Dale Watson returns with the new album ‘Unwanted,’ a hard-edged collection of Ameripolitan country that continues his lifelong devotion to honky-tonk tradition. The album is out now via 40 Below Records, led by the swaggering single “Willie Waylon And Whiskey.”
Written and produced entirely by Watson, ‘Unwanted’ leans deep into the sounds that shaped his career. Honky-tonk, outlaw country, western swing, and rockabilly collide across the record, all delivered with the sharp songwriting and road-tested voice that define Watson’s catalog.
Recorded in Austin and Memphis, the album pulls strength from two cities central to Watson’s musical identity. “Austin taught me how to swing,” Watson explains. “Memphis taught me how to feel.” The sessions feature backing from The Lonestars along with contributions from Celine Lee, Katie Shore, Matt Hubbard, and The Memphians.
The lead single “Willie Waylon And Whiskey” celebrates the rebellious spirit of country’s outlaw era. Watson delivers the track with fearless conviction and classic honky-tonk grit, continuing a tradition he has championed for decades.
With more than 30 albums in his catalog and a touring schedule that still pushes past 300 shows a year, Dale Watson remains one of the most dedicated voices in roots music. ‘Unwanted’ stands as another strong chapter from a lifelong torchbearer of real-deal country music.
UnityTX return with “Enjoy Tha Show,” a hard-hitting new single from the album ‘Somewhere, In Between…,’ which is out now via Pure Noise Records. The track arrives as another powerful step forward for the Dallas metal and hip-hop fusion group, continuing the momentum built from their earlier release “Heinous.”
“Enjoy Tha Show” blends crushing riffs, hip-hop flow, and electronic textures into a relentless sonic attack. The band’s signature hybrid sound lands with raw intensity, fusing metal aggression and rhythmic punch into a track that refuses to sit still.
Frontman Jay Webster, also known as SHAOLIN G, describes the song as a reflection on identity and perception. “‘Enjoy Tha Show’ was crafted to provoke thought on the narratives we embrace as humans,” he explains, exploring the tension between personal expression and outside judgment.
UnityTX have pushed boundaries since forming in 2014, forging a sound that refuses to fit neatly into one genre. That fearless approach carries throughout ‘Somewhere, In Between…,’ a 14-song collection driven by determination and creative freedom.
The album captures the band reconnecting with the energy that defined their early days. The result is a fierce statement from a group continuing to carve its own lane across the heavy music landscape.
Autumn Fires charge forward with “Gone By June,” a punchy pop-punk anthem taken from their EP ‘BLOOM.,’ which is out now via Marshall Records. The Milton Keynes and North London quintet continue building momentum after winning Kerrang! Radio’s ‘The Deal’ competition and landing a coveted slot at Download Festival.
“Gone By June” moves with bright guitars, driving drums, and a chorus built for packed club floors. The track channels the melodic urgency of modern pop-punk while leaning into the high-energy spirit that shaped the band’s early influences. The song lands with infectious hooks and emotional bite.
“For ‘Gone By June’, we wanted to write a song that got every fan up on their feet jumping and moving,” the group explains. “The vision in our head was our fans crowd-surfing and moshing.” The recording also features a playful studio moment with bassist Neil Dowd delivering the opening voice clip.
Autumn Fires formed during the pandemic after vocalist Charlotte Haimes and guitarist Callum Skea began building a new project together. Guitarist Luca Testa, bassist Neil Dowd, and drummer Daryl Humphries soon joined, forming a lineup shaped by shared roots in alternative music and live performance.
Produced by Grammy and Mercury Prize nominated producer Romesh Dodangoda, ‘BLOOM.’ captures the band’s bright melodic instincts and energetic songwriting. “Gone By June” stands as a bold statement from a group bringing fresh momentum to modern pop-punk.
Kappa FuturFestival expands its 2026 edition with the announcement of its Phase Two lineup. The internationally acclaimed electronic music gathering returns July 3-5 to Parco Dora in Torino, Italy, bringing together some of the most influential names shaping global dance music culture.
The newly revealed artists add depth and scale to an already powerful lineup. Solomun returns for his seventh appearance with an extended set, while Peggy Gou, Armin van Buuren, DAPHNI, Disclosure, and Boys Noize join the bill. Electronic music innovator Richie Hawtin also steps back onto the stage with his forward-facing live concept DEX EFX X0X.
Kappa FuturFestival continues its tradition of carefully curated collaborations and rare back-to-back performances. Highlights include Four Tet B2B Skrillex, Floating Points B2B Palms Trax, and Jamie Jones B2B Joseph Capriati B2B Seth Troxler. These collaborative sets remain a defining element of the festival’s programming and creative identity.
The lineup stretches across the spectrum of contemporary club culture. Artists such as Miss Monique, Argy, Carl Craig with Mike Banks, KI/KI, Joe Claussell, DJRUM, and Interplanetary Criminal bring further depth to the program alongside rising names and experimental live acts.
Ranked #6 Best Festival in the World by DJ Mag in 2025, Kappa FuturFestival continues to stand as one of Europe’s most respected electronic music events. Tickets are on sale now for the 2026 edition as thousands of fans prepare to gather in Torino for three days of forward-thinking electronic music.
Lineup: Argy Armin van Buuren Boys Noize Carl Craig ft. Mike Banks DAPHNI Diplo B2B Busy P B2B Tatyana Jane Disclosure (DJ Set) DJRUM Fireground (Live) Floating Points B2B Palms Trax Four Tet B2B Skrillex Gandalf Interplanetary Criminal Jamie Jones B2B Joseph Capriati B2B Seth Troxler Joe Claussell KI/KI Konduku B2B Marco Shuttle Mad Dog B2B CARV Manda Moor B2B Cuartero Miss Monique Nicola Gavino NOVAH Peggy Gou Redrago Richie Hawtin – DEX EFX X0X Solomun (Extended Set) STØØR [Rødhåd, Speedy J & Dasha Rush] Tal Fussman Vendex Vieze Asbak Xiaolin (Live)
The Funeral Portrait launch their first-ever live album, ‘Live From Suffocate City,’ capturing the electrifying atmosphere of their sold-out hometown performance at The Masquerade in Atlanta. The release arrives alongside a live video for “Stay Weird,” bringing the band’s theatrical stage energy directly to fans everywhere.
The emo-rooted rock group built massive momentum with three #1 rock singles. “Holy Water,” featuring Ivan Moody of Five Finger Death Punch, “Suffocate City,” with Spencer Charnas of Ice Nine Kills, and “Dark Thoughts” all climbed to the top of the Billboard and Mediabase rock charts. The run places the group among a rare set of acts whose first three charted songs each reached #1.
‘Live From Suffocate City’ captures the chaos and catharsis of the band’s first “Suffocate City Town Hall Meeting.” The performance delivers dramatic visuals, explosive crowd energy, and fan-favorite anthems delivered with full theatrical force. The recording gives listeners a front-row experience of the band’s powerful live presence.
Frontman Lee Jennings describes “Stay Weird” as a message to the group’s devoted community of fans. “‘Stay Weird’ has always been our love letter to the beautifully strange souls who’ve supported this band from day one,” he said, recalling the moment when the crowd roared the song back during the Atlanta show.
The band continue their massive touring run with appearances on the Alienation tour alongside Three Days Grace, with additional festival stops across Europe and North America. The Funeral Portrait move forward with momentum, bringing their theatrical rock spectacle to stages worldwide.
Track Listing:
Blu-ray / CD
Generation Psycho
You’re So Ugly When You Cry
Paper Mache Man
Blood Mother
Voodoo Doll
Chernobyl
The Crash
Flowers In The Attic
Alien
Stay Weird
Dark Thoughts
Holy Water
Suffocate City
Casanova
Vinyl
Side A
Generation Psycho
You’re So Ugly When You Cry
Paper Mache Man
Blood Mother
Voodoo Doll
Side B 6. Chernobyl 7. The Crash 8. Flowers In The Attic 9. Alien 10. Stay Weird
Side C 11. Dark Thoughts 12. Holy Water 13. Suffocate City 14. Casanova
Side D Artwork
2026 Tour Dates:
Mar 17 – Raleigh, NC – Lenovo Center Mar 18 – St Augustine, FL – St Augustine Amphitheatre Mar 20 – Clearwater, FL – The Baycare Sound Mar 21 – Orlando, FL – Central Florida Fairgrounds
May 29 – Stitching, Netherlands – Vestrock Jun 5 – Nürburgring, Germany – Rock Am Ring Jun 7 – Nuremberg, Germany – Rock Im Park Jun 13 – Hradec Kralove, Czech Republic – Rock For People Jun 18 – Dessel, Belgium – Graspop Jun 21 – Clisson, France – Hellfest Jun 27 – Helsinki, Finland – Tuska Festival Jul 2 – Viveiro, Spain – Resurrection Festival Jul 10 – Gettysburg, PA – Gettysburg Bike Week
Oct 23 – Biloxi, MS – Mississippi Coast Coliseum Oct 25 – Houston, TX – Cynthia Woods Mitchell Pavilion Oct 26 – San Antonio, TX – Frost Bank Center Oct 28 – Rogers, AR – Walmart AMP Oct 30 – Huntsville, AL – The Orion Amphitheater Nov 1 – Nashville, TN – Bridgestone Arena Nov 3 – Peoria, IL – Peoria Civic Center Arena Nov 4 – Indianapolis, IN – Gainbridge Fieldhouse Nov 6 – Tulsa, OK – BOK Center Nov 7 – St Louis, MO – Enterprise Center Nov 9 – Kansas City, MO – T-Mobile Center Nov 11 – Denver, CO – Ball Arena Nov 14 – Nampa, ID – Ford Idaho Center Amphitheater Nov 15 – Spokane, WA – Numerica Veterans Arena Nov 17 – Sacramento, CA – Golden 1 Center Nov 18 – San Jose, CA – SAP Center Nov 20 – San Diego, CA – Viejas Arena Nov 21 – Phoenix, AZ – Talking Stick Resort Amphitheatre Nov 22 – Los Angeles, CA – Intuit Dome
Straight Back Forward return with “Souvenirs,” a fast-moving pop punk single that channels the rush of early 2000s skate-era anthems. The Tokyo and UK-rooted project continues building momentum with the track, which features guest vocals from U-TAN, frontman of Japanese punk mainstays GOOD4NOTHING.
The song hits with speed and heart. Bright guitar hooks race alongside punchy drums while the chorus explodes with singalong energy. The track captures the spirit of classic pop punk, delivering a rush of melody and adrenaline that feels instantly familiar and completely alive.
“SOUVENIRS is a bit of a throwback to early 2000s pop punk,” vocalist Josh explains. “Just a reminder that even pushing 40, we still feel like that nerdy teenager in love.” The recording process brought a new dynamic to the band, marking the first time every instrument on a single was played by members rather than relying primarily on guitarist masasucks.
The collaboration with U-TAN came together naturally while the band recorded vocals in Osaka. “We were recording vocals in Osaka and U-TAN just happened to be hanging out at the studio,” Josh recalls. “With a bit of arm-twisting he jumped on the track.”
Formed in Tokyo in 2020 by guitarist masasucks and London-raised vocalist Josh, Straight Back Forward blend influences from Japan and the UK into a melodic punk sound rooted in sweaty clubs, scratched CDRs, and loud guitars. “Souvenirs” continues that momentum with a blast of pure pop punk energy.
The B.O.S. roll out the video for “Ice Cream Cone,” a gritty, blues-soaked rocker that channels the spirit of classic riff-driven rock. The track is the first single from the group’s upcoming album ‘Volume 2,’ arriving later this spring and signaling the next chapter for the veteran hard rock lineup.
“Ice Cream Cone” moves with swagger and groove. Thick guitar riffs drive the track while Adi Argelazi’s commanding vocal cuts through with soul and bite. The song delivers a punch of vintage rock attitude, built on tight musicianship and a rhythm section that locks in with precision.
The B.O.S. lineup features Tom Neely on guitar, Argelazi on vocals, Dylan Wilson on bass, Matt Lesser on drums, and Dave Schulz on keys. Wilson and Lesser also power the rhythm section in Richie Kotzen’s band, while Schulz’s resume includes work with Goo Goo Dolls, Wang Chung, and Berlin.
The band draws deep inspiration from the golden era of 1970s hard rock, leaning into big riffs and blues-rooted grooves. Grammy Award winner Neil Citron handles production and engineering, giving the music a powerful, analog feel that highlights the group’s seasoned chemistry.
“Ice Cream Cone” delivers a raw, guitar-driven blast of rock energy. The track captures the band’s groove-heavy approach and celebrates the timeless power of loud guitars and unapologetic rock attitude.
Arctic Monkeys return with “Opening Night,” their first new song since 2022. The track appears on the charity album ‘HELP(2),’ an ambitious collaborative project supporting War Child UK. The record gathers an extraordinary lineup of artists contributing original recordings for a shared cause.
The song arrives with the quiet intensity and sharp songwriting that define Arctic Monkeys. The music carries a moody pulse and cinematic weight, adding another memorable entry to the group’s catalog while anchoring one of the album’s most anticipated moments.
‘HELP(2)’ expands the spirit of the original 1995 charity album ‘HELP.’ The new collection brings together an expansive lineup that includes Depeche Mode, Olivia Rodrigo, Pulp, Sampha, Wet Leg, Foals, Arlo Parks, Big Thief, and many more. Each artist contributes a track to support War Child UK’s work helping children affected by conflict.
The collaborative energy stretches beyond the music. Damon Albarn, Grian Chatten, and Kae Tempest recorded together with a studio lineup featuring Johnny Marr, Dave Okumu, Adrian Utley, Seye Adelekan, and Ezra Collective drummer Femi Koleoso. An all-star choir also appears on the project, with contributions from Jarvis Cocker, Carl Barat, Declan McKenna, Marika Hackman, and others.
The album’s visual component carries its own emotional weight. Filmmaker Jonathan Glazer led the creative direction, placing cameras in the hands of children to capture moments from the recording sessions and from conflict zones around the world. The result ties the music directly to War Child’s mission to support and protect children affected by war.
Track Listing: Arctic Monkeys – “Opening Night” Damon Albarn, Grian Chatten & Kae Tempest – “Flags” Black Country, New Road – “Strangers” The Last Dinner Party – “Let’s do it again!” Beth Gibbons – “Sunday Morning” Arooj Aftab & Beck – “Lilac Wine” King Krule – “The 343 Loop” Depeche Mode – “Universal Soldier” Ezra Collective & Greentea Peng – “Helicopters” Arlo Parks – “Nothing I Could Hide” English Teacher & Graham Coxon – “Parasite” Beabadoobee – “Say Yes” Big Thief – “Relive, Redie” Fontaines D.C. – “Black Boys on Mopeds” Cameron Winter – “Warning” Young Fathers – “Don’t Fight the Young” Pulp – “Begging for Change” Sampha – “Naboo” Wet Leg – “Obvious” Foals – “When the War is Finally Done” Bat For Lashes – “Carried my girl” Anna Calvi, Ellie Rowsell, Nilüfer Yanya & Dove Ellis – “Sunday Light” Olivia Rodrigo – “The Book of Love”
Yellowcard revive the spirit of early 2000s pop-punk with the video for “Bedroom Posters,” a standout track from the album ‘Better Days,’ which is out now. The new version of the song features Benji and Joel Madden of Good Charlotte, bringing together two defining names from the era that helped shape modern pop-punk.
The song recently delivered Yellowcard their first #1 on the Billboard Alternative Airplay chart. The track carries the band’s signature emotional drive, pairing soaring melodies with the wistful energy that has anchored their catalog for decades. The music hits with heart and melodic force, a reminder of why Yellowcard remain a powerful voice in the genre.
The video leans fully into the song’s nostalgic themes. Posters of Nirvana, classic teen films, and bedroom walls filled with memories recreate the feeling of discovering music during adolescence. William Ryan Key directed the video and brings the concept to life with affectionate detail.
“The new single ‘Bedroom Posters’ is for anyone who holds memories of their hometown near and dear,” Key said. “Have you ever come back to visit your hometown and felt crushed by all the memories that led up to the day you left?” He added that Joel Madden’s vocal contribution lifts the track to an even more powerful level.
With ‘Better Days’ produced by Travis Barker and out now, Yellowcard head back on the road throughout 2026. The run includes shows across Australia and New Zealand with Good Charlotte before launching the Up Up Down Down Tour with New Found Glory and Plain White T’s.
2026 Tour Dates:
Up Up Down Down Tour May 06 – Atlanta, GA – Coca-Cola Roxy May 08 – Hollywood, FL – Hard Rock Live May 13 – Sterling Heights, MI – Michigan Lottery Amphitheatre at Freedom Hill May 16 – Chicago, IL – Salt Shed Outdoors May 17 – Milwaukee, WI – Landmark Credit Union Live May 20 – Denver, CO – JUNKYARD May 21 – Sandy, UT – The Plaza at America First Field May 23 – Bend, OR – Hayden Homes Amphitheater May 24 – Woodinville, WA – Chateau Ste. Michelle May 25 – Airway Heights, WA – BECU Live at Northern Quest May 27 – San Francisco, CA – Bill Graham Civic Auditorium May 28 – Stateline, NV – Tahoe Blue Center May 30 – Las Vegas, NV – BleauLive Theater inside Fontainebleau Las Vegas May 31 – Santa Ana, CA – Observatory Festival Grounds Jun 01 – Phoenix, AZ – Arizona Financial Theatre Jun 04 – Houston, TX – 713 Music Hall Jun 05 – Irving, TX – The Pavilion at Toyota Music Factory Jun 06 – San Antonio, TX – Freeman Coliseum Jun 08 – Nashville, TN – Ascend Amphitheater Jun 09 – Charlotte, NC – Skyla Credit Union Amphitheatre Jun 11 – New York, NY – SummerStage in Central Park Jun 12 – Asbury Park, NJ – Stone Pony Summer Stage Jun 15 – Moon Township, PA – UPMC Events Center Jun 17 – Boston, MA – Leader Bank Pavilion
Poppy returns with ‘Empty Hands,’ a new full-length album out now that pushes her genre-defying sound even further. The alt-pop provocateur continues her rapid evolution, delivering a record that collides nu-metal aggression, synth-driven pop, and alternative rock textures. It is the seventh studio album from the two-time Grammy-nominated singer, songwriter, and performance visionary.
From the opening pulse of “Public Domain,” the album moves with restless momentum. Distorted guitars surge beside shimmering electronic layers while Poppy’s voice shifts between melodic calm and sharp-edged intensity. The music lands with fearless energy, another bold step in a catalog built on transformation and risk.
Tracks like “Bruised Sky” and “Dying to Forget” drive the album’s heavier moments forward with grinding riffs and relentless percussion. The sound connects directly to the experimentation that helped earn Poppy a Grammy nomination for her collaboration with Knocked Loose on “Suffocate.” The balance between aggression and atmosphere gives the record its striking identity.
Producer Jordan Fish, formerly of Bring Me The Horizon, returns as a key collaborator following his work on the earlier album ‘Negative Spaces.’ Together they expand Poppy’s sonic palette, shaping a record that moves freely between metallic force and sleek pop construction.
‘Empty Hands’ stands as another fearless statement in Poppy’s catalog. The album carries sharp production, unpredictable songwriting, and a bold sense of sonic adventure that keeps listeners on edge from start to finish.
