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9th Annual Metal Hall of Fame Gala to Become Telethon to Help Victims of Los Angeles Wildfires

Eric Alper
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9th Annual Metal Hall of Fame Gala to Become Telethon to Help Victims of Los Angeles Wildfires

The 9th Annual Metal Hall of Fame Gala will now transform to a 2025 fundraising telethon to help raise money for displaced families of the recent Los Angeles County wildfires.

The Gala will be held January 22, 2025, at the Grand Theater, Anaheim, CA.  A Celebrity Red Carpet will take place 7:00PM, and the Telethon’s Induction Ceremony, Live Performances, and All -Star Jams will commence 8:00PM.

Rockstars, celebrities, music executives, supercross motorcycle racing stars, and surprise guests will join forces at the Gala to help this great cause. Radio/Television Legend Eddie Trunk and entertainment personality Cathy Rankin will Host the event. Poison’s Rikki Rockett, Kill Devil Hill, former Megadeth members Chris Poland and Jeff Young, Southern California’s Alibis, and Rochester New York band Wicked will perform, along with All-Star Jams and surprise performances.

A direct live stream link to a disaster relief fund will be provided the day of the Gala, at www.facebook.com/officialmetalhalloffame. 100% of all funds raised from the livestream link will be donated to the Los Angeles County wildfire victims, to help them re-establish their lives once again. 

“The 9th Annual Metal Hall of Fame Charity Gala means more than ever, as we turn it into a fundraising/livestream event to help the victims of the of Los Angeles County wildfires,” says Pat Gesualdo, President/ CEO of the Metal Hall of Fame.

2025 METAL HALL OF FAME INDUCTEES:
DARRELL DIMEBAG ABBOTT (20th year memoriam, with surprise guests)
RIKKI ROCKETT (Poison, Inducted by SiriusXM/Hair Nation’s Tommy London)
TONY MACALPINE
DANGEROUS TOYS
LIFE OF AGONY
KNAC RADIO
ALISSA WHITE-GLUZ (Arch Enemy)
DOYLE WOLFGANG VON FRANKENSTEIN (Misfits)
CANNIBAL CORPSE
BURTON C. BELL (Fear Factory)
JEFF YOUNG (Megadeth/ Kings of Thrash)
ALL STAR JAM / SURPRISE PERFORMANCES!!

GET TICKETS HERE TO ATTEND IN PERSON:
https://bit.ly/2025AnnualMetalHallofFame

8 Things Every Artist Or Band Needs To Start Working With A Publicist

Eric Alper
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8 Things Every Artist Or Band Needs To Start Working With A Publicist

Artists, take note! Whether you’re jamming in your garage or hitting the stage, starting your PR journey is like tuning your guitar—it’s gotta be just right to make some serious noise. Want to go from playing to your cat to trending on socials? Here are the 8 backstage passes your band needs to rock the PR world.

  1. Active Social Media Presence
    Engage fans and share updates on platforms like Instagram, Facebook, TikTok, Twitter, and YouTube. Keep your branding consistent across channels.
  2. Professional Website
    Serve as a central hub with a bio, music, tour dates, contact information, press materials, and links to social media and streaming platforms.
  3. Compelling Band Bio
    Write an engaging bio that tells your story, highlights achievements, and communicates what makes your band unique.
  4. High-Quality Photos
    Have a variety of professional images, including individual portraits, group shots, live performance pictures, and promotional images.
  5. Press Kit or EPK (Electronic Press Kit)
    Compile a digital folder with your bio, photos, music links, videos, press clippings, social media links, and contact information.
  6. Recent Music Releases
    Share your latest singles, EPs, or albums on streaming platforms with high-quality production. Provide downloadable links for press use.
  7. Performance Footage or Music Videos
    Include videos showcasing your live performances, official music videos, or behind-the-scenes content to capture your energy and style.
  8. Contact Information
    Make sure your email and phone number for press inquiries, booking, and collaborations are easily accessible.

There you have it! With these 8 PR essentials, you’re ready to hit the big time. Think of this as your ultimate setlist for success—because the spotlight isn’t just for stars, it’s for those who are prepared. So grab your gear, get your groove on, and let the world hear your story. If you’re still looking for help, or have any questions, or looking for more information, email me, I’ll be happy to chat – Eric@ThatEricAlper.com and talk soon!

Protected: Unforgettable Music Moments of 2024: The Year That Redefined Pop Culture

Eric Alper
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Kerry King Releases New Music Video ‘Where I Reign’ & Kicks Off the New Year With North American Headline Tour 2025

Eric Alper
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Kerry King Releases New Music Video ‘Where I Reign’ & Kicks Off the New Year With North American Headline Tour 2025

Following his recent tour with Lamb Of God and Mastodon and his first European headline tour earlier this year, Kerry King and his new band – drummer Paul Bostaph (Slayer), bassist Kyle Sanders (HELLYEAH), guitarist Phil Demmel (Machine Head), and vocalist Mark Osegueda (Death Angel) – will hit the road for the twenty-eight date “North American Headline Tour 2025.” The tour is in support of King’s debut solo album, From Hell I Rise (RPM), which, according to the UK’s Kerrang!, ”The phrase ‘metal as f*ck’ may never be better applied.”  With Municipal Waste as Special Guest and Alien Weaponry supporting, the tour is set to launch in San Francisco on January 15, 2025, and wrap at House of Blues in Las Vegas on February 22. Tickets go on sale Friday, October 4 at 10AM local time and can be purchased HERE.  The complete itinerary is below.

Also announced today is the release of King’s brand new music video for the album track, “Where I Reign.” Shot in black and white, the “Where I Reign” video was directed by Jim Louvau who also directed King’s videos for the album cuts “Residue” and “Toxic.” Said Louvau, “I wanted to capture the fury and the energy of the band in a live setting,” said Louvau, “an intensity that is matched from a visual standpoint that matches the intensity of the song and the energy that the band brings each and every night on tour, and I think we were able to do that. There are some still photos in the video that also show motion and energy, and I was really just trying to bring that energy to life in a live setting that is different from the other two videos that were done in the studio and were a little more in a controlled environment. So this video was definitely the guys’ being themselves and just showcasing what the band provides in a live setting.” Check out the “Where I Reign” music video HERE.

“Getting back on the road for the first time in five years wasn’t exactly like riding a bike, that’s for sure,” King aknowledged.  “I’ve never had that much time off, but the first tours with my new band – in the UK and Europe, and then in America with Lamb of God and Mastodon – were all total blasts. We’ll be headlining on this next tour, so we’re playing a longer set than we did with Lamb of God and Mastodon. We’ve got a little bit of a learning curve, so will start rehearsing the first week of November. And we might put an extra Slayer song into the set and learn a cover song or two.”

The complete itinerary for Kerry King’s “North American Headline Tour 2025″ itinerary is as follows:

JANUARY
15th The Regency Ballroom, San Francisco, CA
17th Spokane Live Casino, Spokane, WA
18th Showbox SoDo, Seattle, WA
19th Roseland Theater, Portland, OR
20th Commodore Ballroom, Vancouver, BC CANADA
22nd The Palace Theatre, Calgary, AB CANADA
23rd Midway Music Hall, Edmonton, AB CANADA
25th Burton Cummings Theatre, Winnipeg, MB CANADA
26th The Fillmore, Minneapolis, MN
28th The Rave, Milwaukee, WI
30th The Majestic Theater, Detroit, MI
31st House of Blues, Cleveland, OH

FEBRUARY
1st Danforth Music Hall, Toronto, ON CANADA
2nd L’Olympia, Montreal, QC CANADA
4th Royale, Boston, MA
5th Theatre of the Living Arts, Philadelphia, PA
7th Irving Plaza, New York, NY
8th Baltimore Soundstage, Baltimore, MD
10th Buckhead Theatre, Atlanta, GA
11th Jannus Live, St. Petersburg, FL
13th House of Blues, Houston, TX
14th Emo’s, Austin, TX
15th The Studio at the Factory, Dallas, TX
17th Ogden Theatre, Denver, CO
18th Sunshine Theater, Albuquerque, NM
19th The Nile Theater, Phoenix, AZ
21st House of Blues, Las Vegas, NV
22nd The Fonda Theatre, Los Angeles, CA

Paul McCartney’s Isolated Vocals For Wings’ “Junior’s Farm”

Eric Alper
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Paul McCartney’s Isolated Vocals For Wings’ “Junior’s Farm”

“Junior’s Farm” by Paul McCartney and Wings is a lively rock track released as a non-album single in 1974, reaching No. 3 in the U.S. and No. 16 in the UK. Written during a relaxed stay at a Tennessee farm, the song captures McCartney’s yearning for a simpler, carefree lifestyle after the turbulence of the Beatles’ breakup. Inspired by Bob Dylan’s “Maggie’s Farm,” McCartney described it as a playful escape anthem with whimsical lyrics and no deep meanings—just a fun, fantasy-filled getaway tune.

5 Surprising Facts About Pink Floyd’s “The Last Cut”

Eric Alper
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5 Surprising Facts About Pink Floyd’s “The Last Cut”

The Final Cut is the sound of Pink Floyd at a crossroads. Released in 1983, it marked the end of an era as the last band album featuring Roger Waters, who left the group two years later. It’s also the only album without founding keyboardist Richard Wright. From its anti-war concept to the tensions that nearly tore the band apart, The Final Cut is as fascinating as it is polarizing. Here are five facts you probably didn’t know about this complex masterpiece.

1. It Was Almost a Soundtrack for The Wall

The Final Cut started as a companion album to Pink Floyd’s 1982 film The Wall. Originally titled Spare Bricks, it was meant to include new recordings and unused tracks from the band’s 1979 album The Wall. However, the Falklands War inspired Roger Waters to transform it into a full-fledged anti-war concept album, reshaping its narrative and message entirely.

2. Roger Waters Took Over—Completely

Unlike previous Pink Floyd albums, Roger Waters had near-total creative control on The Final Cut. He wrote all the songs and sang lead vocals on every track except one. His dominance was so pronounced that guitarist David Gilmour and drummer Nick Mason were relegated to supporting roles, with Mason’s contributions largely limited to sound effects.

3. A Nod to Shakespeare

The album’s title, The Final Cut, isn’t just a clever reference to editing—it’s a direct nod to Shakespeare’s Julius Caesar. The phrase “the most unkindest cut of all” perfectly encapsulates the album’s themes of betrayal, loss, and disillusionment, particularly Waters’ feelings about the Falklands War and its aftermath.

4. The Album Features Groundbreaking 3D Sound

The Final Cut was one of the first albums to use Holophonics, an advanced audio technique that creates a three-dimensional sound experience. This technology is most noticeable in tracks like “Get Your Filthy Hands Off My Desert,” where a rocket flies by and explodes, making you feel like you’re right in the middle of the action—especially with headphones on.

5. A Poppy-Filled Tribute

The album’s artwork, designed by Waters himself, is rich with symbolism. The cover features WWII medal ribbons and a poppy—a recurring motif that honors fallen soldiers, including Waters’ father, who died in World War II. Inside, the imagery of poppies and war-torn landscapes reinforces the album’s themes of sacrifice and loss.

Pink Floyd’s The Final Cut is a raw, emotional journey through Roger Waters’ psyche and a bold critique of war and political betrayal. From its Shakespearean references to its groundbreaking sound design, this record is a treasure trove of hidden details and untold stories. Whether you love it or find it divisive, one thing is certain: The Final Cut captures a pivotal moment in Pink Floyd’s history—and in rock music itself.

5 Surprising Facts About John Mellencamp’s “Uh-Huh”

Eric Alper
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5 Surprising Facts About John Mellencamp’s “Uh-Huh”

John Mellencamp’s Uh-Huh, released in 1983, marked his transition from “John Cougar” to using his real last name, embracing his true identity in music and in life. This seventh studio album wasn’t just a chart-topper, peaking at No. 9 on the Billboard 200; it also solidified Mellencamp’s place as a rock icon with hits like “Crumblin’ Down,” “Pink Houses,” and “Authority Song.” But behind the familiar riffs and lyrics lie some incredible stories that even die-hard fans might not know. Here are five facts about Uh-Huh that reveal just how special this album really is, for you and me.

1. A Collaborative Surprise with John Prine

Mellencamp almost always writes his own songs, but Uh-Huh featured a rare collaboration with songwriting legend John Prine on the track “Jackie O.” In a 2004 interview, Mellencamp admitted that most of the song came from Prine, giving the folk icon credit for its creation. This one-time team-up is a treasure for fans of both artists.

2. Borrowed Inspiration for “Lovin’ Mother Fo Ya”

While Mellencamp performed “Lovin’ Mother Fo Ya” live during his American Fool tour in 1982, the song’s recorded version includes a unique twist. Inspired by “Cruisin’ in the Park,” a track by Will Cary and his band, Mellencamp incorporated a verse from Cary’s song. This led to a writing-credit deal and Cary earning 15% royalties on the track.

3. A Hairdresser’s Musical Touch

Mellencamp found inspiration for “Play Guitar” from an unlikely source: his hairdresser, Dan Ross. Ross, also a singer in a local Indiana band, started the song, and Mellencamp’s guitarist Larry Crane added to its musical development. The song’s riff even carries a hint of Van Morrison’s “Gloria,” blending rock history with small-town creativity.

4. A Political Edge in “Crumblin’ Down”

“Crumblin’ Down,” the album’s lead single, wasn’t just a catchy tune—it was a direct commentary on the political climate of the Reagan era. Co-written with longtime collaborator George Green, the song tackled deregulation and its impact on the working class. Mellencamp once said he felt like he was “pulling the wool over everyone’s eyes” by packaging such a heavy message in a rock hit.

5. A Song Inspired by a Wave

The genesis of “Pink Houses” came from a simple yet profound moment. Mellencamp was driving home to Bloomington, Indiana, when he spotted an older Black man sitting outside a small pink house, holding a cat and waving at passing cars. That fleeting interaction became the seed for one of his most iconic songs, capturing the essence of the American experience.

John Mellencamp’s Uh-Huh is a reflection of an artist coming into his own, mixing personal stories, political messages, and unexpected collaborations. From the small-town inspiration behind “Pink Houses” to the political punch of “Crumblin’ Down,” these stories add even more depth to a record that’s already stood the test of time.

Karaoke Market to Grow by USD 442 Million from 2025-2029

Eric Alper
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Karaoke Market to Grow by USD 442 Million from 2025-2029

The global karaoke market  size is estimated to grow by USD 442 million from 2025-2029, according to Technavio. The market is estimated to grow at a CAGR of  4.3%  during the forecast period. Growing popularity of music-related leisure activities is driving market growth, with a trend towards availability of advanced music-mixing systems. However, increasing adoption of virtual musical instruments and music production software  poses a challenge. Key market players include Acoosta Innovations Pvt. Ltd., Audio Video Solutions Corp., Daiichikosho, Digital Products International Inc., inMusic Brands Inc., Jiangmen Boway Sound Equipment Co. Ltd., Karaoke USA, Karavision, Persang Entertainment Pvt. Ltd., Pure Acoustics Inc., Rockville, Samsung Electronics Co. Ltd., Singing Machine, TJ Media, VocoPro, WhiteSquare, Xiaomi Inc., Xing, and ZOOOK.

Karaoke markets are thriving with trends in bars and restaurants, where digital platforms and wireless connectivity are transforming the experience. Interactive interfaces, voice recognition, and artificial intelligence are making karaoke more engaging. Digital karaoke systems with large song libraries, display screens, and audio output are popular. Home entertainment is booming with portable systems, built-in speakers, rechargeable batteries, and wireless connectivity options. Outdoor events, casual home entertainment, and karaoke competitions are driving demand. Smart devices, high-tech features, and advanced music-mixing systems are key. Brands like Sybersound, Party Tyme Karaoke, Neat Microphones, and more offer microphones, miniature microphones, and professional sound reproduction. Online streaming services, vlogging, webcasting, podcasting, and TV productions are expanding the market. Household items like cafes and karaoke nights attract foot traffic. Portable karaoke systems, high-speed internet, and entertainment apps are on the rise. Recorded music, instrumental versions, lyrics, and video screens are essential features.

Advanced music-mixing systems have become essential tools for karaoke creators, particularly for commercial and public spaces. These systems incorporate synthesizers and music-mixing software, enabling the creation of digital or electronic music for karaoke use. Balancing the audio mix is a key challenge in karaoke production, and these systems help achieve this without compromising audio quality. Traditional karaoke tracks often feature overpowering brass and vocals, making it difficult for artists’ voices to be heard. Advanced music-mixing systems address this issue by allowing for better tools and adjustments, resulting in improved sound quality and a more enjoyable experience for users. Features such as frequency reduction, polished sound, and background noise limitation are essential benefits of these systems in karaoke development.

Karaoke Market: Overcoming Challenges in Bars, Restaurants, and Home Entertainment The karaoke market faces several challenges in various sectors, including bars and restaurants, wireless connectivity, voice recognition, interactive interfaces, and digital platforms. In the hospitality industry, bars and restaurants require wireless connectivity for seamless karaoke experiences. Voice recognition and interactive interfaces enhance user experience, while digital platforms and online streaming services broaden the song library selection. At home, digital karaoke systems, display screens, audio output, microphones, and product bundling cater to casual entertainment. Portable systems with built-in speakers, rechargeable batteries, and wireless connectivity options are essential for outdoor events. Karaoke competitions in restaurants, pubs, and cafes attract foot traffic, necessitating high-tech features such as advanced music-mixing systems, synthesizers, and music-mixing software. Home settings, TV productions, and vlogging, webcasting, and podcasting require professional sound reproduction, vocal/voice recording, instrumental recording, and studio-quality equipment from brands like Sybersound, Party Tyme Karaoke, Neat Microphones, and more. Accessories like miniature microphones, C-80 condenser microphones, and Bluetooth speakers further expand the market. Household karaoke systems, MP3 systems, and wireless microphones cater to diverse consumer needs. The market continues to evolve, incorporating smart devices and high-speed internet for a more engaging and convenient karaoke experience.

The adoption of virtual musical activities and music production software has seen significant growth in recent years, particularly in developed economies. Music production software allows users to create music with various instruments, tones, and magnitudes at the click of a button. This mobility and convenience have led music composers to prefer software over physical instruments for recording music anytime and anywhere. Notably, laptop brands like Apple Inc., a leading global manufacturer, offer software like GarageBand, which comes with a complete music creation studio. This software integration enhances the functionality and accessibility of laptops for music production.

 The global karaoke market, originally rooted in bars, offers a platform for individuals to sing their preferred songs to an appreciative audience. Karaoke establishments come in various forms, ranging from open bars with communal performances to private rooms for friends and family. These venues provide the necessary music and lyrics, enabling singers to concentrate solely on their performance. The market’s expansion is fueled by the growing number of nightclubs and restaurants incorporating karaoke. For instance, LaLa Pocha, a Korean restaurant launched in the US in December 2023, includes karaoke rooms for rent. Music fans find karaoke an appealing alternative, leading to its increasing popularity. In countries like China, Japan, and India, karaoke applications are extensively used in clubs, restaurants, and corporate events. Legal permissions from music composers are essential for playing copyrighted music in bars and restaurants. Generally, businesses acquire blanket licenses, granting them access to a vast catalog of artists and recording studios’ music, fueling the market’s growth during the forecast period.

Karaoke markets continue to thrive, offering unique and interactive entertainment experiences in various settings. Bars and restaurants are popular venues for social karaoke sessions, enhanced by wireless connectivity and digital platforms. Advanced technologies like voice recognition, interactive interfaces, and artificial intelligence elevate the experience, allowing users to access vast song libraries from online streaming services. Digital karaoke systems with high-tech features, such as miniature microphones and orchestra accompaniments, are increasingly popular. Home entertainment systems, including smart devices, offer personalized karaoke experiences. Sybersound and Party Tyme Karaoke are notable brands, providing top-notch karaoke equipment and accessories. Recorded music, instrumental versions, and lyrics are essential components, displayed on video screens with moving symbols to guide singers.

Karaoke Market: Unleashing the Fun of Singing Anytime, Anywhere! The Karaoke Market is a vibrant and growing industry, offering various solutions for bars and restaurants, home entertainment, and outdoor events. With advanced digital platforms and online streaming services, karaoke has evolved from a simple pastime to an interactive and high-tech experience. Digital karaoke systems come with song libraries, display screens, audio output, microphones, and product bundling options. Portable systems with rechargeable batteries and wireless connectivity options allow for casual home entertainment and outdoor events. High-tech features like voice recognition, interactive interfaces, and artificial intelligence enhance the karaoke experience. Home settings offer all-in-one systems with built-in microphones, TV monitor systems, MP3 systems, and wireless microphones. Karaoke competitions, casual home entertainment, and karaoke nights in bars, pubs, cafes, and even TV productions attract foot traffic and entertainment seekers. Advanced music-mixing systems, synthesizers, and music-mixing software cater to professional singers and vloggers, podcasters, and webcasters. Brands like Sybersound, Party Tyme Karaoke, Neat Microphones, and more offer a range of karaoke equipment, including miniature microphones, professional sound reproduction, and studio recording capabilities. Accessories like Bluetooth speakers and karaoke applications add to the fun. Join the karaoke revolution and unleash your inner singer!

Triller Saves Creators’ TikTok Content Ahead of Ban

Eric Alper
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Triller Saves Creators’ TikTok Content Ahead of Ban

Triller Corp, a creator-focused social media and live-streaming event platform, unveils the option for creators to preserve their TikTok content ahead of the congressional mandate set to go into effect on January 19, 2025.

Triller makes it easy for creators to save their TikTok content at savemytiktoks.com with just a few clicks using the technology of Amplify.ai, a Triller company. After signing up or logging in to the Triller app, creators will have access to all their saved TikTok content in minutes. Soon, creators will be able to seamlessly migrate and publish all content to their Triller profile.

“After listening to creators, it became clear there was a very real concern that the content they had spent so much time and resources creating could just disappear,” said Sean Kim, CEO of Triller App. “Creators are the foundation of Triller and we are dedicated to protecting their livelihoods, so we quickly came up with a solution to not only save their content, but easily move it to a new home in the Triller app.”

In the wake of the TikTok ban, Triller offers social media users a US-based platform where algorithms and revenue streams are creator-friendly and data is secure and controlled by the user.

“Triller’s mission is to become the most creator-focused social platform in the world offering discovery, monetization, and ownership,” said Kim, who joined Triller shortly after the merger with AGBA. “We are committed to protecting the creator communities that have invested years of content creation on platforms like TikTok”.

Triller’s 2025 transformation arrives at the perfect time, offering creators a seamless transition from TikTok amidst the platform’s uncertainties. “We’re building something revolutionary, a platform that truly puts creators first,” said Kim. “The next generation of Triller App is about giving creators the tools, control, and opportunities they’ve always deserved.”

As Triller prepares to unveil its revamped platform in early 2025, it’s not just a new beginning for creators – it’s a bold step forward for the entire creator economy. In addition to giving creators a digital vault to save their TikTok content, Triller promises a platform where ownership, growth, and meaningful monetization are finally within reach.

For more details, please visit savemytiktoks.com.

2025 Harley-Davidson Homecoming Festival to Feature Headlining Acts Chris Stapleton and Hank Williams Jr.

Eric Alper
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0
2025 Harley-Davidson Homecoming Festival to Feature Headlining Acts Chris Stapleton and Hank Williams Jr.

The annual Harley-Davidson Homecoming Festival will be headlined by musical acts Chris Stapleton and Hank Williams Jr., each performing at Veterans Park on the Milwaukee lakefront July 11 and 12, 2025. Ticket sales for this yearly celebration of music, moto-culture, and the H-D hometown of Milwaukee will kick off January 17, 2025 at 10am CT.

Ticket holders can experience the Harley-Davidson Homecoming Festival at Veterans Park with 2-Day and 1-Day General Admission (GA), GA+, or VIP ticket options to enjoy all the music, entertainment, local food, beverages, and more. Ticket sales for the July 10-13 celebration of music, moto-culture, and the H-D hometown of Milwaukee start on January 17 at HDHomecoming.com. Sign up for SMS alerts to gain presale early access to purchase tickets at the lowest possible price. Presale begins at 9am CT and a general on sale will follow if tickets remain.

On Saturday, July 12, 2025, Chris Stapleton will headline the festival. The 10-time Grammy, 19-time CMA and 19-time ACM Award-winner is one of the country’s most respected and beloved musicians. These accomplishments celebrate Stapleton’s new album, Higher, which was released this past fall to overwhelming critical acclaim. Known for his electric live performances, Stapleton recently returned to NBC’s “Saturday Night Live” as musical guest for the third time. In addition to teaming up with Dua Lipa, Stapleton has new collaborations with Slash (“Oh Well”) and George Strait (“Honky Tonk Hall of Fame”) and recorded a version of “I Should Have Known It” for a Tom Petty tribute album.

Hank Williams Jr. will headline H-D Homecoming on Friday, July 11, at Veterans Park. The legendary American singer, songwriter, and musician is widely known for his blend of country, rock, and Southern rock music. Son of the iconic Hank Williams Sr. and one of country music’s most influential figures, Hank Jr.’s career spans over 60 years and has made him one of the most enduring and distinctive voices in country music. Hank Williams Jr.’s extremely impressive resume has spawned 70 million albums sold worldwide and earned him accolades which includes ACM Entertainer of the Year, CMA Entertainer of the Year and BMI Icon, in addition to a GRAMMY win and coveted inductions into the Nashville Songwriters Hall of Fame and Country Music Hall of Fame.

Harley-Davidson Homecoming Festival events will be held at both free and ticketed venues across the Milwaukee area, including Veterans Park, the Harley-Davidson Museum, H-D Headquarters on Juneau Ave., Harley-Davidson Powertrain Operations in Menomonee Falls, and at local Harley-Davidson dealerships. Admission to Veterans Park for live music performances and other activities requires a ticket. In addition to headliners Chris Stapleton (July 12), and Hank Williams Jr. (July 11) several additional top acts will perform. The complete slate of artists and full performance schedule will be announced at a later date.

More Harley-Davidson Homecoming Festival entertainment and event details will be announced as plans are finalized. Complete details on ticketing options, venues, entertainment, scheduled events and Harley-Davidson factory tours will be available at HDHomecoming.com, where visitors can also sign up for H-D Homecoming updates.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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