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Global Movie Production Market Set to Surge with Digital Expansion and Streaming Boom

Eric Alper
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Global Movie Production Market Set to Surge with Digital Expansion and Streaming Boom

The global movie production market size is estimated to grow by USD 90.4 billion from 2025-2029, according to Technavio. The market is estimated to grow at a CAGR of  14.6%  during the forecast period. Growing popularity of global box office is driving market growth, with a trend towards increased focus on digital movie screens. However, growing threat of piracy  poses a challenge. Key market players include A24 Films LLC, Annapurna Productions LLC, Anonymous Content, Dharma Productions Pvt. Ltd., Eros International Media Ltd., Legend Pictures LLC, Lions Gate Entertainment Corp., MGM Studios, Paramount Global, RatPac Entertainment LLC, Red Chillies Entertainments Pvt. Ltd., Sony Pictures Entertainment Inc., Storyteller Distribution Co. LLC, Technicolor SA, The Walt Disney Co., UltraV Holdings LLC, Universal Pictures, Village Roadshow Ltd., Warner Bros. Entertainment Inc., and Yash Raj Films Pvt. Ltd..

Movie production market is witnessing significant trends in 2021. Theaters are reopening with safety protocols, but the shift to digital platforms continues. 3D films and virtual reality (VR) are gaining popularity. IPTV, Digital newspapers, DTH, and digital cable are competing with streaming platforms for audience engagement. Millennials prefer online streaming market for movies, music & videos. Film distributors are collaborating with streaming services and social media platforms. Hollywood dominates the screens, but Chinese, Japanese, Indian, Philippine, Vietnamese, Australian, and general entertainment movies & music are making their mark. Production companies, distribution companies, film studios, broadcasters, cinema chains, and OTT platforms are adapting to the new mode of watching. Smart devices like tablets, laptops, and mobile phones are the new cinema halls. Creative writing, music, TV shows, and social media are driving content creation. Streaming services like Netflix, Amazon Prime, and Disney+ are leading the charge with original content. Squid Games is a recent hit on OTT platforms. Stay tuned for more updates on this dynamic market!

The global movie production market is experiencing significant growth due to several key factors. One of the most significant contributors is the expansion of digital movie screens globally. The availability of a diverse range of films from various regions, languages, and genres, coupled with rising disposable incomes, is driving consumers to movie theaters. This trend is particularly noticeable in emerging markets. As a result, investments in establishing new digital movie theaters have increased. The primary format for films today is Digital Cinema Packages (DCPs), which have replaced traditional 35-mm film prints. A DCP is a collection of digital files used for movie projection in theaters. This shift to digital technology has streamlined the movie production process and enhanced the overall cinema experience for audiences.

The movie production market faces numerous challenges in today’s digital age. Traditional theaters compete with live streaming services like IPTV, Digital cable, DTH, and streaming platforms. Millennials prefer watching movies and TV shows on their smart devices, including tablets, laptops, and mobile phones. 3D films and virtual reality (VR) are disrupting the industry, offering experiences. Film distributors, including Hollywood studios and local production houses, must adapt to these changes. Box office revenues are being impacted by the rise of online streaming market, where movies, music, and videos are available on-demand. Cinema chains and broadcasters are also embracing OTT platforms and social media to reach wider audiences. Production companies and distribution companies are collaborating to produce creative content for various modes of watching, including cinema, television, and online streaming. Chinese, Japanese, Indian, Philippine, Vietnamese, Australian, and general entertainment movies and music are all vying for attention in this crowded marketplace. Streaming services and social media platforms are becoming major players, with shows like Squid Games and movies from various genres and regions gaining popularity. The future of movie production is digital and interactive, requiring studios and production houses to stay agile and innovative.

Film piracy is an unlawful act that involves the unauthorized distribution or sharing of copyrighted movies or TV shows. With the growing popularity of online movie ticket booking services, the occurrence of film piracy has increased. These platforms provide a convenient avenue for individuals to access and download pirated content. In the global movie production market, film piracy negatively impacts profitability. Pirated content is often free, diverting potential paying customers from legal movie watching channels. This can significantly harm the movie production industry’s revenue.

 The English movie production market is dominated by key players such as Warner Bros and Walt Disney, who collectively produce a vast array of live-action and animated movies. Walt Disney Studios, in particular, boasts a film library of over 5,500 films, spanning a century of movie production history. In 2023, Disney’s Studios Division introduced about fifty films and thirty television shows to their direct-to-consumer (DTC) platform. Additionally, Disney’s Fox brands offer a diverse range of scripted, reality, and documentary English movies, broadcast globally. Advanced tools and technologies, like 360-degree videos and virtual reality (VR), are revolutionizing English movie production. For instance, 360-degree videos capture all angles of a movie set, providing an experience. These videos are increasingly popular for movie promotion. VR is the latest trend in digital entertainment, offering a fully movie experience. These technological advancements are expected to fuel the growth of the English movie production market.

The Movie Production Market is a dynamic and ever-evolving industry, encompassing various modes of watching and content genres. Theaters continue to be a traditional hub for cinematic experiences, while digital platforms like IPTV, Digital cable, Streaming platforms, and Online streaming are revolutionizing the way audiences consume content. 3D films and Virtual Reality (VR) are pushing the boundaries of visual storytelling, providing experiences. The rise of digital newspapers and DTH services has made news and entertainment more accessible than ever. The market is a melting pot of cultures, with Chinese, Japanese, Indian, Philippine, Vietnamese, Australian, and general entertainment movies and music, all vying for attention. Productions houses churn out TV shows and movies, while creative writing and music play crucial roles in storytelling. Recent phenomena like “Squid Games” have taken the world by storm, highlighting the industry’s ability to captivate global audiences. The future of movie production lies in continuous innovation and catering to diverse consumer preferences.

The movie production market is experiencing a significant shift as traditional theaters face competition from various digital platforms. Livemint reports that 3D films and virtual reality (VR) are revolutionizing the cinematic experience, while IPTV, Digital newspapers, DTH, and Digital cable cater to residential and commercial audiences. Streaming platforms like Netflix, Amazon Prime, and Disney+ are dominating the online streaming market with millions of subscribers, especially among millennials. Television and Internet continue to be key modes of watching movies and TV shows. Production companies, distribution companies, film studios, broadcasters, cinema chains, and OTT platforms are all jostling for market share. Squid Games is a recent example of a successful series that gained popularity through streaming services. Smart devices, tablets, laptops, and mobile phones have become essential tools for accessing this content. Music & videos, Chinese movies & music, Japanese movies & music, Indian movies & music, Philippine movies & music, Vietnamese movies & music, Australian movies & music, and general entertainment movies are all available on these platforms. Creative writing and social media platforms are also playing a role in the production and promotion of movies and TV shows.

The Largest Rockabilly Festival in the U.S. Returns: Viva Las Vegas Rockabilly Weekend Celebrates 28 Years, April 24-27, 2025

Eric Alper
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The Largest Rockabilly Festival in the U.S. Returns: Viva Las Vegas Rockabilly Weekend Celebrates 28 Years, April 24-27, 2025

The Viva Las Vegas Rockabilly Weekend, the longest-running music festival in Las Vegas and the largest rockabilly event in the U.S., celebrates its 28th year from April 24–27, 2025, at The Orleans Hotel and Casino.

This four-day festival draws 9,000 fans from over 20 countries, with up to 15,000 attendees for its legendary Saturday Classic Car Show. Known for its stylish, head-turning crowd and unparalleled retro-inspired entertainment, VLV is a celebration of music, fashion, and culture.

The 2025 lineup features 75 bands and 25 DJs from all over the globe spanning rockabilly, rhythm & blues, and vintage rock ‘n’ roll. Highlights include Dublin, Ireland’s Imelda May performing her iconic rockabilly hits, the highly anticipated first Chop Tops reunion in a decade, Les Green, the powerhouse voice of Little Richard in the 2022 blockbuster ELVIS, Japanese sensation Johnny Pandora who ignites audiences with explosive energy and a modern twist on 1950s rockabilly, and Bobby Brooks Wilson, whose stunning voice mirrors the electrifying tones and soulful vibrancy of his legendary father, Jackie Wilson. Joining the lineup are Alton and Jimmy, one of the last remaining original rockabilly acts from the legendary Sun Records, offering fans a rare and authentic link to the golden era of 1950s rockabilly music.

One of the most exciting elements this year is the VLV RnB Showcase, featuring an international supergroup performing classic RnB hits from the ’50s. There’s also buzz around many young rockabilly acts in their 20s carrying the genre’s torch into the future.

The Viva Las Vegas Classic Car Show is among the largest in North America, featuring 800–1,000 vintage cars, all pre-1964, alongside famous movie cars. The event also includes the annual VLV Pin-Up Contest and live performances from five bands. Tickets for the car show are available as a standalone option, with children under 15 admitted free with an adult.

Festival-goers can enjoy a burlesque showcase and competition, a vintage fashion show, three days of Tiki Pool Parties, dance lessons and contests, burlesque bingo, a tattoo lounge, vintage shopping with over 120 vendors, and record hops until 7 a.m. Special meetups for singles, sober attendees, and LGBTQ+ guests ensure an inclusive experience for all.

The Viva Las Vegas Rockabilly Weekend takes place at The Orleans Hotel and Casino, 4500 West Tropicana Avenue, Las Vegas, NV 89103. Tickets for the festival and car show are available now at www.vivalasvegas.net.

Jerry Cantrell Launches North American Tour, Releases Deluxe ‘I Want Blood’ Album

Eric Alper
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Jerry Cantrell Launches North American Tour, Releases Deluxe ‘I Want Blood’ Album

Alice In Chains star Jerry Cantrell kicked off his first North American tour in support of his recently released album, I Want Blood, last night in Niagara Falls, Ontario. The tour launch coincides with the arrival of a deluxe version of the nine-track collection.

Featuring spoken word versions of each of the songs on I Want Blood, the Cantrell-narrated pieces also feature their own unique score with contributions from producer Joe Barresi, engineer Maxwell Urasky, Greg Puciato (Better Lovers, The Black Queen), Roy Mayorga (Ministry), Gil Sharone (Stolen Babies, Team Sleep), Rani Sharone (Stolen Babies), George Adrian (The Maybirds), composer Vincent Jones, and producer Michael Rozon.

“I wanted to do something special and I’ve never done a spoken word recitation of the lyrics, and I thought it might be kind of cool to have it on the B-side of ‘Vilified,'” Cantrell recalls in a recent interview with Scott Lipps. “I thought maybe it needs some music or something, and I was sitting there with Maxwell Urasky, my demo partner. He’s a really talented musician, and he said ‘Let me mess around with it for a night.’ He came back the next day with that piece of music, and it sounded killer. I brought it in to Joe Barresi and he said, ‘Man, you should do this with all of them.’ I got this creative stew going of sending the lyrics out to people, having them come up with the music, and sending it back. We ended up with nine pieces of really interesting takes on the lyrics, but the music is done by creative partners of mine, and it has nothing to do with the real music, so it is truly a standalone piece.”

I Want Blood was recorded at Barresi’s JHOC Studio in Pasadena, Calif., and features contributions from Duff McKagan (Guns N’Roses), Mike Bordin (Faith No More), Robert Trujillo (Metallica), Greg Puciato (Better Lovers, ex-Dillinger Escape Plan), Gil Sharone (Team Sleep, Stolen Babies), and Lola Colette.

An animated video series featuring graphics from Boy Tillekens can be viewed below.

Tour Dates:
January 31 Niagara Falls, ON Fallsview Casino Resort
February 1 Sayreville, NJ Starland Ballroom
February 2 Portland, ME Aura
February 4 Boston, MA Citizens House of Blues Boston
February 5 New York, NY Irving Plaza
February 7 Silver Spring, MD The Fillmore – Silver Spring
February 8 Bensalem, PA Parx Xcite Center
February 11 Huntington, NY The Paramount
February 12 Norfolk, VA The NorVa
February 14 Raleigh, NC The Ritz
February 15 Atlanta, GA Buckhead Theatre
February 16 Louisville, KY Mercury Ballroom
February 18 Columbus, OH The Bluestone
February 19 Indianapolis, IN Murat Egyptian Room at Old National Centre
February 22 St. Louis, MO The Hawthorn
February 23 Chicago, IL The Vic Theatre
February 25 Tulsa, OK Tulsa Theater
February 26 Houston, TX House of Blues Houston
February 27 San Antonio, TX The Aztec Theatre
March 1 Mesa, AZ The Nile Theater
March 2 Las Vegas, NV House of Blues Las Vegas
March 4 Los Angeles, CA The Belasco
March 5 Ventura, CA The Majestic Ventura Theater
March 7 Spokane, WA Knitting Factory – Spokane
March 8 Portland, OR Wonder Ballroom
March 9 Seattle, WA Moore Theatre
May 31 Padua, IT Hall
June 1 Milan, IT Magazzini Generali
June 4 Krakow, PL Mystic Festival
June 6 Berlin, DE Columbia Theater
June 7 Nüremberg, DE Rock im Park
June 8 Nürnberg, DE Rock am Ring
June 10 Zagreb, HR The Culture Factory
June 12 Nickelsdorf, AT Nova Rock Festival
June 13 Hradec Kralove, CZ Rock The People
June 14 – 15 Donington Park, UK Download Festival
June 17 London, UK O2 Forum Kentish Town
June 19 Amsterdam, NL Melkweg
June 20 Dessel, BE Graspop Metal Meeting
June 22 Clisson, FR Hellfest Open Air Festival
June 24 Paris, FR La Machine du Moulin Rouge
June 25 Nijmegen, NL Doornroosje
June 26 Hamburg, DE Gruenspan
June 28 Oslo, NO Tons of Rock

Bryan Ferry Unveils Experimental Album ‘Loose Talk’ with Amelia Barratt

Eric Alper
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Bryan Ferry Unveils Experimental Album ‘Loose Talk’ with Amelia Barratt

Introducing Loose Talk, the new collaborative album of music by Bryan Ferry with spoken texts by performance artist, writer and painter Amelia Barratt, due for release on March 28, 2025. Pre-order/save HERE.

Richly detailed and transportive, ‘Orchestra’ is released today – the first piece to be revealed from the album Loose Talk. The accompanying video was shot and directed by Bryan Ferry.

Loose Talk signals the beginning of a new creative chapter for Bryan Ferry, blurring the lines between music, poetry and art. Fifty-three years since Roxy Music’s iconic debut album arrived like a bolt-from-the-blue, his latest project is just as startlingly unexpected. The sounds and shapes, and the spoken words they are set to, are unlike any previous Bryan Ferry album. At the same time, the mood that Loose Talk captures is rooted in Ferry’s past half-century of work.

Loose Talk marks the first time Ferry has created new music for another writer’s words. The album consists of eleven texts, composed by Amelia Barratt, creating fascinating micro-fictions, simultaneously fragmentary and self-contained.

The album balances refined minimalism and abstraction with an experimental and youthful energy. Ferry’s music and Barratt’s texts each hold their own codes. As those codes pulse as one, the album discovers its own language – two monologues begin a conversation that becomes a duet.

Discussing Loose Talk, Bryan Ferry said: “The whole experience of making Loose Talk has had an interesting newness about it. It seems to have opened a whole new chapter in my work. There’s a really strong mood to the work that Amelia does and I was very conscious of not getting in the way of her words. Hopefully, together, we’ve created something neither could do on our own.

The nearest I ever got to doing pieces like this before would maybe be back in Roxy with “In Every Dream Home A Heartache,” and “Mother Of Pearl”. To some extent, those are kind of spoken monologues. I’m pleased that when we’ve played Loose Talk to people, they’ve said, “Oh, this sounds really different.” That’s what I’ve always wanted with everything I’ve done, or been involved in, to be: different. Different to what you’ve heard before, or seen before. That’s the whole point of being an artist: trying to create a new thing, a new world.”

Amelia Barratt said: “Loose Talk is a conversation between two artists: a collaborative album of music by Bryan Ferry with spoken texts by me. It’s cinematic; music put to pictures.

There’s possibility for experimentation within a frame. And there’s a freedom in knowing exactly what my part to play is, then being able to pass a baton, stretching out creatively and knowing there is someone on the other side to take it further. Nothing feels off limits.”

Bryan Ferry and Amelia Barratt were first connected via their separate involvements in the art world. The collaboration began with a chance meeting at an exhibition opening, where Ferry grew intrigued to learn Barratt had started working with writing and performance in parallel with her painting. Both artists share an art school background – Bryan Ferry studied painting at Newcastle University in the 1960s, Barratt at Glasgow School of Art and the Slade School of Art, where she received an MFA in 2016 – but it’s the differences between them that animate Loose Talk and create unmapped territory.

Bryan Ferry’s collaboration with Amelia Barratt was first teased with the release of ‘Star’ in 2024 – presented as the latest composition on the newly released 81 track career-spanning collection, Retrospective: Selected Recordings 1973-2023.

Kacey Musgraves Unveils Mini-Doc on ‘Deeper Well’ Recording Process

Eric Alper
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Kacey Musgraves Unveils Mini-Doc on ‘Deeper Well’ Recording Process

Kacey Musgraves has released a new mini-documentary chronicling the recording of her critically lauded album “Deeper Well.” The film, “Kacey Musgraves – Deeper Well (The Making of the Album),” visits with Kacey and her co-producers Daniel Tashian and Ian Fitchuk laboring at NYC’s famed Electric Lady studios over the course of months.

An intimate look at the creative process as the album comes together, the film also features footage of Kacey in frigid Iceland filming the music video for the album’s title track.

“Deeper Well” has garnered four 2025 Grammy Award nominations for Best Country Album, Best Country Song, Best Country Solo Performance and Best Engineered Album Non-Classical. Musgraves fifth 2025 Grammy Award nomination is in the category Best Americana Performance for the song “Don’t Do Me Good,” with Madi Diaz. In 2023 Musgraves achieved her first Hot 100 #1 for “I Remember Everything,” a duet with Zach Bryan. In 2024 the song won the Grammy Award for Best Country Song by a Duo or Group making Kacey the only artist ever to receive a Grammy Award for Best Country Album, Best Country Song, Best Country Solo performance and Best Country Duo or Group performance. “I Remember Everything” is the first country music duet in 40 years since Dolly Parton and Kenny Rogers “Islands in the Stream” (1983) to reach #1 on the Hot 100.

Kacey recently completed her “Deeper Well World Tour” with sold-out shows across the globe including Nashville, London, Los Angeles, New York, Amsterdam, Brussels, Chicago and more.

G-Eazy Expands ‘Helium’ Tour with North American Dates and Las Vegas Residency

Eric Alper
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G-Eazy Expands ‘Helium’ Tour with North American Dates and Las Vegas Residency

Multi-platinum selling superstar G-Eazy has announced his upcoming “Helium Tour,” as well as the release of his upcoming single “Kiss The Sky,” arriving on February 6th via RCA Records.

The upcoming 26-date run, which includes major cities across North America such as Nashville, Toronto, St. Louis and Vancouver will kick off on April 4th in New Haven, CT before concluding in Cleveland, OH on May 14th. Currently in the midst of a sold-out European run, the newly added shows are an extension of G-Eazy’s successful 2024 cross-country tour.

The upcoming engagements will include support from Marc E. Bassy and Goody Grace. The newly announced anticipated new single, “Kiss The Sky,” feeds the growing excitement of new music on the horizon for eager G-Eazy fans.

Additionally, G-Eazy has announced his Las Vegas residency at Wynn Las Vegas with several dates taking place over the next year. The shows are set to take place at Wynn Nightlife’s iconic XS Nightclub on April 18th, May 2nd and July 13th and will conclude on September 13th at Encore Beach Club at Night.

Last month, G-Eazy released new singles “Nada” and “Vampires.” G-Eazy surprised fans with the addition of the new songs to his live show, garnering a massive crowd response each night and stirring up anticipation across social media. Following the outpour of incredible support and love of the new music while on the road, G has released the tracks as a thank you to his fans for the heartfelt experience they shared from city to city.

G-EAZY DATES:
4/4/2025 – New Haven, CT – Toad’s Place
4/5/2025 – Harrisburg, PA – XL Live
4/6/2025 – Buffalo, NY – Buffalo Riverworks
4/8/2025 – Toronto, ON – HISTORY
4/9/2025 – Grand Rapids, MI – GLC Live @ 20 Monroe
4/11/2025 – Detroit, MI – The Majestic
4/12/2025 – Madison, WI – The Sylvee
4/14/2025 – St. Louis, MO – The Pageant
4/15/2025 – Des Moines, IA – Val Air Ballroom
4/16/2025 – Omaha, NE – Steelhouse Omaha
4/18/2025 – Fargo, ND – Butler Machinery Arena at the Red River Valley Fairgrounds
4/21/2025 – Vancouver, BC – Vogue Theatre
4/22/2025 – Spokane, WA – Knitting Factory
4/23/2025 – Portland, OR – Roseland Theater
4/26/2025 – Sacramento, CA – Ace of Spades
4/27/2025 – Santa Cruz, CA – The Catalyst
4/29/2025 – Bakersfield, CA – Fox Theatre
5/3/2025 – Tucson, AZ – Rialto Theatre
5/4/2025 – Albuquerque, NM – Revel Entertainment Centre
5/6/2025 – Tulsa, OK – Cain’s Ballroom
5/8/2025 – Nashville, TN – Marathon Music Works
5/9/2025 – Cincinnati, OH – Bogart’s
5/10/2025 – Charlotte, NC – The Fillmore Charlotte
5/12/2025 – Norfolk, VA – The NorVa
5/13/2025 – Pittsburgh, PA – Roxian Theatre
5/14/2025 – Cleveland, OH – House of Blues

Las Vegas Dates:
4/18/2025 – Las Vegas, NV – XS Nightclub – Wynn Hotel
5/2/2025 – Las Vegas, NV – XS Nightclub – Wynn Hotel
7/11/2025 – Las Vegas, NV – XS Nightclub – Wynn Hotel
10/30/2025 – Las Vegas, NV – Encore Beach Club – Wynn Hotel

Lainey Wilson’s Whirlwind World Tour Expands with Star-Studded Lineup and Major Venues

Eric Alper
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Lainey Wilson’s Whirlwind World Tour Expands with Star-Studded Lineup and Major Venues

GRAMMY, CMA, and ACM Award-winning artist Lainey Wilson confirms her Whirlwind World Tour, set to kick off in March. Produced by Live Nation and sponsored by Coors Light and Wrangler, the tour will include stops at Zurich’s X-TRA, Paris’ Elysée Montmartre, New York’s Madison Square Garden, Los Angeles’ Kia Forum, Nashville’s Bridgestone Arena, Austin’s Moody Center, Baton Rouge’s Raising Cane’s River Center Arena, and Denver’s Ball Arena, among many others. Special guests on the tour include ERNEST, Muscadine Bloodline, Kaitlin Butts, Maddox Batson, Drake Milligan, Lauren Watkins, and Zach Meadows. See below for the complete tour itinerary.

Wilson’s Wild Horses fan club will receive exclusive early access to tickets starting Tuesday, February 4, at 8:00 AM local time. Citi is the official card of the Whirlwind World Tour, and Citi cardmembers will have access to pre-sale tickets beginning Tuesday, February 4, at 10:00 AM local time through Thursday, February 6, at 10:00 PM local time via the Citi Entertainment program. For complete pre-sale details, visit www.citientertainment.com.

Verizon will offer an exclusive pre-sale for the Whirlwind World Tour in the U.S. through Verizon Access, available to Verizon customers. Verizon Access pre-sale tickets for select shows will be available from Tuesday, February 4, at 10:00 AM local time through Thursday, February 6, at 10:00 PM local time. For more details, visit Verizon.com/Access or the My Verizon App. The general on-sale begins Friday, February 7, at 10:00 AM local time. Full details can be found at www.laineywilson.com/tour.

In the past year alone, Wilson was inducted into the Grand Ole Opry, performed during the Dallas Cowboys’ Thanksgiving Halftime Show, won Best Country Album at the 2024 Grammy Awards, earned three awards at the 59th ACM Awards, and took home two awards at the 58th CMA Awards, where she also made her hosting debut alongside Peyton Manning and Luke Bryan. Wilson also received two awards at this year’s ACM Honors:

The prestigious Triple Crown Award, given to artists who have won ACM Entertainer of the Year, Female/Male Vocalist of the Year, and New Female/Male Vocalist of the Year
The Milestone Award, presented to an artist who has had an unprecedented or outstanding year in country music.

A prolific and sought-after songwriter, Wilson has scored seven #1 hits, including “Watermelon Moonshine” and the 2x PLATINUM-certified “Heart Like A Truck”. She has collaborated with artists such as Post Malone (“Nosedive”), Cole Swindell (“Never Say Never”), Jelly Roll (“Save Me”), and HARDY (“Wait in the Truck”). She is also a triple threat in entertainment, excelling as a singer, songwriter, and actor. Wilson made her acting debut in Season 5 of Paramount’s hit series Yellowstone and recently returned for the series’ final episode. Additionally, she wrote and recorded “Out of Oklahoma”, featured in the upcoming Twisters movie.

LAINEY WILSON CONFIRMED TOUR DATES
March 4—Zurich, CH—X-TRA~
March 6—Antwerp, BE—De Roma~
March 8—Rotterdam, NL—Rotterdam Ahoy
March 9—Berlin, DE—Uber Eats Music Hall
March 12—Copenhagen, DK—Vega Main~
March 14—London, UK—O2 Arena
March 15—Belfast, N. Ireland—SSE Arena
March 16—Glasgow, Scotland—The SSE Hydro
March 18—Kingston upon Thames, UK—Banquet Records
March 19—Paris, FR—Elysée Montmartre~
May 30—Panama City Beach, FL—Pepsi Gulf Coast Jam
May 31—Lexington, KY—Railbird Festival
June 6—Myrtle Beach, SC—Carolina Country Music Fest
June 20—Wildwood, NJ—Barefoot Country Music Fest
June 26—Milwaukee, WI—Summerfest
June 27—Cadott, WI—Country Fest
July 12—Cavendish, PEI—Cavendish Beach Music Festival
August 14—Phoenix, AZ—Footprint Center*
August 15—Albuquerque, NM—Isleta Amphitheater*
August 16—Denver, CO—Ball Arena*
August 21—Bend, OR—Hayden Homes Amphitheater*
August 22—Sacramento, CA—Golden 1 Center*
August 23—Los Angeles, CA—Kia Forum*
August 28—Calgary, AB—Scotiabank Saddledome*
August 29—Edmonton, AB—Rogers Place*
August 30—Saskatoon, SK—SaskTel Centre*
September 11—Baton Rouge, LA—Raising Cane’s River Center†
September 13—Bossier City, LA—Brookshire Grocery Arena†
September 18—Austin, TX—Moody Center‡
September 19—Fort Worth, TX—Dickies Arena‡
September 20—Houston, TX—The Cynthia Woods Mitchell Pavilion presented by Huntsman ‡
September 25—Toronto, ON—Budweiser Stage§
September 26—Clarkston, MI—Pine Knob Music Theatre§
September 27—Grand Rapids, MI—Van Andel Arena§
October 2—Nashville, TN—Bridgestone Arena||
October 3—Noblesville, IN—Ruoff Music Center§
October 4—Cleveland, OH—Blossom Music Center§
October 9—Columbia, MD—Merriweather Post Pavilion§
October 10—New York, NY—Madison Square Garden§
October 11—Mansfield, MA—Xfinity Center§
October 16—St. Louis, MO—Hollywood Casio Amphitheatre||
October 17—Rosemont, IL—Allstate Arena||
October 18—Saint Paul, MN—Xcel Energy Center||
October 24—Knoxville, TN—Thompson-Boling Arena at Food City Center#
October 25—Charlotte, NC—Spectrum Center#
November 7—Tampa, FL—Amalie Arena#
November 8—Orlando, FL—Kia Center#
~with special guest Zach Meadows
*with special guests ERNEST and Kaitlin Butts
†with special guests ERNEST and Maddox Batson
‡with special guests Muscadine Bloodline and Drake Milligan
§with special guests Muscadine Bloodline and Lauren Watkins
||with special guests Muscadine Bloodline and Maddox Batson
#with special guests ERNEST and Drake Milligan

Photo Gallery: Kerry King with Municipal Waste and Alien Weaponry at Toronto’s Danforth Music Hall

Eric Alper
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Photo Gallery: Kerry King with Municipal Waste and Alien Weaponry at Toronto’s Danforth Music Hall

All photos by Mini’s Memories, you can contact her thru Instagram.

Kerry King
Kerry King
Kerry King
Kerry King
Kerry King
Kerry King
Kerry King
Kerry King
Kerry King
Kerry King
Kerry King
Kerry King
Kerry King
Municipal Waste
Municipal Waste
Municipal Waste
Municipal Waste
Municipal Waste
Alien Weaponry
Alien Weaponry
Alien Weaponry
Alien Weaponry
Alien Weaponry
Kerry King

Trading Cards Market to Hit $21 Billion by 2034, Fueled by Nostalgia and Digital Trading

Eric Alper
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Trading Cards Market to Hit $21 Billion by 2034, Fueled by Nostalgia and Digital Trading

The 2025 Version Report “Trading Cards Market Size, Statistics, Growth Trend Analysis, and Forecast Report, 2024 – 2034” published by Market Decipher, presents updated findings and insights. It highlights the market size of the trading cards sector, driven by increased interest in nostalgia and the shift towards digital trade through online platforms. The trading cards industry is projected to reach $21 billion by 2034, with a robust CAGR of 8.5% during the forecast period of 2024–2034.

Trading cards are collectible, themed cards associated with various subjects like sports, entertainment, or hobbies. Each card typically displays a distinctive image or character on the front, while the reverse side contains relevant information or statistics. These cards are limited in production, encouraging aficionados to purchase, exchange, and amass them. Trading cards have garnered substantial popularity over time, fostering a lively community of collectors who engage in swapping, purchasing, and vending to complete their sets. Some cards can possess considerable monetary worth, especially rare or vintage versions, rendering them not merely a pastime but also an investment for numerous enthusiasts.

Trading Cards Market Overview
The trading cards market is a flourishing industry centered on collectible cards representing diverse themes, including sports, entertainment, and hobbies. These cards, featuring unique artwork or characters on the front and informative content on the reverse, captivate collectors worldwide. With limited production runs, trading cards encourage buying, selling, and trading among enthusiasts, fostering a vibrant community.

The trading cards market has witnessed robust growth driven by several key trends and growth drivers. One prominent trend is the digitization of trading cards, allowing collectors to engage in virtual trading and purchases. Moreover, the surge of nostalgia for vintage cards has escalated demand, leading to significant price appreciation for rare editions. Additionally, partnerships between trading card companies and popular franchises, such as sports leagues and entertainment studios, have expanded the markets appeal and increased sales. Furthermore, the rise of e-commerce and online marketplaces has made it easier for collectors to access a global pool of trading cards, boosting market growth.

Despite its growth, the trading cards market faces certain challenges. One challenge is the risk of counterfeits and fraud, which can undermine collector trust and market integrity. Ensuring card authenticity and provenance becomes paramount in mitigating this issue. Additionally, fluctuations in the secondary market value of cards can pose challenges for collectors and investors alike. Economic uncertainties and market speculation can lead to price volatility, requiring careful consideration by participants. Lastly, environmental concerns related to the production and disposal of trading cards, often made from non-recyclable materials, are increasingly important, prompting calls for more sustainable practices.

Amidst these challenges, the trading cards market presents several business opportunities. Companies can explore innovations in card authentication and blockchain technology to enhance trust and security within the market. Collaborations with emerging artists and creators can inject fresh designs and themes into the market, attracting a broader audience. Furthermore, the sustainability trend offers opportunities for eco-friendly card production and packaging, aligning with environmentally conscious consumer preferences. Diversifying card themes and targeting niche collector communities can also unlock untapped market segments. Lastly, leveraging digital platforms for augmented reality experiences or gamification can enhance the overall trading cards ecosystem, providing unique value to collectors and investors alike.

Impact of COVID-19

The COVID-19 pandemic had a multifaceted impact on the trading cards market. Initially, it disrupted production and distribution chains, leading to supply shortages and delays. However, as lockdowns and social distancing measures took hold, the market experienced a surge in online sales and trading card-related digital platforms. The pandemic also heightened interest in collectibles as alternative investments, driving up prices for rare and vintage cards. With more people staying home, nostalgia for trading cards grew, attracting new collectors and investors. Overall, COVID-19 reshaped the trading cards market by accelerating its digitalization and expanding its appeal, despite temporary setbacks in the supply chain.

According to the type, the sports trading cards segment has held 53.8% revenue share in 2022. The sports trading cards segment commands a significant share in the trading cards market primarily due to its enduring popularity and a dedicated fan base. Sports trading cards hold a unique appeal, as they offer collectors the opportunity to own a piece of sporting history, featuring their favorite athletes and memorable moments. The association with renowned sports leagues and events, coupled with the potential for high resale value, attracts both seasoned collectors and newcomers. This enduring demand and emotional connection make sports trading cards a cornerstone of the market, contributing substantially to its overall share.

North America has held largest revenue share 42% in 2022. North America dominates the trading cards market due to several key factors. Firstly, the region boasts a strong sporting culture with avid fans and collectors, driving demand for sports-related trading cards. Secondly, it houses major trading card manufacturers and sports leagues, facilitating collaborations and marketing efforts. Additionally, a robust e-commerce infrastructure and widespread availability of trading cards contribute to market growth. Lastly, North Americas affluent population and willingness to invest in collectibles further bolster the market share. These factors collectively establish North America as a significant player in the global trading cards market.

Recent Strategic Developments

• The trading card industry is undergoing transformative shifts driven by strategic investments and innovations. Notably, companies are heavily backing Online Trading Card Games (OCGs) as a key growth catalyst, with the Topps Companys acquisition of Metta in 2022 exemplifying this trend.
• Another pivotal development is the industrys expansion into untapped markets like the Asia Pacific and Latin America. In 2023, Panini Americas introduction of a trading card set featuring Brazilian soccer players underscores this global reach.
• Furthermore, diversification is evident in the launch of novel card sets highlighting various subjects, including female athletes and ethnically diverse characters. An example is the Upper Deck Companys 2023 release of a set featuring female athletes from a spectrum of sports.
• Partnerships with sports leagues and teams are also flourishing, aimed at creating exclusive trading card sets. Fanatics, in 2023, inked a multi-year deal with the National Basketball Association to become the leagues sole trading card partner.
• The industry is harnessing technology for an enhanced trading card experience, as evidenced by Topps Companys plans to introduce a digital trading card platform in 2023. This innovation will enable users to collect and trade digital trading cards, marking a significant leap forward in the industrys evolution.

Vinyl Records Market to Grow by $857.2M by 2029, Fueled by Collectors and Special Edition Releases

Eric Alper
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Vinyl Records Market to Grow by $857.2M by 2029, Fueled by Collectors and Special Edition Releases

The global vinyl records market size is estimated to grow by USD 857.2 million from 2025-2029, according to Technavio. The market is estimated to grow at a CAGR of  9.3%  during the forecast period. Aesthetic appeal of vinyl records is driving market growth, with a trend towards promoting vinyl records as special editions/deluxe product. However, coping with demand is major challenge faced by manufacturers  poses a challenge. Key market players include Austep Music, Edel SE and Co. KGaA, Erika Records Inc., GZ Media AS, Implant Media Pty Ltd., Independent Record Pressing, Microforum Services Group, MPO France, New Press Vinyl, Pallas Group, PrimeDisc Ltd., Quality Record Pressings, R.A.N.D. MUZIK GbR, Record Industry BV, Suitcase Records, Takt Direct GmbH, The Vinyl Factory Ltd., United Record Pressing, Vinyl Presents Ltd., and Zenith Records.

Vinyl records are making a comeback in the music industry, with music collectors and audiophiles leading the trend. Omnichannel retailing practices allow consumers to buy these records from record shops, online marketplaces, and even through IoT devices. The demand for vinyl records is driven by their analog sound quality, which sets them apart from digital recordings. PVC, the primary material used in making vinyl records, is being replaced with metallic resins and cardboard for eco-friendly alternatives. DJs and music lovers use turntables to play vinyl records for their unique sound and aesthetic appeal. Vinyl records offer a record experience that digital music formats cannot match. Music labels and record shops are capitalizing on this trend by releasing exclusive songs on singles vinyl records. Vinyl Technologies and other companies are innovating in this space, offering advanced turntables and stylus technology. The vinyl record market is growing, with musicians and record labels recognizing the value of physical music formats. Despite the rise of music streaming sources, vinyl records continue to attract music aficionados with their offline charm. Vinyl record pricing varies based on rarity, condition, and demand. Promotional events and listening parties are common in the vinyl record community, providing opportunities for fans to connect and share their love for music. Whether it’s pop music or niche genres, vinyl records offer a unique listening experience that continues to resonate with music lovers.

In today’s digital age, the vinyl record market experiences a significant resurgence as younger generations seek unique value and experiences from their music collections. Limited-edition vinyl releases, such as Arthur Verocai’s “Bis” on seven vinyl and Banda Black Rios’ “Super Nova Samba Funk” on yellow vinyl, attract collectors. Online stores like Rare Ltd focus on exclusive variants, offering collectible vinyl records to music enthusiasts. This trend underscores the enduring appeal of vinyl records in the modern music landscape.

Vinyl records have experienced a resurgence in popularity among music collectors, audiophiles, and disc jockeys (DJs). Omnichannel retailing practices have played a role in this revival, allowing consumers to purchase vinyl records both offline at record shops and online. The demand for vinyl records is driven by music lovers who appreciate the analog sound quality of phonograph records, contrasting digital recordings. Vinyl records are made from polyvinyl chloride (PVC) and come in various formats such as singles and full-length albums. The turntable stylus reads the modulated sound data etched into the vinyl, providing a unique listening experience. However, challenges persist in the vinyl records market, including the high cost of production due to metallic resins and cardboard packaging. Music labels and record shops are adapting to meet the demands of vinyl enthusiasts by investing in technology from companies like Viryl Technologies to improve production efficiency. DJs continue to use vinyl records for their aesthetic attractiveness and the unique experience of creating DJ sets. The vinyl record market faces competition from digital music formats, but its appeal to music aficionados remains strong. Vinyl records offer an offline record-buying experience, contrasting the convenience of digital music streaming sources on smartphones. Despite the challenges, the vinyl records market continues to thrive, with exclusive songs and promotional events driving demand. Record companies are responding by releasing limited-edition vinyl records and collaborating with musicians to create unique listening experiences.

The vinyl records market faces a significant challenge due to the limited number of factories producing records compared to the vast number of music labels worldwide. This supply shortage has resulted in extended production times, with some plants taking up to six months to deliver orders. This delay is problematic in today’s music industry, where listeners expect instant access to new releases. Independent labels are particularly affected, as larger orders from established artists can prioritize production over smaller orders. Vinyl record manufacturing plants are working diligently to meet the high demand, but the bottleneck in supply persists.

 The LP vinyl record format, with a diameter of 12 or 10 inches and a speed exceeding 33 rpm, is the standard for most record labels. In 2024, the LP segment experienced growth due to the increasing demand for retro music. Vendors offer various colored LP vinyl records with creative packaging to attract customers. LPs can accommodate over 20 minutes of playtime per side, providing more music value for consumers. EPs, introduced as singles in vinyl format, gained popularity in the 1950s and 1960s with musicians like the Troggs and the Beatles. EPs are often used in album launches, and their popularity continues to rise, driving the demand for LP/EP vinyl records in the market.

Vinyl records, also known as phonograph records or LPs, continue to captivate music enthusiasts worldwide. Music collectors and audiophiles are drawn to the unique, tactile experience of owning and playing these analog records. The warmth and richness of the sound produced by vinyl records cannot be replicated by digital recordings on compact discs or streaming music subscriptions. The process of dropping the needle onto a vinyl record and listening to the music unfold is a ritual cherished by vinyl enthusiasts. DJs also value vinyl records for their aesthetic appeal and the ability to create seamless transitions between tracks during their sets. The vinyl record industry, which uses polyvinyl chloride (PVC) as its primary material, continues to thrive, offering a diverse range of recordings from pop music to niche genres. Vinyl records provide a record experience that goes beyond listening to music, with promotional events and listening parties offering unique opportunities for fans to connect with their favorite artists and music labels.

The vinyl records market is experiencing a resurgence in popularity, with music collectors and audiophiles rediscovering the unique analog sound quality of phonograph records. The use of omnichannel retailing practices allows consumers to purchase vinyl records both offline at record shops and online through e-commerce platforms. The production of vinyl records involves the use of polyvinyl chloride (PVC), metallic resins, and cardboard. The turntable stylus reads the modulated sound data etched into the record, providing a distinct listening experience. Music lovers, DJs, and music aficionados continue to appreciate the aesthetic attractiveness of vinyl records. The record experience extends beyond listening to music, with promotional events and DJ sets showcasing the cultural significance of vinyl records. While digital music formats have become prevalent, vinyl records offer an offline alternative, appealing to those who value the tactile experience and the unique sound quality. Vinyl enthusiasts can collect singles vinyl records, exclusive songs, and limited edition releases, making the market a lucrative one for musicians and record labels. The vinyl records market also caters to the needs of DJs, with turntables and recordings essential for creating DJ sets. The Internet of Things has also influenced the market, with companies like Viryl Technologies developing innovative technologies to improve vinyl record production and preservation. Despite the convenience of digital music formats and music streaming sources, the vinyl records market continues to thrive, offering a unique listening experience and a connection to music history. The vinyl record pricing reflects the demand for these physical music formats, with collectors and enthusiasts willing to pay a premium for rare and limited edition releases.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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