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Meta’s Bold Move As Free Expression Gets a Facelift

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In a bold pivot toward prioritizing free expression, Meta has announced sweeping changes to how content is handled across Facebook, Instagram, and Threads. At the heart of these changes is a shift from third-party fact-checking to a Community Notes model, alongside new policies that aim to reduce censorship and empower users to personalize their experiences with political content. It’s a recalibration of Meta’s approach to moderation, inspired by lessons learned over years of complex, and often criticized, systems of content management.

Meta’s decision to phase out its third-party fact-checking program in the United States marks a significant departure from its strategy since 2016. Initially launched to counter viral hoaxes and misinformation, the program has faced backlash for its perceived bias and overreach. “We didn’t want to be the arbiters of truth,” Meta explains. “But over time, our system became too restrictive, often censoring legitimate political speech and debate.” With Community Notes, Meta hopes to mirror the success of X (formerly Twitter), where a diverse community contributes context to posts without imposing heavy-handed censorship. The notes will be collaboratively written, rated, and transparently displayed, ensuring multiple perspectives are considered.

Alongside this, Meta is rethinking its approach to enforcing content rules. For years, automated systems flagged and removed content at scale, but this led to significant errors and frustrations for users. According to Meta, millions of pieces of content are removed daily, with as many as 10-20% of these actions potentially being mistakes. To address this, the company is narrowing its enforcement focus to high-severity violations like terrorism, fraud, and child exploitation. Lesser infractions will now rely on user reporting before action is taken, and stricter thresholds will be applied for demotions or removals.

This overhaul extends beyond just the rules—it also shifts the way political content is handled. Since 2021, Meta reduced the visibility of civic content in users’ feeds after complaints about its overwhelming presence. Now, it’s adopting a more personalized approach. Users who want more political content can signal their preferences, while others can opt for a quieter feed. Content from followed accounts will be treated like any other post, and recommendations will be tailored using explicit and implicit user feedback. This marks a move away from blunt algorithms toward a nuanced system that respects individual choice.

Meta’s changes come with an acknowledgment of past mistakes and a renewed commitment to free expression. In his 2019 Georgetown University speech, CEO Mark Zuckerberg emphasized that free speech drives progress, even when it’s messy. “More people having a voice may create division, but it’s also what brings us closer to the truth,” he argued. These updates aim to align Meta’s policies with that ideal, creating platforms where billions can speak freely without unnecessary barriers.

Critics may still question the potential for bias in Community Notes or the risks of reduced moderation, particularly in the context of misinformation. However, Meta’s transparent approach to sharing metrics and mistakes may help alleviate concerns. By shifting trust and safety teams to new locations and employing advanced technologies like AI large language models for content review, the company is positioning itself as more responsive and adaptable than ever.

These updates represent a turning point for Meta’s platforms. By scaling back overreach and enabling more speech, Meta is doubling down on its role as a forum for open dialogue. It’s a gamble on the power of free expression—a bet that the good, bad, and ugly of billions of voices will ultimately push society forward.

Acclaimed Guitarist Popa Chubby & Friends Celebrate a Guitar Legend on ‘I Love Freddie King’ Album

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Gulf Coast Records proudly announces the March 28, 2025, release of I Love Freddie King, the new album from acclaimed guitarist Popa Chubby, featuring special guests Joe Bonamassa, Christone “Kingfish” Ingram, and Mike Zito. CD pre-orders are now available at Popa Chubby’s website: https://www.popachubby.com/; digital pre-orders will be available starting January 31.

I Love Freddie King was recorded at G.B.’s Juke Joint, produced by Popa Chubby, with Mike Zito as executive producer. The album was mixed by V.D. King and mastered by David Farrell.

“To say I was dreaming about doing this record for 30 years would be an understatement,” writes Popa Chubby in the album’s liner notes. “I remember being 18, playing guitar for a year or two, and an older cat in the neighborhood telling me I had to check out Freddie King. I immediately listened to ‘Hideaway’ and ‘Have You Ever Loved a Woman,’ and my mind was changed forever. Years later, I signed with Sony Records and covered ‘Palace of the King’ and ‘Same Old Blues’ from the Getting Ready album. However, it wasn’t until early last year when the muse hit me and the idea of having some of the greatest pickers in the world join me in celebrating the Texas Cannonball.

“I started putting a list of songs together. I had to include some of the early guitar instrumental stuff, the Leon Russell-era Shelter Records material, and absolutely the Mike Vernon-era Burglar record. Freddie was a multifaceted artist who branched genres and blues, blowing the doors off anything he touched. He was pure, unmitigated soul, sweat, and muttonchops.

“I wanted more than anything to do this music justice, so I set out to put together a core band with some of the greatest players in the business: Michael Merritt on bass, Andrei Koribanics III on drums, and Mike DiMeo on keyboards.

“We gathered at G. Bluey’s Juke Joint in Long Island City for a three-day lockdown and tracked 11 of Freddie’s greatest songs. We were then graced with the love of Joe Bonamassa, Mike Zito, Christone ‘Kingfish’ Ingram, Eric Gales, Albert Castiglia, Arthur Neilson, and V.D. King, who all made incredible contributions to these recordings.

“Let me tell you, it’s been a journey! Halfway through these recordings, I was crippled by a rare spinal disorder that left me with a 90 percent chance of paralysis. I underwent surgery and am walking and recovering!”

Popa Chubby summed it all up by declaring: “I love Freddie King! We all love Freddie—the Texas Cannonball, the missing link between blues and rock. To quote Eric Clapton: ‘I was into white rockers mostly, then I heard Freddie King, and I knew where I belonged. I was over the moon.’ And I can say that in 1976, I was turned on to ‘Just Pickin,’ and it changed my soul forever. Cut to 2024: I tell Zito I want to do a Freddie tribute record—can you help me round up some guests? ‘Gimme a wish list,’ says Zito, and we got to work. The result is a spectacular offering that revisits every phase of Freddie’s vast repertoire with some of my favorite musicians. And yes, we all love Freddie King.”

MUSICIANS:

Popa Chubby – Guitars and vocals
Mike Merritt – Bass
Andrei Koribanics III – Drums
Mike DiMeo – Keyboards
Harold Horowitz – Trumpet
Curtis Hotgrefe – Tenor and baritone saxophones
Band vocals – Eliza Neals (appearing courtesy of E.H. Records)

Tracklist
I’m Going Down (featuring Joe Bonamassa)
Love Her with a Feeling (featuring Albert Castiglia)
My Credit Didn’t Go Through (featuring Eric Gales)
Big Legged Woman (featuring Christone ‘Kingfish’ Ingram)
She’s a Burglar (featuring Mike Zito)
Hideaway (featuring Arthur Neilson)
The Stumble (featuring Albert Castiglia)
San Ho Zay (featuring Arthur Neilson)
Pack It Up with Popa Chubby and The Beast Band
Heads Up (featuring Arthur Neilson)
Same Old Blues (featuring V.D. King)

Listen To How Radio Caroline Launched In 1964

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Step back in time and relive the magic of 1964 with Radio Caroline’s first broadcast! As the pioneering pirate radio station, it defied the BBC’s monopoly and revolutionized music broadcasting in the UK. Experience the audacious spirit that brought album-oriented rock and unfiltered pop hits to millions of listeners, forever changing the airwaves.

5 Surprising Facts About Def Leppard’s “Pyromania”

Def Leppard’s Pyromania was released on January 20, 1983, and immediately propelled the band from their heavy metal roots into the pop-metal stratosphere. Anchored by three unforgettable singles—“Photograph,” “Rock of Ages,” and “Foolin’”—the album became a cultural phenomenon. Let’s dive into five fascinating facts about these iconic tracks that cemented Pyromania‘s place in rock history.

1. “Photograph” and the Mystery of Marilyn Monroe

While many believe “Photograph” is a tribute to Marilyn Monroe, lead singer Joe Elliott has clarified that it’s more universal—a yearning for something unattainable. The song’s shimmering production, courtesy of Robert John “Mutt” Lange, married its pop sensibility to a rock foundation, creating a sound that dominated MTV and radio. It became Def Leppard’s first U.S. Top 20 hit, setting the stage for the band’s meteoric rise.

2. The Legendary Gibberish in “Rock of Ages”

The iconic opening of “Rock of Ages”—“Gunter glieben glauten globen”—is pure nonsense created by producer Mutt Lange. It replaced the traditional count-in for a fresh, quirky twist. This odd phrase later inspired The Offspring’s “Pretty Fly (For a White Guy)” and added a playful edge to a track that’s otherwise a powerful anthem about seizing life’s moments.

3. “Foolin’” and the Harpist Without Eyes

The music video for “Foolin’” featured Perri Lister, Billy Idol’s then-girlfriend, playing a harp with her eyes closed. This fantastical element added to the song’s surreal vibe, blending the band’s heavy riffs with its emotional balladry. A mid-tempo rocker, “Foolin’” showcased Def Leppard’s range and became a Top 10 hit on the Mainstream Rock chart.

4. The Neil Young Connection in “Rock of Ages”

Joe Elliott’s spoken lines in “Rock of Ages”—“It’s better to burn out than to fade away”—pay homage to Neil Young’s “My My, Hey Hey (Out of the Blue).” These lyrics gained even greater significance when they were referenced in Highlander and Kurt Cobain’s tragic farewell note, weaving Def Leppard into rock’s larger tapestry of cultural moments.

5. A Recording Revolution

Pyromania broke new ground in studio production. The album was recorded in an unconventional order, with bass and guitars laid down first to a click track provided by a Linn LM-1 drum machine, followed by live drum tracks. This approach allowed for endless refinement, and producer Mutt Lange’s meticulous attention to detail ensured that every layer of sound was polished to perfection. The result? A sonic masterpiece that has been certified diamond and continues to inspire generations of musicians.

With tracks like “Photograph,” “Rock of Ages,” and “Foolin’,” Def Leppard redefined what rock could be on Pyromania, blending emotion, experimentation, and energy. Listening to Pyromania remains like opening a time capsule of ‘80s rock brilliance.

Steely Dan’s ‘Katy Lied’ To Be Released In Definitive Ultra High Quality Record Vinyl

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Acoustic Sounds announces their latest high quality reissue, Steely Dan’s groundbreaking fourth studio album, Katy Lied. This gold-selling classic, originally released in 1975, has been meticulously remastered for an Ultra High Quality Record (UHQR) reissue, the pinnacle of vinyl craftsmanship. Available on January 31st, 2025, and available for pre-order HERE, the release is the latest installment of Acoustic Sounds’ ongoing series, which has featured releases from Steely Dan’s Can’t Buy a Thrill, Countdown to Ecstasy, Pretzel Logic, The Royal Scam, Aja and Gaucho since September 2022. “This could be the best vinyl record I’ve ever heard,” said Bob Lefsetz, on Acoustic Sounds’ UHQR edition of Can’t Buy a Thrill. “This is rarefied air. Not only is this a classic album that has stood the test of time, this is not the vinyl you see in your clothing store, not even in your record store.”

Katy Lied’s vinyl release is presented in a premium package featuring tip-on, old-style, gold-foil, individually-numbered, double-pocket gatefold jackets with film lamination by Stoughton Printing, all housed in an elegant slipcase with a wooden dowel spine. This definitive edition is limited to 20,000 numbered copies, ensuring an exclusive listening experience for true collectors and Steely Dan fans alike.

Formed by Walter Becker and Donald Fagen, Steely Dan redefined the boundaries of rock and jazz fusion with their sophisticated compositions and meticulous studio production. Pitchfork described Katy Lied as “a turning point where Steely Dan became something else entirely,” praising its thematic explorations of betrayal, disillusionment, and sophistication. Mastered directly from the original master tape by legendary engineer Bernie Grundman, Katy Lied is pressed on 200-gram Clarity Vinyl® at Quality Record Pressings. With its purest possible sound reproduction, this UHQR release delivers Steely Dan’s polished jazz-rock fusion in stunning clarity and depth.

Featuring iconic tracks like the upbeat yet biting “Black Friday,” the poignant ballad “Doctor Wu,” and the catchy groove of “Bad Sneakers,” Katy Lied captures Steely Dan at the height of their creative powers. The album is lauded for its intricate production, innovative use of top-tier session musicians, and complex yet accessible melodies. It also marks the debut of Michael McDonald’s signature vocals within the Steely Dan soundscape.

For over forty years, Acoustic Sounds has championed the art of vinyl, reissuing historic recordings with the utmost care and precision. The company was founded by Chad Kassem, whose unlikely journey from a small apartment-based vinyl resale operation to the helm of the world’s largest vertically integrated vinyl production facility has transformed the high-end audio industry. His Salina, Kansas-based company houses Acoustic Sounds in its entirety, a reissue label (Analogue Productions), state-of-the-art pressing plant (Quality Record Pressings), a mastering facility (The Mastering Lab at Acoustic Sounds), a recording studio and concert venue (Blue Heaven Studios), print shop (Consolidated Printing) and original recordings label (APO Records). Kassem’s relentless dedication to sound quality and preservation of historical recordings has made Acoustic Sounds a trusted source for high-fidelity music.Today, the company presses over a million records each year, bringing legendary labels and artists – from Verve, Impulse, Atlantic and Contemporary Records, to John Coltrane, Jimi Hendrix, Steely Dan and The Doors – as they’ve never been heard before to fans worldwide. Chad Kassem’s commitment to excellence has redefined the boundaries of high-quality vinyl production and built an empire grounded in authenticity and quality.

Katy Lied Tracklisting

Black Friday
Bad Sneakers
Rose Darling
Daddy Don’t Live in That New York City No More
Doctor Wu
Everyone’s Gone to the Movies
Your Gold Teeth II
Chain Lightning
Any World (That I’m Welcome To)
Throw Back the Little Ones

 

‘We Rate Dogs’ Pays Tribute To The Only Thing We Could Rely On In 2024

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“This year, we couldn’t count on much. Except the dogs,” says Matt Nelson as he and West Webb’s tribute is a joyful, tear-jerking masterpiece, all set to the gentle beauty of The Paper Kites’ ‘Bloom.'”

Game of Thrones Meets Classical Guitar With Soren Madsen’s Hypnotic Cover

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Imagine the epic Game of Thrones theme, but now picture it on classical guitar in a stunning church. That’s exactly what Danish musician Soren Madsen delivers. Absolutely unforgettable.

The Influence of Casino Culture on Music: A Deep Dive

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By Mitch Rice

The Influence of Casino Culture on Music: A Deep Dive

Casinos draw people in, not just for the games but for the energy they create. The lights, the sounds, and the constant buzz of excitement make them places where anything feels possible. 

This atmosphere doesn’t just captivate gamblers—it also sparks ideas for musicians. While the connection isn’t always obvious, dig a little deeper, and it’s clear how much this unique culture has influenced songs across genres.

The Mystery and Drama of Casinos

Casinos are places where strategy and risk collide. Beneath the shiny lights and luxury lies a world where every move matters and the outcome is never guaranteed. Musicians often turn to this environment for inspiration, using its tension and unpredictability to create songs that resonate with real-life struggles and decisions.

Poker Face by Lady Gaga is an excellent example of how gambling metaphors can explore emotional control. The song focuses on keeping a straight face like a player in a blackjack game concealing their hand. It taps into the tension and mental game behind gambling, making it relatable to anyone who has ever needed to mask their emotions to maintain control.

Blues and rock musicians take a more grounded approach, often using casinos as a setting to tell stories about risk and consequences. Blues tracks frequently highlight the struggles of taking chances, whether in gambling or life, while rock songs channel the adrenaline and stakes into high-energy performances. The unpredictability of casinos provides a relatable backdrop for exploring personal challenges and victories.

This mix of glamour, strategy, and uncertainty makes casinos a natural source of inspiration for musicians. Their songs often reflect the high stakes and the calculated risks of life, drawing on the emotions and decisions that are universal to us all.

The Vibrant Energy and Flashy Atmosphere

The buzzing energy of a casino is hard to ignore. It’s a sensory experience—flashing neon lights, the sounds of coins cascading, and the murmur of anticipation from the crowd. This lively atmosphere has inspired songs that embody its unrelenting vibrancy.

Elvis Presley’s Viva Las Vegas is perhaps the most iconic tribute to the energy of casinos. The song captures the essence of Las Vegas as a city that never sleeps, celebrating its nonstop excitement and magnetic appeal. Presley’s performance and the song’s upbeat tempo make it a timeless anthem for the Las Vegas lifestyle.

The Glamour and Luxury of Casinos in Music

Casinos have long been synonymous with luxury, and their glamorous appeal has left an indelible mark on music. The atmosphere of elegance and sophistication has inspired countless songs, especially in genres like jazz and big band. Musicians often draw on this aesthetic to create polished, timeless, and classy music.

Frank Sinatra’s Luck Be a Lady is a perfect example. This classic captures the refined charm of high-stakes gambling, painting a picture of suave confidence and poised determination. Sinatra became a cultural icon linked to Las Vegas, helping establish the city as a hub of elegance and entertainment. His music reflected the allure of the casino lifestyle, blending sophistication with a sense of risk and reward.

This influence wasn’t limited to Sinatra. The broader jazz genre has often mirrored the luxury and class of casino culture. The genre’s smooth rhythms and refined melodies perfectly complement the lavish settings of casinos, making them a natural pairing.

The Thrill of Risk and Reward

The stakes in a casino are more than financial—they’re emotional. That rush of placing everything on the line, the heartbeat pause as the roulette wheel slows, and the crushing weight of a loss or the jubilation of a win creates a unique tension that has inspired some of music’s most memorable works, capturing the universal highs and lows of taking risks.

Kenny Rogers’ The Gambler transforms a poker game into a life lesson, offering wisdom on risk, timing, and knowing when to walk away. It’s more than a song about cards; it’s a metaphor for navigating life’s uncertainties with grace and strategy. Its storytelling strikes a chord with listeners of all ages, who recognise the parallels between gambling and the choices we face daily.

Rock and pop have also embraced this tension, finding creative ways to channel the casino floor’s adrenaline. AC/DC’s The Jack uses gambling metaphors to explore personal relationships, blurring the lines between literal and figurative risks. 

These songs resonate because they tap into something everyone understands—the gamble of life itself. Whether it’s about chasing dreams, navigating relationships, or making difficult decisions, the thrill of risk and reward is deeply human. The casino’s ability to amplify these feelings makes it a natural source of inspiration, ensuring that this theme continues to thrive in music.

Conclusion

The ambience and allure of casinos have inspired musicians across genres to create songs that capture their energy, glamour, mystery, and complexity. Music has a unique way of translating the sensory experience of casinos into relatable stories and emotions. Casino culture continues to shape music in ways that resonate with audiences worldwide, whether it’s the thrill of risk, the charm of luxury, or the drama of strategy. Exploring these songs offers entertainment and a glimpse into the fascinating world of casinos through the lens of creativity.

 

Selena Gomez on Engagement to Benny Blanco, And Talks About Martin Short & Steve Martin’s Reactions

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Selena Gomez talks to Jimmy Kimmel about being nominated for two Golden Globes, feeling awkward at award shows, being excited to see Salma Hayek, getting engaged to Benny Blanco, spending the holidays with family, what she gets everyone for gifts, doing a fever dream dance sequence in new movie Emilia Pérez, and Jimmy gives Selena and Benny an engagement gift.

Katie Nolan to Launch New SiriusXM Podcast, “Casuals”

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Emmy-winning host and “opinionist” Katie Nolan is back at the mic with a new SiriusXM podcast, “Casuals,” a series for fans that want to talk sports without feeling like they need to be an expert. “Casuals” will cover the wide world of sports and everything it touches, especially the stories that bridge sports and pop culture, without getting into the analytics and X’s and O’s talk that can feel like homework for many casual fans.

Starting January 21, “Casuals” will debut two episodes hosted by Nolan each week. The Tuesday edition will feature Katie reacting to the most newsworthy sports moments of the week, highlighting the notable performances on the field and the storylines surrounding the athletes off it. On Thursdays, Katie will be joined by different guests from sports, comedy and entertainment to better understand their sports fandom, however big or small, and to dive into the trending topics within their world.

Episodes of “Casuals” will be available on the SiriusXM app and all major podcast platforms. Listen to the trailer for “Casuals” here.

“I find that sports shows tend to talk about sports in a very specific way — stats, power rankings, gambling odds — while pop culture shows rarely talk about them at all,” said Nolan. “With ‘Casuals,’ I hope to bridge that gap a little, talking with some of the funniest people I know about sports in a way that feels more welcoming to the casual fan. I want to help more people connect with sports, and I’m excited that SiriusXM does, too.”

“Katie is a uniquely versatile talent, equally informed and entertaining on sports and pop culture,” said Eric Spitz, Vice President, Sports Programming for SiriusXM. “There is nobody better to host a podcast like this one, which is perfect for those casual fans who want to talk about the bigger storylines that touch sports, without needing to know about passer ratings or pitching rotations.”

A dynamic and singular talent, Nolan is known for her sharp, irreverent, and highly knowledgeable voice in sports, culture and beyond. Most recently, Katie was a standout contestant on Celebrity Jeopardy!, where she earned a spot in the finals. She also co-hosted the limited series podcast “91st Minute” about the 2023 Women’s World Cup for Just Women’s Sports. Previously, Katie served as a commentator in the booth for Friday Night Baseball for Apple TV+, and worked as a correspondent for NBC Sports during the 2022 Winter Olympics, appearing across all NBC Sports platforms and The TODAY Show. From 2017-2021, Nolan was at ESPN, serving as a television, streaming and podcast host across various programs and platforms, including her own weekly sports comedy show, “Always Late with Katie Nolan.” Before joining ESPN, she was at Fox Sports 1, where her show “Garbage Time with Katie Nolan” won a Sports Emmy for Outstanding Social TV Experience. In addition, Nolan hosted “NFL Films Presents,” provided content for FoxSports.com and was one of the original hosts on “Crowd Goes Wild” alongside Regis Philbin.