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Jeff Buckley’s Ethereal Legacy Comes Alive In Stunning New HBO Documentary

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The captivating new documentary It’s Never Over, Jeff Buckley premieres Thursday, December 4 on HBO and HBO Max, bringing audiences closer than ever to the musician who captured hearts worldwide. Oscar nominated filmmaker Amy Berg crafts an intimate portrait through rare archival footage and heartfelt conversations with those who knew Buckley best.

His mother Mary Guibert opens up alongside former partners Rebecca Moore and Joan Wasser, while bandmates Michael Tighe and Parker Kindren share precious memories from their time creating music together. Artists like Ben Harper and Aimee Mann reflect on Buckley’s profound influence on modern music.

The film explores how his otherworldly voice and boundary pushing artistry transformed the music landscape after the release of his acclaimed debut album Grace. Part of HBO’s celebrated Music Box documentary series, this latest installment reveals never before seen footage that illuminates the life and enduring impact of a true musical innovator. Buckley’s music continues to resonate with new generations of fans who discover his timeless recordings and connect with his authentic artistic vision.

Why Local Knowledge Matters in Dog Bite Cases

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By Mitch Rice

Dog bites can happen in a split second, leaving injuries that go beyond the surface. The pain is obvious, but the aftermath is often more complicated than most people expect. There are medical treatment, insurance paperwork, and legal questions that need attention. Handling these steps correctly can determine how smoothly a case moves forward. In Pennsylvania, knowing the local laws and having the right guidance makes all the difference.

A dog bite case is not just about showing what happened. It’s about proving responsibility, documenting injuries, and making sure your concerns are heard. This is where a Pennsylvania dog bite lawyer can help. They understand how local regulations work, how insurance companies operate in the area, and what types of evidence carry weight in these cases.

Gathering the Right Evidence

Collecting solid evidence is the first step in a dog bite claim. Without it, even a legitimate incident may not have the impact it deserves. Here’s what matters most:

  • Photos of the wound immediately after the incident and as it heals

  • Medical records and bills from doctors or hospitals

  • Notes on the circumstances, including time, place, and the dog’s owner if known

  • Witness statements that describe what happened

  • Any reports filed with local authorities, like animal control or police

Even minor details like the exact location of the bite or the dog’s behavior before the incident can help build a strong case. Lawyers in Pennsylvania often emphasize documenting everything because local courts value clear, precise records.

Timing and Action

Acting quickly can protect a claim from unnecessary complications. Reporting the bite, seeing a doctor, and contacting a lawyer as soon as possible helps establish the link between the injury and the incident. Pennsylvania has specific deadlines for personal injury claims, and missing them can make even strong cases hard to pursue.

Early action also helps with medical documentation. Notes made shortly after treatment can show the severity of the injury and its immediate impact. A dog bite lawyer knows how to use this information effectively to support the claim.

Common Mistakes to Avoid

Small mistakes can weaken a dog bite case. Here are some things to steer clear of:

  • Posting about the incident on social media

  • Delaying medical treatment or follow-up visits

  • Accepting the first insurance settlement without review

  • Forgetting to gather witness information

  • Ignoring minor injuries that could later become serious

Avoiding these missteps ensures the case stays strong and gives your lawyer the tools they need to make the best arguments.

Planning a Clear Strategy

Strategy in a dog bite case is about preparation, not aggression. Knowing how to present evidence, communicate with insurance companies, and track all costs related to the injury makes a big difference. Key points to consider include:

  • Understanding the true impact of the injury on daily life and work

  • Knowing when to negotiate and when to wait for a fair settlement

  • Keeping medical visits and therapy consistent and documented

  • Letting the lawyer handle tricky discussions with insurance providers

Local experience matters because lawyers familiar with Pennsylvania courts know what works and what doesn’t in their area.

Understanding Local Laws

Dog bite laws can vary from state to state, and Pennsylvania has specific rules regarding liability and reporting. Local attorneys know which details and records will matter most in a Pennsylvania courtroom. They also know the right experts, medical professionals, and local authorities whose testimony or documentation can support a claim.

Following guidance from reputable public health resources can also help you understand general safety measures, bite prevention, and proper care after an incident. These resources indirectly support a claim by showing awareness of safe practices.

Supporting Recovery and Documentation

A case also benefits from careful tracking of recovery. Notes on treatment progress, therapy sessions, and home care adjustments show how the injury affected daily life. Useful documentation includes:

  • Photos showing healing or complications

  • Records of therapy sessions and progress notes

  • Adjustments in work, school, or home routines due to the injury

  • Costs for treatment, medication, or special equipment

This information helps your lawyer present a complete picture and ensures the claim gets the attention it deserves.

Take Action to Protect Your Case

Dog bite cases require more than just medical attention. Evidence, timing, and strategy all work together to build a strong claim. Acting quickly, keeping careful records, and following the right steps can make a big difference in your case.

If you want your claim to be handled efficiently and fairly, reach out to a qualified Pennsylvania dog bite lawyer who can protect your rights and help secure the compensation you deserve.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Klaiyi HD Lace Wig and V Part Wig Review: Realistic Hairline, Breathability & Styling Tips

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BY Mitch Rice

The world of wig design has evolved dramatically over the last decade, and Klaiyi Hair has positioned itself as one of the leading brands providing high-quality, natural-looking, and beginner-friendly wig solutions. Two of their standout offerings—the HD lace wig and the V part wig—have become favorites among users seeking convenience, realism, and versatility. This comprehensive review explores how these wigs perform in terms of realism, breathability, and styling potential, along with practical tips to help you achieve flawless results.


What Sets Klaiyi HD Lace Wigs Apart?

HD (high-definition) lace wigs use an ultra-thin, delicate lace material designed to melt into the scalp more seamlessly than traditional transparent or Swiss lace. Klaiyi hair wig users particularly appreciate how natural the hairline appears, making it nearly undetectable. Whether you are styling your hair in sleek updos, side parts, or flowing curls, the HD lace offers a realistic finish that mimics natural hair growth, reducing the need for heavy customization.

1. Hyper-Realistic Hairline

One of the biggest advantages of Klaiyi’s HD lace is its translucency. When properly installed, the lace blends effortlessly regardless of skin tone. Pre-plucked hairlines and lightly bleached knots add to the realism, reducing the amount of customization required. Many wearers find this especially helpful if they are new to wig-installation techniques or prefer a quicker styling routine.

2. Breathability & Comfort

HD lace is extremely lightweight, making the wig significantly more breathable compared to thicker, traditional lace. This makes Klaiyi’s HD lace wigs comfortable for all-day wear, even in warm climates. The thin lace allows air to circulate more freely, reducing the chances of sweating and scalp irritation.

3. Styling Flexibility

Because of the natural appearance of the lace, Klaiyi HD lace wigs can be parted in multiple directions depending on the cap construction—free-part, middle-part, or three-part. Whether you prefer sleek and straight, voluminous curls, or natural waves, the lace lays flat enough to keep the style appearing seamless and natural.


Klaiyi V Part Wig Review: A No-Lace Alternative for Effortless Blending

For those who prefer a glueless, no-lace option with minimal installation time, Klaiyi wigs offer the V part design that allows you to achieve a flawless, natural look without the need for lace. The V-shaped opening at the top lets you blend your own leave-out hair seamlessly, creating a realistic part that looks like it’s growing directly from your scalp.

1. Natural Leave-Out for Realistic Results

The V part design allows your natural scalp to serve as the “part,” creating an extremely realistic appearance without the need for lace cutting, glue, or adhesive sprays. This makes V part wigs an excellent choice for women with sensitive skin or those who want a protective style that does not compromise comfort.

2. Maximum Breathability

Without lace or a heavy closure, the V part wig allows plenty of airflow to the scalp. This makes it one of the most breathable wig options on the market. You can access your natural scalp easily for moisturizing, oiling, or cleansing—ideal for maintaining hair health under a protective style.

3. Beginner-Friendly Installation

Installation requires no glue, gel, or heat. Simply braid your leave-out, attach the wig using its built-in clips, blend the natural hair at the part, and you’re ready to go. The entire process can take less than five minutes, making it perfect for busy mornings or newcomers to wigs. It also offers the flexibility to switch styles frequently without long preparation time.


Comparing Klaiyi HD Lace and V Part Wigs

Both wig types offer unique benefits:

Realism

  • HD Lace Wig: Offers the most realistic hairline option, especially suitable for styles where the hairline or edges are exposed.

  • V Part Wig: Looks incredibly natural at the part but depends on your leave-out blending.

Breathability

  • V Part Wig: Offers superior ventilation.

  • HD Lace Wig: Still breathable, but lace covers more surface area.

Maintenance

  • HD Lace Wig: Requires careful handling due to the delicate lace.

  • V Part Wig: Very low maintenance, especially for daily wear.

Installation

  • HD Lace Wig: May require adhesive, melting, and trimming.

  • V Part Wig: Completely glueless and ideal for beginners.


Styling Tips for the Best Results

1. For HD Lace Wigs

  • Tint the lace if needed to match your skin tone more precisely.

  • Use a blow dryer on warm settings to help melt the lace into your skin when applying adhesive.

  • Keep knots concealed with a light touch of foundation or powder along the part.

  • Avoid heavy oils on the lace, as they can cause lifting or discoloration.

2. For V Part Wigs

  • Match textures between your natural hair and the wig for flawless blending.

  • Use light leave-in conditioners on your leave-out to avoid weighing it down.

  • Consider heatless blending techniques, such as using perm rods or braid-outs, to protect your natural hair from heat damage.

  • For extra security, adjust the clips and combs to prevent shifting during wear.


Final Thoughts: Which Wig Should You Choose?

If your top priorities are a photo-ready hairline, versatility, and highly natural styling options, the Klaiyi HD lace wig is the ideal choice. Its delicate lace, realistic hairline, and flexibility make it perfect for anyone who loves to experiment with different looks.

If you value comfort, breathability, and ease of use, or you want a protective style that still allows your natural hair to shine through, the V part wig from Klaiyi wigs is a standout option. It’s especially appealing for wig beginners, busy professionals, and those who want a low-maintenance alternative.

Both wigs offer excellent quality and can elevate your hair game depending on your styling needs and lifestyle. Whether you want dramatic glam or everyday natural beauty, Klaiyi provides reliable options that blend beauty, convenience, and craftsmanship.

Whole House Water Softeners: What Happens Inside the Tank?

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By Mitch Rice

Water is an integral part of our daily lives. Still, there are a handful of homeowners who are aware that its quality impacts every aspect of life- from personal comfort to plumbing systems. Hard water contains high levels of magnesium and calcium, which can silently wear down pipes. As a result, it minimizes the appliance’s efficiency and results in unpleasant scale buildup on fixtures and faucets.

Here, whole-house water softeners play a crucial role. It is essential to understand the science behind it, which establishes why they are a must for every home water treatment.

  • What results in hard water?

Hard water exists naturally, the way groundwater flows through deposits of chalk, gypsum, and limestone, collecting magnesium and calcium ions. These minerals don’t cause any harm to your health. Still, they can result in ineffective scaling. As time passes, the development of limescale limits water flow, lessens the lifespan of appliances, and increases energy usage in dishwashers and heaters.

The level of hardness is generally evaluated in GPG (grains per gallon). Any amount that exceeds 7 GPG is called ‘hard’. In several regions of the United States, this threshold is often surpassed. When it comes to treating this, whole house water softeners prove to be helpful.

  • What goes within the softener tank?

The primary process in most whole-house water softeners is known as ion exchange. It is a scientific process that eliminates hardness-causing minerals from water. If one searches inside a resin tank, they will find innumerable small resin beads composed of polystyrene coated with potassium and sodium ions. The moment hard water passes through the resin bed, all the positively charged magnesium and calcium ions are attracted to the negatively charged beads.

In a single exchange, the resin releases potassium or sodium ions into the water. It can replace magnesium and calcium ions. This reaction can soften the water as the minerals responsible for hardness are held and captured by the resin. As a result, you will notice that the water starts to flow freely. It also leaves behind no mineral debris, and when you use a soap, it lathers easily.

  • Smart water technology goes beyond ordinary softening

The improvement in water treatment has been achieved through advanced softening systems that address the hardness levels in the water. They also manage the cycles automatically and forward performance alerts to the users. Additionally, these innovative and new-age systems can minimize the maintenance and optimize salt consumption. They also ensure that the soft water delivery is consistent across your house.

Furthermore, the latest whole-house water softeners utilize demand-initiated and metered regeneration. This means that the system is regenerated as needed, depending on water use, thereby conserving both water and salt.

Final words

It is essential to know all that takes place inside a tank, as that helps you appreciate the water softening systems. You realize that it has much more to offer compared to mere filtration. It is a chemical exchange process that can change the water quality. By selecting a well-engineered system, homeowners can secure their plumbing, extend the lifespan of their appliances, and enhance daily comfort.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

CRTC Updates Definition of Canadian Content To Better Support Canadian Stories and Creators

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The CRTC is taking another step forward to implement the modernized Broadcasting Act (the Act) by updating the definition of Canadian content for television and online streaming services.

The Act requires the CRTC to modernize Canada’s broadcasting framework and ensure that online streaming services make meaningful contributions to Canadian and Indigenous content.

As part of this work, the CRTC held a broad public consultation to review the definition, which determines whether a television show or movie qualifies as Canadian. The CRTC awards points when Canadians occupy key creative roles, such as director and screenwriter, which helps ensure that stories are told from their own unique perspectives.

During the consultation, the CRTC received 480 detailed submissions and held a three-week public hearing where it heard from 78 groups, including creators, broadcasters, online streaming services, and individuals.

Based on the public record, the CRTC is updating the definition to reflect how content is created today. This definition recognizes a wider range of creators and helps support Canadian creative industries. The CRTC is also giving traditional broadcasters and online streaming services flexibility to invest in and promote Canadian content, while ensuring that Canadians maintain meaningful control and benefit from their work. 

This decision follows a number of actions the CRTC has taken to implement the modernized Act. To find out more, check out the CRTC’s regulatory plan.

Quick facts

  • The CRTC is an independent quasi-judicial tribunal that regulates the Canadian communications sector in the public interest. The CRTC holds public consultations on telecommunications and broadcasting matters and makes decisions based on the public record.
  • The CRTC is fulfilling the mandate given to it by Parliament to modernize Canada’s broadcasting framework.
  • This is the first of two decisions stemming from this broad public consultation. The second will address spending on Canadian programs, including news, and will be published in the near future.

Mötley Crüe Announces Massive 2026 North American Tour

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Iconic rock band Mötley Crüe announce THE RETURN OF THE CARNIVAL OF SINS, a major 2026 North American tour celebrating two milestones: the 20th anniversary of the groundbreaking 2005-2006 Carnival of Sins tour and the 45th anniversary of the band.

The run will bring Mötley Crüe’s high-impact live show — renowned for its explosive production, unforgettable visuals, and decades-spanning catalog — to fans across the U.S. and Canada next summer. Produced by Live Nation, the tour will stop in 33 cities across North America and feature performances by very special guests Tesla and Extreme.

When the Carnival of Sins Tour first hit the road in 2005, it wasn’t just a concert — it was a full-scale production that pushed the limits of live shows. It combined grit, humor, and high-voltage energy with elaborate staging and a sense of chaos that only Mötley Crüe could pull off. Two decades later, fans will have the chance to experience The Return Of The Carnival Of Sins as Mötley Crüe revisits one of the most memorable live tours of their storied career with a reimagined show and updated setlist.

“Bringing back the spirit of Carnival of Sins has been a blast, and we wanted to take it even further for its 20th anniversary. This new show is for the Crüeheads who’ve been with us through it all and for the new Crüeheads who didn’t get to experience Carnival of Sins last time around. Get ready — we’re coming your way and we can’t wait to see you next summer,” Mötley Crüe said in a joint statement.

TICKETS: General onsale begins Friday, November 21 at 9AM local time. VIP packages will be available for purchase starting Wednesday, November 19 at 9AM local time. More information can be found at motley.com.

Through the Mötley Crüe Giveback Initiative, $1 from every ticket will be donated to ASAP! (After School Arts Program), a cause close to the hearts of the band members. With federal grants to music programs in schools being cut, millions of children across the U.S. risk losing access to creative, life-changing education and experiences in the arts. ASAP!’s mission is to nurture resilient, empathetic young people through hands-on programs in music, art, writing, theater, and play.

Coinciding with today’s tour announcement, Mötley Crüe’s Theatre Of Pain 40th Anniversary Deluxe box set is out now and available HERE. A must-have for fans and collectors alike, the box set features reimagined artwork, the newly remastered album on color vinyl, a never-before-released 1985 Long Beach live concert (2LP), rare demo recordings (1LP), and a 76-page hardcover book packed with never-before-seen photos and memories from Mötley Crüe’s Theatre of Pain era. This definitive set captures the raw energy and spirit of the band and is available only for a limited time.

THE RETURN OF THE CARNIVAL OF SINS – 2026 TOUR DATES:

Fri, Jul 17, 2026 — Burgettstown, PA — The Pavilion at Star Lake

Sat, Jul 18, 2026 — Buffalo, NY — Darien Lake Amphitheater

Mon, Jul 20, 2026 — Clarkson, MI — Pine Knob Music Theatre

Wed, Jul 22, 2026 — Toronto, ON — RBC Amphitheatre

Fri, Jul 24, 2026 — Gilford, NH — BankNH Pavilion

Sat, Jul 25, 2026 — Bangor, ME — Maine Savings Amphitheater

Mon, Jul 27, 2026 — Camden, NJ — Freedom Mortgage Pavilion

Wed, Jul 29, 2026 — Saratoga Springs, NY — Saratoga Performing Arts Center

Fri, Jul 31, 2026 — Holmdel, NJ — PNC Bank Arts Center

Sat, Aug 1, 2026 — Mansfield, MA — Xfinity Center

Mon, Aug 3, 2026 — Bristow, VA — Jiffy Lube Live

Wed, Aug 12, 2026 — Alpharetta, GA — Ameris Bank Amphitheatre

Fri, Aug 14, 2026 — West Palm Beach, FL — iTHINK Financial Amphitheatre

Sat, Aug 15, 2026 — Tampa, FL — MIDFLORIDA Credit Union Amphitheatre

Mon, Aug 17, 2026 — Charlotte, NC — PNC Music Pavilion

Wed, Aug 19, 2026 — St. Louis, MO — Hollywood Casino Amphitheater

Fri, Aug 21, 2026 — Shakopee, MN — Mystic Lake Amphitheater

Sat, Aug 22, 2026 — Tinley Park, IL — Credit Union 1 Amphitheatre

Mon, Aug 24, 2026 — Cuyahoga Falls, OH — Blossom Music Center

Tue, Aug 25, 2026 — Cincinnati, OH — Riverbend Music Center

Thu, Aug 27, 2026 — Grand Rapids, MI — Acrisure Amphitheater

Fri, Aug 28, 2026 — Noblesville, IN — Ruoff Music Center

Tue, Sep 8, 2026 — Kansas City, MO — Morton Amphitheater

Thu, Sep 10, 2026 — Dallas, TX — Dos Equis Pavilion

Fri, Sep 11, 2026 — Houston, TX — The Cynthia Woods Mitchell Pavilion

Sun, Sep 13, 2026 — Albuquerque, NM — Isleta Amphitheater

Wed, Sep 16, 2026 — Phoenix, AZ — Talking Stick Resort Amphitheatre

Fri, Sep 18, 2026 — Chula Vista, CA — North Island Credit Union Amphitheatre

Sat, Sep 19, 2026 — Long Beach, CA — Long Beach Amphitheater

Mon, Sep 21, 2026 — Salt Lake City, UT — Utah First Credit Union Amphitheatre

Wed, Sep 23, 2026 — Wheatland, CA — Toyota Amphitheatre

Thu, Sep 24, 2026 — Mountain View, CA — Shoreline Amphitheater

Sat, Sep 26, 2026 — Ridgefield, WA – Cascades Amphitheater

There I Ruined It’s Dustin Ballard Turns 50 Country Voices Into One Perfectly Ridiculous “Cold Beer” Anthem

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Dustin Ballard of There I Ruined It just dropped the country mashup nobody knew they needed but everyone’s already obsessed with. The viral wizard stitched together vocal clips from 50 different country artists, each one delivering their best cold beer moment, then transformed the whole thing into a brilliantly absurd ode to country music’s most beloved refreshment. It’s genius, it’s goofy, and it’s exactly what the internet ordered.

Eric Church Takes ‘Evangeline vs. The Machine’ to IMAX Theaters This February With Groundbreaking Cinematic Concert Experience

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With today’s official trailer release unveiled exclusively on “TODAY,” 11-time GRAMMY nominee Eric Church offers a preview of the cinematic experience awaiting fans this February, when his celebrated 2025 album Evangeline vs. The Machine – alongside several of his most renowned hits – releases exclusively in IMAX theaters across the U.S. and Canada. A full list of locations is available via IMAX.com/EricChurch along with tickets to the limited engagement on sale now.



In a first-ever collaboration among IMAX, MCA, Mercury Studios and Q Prime South, the limited theatrical release is a must-see for fans. The film offers a unique perspective for viewers that can only be achieved in IMAX. The concert includes Church performing his GRAMMY-nominated eighth studio album front-to-back before transitioning into his catalog hits including “Desperate Man,” “Give Me Back My Hometown,” “Sinners Like Me,” “Mistress Named Music” and “Springsteen,” all reimagined with a six-piece band, four-piece horns, four-piece strings, eight-piece choir and vocalist Joanna Cotten. Filmed across two nights at The Pinnacle in Nashville, Tenn., the performance comes to life with IMAX’s groundbreaking 12-channel sound and unparalleled image quality and scale.

“This project was never about fitting into a box – it’s about breaking the damn thing wide open,” shares Church. “Seeing it in IMAX takes that to another level. The scale and sound experience is like nothing else.”

Coinciding with the theatrical release, Church will also unveil a 19-track live album, Evangeline vs. The Machine: Comes Alive (Original Motion Picture Soundtrack). Pre-order / pre-save via MCA HERE, with preview tracks “Desperate Man (Live At The Pinnacle, Nashville, TN / May 24, 2025)” available HERE and “Knives Of New Orleans (Live At The Pinnacle, Nashville, TN / May 24, 2025)” available HERE.

Meanwhile, Church’s acclaimed Free The Machine Tour continues across the country, with 24 newly announced 2026 dates on sale now via EricChurch.com

For more information on all to come, visit EricChurch.com and follow on Facebook and Twitter/X@ericchurch and on Instagram @ericchurchmusic.

Evangeline vs. The Machine Comes Alive Performers:
Eric Church, Lead Vocals and Guitar
Joanna Cotten, Vocals
Lee Hendricks, Bass
Craig Wright, Drums
Jeff Cease, SR Guitar
Jeff Hyde, Utility/BGV
Driver Williams, SL Guitar
John Henry Trinko, Keys

April Rucker, Choir Lead Alto
Maureen Murphy, Soprano
Amanda Broadway, Soprano
Devonne Fowlkes Alto
Samson White, Tenor
Armand Hutton, Bass
Gregory Breal Jr., Bass
Moiba Mustafa, Tenor

Roy Agee, Trombone
Evan Cobb, Saxophone
Michelle McClary, French Horn
Jeffrey Bailey, Trumpet

Eleonore Denig, Violin
Patrick Monnius, Viola
Kaitlyn Raitz, Cello
Kristin Weber, Violin

Evangeline vs. The Machine: Comes Alive is Directed by Reid Long and Executive Produced by Barak Moffitt, Andrea Dunn, Mike Harris, Rob Femia and John Peets. Church is represented by WME, Q Prime South and MCA Nashville.

Evangeline vs. The Machine Comes Alive Track List:
1. Hands Of Time (Live At The Pinnacle, Nashville, TN / May 24, 2025)
2. Bleed On Paper (Live At The Pinnacle, Nashville, TN / May 24, 2025)
3. Johnny (Live At The Pinnacle, Nashville, TN / May 24, 2025)
4. Storm In Their Blood (Live At The Pinnacle, Nashville, TN / May 24, 2025)
5. Darkest Hour (Live At The Pinnacle, Nashville, TN / May 24, 2025)
6. Evangeline (Live At The Pinnacle, Nashville, TN / May 24, 2025)
7. Rocket’s White Lincoln (Live At The Pinnacle, Nashville, TN / May 24, 2025)
8. Clap Hands (Live At The Pinnacle, Nashville, TN / May 24, 2025)
9. Desperate Man (Live At The Pinnacle, Nashville, TN / May 24, 2025)
10. Give Me Back My Hometown (Live At The Pinnacle, Nashville, TN / May 24, 2025)
11. Homeboy (Live At The Pinnacle, Nashville, TN / May 24, 2025)
12. Sinners Like Me (Live At The Pinnacle, Nashville, TN / May 24, 2025)
13. Creepin’ (Live At The Pinnacle, Nashville, TN / May 24, 2025)
14. Knives Of New Orleans (Live At The Pinnacle, Nashville, TN / May 24, 2025)
15. Smoke A Little Smoke (Live At The Pinnacle, Nashville, TN / May 24, 2025)
16. The Outsiders (Live At The Pinnacle, Nashville, TN / May 24, 2025)
17. Hell Of A View (Live At The Pinnacle, Nashville, TN / May 24, 2025)
18. Mistress Named Music (Live At The Pinnacle, Nashville, TN / May 24, 2025)
19. Springsteen (Live At The Pinnacle, Nashville, TN / May 24, 2025)

Remaining 2025 Free the Machine Tour Markets, Venues and Special Guests:
Nov. 14 || Fresno, Calif. || SaveMart Center || Charles Wesley Godwin
Nov. 15 || Inglewood, Calif. || Intuit Dome || Charles Wesley Godwin

2026 Free the Machine Tour Markets, Venues and Special Guests:
Jan. 22 || Washington, D.C. || The Anthem || Caylee Hammack
Jan. 23 || Washington, D.C. || The Anthem || Caylee Hammack
Feb. 5 || Omaha, Neb. || CHI Health Center || Ella Langley
Feb. 6 || Sioux Falls, S.D. || Denny Sanford PREMIER Center || Ella Langley
Feb. 7 || St. Paul, Minn. || Grand Casino Arena || Ella Langley
Feb. 12 || Toronto, Ont. || Scotiabank Arena || Ella Langley
Feb. 13 || Buffalo, N.Y. || KeyBank Center || Ella Langley
Feb. 14 || Albany, N.Y. || MVP Arena || Ella Langley
Feb. 19 || North Little Rock, Ark. || Simmons Bank Arena || 49 Winchester
Feb. 20 || Kansas City, Mo. || T-Mobile Center || 49 Winchester
Feb. 21 || St. Louis, Mo. || Enterprise Center || 49 Winchester
Feb. 26 || Tulsa, Okla. || BOK Center || Stephen Wilson Jr.
Feb. 27 || Fort Worth, Texas || Dickies Arena || Stephen Wilson Jr.
Feb. 28 || Austin, Texas || Moody Center || Stephen Wilson Jr.
Mar. 5 || Knoxville, Tenn. || Thompson-Boling Arena at Food City Center || 49 Winchester
Mar. 6 || Greensboro, N.C. || First Horizon Coliseum || 49 Winchester
Mar. 7 || North Charleston, S.C. || North Charleston Coliseum || 49 Winchester
Mar. 19 || Birmingham, Ala. || Legacy Arena at the BJCC || 49 Winchester
Mar. 20 || Atlanta, Ga. || State Farm Arena || 49 Winchester
Mar. 27 || Hollywood, Fla. || Hard Rock Live || Kashus Culpepper
Apr. 3 || Greenville, S.C. || Bon Secours Wellness Arena || Ashley McBryde
Apr. 4 || Charlotte, N.C. || Spectrum Center || Ashley McBryde
Apr. 10 || Jacksonville, Fla. || VyStar Veterans Memorial Arena || Ashley McBryde
Apr. 11 || Tampa, Fla. || Benchmark International Arena || Ashley McBryde

Tucker Wetmore Goes Wild West in Star-Studded “Brunette” Music Video Featuring Hannah Godwin and Joey Graziadei

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Country’s hottest rising star Tucker Wetmore releases the star-studded music video for his viral hit, “Brunette,” out now. Filmed at the historic Bonanza Creek Ranch in Sante Fe, New Mexico and directed by Wetmore and Chase Foster, the cinematic video casts Wetmore as a small-town sheriff on the hunt for a brunette outlaw.
 
Featuring Bachelor Nation standouts Hannah Godwin and Joey Graziadei, the Wild West storyline centers around a “WANTED: Alive – A Brunette” poster that sets the chase in motion – ending with Wetmore finally finding the woman he’s been searching for.



The upbeat “Brunette” continues to be a standout from Wetmore’s debut album What Not To, bursting with swagger and irresistible energy. The track turns heartbreak into a tongue-in-cheek confession as Wetmore vows to leave his old type behind. Driven by quick-fire guitars and a confident vocal, “Brunette” captures the easy charm and wit that have quickly become trademarks of Wetmore’s style, bringing Holler to declare it as a “powerful pop country anthem perfect for speeding along to and pounding the dash” while Country Central tapped it as “just downright giddy.”
 
The new music video arrives ahead of the 2025 CMA Awards, where Wetmore will appear as both a New Artist of the Year nominee and a performer. His latest Country radio single, “3,2,1,” is also rapidly approaching the Top 5. The single is off of his critically acclaimed debut album What Not To (Back Blocks/MCA/Mercury Records), which made history as the biggest country album debut from a new artist in 2025.
 
He also recently announced his headlining TheBrunette World Tourlaunching this February with dates across the U.S., UK and EU. Wetmore will be joined by special guests DashaCarter Faith and Jacob Hackworth for select dates. With early sell-outs already prompting two additional shows in London and venue upgrades, limited tickets are available for purchase at tuckerwetmore.com. A portion of every ticket sold supports Face the Fightsupporting suicide prevention and mental health treatment for veterans.
 

The Brunette World Tour Dates:
Feb. 12, 2026 in Boston, Mass. at Roadrunner *+
Feb. 13, 2026 in New York, N.Y. at Terminal 5 *+
Feb. 14, 2026 in Harrisburg, Penn. at Pennsylvania Farm Show Complex
Feb. 21, 2026 in Okeechobee, Fla. at Fred Smith Rodeo Arena *
Feb. 22, 2026 in Hollywood, Fla. at Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood *
Feb. 26, 2026 in Minneapolis, Minn. at The Armory *+
Feb. 27, 2026 in St. Louis, Mo. at The Factory *+
Feb. 28, 2026 in Durant, Okla. at The Grand Theater – Choctaw Casino & Resort *
April 8, 2026 in Zurich, CH at Kaufleuten ~
April 9, 2026 in Cologne, DE at Carlswerk Victoria ~
April 10, 2026 in Brussels, BE at La Madeleine ~
April 12, 2026 in Copenhagen, DK at Vega Main Hall ~
April 13, 2026 in Stockholm, SE at Nalen ~
April 14, 2026 in Oslo, NO at Rockefeller Music Hall~
April 16, 2026 in Hamburg, DE at Fabrik ~
April 17, 2026 in Amsterdam, NL at Melkweg Max ~
April 20, 2026 in Dublin, IE at The Academy ~
April 21, 2026 in Belfast, N.I. at Ulster Hall ~
April 23, 2026 in Glasgow, UK at O2 Academy Glasgow~
April 24, 2026 in Manchester, UK at Manchester Academy ~
April 26, 2026 in Birmingham, UK at O2 Academy Birmingham ~
April 28, 2026 in London, UK at O2 Forum Kentish Town ~
April 29, 2026 in London, UK at O2 Forum Kentish Town ~
April 30, 2026 in London, UK at O2 Forum Kentish Town ~

* with special guest Dasha
+ with special guest Jacob Hackworth
~ with special guest Carter Faith

The Azrieli Foundation Announces 2026 Azrieli Music Prizes Laureates

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Today, the Azrieli Music, Arts and Culture Centre (AMACC) named four outstanding composers as the 2026 Azrieli Music Prizes (AMP) Laureates. Created in 2014 by Dr. Sharon Azrieli CQ for the Azrieli Foundation, the biennial Azrieli Music Prizes celebrate excellence in music composition.

Congratulations to Hana Ajiashvili, who won the Azrieli Prize for Jewish Music; Dalit Hadass Warshaw, who received the Azrieli Commission for Jewish Music; Nicholas Denton Protsack, who was awarded the Azrieli Commission for Canadian Music; and Adrian Mocanu, who won the Azrieli Commission for International Music.

“We are proud to announce the 2026 AMP Laureates. It is a privilege to celebrate their remarkable creativity and a joy to share their impressive ideas for what can be expressed through classical music today,” says Dr. Sharon Azrieli CQ. “The Azrieli Music Prizes were designed to identify exceptional composers and to support them in creating future masterworks. We give them every resource to create great music, then bring it to global audiences, both on stage and in recordings. Beyond the premiere, we champion their compositions for continued success. We look forward to presenting these works at next year’s Gala concert with our wonderful partner, the Orchestre symphonique de Montréal, and in many subsequent performances for years to come.”

Offering the most substantial awards of its kind in Canada, AMP has become one of the most significant composition competitions in the world. Each laureate receives a prize package valued at over CAD 250,000, including a cash award of CAD 50,000; a performance of their work by the Orchestre symphonique de Montréal and OSM Chorus, conducted by Asher Fisch, at the AMP Gala Concert on October 15, 2026; two subsequent international performances; and a commercial recording of their prize-winning work, also featuring the OSM.

“An orchestra must be as alive as the world it reflects. Playing the music of today is both a responsibility and a privilege — it is how we stay connected to the pulse of our time and ensure that our art form continues to evolve, inspire, and resonate with future generations,” says Mélanie La Couture, President and CEO of the Orchestre symphonique de Montréal.

“Each new score expands our horizon, allowing audiences to experience the thrill of creation in the present moment. By performing the works of living composers, we invest in the future of our art and reaffirm the Orchestra’s role as a vital force in contemporary culture. The most sincere thanks to the Azrieli Foundation, a cherished partner of the OSM. It is a pleasure to be part of the Azrieli Music Prizes once again.”

Each AMP competition cycle focuses on a specific instrumentation category. The four 2026 works will be for choir with orchestra and optional soloists.

This year, three distinguished jury panels — consisting of composers, musicologists, conductors and producers — selected the winning submissions. The juries included Barbara Assiginaak C.M. O.Ont., Ofer Ben-Amots, Gisèle Ben-Dor, Chaya Czernowin, Margareta Ferek-Petrić, Jonathan Goldman, Daniel Kidane, Neil W. Levin, Samy Moussa, Steven Mercurio, David Pay, Colleen Renihan, Ana Sokolović, Na’ama Zisser and past AMP Laureates Avner Dorman and Kelly-Marie Murphy.

ABOUT THE LAUREATES 

Hana Ajiashvili — Azrieli Prize for Jewish Music

The Azrieli Prize for Jewish Music is awarded to a composer who has written the best undiscovered work of Jewish music. Hana Ajiashvili received the 2026 Prize for her 2022 work Riddle, which transforms poet Yehuda Halevi’s haunting medieval verse into a powerful meditation on persecution and resilience.

Hana Ajiashvili is a Georgian-Israeli composer whose music is performed internationally by leading ensembles, including the Meitar Ensemble (Tel Aviv), Musica Nova (Tel Aviv), Ensemble XXI Century (Vienna), The Jerusalem Symphony Orchestra, Momenta Quartet (NYC), Mivos Quartet (NYC), Continuum (NYC), Reconsil (Vienna), defunensemble (Finland), Riot Ensemble (London) and Trio Catch (Hamburg). Her works appear at festivals worldwide, including Heroines of Sound (Berlin), CEME (Tel Aviv), Arco (Salzburg), ISCM World New Music Days, the Asian Composers League Festival, Sound Roads (St. Petersburg), Dresden Nights, Ha-Teiva Marathon, Tzlil Meudcan Festival (Tel Aviv), SaxOpen (Strasbourg), Moscow Autumn and Alternativa (Moscow). 

Ajiashvili has received the Israel Contemporary Players’ Young Israeli Composers Prize (2004), the Prime Minister’s Award for Composers (2008, 2021), the Acum Award (2017) and first prizes at the Contempus – University of Macedonia (2022) and Luxembourg International Composition Competition “Artistes in Herbe” (2025). She studied in Tbilisi, Moscow and in Tel Aviv at the Bar-Ilan University, where she directs the Or Yehuda Conservatory. She has received multiple commissions from the Ernst von Siemens Music Foundation, including Zoominout (2011) and Impossible Sketches (2023). She collaborated with librettist Royce Vavrek on the opera Cut Glass (2020) and the oratorio Philosophies (2023).

Dalit Hadass Warshaw — Azrieli Commission for Jewish Music

The Azrieli Commission for Jewish Music is awarded to encourage composers to creatively and critically engage with the question, “What is Jewish music?” It is given to the composer who displays the utmost creativity, artistry, technical mastery and professional expertise in their response to this question. 

Dalit Hadass Warshaw’s proposed work Letter From Across the River tells the true story of her great-grandfather in war-torn Poland, who swam across the Bug River to send a farewell letter before returning to face his fate with his family. Known for her lush, expressive orchestral palette and deeply lyrical writing, Warshaw relays this final act of love through what will be a work of sweeping emotion and shimmering color.  

American composer, pianist and thereminist Dalit Hadass Warshaw’s music has been performed internationally by ensembles including the New York Philharmonic, the Israel Philharmonic Orchestra, the Boston Symphony Orchestra, the Albany Symphony and the NDR Elbphilharmonie Orchestra. Her works Conjuring Tristan and Sirens: A Concerto for Theremin and Orchestra have been praised for their lyricism and emotional depth. Her debut orchestral album, Dalit Hadass Warshaw: Sirens (BMOP/sound, 2025), featuring the Boston Modern Orchestra Project conducted by Gil Rose, was described by The Boston Globe as “sublimely expressive.” Warshaw’s honors include a Guggenheim Fellowship, the Goddard Lieberson Fellowship from the American Academy of Arts and Letters, the Copland House Residency Award and multiple MacDowell Fellowships. A former composition faculty member at the Boston Conservatory and Juilliard, she currently teaches at the Mannes School of Music and Brooklyn College (CUNY). 

Nicholas Denton Protsack — Azrieli Commission for Canadian Music

The Azrieli Commission for Canadian Music is offered to a Canadian composer to create a new musical work that engages with the complexities of composing concert music in Canada today. This year, the jury selected Nicholas Denton Protsack for his proposed work Height of Land, for orchestra, chorus and solo cello, in which he reimagines what it means to write Canadian music through the lens of environmental listening and renewal. The work will invite listeners into a sound world where land, water and voice converge in a living, breathing musical ecosystem.

New Zealand–based Canadian composer and cellist Nicholas Denton Protsack creates music that explores connections between sound, ecology and improvisation. Described by the Canadian Music Centre as a “composer to keep a close eye on,” his works have been performed across North America, Europe and New Zealand. Named the SOCAN Emerging Composer-in-Residence with the National Youth Orchestra of Canada in 2025, Denton Protsack is also a recipient of the BMI Foundation Student Composer Award and several SOCAN Young Composer Awards.

His music has been commissioned by ensembles and organizations including Stroma (New Zealand), the National Youth Orchestra of Canada, the Toronto Summer Music Festival and Ensemble for These Times (E4TT). A dedicated cellist, Denton Protsack performs widely as a soloist and chamber musician and is founder of Whatnot Records, an independent label devoted to experimental and cross-genre projects. He holds a PhD in composition from Victoria University of Wellington.

Adrian Mocanu — Azrieli Commission for International Music

The Azrieli Commission for International Music is offered to a composer who engages deeply in an interplay of cultures meaningful to their lived experience. 2026 laureate Adrian Mocanu’s proposed work, de l’encra escafada (“from faded ink”), will resurrect the lost voices of the trobairitz—the female troubadours of medieval Provence—through complex choral textures and the haunting sonority of four violas da gamba. Inspired by the lone surviving song of Beatriz de Dia, the work will become an act of musical reclamation, where fragments of forgotten language and melody reassemble into living echoes of the past.

Romanian-Ukrainian composer Adrian Mocanu has received international recognition through awards such as the Frederic Mompou International Award (2017), the Borys Lyatoshynsky Composition Competition (2021) and the Mauricio Kagel Composition Competition (2022). His works have been performed across Europe and the Americas by leading ensembles including Ensemble Musikfabrik, Ensemble Recherche, Maulwerker, Ensemble Mosaik and the Barcelona Modern Ensemble.

Mocanu has held residencies and fellowships with Ensemble Recherche (Germany), Casa de Velázquez (Spain), the Odyssée program (France), the Royal Academy of Spain in Rome (2025) and the Weltoffenes Berlin Fellowship with Maulwerker (2024). He studied composition at the National Music Academy of Ukraine and the Centro Superior de Enseñanza Musical Katarina Gurska in Madrid. His recent commission from the DEBUT Classical Singing Competition (Germany, 2024) reflects his growing reputation as a distinctive voice among the new generation of European composers. 


About the Azrieli Music Prizes 

Created in 2014 by Dr. Sharon Azrieli CQ for the Azrieli Foundation, the biennial Azrieli Music Prizes (AMP) offers opportunities for discovering, creating, performing and celebrating excellence in music composition. Open to the international music community, AMP accepts nominations for works from individuals and institutions of all ages, nationalities, faiths and genders, which are then submitted to its expert juries through an open call for scores and proposals. 

The four AMP prize packages — now valued at CAD 250,000 per laureate — make it the top music composition competition in Canada and one of the largest in the world. Past prize- winners include Georgian-Israeli composer Josef Bardanashvili (2024), Israeli composer Yair Klartag (2024), Mexican composer Juan Trigos (2024), Iranian-Canadian composer Iman Habibi (2022), Israeli-Canadian composer Aharon Harlap (2022), Canadian composers Jordan Nobles (2024), Rita Ueda (2022), Keiko Devaux (2020), Kelly-Marie Murphy (2018) and Brian Current (2016), Dutch-born American composer Yotam Haber (2020), Israeli-Australian composer Yitzhak Yedid (2020), Israeli-American composer Avner Dorman (2018) and US-based Polish composer Wlad Marhulets (2016).