In Made in U.S.A (1966), Marianne Faithfull delivers an achingly beautiful, a cappella rendition of As Tears Go By, a moment of pure, unfiltered melancholy in Jean-Luc Godard’s kaleidoscopic crime pastiche. Amid the film’s political chaos and deconstructed noir, Faithfull’s voice cuts through like a ghost from another world—an eerie, elegant reminder that emotion, not logic, drives the most unforgettable cinematic moments.
Pussy Riot Brings ‘Riot Days’ Back to North America
Riot Days is a unique fusion of live music, theatre, and video, showcasing Pussy Riot’s innovative and fearless artistry.
Since its debut in March 2017, the Riot Days international tour has captivated audiences worldwide. By May 2023, Pussy Riot was honored with the Woody Guthrie Prize and marked the occasion with a riveting performance in Tulsa, Oklahoma. Now, a major North America tour beckons, bringing their revolutionary message to an even wider audience.
This powerful show returns to bring the next chapter on Pussy Riot: Riot Days to the live stage. Find out how the story ends and get your tickets now for this unparalleled can’t-miss experience!
Riot Days was initiated by Maria Alyokhina and music producer Alexander Cheparukhin, based on Alyokhina’s book. The show chronicles Alyokhina’s experiences with Pussy Riot, from their daring protests to their court trials and time in prison. The content continues to evolve, incorporating current events such as political prosecutions and Russia’s aggression against Ukraine.
With over 400 performances worldwide, Riot Days has received numerous prestigious awards, including the Herald Angel Award, Total Theatre Award of Edinburgh Festivals, Germany’s annual anti-fascist award, and the Woody Guthrie Prize in the USA. Recently, four members of Riot Days were awarded honorary Doctor of Letters degrees from the University of Kent, celebrating with an impromptu performance in the historic Canterbury Cathedral.
Maria Alyokhina’s personal sacrifices underscore the urgency of their message. Detained and placed under house arrest in 2021-2022 for a single social media post supporting Russian opposition leader Alexey Navalny, she defied the odds by escaping Russia in May 2022—disguised as a food courier. Her bold escape has allowed Riot Days to amplify its voice on a global scale, particularly in support of Ukraine. A significant portion of the project’s income is donated to the Ukrainian Okhmatdyt children’s hospital and foundation.
A Russian feminist protest and performance art collective, Pussy Riot is known for its provocative activist punk performances. Their name, as they explain, challenges sexism and represents their defiant response to systemic oppression.
Founded in 2011, the group gained international prominence after a bold performance at Moscow’s Cathedral of Christ the Saviour led to the imprisonment of three members—Maria (Masha) Alyokhina, Nadezhda (Nadya) Tolokonnikova, and Yekaterina (Katya) Samutsevich. Perceptions of their activism continue to evolve, especially as the alliance between the Russian Orthodox Church and Putin’s Kremlin deepens.
During the 2014 Winter Olympics in Sochi, Pussy Riot’s performance was violently interrupted by security forces, reinforcing their reputation as a fearless voice of dissent.
Following their imprisonment, Masha and Nadya emerged as the most recognized faces of Pussy Riot. Though often associated with the group as a whole, their individual performances remain distinct.
This upcoming tour will be the next part of the story via her follow-up biography, you should feel free to have fun with it in marketing. Verbiage such as, “This powerful show returns to bring the next chapter on Pussy Riot: Riot Days to the live stage. Find out how the story ends and get your tickets now for this unparallelled can’t-miss experience!
Don’t miss your opportunity to witness the next chapter of Pussy Riot: Riot Days. Secure your tickets now and be part of the movement!
TOUR DATES
April 3 | Montreal | Club Soda
April 4 | Ottawa | Brass Monkey
April 5| Toronto | Lee’s Palace
April 7 | Winnipeg | Park Theatre
April 10 | Calgary | Palace Theatre
Jeff Goldblum Unveils Star-Studded Jazz Album Still Blooming, Featuring Ariana Grande, Cynthia Erivo & Scarlett Johansson
Jeff Goldblum is pleased to present his new album, ‘Still Blooming’, (his fourth) set to be released on April 25th, 2025.
Fresh from his starring roles in Kaos (Netflix) and the blockbuster Wicked (Universal), Goldblum continues to explore his passion for the music that he’s been performing for decades with his wonderful bandmates in The Mildred Snitzer Orchestra.
This album will delight with tracks featuring his Wicked superstar cohorts Ariana Grande and Cynthia Erivo – as well as classics by Maiya Sykes and Scarlett Johansson.
The first single, featuring the multifaceted talent of Johansson, is ‘The Best Is Yet To Come’ – perhaps most famously recorded by Frank Sinatra in the 1960’s, accompanied by Count Basie and arranged and directed by Quincy Jones. Here, Johannson’s sophisticated and sultry interpretation of this sweet tune welcomes a new and modern audience. Listen here.
‘Still Blooming’ offers a tasteful curation of beloved jazz standards from both the Golden Era of Broadway and the Great American Songbook. Here, Goldblum is the host for his talented friends, all veterans of the stage and screen, with collaborations that underscore the delicious link between jazz and pop culture.
Goldblum opens the album with ‘I Don’t Know Why (I Just Do)’ featuring the incandescent artistry of Ariana Grande, who once again demonstrates her phenomenal range. The unstoppable force that is Cynthia Erivo infuses the wartime-era classic ‘We’ll Meet Again’ with her emotion, hope, and truth. And Maiya Sykes, a veteran of everything from swing to soul, takes the jazz standard ‘Stella By Starlight’ to another level with her improvisational scat stylings. Thoroughly enjoying this newest musical adventure, Goldblum himself treats us to his own vocals on ‘Ev’ry Time We Say Goodbye’.
ALBUM TRACKLISTING:
1. I Don’t Know Why (I Just Do) Feat. Ariana Grande
2. The Grease Patrol
3. We’ll Meet Again Feat. Cynthia Erivo
4. Blue Minor
5. The Best Is Yet To Come Feat. Scarlett Johansson
6. Bye-Ya
7. Stella By Starlight Feat. Maiya Sykes
8. Bouncing With Bud
9. Ev’ry Time We Say Goodbye Feat. Jeff Goldblum
Morgan Wallen Releases Title Track to Upcoming 4th Studio Album: “I’m the Problem” Available Now
With two No. 1 singles already hailing off his highly-anticipated upcoming fourth studio album, I’m The Problem, two-time 2025 GRAMMY nominee Morgan Wallen releases the title track today. “I’m The Problem” is available everywhere now, listen HERE.
“I’m The Problem” was written by Wallen, Ernest Keith Smith, Ryan Vojtesak, Grady Block and Jamie McLaughlin, and produced by Joey Moi and Charlie Handsome. The song seamlessly blends the metallic ring of keys, played by Dave Cohen, with the steady strum of the electric guitar, played by Tom Bukovac, and acoustic guitar, played by Bryan Sutton.
“I’m The Problem” follows Wallen’s latest, “Smile,” which reached No. 4 on Billboard’s Hot 100 chart and was lauded by Good Morning America as “a moody heartbreak number.” Previous release “Love Somebody” recently became Wallen’s 17th No. 1 at Country radio. Upon its release in October, the song became Wallen’s first solo song to debut at No. 1 on the Billboard Hot 100 chart. It additionally debuted on 11 charts globally and led Wallen to become the first artist to have three singles each sit atop the Billboard Hot 100 and Hot Country Songs charts simultaneously.
The upcoming project sparked Wallen’s recently announced 2025 I’m The Problem Tour. Kicking off June 20 at NRG Stadium in Houston, Texas, Wallen’s 20-show run will include stops in Seattle, Washington; Foxborough, Massachusetts; Toronto, Ontario and more. With a second stop recently added in Madison, Wisconsin, Wallen’s appearances will mark the first time an artist has played two consecutive nights at Camp Randall Stadium.
A rotating lineup of guests including Brooks & Dunn, Miranda Lambert, Thomas Rhett and Koe Wetzel join in direct support with Gavin Adcock, Corey Kent, Ella Langley and Anne Wilson as first-of-three across select dates. General on-sale for I’m The Problem Tour begins tomorrow, Jan. 31, at 10 a.m. local time at MorganWallen.com. Coupled with his much buzzed about inaugural Sand In My Boots Festival taking place in Gulf Shores, Alabama May 16-18, these 21 shows are the only place to see the superstar in 2025.
I’m The Problem comes as Wallen’s preceding projects, Dangerous: The Double Album and One Thing At A Time, landed No. 1 and No. 6 on Billboard’s Top 200 Albums of the 21st Century, respectively, following their blockbuster success. His third studio album, One Thing At A Time, sat atop the Billboard 200 Albums chart for 19 non-consecutive weeks – the most at No. 1 by a Country album – and yielded seven No. 1 singles at Country radio.
Morgan Wallen 2025 I’m The Problem Tour Dates:
June 20 // NRG Stadium // Houston, TX w/ Corey Kent and Koe Wetzel
June 21 // NRG Stadium // Houston, TX w/ Corey Kent and Koe Wetzel
June 28 // Camp Randall Stadium // Madison, WI w/ Ella Langley and Miranda Lambert
June 29 // Camp Randall Stadium // Madison, WI w/ Ella Langley and Miranda Lambert
July 11 // Hard Rock Stadium // Miami Gardens, FL w/ Gavin Adcock and Miranda Lambert
July 12 // Hard Rock Stadium // Miami Gardens, FL w/ Gavin Adcock and Brooks & Dunn
July 18 // State Farm Stadium // Glendale, AZ w/ Ella Langley and Miranda Lambert
July 19 // State Farm Stadium // Glendale, AZ w/ Ella Langley and Brooks & Dunn
July 25 // Lumen Field // Seattle, WA w/ Anne Wilson and Miranda Lambert
July 26 // Lumen Field // Seattle, WA w/ Anne Wilson and Brooks & Dunn
Aug 1 // Levi’s Stadium // Santa Clara, CA w/ Anne Wilson and Miranda Lambert
Aug 2 // Levi’s Stadium // Santa Clara, CA w/ Anne Wilson and Brooks & Dunn
Aug 15 // Huntington Bank Field // Cleveland, OH w/ Ella Langley and Miranda Lambert
Aug 16 // Huntington Bank Field // Cleveland, OH w/ Ella Langley and Thomas Rhett
Aug 22 // Gillette Stadium // Foxborough, MA w/ Corey Kent and Miranda Lambert
Aug 23 // Gillette Stadium // Foxborough, MA w/ Corey Kent and Miranda Lambert
Sep 4 // Rogers Centre // Toronto, ON w/ Gavin Adcock and Miranda Lambert
Sep 5 // Rogers Centre // Toronto, ON w/ Gavin Adcock and Brooks & Dunn
Sep 12 // Commonwealth Stadium // Edmonton, AB w/ Ella Langley and Miranda Lambert
Sep 13 // Commonwealth Stadium // Edmonton, AB w/ Ella Langley and Brooks & Dunn
Dubbed Country’s “dominant superstar” by Stereogum with more than 3.1 million fans attending his One Night At A Time World Tour, the genre’s highest-selling tour ever, two-time 2025 GRAMMY nominee Morgan Wallen is entering 2025 with a refreshed setlist at hand, releasing new music, and preparing to headline his I’m The Problem Tour beginning June 20 in Houston, Texas. Before the tour kicks off, Wallen’s all-genre Sand In My Boots Music Festival, which sold out in less than 2 hours, hits Gulf Shores, Alabama in May.
With both Dangerous: The Double Album and One Thing At A Time checking in at No. 1 and 6 on Billboard’s Top 200 Albums of the 21st Century, respectively, Wallen’s reign atop the charts has landed him 19 Billboard Music Awards to-date in just four years. The instant success of One Thing At A Time left The New York Times proclaiming Wallen as “one of the biggest stars in pop, period.” Recent release “Love Somebody” debuted at No. 1 globally across five countries and 11 charts, leading Wallen to become the first artist to have three singles sit atop the Billboard Hot 100 and Hot Country Songs charts simultaneously.
Wallen donates a portion from every ticket sold to his Morgan Wallen Foundation. More at MorganWallen.com.
Robin Williams’ First and Last Johnny Carson Appearances Were Pure, Unfiltered Chaos
In October 1981, Robin Williams hit The Tonight Show like a comedic hurricane, leaving Johnny Carson in stitches with his rapid-fire wit and boundless energy. Over a decade later, in May 1992, his final appearance was just as frenzied, proving that no matter the year, Williams was always the funniest force in the room.
Grammys 2025: Full Performer Lineup, How to Watch, and When to Tune In
The 67th Annual Grammy Awards are set to take over Los Angeles this Sunday, promising a night filled with powerhouse performances, record-breaking milestones, and a heartfelt commitment to wildfire relief efforts. Hosted once again by Trevor Noah, the ceremony will air live from the Crypto.com Arena at 8 p.m. ET / 5 p.m. PT on CBS and Paramount+.
A Historic Night for Beyoncé
Music history could be rewritten on Sunday as Beyoncé, already the most Grammy-nominated artist of all time, stands at 99 career nominations. Despite her monumental impact on music, she has yet to secure the Album of the Year win. Will this be her moment? Fans will be watching closely.
While the Grammys are about the awards, the performances are the real showstoppers. This year’s lineup is nothing short of spectacular, featuring legendary icons, chart-topping superstars, and breakthrough artists. Here’s who will be lighting up the stage:
- Billie Eilish
- Charli XCX
- Chappell Roan
- Cynthia Erivo
- Doechii
- Stevie Wonder
- Coldplay’s Chris Martin
- Lainey Wilson
- Herbie Hancock
- Brittany Howard
- Brad Paisley
- Teddy Swims
- Janelle Monáe
- John Legend
- Sheryl Crow
- St. Vincent
- Jacob Collier
- Raye
- Sabrina Carpenter
- Shakira
- Benson Boone
With debut Grammy performances from Chappell Roan and Sabrina Carpenter, both of whom dominated 2024 with massive hits like Good Luck, Babe! and Espresso, this year’s show will be a defining moment for emerging pop stars.
Beyond the spectacle, this year’s Grammys carry a deeper purpose—supporting Los Angeles wildfire relief efforts. The Recording Academy and MusiCares have pledged $1 million to help those impacted. The Palisades and Eaton wildfires devastated thousands of acres, and the music community is coming together to raise funds and honor first responders.
From career milestones to emotional tributes, this year’s Grammy Awards are shaping up to be one of the most powerful nights in music history.
5 Surprising Facts About The Doors’ Self-Titled Debut Album
1. The Original “Light My Fire” Was Over Nine Minutes Long
Yes, we all know the album version is a glorious seven-minute jam session, but originally, Light My Fire was even longer! The band’s extended improvisations in the studio pushed the song to nearly nine minutes before producer Paul A. Rothchild stepped in. He carefully trimmed sections to create the version that ended up on the album, keeping the balance between radio-friendliness and the song’s signature hypnotic groove. Of course, Elektra Records later demanded an even shorter single edit, slashing the solo sections and bringing it down to under three minutes—sacrilege to purists, but a necessity for airplay.
2. The Album Features a Forbidden Guitar Effect—Sort Of
Robby Krieger’s guitar work on The Doors is legendary, but did you know he was banned from using one of his favorite tools? Producer Paul A. Rothchild forbade him from using the wah-wah pedal, which was gaining popularity at the time. Rothchild feared it would make the album sound trendy rather than timeless. But here’s the twist: the studio’s built-in echo chamber gave Krieger’s playing an eerie, reverb-heavy tone that mimicked the effect of a wah pedal. The result? A raw, haunting guitar sound that felt both organic and futuristic—a perfect match for Morrison’s cryptic poetry.
3. A Bass Player Was Secretly Added to Some Tracks
The Doors are known for their keyboard-driven sound, with Ray Manzarek handling bass parts on his left hand. But did you know some of the album’s tracks feature an uncredited session bassist? Larry Knechtel, who played with The Wrecking Crew, was brought in to overdub bass lines on a few songs, including Light My Fire, to add extra low-end power. Manzarek later admitted that while he played the bass lines live, the studio needed a little extra punch. So if you’ve ever wondered why some songs sound fuller than others, it’s because a hidden bassist was holding down the groove.
4. The End’s Oedipal Rant Was Almost Never Recorded
Jim Morrison’s infamous spoken-word section in The End wasn’t planned—it was a spontaneous, drug-fueled moment that almost got the band kicked out of the studio. Producer Paul A. Rothchild insisted on recording the song in one long take, capturing the eerie, slow-burning intensity. But during a late-night session, Morrison, reportedly tripping on LSD, launched into a Freudian nightmare, ad-libbing the infamous “Father, I want to kill you / Mother, I want to…” line. The band was stunned, the studio fell silent, and Rothchild realized they had captured rock history. It was too shocking for radio, but too powerful to cut.
5. The Album Was Almost Called Break On Through
Before it became simply The Doors, there was talk of naming the album after their first single, Break On Through (To the Other Side). The idea was to match the energy of The Beatles’ Please Please Me or The Rolling Stones’ England’s Newest Hit Makers—a direct, commanding title. But the band, particularly Morrison, pushed for a more ambiguous name that embodied their philosophy. Since they were named after Aldous Huxley’s The Doors of Perception, it made sense for the album to bear the same name. It was a decision that ultimately cemented their mystique and made their debut feel like an invitation into a whole new world.
From its haunting poetry to its mind-expanding sonics, The Doors remains one of the most groundbreaking albums in rock history. Every track feels like a portal to another dimension—sometimes blissful, sometimes terrifying, but always unforgettable. Whether you’re spinning the original vinyl or blasting Break On Through on your latest playlist, this album still holds secrets waiting to be uncovered. So next time you press play, listen closely—because as Jim Morrison once said, “There are things known and there are things unknown, and in between are the doors.”
SiriusXM’s The GRAMMY Channel Returns For The 2025 GRAMMYs
Journey through the stunning sounds nominated for music’s highest honour when The GRAMMY Channel (Ch. 107) returns to SiriusXM with all the superstars, breakthroughs, and must-hear music from a remarkable year. Explore the sounds of the 66th Annual GRAMMY Awards nominees, including Miley Cyrus, Taylor Swift, SZA, Noah Kahan, boygenius, and more.
From January 24–February 7, you can find The GRAMMY Channel on channel 107 on car radios and the SiriusXM app.
The GRAMMY Channel will play music from Album of the Year nominees, including Jon Batiste, boygenius, Miley Cyrus, Lana Del Rey, Janelle Monáe, Olivia Rodrigo, Taylor Swift, and SZA; Song of the Year nominees like “A&W,” “Anti-Hero,” “Butterfly,” “Dance the Night,” “Flowers,” “Kill Bill,” “Vampire,” and “What Was I Made For?”; plus Best New Artist nominees such as Gracie Abrams, Ice Spice, Jelly Roll, Noah Kahan, Victoria Monét, and more.
Watch the GRAMMYs starting at 8pm ET on February 4 live from the Crypto.com Arena in Los Angeles to find out who wins!

