looking at the world unfurling before me, and especially before my children, it’s hard to find that kind of faith. What do we tell them? That’s what this song is about: trying to be honest but keeping your head up at the same time.”

Adding to OK Go’s vast catalog of ground-breaking music videos – they’ve danced on treadmills and with dogs; in time-lapse and slow motion; in zero-gravity, Rube Goldberg machines, and Super Bowl commercials – the clip for “A Stone Only Rolls Downhill” features 64 videos on 64 phones laid out as a moving mosaic. The band did more than a thousand takes over the course of eight days, and the final video crams over two hours and twenty minutes of single-take clips into one frame. Once again directed by Kulash, this time in collaboration with Chris Buongiorno (Star Wars: Skeleton Crew), the clip showcases the band’s unbridled creativity and signature DIY aesthetic, while exploring the song’s lyrical take on modern split screen life.

“Trying to balance the anxiety (which is just realism) with the hope (which is just necessary) can often feel like living in a split screen, and that’s what inspired the video. It’s the most human, DIY version of a split screen that we could come up with,” explains Kulash. “Instead of using digital wizardry to glue multiple videos together, we shot one video for each of several dozen phones and laid them out, side-by-side, as a mosaic of screens. A single image emerges from all these separate pieces working sometimes in harmony and sometimes in discord – the many contradictory parts of ourselves fighting to coalesce as a single whole.”

Because of the videos’ long productions, the band’s rigorous touring schedule, outside projects (Kulash co-directed his first feature film The Beanie Bubble for Apple TV+), life changes (kids!), a global pandemic, and even a TED Talk, And the Adjacent Possible will arrive as OK Go’s first studio album in over a decade. Reflecting on nearly 30 years of collaboration, while continuing to look forward, the band emerged with its most diverse and accomplished collection of songs to date. And the Adjacent Possible is due for release later this year. Stay tuned for release date, tracklisting, and pre-order information.

OK Go have also announced they will embark on a North American headline tour this spring. The 14-city trek kicks off on April 24 in Milwaukee, WI, visits major markets coast-to-coast, and wraps on June 21 in Vancouver, BC.

OK Go 2025 Tour Dates
April 24 – Milwaukee, WI – Turner Hall Ballroom
April 25 – Chicago, IL – Riviera Theatre
April 26 – Detroit, MI – Majestic Theatre
April 27 – Cleveland, OH – The Agora
May 14 – San Diego, CA – The Sound
May 16 – Los Angeles, CA – The Bellwether
May 18 – San Francisco, CA – The Fillmore
May 28 – Brooklyn, NY – Brooklyn Steel
May 30 – Boston, MA – Royale
May 31 – Philadelphia, PA – Union Transfer
June 1 – Washington, DC – 9:30 Club
June 19 – Portland, OR – McMenamins Crystal Ballroom
June 20 – Seattle, WA – Neptune Theatre
June 21 – Vancouver, BC – Commodore Ballroom

Guster Announces ‘Ooh La Luxe’ Deluxe Album and Final Leg of ‘We Also Have Eras’ Tour

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Guster has unveiled Ooh La Luxe, an expanded edition of 2024’s critically acclaimed Ooh La La, available digitally via their own Ocho Mule Records on Friday, January 24.

Ooh La Luxe adds four previously unreleased tracks to Ooh La La, including a pair of demos and two brand new songs, “It’s Wild” and “Enchanté,” both of which will also be available on an extremely limited 7″ vinyl single available exclusively on the upcoming final leg of Guster’s landmark We Also Have Eras Tour. The deluxe new edition is heralded by today’s premiere of an edited version of the original album’s “When We Were Stars,” available everywhere now accompanied by an official music video.

A unique theatrical performance featuring extended “Evening with Guster” sets chronicling the band’s history from 1994 to the present day – complete with skits, costume changes, and more surprises – the We Also Have Eras Tour resumes for one last run beginning January 24 at Philadelphia, PA’s The Fillmore Philadelphia and then traveling the US through a February 15 tour finale at Los Angeles, CA’s historic Orpheum Theatre. In addition, Guster will join forces with the National Symphony Orchestra for two sold-out career-spanning performances at Washington, DC’s Kennedy Center on March 28 and 29. This summer will then see the seventh installment of Guster’s On The Ocean, an unforgettable three-day weekend of music and more set for August 8-10 at Thompson’s Point in guitarist Adam Gardner’s adopted hometown of Portland, ME.

Guster’s ninth studio album and first new LP in more than five years, Ooh La La marks a bold departure for the venerable band with a lush and acclaimed expansive sound rich in acoustic guitars and graceful piano work. Mainly produced by Josh Kaufman (The National, The Hold Steady) at Woodstock, NY’s Isokon Studio, with additional production from Ron Aniello (Bruce Springsteen, Bryce Dessner) and Rich Costey (Death Cab for Cutie, Of Monsters and Men), songs like the shimmering first single, “Keep Going” radiate an emotional undercurrent of undeniable warmth, telegraphing an irrepressible joy in the face of turmoil and unrest.

Ooh La La was met by applause and praise from such outlets as Goldmine, which wrote, “This is an album with grandeur. This is what can be built when bands allow themselves to be guided to a conclusion by a collaborator who helps them commit to a vision and vibe. The capacity to surrender to this kind of process has kept Guster relevant and has allowed them to broaden their base and build something most bands never get close to.” In addition, Guster celebrated the album with a wide-ranging appearance on CBS Saturday Morning that included an in-depth conversation about their 30-year career as well as live performances of three songs from Ooh La La including “Keep Going,” “Witness Tree,” and “Black Balloon.”

GUSTER – WE ALSO HAVE ERAS TOUR 2025
JANUARY
24 – Philadelphia, PA – The Fillmore Philadelphia
25 – Port Chester, NY – The Capitol Theatre (SOLD OUT)
26 – Cleveland, OH – Agora Theatre and Ballroom
28 – Indianapolis, IN – Clowes Memorial Hall
29 – Detroit, MI – The Majestic Theatre
31 – Chicago, IL – Riviera Theatre
FEBRUARY
1 – Minneapolis, MN – State Theatre (SOLD OUT)
2 – Madison, WI – The Sylvee
4 – Des Moines, IA – Hoyt Sherman Place
5 – Omaha, NE – The Admiral Theater
7 – Denver, CO – Paramount Theatre (SOLD OUT)
8 – Salt Lake City, UT – Delta Hall at Eccles Theater
11 – Seattle, WA – The Moore Theatre
12 – Portland, OR – Revolution Hall (SOLD OUT)
14 – Oakland, CA – Fox Theater
15 – Los Angeles, CA – The Orpheum Theatre
MARCH
28 – Washington, DC – The Kennedy Center * (SOLD OUT)
29 – Washington, DC – The Kennedy Center * (SOLD OUT)
AUGUST
8-10 – Portland, ME – On The Ocean 2025
* with The National Symphony Orchestra