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Rod Wave’s “Last Lap” Tour Expanded Into 2025

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AG Touring & Mammoth Live are excited to announce the highly anticipated second leg of Rod Wave’s critically acclaimed ‘Last Lap’ tour. Following a triumphant sold-out first leg, the 19-city extension kicked off on January 5 in Sacramento, CA, and will continue through February 25, concluding in Greensboro, NC.

Rod Wave, celebrated for his emotionally raw lyricism and soulful delivery, has solidified his position as one of today’s most influential voices in hip-hop and R&B. Joining him on this extended journey are powerhouse support acts Moneybagg Yo, Toosii, Lil Poppa, Dess Dior, and Eelmatic, ensuring fans an unforgettable concert experience.

With chart-topping hits and deeply resonant storytelling, Rod Wave continues to captivate audiences across the nation. Don’t miss your chance to witness the ‘Last Lap’ tour live in 2025.

For ticket information and the latest updates, visit here.

Stay tuned for more updates on Rod Wave, and listen to his latest project, Last Lap, here.

Blessed with a special singing voice and an uncanny gift for songwriting, Florida’s Rod Wave is taking his own path to the top of the game. The St. Petersburg native, who has amassed over 21 billion streams to date, joined Taylor Swift as the only 2 artists to top the Billboard albums chart between 2021-2023. Rod’s last album, Nostalgia, topped the chart 2 weeks in a row and cemented his status as one of the pioneers of “pain music.” He first erupted onto the scene with the viral 4x-platinum “Heart On Ice,” which culminated a prolific run of 3 full-length projects in a 12 month span. His debut album, Pray 4 Love, was certified platinum within a year of release, propelled by the TikTok crossover moment “Rags2Riches,” and the follow up, SoulFly, became Rod’s first-ever #1 Billboard charting album. Known for his fiercely loyal fanbase, Rod’s extensive touring history includes 2 consecutive nationwide arena tours, grossing tens of millions of dollars on the road.

Rod Wave – Last Lap Tour Dates (Second Leg)

Sunday, January 5                                                     

Sacramento

Monday, January 6                                                   

Oakland

Wednesday, January 8                                           

Inglewood, CA

Monday, January 13                                                 

Denver, CO

Wednesday, January 15                                       

Austin, TX

Saturday, January 18                                                                    

Dallas, TX

Monday, January 20                                                 

Lafayette, LA

Tuesday, January 28                                                 

Nashville, TN

Saturday, February 1                                                                      

Detroit, MI

Tuesday, February 4                                                 

Milwaukee, WI

Thursday, February 6                                               

Indianapolis, IN

Monday, February 10                                             

Chicago, IL

Wednesday, February 12                                     

Pittsburgh, PA

Friday, February 14                                                 

Brooklyn, NY

Sunday, February 16                                                                      

Newark, NJ

Tuesday, February 18                                             

Louisville, KY

Thursday, February 20                                           

Cleveland, OH

Saturday, February 22                                           

Charlottsville, VA

Tuesday, February 25                                             

Greensboro, NC

 

20 Of The Best Instrumental and Popular Songs Since 1950

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There’s something enchanting about instrumental music. Without words, it speaks directly to our emotions, painting pictures and evoking feelings that lyrics sometimes can’t capture. From jazz masterpieces to cinematic scores and rock anthems, these instrumental tracks have shaped music history and inspired generations. Let’s dive into 20 of the best instrumental songs since 1950 that prove melody is a language of its own.

1. “Take Five” – Dave Brubeck Quartet (1959)
A jazz masterpiece with its innovative 5/4 time signature, Paul Desmond’s saxophone melody has captivated listeners for decades. It’s cool, classy, and timeless.

2. “Green Onions” – Booker T. & The M.G.’s (1962)
This soulful organ-driven track became an anthem for the 1960s. Its groove is irresistible, and its influence spans genres.

3. “Misirlou” – Dick Dale (1962)
Surf rock’s most iconic track, with Dale’s rapid-fire guitar picking, captures an adrenaline rush like no other. It found new life in Pulp Fiction.

4. “Apache” – The Shadows (1960)
A trailblazing instrumental with a catchy melody, this track’s twangy guitars made it a rock ‘n’ roll classic.

5. “Jessica” – The Allman Brothers Band (1973)
This feel-good Southern rock instrumental is the perfect road trip soundtrack. Its joyful guitar melodies are unforgettable.

6. “Rhapsody in Blue” – George Gershwin (1924; popularized in the 1950s)
Gershwin’s jazzy piano symphony became a defining piece of American music, blending classical and modern styles seamlessly.

7. “Classical Gas” – Mason Williams (1968)
An upbeat fusion of classical and folk guitar, this track showcases Williams’ virtuosity and remains a crowd favorite.

8. “Albatross” – Fleetwood Mac (1969)
Peter Green’s dreamy guitar lines create a serene and hypnotic atmosphere, perfect for drifting away.

9. “Sleepwalk” – Santo & Johnny (1959)
This steel guitar classic oozes emotion, capturing love and longing in every note.

10. “Eruption” – Van Halen (1978)
An explosive guitar solo by Eddie Van Halen that redefined rock and roll. It’s pure, unfiltered genius.

11. “The Entertainer” – Marvin Hamlisch (1973)
This Scott Joplin ragtime tune became a hit when Hamlisch revived it for The Sting. Its jaunty piano melody is instantly recognizable.

12. “YYZ” – Rush (1981)
A prog-rock instrumental inspired by the Toronto airport’s Morse code, featuring incredible musicianship from Geddy Lee, Alex Lifeson, and Neil Peart.

13. “Chariots of Fire” – Vangelis (1981)
This uplifting synth-based score became synonymous with triumph and perseverance.

14. “Frankenstein” – The Edgar Winter Group (1973)
A high-energy rock instrumental packed with blazing solos and an experimental vibe.

15. “Born Slippy .NUXX” – Underworld (1996)
A techno anthem that captured the spirit of the ’90s rave scene, featured prominently in Trainspotting.

16. “Anji” – Davy Graham (1961)
A fingerstyle acoustic guitar piece that influenced generations of folk and rock musicians.

17. “The Pink Panther Theme” – Henry Mancini (1963)
Mancini’s jazzy, sneaky melody perfectly captures the mischievous charm of the Pink Panther.

18. “Rebel Rouser” – Duane Eddy (1958)
With its twangy guitar and driving rhythm, this track defined the rockabilly sound.

19. “Out of Africa” – John Barry (1985)
A sweeping orchestral piece that evokes the breathtaking beauty of Africa’s landscapes.

20. “James Bond Theme” – Monty Norman (1962)
The unmistakable guitar riff and brass stabs of the James Bond Theme instantly conjure images of espionage and sophistication. Composed by Monty Norman and arranged by John Barry, it’s a timeless classic that defined the swagger and intrigue of 007 for decades, all thanks to the guitar playing of Vic Flick.

Instrumental songs have the power to move us without a single word. From the soulful strains of “Green Onions” to the electrifying notes of “Eruption,” these tracks remind us that melody is universal.

Eric Clapton’s Iconic ‘MTV Unplugged’ Premieres January 2025 in Theaters and on Paramount+

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MTV today announced the release of ERIC CLAPTON UNPLUGGED…OVER 30 YEARS LATER from its trailblazing, Grammy and Emmy Award-winning global music franchise MTV UNPLUGGED. The 90-minute special will premiere in select U.S. and U.K. theaters on Monday, January 27 and Tuesday, January 28, 2025 before it is available to stream on Paramount+ beginning Wednesday, February 12, 2025 in the U.S. and globally.

Considered one of the most iconic installments of the MTV Unplugged series, 18x GRAMMY Award-winner Eric Clapton originally recorded his unforgettable hour-long performance of ERIC CLAPTON UNPLUGGED in 1992 at Bray Studios in Windsor, England. In this all-new extended, remixed and remastered edition, ERIC CLAPTON UNPLUGGED…OVER 30 YEARS LATER will feature exclusive content of Clapton discussing the inspiration behind specific songs and performances with the crew just before he took the stage, seamlessly integrated with the performance footage.

Tickets for the theatrical release are available now, exclusively at Dolby Atmos capable theaters in the U.S. and U.K. During the intimate performance, Clapton reimagined his catalog with first-time acoustic arrangements of hits including “Layla,” “Tears in Heaven,” and more. He also paid homage to the blues music that influenced him, performing classics including “Before You Accuse Me,” originally recorded by Bo Diddley; “Nobody Knows You When You’re Down and Out,” originally recorded by Bessie Smith; and more.

The subsequently released live album UNPLUGGED, released in August 1992, became a monumental success selling over 26 million copies worldwide and dominating charts worldwide. UNPLUGGED went on to become the best-selling live album of all time.

Clapton is the only 3x inductee to the Rock and Roll Hall of Fame: as a solo artist and separately as a member of the Yardbirds and of Cream. In his solo career, he has sold 100 million records worldwide, making him one of the best-selling musicians of all time.

 

 

Craft Recordings’ Original Jazz Classics Unveils Five Reissues To Kick Off 2025

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Craft Recordings is excited to announce the first reissues of 2025 from Original Jazz Classics, the series that revisits seminal and rare jazz albums celebrated by critics and aficionados alike. The latest releases include Joe Pass’ Virtuoso, Wes Montgomery’s The Incredible Jazz Guitar of Wes Montgomery, Thelonious Monk’s Thelonious Himself and Miles Davis’ The Musings of Miles and Walkin’. All of these albums can be pre-ordered now, with releases rolling out between February 28 and April 18.

The reissues feature lacquers cut from the original tapes (AAA) by Kevin Gray at Cohearent Audio (Wes Montgomery is the stereo version and was cut from a tape copy), 180-gram vinyl pressed at RTI and tip-on jackets reproducing the original artwork. All titles will also be released digitally in 192/24 hi-res audio on the same date as each vinyl.

Original Jazz Classics (OJC), created in 1982 (under Fantasy Records), was relaunched in 2023 and has reissued more than 850 jazz albums to date. Its catalog includes thousands of genre-defining titles originally released by Prestige, Galaxy, Milestone, Riverside, Debut, Contemporary, Jazzland and Pablo. Since its launch two years ago, OJC has received resounding critical acclaim, with Record Collector Magazine declaring that “the sound is out of this world.” Tracking Angle described the OJC reissue of Thelonious Monk’s Monk’s Music as “remarkable” and “the best-sounding pressing” of the album to date. Absolute Sound raved about the stereo reissue of Mal Waldron’s The Quest, noting it “sounds fabulous—full-bodied, immediate, and crackling with energy.” Jazzwise went on to praise the series’ “peerless” quality, describing the reissues as “exceptional,” with “stunningly eloquent” sound. Meanwhile, Qobuz highlights the remastering work, stating it “breathes vibrant life into the original tapes.” Subscribe to the official YouTube channel here for more content from Original Jazz Classics.

Read more on the latest OJC releases below.

Joe Pass – Virtuoso (Available February 28, 2025)

After guitarist Joe Pass released Virtuoso in 1973, almost every critic agreed that this was his best album, one living up to its name. (“Joe Pass looks like somebody’s uncle and plays like nobody’s business,” New York Magazine once enthused.) Before this album, Pass had stints with everyone from Gerald Wilson to Benny Goodman. But he also lost many years due to a dependence on heroin, and Virtuoso proved that cleaning up would only heighten his powers.

With this album (the first of his Virtuoso series), All About Jazz observed, “Pass had accomplished, using standard guitar performance techniques, to play lead melody lines, chords, and bass rhythm simultaneously and at tempo, giving the listener the impression that multiple guitars were being played.” Here, he adds a new sheen to already well-traversed covers, with a breathless reworking of ‘Night & Day’ and a dazzling, unpredictable take on ‘Cherokee.’ Meanwhile, ‘Blues for Alican,’ his lone original composition on the album, is a nimble, brightly soulful track that doesn’t disappoint.

Wes Montgomery – The Incredible Jazz Guitar of Wes Montgomery (Available February 28, 2025)

The legendary artist is famous for his mellow, thumb-picking flourishes said to be born of necessity: not wanting to wake his kids or neighbors at night. This, combined with his penchant for playing in octaves, impressed saxophonist Cannonball Adderley, who pretty much discovered him. This also came to define The Incredible Jazz Guitar of Wes Montgomery, one of the guitarist’s most stellar releases.

Here, he vaults Sonny Rollins’ bright “Airegin” to even greater heights, infusing it with a thrilling, joyous urgency. In contrast, his own song, “West Coast Blues,” comes in with a pensive swagger that stretches the idea of what it means to be bluesy. And sonic alchemist that he is, Montgomery couldn’t help but transform the downtempo popular standard “Polka Dots and Moonbeams” into a uniquely comfy embrace.

Of this 1960 release, AllMusic said, “Setting him apart from the rest, this recording established Montgomery as the most formidable modern guitarist of the era, and eventually its most influential.” In 2017, the album was even inducted into the National Recording Registry of the Library of Congress for its cultural, artistic and historical relevance.

Thelonious Monk – Thelonious Himself (Available March 28, 2025)

“When you hear his name,” NPR declared, “you can expect to hear some of the most original and challenging music of the 20th century.” Although his achievements were undeniable, the sometimes-eccentric Monk wasn’t always considered a success. To that end, the 1975 Thelonious Himself was considered one of the jazz great’s significant breakthroughs after his artistic turning point with Brilliant Corners.

Thelonious Himself features just that: Monk alone, save one track featuring bassist Wilbur Ware and saxophonist John Coltrane. That track, “Monk’s Mood,” is a transcendent exercise in sonic expansion, with sounds gradually enveloping the room around them. The rest of the album is a bounty of unexpected treats: disciplined when it needs to be and subtly peacocking only when it makes sense. Highlights include his take on “April in Paris,” which is at turns escapist and wistful, and his nine-minute original track, “Functional,” strikingly sly in its experimentation. Wrote AllMusic, “Monk’s hesitant stride and thoughtful yet very unpredictable flights are always a joy to hear.”

Miles Davis All Stars – Walkin’ (Available April 18, 2025)

Walkin’, released in 1957, brings together Davis’ tracks recorded three years earlier as the Miles Davis All-Star Sextet and the Miles Davis Quintet. Unsurprisingly, it features a solid line-up, including saxophonist Lucky Thompson, drummer Kenny Clarke and pianist Horace Silver.

The title track had been in constant rotation at the trumpeter’s live gigs for a reason: It’s a smooth, shimmering example of hard bop-blues that follows Davis’ lead. The album’s next track, “Blue ’N’ Boogie,” however, is a showy, sprightly retort to the chilled-out ease of “Walkin’.” And the standout final track, “Love Me or Leave Me,” is even more blissed out in its freneticism.

Walkin’ is particularly interesting in how it illustrates Davis’ gradual break from bebop conventions. “Miles Davis’ album Walkin’ is one of those albums that should be in every jazz fan’s album collection,” noted Jazzwise. “Here Davis’ solos are the epitome of less is more.”

Miles Davis – The Musings of Miles (Available April 18, 2025)

The album, released in 1955, was the trumpeter’s first 12” LP. With pianist Red Garland and Philly Joe Jones in tow—who’d later become key parts of the legendary Miles Davis Quintet—the album is a fascinating peek into the mind of Davis rediscovering his superpowers.

The Musings of Miles is an important transition in Davis’ evolution towards some of his most seminal works. This album veers from carefree (the meticulous “A Night in Tunisia”) to elegant (“A Gal in Calico,” a lovely summertime escapade) to sentimental (the silky “I See Your Face Before Me”). “The interpretations are generally lyrical and melodic,” AllMusic explained. It turns out that part of witnessing Davis getting his groove back is witnessing the showman tame himself to exude a comforting warmth.

Click here to pre-order these new titles and view digital formats or click here to shop the complete OJC collection.

Tracklists:
Joe Pass – Virtuoso
Side A
1.      Night And Day
2.      Stella By Starlight
3.      Here’s That Rainy Day
4.      My Old Flame
5.      How High The Moon
6.      Cherokee
Side B
1.      Sweet Lorraine
2.      Have You Met Miss Jones?
3.      ’Round Midnight
4.      All The Things You Are
5.      Blues For Alican
6.      The Song Is You

Wes Montgomery – The Incredible Jazz Guitar Of Wes Montgomery
Side A
1.      Airegin
2.      D-Natural Blues
3.      Polka Dots And Moonbeams
4.      Four On Six
Side B
1.      West Coast Blues
2.      In Your Own Sweet Way
3.      Mister Walker
4.      Gone With The Wind

Thelonious Monk – Thelonious Himself
Side A
1.      April In Paris
2.      Ghost Of A Chance
3.      Functional
4.      I’m Getting Sentimental Over You
Side B
1.      I Should Care
2.      ’Round Midnight

3.      All Alone
4.      Monk’s Mood

Miles Davis All Stars – Walkin’
Side A
1.      Walkin’
2.      Blue ’N’ Boogie
Side B
1.      Solar
2.      You Don’t Know What Love Is
3.      Love Me Or Leave Me

Miles Davis – The Musings of Miles
Side A
1.      Will You Still Be Mine?
2.      I See Your Face Before Me

3.      I Didn’t
Side B
1.      A Gal In Calico
2.      A Night In Tunisia
3.      Green Haze

BALTHVS Is Due to Embark on 2025 Winter / Spring Tour

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BALTHVS, the Colombian alternative act steeped in psychedelia and global funk, is kicking off 2025 with their highly anticipated winter/spring tour across the USA and Mexico. Known for their infectious rhythms and otherworldly melodies, BALTHVS promises an electrifying live experience that transcends musical boundaries.

The tour begins this February at the iconic Bahidorá Music Festival in Mexico and spans seven dates—and counting—across renowned venues in cities like San Diego, Los Angeles, and Denver, before concluding on March 1st at Seattle’s The Crocodile. The 2025 tour follows the release of their critically acclaimed album, HARVEST, and the upcoming A Remix Collection, set to be released on Mixto Records on January 31st. Pre-save A Remix Collection here.

“We can’t wait to connect with our fans and share the energy of our music live,” said Balthazar, guitarist and bandleader. “Every show is a unique journey, with its own set list curated for that city and that room. We’re excited to create unforgettable moments with everyone who joins us.”

Formed in 2020 in Bogotá, BALTHVS has quickly gained an international reputation as one of the most innovative psychedelic funk bands, blending a rich tapestry of musical influences into a sound that defies categorization. With glowing reviews from tastemaker outlets like Grimy Goods, which stated: “Whether driving tracks forward with cumbia-inflected percussion or swirling Middle Eastern music and modern funk into a psychedelic fusion, BALTHVS’ prolific output is matched by a consistent delivery on quality,” the band has earned a loyal following across the globe.

Tickets for the BALTHVS Spring 2025 Tour are available now at https://balthvs.com. Fans are encouraged to secure their spots early, as shows are expected to sell out. The current tour dates are listed below.

BALTHVS Spring 2025 Tour Dates

Feb. 16 @ Bahidorá Festival — Morelos, MX
Feb. 18 @ Quartyard — San Diego, CA
Feb. 19 @ The Mayan — Los Angeles, CA
Feb. 21 @ Cervantes’ Masterpiece Ballroom — Denver, CO
Feb. 22 @ Palm Tree Music Festival — Aspen, CO
Feb. 27 @ Wild Buffalo — Bellingham, WA
March 1 @ The Crocodile — Seattle, WA

Don’t miss your chance to experience BALTHVS live and immerse yourself in a sonic adventure like no other.

Janiva Magness Unveils Poignant Track ‘Hittin’ On Nothin” From Highly Anticipated Spring Release “Back For Me”

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Janiva Magness has returned with her 17th album, Back for Me, produced by her longtime friend, producer, and collaborator Dave Darling. The album is a powerfully engaging, emotionally rich collection from a dynamic artist who continues to renew and redefine her widely celebrated relationship with the blues. Janiva’s far-ranging search for songs has unearthed a treasure chest of lesser-known gems by well-known artists (Bill Withers, Ray LaMontagne, Allen Toussaint, Doyle Bramhall II, Tracy Nelson, Irma Thomas) and deep-dive discoveries that connect with the rich feelings embodied in her voice and music, cherished by her fans. “I have always been into the B-sides,” she says. “There’s a freshness to doing a B-side rather than a well-known hit. I absolutely love the idea of shining a light on material that people are not familiar with.”

Back for Me is the 17th album for Magness, who has been honored with seven Blues Music Awards (including being named B.B. King Artist of the Year in 2009) and a Grammy Nomination for her 2016 album, Love Wins Again. In 2019, she published her memoir, Weeds Like Us, a vividly portrayed account of both the traumas of her youth (her parents’ suicides and her often-nightmarish experiences in the foster care system) and the hard-earned triumphs that have fueled her growth as an artist and in life.

Darling anchors the album’s core band, also featuring drummer W.F. Quinn Smith and bassist Ian Walker, with keyboardists Sasha Smith and Phil Parlapiano, guitarists John Schroeder and Robert “Chalo” Ortiz, Nick Maybury, and blues harp player TJ Norton also appearing on various songs. Ace guitarists Joe Bonamassa, Sue Foley, and Jesse Dayton put their stamps on their respective special guest appearances.

It’s a powerhouse set moving from the Chicago-via-Texas churn of “Masterpiece” (written by Darling and featuring searing guitar from Bonamassa) to the aching gospel-soul-funk of Bill Withers’ “The Same Love That Made Me Laugh,” to the haunting resignation of Bramhall’s “November” and Nelson’s torch ballad “Down So Low,” to the sly release “Hittin’ on Nothin’” – written by Allen Toussaint and originally sung by Irma Thomas, and blasting guitar, courtesy of Jesse Dayton.

She credits the band for bringing layers of dimensions to the songs. Aside from Darling, Parlapiano, and Schroeder, the main musicians were new to Magness, but as soon as the sessions began, she felt the fresh energy they brought.

“We tracked together live,” she says. “That’s one of the reasons that it sounds as solid as it does. And the other reason is because these guys have worked together on other albums with Dave and other projects, so they have a history. That brings an automatic intimacy to the backbone of the songs. And because they’re basically all a bunch of badasses.”

It’s that vulnerability that Magness sought in songs as she put Back for Me together, a search that took her deep into the mines of the blues and R&B for material she could internalize and personalize.

TRACK LISTING
Masterpiece (featuring Joe Bonamassa)
Back For Me
The Same Love That Made Me Laugh
November
Holes (featuring Sue Foley)
I Was Good To You Baby
You Can Bring Me Flowers
Down So Low
Do I Need You
Hittin’ On Nothin’ (featuring Jesse Dayton)

TOUR DATES
Feb 19-23        Montreal, Quebec         FAI
Mar 19             Pawling, NY                   Daryl’s House
Mar 20             Philadephia, PA             World Café Life
Mar 21             Rochester, NY               Mountain Stage
Mar 23             Syracuse, NY                443 Social Club – SOLD OUT
Mar 23             Syracuse, NY                443 Social Club – Matinee
Mar 26             Petaluma, CA                Mustic Theater – Krush on the Road
Mar 27             Bakersfield, CA              World Records Live
Mar 28             San Francisco, CA         Biscuits & Blues
Mar 29             Santa Monica, CA          McCabe’s
Apr 2                Seattle, WA                   The Triple Door
Apr 4                Derry, NH                      Tupelo Music Hall

Rhino Announces Release of David Lee Roth’s “The Warner Recordings 1985-1994”

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Rhino will unveil a very special David Lee Roth boxed set, The Warner Recordings 1985-1994, on February 21, 2025. It includes the first five solo releases recorded by the Rock and Roll Hall of Fame Inductee and original Van Halen lead vocalist in one comprehensive collection for the very first time. Spanning one of the greatest runs in rock ‘n’ roll history, the set offers lifelong fans and newcomers alike the chance to experience Crazy from the Heat [1985], Eat ‘Em and Smile [1986], Skyscraper [1988], A Little Ain’t Enough [1991], and Your Filthy Little Mouth [1994] in succession.

The Warner Recordings 1985-1994 arrives in multiple configurations, including 5CD at retailers nationwide and D2C online, digital on streaming platforms, and as a special 5LP version available only at Rhino.com. Pre-order HERE.

40 years ago this month, on January 28, 1985, Roth officially debuted as a solo artist with the Crazy from the Heat EP. It crashed the Top 15 of the Billboard 200 and reached RIAA Platinum status. Plus, he logged a pair of Billboard Hot 100 hits – the medley of “Just a Gigolo/I Ain’t Got Nobody” vaulted to #12, while his take on “California Girls” by The Beach Boys soared to #3, replicating the 1965 chart success of the original. Meanwhile, Crazy from the Heat would later serve as the title of his New York Times best-selling autobiography in 1997.

The EP paved the way for his first full-length solo LP, Eat ‘Em and Smile. Released on July 7, 1986, it bowed in the Top 5 of the Billboard 200 and eventually went RIAA Platinum. Roth hyper-charged his sound, accompanied by an all-star band consisting of Billy Sheehan [bass], Gregg Bissonette [drums], and Steve Vai [guitar]. Together, they served up anthems such as “Yankee Rose,” “Tobacco Road,” “That’s Life,” and more. KERRANG! notably christened it ”Album of the Year,” and he launched the seminal Eat ‘Em and Smile Tour in its wake.

1987 saw the platinum Skyscraper return Roth to the Top 10 of the Billboard 200, elevated by “Just Like Paradise.” Meanwhile, Roth kicked off the nineties with the gold-selling A Little Ain’t Enough in 1991. It marked his fourth straight Top 20 debut on the Billboard 200 and boasted fretwork from Jason Becker. Finally, he dropped Your Filthy Little Mouth in 1994, this time collaborating with none other than iconic producer Nile Rodgers [Madonna, David Bowie], churning out staples such as “She’s My Machine.”

David Lee Roth, a.k.a. “Diamond Dave,” shines as one of the most influential and impactful voices in rock ‘n’ roll history. Between his output as the original lead singer of Van Halen and a platinum solo artist, he has sold over 70 million records worldwide, garnered a GRAMMY Award nomination, and notably earned a Rock and Roll Hall of Fame® induction with Van Halen in 2007.

Crazy From The Heat
A1. Easy Street
A2. Just A Gigolo/I Ain’t Got Nobody
B1. California Girls
B2. Coconut Grove

Eat ‘Em and Smile
A1. Yankee Rose
A2. Shyboy
A3. I’m Easy
A4. Ladies’ Nite in Buffalo?
A5. Goin’ Crazy!
B1. Tobacco Road
B2. Elephant Gun
B3. Big Trouble
B4. Bump and Grind
B5. That’s Life

Skyscraper
A1. Knucklebones
A2. Just Like Paradise
A3. The Bottom Line
A4. Skyscraper
A5. Damn Good
B1. Hot Dog and a Shake
B2. Stand Up
B3. Hina
B4. Perfect Timing
B5. Two Fools A Minute

A Little Ain’t Enough
A1. A Lil’ Ain’t Enough
A2. Shoot It
A3. Lady Luck
A4. Hammerhead Shark
A5. Tell The Truth
A6. Baby’s On Fire
B1. 40 Below
B2. Sensible Shoes
B3. Last Call
B4. The Dogtown Shuffle
B5. It’s Showtime!
B6. Drop in the Bucket

Your Filthy Little Mouth
A1. She’s My Machine
A2. Everybody’s Got The Monkey
A3. Big Train
A4. Experience
A5. A Little Luck
A6. Cheatin’ Heart Café
A7. Hey, You Never Know
B1. No Big ‘Ting
B2. You’re Breathin’ It
B3. Your Filthy Little Mouth
B4. Land’s End
B5. Night Life
B6. Sunburn
B7. You’re Breathin’ It (Urban NYC Mix)

The Brian Setzer Orchestra’s 2000 Album Vavoom! Featuring “Gettin’ in the Mood” Re-Issue Drops in March on Limited 180g Colored Vinyl

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The Brian Setzer Orchestra is a swing band formed in 1992 by Stray Cats frontman Brian Setzer. Their debut self titled album was released in 1994, and was followed up in 1996 with Guitar Slinger. In 1998, for their breakout album The Dirty Boogie, the group covered Louis Prima’s “Jump, Jive An’ Wail”, which originally appeared on Prima’s 1957 album The Wildest! and found themselves with a runaway hit! The album’s success led to a massive tour which ran from fall of 1998 through the summer of 1999, including a performance at the infamous Woodstock 1999. The Dirty Boogie’s success was capped off with a Grammy win for Brian’s version of “Sleepwalk” for Best Pop Instrumental in 1999. That would just be the first Grammy that Brian would bring home with the Orchestra.

With the success of the recent Guitar Slinger and The Dirty Boogie reissues from the Brian Setzer Orchestra we are now excited to announce for the first time on vinyl since 2000, Vavoom!. Remastered on 180g vinyl in two amazing Limited-Edition Colors. There are only 300 of The Americano and 700 of the Caravan Yellow. Vavoom! is the fourth release from the Brian Setzer Orchestra featuring “Pennsylvania 6-5000” and “Getting’ In the Mood”. Setzer uses his Rock-a-Billy style in league with some of the best standards from the big band era to produce some very cool finger snapping, get-up-and-dance
tunes.

Watch “Getting’ In the Mood” below:

Vavoom! continues Setzer’s interpretation of the swing era, and he has made classic songs of a bygone era accessible again to a new audience, with classics like “Mack The Knife”, and “Caravan” which won him a Grammy Award for Best Pop Instrumental Performance in 2001 for his arrangement.

Tracklist:
1 Pennsylvania 6-5000
2 Jumpin’ East Of Java
3 Americano
4 If You Can’t Rock Me
5 Gettin’ In The Mood
6 Drive Like Lightning (Crash Like Thunder)
7 Mack The Knife
8 Caravan
9 The Footloose Doll
10 From Here To Eternity
11 That’s The Kind Of Sugar Papa Likes
12 ’49 Mercury Blues
13 Jukebox
14 Gloria

Discover Toronto’s Rich Past with Brian Gable’s ‘Toronto: A Sketchy History’

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Toronto is a city of stories—vibrant, bustling, and full of history. In Toronto: A Sketchy History, Brian Gable, a seven-time National Newspaper Award-winning political cartoonist, masterfully brings the city’s past to life through his signature wit and artistic talent.

Set to release on February 18, 2025, this captivating book offers a fresh, visual journey through Toronto’s evolution, from its humble beginnings as a military garrison to its rise as one of the most diverse metropolises in the world. Gable’s over seventy original sketches add a lively touch to key historical moments, offering a humorous yet insightful perspective that’s as entertaining as it is educational.

Readers will find themselves laughing and learning as Gable blends humour with history in a way only he can. From the founding of Fort York to Toronto’s modern skyline, Toronto: A Sketchy History highlights the moments that shaped the city’s character and charm.

Whether you’re a history buff, a Toronto local, or simply a fan of Gable’s iconic work, this book is a must-read. Gable’s brisk and engaging narrative, coupled with his brilliant illustrations, make for an unforgettable tribute to a city with a past as colourful as its present.

Pre-order your copy of Toronto: A Sketchy History today here, and prepare to see the city in a whole new way!

SiriusXM To Offer Live Broadcasts of TGL Presented by SoFi

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SiriusXM and TMRW Sports announced today that the SiriusXM PGA TOUR Radio channel will offer live broadcasts of matches from TGL presented by SoFi, the new prime time golf league led by Tiger Woods and Rory McIlroy.

TGL features six teams of PGA TOUR stars competing in a season-long competition from January through March, all set in the custom-built SoFi Center. TGL fuses golf with technology on an unprecedented scale. Using a mix of innovations throughout SoFi Center’s field of play, teams will face off in two-hour matches across 15 custom-designed holes in a hybrid of virtual and real-life action.

Tomorrow, January 14 (7 pm ET), SiriusXM will air live coverage of Tiger Woods’ first TGL match when his Jupiter Links Golf Club (Woods, Max Homa and Kevin Kisner) faces off against Los Angeles Golf Club (Collin Morikawa, Justin Rose and Sahith Theegala). SiriusXM’s Taylor Zarzour and John Maginnes will call shots live from SoFi Center on the campus of Palm Beach State College in Palm Beach Gardens, Fla., and listeners will also hear audio from the golfers themselves, who will be mic’d up throughout the competition.

Coverage will air on the SiriusXM PGA TOUR Radio channel, which is available to listeners in their cars on channel 92 and on the SiriusXM app.

The addition of TGL presented by SoFi adds to a robust lineup of golf play-by-play available to fans on SiriusXM PGA TOUR Radio. The channel features live coverage of most PGA TOUR events, major championships and other notable events such as the men’s and women’s collegiate championships.

In addition to airing on the SiriusXM PGA TOUR Radio channel, throughout the season, most TGL matches will also simulcast on ESPN Xtra, SiriusXM channel 81.