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Eagles Unveil Massive ‘One of These Nights’ Deluxe Edition Featuring Unreleased 1975 Anaheim Concert

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Rhino has announced a Deluxe Edition of the Eagles’ landmark 1975 album ‘One of These Nights’, due May 1. The release arrives as a 3 CD/Blu-ray set featuring a new mix of the original album, a previously unreleased 16-song concert recorded at Anaheim Stadium on September 28, 1975, and new Dolby Atmos and high-resolution stereo mixes. A 3 LP version releases the same day, including the new album mix and the full concert recording. Lacquers were cut by Chris Bellman at Bernie Grundman Mastering.

‘One of These Nights’ was a milestone for the band from the moment it arrived. It earned the Eagles their first Grammy Award, went quadruple platinum, and became the first of four consecutive number one albums. The single “Lyin’ Eyes” won the Grammy for Best Pop Performance by a Duo or Group with Vocals. The new mix was produced by Don Henley and handled by Rob Jacobs, with the original sessions having been produced by Bill Szymczyk at Criteria Studios in Miami and the Record Plant in Los Angeles.

The unreleased live recording is the centrepiece of the package and it is genuinely historic. Captured at the Sunshine Festival in Anaheim at the end of the ‘One of These Nights’ tour, the show features Don Henley, Glenn Frey, Randy Meisner, Bernie Leadon, and Don Felder tearing through a set that spans the band’s catalog to that point. It also marks Leadon’s final performance with the band, making it a document of a genuine turning point in Eagles history.

The concert carries two moments of particular significance. Joe Walsh, months away from becoming an official member, joins the group for the encore to perform “Rocky Mountain Way,” offering an early glimpse of what was coming. The set also includes a rousing cover of Chuck Berry’s “Carol,” a live staple at the time and one that has never previously appeared on an Eagles album. “Carol” is available now for streaming and download as a preview of the full live set.

The Blu-ray accompanying the CD set presents both the album and the live performance in Dolby Atmos and high-resolution stereo. The Deluxe Edition lands ahead of the band’s headlining slot at the New Orleans Jazz and Heritage Festival and upcoming stadium dates as part of The Long Goodbye, Act III, in Atlanta, Nashville, and Arlington. The Eagles are also poised to set the record for the longest-running Sphere residency, with shows continuing March 20 after drawing more than 700,000 fans across 52 sold-out performances since September 2024.

‘One of These Nights’ Deluxe Edition Tracklist:

CD 1: One of These Nights

One of These Nights

Too Many Hands

Hollywood Waltz

Journey of the Sorcerer

Lyin’ Eyes

Take It to the Limit

Visions

After the Thrill Is Gone

I Wish You Peace

CD 2: Live at Anaheim Stadium (9/28/75)

Intro

Take It Easy

Outlaw Man

Doolin-Dalton/Desperado

One of These Nights

Ol’ 55

Lyin’ Eyes

Take It to the Limit

CD 3: Live at Anaheim Stadium (9/28/75)

Blackberry Blossom

Midnight Flyer

Already Gone

Too Many Hands

James Dean

Witchy Woman

Rocky Mountain Way

Carol

The Best of My Love

Blu-ray:

One of These Nights, Atmos

Live at Anaheim Stadium (9/28/75), Atmos

One of These Nights (2025 Mix), Hi-Res Stereo

Live at Anaheim Stadium (9/28/75), Hi-Res Stereo

mgk Drops Cinematic Tour Documentary “goddamn” Video From His Lost Americana European Run

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mgk has released the music video for “goddamn,” a documentary-style visual directed by Sam Cahill that pulls back the curtain on life before showtime during his Lost Americana European tour. Rather than a staged production, the video follows mgk and his band walking through cities, moving backstage, and living the unfiltered reality of life on a major arena run. It feels like found footage in the best possible sense.

Written and produced alongside longtime collaborators SlimXX, BazeXX, Nick Long, and No Love For The Middle Child, “goddamn” is an homage to rock and roll built around spontaneous decisions and the lessons they leave behind. The song and its visual land as a natural extension of what the Lost Americana era has always been about: raw energy, real moments, and music that earns its place in the rock canon.

The Lost Americana tour continues to deliver. Reflection of Darkness noted that mgk’s performance was “a masterclass in arena-rock showmanship” and that “the Lost Americana tour is more than just a comeback, it’s a victory lap that will stay ingrained in the memory of the lucky fans witnessing the spectacle.” The run, which covers arenas and amphitheaters across North America, the EU and UK, and Australia and New Zealand, continues into July.

‘lost americana’ marked mgk’s third consecutive number one on Billboard’s Top Rock and Alternative Albums chart. To open 2026 he released “times of my life,” which has become a fan favorite on tour. Late last year he teamed with Jonas Brothers for a remix of the inescapable hit “cliche,” with choreography by Sean Bankhead, who has worked with Usher and Tate McRae. Last week, mgk appeared at Paris Fashion Week alongside his daughter Casie at the Stella McCartney show.

“goddamn” is out now. The Lost Americana tour rolls on.

Vans Warped Tour Unveils Massive Long Beach Lineup for Two-Day July Takeover at Shoreline Aquatic Park

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Vans Warped Tour has revealed the full lineup for its Long Beach, California stop, a two-day festival set for July 25 and 26 at Shoreline Aquatic Park. With the Pacific Ocean as a backdrop and the historic Queen Mary on the horizon, the setting is quintessential Southern California summer. The event is produced in partnership with Insomniac and features over 100 artists spanning punk, pop-punk, alternative, emo, hip-hop, ska, and beyond, alongside world-class skateboarders and elite action-sports athletes.

The lineup, listed alphabetically in keeping with Warped Tour tradition, spans generations of alternative music with genuine depth. Genre-defining favorites like Jimmy Eat World, Thrice, Taking Back Sunday, Underoath, The Used, Glassjaw, Alexisonfire, Flogging Molly, Dance Gavin Dance, and Silverstein share the bill with pop-punk staples Simple Plan, All Time Low, Mayday Parade, Bayside, Motion City Soundtrack, Gym Class Heroes, Story of the Year, and The Starting Line. Rising voices including Winona Fighter, Magnolia Park, Stand Atlantic, Hot Milk, and Nova Twins round out a bill that genuinely delivers across every corner of the alternative universe.

Long Beach is one of five two-day festival stops in 2026, joining Washington D.C. and Orlando, and marking the launch of two brand new international editions in Montreal, Canada and Mexico City, Mexico. After three sold-out U.S. dates last year, the expansion reflects real and growing demand for what Warped Tour represents: a multi-generational alternative music community gathered in one place.

Tickets are on sale now. Two days, over 100 artists, one iconic Southern California waterfront location.

Vans Warped Tour, Long Beach 2026, Full Lineup:

Зон!3, Acceptance, Alemeda, Alexisonfire, All Time Low, Allison, Amigo The Devil, Aries, Arm’s Length, Attila, Bad Cop Bad Cop, Bayside, Bear Vs. Shark, Big Ass Truck, Blnko, Boston Manor, Boundaries, Bowling For Soup, Brayton, Breathe Carolina, Carolesdaughter, Caskets, Chase Petra, Citizen, Codefendants, Crown The Empire, Daisy Grenade, Dance Gavin Dance, Deathbyromy, Delux, Denm, Dinosaur Pile-Up, Division Minuscula, Doobie, Drop Dead Gorgeous, Dying Wish, Emery, Escape The Fate, Fame On Fire, Flogging Molly, Fox Lake, Free Throw, From First To Last, G-Eazy, Games We Play, Girlfriends, Glassjaw, Good Sleepy, Good Terms, Grandson, Gritty In Pink, Jam, Guilt Trip, Gym Class Heroes, Haywire, Hepcat, Holy Wars, Honey Revenge, Hoobastank, Hot Chelle Rae, Hot Milk, I Set My Friends On Fire, Initiate, Jiluka, Jimmy Eat World, Jinjer, Jutes, Kennyhoopla, Lagwagon, Lakeview, Leisure Hour, Letlive., Lo Spirit, Lolo, Lower Definition, Mad Caddies, Magnolia Park, Mayday Parade, Meet Me @ The Altar, Millington, Motion City Soundtrack, Mxpx, Norma Jean, Nova Twins, Origami Angel, Oxymorons, Pain Of Truth, Papa Roach, Peelingflesh, People R Ugly, Phantom Planet, Plain White T’s, Raue, Red Leather, Rosecoloredworld, Sace6, Sammy Adams, Save Ferris, Scarlet House, Scary Kids Scaring Kids, Set It Off, Set Your Goals, Shakewell, Silverstein, Simple Plan, Slay Squad, Sleeping With Sirens, South Arcade, Stand Atlantic, Start Today, Story Of The Year, Suicide Silence, Taking Back Sunday, The Academy Is…, The Aggrolites, The Ataris, The Cab, The Devil Wears Prada, The Early November, The Expendables, The Ghost Inside, The Paradox, The Starting Line, The Story So Far, The Used, The Wrecks, Thrice, Tillie, Trxvis, Underoath, Upon A Burning Body, Vana, Vienna Vienna, Villanelle, Waterparks, We Came As Romans, Wesghost, Whispers, Who Cares, Winona Fighter, Xcomm, Yelawolf

Rock Veteran John Corabi Drops New Single “That Memory” Ahead of Debut Solo Album ‘New Day’

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John Corabi has released “That Memory,” the latest single from his debut full-length solo album ‘New Day’, due April 24 via Frontiers Music Srl. The track arrives with an official music video and carries a straightforward origin story: Blackberry Smoke’s Charlie Starr sent Corabi a rough idea, producer Marti Frederiksen loved it immediately, they shifted the key to fit Corabi’s voice, and they recorded it. “It’s my wife’s favorite from the record,” Corabi says. “Thank you Charlie Starr.”

‘New Day’ marks Corabi’s first full-length solo album of original material, recorded in Nashville during the summer of 2025. Frederiksen, whose production credits include Aerosmith, Ozzy Osbourne, and Buckcherry, helmed the sessions and contributes backing vocals, guitars, piano, and percussion throughout. The album fuses classic 70s rock, soul, and blues into something that feels organic and deeply personal, built on real performances and melodic interplay rather than studio gloss.

The supporting cast is exceptional. Richard Fortus of Guns N’ Roses handles lead guitar. Paul Taylor, known for his work with Winger and Steve Perry, contributes piano, organ, and clavinet. Evan Frederiksen covers drums, bass, B3 organ, electric guitar, mandolin, and programming. Starr adds guitar solos. Together they create exactly the kind of instrument-driven, soulful rock record Corabi set out to make.

The album also includes previously released singles “Cosi Bella (So Beautiful)” from 2021 and “Your Own Worst Enemy” from 2022, now woven into a complete collection that showcases Corabi’s commanding vocals and heartfelt songwriting across a full arc. “I wanted to put together an album of eclectic, organic songs reminiscent of the music I grew up listening to,” Corabi says. “This is a 60s-70s sounding classic rock and roll record. Turn it up, and enjoy.”

A European tour ran through February and March 2026, with additional shows continuing through late spring and summer. ‘New Day’ arrives April 24.

Jon Davison and Alan Hewitt Honor John Lodge With Two Special Moody Blues Celebration Concerts

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Two special concerts have been announced to celebrate the life, music, and legacy of John Lodge and the Moody Blues. The first takes place Friday, July 17 at The Bilheimer Capitol Theatre in Clearwater, Florida. The second follows Sunday, July 26 at Esher Theatre in Esher, UK. Together, they represent the fulfillment of a promise made to one of rock music’s most beloved figures.

When the Moody Blues stopped touring in 2018, John Lodge made it his mission to keep the music alive. Beginning with his first solo tour in 2015, alongside Music Director Alan Hewitt and the 10,000 Light Years Band, Lodge built a show of genuine grandeur, growing from intimate venues into full productions with captivating video, lights, and an unwavering passion for music he described as the soundtrack of his life. Along the way, Jon Davison of Yes joined the band, brought into the fold through his relationship with Lodge’s daughter Emily, whom he later married. The stage partnership between John and Jon became something deeply meaningful for everyone involved.

Davison will now lead these celebration concerts alongside Hewitt and the 10,000 Light Years Band, fulfilling Lodge’s expressed wish that they carry the music forward. The setlist will draw from hits and fan favourites, incorporating enchanting vocals and visuals of John alongside Davison’s voice and the full band. Videographer Andy Clark, a longtime collaborator, has been working on the visual component of the shows.

“I had a unique perspective of John in that I was lucky enough to become his son-in-law and close friend,” said Davison. “Along with the incredible Alan Hewitt and the 10,000 Light Years Band, I’m thrilled to have the blessed opportunity to be standing by John’s side one more time.” Hewitt added, “John had a huge heart and was loved by so many. I know he’ll be with us in spirit and smiling, knowing that we kept the promise we made before he left to fly with the angels.”

The heart of these concerts belongs to Emily Davison, John’s daughter. “To be able to work with my darling Jon and the incredibly talented Alan on these shows for my father has been the thing that has made the sun shine again,” she said. “It is not a time for sadness. It is a time to smile to the heavens.” As John Lodge always said: Thank You for Keeping the Faith.

John Lodge Celebration Concerts:

July 17 | Clearwater, FL @ The Bilheimer Capitol Theatre

July 26 | Esher, UK @ Esher Theatre

Pop-Punk Favorites The Dollyrots Release New Single “Attention Span” and Hit the Road This Week

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The Dollyrots have announced their new single “Attention Span,” out March 13 via Wicked Cool Records, landing just as the band launches their Spring Break From Reality Tour with Keep Flying. The tour kicked off yesterday, March 12, in Minneapolis, with ten dates running through March 22 in Newport, Kentucky.

“Attention Span” is classic Dollyrots, punchy and hook-driven with distorted guitars fueling the engine and melodies hitting with sugar-rush velocity. Kelly Ogden’s vocal delivery carries the track with the magnetic confidence the band has built their reputation on. The song balances grit and gloss in equal measure, and it arrives at exactly the right cultural moment.

“It’s easy to feel overwhelmed with the intensity and rate of information thrown our way every day in this modern life,” says Ogden. “Important connections with each other and the earth seem to get lost in the shuffle. ‘Attention Span’ is a happy-sounding song about the confusion we feel right now.” That framing lands well. The Dollyrots have always made heartbreaks you can dance to, and this one extends that streak.

The band, helmed by Ogden on bass and lead vocals alongside guitarist and vocalist Luis Cabezas and touring drummer Simon Hancock, has spent years cementing a reputation for kinetic, crowd-connecting live shows and a fiercely independent creative ethos. The Spring Break From Reality Tour is that energy in motion. The Dollyrots also appear at Vans Warped Tour at the Festival Grounds at RFK Campus in Washington, D.C. on June 13 and 14.

Pre-save “Attention Span” now ahead of its March 13 release.

The Dollyrots, Spring Break From Reality Tour Dates:

March 12 | Minneapolis, MN @ Uptown VFW

March 13 | Cudahy, WI @ X-Ray Arcade

March 14 | Chicago, IL @ Reggie’s

March 15 | St. Louis, MO @ Off Broadway

March 17 | Indianapolis, IN @ Melody Inn

March 18 | New Kensington, PA @ Preserving Underground

March 19 | Columbus, OH @ Rumba Cafe

March 20 | Hamtramck, MI @ Small’s

March 21 | Cleveland, OH @ Beachland Tavern

March 22 | Newport, KY @ The Southgate House Revival

June 13-14 | Washington, D.C. @ Festival Grounds at RFK Campus (Vans Warped Tour)

Hip-Hop Radio Legend Lord Sear, Voice of SiriusXM’s Shade 45 for Two Decades, Dead at 52

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Lord Sear, one of hip-hop radio’s most beloved and irreplaceable voices, has died at 52. SiriusXM’s Shade 45 confirmed the passing of Steve Watson on Wednesday, March 11. No further details surrounding his death have been shared. Shade 45 will air a tribute episode Thursday and Friday from noon to 4 PM ET on channel 45 and the SiriusXM app.

The hip-hop community responded immediately and with genuine grief. Fat Joe wrote, “God bless, I know him my whole career, love you Sear.” DJ Premier revealed he had spoken to Sear just two days earlier. “Love you Sear. Crazy we spoke Monday night and you sounded fine. Snapping on each other like we always do.” E-40, Hit-Boy, Rapsody, 9th Wonder, Tony Yayo, Skyzoo, and Berner all paid tribute. Actor and comedian Godfrey called him “my dawg” and one of the “funniest dudes around.”

Lord Sear’s place in hip-hop history was built across decades and platforms. He came up as part of the hip-hop group Kurious in the early 1990s before joining the legendary Stretch Armstrong and Bobbito Show, one of underground hip-hop radio’s most influential programs. He toured the world on Eminem’s Anger Management Tour in the early 2000s and lent his voice to the fictional Game FM station in Grand Theft Auto III. He can also be heard on the intro to Big Pun’s 2000 album ‘Yeeeah Baby’.

For more than 20 years, Shade 45 was his home. Co-hosting the All Out Show with Rude Jude and hosting The Lord Sear Special, he became a cornerstone of Eminem’s hip-hop channel and one of SiriusXM’s most recognizable personalities. His mix of classic rap, R&B, sharp humor, and genuine love for the culture made him essential listening for an entire generation of hip-hop fans.

“He was more than a voice on the radio,” Shade 45 wrote in their tribute. “He was a force, a friend, and family to so many of us. The culture will never forget you.” That says it plainly and truthfully. Lord Sear shaped hip-hop radio at every level, and the space he leaves behind cannot be filled.

Global Contract Manufacturing: What to Look for in a Partner

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By Mitch Rice

Building a physical product is only half the equation. The other half is finding a manufacturing partner capable of taking your design from a verified prototype all the way to reliable, high-volume production — without losing quality, timeline, or cost control somewhere in between. That gap between “we have a working prototype” and “we have a scalable product” is where most hardware companies run into trouble.

Contract manufacturers exist to close that gap. But not all of them close it equally well. Companies like East West Manufacturing — specialists in electrical design engineering, electronics manufacturing services (EMS), PCB assembly, turnkey box builds, and full-scale production support — demonstrate what a genuinely capable global partner looks like. Their work spans industrial, medical, and AI infrastructure clients who need more than a factory: they need an engineering-aware partner who can catch problems before production, source components under pressure, and scale output without sacrificing the reliability standards their end markets demand.

Understanding what separates that tier of partner from a commodity assembler is worth the time, especially before you sign a long-term manufacturing agreement.

The Scope of Modern Contract Manufacturing

Contract manufacturing has expanded well beyond simple assembly. Where a traditional CM might receive a finished BOM and build to spec, today’s leading partners are involved far earlier — reviewing designs for manufacturability, flagging component risks, recommending alternative sourcing strategies, and running engineering validation before a single production unit is committed.

This shift matters because the cost of catching an error scales dramatically depending on when you catch it. A DfM (Design for Manufacturability) review during the engineering phase costs a few hours of review time. The same issue discovered after tooling is cut or components are purchased can run to six figures in rework, delays, and lost market timing.

The best contract manufacturers position themselves as extensions of your engineering team, not just your operations team. That distinction determines whether your product reaches market on schedule or gets stuck in an endless cycle of revision.

What Global Actually Means in Practice

“Global manufacturing” is a phrase that gets used loosely. For some companies it means they have one offshore facility. For others it means a genuinely distributed network of manufacturing and sourcing locations, each positioned to serve different needs — labor cost optimization, regional compliance, supply chain redundancy, or proximity to key customer markets.

The distinction matters practically. A manufacturer with facilities in Southeast Asia, Latin America, North America, and China gives you real options: nearshore production for products destined for the US market, lower-cost high-volume capacity in Asia, and supply chain coverage that doesn’t collapse when a single region faces disruption.

East West Manufacturing operates across exactly this kind of distributed footprint — with production facilities in Vietnam, China, Costa Rica, Mexico, and the US, plus design and sourcing offices in India, Canada, and additional US locations. That geographic spread isn’t just a marketing point. It translates to tangible flexibility when your demand changes, your regulatory requirements shift, or a supply chain event requires a rapid pivot.

Electronics Manufacturing Specifically

For companies building hardware products with electronic components — which, increasingly, means almost every hardware product — the electronics manufacturing capability of your CM is the most technically demanding part of the relationship.

PCB assembly via Surface Mount Technology (SMT) requires precision, consistent process control, and rigorous inspection. A missed solder joint or a misplaced component that passes visual inspection but fails in the field is a warranty claim, a safety incident, or a regulatory problem depending on your industry. For medical devices and industrial automation equipment, the stakes are particularly high.

Turnkey box builds add another layer of complexity: your CM isn’t just assembling boards, they’re integrating those boards with enclosures, connectors, cables, firmware, and final testing to produce a finished, shippable unit. That requires coordination across mechanical, electrical, and software disciplines simultaneously — and the organizational maturity to keep all three in sync.

Testing and validation close the loop. Functional testing, in-circuit testing, and burn-in protocols are what separate a manufacturer who builds product from one who builds reliable product. The difference shows up not at the factory but in the field, months or years later, in return rates and customer complaints.

Component Sourcing and Supply Chain Reality

One of the most underestimated capabilities in contract manufacturing is component sourcing. The global electronics supply chain is not a stable, predictable system. Lead times shift. Allocations tighten. Components get discontinued mid-product lifecycle. A CM without a serious sourcing operation will hand those problems back to you. A capable one will have already identified alternates, established relationships with authorized distributors, and built buffer stock strategies into your program before shortages materialize.

This is particularly relevant for companies building in AI infrastructure and networking — categories where component demand has repeatedly outpaced supply and where a weeks-long wait for a critical IC can derail an entire product launch.

A mature CM also manages approved vendor lists, monitors end-of-life notifications, and flags substitution risks proactively rather than reactively. That kind of supply chain discipline is invisible when things are going well and invaluable when they aren’t.

Scaling From Prototype to Production

Most hardware companies reach production through new product introduction (NPI) — a structured process that bridges engineering validation and manufacturing readiness. The quality of that transition determines whether your first production units match your prototypes or diverge from them in ways you won’t fully understand until customer returns start arriving.

A strong NPI process includes design freeze reviews, manufacturing process documentation, first article inspection, and clearly defined acceptance criteria before volume production begins. It also includes honest feedback from the factory floor: if your design has features that are difficult to assemble reliably at volume, you want to know before production, not after.

Companies that scale hardware products successfully tend to treat their CM as a partner in that NPI process rather than a vendor who receives a finished design and executes it blindly. The distinction produces measurably different outcomes.

WHAT TO EVALUATE WHEN CHOOSING A CONTRACT MANUFACTURER

Before committing to a partner, these are the questions worth pressing on:

– Does their engineering team review designs before production, or do they build to spec without feedback?

– What does their SMT line inspection process include — AOI, X-ray, manual review?

– How do they handle component shortages — do they have an approved alternate sourcing process?

– What testing protocols are standard, and which require additional scope?

– Where are their facilities, and which location would actually build your product?

– What industries do they have certified experience in — and what does that certification mean in practice?

– Can they show you a product that went from NPI to high-volume production with documented outcomes?

The answers to those questions will quickly separate manufacturers with genuine capability from those with an impressive website and limited depth.

The hardware product landscape rewards companies that build well — reliably, at cost, on schedule, and at the scale their market requires. The contract manufacturing relationship is central to whether that happens. Choosing a partner with the engineering depth, geographic flexibility, and supply chain maturity to support the full product lifecycle is one of the highest-leverage decisions a hardware company makes. Getting it right from the start is considerably easier than correcting it mid-program.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

INXS’s Global Blockbuster ‘Kick’ Gets a Definitive Audiophile Vinyl Reissue on May 1

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Rhino has announced a new audiophile vinyl edition of ‘Kick’ by INXS, due May 1. Cut from the original master tapes by Kevin Gray and pressed on 180-gram black vinyl at Optimal in Germany, the release comes in glossy gatefold packaging with newly written liner notes by music journalist David Fricke. It is limited to 5,000 individually numbered copies, available exclusively through the Rhino website.

‘Kick’ remains one of the defining albums of its era. Produced by Chris Thomas and mixed by Bob Clearmountain, the record blended new wave, danceable funk, and Stones-styled rock into something that connected everywhere at once. When Thomas first approached the band, his stated goal was simple and direct: to make them sound on record the way they did live, something, as Tim Farriss recalled, they had not yet managed to achieve.

The result was a record built on space and restraint. Andrew Farriss told Fricke that the philosophy was deliberate. “The space on Kick wasn’t an accident. We realized that if this album was to be a success, it’s gotta be simple.” What filled that space, Tim Farriss’s guitar work on “Need You Tonight,” Michael Hutchence’s vocal on “Mediate,” Kirk Pengilly’s saxophone on “Never Tear Us Apart,” was more than enough.

Bob Clearmountain was on one of the great hot streaks in production history when INXS called. He had just engineered David Bowie’s ‘Let’s Dance’, mixed Bruce Springsteen’s ‘Born in the U.S.A.’, and co-produced the Pretenders’ ‘Get Close’. He recalls hearing the rough mixes at AIR Studios in London for the first time: “Chris played me the whole album, and I was overwhelmed. My God, this is fantastic.”

The numbers backed up that instinct. ‘Kick’ sold more than 30 million copies worldwide, went six-times platinum in the U.S. and diamond in Canada. It produced four U.S. Top 10 singles: “Need You Tonight” at number one, “Devil Inside” at number two, “New Sensation” at number three, and “Never Tear Us Apart” at number seven. Few albums of that period matched its commercial and critical reach simultaneously.

The reissue arrives at a significant moment for the band. INXS have appeared on the Rock & Roll Hall of Fame ballot for the first time in their nearly 50-year history. Inductees for the Class of 2026 are expected to be announced next month, with the induction ceremony to follow in the fall. “I think everybody in the band is thrilled and excited to be nominated,” Andrew Farriss told Billboard. “We’re very much honored.”

The Rhino High Fidelity edition of ‘Kick’ is the ideal way to mark this moment in the band’s legacy. Pressed with the care the album has always deserved and packaged to reflect its status, this is the definitive version for any serious listener. Order exclusively at the Rhino website before the 5,000 copies are gone.

Jon Anderson and the Band Geeks Announce Second US Leg of Their 2026 YES Epics, Classics, and More Tour

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Jon Anderson and the Band Geeks have announced the second leg of their 2026 YES Epics, Classics, and More Tour, adding 12 North American dates to an already substantial year on the road. The new run opens June 23 at the Celebrity Theater in Phoenix and closes July 22 at the Palladium Times Square in New York City, covering the West Coast, Mountain West, Midwest, and Northeast along the way.

The second leg follows the already announced 10-show first leg running through April and May, which takes the band through Connecticut, New York, New Jersey, Pennsylvania, and Michigan. Together, the two runs represent a serious commitment to bringing this music to audiences across the country, with stops at some of the finest mid-size theatres in North America.

The touring does not stop at the US border. Jon Anderson and the Band Geeks have also expanded their September and October UK and Sweden run, adding four new dates in Oxford, Portsmouth, Brighton, and Nottingham due to overwhelming fan demand. The full UK and Sweden stretch now runs from September 6 in Brighton through October 5 in Malmo, hitting Birmingham’s Symphony Hall, the London Palladium, Manchester Opera House, Glasgow Royal Concert Hall, and more along the way.

For fans of YES and the music Anderson helped build over five decades, this tour is the real deal. The setlist draws from the full catalogue of epics and classics, and the Band Geeks bring the kind of musicianship that material demands. Tickets are on sale now.

Jon Anderson and the Band Geeks, US Leg 1:

April 17 | Ridgefield, CT @ Ridgefield Playhouse

April 19 | Ridgefield, CT @ Ridgefield Playhouse

April 21 | Patchogue, NY @ Patchogue Theatre

April 23 | Red Bank, NJ @ Count Basie Theatre

April 26 | Rochester, NY @ Kodak Center Theater

April 28 | Hershey, PA @ Hershey Theater

April 30 | Lansdowne, PA @ Lansdowne Theater

May 2 | Lansdowne, PA @ Lansdowne Theater

May 5 | Troy, NY @ Troy Savings Bank Music Hall

May 7 | Royal Oak, MI @ Royal Oak Theatre

Jon Anderson and the Band Geeks, US Leg 2:

June 23 | Phoenix, AZ @ Celebrity Theater

June 25 | Anaheim, CA @ Grove of Anaheim

June 27 | Thousand Oaks, CA @ Fred Kavli Theater

June 30 | San Jose, CA @ San Jose Civic

July 3 | Monterey, CA @ Golden State Theater

July 5 | Napa, CA @ Meritage Resort and Spa

July 8 | Denver, CO @ Paramount Theater

July 11 | St. Louis, MO @ The Factory

July 15 | Cleveland, OH @ Agora Theater and Ballroom

July 17 | St. Charles, IL @ Arcada Theater

July 19 | Des Plaines, IL @ Des Plaines Theater

July 22 | New York, NY @ Palladium Times Square

Jon Anderson and the Band Geeks, UK & Sweden:

September 6 | Brighton @ Dome

September 8 | Portsmouth @ Guildhall

September 10 | Oxford @ New Theatre

September 13 | Nottingham @ Royal Concert Hall

September 15 | Birmingham @ Symphony Hall

September 17 | Bath @ Forum

September 20 | London @ Palladium

September 22 | Liverpool @ Philharmonic

September 26 | Manchester @ Opera House

September 28 | Glasgow @ Royal Concert Hall

October 1 | Gateshead @ Glasshouse

October 3 | Stockholm @ Cirkus

October 5 | Malmo @ Slagthuset