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Alemeda Releases “I’m Over It” Music Video And Announces But Where The Hell Should I Go Tour

Eric Alper
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Alemeda Releases “I’m Over It” Music Video And Announces But Where The Hell Should I Go Tour

Alemeda releases the music video for “I’m Over It”, a raw, intimate journey through the streets of New York City that mirrors the emotional turbulence of ending a close friendship. The visual follows Alemeda from pain to quiet acceptance against the city’s chaotic energy, with stripped-down production highlighting the vulnerability of saying goodbye. “This was one of the most emotional videos I’ve ever shot,” Alemeda shares. “This song is about realizing you can’t help someone and the heartbreak of accepting that.” The release follows her sophomore EP ‘But What The Hell Do I Know’ via Warner Records/TDE and a standout performance at Tyler, The Creator’s Camp Flog Gnaw.

But Where The Hell Should I Go Tour 2026:
2/18 – Atlanta, GA – Vinyl
2/20 – Washington, DC – The Atlantis
2/21 – Brooklyn, NY – Music Hall of Williamsburg
2/23 – Toronto, ON – TD Music Hall
2/24 – Chicago, IL – Backline
2/26 – Los Angeles, CA – The Roxy

Teenage Bottlerocket Announce ‘The Invisible Man’ EP With “City At Night” Single Out Now

Eric Alper
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Teenage Bottlerocket Announce ‘The Invisible Man’ EP With “City At Night” Single Out Now

Teenage Bottlerocket announce their new EP ‘The Invisible Man’, arriving March 6 via Pirates Press Records with lead single “City at Night” streaming now on all major platforms. The four-song release features unreleased material from the same sessions that produced their 2025 smash hit LP ‘Ready To Roll’, recorded at The Blasting Room in Fort Collins with Andrew Berlin handling recording and mixing and Jason Livermore mastering. Each of the band’s three singer-songwriters contributed tracks to the EP, showcasing the range that has kept fans coming back.

Bassist Miguel Chen wrote the title track, tapping into mid-tempo new wave influence while using cinematic imagery to express his need to disappear from the chaos of the modern world. “Despite spending my life surrounded by people I love, my family, my band, my friends, I’ve learned that I need a lot of alone time to stay balanced and happy,” Chen says. “Time alone is great for your well-being. I highly recommend it. Also, I love old horror movies.” Guitarist Ray Carlisle contributes a track inspired by his kid wearing a Less Than Jake shirt to school when a substitute teacher asked him to name a song. “My kid came home all bummed out and said ‘You Made Me Get Called A Poser,'” Carlisle explains. He also wrote EP closer “City At Night”, previously available on an ultra-limited 7″ included with the Deluxe Edition of ‘Ready To Roll’, making this the first chance for most fans to own a physical copy. Guitarist Kody Templeman rounds out the EP with “Pembrey’s Face”, another nod to the band’s love of horror fiction. “I’ve always been a big fan of the Hannibal Lecter movies based on the Thomas Harris novels,” Templeman says.

‘The Invisible Man’ is available for pre-order on 7″ bone vinyl, violet vinyl, and black vinyl from Pirates Press Records, with magenta vinyl exclusive to the band’s merch table on tour. The release comes packaged with artwork by longtime collaborator Oscar Puig.

Puscifer Release “ImpetuoUs” As Final Preview Of ‘Normal Isn’t’ Album Arriving February 6

Eric Alper
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Puscifer Release “ImpetuoUs” As Final Preview Of ‘Normal Isn’t’ Album Arriving February 6

Puscifer release “ImpetuoUs”, the third and final preview of their highly anticipated album ‘Normal Isn’t’, arriving February 6 via Puscifer Entertainment/Alchemy Recordings/BMG. “I’m looking forward to hearing where this song takes people,” Maynard James Keenan says. “As the writers, we forget that in a way, we are carpenters and that we’ve been with this song since it was a pile of lumber. Our perspective may differ from the final occupant of this space we’ve constructed. Shelter, bridge or gallows, coffin? Curious to find out.” The accompanying visualizer offers a first look at the Puscifer comic book series “Tales From The Pusciverse”, with the debut issue spotlighting character Bellendia Black, originally introduced in the “Pendulum” video. The band previously released two tracks from the 11-song album: “Self Evident”, which Stereogum called gnarly while noting Keenan and Carina Round operatically growl on the four-minute outing, and “Pendulum”, a nod to the post-punk underground of the 1980s that Consequence said sounds like the lovechild of Bauhaus and Sisters of Mercy.

Written and recorded across Arizona, Los Angeles, and on the road during last year’s Sessanta tour, the album blends dark electronics and sharp humor Puscifer is known for with a more spontaneous creative process. “From the outset, we had discussed an element of rawness and edge, which guitar brings,” shares Mat Mitchell, who co-produced the album. “We got rid of the guard rails and made the music more aggressive.” Keenan adds that ‘Normal Isn’t’ reflects this time we are living in. “As storytellers and artists, our job is to observe, interpret, and report. We take in our environment and share what we see, and what we see around us does not appear normal. Not by a long shot.” Album guests include Greg Edwards on bass, Gunnar Olsen on drums, Sarah Jones on drums, Tony Levin on bass for “Normal Isn’t” and “Seven One”, Danny Carey on drums for “Seven One”, and Mr. Ian Ross, father of Atticus Ross, who narrates “Seven One”. The album is available for pre-order and pre-saves in multiple limited-edition vinyl variants including standard black, indie retail orange swirl, a Zia Records tan smoke exclusive, and a Puscifer.com-only black ice and clear with black splatter, alongside CD, cassette, and digital formats.

Aeternum Release Garage Cover “#1 Crush” And Announce Rust And Revelations Tour With VentanA

Eric Alper
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Aeternum Release Garage Cover “#1 Crush” And Announce Rust And Revelations Tour With VentanA

Modern rock band Aeternum release their latest single “#1 Crush”, a powerful re-imagining of the iconic Garbage track accompanied by a music video. All of Aeternum’s music comes produced by multi-platinum artist and producer Scott Wilson, who leads the creative team alongside Billy Dale at Random EQ, with the band tracking all material at Sunshine Studios Live in Colorado Springs. “Our latest single, ‘#1 Crush’ (originally by Garbage), is a heartfelt tribute to one of our greatest inspirations,” Jose Tinajero shares. “Arranging the song is our way of honoring Garbage’s influence on our music and expressing our deep admiration for their musical contributions.” The band takes time to thank their growing fanbase, stating, “We want to take a moment to sincerely thank our incredible ‘Eternals’ for your unwavering love and support. Through every challenge, your encouragement has been our anchor to keep going. To all the bands and artists who took us under their wing this past year and helped us grow, we are eternally indebted.”

Aeternum hits the road this spring in direct support of VentanA on the Rust and Revelations Tour, bringing their high-energy live show to audiences nationwide starting March 1 at The King of Clubs in Columbus. The tour runs through March 24 at Wildwood in Iowa City, hitting Preserving Underground in New Kensington, Nikki Lopez Philly in Philadelphia, Dingbatz in Clifton, Racehorse Tavern in Thomasville, Riffhouse Pub in Chesapeake, Ground Zero in Spartanburg, 529 in Atlanta, West End Trading Company in Sanford, Brass Mug in Tampa, Jack Rabbits in Jacksonville, Alabama Music Box in Mobile, Scout Bar in Houston, The Starlighter in San Antonio, Jake’s Sports Cafe in Lubbock, TX Tea Room in Dallas, 89th Street Live in Oklahoma City, Westport Bowery in Kansas City, Reverb Lounge in Omaha, and Wildwood in Iowa City. Looking ahead to 2026, the band declares, “We’re beyond excited to share more music, cause mild hearing damage, and briefly convince you that yelling with strangers is therapy.”

A$AP Rocky Drops “Punk Rocky” Single Ahead Of ‘DON’T BE DUMB’ Album Arriving January 16

Eric Alper
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A$AP Rocky Drops “Punk Rocky” Single Ahead Of ‘DON’T BE DUMB’ Album Arriving January 16

A$AP Rocky returns with “Punk Rocky,” a sharp and confrontational new single that opens the door to his fourth studio album ‘DON’T BE DUMB,’ out now. Written by Rakim Mayers alongside Cristoforo Donadi, Adam King Feeney, and Zach Fogarty, the track leans into grit, tension, and a restless indie edge that cuts straight through the noise.

The song arrives with a striking visual directed by Rocky with Folkert Verdoorn and Simon Becks under their Three Musketeers banner. Produced by Magna Studios, Freenjoy, and AWGE, the video places Rocky at the center of his shifting identities, with appearances from Winona Ryder, Danny Elfman, Thundercat, and A$AP Nast adding gravity and cultural weight to the world he builds.

‘DON’T BE DUMB’ marks Rocky’s first full-length album in eight years and arrives as a statement piece. The cover art, created by Tim Burton in collaboration with Rocky, illustrates six alter egos that reflect defining moments across his career. Each character functions as a chapter, mapping creative risks, personal evolution, and the visual language that has always surrounded his music.

Beyond the studio, Rocky’s year has unfolded across fashion, film, and global stages. He co-chaired the 2025 Met Gala, stepped into the role of creative director at Ray-Ban, and became a house ambassador for Chanel. Performances at Lollapalooza and Camp Flog Gnaw offered early glimpses of this era, grounding the album in live energy and bold presentation.

“Punk Rocky” lands with confidence and teeth, channeling raw instincts and sharp aesthetics into a track that hits hard and stays present. It reads as a deliberate creative pivot, one that brings focus, personality, and momentum into the center of Rocky’s next chapter.

Luke Combs Announces ‘The Way I Am’ Album With New Single “Sleepless In A Hotel Room”

Eric Alper
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Luke Combs Announces ‘The Way I Am’ Album With New Single “Sleepless In A Hotel Room”

Luke Combs releases his new single “Sleepless in a Hotel Room” ahead of his highly anticipated album ‘The Way I Am’, arriving March 20 via Sony Music Nashville. Written by Combs, Randy Montana, and Jonathan Singleton, the track previews a 22-song collection that includes previous releases “My Kinda Saturday Night”, “Days Like These”, “15 Minutes”, “Giving Her Away”, and “Back in the Saddle”. “It’s been a long process getting this thing going, but I’m really proud of this record,” Combs shares. “I’ve loved the song ‘Sleepless in a Hotel Room’ for a long time and it’s been awesome to see how excited the fans are for that one as well.” Produced by Combs, Singleton, and Chip Matthews, ‘The Way I Am’ showcases his powerful, resonant voice and adept storytelling with songs that balance heartfelt vulnerability with anthemic energy, diving deeper than ever into his life behind the scenes, the challenges of balancing family and career, self-doubt and self-belief, and the clarity that comes from focusing on what truly matters.

Combs kicks off his massive My Kinda Saturday Night Tour this spring with sold-out stadium shows across the U.S., U.K., and Europe, including three nights at London’s Wembley Stadium, two nights at Edinburgh’s Scottish Gas Murrayfield, two nights at Ireland’s Slane Castle, two nights at Green Bay’s Lambeau Field, and stops at South Bend’s Notre Dame Stadium, Knoxville’s Neyland Stadium, Columbus’ Ohio Stadium, Paris’ Accor Arena, and Sweden’s Ullevi. The global superstar made history last year as the first country artist to headline both Bonnaroo and Lollapalooza, topping bills at several all-genre festivals including Austin City Limits, Newport Folk Festival, and New Orleans JazzFest. He became the first country artist with two songs earning a billion streams on Spotify, the first with four singles certified RIAA diamond, and recently extended his record for the most consecutive number one singles at country radio as he earned his 20th number one with “Back in the Saddle”, accomplishments that follow his last album ‘Fathers & Sons’, which reflects on his experiences as a dad and the unique bond between parents and their children.

Young Fresh Fellows Announce ‘Loft’ Album With “Destination” Featuring Neko Case On Lead Vocals

Eric Alper
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Young Fresh Fellows Announce ‘Loft’ Album With “Destination” Featuring Neko Case On Lead Vocals

Seattle cult heroes Young Fresh Fellows release “Destination” featuring Neko Case on lead vocals, the second track from their new studio album ‘Loft’, arriving March 27. The album marks the band’s first new studio release since 2020’s ‘Toxic Youth’, recorded at Wilco’s famed Loft studio in Chicago with GRAMMY Award-winning producer and engineer Tom Schick at the helm. Scott McCaughey explains how Case’s involvement evolved organically. “Neko originally came over to sing harmonies. We worked on it for a couple of hours, and she sang all the way through the song,” McCaughey says. “Later, when I was mixing, I muted my vocal just to see what would happen and suddenly the song made more sense. It wasn’t a plan. It didn’t feel like a ‘feature.’ It just sounded better. Eventually we put my voice back in on the choruses, but she’s clearly the lead. It’s probably the first official Fellows song where that’s the case, and I’m totally fine with that.”

‘Loft’ captures the band’s signature wit, fuzz, and rock ‘n’ roll energy over 11 new songs, featuring Scott McCaughey, Kurt Bloch, John Perrin, and Jim Sangster alongside a cast of kindred spirits who lent their magic to the recording. The roster includes John Stirratt from Wilco on harmony vocals, Morgan Fisher from Mott the Hoople on keyboards, Jonathan Segel from Camper Van Beethoven on violin, Jenny Conlee from The Decemberists on accordion and harmony vocals, Mark Greenberg from Eleventh Dream Day on vibraphone, Peter Buck from R.E.M. on 12-string guitar, and Dave “Max” Crawford from Poi Dog Pondering on trumpet. Fully formed in Seattle in 1983 by McCaughey, Sangster, Chuck Carroll, and Tad Hutchison, Young Fresh Fellows became an unexpected college radio favorite with their 1984 debut, building a legacy that continues with this new collection of tracks recorded in one of indie rock’s most celebrated studios.

Cataclysmic Release Second Single “Entropy” Blending Djent Riffs With Atmospheric Shoegaze Textures

Eric Alper
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Cataclysmic Release Second Single “Entropy” Blending Djent Riffs With Atmospheric Shoegaze Textures

Cataclysmic fire back with their second single “Entropy”, following the momentum of their explosive debut “Death Is Just a Doorway”. The rising metalcore force, formed in early 2025 by multi-instrumentalists and producers Ava Toton and Derek Romero, intensifies their sound with a track built on punishing riffs, atmospheric tension, and a fierce emotional core. Blending influences from Spiritbox, Alpha Wolf, Periphery, and Loathe, the duo forges a modern identity rooted in djent-driven guitar work, ambient shoegaze textures, and a dynamic interplay between screamed verses and soaring melodic choruses. Both Ava and Derek share lead guitar duties while commanding all instrumentation and production, with Ava fronting the track with razor-edged vocals supported by Derek’s layered backing screams.

At just 16, California’s Ava Toton brings an impressive, fast-growing catalog including two solo EPs, numerous singles, and a wide range of collaborations. From picking up the guitar at age five under instructor Rafael Macedo to releasing ‘A.V.A.’ in 2021 and ‘Charm School Dropout’ in 2022, she has consistently expanded her sonic universe with 2023 singles “Embers” and “Like a Girl” showcasing her signature mix of intensity and melody. Her 2025 tracks “Decay” and “Phoenix” reveal a shift toward darker, heavier, more intricate production, a trajectory fully realized in Cataclysmic where her emotional storytelling, sharp riffing, and modern metalcore sensibilities reach a powerful new peak. Texas native Derek Romero, now 15, has rapidly evolved from a prodigious young guitarist into a fully developed songwriter and producer whose sound centers on blistering riffs, groove-heavy breakdowns, and tight rhythmic control. Derek’s weighty, percussive approach blends seamlessly with Ava’s melodic shredding and dynamic vocal delivery, shaping Cataclysmic’s unmistakable identity as a fusion of youthful ambition and professional-level execution that reinforces their arrival as one of metalcore’s most promising new acts.

DARSOMBRA Presents Two-Day Transmission Festival Celebrating Ann Everton At Baltimore’s Ottobar

Eric Alper
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DARSOMBRA Presents Two-Day Transmission Festival Celebrating Ann Everton At Baltimore’s Ottobar

DARSOMBRA announces Transmission, a two-day festival celebrating the life and art of Ann Everton, taking place February 28 and March 1 at Baltimore’s Ottobar. The gathering honors Everton, who tragically passed away in a vehicle accident in early October when the band was beginning their latest tour. Brian Daniloski, Everton’s husband and founding DARSOMBRA member, worked directly with Ottobar staff and several artists to organize the event, bringing together almost thirty acts who are friends of the band to perform in Everton’s memory. Two full days of performances will take place on both upstairs and downstairs stages, featuring a large contingent of Baltimore area friends including Acoustic War On Women, Curse Consumer Culture, Moth Broth, 50′ & The Worms, Quattracenta, Holy Fingers, and Celebration, alongside acts from beyond the local scene like Cultic and Stinking Lizaveta from Pennsylvania, Ala Muerte and Gridfailure from New York, and more.

DARSOMBRA also unveils a new video for “Mellow Knees” from their sprawling 2xLP ‘Dumesday Book’, one of the final pieces of visual art Ann Everton completed before her passing. The video captures a wide array of nature footage and more she filmed over various tours supporting the album during the past few years. “This video was completed in 2024,” Daniloski reveals. “It is the ending sequence of what was supposed to be the Dumesday Book video album. Ann wanted to create a video for every song on the 75-minute album and have them all connect its pandemic-tymes storyline, from when we were all told to shelter in place in Spring 2020, to its conclusion about a year or so later, which, for DARSOMBRA and this video, meant being able to leave our home to go back out on the road and tour again. She had completed videos for over half of the album, including this one, before her passing in October 2025.”

Tigers Jaw Share “Ghost” Ahead Of ‘Lost On You’ Album Arriving March 27

Eric Alper
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Tigers Jaw Share “Ghost” Ahead Of ‘Lost On You’ Album Arriving March 27

Tigers Jaw release “Ghost”, the gripping latest single from their upcoming album ‘Lost on You’, arriving March 27 via Hopeless Records. Ben Walsh explains the song stemmed from a chance run-in with someone he grew up with, an encounter that would have been warm and cherished at one point but held no significance after the slow steady passage of time and growing apart. “The quick flash of memories with this person felt like a glimpse into a past life, or like seeing a ghost,” Walsh says. “Some people don’t stay in your life forever and that’s OK, but it’s very interesting which memories get dredged up when you see a once familiar face.” The track follows lead single “Head is Like a Sinking Stone”, released in early December to praise from Rolling Stone, Alternative Press, Stereogum, Brooklyn Vegan, and The Needle Drop.

‘Lost on You’ was produced and engineered by longtime collaborator Will Yip at his famed Studio 4 in Philadelphia, continuing what fans have always loved about Tigers Jaw with powerful pounding rhythm sections, melodic leads that shift from instrument to instrument, and interchanging overlapping vocals. The record exists decidedly in the present while remaining deeply embedded in their history, with moments that would feel at home sung along to at the defunct Scranton venue Test Pattern or in huge halls like Philadelphia’s Union Transfer, a venue probably ten times as large that the band now sells out. The scene’s present moment owes a lot to Tigers Jaw, whose contributions have helped pave the way for this entire world as the group continues forward.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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