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Sue Foley Receives GRAMMY Award Nomination

Eric Alper
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Sue Foley Receives GRAMMY Award Nomination

The Recording Academy has announced the 2025 GRAMMY Award nominees, and acclaimed guitarist and vocalist Sue Foley has earned a nomination for Best Traditional Blues Album for her remarkable solo acoustic project, ONE GUITAR WOMAN (Stony Plain Records).

On this groundbreaking album, Foley steps away from her signature pink Fender Telecaster, affectionately known as “Pinky,” and delivers a soul-stirring collection of twelve tracks accompanied solely by her expressive voice and a single nylon-string Flamenco guitar. ONE GUITAR WOMAN is a heartfelt homage to the trailblazing female guitarists who have shaped her artistry and inspired generations of musicians. Foley honors legends such as Elizabeth Cotten, Memphis Minnie, Sister Rosetta Tharpe, French classical guitarist Ida Presti, Southern blues icons Geeshie Wiley and Elvie Thomas, Tejano star Lydia Mendoza, the flamboyant and dynamic Charo, and the cornerstone of country music, Maybelle Carter.

The album has garnered widespread acclaim:

  • “A lush, brilliantly performed salute to women who helped forge the history of the guitar.” ⁠— Living Blues Magazine
  • “The kind of album that will live forever.” — Americana Highways
  • “Confirms her new status as a major guitar talent.” — Soul Bag Magazine
  • “Fabulous.” — Guitar Player Magazine
  • “A sonic tapestry.” — Guitar Girl Magazine

Voting for the final round of the GRAMMY Awards is open to Recording Academy members through January 3, 2025. The winners will be announced during the annual GRAMMY Awards ceremony, broadcast live from the Crypto.com Arena in Los Angeles, California, on February 2, 2025, on CBS.

For more information about Sue Foley and her nominated album ONE GUITAR WOMAN, please visit www.suefoley.com

10 Tips for Musicians on Writing a Press Release That Gets Noticed

Eric Alper
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10 Tips for Musicians on Writing a Press Release That Gets Noticed

A press release is your chance to tell your story to the world. It’s the bridge between your music and the people who can help amplify it, from journalists to bloggers to fans waiting for something exciting to share. Think of it as a snapshot of your passion, crafted to grab attention and spark curiosity. When done right, it becomes a cornerstone of your promotional strategy, helping your music reach the people who need to hear it. Ready to make yours unforgettable? Let’s go!

1. Start Strong with a Killer Hook
Your headline is the gateway to your story, and it needs to be as compelling as your best song’s opening riff. A strong headline grabs attention and makes the reader want to dive into the details. Follow it with an opening sentence that delivers the key info: What’s happening, why it matters, and why people should care. The why is the most important part. This is your first chance to make an impression—so make it count. The goal? Hook them in 10 words or less.

2. Get to the Point Quickly
Journalists and editors don’t have time to wade through fluff—they need the “who, what, when, where, and why” upfront. Start your press release with a succinct summary of what’s new: Are you releasing a groundbreaking album? Announcing a tour? Celebrate a key milestone? Lay out the most important facts in the first paragraph. Save the storytelling and background for later, once you’ve got their attention.

3. Add a Quote That Pops
A good quote adds personality and depth to your press release. Whether it’s from you, a bandmate, or a collaborator, it should give a sense of excitement, purpose, or inspiration. Don’t settle for generic lines like “We’re so excited to release this song.” Instead, dig deeper: What does this release mean to you? How does it reflect your journey or your vision? Quotes are a chance to speak directly to the audience, so make it memorable.

4. Highlight What’s Unique
Ask yourself: Why should someone care about this release over the hundreds of others they’ll see today? Maybe it’s a collaboration with a dream artist, an innovative new sound, or a meaningful personal milestone. Be specific about what sets you apart. Journalists are always on the lookout for unique angles, so make it easy for them to spot what makes your story newsworthy.

5. Make It Look Professional
Even the most compelling story can fall flat if it’s poorly presented. Format your press release with clear headings, short paragraphs, and plenty of white space to make it easy to read. Include all the essentials: Your contact info, links to your website and social media, and where people can find your music. If you’re emailing it, make sure your subject line is concise and attention-grabbing—it’s the first thing they’ll see!

6. Speak to the Right People
The best press release in the world won’t matter if it’s sent to the wrong audience. Research outlets and journalists who cover your genre or have shown interest in artists like you. Tailor your pitch to each recipient, referencing their past coverage or interests to show you’ve done your homework. A well-targeted press release is far more effective than a mass email blast.

7. Add Visuals for Impact
A picture is worth a thousand words, and in today’s visual world, multimedia can be a game-changer. Include links to high-quality photos, album art, or music videos to make your story more appealing. Visuals aren’t just eye-catching—they’re essential for journalists who may need ready-to-use assets for their stories. And don’t forget to label your files clearly with your name and the project title.

8. Keep SEO in Mind
If your press release will live online, think like a search engine. What keywords might your audience or the media use to find your music? Incorporate those terms naturally into your headline and body text. This not only helps journalists find your release but also ensures fans can discover it when they’re searching for new music or news about you.

9. Proofread Like a Pro
Nothing undermines a great press release like a typo or grammatical error. Before you hit send, read it out loud to catch awkward phrasing or mistakes. Then read it again. Better yet, have a trusted friend or colleague review it with fresh eyes. A polished press release not only looks professional but also shows you care about the details—just like you do with your music.

10. Follow Up, Don’t Give Up
Sending the press release is just the first step. Journalists get hundreds of emails daily, so a polite, well-timed follow-up can make all the difference. Wait a few days before reaching out, and keep your follow-up brief: Mention the press release, express your enthusiasm, and offer any additional materials they might need. Be persistent but respectful—relationships take time to build.

11. OK, There’s 11.
A great press release is more than just a way to share news—it’s a tool to build relationships, spark interest, and invite the world to be part of your life and release. If you’re still looking for help, or have any questions, or looking for more information, email me, I’ll be happy to chat – Eric@ThatEricAlper.com and talk soon!

The 10 Most Memorable Super Bowl Halftime Shows

Eric Alper
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The 10 Most Memorable Super Bowl Halftime Shows
From rock legends to pop icons, the Super Bowl halftime show has delivered some of music’s most unforgettable moments. Whether it’s Prince’s rain-soaked magic or Springsteen’s stadium-rock fireworks, these performances transcend sports and become cultural landmarks.

1. Prince (2007)

Few moments in live music history compare to Prince performing “Purple Rain” in the middle of an actual downpour. Armed with his iconic purple guitar and unbothered by the storm, he transformed the Super Bowl into a stadium of euphoric electricity. This wasn’t just a show; it was divine intervention. He even asked one of the producers to make it rain harder.

2. Beyoncé (2013)

Queen Bey owned the stage with a ferocity that left jaws on the floor. From the moment “Crazy in Love” hit to the Destiny’s Child reunion that sent fans into a frenzy, Beyoncé proved why she’s one of the greatest live performers of our time. Fierce, flawless, unforgettable.

3. U2 (2002)

In the wake of 9/11, U2 delivered a poignant and powerful performance that doubled as a tribute to those who had passed. With “Where the Streets Have No Name” accompanied by a scrolling list of victims, it was a rare halftime show that brought tears as well as cheers.

4. Madonna (2012)

The Material Girl’s halftime debut was a spectacle of epic proportions. With a Roman-themed stage, elaborate choreography, and guest spots from Nicki Minaj and M.I.A., she reminded the world why she remains the Queen of Pop.

5. Michael Jackson (1993)

The King of Pop didn’t just perform—he reinvented the halftime show. Standing motionless for over a minute before launching into “Billie Jean” and “Black or White,” MJ transformed the event into a global phenomenon. The Super Bowl halftime as we know it began here.

6. Katy Perry (2015)

From the larger-than-life mechanical lion to the now-iconic Left Shark, Katy Perry’s halftime show was a technicolor dream. Her energy and theatrical flair made this a performance that had everyone talking—and dancing.

7. Shakira & Jennifer Lopez (2020)

Two Latin superstars joined forces for an unforgettable celebration of culture, energy, and hits. From Shakira’s “Hips Don’t Lie” to J.Lo’s pole-dancing prowess, it was a high-energy masterclass in entertainment.

8. The Rolling Stones (2006)

At 60+, the Stones still had the moves to command the world’s biggest stage. With hits like “Start Me Up” and “Satisfaction,” they delivered a rock ‘n’ roll clinic that reminded everyone why they’re legends.

9. Bruce Springsteen (2009)

The Boss brought his working-class charm and undeniable energy to the halftime show, proving that stadium rock still reigns supreme. From the explosive “Born to Run” to the crowd-pumping “Glory Days,” Springsteen made the Super Bowl feel like a Jersey bar gig on steroids.

10. Dr. Dre & Friends (2022)

A hip-hop revolution unfolded as Dre brought Eminem, Snoop Dogg, Mary J. Blige, and Kendrick Lamar to the stage. This was more than a performance—it was a love letter to West Coast rap and the culture it shaped.

5 Surprising Facts About My Bloody Valentine’s “Loveless”

Eric Alper
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5 Surprising Facts About My Bloody Valentine’s “Loveless”

If you’ve ever dived headfirst into the sonic tidal wave that is My Bloody Valentine’s Loveless, you know it’s not just an album—it’s an experience that has changed lives (well, at least their record collection moving forward.) Released on November 4, 1991, this shoegaze masterpiece, led by Kevin Shields, reshaped the boundaries of sound and production, earning its place as one of the greatest albums of all time. But even diehard fans may not know some of the fascinating stories behind its creation. Here are five lesser-known facts about the album that turned noise into beauty.

1. It Took 19 Studios and Nearly Bankrupted a Record Label
The album was recorded in a staggering 19 different studios over a two-year period, with a rumored cost of £250,000. The painstaking production process caused tensions with Creation Records, whose co-owner, Alan McGee, ultimately dropped the band due to Kevin Shields’ relentless perfectionism.

2. The “Glide Guitar” Technique Redefined the Instrument
Kevin Shields’ signature sound—achieved by wiggling the guitar’s tremolo bar as he strummed—created the dreamlike “glide guitar” effect that became synonymous with Loveless. It’s an illusion of layers, but in reality, the album has fewer guitar tracks than most demos.

3. The Drums Were Almost Entirely Sampled
Due to drummer Colm Ó Cíosóig’s health issues, most drum tracks were created from samples of his playing. Only two songs feature live drumming: “Only Shallow” (the opening drums might be the clearest sound you’ll hear all album) and “Come in Alone.” Shields meticulously constructed the rest from scratch, a painstaking yet groundbreaking process.

4. Vocals Were Recorded Behind a Curtain
Kevin Shields and Bilinda Butcher recorded vocals in a uniquely secretive way—they hung curtains between themselves and the sound engineers. The engineers monitored the sessions by watching the meters on the tape machine, ensuring the vocals remained an enigmatic layer within the album’s ethereal mix.

5. Its Legacy Includes a Second Life on Analogue Tape
In 2012, Loveless was reissued as a two-CD set, including a version remastered from the original half-inch analogue tapes. This version offered fans a new way to experience the album’s dense and textured soundscapes, cementing its timeless appeal.

From its grueling production process to its boundary-pushing sound, Loveless remains a touchstone for artists and fans alike, and continuing its rightful place on music critics’ album of all time lists. Whether you’re a longtime devotee or a curious newcomer, one thing is certain: Loveless is a masterpiece that will continue to reverberate for generations. Put on those headphones for this one.

How Brandi Carlile Met Elton John: “I Wrote Him A Letter”

Eric Alper
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How Brandi Carlile Met Elton John: “I Wrote Him A Letter”

The amazing Brandi Carlile joins Elton John and Stephen Colbert for an extended conversation about their friendship and artistic collaboration, Elton’s commitment to lifting up new artists like Chappell Roan, Brandi’s special relationship with Joni Mitchell, and the potential for new Elton John music in the near future. The new documentary, “Elton John: Never Too Late,” is streaming now on Disney+.

Terri Thal’s “My Greenwich Village” Details Folk Music, Social Justice, and Stories of Bob Dylan, Dave Van Ronk, and the Village Scene

Eric Alper
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Terri Thal’s “My Greenwich Village” Details Folk Music, Social Justice, and Stories of Bob Dylan, Dave Van Ronk, and the Village Scene

Terri Thal was very much a part of the folk music world in 1960s Greenwich Village, New York. Few people know that she was 21-year-old Bob Dylan’s first manager prior to his contract with Albert Grossman and Columbia Records. She also managed musician Dave Van Ronk (who later became her husband), and others to include the Roche sisters, Paul Geremia and The Holy Modal Rounders. She booked performances at coffee houses, clubs and basket houses. On 6 September 1961, she recorded a set from a young Bob at The Gaslight Café – a celebrated performance as it is one his first known live recordings, and the first known live recording to feature original songs. This concert became known to Dylan fans as the First Gaslight Tape! Terri took this ‘audition’ tape to clubs and concert producers, trying to get him gigs – and she still owns the original reel-to-reel tape! She had many friends in Greenwich Village including Suze Rotolo and a number of seminal 1960s folk musicians.

Terri Thal has two passions: folk music and social justice.

“My Greenwich Village: Dave, Bob and Me” is a personal story of the world of folk music in 1960s New York written by a Jewish woman from Brooklyn who, although not a musician, was an intrinsic part of this scene. Terri describes Greenwich Village as a community that was supportive, musically exciting and one in which people had fun.

Terri tells us what it was like to hang out in the Village coffee houses, to host folk singers like Tom Paxton and Phil Ochs who hung out at her apartment, and to be a manager. We hear her view and involvement of the 1960s socialist organizations, and how she later merged her professional work in not- for-profit agencies.

Ben Gillies and Chris Joannou’s Untold Story of Silverchair’s Rise, Fame, and Heartache Is Revealed In “Love & Pain” Book

Eric Alper
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Ben Gillies and Chris Joannou’s Untold Story of Silverchair’s Rise, Fame, and Heartache Is Revealed In “Love & Pain” Book

It all began in Ben Gillies’ garage – where three high school kids from Newcastle, New South Wales, created magic with their smash-hit single ‘Tomorrow’, setting them on a path to domination of the Australian charts, worldwide touring and fame.

So much has been written about Silverchair over the years but very little has been said by the band’s members. In Love & Pain, drummer Ben Gillies and bass player Chris Joannou retrace their footsteps from childhood friends living across the road from each other, and share their often hilarious, wild and unforgettable stories from the rock ‘n’ roll spotlight, along with the exhilarating highs and heart-wrenching lows they faced along the way.

There was also all the love and pain that came from being in the band: the cost of fame and intense pressure on two teenagers who had no way of preparing for it, and the complex dynamics of navigating friendships with each other and their relationships with friends and family members, the mistakes they made and the successes they cherished. Gillies and Joannou write with vulnerability and raw and blistering honesty, making for an extraordinary account of a band adored by so many.

Lol Tolhurst’s “GOTH” Spellbinding Memoir on Music, Misfits, and the Magic of Darkness

Eric Alper
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Lol Tolhurst’s “GOTH” Spellbinding Memoir on Music, Misfits, and the Magic of Darkness

Following his memoir Cured, a fascinating deep dive into the dark Romanticism of Goth music, a misunderstood genre and culture, by co-founder of The Cure, Lol Tolhurst

GOTH is an entertaining and engaging historical memoir, a journey through Goth music and culture, and an exploration of a place that offered refuge for the misfits of the 1980s and ever since. Written by Lol Tolhurst, cofounder of The Cure, GOTH is infused with stories from Tolhurst’s personal trove of memories, as well as anecdotes about the musicians, magicians, and artists who made it all happen—a veritable garden of earthly delights for the longtime Goth fan and newcomer alike. Equal parts teacher and storyteller, Tolhurst explores early art and literature that inspired the genre and looks into the work of T. S. Eliot, Edgar Allan Poe, Sylvia Plath, and more. He outlines the path of Gothic forebears and shows how many musicians played in punk bands before transitioning into Goth endeavors. He introduces readers to the “Architects of Darkness”—BAUHAUS, SIOUXSIE AND THE BANSHEES, JOY DIVISION, and THE CURE—and discusses a group he calls the “Spiritual Alchemists,” bands like DEPECHE MODE and COCTEAU TWINS. He tracks the expansion of the genre overseas, from England to New York, Los Angeles, and beyond. Gothic fashion was an important part of the movement as well, and Tolhurst discusses the clothing that accompanied and complemented the music. Finally, Tolhurst examines the legacy of Goth music, and shows how its influence can still be seen to this day.

As thoughtful and thorough as it is utterly bewitching, GOTH is a timeless testament to why Goth matters—and why it always will.

Watch Bruce Springsteen and the E Street Band on the Howard Stern Show

Eric Alper
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Watch Bruce Springsteen and the E Street Band on the Howard Stern Show

Bruce Springsteen sat down with Howard Stern for an unforgettable deep dive into his life and music. From his first band, The Castiles, to sharing stories of fatherhood, love, and the magic of the E Street Band, Springsteen brought heart and wisdom. Packed with live performances of classics like “Thunder Road” and “Atlantic City,” this interview is a masterclass in storytelling and connection. Each note, each tale, is a reminder of why he’s The Boss.

The Great Stalacpipe Organ: Turning a 3.5-Acre Cave into Nature’s Symphony

Eric Alper
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The Great Stalacpipe Organ: Turning a 3.5-Acre Cave into Nature’s Symphony

Imagine standing inside the world’s largest musical instrument. That’s what happens at Virginia’s Luray Caverns, home to The Great Stalacpipe Organ. Back in 1954, mathematician Leland W. Sprinkle turned echoes of natural stalactites into playable notes, grinding them to pitch with remarkable precision. It’s not just music you hear—it’s music you feel.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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